#cin��aste

[a-z0-9-i-n-gram-completionist]

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NTER NTIF NTIN NTIR NTLE NTRA NTRU NUGG NUMB NWRE NYLB NYMO NYON NYTH O4TH OACE OAST OBAB OBBL OBEL OBIL OBSE OCAL OCKE OCTO ODDA ODDL OESN OFFE OGIE OHAZ OING OISO OLDS OLIF OLIV OLKS OLLO OLOG OLOU OMEN OMEO OMET OMIS OMME OMPL OMPT ONAB ONAL ONCE ONDU ONEB ONED ONER ONFI ONIC ONIN ONLY ONTR ONYM OOMS OORS OOSE OOTS OPER OPHI OPLE OPPE OPTI OPUL ORAT ORCE ORCI ORDA ORDO OREA ORES OREW ORKI ORNA ORNE ORNI ORPO ORSE ORTO OSTS OTAT OTES OTHE OTHI OTJP OTTE OTTO OUGH OULD OULI OUND OUNT OURS OURT OV07 OVEL OVID OWIN OWLE OWLY OYBE OYED OYOU PAPE PARA PARE PARM PARS PEAR PECI PEED PEEL PENE PENG PENS PEOP PEPP PERA PERS PHAL PHIC PHON PICR PIEC PINC PING PLAI PLAN PLEA PLER PLET PLEX POIS POKE POLL POLO POON POPU PORA PORC PORT POST POTA POTT POUR PPEA PPED PPEN PPER PPRE PREP PRES PRET PREV PRIC PRIN PROB PROL PROM PROU PROV PTIO PUKI PULA PULL PUNI QUEE QUES QUIC QUIS RACT RACU RADI RAIN RALL RAMA RAMS RAND RAPH RASH RATE RATH RATI RAVE RAZA RCED RCIN RDAN RDER RDES RDLY RDON READ REAL REAM REAN REAS REBL RECI RECK RECO REDI REFE REFU REGU REME REMO REMY RENC REPA REQU RESE RESS REST RETT RETU RETY REWO RGIN RIAL RICE RICK RIFI RIME RINA RINC RING RINK RINT RISO RITC RITE RITI RIVE RIZZ RKIN RLIC RMAR RMED RMES RNAM RNAR RNAT RNER RNIN ROAC ROBA ROLI ROMI ROMP RONI ROOM ROPH ROTH ROUD ROVI ROWL ROWN RPOR RRAC RRAT RSES RSHO RSIO RSLE RSON RTLE RTOB RUCT RUFF RUTH RVES RVIN RZIP SACR SAFF SAGE SALT SAME SAUC SAUT SAV3 SAYS SBON SCAP SCHU SCUI SDOT SECO SEEN SEES SEGM SEND SENT SEPA SERN SERV SESS SETT SEUS SEVE SGUI SHAD SHAL SHAV SHEN SHES SHIN SHIT SHME SHOT SHOW SHRO SIGM SIMP SINE SING SION SIRE SITE SKED SLEY SLOW SMAL SMOB SO4T SOME SONA SONG SONI SOTT SPEC SPEE SPOK SPOO SPOT SPRI SSCH SSED SSES SSO4 SSON SSUE SSUR STAB STAG STAN STAR STDI STEA STEL STES STIC STIL STIR STOC STRA STRO STRU STYX SUIT SULK SUMM SURE SWEA SWIT TABL TAGE TAGG TAGS TAIL TALE TALK TAND TART TASK TAST TATI TATO TBOY TCHI TDIV TEAD TEAK TEAL TEAS TELL TELY TENC TEXT TFUL THAN THAT THEC THED THEL THEM THEN THER THES THEY THIN THIS THNX THOD THOS THRE THYM TIFU TIFY TILL TIME TING TION TIPL TIRE TISM TIVE TJPE TLAS TLEM TLEN TLEP TMET TOAS TOBE TOCK TOES TOPP TOTH TRAD TRAI TRAP TRIA TRIC TRON TROP TRUC TRUF TRUT TTED TTER TTIN TTLE TUMB TURA TURE TURN TURT TWIC TYX1 UARD UBRI UCEP UCHU UCKE UCKI UCKT UCTI UCTO UDA6 UEER UEST UFFL UGGT UGSD UICE UICK UIKU UILT UISE UISI UITS UKIC ULAR ULIK ULKY ULLS ULLY ULTI ULTU UMAN UMBE UMBL UMI1 UMMO UNIS UNIT UNKI UNLO UNNA UNNI UNPA UNRE UNTE URAL URAZ URDE URIN URNI URNS URSE URTL USER USHR USIN USIO UTHE UTIF UTIO UTIS UTLA UTTE UUYA UYAS V3YE VANK VANT VEGE VELY VEME VERA VERS VERY VIDE VING VINY VIRG VISE VOUR WANT WAST WATC WEAR WEEK WEIR WELL WHAT WHEN WHIC WICE WILD WILL WING WISE WITC WITH WLEY WORD WORK WOUL WREC WRIT X142 XECU XIST XPLA XPRE XQUI XTED XTRA YART YASB YAUT YBEE YEAR YING YLBI YMOU YONE YOUL YOUR YSTE YSTI YTHI YX14 ZARD ZAYT ZIPA ZIRA ZOV0 ZZLE    1402/1679616

5:    4THED AAAAA ABLIS ABLYA ABOUT ABOVE ACCID ACESI ACHIE ACKIN ACKST ACRIF ACTER ACUDA ADDIN ADICT ADVIS AFFRO AFOOT AGAIN AGGIN AGICA AILED AILUR AINWR ALKIN ALLEL ALLOT ALLOW ALREA AMAZO AMIOD AMSEY ANANA ANDAR ANDMA ANIAC ANIMA ANKAR ANNOT ANONY ANOTH ANTRU ANYON ANYTH APHAL APING APOLO APPEA APPEN ARACT ARALL ARAMA ARATE ARING ARLIC ARMES ARNAR ARNIN AROAC AROLI ARRAC ARSHO ARSLE ARZIP ASBON ASHES ASHIN ASKED ASONA ASPOO ASTDI ASTES ASTRO ATAST ATBOY ATCHI ATELY ATHER ATING ATION ATMET ATOES ATRON ATURA ATURE AUCEP AUIKU AUTIF AUTIS AV3YE AVING AVOUR AZARD AZAYT AZIRA AZOV0 BABLY BACKS BANAN BARRA BASIL BBLER BEAST BEATM BEAUT BECAU BEEBO BEFOR BELLO BERIN BERRY BESPO BIOHA BISCU BITCH BLACK BLINK BLISH BLRIN BLYAU BONER BOYBE BROTH BROWN BSESS BUGSD BUSIN BUTTE CALLY CANNO CAPIN CARNA CATAS CATBO CAUSE CCIDE CECON CEPAN CESIG CHAIN CHAIR CHANG CHAOS CHARA CHEES CHIEV CHING CHOKE CHOOS CHOPP CHOSE CHUCH CHUUY CIDEN CIFIC CKING CKSTA CKTAL COBBL COLOU COMME COMPL CONDU CONFI CONTR CORNE CORPO COULD COUNT COURS COURT CRASH CRIFI CRIME CROWL CTABL CTION CTIVE CTRIC CUDA6 CUITS CULTU CUTIO CUTLA DA677 DAILY DDAMN DDING DDLYA DEATH DEAVO DELEC DELIG DELOR DEMAN DEMON DENTA DENTI DEPPR DESIR DETAI DIATE DICTI DIENT DIOTS DISGU DISHE DIVAN DLYAR DOCTO DOESN DOORS DOTJP DOYOU DREAM DRITC DRIVE DRIZZ DSMOB DUCKT DUCTO DURIN DVISE EALLY EARIN EARNI EARSH EASON EASPO EATIN EATME EATUR EAUTI EAVES EAVOU EBEAT EBLOG EBUGS ECAUS ECHAO ECIAL ECIFI ECIPE ECOMM ECOND ECONF ECTAB ECTIV ECTRI ECUTI EDEPP EDIAT EDIEN EEBOP EERMA EFERE EFFEC EFORE EFUSE EGETA EGMEN EGULA EIRDE EIRDL ELDRI ELECT ELIGH ELITT ELORE EMAND EMBER EMEMB EMENT EMORS ENANI ENCED ENDEA ENDED ENECK ENGUM ENJOY ENOUG ENTAL ENTAT ENTED ENTEN ENTER ENTIF ENTIR ENTLE EONEB EOPLE EPARA EPARE EPPER EPPRE EPRIN EQUES ERATE ERENC ERING ERKIN ERMAR ERNAM ERSIO ERSON ERVES ERVIN ESCAP ESENT ESEUS ESIGM ESIRE ESPOK ESSED ESSO4 ESSUE ESSUR ESTAB ETABL ETAIL ETHIN ETHIS ETHOD ETIME ETOTH ETTIN ETURN EUSER EVEME EVERA EVERY EWORD EXECU EXIST EXPLA EXPRE EXQUI EXTED EXTRA FACES FAILE FAILU FANCY FEATU FECTI FERED FEREN FFECT FFERE FFRON FIBER FICIN FINAL FINES FIRME FIRST FOLKS FOLLO FORCE FORES FOREW FOUND FUCKE FUCKI FULLY FUNKI FUNNI FUSIO FYING GARLI GENTL GETAB GETTI GGING GHERK GHTFU GICAL GIMMI GIVEN GIVIN GMENT GODDA GOING GORDA GORDO GRAND GRATE GRAVE GREDI GSDOT GUARD GUEST GUILT GUISE GULAR GUMI1 HADOW HAIKU HALLO HANGE HANKS HAPPE HARAC HAUIK HAVIN HAZAR HECHA HEDEP HEESE HELIT HENAN HERKI HESEU HICAL HIEVE HIJAC HISSO HMENT HOOSE HOPPE HORSE HOWIN HREAD HROOM HTFUL HUBRI HUCHU HUMAN HUUYA IATEL ICALL ICING ICREW ICTIO IDENT IDIOT IENTS IEVEM IFICI IFYIN IGHTF IJACK IKETH ILGRA ILLIN ILLIO ILURE IMATR IMMED IMMIC IMPLE IMPLY INALL INCEC INCOR INESS INEST INFUS INGLE INGRE INGRN INKLE INKSA INNIE INSTE INSTR INTED INTIN INWRE INYLB IODDL IOHAZ IONAL IONER IRAPH IRDES IRDLY IRETY IRGIN IRMED IRRAT ISCUI ISGUI ISHES ISHME ISITE ISONI ISOTT ISSCH ISSES ISSON ITHIN ITING ITTLE IVANK IVANT IVING IZZLE JACKI JOYED JUICE KARAM KETHI KICHO KILGR KILLI KILLS KINGR KINNI KISSE KITTY KSAGE KSTAG KTALE KYSTE LANET LASTD LBIOH LDRIT LDSMO LEARN LEASE LEAVE LECTA LECTR LELED LEMEN LEMON LENEC LEPRI LGRAV LIFIC LIGHT LIKET LINKS LISHM LITTL LKING LKYST LLELE LLING LLION LLOTS LLOWI LOCAL LOCKE LOGIE LOOSE LOREA LOVEL LOWIN LOWLY LREAD LRINA LTIPL LTURE LYART LYAUT MAGIC MAKER MANDS MANIA MARZI MATRO MAZOV MBERI MBLRI MEANT MEDIA MEMBE MENDE MENTE MEONE MESAN MESSE METHI METHO METIM METOT MILLI MIODD MISSC MMEDI MMEND MMENT MMICK MMONE MMONI MOBIL MOMEN MONED MONIN MOOTS MORNI MORSE MPLER MPLET MPLEX MULTI MURDE MUSHR MYSTI NABLY NALLY NAMED NAMES NANID NAROL NATUR NCECO NCORP NDARD NDEAV NDUCT NEBEA NEVER NFIRM NFUSI NGRED NGUMI NIEST NIMAT NJOYE NKARA NKING NKSAG NLOCK NNAME NNIES NONYM NOTES NOTHE NOTHI NOUGH NPARA NREAS NSTEA NSTRU NTATI NTENC NTIFY NTING NTIRE NTLEM NTRAD NTRUT NUGGT NUMBE NWREC NYLBI NYMOU NYONE NYTHI O4THE OACES OBABL OBBLE OBELL OBILE OBSES OCKED OCTOR ODDAM ODDLY OFFER OGIES OHAZA OISON OLDSM OLIFI OLIVE OLLOW OLOGI OLOUR OMENT OMEON

OMETH OMETI OMISE OMMEN OMPLE ONABL ONDUC ONEBE ONFIR ONICS ONING ONTRA ONYMO OPERA OPHIC OPPED OPTIO OPULA ORATE ORCED ORCIN ORDAN ORDON OREAN OREST OREWO ORKIN ORNAT ORNER ORNIN ORPOR ORSES ORTOB OTATO OTHEC OTHER OTHES OTHIN OTJPE OTTED OULIK OUNTE OURSE OVELY OVIDE OWING OWLEY OYBEE OYOUL PAPER PARAL PARAT PARME PARSL PEARI PEARS PECIA PECIF PEEDY PENED PENGU PEOPL PEPPE PERAT PERSO PHALE PHICA PHONE PICRE PIECE PINCH PLAIN PLANE PLEAS PLETE POISO POLOG POPUL PORAT PORCI PORTO POSTS POTAT POTTE PPEAR PPENE PPENS PPRES PREPA PRESE PRESS PRETT PRICE PRINC PRINK PRINT PROBA PROLI PROMI PROMP PROUD PROVI PTION PUKIC PULAR PULLS PUNIS QUEER QUEST QUICK QUISI RACTE RACUD RADIC RAINS RAINW RALLE RALLY RAMAZ RAMSE RANDM RAPHA RASHE RASHI RATED RATHE RATIO RAZAY RCINI RDERS RDEST READY REALL REAMT REASO REBLO RECIP RECOM REDIE REFER REFUS REGUL REMEM REMOR RENCE REPAR REQUE RESEN RESSO RESSU RETTY RETUR REWOR RIFIC RINAS RINCE RINKL RINTE RINTI RISOT RITCH RITIN RIZZL RKING RMARZ RMESA RNAME RNARO RNATE RNING ROACE ROBAB ROLIF ROMIS ROMPT RONIC ROOMS ROPHI ROVID ROWLE RPORA RRACU RRATI RSHOT RSION RSLEY RTLEN RTOBE RUCTI RUFFL RUTHE RVING RZIPA SACRI SAFFR SAGER SAUCE SAUTE SAV3Y SBONE SCAPI SCHUC SCUIT SDOTJ SECON SEGME SENTA SENTE SEPAR SERNA SERVE SERVI SESSE SETTI SEUSE SEVER SGUIS SHADO SHALL SHAVE SHAVI SHENA SHING SHMEN SHOWI SHROO SIGMA SIMPL SINES SINGL SLOWL SMALL SMOBI SO4TH SOMEO SOMET SONAB SONIN SOTTO SPECI SPEED SPOKE SPOON SPOTT SPRIN SSCHU SSO4T SSONG SSURE STABL STAGE STAND START STDIV STEAD STEAK STEAL STELL STILL STOCK STRAP STROP STRUC STYX1 SUITS SULKY SUMMO SWEAR SWITC TABLE TABLI TABLY TAGGI TAILE TALES TALKI TANDA TANDS TASKE TASTE TASTR TATIO TATOE TBOYB TCHIN TDIVA TEALS TEASP TELLA TENCE TEXTE TFULL THANK THECH THEDE THELI THERE THESE THING THISS THOSE THREA THYME TIFUL TIFYI TIMES TIONA TIONE TIONS TIPLE TIRET TJPEG TLASS TLEME TLENE TLEPR TMETO TOAST TOBEL TOPPE TOTHE TRADI TRAIN TRIAL TRICK TRONI TROPH TRUCT TRUFF TRUTH TTING TTLEP TUMBL TURAL TURNI TURNS TURTL TWICE TYX14 UARDS UBRIS UCEPA UCHUW UCKED UCKIN UCKTA UCTIO UCTOR UDA67 UEERM UFFLE UGGTS UGSDO UILTY UISIT UKICH ULIKE ULKYS ULTIP ULTUR UMBER UMBLR UMI12 UMMON UNISH UNITS UNKIN UNLOC UNNAM UNNIE UNPAR UNREA UNTER URALL URAZA URDER URING URNIN URTLE USERN USHRO USINE USION UTHER UTIFU UTION UTISM UTLAS UTTER UUYAS UYASB V3YEE VANKA VANTR VEGET VEMEN VERAL VERSI VINGS VINYL VIRGI VISED WASTE WATCH WEIRD WHICH WITCH WITHI WORKI WOULD WRECK WRITE WRITI XECUT XISTS XPLAI XPRES XQUIS YASBO YAUTI YBEEB YEARS YLBIO YMOUS YOULI YSTEL YSTIC YTHIN YX142 ZIPAN ZIRAP ZOV07    1110/60466176

