#catriona challenge

[goldoradove]

Finally!!!! :D

[bekah-reading]

Summerween Day 3, July 7

59

4/5

I feel like with of Catriona Ward’s books, I can’t say much.

I loved The Last House on Needless Street, and I got this one like right after finishing that one when this one came out. But, I wasn’t able to finish it until now.

I liked the writing, the plot and the characters. This was definitely worth it.

I would recommend sitting and giving this space after The Last House on Needless Street if you read that one and want more.

If you are picking for a place to start with this author- definitely would recommend The Last House on Needless Street before this one; but if you’re looking for a southwestern horror- this is it.

[crisalidaseason]

Imogen: I admit, Violet. I tolerate and respect you.

Sloane: same, I don't hate you anymore.

Violet: well, that's nice of you, thank you!

*Catriona challenges Violet*

Imogen and Sloane to Violet: bestie, beat her fucking ass!!!!

[queering-ecology]

Chap 12. Melancholy Natures, Queer Ecologies by Catriona Mortimer-Sandilands (part 3, final)

Queer Ecologies

‘what it might mean to inhabit the natural world having been transformed by the experience of its loss’?

‘[the queer artist's] natures are not saved wildernesses; they are wrecks, barrens, cutovers, nuclear power plants: unlikely refuges and impossible gardens. But they are also sites for extraordinary reflection on life, beauty, and community’ (344)

AIDS and Other Clear-Cuts

The artist (Jan Zita Grover’s North Enough) writes about moving from San Francisco, where she has worked as a personal caregiver to many individuals who were dying, and died of, AIDS, eventually to the woods of Northern Wisconsin and Minnesota hoping for ‘a geographic cure’ to her burnout and grief. (344)

‘in their persistence [grief, mourning], generate a form of imagination—an awareness of the persistence of loss—that allows her to conceive of the natural world around her in ways that challenge the logic of commodity substitution characterizing contemporary relations of nature consumption” (344)

“The north woods did not provide me with a geographic cure. But they did something much finer. Instead of ready-made solutions, they offered me an unanticipated challenge, a spiritual discipline: to appreciate them, I needed to learn how to see their scars, defacement, and artificiality and then beyond those to their strengths—their historicity, the difficult beauties that underlay their deformity.  AIDS, I believe, prepared me to perform these imaginative feats. In learning to know and love the north woods, not as they are fancied but as they are, I discovered the lessons that AIDS had taught me and became grateful for them” (344)

Rather than the landscape of her dreams, the land looks more like a candidate for reclamation. Through Grover’s research we learn that the region is one that been ‘systematically abused: logged several times, drained, subjected to failed attempts at agriculture, depleted, abandoned, eroded, invaded, neglected.”

Jack pines are predominant in the region; tenacious, ‘the first conifers to reestablish themselves after a fire” (16), in their own way remarkable even as they are useless for lumber, short lived, and not at all the sorts of trees about which adjectives like ‘breathtaking’ circulate” (345) they are a loud testament to the violence that has generated them.

“the diminishment of this landscape mortified and disciplined me. Its scars will outlast me, bearing witness for decades beyond my death to the damage done here” (20) But still: the love emerges, painfully, gradually, intimately. (345)

She experiences the landscape in terms of loss and change, rather than idyll and replacement. It is all personal; it is all about developing a way of making meaning that recognizes the singularities of the past and takes responsibility for the future in the midst of intimate devastation. (345)

‘Environmental hubris’—fly fishing, the introduction of non-native fish to the river, changing temperatures of rivers caused by logging and diversion; specific policies, politics, and technologies that have had effects on the rivers, the fish, and the other species throughout the river and the north woods (356)

A refusal to demonize the ‘invasive’ species; Grover herself is ‘invasive’ both culturally and personally (white settlers and big city imports) thus her ethical claim is not for purity but for an active and thoughtful remembering of historical violences in the midst of ongoing necessity of movement and change (346)

Seek relationships with Clear-cuts and landfills in order to bring to the foreground the massive weight of human devastation of the natural world; “a discerning eye can see how unstewarded most of this land has been. The charm lies in finding ways to love with such loss and pull from it what beauties remain” (81) (347)

“she does not romanticize the dying even as she might mourn their loss to the world; instead [through Grover] we witness each loss as particular, irrevocable, and concrete: she is their witness” (347)

Can we learn to see these landscapes as creation as well as destruction?