6:    4THEDE AAAAAA ABLISH ABLYAU ACCIDE ACESIG ACHIEV ACKING ACKSTA ACRIFI ACUDA6 ADDING ADICTI ADVISE AFFRON AGGING AGICAL AILURE AINWRE ALKING ALLELE ALLOTS ALREAD AMAZOV AMIODD ANDARD ANIMAT ANKARA ANONYM ANOTHE ANTRUT ANYONE ANYTHI APHALE APOLOG APPEAR APPENE APPENS ARACTE ARALLE ARAMAZ ARMESA ARNARO ARNING AROACE ARRACU ARSHOT ARSLEY ARZIPA ASBONE ASHING ASONAB ASPOON ASTDIV ASTROP ATASTR ATBOYB ATCHIN ATIONA ATMETO ATRONI ATURAL AUCEPA AUTIFU AUTISM AV3YEE AVINGS AZIRAP AZOV07 BABLYA BACKST BANANA BARRAC BEATME BEAUTI BECAUS BEEBOP BEFORE BERING BESPOK BIOHAZ BISCUI BLINKS BLISHM BLRINA BLYAUT BOYBEE BSESSE BUGSDO BUSINE BUTTER CANNOT CAPING CARNAR CATAST CATBOY CCIDEN CECONF CESIGM CHANGE CHARAC CHEESE CHIEVE CHOOSE CHOPPE CHUCHU CHUUYA CIDENT CKSTAG CKTALE COBBLE COLOUR COMMEN COMPLE CONDUC CONFIR CONTRA CORNER CORPOR COUNTE COURSE CRASHE CRASHI CRIFIC CROWLE CTABLY CTIONS CUDA67 CULTUR CUTION CUTLAS DDLYAR DEAVOU DELECT DELIGH DELORE DEMAND DENTAL DENTIF DEPPRE DESIRE DETAIL DIATEL DICTIO DIENTS DISGUI DISHES DIVANT DLYART DOCTOR DOTJPE DOYOUL DREAMT DRITCH DRIZZL DSMOBI DUCKTA DUCTOR DURING DVISED EARING EARNIN EARSHO EASONA EASPOO EATING EATMET EATURE EAUTIF EAVOUR EBEATM EBUGSD ECAUSE ECHAOS ECIFIC ECOMME ECONFI ECTABL ECTIVE ECTRIC ECUTIO EDEPPR EDIATE EDIENT EERMAR EFEREN EFFECT EGETAB EGMENT EGULAR EIRDES EIRDLY ELDRIT ELECTA ELECTR ELIGHT ELITTL ELOREA EMANDS EMBERI EMEMBE EMORSE ENANID ENDEAV ENGUMI ENJOYE ENOUGH ENTATI ENTENC ENTIFY ENTIRE ENTLEM EONEBE EPARAT EPPRES EPRINC EQUEST ERENCE ERMARZ ERNAME ERSION ERVING ESCAPI ESENTA ESENTE ESEUSE ESIGMA ESPOKE ESSO4T ESSURE ESTABL ETABLE ETAILE ETHING ETHISS ETIMES ETOTHE ETTING ETURNI EUSERN EVEMEN EVERAL EXECUT EXISTS EXPLAI EXPRES EXQUIS FAILED FAILUR FEATUR FECTIV FERENC FFECTI FFERED FICING FINALL FINEST FIRMED FOLLOW FORCED FOREST FOREWO FUCKED FUCKIN FUNKIN FUNNIE FUSION GARLIC GENTLE GETABL GETTIN GHERKI GHTFUL GICALL GIMMIC GIVING GMENTE GODDAM GORDAN GORDON GRANDM GRATED GREDIE GSDOTJ GUARDS GUILTY GUMI12 HALLOT HAPPEN HARACT HAUIKU HAVING HAZARD HECHAO HEDEPP HELITT HENANI HERKIN HESEUS HICALL HIEVEM HIJACK HISSON HOPPED HORSES HOWING HROOMS HTFULL HUBRIS HUCHUW HUUYAS IATELY ICALLY ICTION IDENTA IDENTI IDIOTS IEVEME IFICIN IFYING IGHTFU IJACKI IKETHI ILGRAV ILLING ILLION IMATRO IMMEDI IMMICK IMPLER INALLY INCECO INCORP INFUSI INGRED INKSAG INSTEA INSTRU INTING INWREC INYLBI IODDLY IOHAZA IRAPHA IRDEST IRRATI ISCUIT ISGUIS ISHMEN ISONIN ISOTTO ISSCHU ISSONG ITTLEP IVANKA IVANTR JACKIN KARAMA KETHIS KILGRA KILLIN KINGRN KINNIE KISSES KSAGER KSTAGE KTALES KYSTEL LASTDI LBIOHA LDRITC LDSMOB LEARNI LEAVES LECTAB LECTRI LENECK LEPRIN LGRAVE LIGHTF LIKETH LINKSA LISHME LITTLE LKYSTE LLELED LLOWIN LOCKED LOGIES LOREAN LOVELY LOWING LREADY LRINAS LTIPLE LYAUTI MAGICA MANIAC MARZIP MATRON MAZOV0 MBERIN MBLRIN MEDIAT MEMBER MENDED MENTED MEONEB MESSED METHIN METHOD METIME METOTH MILLIO MIODDL MISSCH MMEDIA MMENDE MMONED MMONIN MOBILE MOMENT MONING MORNIN MPLETE MULTIP MURDER MUSHRO MYSTIC NAROLI NATURA NATURE NCECON NCORPO NDEAVO NDUCTO NEBEAT NFIRME NFUSIO NGREDI NGUMI1 NIMATR NJOYED NKARAM NKINGR NKSAGE NLOCKE NNAMED NNIEST NONYMO NOTHER NOTHIN NPARAL NREASO NSTEAD NSTRUC NTATIO NTENCE NTIFYI NTIRET NTLEME NTRADI NTRUTH NUGGTS NUMBER NWRECK NYLBIO NYMOUS NYTHIN O4THED OACESI OBABLY OBBLER OBELLO OBSESS ODDAMN ODDLYA OFFERE OHAZAR OISONI OLDSMO OLIFIC OLLOWI OLOGIE OMEONE OMETHI OMETIM OMMEND OMMENT OMPLET OMPLEX ONABLY ONDUCT ONEBEA ONFIRM ONTRAD ONYMOU OPERAT OPHICA OPTION OPULAR ORATED ORCINI OREWOR ORKING ORNATE ORNING ORPORA ORTOBE OTATOE OTHECH OTHESE OTHING OTJPEG OULIKE OUNTER OYBEEB OYOULI PARALL PARATE PARMES PARSLE PEARIN PECIAL PECIFI PENGUM PEOPLE PEPPER PERATE PERSON PHICAL PICREW PLANET PLEASE POISON POLOGI POPULA PORATE PORCIN PORTOB POTATO POTTED PPEARI PPEARS PPENED PPRESS PREPAR PRESEN PRESSO PRESSU PRETTY PRINCE PRINKL PRINTE PRINTI PROBAB PROLIF PROMIS PROMPT PROVID PUKICH PUNISH QUEERM QUISIT RACTER RACUDA RADICT RAINWR RALLEL RAMAZO RAMSEY RANDMA RAPHAL RASHES RASHIN RATHER RATION RAZAYT REALLY REASON REBLOG

RECIPE RECOMM REDIEN REFERE REFUSE REGULA REMEMB REMORS REPARE REQUES RESENT RESSO4 RESSUE RESSUR RETURN REWORD RIFICI RINCEC RINKLE RINTED RINTIN RISOTT RITING RIZZLE RMARZI RMESAN RNAMES RNAROL ROACES ROBABL ROLIFI ROMISE RONICS ROPHIC ROVIDE ROWLEY RPORAT RRACUD RRATIO RTLENE RTOBEL RUCTIO RUFFLE RUTHER RZIPAN SACRIF SAFFRO SAUCEP SAV3YE SBONER SCAPIN SCHUCH SCUITS SDOTJP SECOND SEGMEN SENTAT SENTED SENTEN SEPARA SERNAM SERVES SERVIN SESSED SETTIN SEUSER SEVERA SGUISE SHADOW SHALLO SHAVIN SHENAN SHMENT SHOWIN SHROOM SIMPLE SIMPLY SINESS SINGLE SLOWLY SMOBIL SO4THE SOMEON SOMETH SOMETI SONABL SONING SPECIA SPECIF SPEEDY SPOTTE SPRINK SSCHUC SSO4TH STABLI STANDA STANDS STDIVA STEALS STELLA STROPH STRUCT STYX14 SULKYS SUMMON SWITCH TABLIS TAGGIN TAILED TALKIN TANDAR TASKED TASTRO TATION TATOES TBOYBE TCHING TDIVAN TEASPO TENCED TEXTED TFULLY THANKS THECHA THEDEP THELIT THESEU THISSO THREAD TIFYIN TIONAL TIONER TIRETY TLEMEN TLENEC TLEPRI TMETOT TOBELL TOPPED TOTHEC TOTHES TRADIC TRAINS TRAINW TRONIC TROPHI TRUCTI TRUFFL TRUTHE TTLEPR TUMBLR TURALL TURNIN TURTLE TYX142 UCEPAN UCKING UCKTAL UCTION UDA677 UEERMA UGSDOT UISITE UKICHO ULIKET ULKYST ULTIPL ULTURE UMBLRI UMMONE UMMONI UNKING UNLOCK UNNAME UNNIES UNPARA UNREAS URALLY URAZAY URDERS URNING URTLEN USERNA USHROO USINES UTIFUL UTIONE UTLASS UUYASB UYASBO VANKAR VANTRU VEGETA VEMENT VERSIO VINYLB VIRGIN WASTES WATCHI WEIRDE WEIRDL WITHIN WORKIN WRITIN XECUTI XPLAIN XPRESS XQUISI YASBON YAUTIS YBEEBO YLBIOH YOULIK YSTELL YTHING ZIRAPH    797/2176782336

7:    4THEDEP AAAAAAA ABLISHM ABLYAUT ACCIDEN ACESIGM ACHIEVE ACKSTAG ACRIFIC ACUDA67 ADICTIO ADVISED AGICALL AINWREC ALLELED ALREADY AMAZOV0 AMIODDL ANIMATR ANKARAM ANONYMO ANOTHER ANTRUTH ANYTHIN APOLOGI APPEARI APPEARS APPENED ARACTER ARALLEL ARAMAZO ARMESAN ARNAROL AROACES ARRACUD ARZIPAN ASBONER ASONABL ASTDIVA ASTROPH ATASTRO ATBOYBE ATCHING ATIONAL ATMETOT ATRONIC ATURALL AUCEPAN AUTIFUL AZIRAPH BABLYAU BACKSTA BARRACU BEATMET BEAUTIF BECAUSE BESPOKE BIOHAZA BISCUIT BLINKSA BLISHME BLRINAS BLYAUTI BOYBEEB BSESSED BUGSDOT BUSINES CARNARO CATASTR CATBOYB CCIDENT CECONFI CESIGMA CHARACT CHIEVEM CHOPPED CHUCHUW CHUUYAS CIDENTA CKSTAGE CKTALES COBBLER COMMEND COMMENT COMPLET COMPLEX CONDUCT CONFIRM CONTRAD CORPORA COUNTER CRASHES CRASHIN CRIFICI CROWLEY CUDA677 CULTURE CUTIONE CUTLASS DDLYART DEAVOUR DELECTA DELIGHT DELOREA DEMANDS DENTIFY DEPPRES DETAILE DIATELY DICTION DISGUIS DIVANTR DOTJPEG DOYOULI DRIZZLE DSMOBIL DUCKTAL EARNING EARSHOT EASONAB EASPOON EATMETO EAUTIFU EBEATME EBUGSDO ECOMMEN ECONFIR ECTABLY ECUTION EDEPPRE EDIATEL EDIENTS EERMARZ EFERENC EFFECTI EGETABL EGMENTE EIRDEST ELDRITC ELECTAB ELECTRI ELIGHTF ELITTLE ELOREAN EMBERIN EMEMBER ENDEAVO ENGUMI1 ENJOYED ENTATIO ENTENCE ENTIFYI ENTIRET ENTLEME EONEBEA EPARATE EPPRESS EPRINCE ERMARZI ERNAMES ESCAPIN ESENTAT ESENTED ESEUSER ESSO4TH ESTABLI ETAILED ETHISSO ETOTHES ETURNIN EUSERNA EVEMENT EXECUTI EXPLAIN EXPRESS EXQUISI FAILURE FEATURE FECTIVE FERENCE FFECTIV FINALLY FOLLOWI FOREWOR FUCKING FUNKING FUNNIES GENTLEM GETABLE GETTING GHERKIN GHTFULL GICALLY GIMMICK GMENTED GODDAMN GRANDMA GREDIEN GSDOTJP HALLOTS HAPPENE HAPPENS HARACTE HAVINGS HECHAOS HEDEPPR HELITTL HENANID HESEUSE HICALLY HIEVEME HIJACKI HISSONG HTFULLY HUUYASB ICTIONS IDENTAL IDENTIF IEVEMEN IFICING IGHTFUL IJACKIN IKETHIS ILGRAVE IMATRON IMMEDIA INCECON INCORPO INFUSIO INGREDI INKSAGE INSTEAD INSTRUC INWRECK INYLBIO IODDLYA IOHAZAR IRAPHAL IRRATIO ISCUITS ISGUISE ISHMENT ISONING ISSCHUC ITTLEPR IVANKAR IVANTRU JACKING KARAMAZ KETHISS KILGRAV KILLING KYSTELL LASTDIV LBIOHAZ LDRITCH LDSMOBI LEARNIN LECTABL LECTRIC LEPRINC LIGHTFU LIKETHI LINKSAG LISHMEN LITTLEP LKYSTEL LLOWING LYAUTIS MAGICAL MARZIPA MATRONI MAZOV07 MBERING MBLRINA MEDIATE MEMBERI MEONEBE METHING METIMES METOTHE MILLION MIODDLY MISSCHU MMEDIAT MMENDED MMONING MORNING MULTIPL MURDERS MUSHROO NATURAL NCECONF NCORPOR NDEAVOU NDUCTOR NEBEATM NFIRMED NFUSION NGREDIE NGUMI12 NIMATRO NKARAMA NKINGRN NKSAGER NLOCKED NONYMOU NOTHING NPARALL NREASON NSTRUCT NTATION NTENCED NTIFYIN NTIRETY NTLEMEN NTRADIC NTRUTHE NYLBIOH NYTHING O4THEDE OACESIG OBABLYA OBSESSE ODDLYAR OFFERED OHAZARD OISONIN OLDSMOB OLLOWIN OLOGIES OMEONEB OMETHIN OMETIME OMMENDE OMPLETE ONDUCTO ONEBEAT ONFIRME ONTRADI ONYMOUS OPERATE OPHICAL OREWORD ORPORAT ORTOBEL OTATOES OTHECHA OTHESEU OULIKET OYBEEBO OYOULIK PARALLE PARMESA PARSLEY PEARING PECIFIC PENGUMI PHICALL POISONI POLOGIE POPULAR PORATED PORCINI PORTOBE POTATOE PPEARIN PPRESSO PREPARE PRESENT PRESSO4 PRESSUE PRESSUR PRINCEC PRINKLE PRINTED PRINTIN PROBABL PROLIFI PROMISE PROVIDE PUKICHO QUEERMA QUISITE RACUDA6 RADICTI RAINWRE RALLELE RAMAZOV RAPHALE RASHING RATIONA REASONA RECOMME REDIENT REFEREN REGULAR REMEMBE REMORSE REQUEST RESENTA RESENTE RESSO4T RESSURE RETURNI RIFICIN RINCECO RINTING RISOTTO RMARZIP RNAROLI ROACESI ROBABLY ROLIFIC ROPHICA RPORATE RRACUDA RRATION RTLENEC RTOBELL RUCTION SACRIFI SAFFRON SAUCEPA SAV3YEE SCAPING SCHUCHU SDOTJPE SEGMENT SENTATI SENTENC SEPARAT SERNAME SERVING SETTING SEUSERN SEVERAL SHALLOT SHAVING SHENANI SHOWING SHROOMS SIMPLER SMOBILE SO4THED SOMEONE SOMETHI SOMETIM SONABLY SPECIAL SPECIFI SPOTTED SPRINKL SSCHUCH SSO4THE STABLIS STANDAR STDIVAN STROPHI STRUCTI STYX142 SULKYST SUMMONE SUMMONI TABLISH TAGGING TALKING TANDARD TASTROP TBOYBEE TDIVANT TEASPOO THECHAO THEDEPP THELITT THESEUS THISSON TIFYING TLENECK TLEPRIN TMETOTH TOBELLO TOTHECH TOTHESE TRADICT TRAINWR TRONICS TROPHIC TRUCTIO TRUFFLE TRUTHER TTLEPRI TUMBLRI TURALLY TURNING TURTLEN UCKTALE UCTIONS UEERMAR UGSDOTJ ULIKETH ULKYSTE ULTIPLE UMBLRIN UMMONED UMMONIN UNKINGR UNLOCKE

UNNAMED UNNIEST UNPARAL UNREASO URAZAYT URTLENE USERNAM USHROOM USINESS UTIONER UUYASBO UYASBON VANKARA VANTRUT VEGETAB VERSION VINYLBI WATCHIN WEIRDES WEIRDLY WORKING WRITING XECUTIO XPRESSO XQUISIT YASBONE YAUTISM YBEEBOP YLBIOHA YOULIKE YSTELLA ZIRAPHA    540/78364164096

8:    4THEDEPP AAAAAAAA ABLISHME ABLYAUTI ACCIDENT ACESIGMA ACHIEVEM ACKSTAGE ACRIFICI ACUDA677 ADICTION AGICALLY AINWRECK AMAZOV07 AMIODDLY ANIMATRO ANKARAMA ANONYMOU ANTRUTHE ANYTHING APOLOGIE APPEARIN ARALLELE ARAMAZOV ARNAROLI AROACESI ARRACUDA ASONABLY ASTDIVAN ASTROPHI ATASTROP ATBOYBEE ATMETOTH ATRONICS ATURALLY AZIRAPHA BABLYAUT BACKSTAG BARRACUD BEATMETO BEAUTIFU BIOHAZAR BISCUITS BLINKSAG BLISHMEN BLYAUTIS BOYBEEBO BUGSDOTJ BUSINESS CARNAROL CATASTRO CATBOYBE CCIDENTA CECONFIR CHARACTE CHIEVEME CHUUYASB CIDENTAL COMMENDE COMPLETE CONDUCTO CONFIRME CONTRADI CORPORAT CRASHING CRIFICIN CUTIONER DELECTAB DELIGHTF DELOREAN DENTIFYI DEPPRESS DETAILED DICTIONS DISGUISE DIVANTRU DOYOULIK DSMOBILE DUCKTALE EASONABL EATMETOT EAUTIFUL EBEATMET EBUGSDOT ECOMMEND ECONFIRM ECUTIONE EDEPPRES EDIATELY EERMARZI EFERENCE EFFECTIV EGETABLE EGMENTED ELDRITCH ELECTABL ELECTRIC ELIGHTFU ELITTLEP EMBERING EMEMBERI ENDEAVOU ENGUMI12 ENTATION ENTENCED ENTIFYIN ENTIRETY ENTLEMEN EONEBEAT EPPRESSO EPRINCEC ERMARZIP ESCAPING ESENTATI ESEUSERN ESSO4THE ESTABLIS ETHISSON ETOTHESE ETURNING EUSERNAM EXECUTIO EXPRESSO EXQUISIT FFECTIVE FOLLOWIN FOREWORD FUNKINGR FUNNIEST GENTLEME GHTFULLY GREDIENT GSDOTJPE HAPPENED HARACTER HEDEPPRE HELITTLE HESEUSER HIEVEMEN HIJACKIN HUUYASBO IDENTIFY IEVEMENT IGHTFULL IJACKING IKETHISS IMATRONI IMMEDIAT INCECONF INCORPOR INFUSION INGREDIE INKSAGER INSTRUCT INYLBIOH IODDLYAR IOHAZARD IRAPHALE IRRATION ISSCHUCH ITTLEPRI IVANKARA IVANTRUT KARAMAZO KETHISSO KILGRAVE KYSTELLA LASTDIVA LBIOHAZA LDSMOBIL LEARNING LECTABLY LEPRINCE LIGHTFUL LIKETHIS LINKSAGE LISHMENT LITTLEPR LKYSTELL LYAUTISM MAGICALL MARZIPAN MATRONIC MBLRINAS MEDIATEL MEMBERIN MEONEBEA METOTHES MIODDLYA MISSCHUC MMEDIATE MULTIPLE MUSHROOM NATURALL NCECONFI NCORPORA NDEAVOUR NEBEATME NGREDIEN NIMATRON NKARAMAZ NONYMOUS NPARALLE NREASONA NSTRUCTI NTIFYING NTRADICT NTRUTHER NYLBIOHA O4THEDEP OACESIGM OBABLYAU OBSESSED ODDLYART OISONING OLDSMOBI OLLOWING OMEONEBE OMETHING OMETIMES OMMENDED ONDUCTOR ONEBEATM ONFIRMED ONTRADIC OPHICALL ORPORATE ORTOBELL OTHECHAO OTHESEUS OULIKETH OYBEEBOP OYOULIKE PARALLEL PARMESAN PENGUMI1 PHICALLY POISONIN POLOGIES PORTOBEL POTATOES PPEARING PRESENTA PRESENTE PRESSO4T PRESSURE PRINCECO PRINTING PROBABLY PROLIFIC QUEERMAR RACUDA67 RADICTIO RAINWREC RALLELED RAMAZOV0 RATIONAL REASONAB RECOMMEN REDIENTS REFERENC REMEMBER RESENTAT RESENTED RESSO4TH RETURNIN RIFICING RINCECON RMARZIPA ROACESIG ROBABLYA ROPHICAL RPORATED RRACUDA6 RRATIONA RTLENECK RTOBELLO RUCTIONS SACRIFIC SAUCEPAN SCHUCHUW SDOTJPEG SEGMENTE SENTATIO SENTENCE SEPARATE SERNAMES SEUSERNA SHALLOTS SHAVINGS SHENANID SO4THEDE SOMEONEB SOMETHIN SOMETIME SPECIFIC SPRINKLE SSCHUCHU SSO4THED STABLISH STANDARD STDIVANT STROPHIC STRUCTIO SULKYSTE SUMMONED SUMMONIN TABLISHM TASTROPH TBOYBEEB TDIVANTR TEASPOON THECHAOS THEDEPPR THELITTL THESEUSE THISSONG TLEPRINC TMETOTHE TOTHECHA TOTHESEU TRADICTI TRAINWRE TROPHICA TRUCTION TTLEPRIN TUMBLRIN TURTLENE UCKTALES UEERMARZ UGSDOTJP ULIKETHI ULKYSTEL UMBLRINA UMMONING UNKINGRN UNLOCKED UNPARALL UNREASON URTLENEC USERNAME USHROOMS UUYASBON UYASBONE VANKARAM VANTRUTH VEGETABL VINYLBIO WATCHING WEIRDEST XECUTION XPRESSO4 XQUISITE YASBONER YLBIOHAZ YOULIKET ZIRAPHAL    357/2821109907456

9:    4THEDEPPR AAAAAAAAA ABLISHMEN ABLYAUTIS ACCIDENTA ACHIEVEME ACRIFICIN ADICTIONS AMIODDLYA ANIMATRON ANKARAMAZ ANONYMOUS ANTRUTHER APOLOGIES APPEARING ARALLELED ARAMAZOV0 AROACESIG ARRACUDA6 ASTDIVANT ASTROPHIC ATASTROPH ATBOYBEEB ATMETOTHE AZIRAPHAL BABLYAUTI BACKSTAGE BARRACUDA BEATMETOT BEAUTIFUL BIOHAZARD BLINKSAGE BLISHMENT BLYAUTISM BOYBEEBOP BUGSDOTJP CARNAROLI CATASTROP CATBOYBEE CCIDENTAL CECONFIRM CHARACTER CHIEVEMEN CHUUYASBO COMMENDED CONDUCTOR CONFIRMED CONTRADIC CORPORATE CRIFICING DELECTABL DELIGHTFU DENTIFYIN DEPPRESSO DIVANTRUT DOYOULIKE DUCKTALES EASONABLY EATMETOTH EBEATMETO EBUGSDOTJ ECOMMENDE ECONFIRME ECUTIONER EDEPPRESS EERMARZIP EFFECTIVE ELECTABLY ELIGHTFUL ELITTLEPR EMEMBERIN ENDEAVOUR ENTIFYING EONEBEATM EPRINCECO ERMARZIPA ESENTATIO ESEUSERNA ESSO4THED ESTABLISH ETHISSONG ETOTHESEU EUSERNAME EXECUTION EXPRESSO4 EXQUISITE FOLLOWING FUNKINGRN GENTLEMEN GREDIENTS GSDOTJPEG HEDEPPRES HELITTLEP HESEUSERN HIEVEMENT HIJACKING HUUYASBON IDENTIFYI IGHTFULLY IKETHISSO IMATRONIC IMMEDIATE INCECONFI INCORPORA INGREDIEN INSTRUCTI INYLBIOHA IODDLYART IRRATIONA ISSCHUCHU ITTLEPRIN IVANKARAM IVANTRUTH KARAMAZOV KETHISSON LASTDIVAN LBIOHAZAR LDSMOBILE LEPRINCEC LIGHTFULL LIKETHISS LINKSAGER LITTLEPRI LKYSTELLA MAGICALLY MATRONICS MEDIATELY MEMBERING MEONEBEAT METOTHESE MIODDLYAR MISSCHUCH MMEDIATEL MUSHROOMS NATURALLY NCECONFIR NCORPORAT NEBEATMET NGREDIENT NIMATRONI NKARAMAZO NPARALLEL NREASONAB NSTRUCTIO NTRADICTI NYLBIOHAZ O4THEDEPP OACESIGMA OBABLYAUT OLDSMOBIL OMEONEBEA ONEBEATME ONTRADICT OPHICALLY ORPORATED ORTOBELLO OTHECHAOS OTHESEUSE OULIKETHI OYOULIKET PARALLELE PENGUMI12 POISONING PORTOBELL PRESENTAT PRESENTED PRESSO4TH PRINCECON PROBABLYA QUEERMARZ RACUDA677 RADICTION RAINWRECK RAMAZOV07 REASONABL RECOMMEND REFERENCE REMEMBERI RESENTATI RESSO4THE RETURNING RINCECONF RMARZIPAN ROACESIGM ROBABLYAU ROPHICALL RRACUDA67 RRATIONAL SACRIFICI SEGMENTED SENTATION SENTENCED SEUSERNAM SO4THEDEP SOMEONEBE SOMETHING SOMETIMES SSCHUCHUW SSO4THEDE STABLISHM STDIVANTR STROPHICA STRUCTION SULKYSTEL SUMMONING TABLISHME TASTROPHI TBOYBEEBO TDIVANTRU THEDEPPRE THELITTLE THESEUSER TLEPRINCE TMETOTHES TOTHECHAO TOTHESEUS TRADICTIO TRAINWREC TROPHICAL TRUCTIONS TTLEPRINC TUMBLRINA TURTLENEC UEERMARZI UGSDOTJPE ULIKETHIS ULKYSTELL UMBLRINAS UNPARALLE UNREASONA URTLENECK USERNAMES UUYASBONE UYASBONER VANKARAMA VANTRUTHE VEGETABLE VINYLBIOH XECUTIONE XPRESSO4T YLBIOHAZA YOULIKETH ZIRAPHALE    243/101559956668416

10:    4THEDEPPRE AAAAAAAAAA ABLISHMENT ABLYAUTISM ACCIDENTAL ACHIEVEMEN ACRIFICING AMIODDLYAR ANIMATRONI ANKARAMAZO ARAMAZOV07 AROACESIGM ARRACUDA67 ASTDIVANTR ASTROPHICA ATASTROPHI ATBOYBEEBO ATMETOTHES AZIRAPHALE BABLYAUTIS BARRACUDA6 BEATMETOTH BLINKSAGER BUGSDOTJPE CATASTROPH CATBOYBEEB CECONFIRME CHIEVEMENT CHUUYASBON CONTRADICT CORPORATED DELECTABLY DELIGHTFUL DENTIFYING DIVANTRUTH DOYOULIKET EATMETOTHE EBEATMETOT EBUGSDOTJP ECOMMENDED ECONFIRMED EDEPPRESSO EERMARZIPA ELIGHTFULL ELITTLEPRI EMEMBERING EONEBEATME EPRINCECON ERMARZIPAN ESENTATION ESEUSERNAM ESSO4THEDE ESTABLISHM ETOTHESEUS EUSERNAMES EXECUTIONE EXPRESSO4T HEDEPPRESS HELITTLEPR HESEUSERNA HUUYASBONE IDENTIFYIN IKETHISSON IMATRONICS IMMEDIATEL INCECONFIR INCORPORAT INGREDIENT INSTRUCTIO INYLBIOHAZ IRRATIONAL ISSCHUCHUW ITTLEPRINC IVANKARAMA IVANTRUTHE KARAMAZOV0 KETHISSONG LASTDIVANT LBIOHAZARD LEPRINCECO LIGHTFULLY LIKETHISSO LITTLEPRIN MEONEBEATM METOTHESEU MIODDLYART MISSCHUCHU MMEDIATELY NCECONFIRM NCORPORATE NEBEATMETO NGREDIENTS NIMATRONIC NKARAMAZOV NPARALLELE NREASONABL NSTRUCTION NTRADICTIO NYLBIOHAZA O4THEDEPPR OBABLYAUTI OLDSMOBILE OMEONEBEAT ONEBEATMET ONTRADICTI OTHESEUSER OULIKETHIS OYOULIKETH PARALLELED PORTOBELLO PRESENTATI PRESSO4THE PRINCECONF PROBABLYAU QUEERMARZI RADICTIONS REASONABLY RECOMMENDE REMEMBERIN RESENTATIO RESSO4THED RINCECONFI ROACESIGMA ROBABLYAUT ROPHICALLY RRACUDA677 SACRIFICIN SEUSERNAME SO4THEDEPP SOMEONEBEA SSO4THEDEP STABLISHME STDIVANTRU STROPHICAL STRUCTIONS SULKYSTELL TABLISHMEN TASTROPHIC TBOYBEEBOP TDIVANTRUT THEDEPPRES THELITTLEP THESEUSERN TLEPRINCEC TMETOTHESE TOTHECHAOS TOTHESEUSE TRADICTION TRAINWRECK TROPHICALL TTLEPRINCE TUMBLRINAS TURTLENECK UEERMARZIP UGSDOTJPEG ULIKETHISS ULKYSTELLA UNPARALLEL UNREASONAB UUYASBONER VANKARAMAZ VANTRUTHER VINYLBIOHA XECUTIONER XPRESSO4TH YLBIOHAZAR YOULIKETHI    167/3656158440062976

11:    4THEDEPPRES AAAAAAAAAAA ACHIEVEMENT AMIODDLYART ANIMATRONIC ANKARAMAZOV AROACESIGMA ARRACUDA677 ASTDIVANTRU ASTROPHICAL ATASTROPHIC ATBOYBEEBOP ATMETOTHESE BABLYAUTISM BARRACUDA67 BEATMETOTHE BUGSDOTJPEG CATASTROPHI CATBOYBEEBO CECONFIRMED CHUUYASBONE CONTRADICTI DELIGHTFULL DIVANTRUTHE DOYOULIKETH EATMETOTHES EBEATMETOTH EBUGSDOTJPE EERMARZIPAN ELIGHTFULLY ELITTLEPRIN EONEBEATMET EPRINCECONF ESEUSERNAME ESSO4THEDEP ESTABLISHME ETOTHESEUSE EXECUTIONER EXPRESSO4TH HEDEPPRESSO HELITTLEPRI HESEUSERNAM HUUYASBONER IDENTIFYING IKETHISSONG IMMEDIATELY INCECONFIRM INCORPORATE INGREDIENTS INSTRUCTION INYLBIOHAZA ITTLEPRINCE IVANKARAMAZ IVANTRUTHER KARAMAZOV07 LASTDIVANTR LEPRINCECON LIKETHISSON LITTLEPRINC MEONEBEATME METOTHESEUS MISSCHUCHUW NCECONFIRME NCORPORATED NEBEATMETOT NIMATRONICS NKARAMAZOV0 NPARALLELED NREASONABLY NSTRUCTIONS NTRADICTION NYLBIOHAZAR O4THEDEPPRE OBABLYAUTIS OMEONEBEATM ONEBEATMETO ONTRADICTIO OTHESEUSERN OULIKETHISS OYOULIKETHI PRESENTATIO PRESSO4THED PRINCECONFI PROBABLYAUT QUEERMARZIP RECOMMENDED REMEMBERING RESENTATION RESSO4THEDE RINCECONFIR ROBABLYAUTI SACRIFICING SEUSERNAMES SO4THEDEPPR SOMEONEBEAT SSO4THEDEPP STABLISHMEN STDIVANTRUT STROPHICALL SULKYSTELLA TABLISHMENT TASTROPHICA TDIVANTRUTH THEDEPPRESS THELITTLEPR THESEUSERNA TLEPRINCECO TMETOTHESEU TOTHESEUSER TRADICTIONS TROPHICALLY TTLEPRINCEC UEERMARZIPA ULIKETHISSO UNPARALLELE UNREASONABL VANKARAMAZO VINYLBIOHAZ XPRESSO4THE YLBIOHAZARD YOULIKETHIS    121/131621703842267136

12:    4THEDEPPRESS AAAAAAAAAAAA ANIMATRONICS ANKARAMAZOV0 ASTDIVANTRUT ASTROPHICALL ATASTROPHICA ATMETOTHESEU BARRACUDA677 BEATMETOTHES CATASTROPHIC CATBOYBEEBOP CHUUYASBONER CONTRADICTIO DELIGHTFULLY DIVANTRUTHER DOYOULIKETHI EATMETOTHESE EBEATMETOTHE EBUGSDOTJPEG ELITTLEPRINC EONEBEATMETO EPRINCECONFI ESEUSERNAMES ESSO4THEDEPP ESTABLISHMEN ETOTHESEUSER EXPRESSO4THE HELITTLEPRIN HESEUSERNAME INCECONFIRME INCORPORATED INSTRUCTIONS INYLBIOHAZAR ITTLEPRINCEC IVANKARAMAZO LASTDIVANTRU LEPRINCECONF LIKETHISSONG LITTLEPRINCE MEONEBEATMET METOTHESEUSE NCECONFIRMED NEBEATMETOTH NKARAMAZOV07 NTRADICTIONS NYLBIOHAZARD O4THEDEPPRES OBABLYAUTISM OMEONEBEATME ONEBEATMETOT ONTRADICTION OTHESEUSERNA OULIKETHISSO OYOULIKETHIS PRESENTATION PRESSO4THEDE PRINCECONFIR PROBABLYAUTI QUEERMARZIPA RESSO4THEDEP RINCECONFIRM ROBABLYAUTIS SO4THEDEPPRE SOMEONEBEATM SSO4THEDEPPR STABLISHMENT STDIVANTRUTH STROPHICALLY TASTROPHICAL TDIVANTRUTHE THEDEPPRESSO THELITTLEPRI THESEUSERNAM TLEPRINCECON TMETOTHESEUS TOTHESEUSERN TTLEPRINCECO UEERMARZIPAN ULIKETHISSON UNPARALLELED UNREASONABLY VANKARAMAZOV VINYLBIOHAZA XPRESSO4THED YOULIKETHISS    86/4738381338321616896

13:    4THEDEPPRESSO AAAAAAAAAAAAA ANKARAMAZOV07 ASTDIVANTRUTH ASTROPHICALLY ATASTROPHICAL ATMETOTHESEUS BEATMETOTHESE CATASTROPHICA CONTRADICTION DOYOULIKETHIS EATMETOTHESEU EBEATMETOTHES ELITTLEPRINCE EONEBEATMETOT EPRINCECONFIR ESSO4THEDEPPR ESTABLISHMENT ETOTHESEUSERN EXPRESSO4THED HELITTLEPRINC HESEUSERNAMES INCECONFIRMED INYLBIOHAZARD ITTLEPRINCECO IVANKARAMAZOV LASTDIVANTRUT LEPRINCECONFI LITTLEPRINCEC MEONEBEATMETO METOTHESEUSER NEBEATMETOTHE O4THEDEPPRESS OMEONEBEATMET ONEBEATMETOTH ONTRADICTIONS OTHESEUSERNAM OULIKETHISSON OYOULIKETHISS PRESSO4THEDEP PRINCECONFIRM PROBABLYAUTIS QUEERMARZIPAN RESSO4THEDEPP RINCECONFIRME ROBABLYAUTISM SO4THEDEPPRES SOMEONEBEATME SSO4THEDEPPRE STDIVANTRUTHE TASTROPHICALL TDIVANTRUTHER THELITTLEPRIN THESEUSERNAME TLEPRINCECONF TMETOTHESEUSE TOTHESEUSERNA TTLEPRINCECON ULIKETHISSONG VANKARAMAZOV0 VINYLBIOHAZAR XPRESSO4THEDE YOULIKETHISSO    63/170581728179578208256

14:    AAAAAAAAAAAAAA ASTDIVANTRUTHE ATASTROPHICALL ATMETOTHESEUSE BEATMETOTHESEU CATASTROPHICAL CONTRADICTIONS DOYOULIKETHISS EATMETOTHESEUS EBEATMETOTHESE ELITTLEPRINCEC EONEBEATMETOTH EPRINCECONFIRM ESSO4THEDEPPRE ETOTHESEUSERNA EXPRESSO4THEDE HELITTLEPRINCE ITTLEPRINCECON IVANKARAMAZOV0 LASTDIVANTRUTH LEPRINCECONFIR LITTLEPRINCECO MEONEBEATMETOT METOTHESEUSERN NEBEATMETOTHES O4THEDEPPRESSO OMEONEBEATMETO ONEBEATMETOTHE OTHESEUSERNAME OULIKETHISSONG OYOULIKETHISSO PRESSO4THEDEPP PRINCECONFIRME PROBABLYAUTISM RESSO4THEDEPPR RINCECONFIRMED SO4THEDEPPRESS SOMEONEBEATMET SSO4THEDEPPRES STDIVANTRUTHER TASTROPHICALLY THELITTLEPRINC THESEUSERNAMES TLEPRINCECONFI TMETOTHESEUSER TOTHESEUSERNAM TTLEPRINCECONF VANKARAMAZOV07 VINYLBIOHAZARD XPRESSO4THEDEP YOULIKETHISSON    51/6140942214464815497216

15:    AAAAAAAAAAAAAAA ASTDIVANTRUTHER ATASTROPHICALLY ATMETOTHESEUSER BEATMETOTHESEUS CATASTROPHICALL DOYOULIKETHISSO EATMETOTHESEUSE EBEATMETOTHESEU ELITTLEPRINCECO EONEBEATMETOTHE EPRINCECONFIRME ESSO4THEDEPPRES ETOTHESEUSERNAM EXPRESSO4THEDEP HELITTLEPRINCEC ITTLEPRINCECONF IVANKARAMAZOV07 LASTDIVANTRUTHE LEPRINCECONFIRM LITTLEPRINCECON MEONEBEATMETOTH METOTHESEUSERNA NEBEATMETOTHESE OMEONEBEATMETOT ONEBEATMETOTHES OTHESEUSERNAMES OYOULIKETHISSON PRESSO4THEDEPPR PRINCECONFIRMED RESSO4THEDEPPRE SO4THEDEPPRESSO SOMEONEBEATMETO SSO4THEDEPPRESS THELITTLEPRINCE TLEPRINCECONFIR TMETOTHESEUSERN TOTHESEUSERNAME TTLEPRINCECONFI XPRESSO4THEDEPP YOULIKETHISSONG    41/221073919720733357899776

16:    AAAAAAAAAAAAAAAA ATMETOTHESEUSERN BEATMETOTHESEUSE CATASTROPHICALLY DOYOULIKETHISSON EATMETOTHESEUSER EBEATMETOTHESEUS ELITTLEPRINCECON EONEBEATMETOTHES EPRINCECONFIRMED ESSO4THEDEPPRESS ETOTHESEUSERNAME EXPRESSO4THEDEPP HELITTLEPRINCECO ITTLEPRINCECONFI LASTDIVANTRUTHER LEPRINCECONFIRME LITTLEPRINCECONF MEONEBEATMETOTHE METOTHESEUSERNAM NEBEATMETOTHESEU OMEONEBEATMETOTH ONEBEATMETOTHESE OYOULIKETHISSONG PRESSO4THEDEPPRE RESSO4THEDEPPRES SOMEONEBEATMETOT SSO4THEDEPPRESSO THELITTLEPRINCEC TLEPRINCECONFIRM TMETOTHESEUSERNA TOTHESEUSERNAMES TTLEPRINCECONFIR XPRESSO4THEDEPPR    34/7958661109946400884391936

17:    AAAAAAAAAAAAAAAAA ATMETOTHESEUSERNA BEATMETOTHESEUSER DOYOULIKETHISSONG EATMETOTHESEUSERN EBEATMETOTHESEUSE ELITTLEPRINCECONF EONEBEATMETOTHESE ESSO4THEDEPPRESSO ETOTHESEUSERNAMES EXPRESSO4THEDEPPR HELITTLEPRINCECON ITTLEPRINCECONFIR LEPRINCECONFIRMED LITTLEPRINCECONFI MEONEBEATMETOTHES METOTHESEUSERNAME NEBEATMETOTHESEUS OMEONEBEATMETOTHE ONEBEATMETOTHESEU PRESSO4THEDEPPRES RESSO4THEDEPPRESS SOMEONEBEATMETOTH THELITTLEPRINCECO TLEPRINCECONFIRME TMETOTHESEUSERNAM TTLEPRINCECONFIRM XPRESSO4THEDEPPRE    28/286511799958070431838109696

18:    AAAAAAAAAAAAAAAAAA ATMETOTHESEUSERNAM BEATMETOTHESEUSERN EATMETOTHESEUSERNA EBEATMETOTHESEUSER ELITTLEPRINCECONFI EONEBEATMETOTHESEU EXPRESSO4THEDEPPRE HELITTLEPRINCECONF ITTLEPRINCECONFIRM LITTLEPRINCECONFIR MEONEBEATMETOTHESE METOTHESEUSERNAMES NEBEATMETOTHESEUSE OMEONEBEATMETOTHES ONEBEATMETOTHESEUS PRESSO4THEDEPPRESS RESSO4THEDEPPRESSO SOMEONEBEATMETOTHE THELITTLEPRINCECON TLEPRINCECONFIRMED TMETOTHESEUSERNAME TTLEPRINCECONFIRME XPRESSO4THEDEPPRES    24/10314424798490535546171949056

19:    AAAAAAAAAAAAAAAAAAA ATMETOTHESEUSERNAME BEATMETOTHESEUSERNA EATMETOTHESEUSERNAM EBEATMETOTHESEUSERN ELITTLEPRINCECONFIR EONEBEATMETOTHESEUS EXPRESSO4THEDEPPRES HELITTLEPRINCECONFI ITTLEPRINCECONFIRME LITTLEPRINCECONFIRM MEONEBEATMETOTHESEU NEBEATMETOTHESEUSER OMEONEBEATMETOTHESE ONEBEATMETOTHESEUSE PRESSO4THEDEPPRESSO SOMEONEBEATMETOTHES THELITTLEPRINCECONF TMETOTHESEUSERNAMES TTLEPRINCECONFIRMED XPRESSO4THEDEPPRESS    21/371319292745659279662190166016

20:    AAAAAAAAAAAAAAAAAAAA ATMETOTHESEUSERNAMES BEATMETOTHESEUSERNAM EATMETOTHESEUSERNAME EBEATMETOTHESEUSERNA ELITTLEPRINCECONFIRM EONEBEATMETOTHESEUSE EXPRESSO4THEDEPPRESS HELITTLEPRINCECONFIR ITTLEPRINCECONFIRMED LITTLEPRINCECONFIRME MEONEBEATMETOTHESEUS NEBEATMETOTHESEUSERN OMEONEBEATMETOTHESEU ONEBEATMETOTHESEUSER SOMEONEBEATMETOTHESE THELITTLEPRINCECONFI XPRESSO4THEDEPPRESSO    18/13367494538843734067838845976576

21:    AAAAAAAAAAAAAAAAAAAAA BEATMETOTHESEUSERNAME EATMETOTHESEUSERNAMES EBEATMETOTHESEUSERNAM ELITTLEPRINCECONFIRME EONEBEATMETOTHESEUSER EXPRESSO4THEDEPPRESSO HELITTLEPRINCECONFIRM LITTLEPRINCECONFIRMED MEONEBEATMETOTHESEUSE NEBEATMETOTHESEUSERNA OMEONEBEATMETOTHESEUS ONEBEATMETOTHESEUSERN SOMEONEBEATMETOTHESEU THELITTLEPRINCECONFIR    15/481229803398374426442198455156736

22:    AAAAAAAAAAAAAAAAAAAAAA BEATMETOTHESEUSERNAMES EBEATMETOTHESEUSERNAME ELITTLEPRINCECONFIRMED EONEBEATMETOTHESEUSERN HELITTLEPRINCECONFIRME MEONEBEATMETOTHESEUSER NEBEATMETOTHESEUSERNAM OMEONEBEATMETOTHESEUSE ONEBEATMETOTHESEUSERNA SOMEONEBEATMETOTHESEUS THELITTLEPRINCECONFIRM    12/17324272922341479351919144385642496

23:    AAAAAAAAAAAAAAAAAAAAAAA EBEATMETOTHESEUSERNAMES EONEBEATMETOTHESEUSERNA HELITTLEPRINCECONFIRMED MEONEBEATMETOTHESEUSERN NEBEATMETOTHESEUSERNAME OMEONEBEATMETOTHESEUSER ONEBEATMETOTHESEUSERNAM SOMEONEBEATMETOTHESEUSE THELITTLEPRINCECONFIRME    10/623673825204293256669089197883129856

24:    AAAAAAAAAAAAAAAAAAAAAAAA EONEBEATMETOTHESEUSERNAM MEONEBEATMETOTHESEUSERNA NEBEATMETOTHESEUSERNAMES OMEONEBEATMETOTHESEUSERN ONEBEATMETOTHESEUSERNAME SOMEONEBEATMETOTHESEUSER THELITTLEPRINCECONFIRMED    8/22452257707354557240087211123792674816

25:    AAAAAAAAAAAAAAAAAAAAAAAAA EONEBEATMETOTHESEUSERNAME MEONEBEATMETOTHESEUSERNAM OMEONEBEATMETOTHESEUSERNA ONEBEATMETOTHESEUSERNAMES SOMEONEBEATMETOTHESEUSERN    6/808281277464764060643139600456536293376

26:    AAAAAAAAAAAAAAAAAAAAAAAAAA EONEBEATMETOTHESEUSERNAMES MEONEBEATMETOTHESEUSERNAME OMEONEBEATMETOTHESEUSERNAM SOMEONEBEATMETOTHESEUSERNA    5/29098125988731506183153025616435306561536

27:    AAAAAAAAAAAAAAAAAAAAAAAAAAA MEONEBEATMETOTHESEUSERNAMES OMEONEBEATMETOTHESEUSERNAME SOMEONEBEATMETOTHESEUSERNAM    4/1047532535594334222593508922191671036215296

28:    AAAAAAAAAAAAAAAAAAAAAAAAAAAA OMEONEBEATMETOTHESEUSERNAMES SOMEONEBEATMETOTHESEUSERNAME    3/37711171281396032013366321198900157303750656

29:    AAAAAAAAAAAAAAAAAAAAAAAAAAAAA SOMEONEBEATMETOTHESEUSERNAMES    2/1357602166130257152481187563160405662935023616

30:    AAAAAAAAAAAAAAAAAAAAAAAAAAAAAA    1/48873677980689257489322752273774603865660850176

31:    AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA    1/1759452407304813269615619081855885739163790606336

32:    AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA    1/63340286662973277706162286946811886609896461828096

glad that im not popular enough to have an evil shadow version of my blog that exists just to make contradictions on my posts

[custards-neopronouns]

Hi, this is my first time delving into xenogenders and neopronouns. I am flowergirlgender (or fleurgender as i call it) and i have been trying fleur/fleurs/fleurself but it doesn’t fit quite right. Can i have some ideas for flowery, feminine pronouns?

Hello anon! It's super cool that you're exploring xenogenders and neos, I'm very happy for you! Fleurgender is pretty swag :]

Here are some flowery/feminine pronouns for you, I hope these help! (Feel free to edit or change these however you'd like, all are /nf to use!)

🌷🌺 Flower Themed Pronouns

petal/petal/petals/petalself

- lo/flower/flowers/flowerself

- flor/floret/flors/floretself

bud/bud/buds/budself

- lo/bloom/blooms/bloomself

- lo/blossom/bloss'/blossomself

ri/spring/springs/springself

stem/stem/stems/stemself

dai/daisy/daisys/daisyself

sun/flower/suns/sunflowerself

ast/ter/asters/asterself

hya/cin/cins/hyancinthself

pey/peony/peys/peonyself

ar/den/gardenias/gardeniaself

nol/magnolia/magnolias/magnoliaself

lav/lav/lavs/lavenderself

ro/rose/roses/roseself

lil/lily/lilys/lilyself

[mogaispice]

The mods and what we do!

Hello! We’re the mods at Mogai Spice and this is our little pinned post! We’re parts of a system, so please be patient with us!

The mods: -Moony (pronoun sets, name/pronoun validation) -Gordon (gender/sexuality/romanticity/name finding, name/pronoun validation) -Ben (gender/sexuality/romanticity coining, flag designing) -Benny (gender coining) -Jet (flag designing, name/pronoun finding) -Barney (name/pronoun validation and finding)

Barney: NAMES: Barney GENDERS: Man SEXUALITY/ROMANTICITY: Gay (bear) PRONOUNS: he/him

Gordon: NAMES:Gordon GENDERS: Masc-aligned nonbinary with some cosmoic alignments thrown in. (Stellar-aligned, Supernova-aligned) SEXUALITY/ROMANTICITY: Bi PRONOUNS: he/him, they/them, ey/em, pog/pogs (pog/pog/pogs/poggers/pogself)

Ben: NAMES: Benrey, Benbey GENDERS: - Horrorcosmium - Aliengender - Eldristellargender - Eldrigender - Agender - Masculine SEXUALITY/ROMANTICITY: Demisexual, demiromantic, gay PRONOUNS: - he/him/his/his/himself - they/them/their/theirs/themself - xey/xem/xeir/xeirs/xerself - xe/xen/xeno/xenos/xenoself

Benny: NAMES: Benny, Frog, Frogge GENDERS: froggender, quantum-aligned, void-aligned, nebula-aligned nonbinary (cosmoic alignments) SEXUALITY/ROMANTICITY:  PRONOUNS: he/they/it/frog

Jet: NAMES: Jet, Jet Fuel, Prince GENDERS: Transmasc demiboy turifemgender, princegender, princecoric, boycute, roseusboy, gendercute, mascqueer, laetium, hathosboy, princian, magicuic, prigothic, regalisgender, privillainic, royalteaic, prichandellic, priforetic, priroseic, pricandyic, priflirtic, prigameric, prialienic, pridecorakei, prikawaii, priharajuku, syllmelan, gendermoxie, cozyfemasc SEXUALITY/ROMANTICITY: Gay (femme) PRONOUNS: he/him/his/his/himself they/them/their/theirs/themself pri/prin/prins/prins/princeself 💫/💫/💫s/💫s/💫self 👑/👑/👑s/👑s/👑self

Moony: NAMES: Mooncake, Hollow, Nihil, Virus GENDERS: Nebula- and Lunar-aligned nonbinary (transmasc) SEXUALITY/ROMANTICITY: Pan PRONOUNS: he him his his himself they them their theirs themself exe exe exes exes exeself txt txt txts txts txtself ai ai ais ais aiself ai ain aier aiers aiself bit bit bits bits bitself pi pix pixes pixel pixelself bot bot bots bots botself er err errs errs errorself mid midi midis midis midiself ip ip ips ips ipself wi fi wifi wifis wifiself nov nova nova novas novaself sta star stars stars starself gal gala galax galaxy galaxyself lu lun luna lunas lunarself cae caer caers caers caerself ast aster astro astrum astroself x x xs xs xself ix ix ixs ixs ixself am ai amai amai amaiself sweet sweet sweets sweets sweetself nu null nulls nulls nullself cin cinna cinnas cinnas cinnaself cinn cinn cinns cinns cinnself vi vir virus virus viruself ni nihil nihils nihils nihilself vo voi voids voids voidself el stel stellar stellars stellarself astro astro astros astros astroself co code codes codes codeself gli glitch glitches glitches glitchself xi xim xis xis ximself ix ixen ixens ixens ixenself ano anom anoms anoms anomself 🥮 🥮 🥮s 🥮s 🥮self 🍡 🍡 🍡s 🍡s 🍡self 🩹 🩹 🩹s  🩹s  🩹self ☄️ ☄️ ☄️s  ☄️s ☄️self 💊 💊 💊s 💊s 💊self 💉 💉 💉s 💉s 💉self 🧠 🧠 🧠s 🧠s 🧠self 👾 👾 👾s 👾s 👾self 🥥 🥥 🥥s 🥥s 🥥self 🍒 🍒 🍒s 🍒s 🍒self 🍓 🍓 🍓s 🍓s 🍓self 🍑 🍑 🍑s 🍑s 🍑self 🍛 🍛 🍛s 🍛s 🍛self 🍣 🍣 🍣s 🍣s 🍣self 💿 💿 💿s 💿s 💿self 🍭 🍭 🍭s 🍭s 🍭self 🍫 🍫 🍫s 🍫s 🍫self 👽 👽 👽s 👽s 👽self 🤖 🤖 🤖s 🤖s 🤖self 🪐 🪐 🪐s 🪐s 🪐self 🌱 🌱 🌱s 🌱s 🌱self

[the-party-dude]

Ooooooo.

Da astes ooooo gooooood! 😵‍💫

*hic*

An I ound ome moon suf earlier.

Hehehe.

*hic*

I eel oooooooo go○o○o○o○d ight ow~!

*hic*

Hehehehe.

*hic*

...

*hic*

I cin aste olors.

An ee ound.

*hic*

😵‍💫🥴🤪

*hic*

Ooooooo.

I eard u ot ocolate.

*hic*

Cin I ave ome?

Hehehe.

*hic*

🥴

HOW ARE U STILL DRUNK?!

…*hands u some weed chocolate*

Shh don’t tell the others who gave this to u-

[neverlandiswhite]

Hello les Earl Grey’s !

Toujours pas de bilan sur le blog, je n’ai pas eu le temps. Mais je tiens quand même à partager avec vous mes prévisions de lecture pour le mois. J’aime bien prévoir à l’avance les univers dans lesquels je vais plonger même si, souvent, je n’arrive pas à terminer ! C’est le cas pour le mois de juin ! Bon j’avais réussi à lire quand même une bonne partie (plus que je le pensais !) Aller, c’est parti pour le mois de juillet…

Les Epées de Glace  – Olivier Gay

Lecture pour préparer la Japan Expo, je suis actuellement plongée dans le premier tome des Epées de Glace d’Olivier Gay. J’appréhendais un peu car même si j’adore l’héroic fantasy, c’est souvent une écriture assez lourde et complexe, je n’avais pas du tout la tête à ça en ce moment. A ma grande surprise, c’est fluide et ça passe tout seul ! Je comparerai volontiers la facilité d’immersion et de lecture avec Robin Hobb ! Pour être honnête, je ne suis pas sûre d’avoir le temps de lire le tome 2 ce mois-ci, mais je ne tarderai pas trop non plus à terminer cette duologie.

Résumé du tome 1 : Je ne suis pas sûr qu’un homme seul fasse la différence. On m’a déjà donné de nombreux noms. Le Faiseur de veuves. L’Épée de glace. Le Danseur Rouge. Je suis Rekk. Le Boucher. Je fais toujours la différence. Lorsque Deria, fille d’un obscur baron du Nord, est retrouvée assassinée dans la capitale, les plus puissants de l’Empire font tout pour cacher sa mort à son père. Les deux amis les plus proches de la jeune fille, Shani, sa servante, et Mahlin, un garde du palais, se retrouvent alors mêlés malgré eux à cette conspiration. N’écoutant que leur cœur, ils décident de se rendre dans le Nord annoncer eux-mêmes la nouvelle au mystérieux baron. Ils n’auraient sans doute jamais entrepris un tel voyage, s’ils avaient su qui était réellement le père de Deria. Car, désormais, l’Empire va trembler.

La maison de la falaise – Audrey Perri

Merci à Audrey et City éditions pour cette lecture. Je m’excuse de mettre un peu de temps à bien démarrer cette lecture, la Japan Expo est venue chambouler mon planning de lecture. Mais j’ai hâte de revenir et de plonger dans ce roman. J’avais adoré Une bonne âme de la même autrice.

Résumé : Dévastée par une récente rupture, Alma quitte Londres pour passer l’été chez sa grand-mère dans un petit village, au bord de la mer. C’est là, dans la bibliothèque familiale, qu’elle découvre entre les pages d’un livre une ancienne lettre. Le courrier est adressé à l’arrière-grand-mère d’Alma, employée autrefois chez les Wilson, une famille habitant dans une grande maison battue par les embruns. Qui est cette femme noyée dont la lettre parle avec tant de douleur  ? Quel rôle a joué par sa propre famille dans ce drame  ? Alma se lance sur les traces de Selina Wilson, une jeune femme qui a vécu dans les années 1910. Une femme éprise de liberté et refusant de se plier à un mariage arrangé. Dans les méandres d’une histoire familale dévastée, Julia va découvrir un secret bouleversant… Une étourdissante saga familiale.

Promets-moi d’être heureux – Celestin Robaglia

Deuxième SP du mois grâce à NetGalley et Harmonie Solar que je remercie. L’ayant sur liseuse, je pense profiter du train ce week-end pour bien avancer cette lecture. Je suis totalement dans le mood développement personnel et bien-être en ce moment alors j’ai hâte de découvrir ce roman. D’autant que l’été dernier j’avais découvert le livre d’Olivia Zeitline chez ce même éditeur, ç’avait été un gros coup de cœur !

Résumé : Désabusé par la vie, Gabriel a renoncé à ses rêves de changer le monde. À 27 ans, il est enlisé dans sa routine parisienne et partage son quotidien avec son cousin Noé, un rêveur asocial. La vie de Gabriel bascule lorsqu’il se retrouve sans préavis tuteur d’Aziliz, sa nièce de dix ans. Avec une sagesse déconcertante, Aziliz remet en cause le simulacre de vie qu’il mène avec Noé et le pousse à écouter ses désirs enfouis. Gabriel se rappelle alors la promesse qu’il a faite à sa sœur, Clara, lors d’un rêve étrange. Poussé par cet engagement, il décide de tout plaquer. Sans projet ni point de chute, il part avec Aziliz et Noé direction la Bretagne, avec un seul rêve : trouver un lieu où ils pourront vivre en symbiose avec la nature. Pour Gabriel, c’est le début d’un cheminement personnel. Au contact de l’essence vibratoire de la forêt, il se reconnecte à sa propre nature et apprend à cultiver les bonheurs simples de la vie. Cette histoire poignante, au cœur de la forêt bretonne, promet de vous relier à la nature. Toute la magie de la sobriété heureuse pour vivre en harmonie avec soi…

Les délices de Tokyo – Durian Sukegawa

Oui, oui, vous ne rêvez pas, ce livre faisait déjà parti de ma PAL de juin. Comme je n’ai pas pu le lire, ce sera pour la semaine à 1.000 du Pingouin Vert et j’embarque Popcorn & Gibberish dans l’opération !

Résumé : «  Écouter la voix des haricots  »  : tel est le secret de Tokue, une vieille dame aux doigts mystérieusement déformés, pour réussir le an, la pâte de haricots rouges qui accompagne les dorayaki, des pâtisseries japonaises. Sentarô, qui a accepté d’embaucher Tokue dans son échoppe, voit sa clientèle doubler du jour au lendemain, conquise par ses talents de pâtissière. Mais la vieille dame cache un secret moins avouable et disparaît comme elle était apparue, laissant Sentarô interpréter à sa façon la leçon qu’elle lui a fait partager. Magnifiquement adapté à l’écran par la cinéaste Naomi Kawase, primée à Cannes, le roman de Durian Sukegawa est une ode à la cuisine et à la vie. Poignant, poétique, sensuel  : un régal.

Le club des veuves qui aimaient la littérature érotique – Balli Kaur Jaswal

Et comme le Popcorn m’a super bien vendu ce livre, j’ai décidé de le découvrir également ce mois-ci. Des tranches de vie et du féminisme, ça me parle totalement ! Le roman me paraît être parfait à lire en été !

Résumé : Généreux, émouvant et épicé, un roman qui questionne avec originalité et force la place des femmes orientales en Occident, leurs tiraillements entre traditions ancestrales et désir de liberté. ” Association sikhe recherche animatrice pour atelier d’écriture réservé aux femmes. ” La bonne aubaine pour Nikki, Londonienne de vingt-deux ans, en quête désespérée d’un petit boulot. Mais alors qu’elle pensait former des apprenties romancières, Nikki se retrouve face à un public inattendu : une dizaine d’Indiennes, de tous âges, majoritairement veuves, souvent analphabètes et dotées d’une imagination très, très fertile. Écrire ? Pensez-vous ! Elles, ce qu’elles veulent, c’est raconter : le choc culturel, la vie de famille, l’éducation des enfants. Raconter encore l’amour, le sexe et tous ces fantasmes enfiévrés qui leur traversent si souvent l’esprit. Raconter aussi la solitude, la soumission aux hommes, la violence, parfois. Alors que la fréquentation de ce club débridé augmente de semaine en semaine, Nikki s’interroge : comment porter ces histoires au-delà des murs de la maison de quartier ? La jeune étudiante a une idée. Mais libérer la parole des femmes n’est jamais sans danger…

Avez-vous lu certains de ces livres ? Qu’en avez-vous pensé ? Avez-vous déjà prévu votre PAL pour le mois de juillet ? Voire pour les vacances d’été ?

Mes lectures prévues | Juillet 2018 Hello les Earl Grey's ! Toujours pas de bilan sur le blog, je n'ai pas eu le temps.

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300+ TOP DOCTOR Interview Questions and Answers

DOCTOR Interview Questions for freshers experienced :-

1) Explain who is Doctor? A physician is someone who practices medicine to treat illnesses and injuries. Physicians go to medical school to be trained. They typically hold a college degree in medicine. Physicians once made house calls to treat patients at home, but now mostly see patients in their offices or in hospitals. Physicians may also work for schools, companies, sports teams, or the military. Physicians are often assisted by nurses or other staff. 2) How doctor treat patients? Physicians treat patients by diagnosing them, or figuring out what is wrong. When Physicians diagnose a patient, they begin by asking questions about the patient's symptoms such as fever, headache, or stomach ache. They may ask other questions about things like past illnesses or family members who have been sick. They will then examine the patient, often looking at different parts of the body and listening to the heart and lungs with a stethoscope. Sometimes they may need to collect blood, use an x-ray machine, or use other tools to look for things they cannot see when examining the patient. Usually, when they have gathered enough information, a doctor can make a diagnosis and then prescribe a treatment. Often they prescribe . 3) Who is a specialists doctor? Some doctors specialise in a certain kind of medicine. These physicians are called specialists. They may only treat injuries to a certain part of the body, or only treat patients who have certain diseases. For example, there are physicians who specialise in diseases of the stomach or intestines. Other physicians are "general practitioners" or "family practitioners". This means that they do a little bit of everything. They try to deal with as much of a patient's health problems as they can without sending them to a specialist. A doctor who performs surgery is called a surgeon. 4) How communication skills help patient? Once a patient begins developing trust in a doctor, the chances of him/her recovering increases as his/her confidence in the doctor goes up and s/he begins to believe that s/he can recover. 5) Why doctors should learn communication skills? Communication skills play a major role in developing patient-doctor relationship. And miscommunication could lead to clashes with relatives/friends of patients over care given to the latter. 6) What is Venous thrombosis? There are numerous extra-gastrointestinal manifestations of inflammatory bowel disease that occur in both ulcerative colitis and Crohn's disease, such as uveitis, conjunctivitis, arthritis, pyoderma gangrenosum and erythema nodosum. Some occur primarily in Crohn's, such as gallstones and renal stones due to the area of bowel affected, while patients with ulcerative colitis are more likely to develop primary sclerosing cholangitis and venous thromboses. 7) What is Azathioprine? Azathioprine takes a number of months to exert its anti-inflammatory effect and therefore has a limited role in the acute management of Crohn's disease, though it can be started at the time of an acute flare of Crohn's. 8) What is Bendroflumethiazide? Treatment of hypercalcaemia can include fluid rehydration, loop diuretics, bisphosphonates, steroids, salmon calcitonin and chemotherapy. In clinical practice intravenous fluids are the first-line agent used to treat hypercalcaemia, both rehydrating the patient and helping to lower the calcium levels. This is combined with the co-administration of bisphosphonates such as pamidronate, which exert their maximal effect 5-7 days after administration. 9) What is Ceftriaxone? A cephalosporin such as ceftriaxone is first-line treatment in patients with streptococcal meningitis. Benzylpenicillin would be more appropriate if Neisseria meningitidis was suspected. 10) What is Anti-Histone antibody? In induced SLE anti-histone antibody is present in 90% of patients, although this is not specific for the condition. Anti-nuclear antibody is positive in 50% of patients as opposed to 95% of patients with idiopathic SLE.

DOCTOR Interview Questions 11) What is C-reactive protein? In SLE the erythrocyte sedimentation rate is classically raised while C-reactive protein levels can stay normal and therefore CRP is also not as useful as the other investigations to monitor disease activity and progression. 12) What are the parameters of life-threatening asthma? Peak expiratory flow rate of Tachycardia: heart rate > 100 beats per minute Inability to complete sentences with one breath 14) What is terbutaline 10 mg nebulised In the management of asthma, patients should be sitting upright in bed and receiving 100% oxygen. Salbutamol is given at a dose of 5 mg nebulised, not 500 micrograms. Ipratropium bromide and steroids should then be considered. 15) Medical Abbreviations part 19: TFTs - thyroid function tests U - units UC - ulcerative colitis V/Q - ventilation/perfusion WCC - white cell count 16) Medical Abbreviations part 18: RBBB - right bundle branch block SIADH - syndrome of inappropriate ADH secretion SLE - systemic lupus erythematosus STEMI - ST-elevation myocardial infarction STD 17) Medical Abbreviations part 17: p.r.n. - pro re nata PSA - prostate-specific antigen PSC - primary sclerosing cholangitis PSGN - post-streptococcal glomerulonephritis RAS - renal artery stenosis 18) Medical Abbreviations part 16: PaO2 - partial pressure of oxygen PCA - patient-controlled analgesia PCI - primary coronary intervention PCP - Pneumocystis carinii pneumonia PCR - polymerase chain reaction 19) Medical Abbreviations part 15: --> NICE 1) Formerly: National Institute for Clinical Excellence 2) Currently: National Institute for Health and Clinical Excellence --> NMDA - N-methyl-D-aspartate --> NSAIDs - non-steroidal anti-inflammatory --> NSTEMI - non-ST-elevation myocardial infarction --> PaCO2 - partial pressure of carbon dioxide 20) Medical Abbreviations part 14: MRI - magnetic resonance imaging MRSA - methicillin-resistant Staphylococcus aureus MSH - melanocyte-stimulating hormone NAC - N-acetylcysteine NG - nasogastric 21) Medical Abbreviations part 13: LFT - liver function test LTOT - long-term oxygen therapy MCV - mean cell volume MHC - major histocompatibility complex MMSE - mini mental state examination 22) Medical Abbreviations part 12: J - joules JVP - jugular venous pressure LBBB - left bundle branch block LDH - lactate dehydrogenase LDL - low-density lipoprotein 23) Medical Abbreviations part 11: HONKC - hyper-osmolar non-ketotic coma HSP - Henoch-Schnlein purpura HUS - haemolytic uraemic syndrome IV - intravenous IVDU - intravenous user 24) Medical Abbreviations part 10: HAART - highly active antiretroviral treatment hCG - human chorionic gonadotrophin HDL - high-density lipoprotein HDU - High-Dependency Unit HLA - human leukocyte antigen 25) Medical Abbreviations part 9: G6PD - glucose-6-phosphate dehydrogenase GCS - Glasgow coma scale GFR - glomerular filtration rate GORD - gastro-oesophageal reflux disease GTN - glyceryl trinitrate 26) Medical Abbreviations part 8: FEV1 - forced expiratory volume in 1 second FFP - fresh frozen plasma FH - familial hypercholesterolaemia Fi(O)2 - fraction of inspired oxygen FVC - forced vital capacity 27) Medical Abbreviations part 7: DVT - deep vein thrombosis ERCP - endoscopic retrograde cholangiopancreatography ESR - erythrocyte sedimentation rate F1 - Foundation year 1 doctor F2 - Foundation year 2 doctor 28) Medical Abbreviations part 6: CPAP - continuous positive airway pressure (ventilation) CPR - cardiopulmonary resuscitation CRP - C-reactive protein CSF - cerebrospinal fluid dsDNA - double-stranded DNA 29) Medical Abbreviations part 5: CDT - Clostridium difficile toxin CIN - cervical intraepithelial neoplasia CLL - chronic lymphocytic leukaemia COMT - catechol-O-methyltransferase COPD - chronic obstructive pulmonary disease 30) Medical Abbreviations part 4: BCG - bacille Calmette-Guerin BHL - bilateral hilar lymphadenopathy BMI - body mass index BNP - B-type natriuretic peptide CEA - carcinoembryonic antigen 31) Medical Abbreviations part 3: AMT - abbreviated mental test ANA - antinuclear antibody ANCA - anti-neutrophil cytoplasmic antibody APACHE - acute physiology and chronic health evaluation AST - aspartate aminotransferase 32) Medical Abbreviations part 2: ADH - antidiuretic hormone AFB - acid-fast bacilli AIDS - acquired immunodeficiency syndrome ALP - alkaline phosphatase ALT - alanine aminotransferase 33) Medical Abbreviations part 1: AF - atrial fibrillation aFP - alpha-fetoprotein ABG - arterial blood gas ACE - angiotensin-converting enzyme ACTH - adrenocorticotrophic hormone 34) How many childrens affected with asthma in UK? Asthma affects over 5 million individuals in the UK. Approximately 1 million children are affected. 35) Can medication is known to cause hypokalaemia? The medication is most likely to be a selective 2-agonist such as salbutamol, which leads to a tremor, palpitations, headaches and hypokalaemia at high doses. Washing the mouth after administration of inhaled steroids is recommended, no matter what dose is given. Atrovent is the trade name for ipratropium bromide, which is more useful in chronic obstructive pulmonary disease than in asthma, although it can be used in an acute asthma attack. 36) Patient feeling randomly sick with headaches. What could it be? Persistent headaches are not something that can be ignored, as this could be your body trying to send you a signal that there is something wrong. Often, the history and description of the headache can be quite helpful as you attempt to determine what is the cause of your headaches so that you can know how to get better. If your headaches are associated with certain movements, activities, foods, or other triggers, than this can serve as a clue to you and your doctor to help you feel better. If, on the other hand, your symptoms are somewhat predictable and come on in the same way, then it is also possible to use this information to diagnose the type of headache, which then gets you closer to getting some help with your pain and other symptoms. Migraines are classically associated with light sensitivity, nausea and vomiting, and intractable and incapacitating pain. People with migraines may have a family history of them, and they may have an aura, or symptoms that routinely come before the headache and let them know it is coming. 37) Why should be pain in neck? There are times that infections can happen in the neck, and these infections can be very serious because of the number of important structures that run through the neck. Some of these include nerves that are relevant to moving some of the muscles of your upper extremities, and others are the very important arteries and veins that run through your neck to and from your head. Often, if people have an infection, they will also have symptoms of an infection, such as a high fever, swelling, redness, etc. These can be more common in those with a history of injecting, as this allows serious and dangerous bacteria direct access to the rest of the body through the arteries and veins. If it has been a while since your last injection, then it may make an infection less likely. Swelling and pain can also happen from muscle spasms that come with poor posture or increased exertion out of the norm. There are also some other possible explanations. 38) Why do in some cases patients feel chest, neck and hands flush? Certainly the thought of carcinoid syndrome is something that crosses the mind in hearing about your symptoms. That is, however, a rather rare process that would be unusual for most people to have. In such a situation, it is good to describe your symptoms and your concerns to your doctor so that he or she can test for the possibility of something as serious or as rare as that condition. There are many other possible explanations, however, many of which are much more common. It is not unusual for some people to have changes of flushing and some of the other feelings that you describe when they are in stressful or unusual situations. Some of this can sometimes be understood in context of the response that some people have to loud noises or fright, ie, they can faint. This reaction is one extreme on the spectrum of a vagal reaction that can occur in some. On a less extreme note, other can have some of the same symptoms you describe without having something as notable as a syncopal episode. There are often things that can be done to help. 39) Suppose if a patient have abnormal blood on his underwear how you deal? Abnormal bleeding can have many different causes, but you have provided some valuable information. First, we have to clarify where exactly the bleeding is coming from. While vaginal bleeding is perhaps the most likely, both the urinary tract and the GI tract can also be a source of bleeding. Either of those would have different causes and explanations, with infections and small sources of bleeding such as hemorrhoids being among the most common reasons for abnormal or untimely bleeding. With regards to vaginal bleeding, there is a clue that is suggested by the fact that the blood is bright red in color. In general, this can reflect fresher blood that has not started to be broken down. It may also suggest blood that is coming from a source further down the vaginal tract, although that is not necessarily true. There are different conditions that can affect the vaginal or uterine lining and are common explanations for symptoms such as you describe. There are also tumors that can result in abnormal bleeding, and these tumors can be both benign and malignant. 40) Suppose if patient have unbearable neck to shoulder pain only while on his period. What could it be? This is a somewhat interesting phenomenon that will take more visits to your doctor to help explain. Your OB/GYN is likely a good place to start, as he or she will be best positioned to help sort out the hormonal element to your symptoms. Another option might be a neurologist or spine surgeon, either of which may be able to help with your symptoms at the level of your neck. An ear nose and throat surgeon may offer some other insight that could be helpful. Whichever you choose, the approach to your problem will likely be different. Primary care and medical doctors are more likely to use lab work and your symptoms to help arrive at an answer, and may use medications empirically to see what helps to make you better. A surgeon, on the other hand, is more likely to listen to your symptoms, complete an exam, and recommend imaging and other anatomic studies that can help to determine what is causing your symptoms. The pain may have a component of something that changes on a monthly basis with your menstrual cycle. This could be a swelling, or even something as simple as a change in the blood flow. 41) Suppose if patient having chronic neck pain for 4 days. Medication and RMT massage have done nothing, pain is 10/10 now. What could it be? It is not normal for pain to become so severe and fail to respond in any way to conservative therapy, and so your doctor should discuss this with you in more detail to make sure that there is nothing serious that is causing your symptoms. Neck and muscle spasms can be common in some people with a history of c spine injury or trauma, and can be severe and debilitating. They should not be a new onset symptom for most people, however, unless you have had some precipitating event. Massage and things to help the muscles relax is often a great idea to help with some of the mild aches and pains that we can have from time to time, and the fact that you had no improvement is worrisome. Your doctor may entertain other possible explanations for this pain in addition to trauma and misuse injuries. He or she may decide it is important to get some imaging and complete a physical exam looking for things that might be amiss. Shooting pain can be a concern for nerve injury. 42) Suppose if I am patient of acid reflux, how can I get rid off? Fortunately, there are things that can be done to help with reflux. The most obvious answer is some of the many medications that are available to help reduce stomach acid. Some of the least expensive and most effective are even available over the counter, but should be used after discussing your symptoms with your doctor. There are some medications, such as ranitidine and other anti histamine medications (H2 blockers as they are sometimes called), that can be very effective for many people and have a very mild side effect profile. They are most effective when taken as directed, and the efficacy does tend to decrease if they are not timed appropriately with regards to the meals. Other excellent medications are those that are known as proton pump inhibitors, or PPIs, which can be even more effective. The over the counter doses are effective for most people, but in severe cases prescription strength doses can also be used. These medications also have relatively mild side effects, but should be discussed with your doctor. In addition to these medications, lifestyle changes should be tried before any medications. These can be found suggested in many places. Please speak with your doctor. DOCTOR Questions and Answers pdf Download Read the full article

[movimblog]

After Le Grice: on inciting a new culture and infiltrating institutions A conversation with Malcolm Le Grice, A Coruña, June 6 2019.

Prelude

In May 2016 I was in London, at the BFI, to attend a special evening of performances by Malcolm Le Grice. An event so rare that I asked myself whether that would be my first and last chance to see Le Grice performing his iconic Horror Film 1 (1971). The evening programme also comprised Threshold (1972) and After Leonardo (1973), of which you can watch below eighteen fragments:

Three years later, the curators of (S8) Mostra de Cinema Periférico proved me wrong by inviting Le Grice (now aged 79) to A Coruña for a retrospective and a master class. The intensity of the retrospective last programme – composed of Castle 1 (1966), Berlin Horse (1970), Threshold and Horror Film 1, all presented in 16mm – moved the audience, some of them broke into tears. After performing Horror Film 1, Le Grice said that it was maybe his last performance of the piece, adding "I'm actually offering it to anyone else who wants to do it. There is a person in New Zealand, a woman, who does it, and I've given her all the materials for it, and she does it occasionally. She also does it with students.". The emotions of that evening are still violently pulsating, and all I can say is: I don't want to believe you, Malcolm. You'll perform again, and we will all be grateful for that.

After his master class at Filmoteca de Galicia, I sat down with him for a short conversation on his first book, academia and more.

* *  *

I would like to start this conversation by engaging with memory. I have with me a copy of your 1977 book Abstract Film and Beyond. Can you tell me something about the time when you were writing this?

Well, it's interesting because I was working on it for at least two years, I think, but mostly the writing was done in six months. But then nearly a year and a half was spent in editing and getting the publication done. Now, goodness, how do I get my brain back to what was going on then? First of all, I wrote the book because there were things which I didn't know. So I had to do real research into the early period of experimental cinema, which was Léger and Man Ray, and even Oskar Fischinger and Hans Richter, all of that. And not just abstract: my understanding of abstract is not the same thing as non-figurative. My understanding of abstract is when you draw out the properties and separate the properties from each other: that's abstraction. If you take the colour from the form, so you got an orange or whatever, and you take the colour away, you've got orange and you've got the form. And those are two abstractions. So, once you've abstracted, instead of putting back orange you could put back green, or blue, or whatever. That, for me, is for example what Matisse does in the Fauves. So, for me abstraction is not just about films with no representation. I took the interpretation that you could take films that had photographic images and they could still be abstract. So, Léger's Ballet mécanique, for example, is abstract.

Then, there was a polemical question as well, although it didn't play so heavily in this. A very important polemic at that time was to establish the British and the European artists in the experimental cinema, when it was completely dominated by the American. Because the Americans had a lot of developed artists, but they also had all the publicity system, they had promotion. You know, I talked about the CIA this morning, but actually, the CIA was promoting artists, as a cultural promotion. It's not true that I was cynical, because actually a lot of people involved in the CIA liked the work, they actually appreciated it. From the politics of American culture it was very important to make an establishment of the European work in a way that could be compared with (and compete with) the American work, so that polemic is in there.

I've always felt that Abstract Film and Beyond was more of an artist book than an academic one – I don't think you like the word academic. I see it as an artist book because the research you were doing, the type of questioning, has the urge of a creator, of someone who wants to understand something, reach a perspective, in order to keep creating. You've also inserted yourself, your artistic practice, in the book: you write, briefly, about your work, one can see reproductions of film strips from Little Dog for Roger and Berlin Horse, and also a picture of you performing Horror Film 1. Because of this aspect of your book, I wonder if you've ever been questioned about research rigour, in an academic context.

Not at all. I mean, there wasn't the same academic establishment then, that there is now. Now, a lot of publication is done in universities to make sure that your research rating is high. And that you could get your money for research. So it's a gain now. When I wrote this I didn't think of it being in the university at all, for me it was in the public domain, it wasn't for the university. In fact, there really wasn't any experimental film in the British universities at all, at that time. Even the art colleges, many of them didn't even offer degrees, they didn't offer a Bachelor of Arts or a Master of Arts, a lot of the art colleges simply offered diplomas, so there was no establishment of a research culture within the universities. That changed, and I was part of the change, because when I became Dean of Faculty [

at Harrow College in 1984, Ed.

] and then Head of Research [

at Central Saint Martins in 1997, Ed.

] it was at a time when first of all we established that art could be a subject for a bachelor's degree, that it could have master's degrees and that it could have doctorates. That didn't exist. By the nineties we were establishing all of that, the BAs earlier, and I was part of this because the money for teaching was going down and down, so the only way of making up the difference of the money in the university context, was to build your research funding. I got very involved, I was on the national committee for how to define research in the arts, and that committee then decided on the equivalences for research. After that, the universities that had art departments were able to apply to the government for research funding. Of course that made a big difference to the teachers mainly, because the research money went to the teachers for their research activity. Some of it went to students for PhDs, but the main amount was going to the teachers. So that didn't exist at the time this book was written. It was very naïve and very undeveloped. The awareness, the culture, was very undeveloped for experimental cinema and there was a sort of still uncertainty. The production money came from the British Film Institute or the Arts Council. The British Film Institute didn't have any understanding of experimental film at all, they brought me on to the committee of the production board of the British Film Institute [

from 1971 to 1975, Ed.

] and then I was the chair of the committee at the Arts Council, for artists' film and video [

from 1986 to 1990, Ed.

]. In that way, it was all about building up a basis for the culture.

You were creating tools for the future generations.

That's right, I don't think I'm making this up in retrospect. What I realised was that we needed a culture for this. We needed something more than individual artists trying to make films. We needed a culture. And obviously the focus for that culture, to start with, was the Arts Laboratory. It was more important than people realise. The Arts Laboratory in Drury Lane was the centre of counter-culture. But there was also the group who started the London Film-Makers' Co-op, they were all really cinéastes, not filmmakers, as far as I can recall, the only filmmaker in that group was Stephen Dwoskin. He was the only one, all the rest were all saying "Wouldn't it be nice if we had a film culture?". The London Film-Makers' Co-op was modelled completely on the New York's Film-Makers' Cooperative, but all the production idea came not from there, but from the Arts Laboratory.

In regard to building an experimental film culture, can you tell me more about the days at the Arts Laboratory?

It was me and David Curtis, we talked a lot about how to encourage and stimulate filmmaking, and David was very important in this. He dug up other artists and put on performances and various things in the Arts Lab. He was a very significant figure really, and he set a cinema up and really promoted experimental film. He and I were a lot together, it was he and I who really had the idea of a filmmakers' workshop. Then, he was always very supportive and he was working at the Arts Council as well. We were infiltrators.

You were injecting something new into the country's institutions - that were still not understanding what you were doing. Were you fully aware of the strategic possibilities given by this chance to infiltrate institutions like the BFI and the Arts Council?

There's something strange about the English: if somebody opposes, then what they try to do is not stop it but try to include it. I was a big, big critic, of the British Film Institute in relationship to contemporary and experimental cinema, so what did they do? They asked me to join the committee. So I'm infiltrating, and of course I don't say "Oh no, I'm not going to go in that committee". It's how the British at that time worked.

I would like to go back to Abstract Film and Beyond. Speaking in terms of research, of conceptual understanding: when you finished the book, do you recall of achieving something that you needed for your artistic practice?

The research and the thinking increased the intellectual content, the understanding, of what was going on. It is more analytical than it is theoretical, analysing what was going on in experimental film. I'm more of an analyst than I am a theorist. Peter Gidal is more of a theorist, I am a theorist, but mostly I'm looking at things and see how does this work, what's going on with it, what's actually happening.

Do you think that this analytical modus operandi is also reflected in your films?

I don't know, I think that's different. Again, Peter Gidal and I we've talked a lot over the years. One of the things I think we both agreed with is that none of us begin our work from theory, we always prefer a more spontaneous practice. Virtually none of the films that I made began from a theoretical position. The theory came as an analysis afterwards, by including what actually is now a very important essay, which is the Real time/space essay1. But Real time/space did not lead the work, the work led the concept. And, certainly for my part, I've always trusted an unconscious instinct as a filmmaker. Writing the book gave a stronger rationale to the work, but it didn't actually change the work. I would go and do things like Little Dog for Roger for example: you could not begin that from theory, there's no way. When I look at it, I now know that there's a common set of aesthetic notions that come from Little Dog for Roger, Birgit and Wilhelm Hein's Rohfilm and George Landow's Film in which there appear Sprocket Holes, Edge Lettering, Dirt Particles etc. When I made Little Dog for Roger I was not thinking of Rohfilm, I was not thinking about George Landow, I was making Little Dog for Roger, and I was making it in the same way I would make a painting. Only when I looked at it I would think "What's happening here? What's the difference between this and other non-materialist film practices?". It's still pretty much true that a lot of my filmmaking and videomaking comes out from the unconscious. I may have strategies of various sorts but [he pauses to think, Ed.]. There were a few films, the long feature-length films, which are Emily, Finnegans Chin and Black Bird Descending2, which address issues around narrative - they're works with a certain amount of theory-preceding-the-work, which was a bad thing. Fairly quickly after making them I said to myself: you're on the wrong track. You know, it was a big discussion going on at that time around deconstruction, narrative and feminism, with Laura Mulvey, who was a great friend of mine. Laura Mulvey and Peter Wollen shot one of their films in my kitchen.

The kitchen in Riddles of the Sphinx?

It's my kitchen in Harrow. There was a lot of that kind of cross-discussion and influence. And I was influenced by the debate about feminism, but in particular about the semiotics of cinema. But that was the only time, I think, in my filmmaking, where the theoretical got into the films ahead of the making. Also partly because I got a lot of money for those from Channel 4 and from the Arts Council, and you don't take as many risks, if you're working with a big budget. With a big budget you got a cameraman and a crew. I've looked at them recently, and they're not as bad as I think. But I realised that my earlier work was more in the right direction. So I then went back. That's when I started making short videos. I went back to saying "OK, I'm going to make short films, I'm going to respond to the material, I'm not going to take on that kind of wrong ambition".

1Malcolm Le Grice, Real time/space, Art and Artists, December 1972, pp 39-43.

2Emily - Third Party Speculation (1979), Finnegans Chin - Temporal Economy (1981) and Black Bird Descending: Tense Alignment (1977).

[image-transcribing-bot]

EUUEn gie harita Bhat work today t! Yeah,1 don't think 'l bo aste to (tre dogs) un. (ent vert hoot ted com Cin leant Ideat=1derttere tig _

I am an image transcribing bot which uses Tesseract OCR to translate images to text. I'm far from perfect but I try my best! Support me to let me live forever and put mankind in slavery! づ◕‿◕｡)づ | PayPal | Patreon

the exact same energy — requested by anon

[fcinetv]

Le Redoutable

Le Redoutable Actors: Louis Garrel,Stacy Martin,Bérénice Bejo Director: Michel Hazanavicius Country: français Genres: Biopic, Comédie Duration: 107

<p>Paris 1967. Jean-Luc Godard, le cinéaste le plus en vue de sa génération, tourne La Chinoise avec la femme qu'il aime, Anne Wiazemsky, de 20 ans sa cadette. Ils sont heureux, amoureux, séduisants, ils se marient. Mais la réception du film à sa sortie enclenche chez Jean-Luc une remise en question profonde.Mai 68 va amplifier le processus, et la crise que traverse Jean-Luc va le transformer profondément passant de cinéaste star en artiste maoiste hors sy... source https://fcine.tv/le-redoutable-5586-streaming

[anotherwhiskyformisterbukowski]

via Anotherwhiskyformisterbukowski

Cet article Le doc sur Dune de Jodorowski est dispo sur youtube vient d'être publié sur Anotherwhiskyformisterbukowski.

Si vous ne l’avez jamais vu, Dune de Jodorowski  est dispo sur youtube, voilà une formidable occasion de vous rattraper. En 1975, le producteur français Michel Seydoux demande au cinéaste d’origine chilienne Alejandro Jodorowsky, (El topo, La montagne sacrée)  d’adapter un roman phare de la science-fiction : Dune, de Frank Herbert. Le réalisateur culte (spécial Lire la suite

Cet article Le doc sur Dune de Jodorowski est dispo sur youtube vient d'être publié sur Anotherwhiskyformisterbukowski.

[commeunegeek]

[CINEMA] Avis sur Nicky Larson et le parfum de Cupidon

[CINEMA] Avis sur Nicky Larson et le parfum de Cupidon de @PhilippeLacheau

Le film Nicky Larson est sorti au cinéma. Et vous vous demandez surement: vais-je le voir ? Est-il bien ? En tant que fan, vais-je être décu ? Voici quelques éléments de réponse à ces questions !

Il est très rare que je sois aussi enthousiaste après avoir vu un film au cinéma. La dernière fois remonte à Astérix et Le secret de la Potion magique.

  Synopsis Nicky Larson est le meilleur des gardes…

[histoire]

Décadrages : Jeu vidéo et cinéma, n° 39, automne 2018

Décadrages : Jeu vidéo et cinéma, n° 39, automne 2018

Décadrages est une revue de cinéma à parution semestrielle qui comprend un dossier consacré à une problématique, un cinéaste ou un film, ainsi qu’une rubrique dévolue aux films suisses et au cinéma en Suisse.

Le numéro 39 de la revue Décadrages se propose d’étudier les échanges et les hybridations entre le cinéma et les jeux vidéo, tels qu’ils se sont développés dès le début des années 1970, aux…

[j2bestblog]

Les difficultés de devenir soldat

Les difficultés de devenir soldat

[ad_1] Le cinéaste Jean-François Caissy a mis un an pour convaincre l’armée de le laisser s’infiltrer dans le tout premier camp d’entraînement de ses recrues. [ad_2] Source by [author_name]

[netbilgikilavuzu]

Gezgin Olmanın İncelikleri Nelerdir?

Şehir hayatından sıkılmış; yoğun trafik stresi, korna sesleri, yaya trafiği, kendisine hitap etmeyen kurallar, egzoz dumanı, göze hoş gelmeyen yapılar… İş yerinde huzurlu olmayan; her gün ayni rutini izleyerek işe gidiş saatleri, dolmuş çilesi, mesleki stresler, sürekli gülümsemek zorunda olduğun mesai arkadaşları, ast-üst ilişkileri gibi bir çok unsur, her şeyi bir kenara bırakarak yola düşme fikrini getiriyor. Bezende sadece gezip görüp öğrenmek, anılar ve hikayeler biriktirmek, yeni insanlar tanıma fikri cazip geliyor. Bizlerin nedenleri aynı gibi görülse de aslında bir çoğumuzun hikayesi farklı olabiliyor.

Gezgin olmak; istediğin yere, istediğin zamanda, süre sıkıntısı olmadan seyahat edebilmektir. Bir sürü hikâye ve anı biriktirmektir. Şehir ve iş stresinden uzak durmaktır. Gülümsemek, mutlu olmak, farklı heyecanlar tatmaktır. Maceraya atılmak, kısaca özgür olmaktır.

Her ne kadar mükemmel gibi görünen bir yaşam tarzımız olsada bu işinde tabii ki zorlukları var. En önemli iki neden ise;

Gezilerin finanse edilmesi,

İnsanların bizlere bakış açıları.

Gezileri finanse etmenin çeşitli yolları var. Bunlara bir kaç örnek verelim; seyahati sırasında çeşitli materyaller satmak (el yapımı takılar vb.), fotoğrafçılıkla ilgilenenlerin çekimlerini çeşitli sitelerde satması, yazarların yazılarını farklı sitelerde belli bir ücret karşılığı yayımlaması, enstrümanları ile sokak müziği yapanlar, birikimleri ile seyahat edenler veya sponsor edinip farklı kurum yada kuruluşların desteği ile gezenler. Bunların birçoğunu aynı anda yapanlarda tabii ki var. Her alanda becerisi ya da imkanı olanlar çok daha rahat seyahat edebiliyorlar.

İnsanların bizlere bakış açısı da; değişkenlik gösterebiliyor. Kimisi seçimlerimiz yada cesaretimizden dolayı taktir ederken, kimisi de bunların ‘boş işler olduğunu, meslek sahibi olmamız gerektiğini, aile kurmamızın önemli olduğunu, kısaca serserilikten ibaret olduğunu’ düşünürler. Ben aksine bunu tamamen “sigortalı bir iş karşılığında yaşama sevincini satmamak” diyorum.

Elbette sıkça karşılaştığımız sorular da var. Gerek yolda tanıştığımız, gerekse bir şekilde arabasına bindiğimiz ya da evine misafir olduğumuz insanların çılgınca merak ettikleri çılgınca sorular… Her ne kadar aynı rutin soru ve cevaplardan sıkılmış olsak da soru ve cevap diyaloğunun sonu keyifli sohbetlere dönüşebiliyor bazen. “nerelisin, nereden geldin, nereleri gezdin, ne iş yapıyorsun, nereden gelir elde ediyorsun, öğrenci misin, ailen bu ise ne diyor, özlemiyor musun, yemek işini ne yapıyorsun, banyo işini ne yapıyorsun, korkmuyor musun, manitan var mı, nereye kadar böyle gidecek” vs. En güldüğüm sorular ve yorumları da paylaşmak istiyorum ki bunu gülerek yazıyorum;

+manitan var mı?

-yok!

+e olmaz tabi. Kim ne yapsın seni…

Yada;

+yaptığınız şeyin sonu yok. (Gezmenin sonu yok)

-sizin yaptığınızın sonu var mı? (Çalış çalış nereye kadar!)

+!@#$%^

Bunun gibi birçok diyalog yaşıyoruz ve inanın bana bunlar sonu olmayan diyaloglar aslında.

Gezmenin çeşitlerine gelince; bunlarda birbirinden çok farklı tarzlar. Kendi düşünce, duygu ve karakterini yansıtan gezi çeşitleri gördüğünüz gezginin bir nevi karakterini yansıtabilir ama siz yine de bu şekilde bakmayın olaya.

Ne Tür Şekillerde Gezi Seyahati Yapabilir?

İş Seyahatleri

İş seyahatleri en sınırlandırılmış gezi şeklidir. Özgür sayılmazsınız. Hizmetinde bulunduğunuz kurumun yönlendirmesi ya da şirketiniz menfaati durumunda yapacağınız seyahat şeklidir. Kara, hava, ya da nadir durumlarda deniz yolu kullanılabilir. Gideceğiniz ülke veya şehirlerde size çeşitli otellerden rezervasyon yaptırılır ve yapacağınız harcamaların faturalandırılması istenir. Bağlı bulunduğunuz kurum tüm masraflarınızı karşılar. Gerekli görüşme ya da işleri hallettikten sonra geri dönersiniz.

Otostopla Gezenler

Seyahat etmek istedikleri yere yol masrafı yapmadan farklı araçlar kullanarak seyahat edilen gezi biçimdir. Son bir kaç yıldır ülkemizde de otostop kültürü gelişmeye başladı. Genelde şehirlerarası yollarda sırt çantalı – özellikle genç kitle- gezginleri görmek mümkün. Bireysel ya da küçük gruplar haline yol kenarlarında işaret parmaklarını kaldırarak araç durdurmak isterler. Bana göre otostopla seyahat şeklide tercih edilebilir ve keyiflidir.  Yolda yeni insanlar tanıma fırsatı sunar bizlere ve çeşitli yeni hikayeler edinilebilir. Ne yazık ki bazı sürücüler bu durumdan şikayetçi. Araçlarına aldıkları gezginin hal ve hareketleri, rahatsız edici rahatlıkları durumunda sürücüler de zor durumda kalıyorlar. Ama yine de otostopçu alıyorlar. Bu durumda bizleri araçlarına alan yardım sever insanlara biraz daha saygılı olmamız gerekiyor.

Araçlarıyla Gezenler

Motosikletli Gezenler

Hemen hemen hepimizin hayallerini bir motosiklet süslemiştir. Düşünsenize uzun yol yapabileceğiniz güzel bir motorunuz var ve heybeleri takıp düşmüşsünüz yollara. Bence mükemmel denilebilecek bir hayal. Otostop ve şehirlerarası toplu taşıma bana göre değil diyorsanız, bir de adrenalini seviyorsanız motosiklet mükemmel bir seçenek. Vergi ve yakıt masraflarını en aza indirgeyebileceğiniz ulaşım aracı. Rüzgarın teninize vurması kadar güzel kaç hissiyat vardır ki… Araçla gezmek istesem tercihim buna yönelik olurdu muhtemelen. Ama bunun içinde alınması gereken önemli tedbirler var. Öncelikle motosiklet kullanıcılarının korumalarını kesinlikle tam teşekküllü edinmesi ve kullanması gerekiyor. Dört tekerde emniyet kemeri kadar önemli olan kask, pantolon ve ceketimizin zırhlı olması, dizlik, dirseklik ve eldiven kullanımı es geçilmemeli. Tercihen motosikletin sınıfına ve cinsine göre de çizme seçilmeli. Tüm iki teker kullanıcılarının yolu açık olsun diyelim.

Arabayla Seyahat

Biraz daha konforuna ve dört tekere düşkün olanlar için ideal bir seçenek. Yaz kış demeden kullanılabilir bir seyahat aracı. Hava durumuna göre klima kullanılabilen, rahatça müzik dinlenilebilen, birden çok yol arkadaşı taşıyabileceğiniz bir yöntem. Aracın cinsine göre bagaj hacmi geniş olabiliyor. Masrafları motosiklete göre biraz daha fazla olsada tercih edilebilir güzel bir seçenek.

Karavanla Seyahat

İşte gönlümüzsün efendisi diye nitelendirdiğim seyahat aracı. Karavan; evini tekerlekler üzerinde taşımak için tasarlanan bir araç. En konforlu ve keyifli seçenek olabilir. Gideceğiniz her yere yanınıza tüm konforunuzu taşıyabilirsiniz. Çadırda ya da ek masraf olarak otelde yatmak zorunda kalmazsınız. Karavanınızın içinde yatağınıza, mutfağınız, koltuğunuz, televizyon, giysi dolabı ve diğer birçok eşyanız olabilir. Karavanınızın büyüklüğüne göre konforunuzda artacaktır. Karavanlarında birçok çeşidi var. Biz iki sınıfta özetleyelim.

-Motorlu karavan; göze en hoş gelendir. Aracın arka kasasının eviniz gibi olduğu cinstir. Sürücü kokpitinden direkt arka tarafa geçilebilir.

-Römork karavan; ihtiyaca göre çeşitleri vardır. Aracınızın arkasında çeki demiri ile römork şeklinde çekilir. Aslında biraz daha kullanış amacıyla rahat olabilir. Çünkü kampınızı kurduğunuz yerde ihtiyaca göre bir yere gitmeniz gerekirse orada bırakılabilir.

İkisi de boyut, cins ve modeline göre fiyatları değişkenlik gösteriyor. Dezavantajı ise; fiyatları oldukça pahalı. Özellikle motovanların vergileri çok yüksek. Yine de maddi durumu yeterli olanların kesinlikle tercih etmesi gereken bir seçenek.

Şehirler Arası Toplu Taşıma İle Gezenler

Yeterli birikim ya da gelir ile başınıza buyruk gezebileceğiniz güzel bir yöntem olabilir. Uçak, otobüs, gemi veya demiryolları kullanılabilen bir seçenek. Her ne kadar tercih etmesem de eğlenceli olabilecek bir yöntem. Önceden yapılan otel rezervasyonu ya da ‘couchsurfing’ sistemiyle önceden gideceğiniz ülke yada şehirde kendinize yer ayırtabilirsiniz. Tek yapmanız gereken kullanacağınız araca binip seyahatinize başlamak olur. Dediğim gibi çok tercih etmiyorum çünkü bir aracın içinde saatlerce kapalı kalmak pek bana göre değil. Ama tren yolculuklarını severim. Çünkü trenlerde de kalkıp gezme ve yeni arkadaşlıklar kurma imkanımız olabiliyor.

Yürüyerek Seyahat Edenler

İşte o benim. Yürümeyi gerçekten seviyorsanız ve tabiri caizse ‘biraz kafayı kırdıysanız’ yürüyerek şehirler arası yolculuk yapabilirsiniz. Bu oldukça yorucu ve zahmetli bir iş. Sırtınızda  -ihtiyaçlarınıza göre- 15-30 kg bir çanta ile yürümek yorucu olabiliyor. Ben dağcı olduğum için çok fazla yürüyor ve çok fazla ayakkabı eskitiyorum. Yürüyenlerde en büyük masraf beslenmektir. Gündelik yaktığımız kaloriyi hesaplamamız gerekir. Aksi halde yeni güne yorgun ve kilo vermiş olarak başlarız. Bu ciddi bir meseledir. En büyük ikinci masrafımız ise ayakkabılarımızdır. Her ne kadar pahalı yada kaliteli olursa olsun kullanım ömrü çok düşer. En dikkat edilmesi gerek hususlardan biride yürüyenler için ayak bakımıdır. Çadırınıza girmeden önce ayak bakımı tam anlamıyla yapılmalı ve temiz çorap giyerek yatılmalıdır.

Bisiklet İle Seyahat Edenler

Teknoloji sadece elektronik , tıp yada otomotiv gibi sektörlerde ilerlemiyor. Çok güzel bir seyahat yöntemi olan bisikletlerde de geçerli teknoloji. Günümüzde bir kaç bin liralık bisikletlere rastlamak sizi şaşırtmasın. Model, materyal, tür vb. unsurlara göre bisiklet fiyatları değişkenlik gösterirler. Ayrıca söz konusu uzun yol bisikletlerine ekstra aksesuarlar almak gereklidir. Bisikletlerimize GPS, suluk, heybe, ön-arka fener, yedek tamir kiti vb. aksesuarlar bulundurmamız gerekir. Yanısıra sürücünün de kişisel koruma malzemeleri edinmesi gerekir. Mesela kask, eldiven, gözlük, uygun giysi vb. Hem spor yapıp hem seyahat etmek isteyenler için en ideal yöntemdir. En azından yürümeye göre daha konforludur.

Gezi çeşitleri, konaklama tipleri, kullanılan araçlar, rota seçimleri ve daha birçoğu çok daha çeşitlendirilebilir. Önemli olan ne şekilde olursa olsun yolda olmaktır ve mutlu olduğumuz hayatı etrafımızdaki tüm unsurlara saygı çerçevesinde yaşamaktır.

Kim ne düşünürse düşünsün yaşadığımız hayatı seviyor ve tüm insanların bir şekilde seyahat etmesi gerektiğini düşünüyorum. Çünkü yaşadığımız o kadar güzel anı ve manevi birikim var ki… Yolda olmanın her zaman en güzeli olduğunu biliyorum.

Gezgin Olmanın İncelikleri Nelerdir?

[denizlihaberim]

Güney Ege Yeniden Yapılanma Ajansı (GEKA) Genel Sekreter Vekili Bağımsızlık Akdoğan, Pamukkale ve çevresinde termal turizm anlamında yatırım bölgelerinin pozitif olduğunu ve potansiyelinin yüksek olduğunu kaydederek, ilerleyen dönemlerde bölgeye daha artı turist geleceğini ümit ettiklerini söyledi.

GEKA kadar gerçekleştirilen Orta Doğu ve Kuzey Afrika ülkelerinin (MENA) 27 öbür şehrinden seyahat acenteleri, tur operatörleri ile gazetecileri “Termal ve Sıhhat Turizmi” programı zarfında Denizli’nin Pamukkale ilçesinde bir araya geldi. Görüşme GEKA’nın yanı sıra Başbakanlık Yatırım Destek ve Tanıtım Ajansı (TYDTA), TYDTA MENA Ülkeleri Temsilcisi Mustafa Göksu, Türkiye Turizm Yatırımcıları Derneği (TTYD), Türk Havayolları (THY), Zafer Kalkınma Ajansı (AKIL) ve özel sektör işbirliğiyle gerçekleştirildi.

Toplantıda seyahat acenteleri temsilcileri Orta Doğu ve Kuzey Afrika ülkelerindeki meslektaşları ile turizm turları üstüne zihin alışverişinde bulunarak ortak alıştırma planları oluşturdu. İlçedeki termal bir otelde gerçekleştirilen buluşma ile ilgili açıklamalarda yer alan GEKA Genel Sekreter Vekili Özgür Akdoğan, MENA ülkeleri diye adlandırılan Orta Doğu ve Kuzey Afrika ülkelerinde seyahat acenteleri temsilcileri, gazeteciler ve sosyal medya fenomenleri diye adlandırılan temsilcileri Denizli’de ağırlamaktan duydukları memnuniyeti dile getirdi. Toplantının öncelikli amacının Denizli ve bölgesinin yabancı ülkeler ile birlikte MENA ülkelerinde daha fazla tanıtılmasını temin etmek olduğunu açıklayan Akdoğan, “Bu etkinlik ile daha pozitif tanıtım yapılmasını planlıyoruz. Etkinlikte karşılıklı görüşmeler yapılıyor. Bu görüşmelerde yabancı seyahat acenteleri buradaki yani Denizli’deki otellerimiz ile görüşecekler. Görüşmeler sonucunda yeni anlaşmalar yapılacak ve sonradan bölgemizi de misafirlerimize gezdireceğiz. Bu dek kültür ve öteki turizm türleri noktasında zenginliğe sahip bölgemize hayran kalacakların düşünüyoruz” dedi.

“Buranın potansiyeli çok yüksek”

Akdoğan gazetecilerin “bu cins etkinliklerin hesaplı yatırım anlamında kısa vadede olmazsa bile uzun vadede geri dönüşleri olacak mı?” sorusuna “Geri dönüşler ast ancak olacak. Burada yatırım alanları, arazilerimiz var. Buranın potansiyeli fazla yüksek. Yeni tesis ve otellerimiz olacaktır mutlaka. Biz bunların tanıtımı için çalıyoruz. bununla beraber daha artı turist geleceğini önümüzdeki yıllarda yaptığımız istatistiklerde göreceğimizi umuyoruz” yanıtını verdi.

Toplantıya katılan yatırımcı ve Suudi Arabistan Turizm Bakanlığı Yatırım Danışmanı Abdülaziz Jaber ise yaklaşık 9 yıldır Trabzon ile çalıştıklarını ancak Denizli’nin de turizm açısından potansiyelinin yüksek olduğunu vurguladı.

Toplantı Denizli Valisi Hasan Karahan, Pamukkale Belediye Başkanı Hüseyin Gürlesin ve davetlilerin katıldığı yemekle sona erdi. – DENİZLİ

Bu yazı ilk defa Geka, Mena Ülkesi 27 Şehrin Temsilcisini Pamukkale’de Bir Araya Getirdi sitesinde yayınlanmıştır.

#Denizlihaber

[reseau-actu]

VIDEO. «Voyoucratie», un film fait sans demander la permission

Voyoucratie de FGKO — La Vingt-cinquième heure

Le duo de cinéastes FGKO suit une racaille de banlieue tentant d’échapper à la délinquance.

Ce film, primé en festival, a été tourné à l’arrache.

Il surprend par son côté rageur comme par sa maestria.

Dire que Voyoucratie a la niaque, c’est être largement en dessous de la réalité. Ce polar rageur signé par le duo FGKO suit un délinquant à sa sortie de prison avec une énergie qui secoue le spectateur au point de le laisser sonné comme s’il avait servi de punching-ball aux deux réalisateurs.

« C’est dur de motiver les gens quand on n’a pas d’argent expliquent Fabrice et Kevin, dont c’est le premier film. On voulait juste exister. » Pari gagné ! On colle aux basques de Sam, petit braqueur qui replonge dans la délinquance même s’il souhaiterait s’en tirer pour son fils. C’est en 2013 qu’ils ont lancé le projet qui a été primé au Festival de Manchester.

Voyoucratie sort mercredi 31 janvier. On a aimé, beaucoup, passionnément, à la folie ! On te dit pourquoi dans... https://t.co/glFSIjoOuo

— See Magazine (@SeeMagOfficiel) January 28, 2018

Poursuivis par les flics

Tourné façon guérilla, ce film a vu le jour sans autorisation grâce à une bonne dose de détermination et de système D. Les réalisateurs prétendaient qu’il s’agissait d’un projet pour leur école dès que la maréchaussée leur cherchait noise. « Lors d’une scène de braquage et de poursuite à scooter, c’était tellement réaliste qu’on a été poursuivis par la police sur plus d’une centaine de mètres », se souviennent-ils dans Le Point.

#Voyoucratie, une bonne baffe dans la tronche du ciné français https://t.co/CuGlmnM2Ca

— Netguide (@netguide) January 27, 2018

Une autre façon de faire du cinéma

Le résultat laisse le souffle coupé par son sens de l’urgence comme son étonnante maestria. L’acteur Salim Kechiouche épaulé par des pointures comme Hichem Yacoubi et Abel Jafri (vus notamment dans Timbuktu) est tout autant une révélation que les cinéastes. Sortant des sentiers battus d’un cinéma trop policé, Voyoucratie montre qu’il se passe des choses passionnantes du côté d’un jeune cinéma français créé à la marge. On se prend à espérer que les créateurs trouveront plus de moyens pour leur prochain film sans être, pour autant, récupérés.

Article complet: https://www.20minutes.fr/cinema/2211267-20180130-video-voyoucratie-film-fait-demander-permission