Rather than mourn the loss of the pristine, she carefully cultivates an attitude of appreciation of what lies before her, beyond the aesthetic wilderness to the intricate details of human interactions with the species and landscapes of the region. In this manner she comes to be able to find the beauty in, for example, landfills and clearcuts; far from naivete or technophilia, this ability is grounded in a commitment to recognizing the simultaneity of death and life in these landscapes, the glut of aspen-loving birds in the clear-cut, the swallows, turkey vultures, and bald eagles near the landfill.

--

It is necessary to face our fear and pain; we have to make room in our relationships with the natural world, queer and otherwise, for the recognition that that is what we might be feeling in the first place (355)

[dearaliya]

Iron Flame: Was it prophecy or predictable?

Dear Aliya,

Immediately into spoiler territory, but may I first begin with a screenshot from my Iron Wing prelude followed by one of our during reading conversations?

Turns out that nap was SIGNIFICANTLY LESS PERMANENT than I'd initially thought. Shall we discuss?

So Jack is back! Or he never left? As much as I enjoyed the book I must admit, either I've gotten worse at reading and understanding or some of the passages in this book are just not well written. My rough understanding is that Jack's power was shields, he got buried but actually didn't and channelled venin style to save himself. This was all tightly followed by going crazy because that's what comes with ultimate power. He was nice enough when he came back, to a point where I thought he deadass might be added to the roster of men hovering around Violet, but then he just up and disappears for most of the book.

I mean, welcome back for all 36 pages you were actually a part of, a bulk of that being the finale, I guess??

I won't mince words. Why is he back? Was there no other option to destroying the wardstone? I mean he is the catalyst for the bond numbing serum so that's handy, but I have trouble believing that he was such a stellar student that three non-stop months were dedicated to his recovery when other students are typically just left to die. Perhaps they were also just using him as an experiment to see if venin-ness could be cured, but in failing they still just released him back into everyday life and hoped nothing bad would happen. Because he's always been a shimmering pillar of good behaviour and not someone who murders his classmates to prove that he can.

Speaking of! The fliers were a wonderful breath of fresh air because they voiced the very same opinions I held since the beginning of book one. Why is Basgiath so willing to kill off their cadets in the name of strength?

When told that challenges occur between cadets and can result in death, they're all understandably mortified that the war college allows this. Not to mention that in comparison to threshing, where yet again the cadets are highly expected to die, the flier cadets either make the cut or fail and have to pick a different faction to train in. They cannot understand why death is just expected when they're fighting a war and need all the numbers they can get and frankly, I couldn't agree more. But while I did enjoy the addition of the fliers as characters and them calling the dragon riders on their shit, there was one character I have to simply sigh at.

Catriona.

Of course, it wouldn't be a romance book without a love rival. There was enough going on between Xaden and Violet that she really wasn't needed to stir the pot. I enjoy her character towards the end, but when she's written as nothing more than a plot device to make Violet and Xaden fight I really couldn't be less interested. Aside from the betrothal to unify nations and Catriona being more attached to the power behind Xaden's name than him (which was a lovely bit of politics I wanted to see MORE OF) none of this is necessary.

Now, about Xaden and Violet.

I just... I need them both to open their eyes to the situation they find themselves in. Violet is mad that Xaden is keeping secrets, in a WAR where if even one gets out it could mean DEATH. Xaden's argument is that if she asks, he'll tell her which sounds like a fair trade in theory but consider, if you will, this same thought I held all the way back in school.

Teacher: If there's anything you don't know, ask! Me, tender age of nine: If I don't know what I don't know, hOw Do I aSK?

And that's the problem, or at least part of it. Violet doesn't want to ask some of the hard questions, fine. It's a contradiction of her character since she constantly needs knowledge and facts no matter the cost but fine. But even not asking the questions she does know to ask, how is she supposed to ask about things she doesn't know exist? And this is where I start to feel my patience thin with Xaden. He's chastising her for getting angry that she doesn't know anything because she's not asking but she didn't know about Catriona, Tecarus, his second signet and so on and so forth.

Is this the communication you promised? IS IT?

600 pages of the SAME ARGUMENT!??

And if they're not arguing, they're banging. I know the audience we're targeting, but with the amount of smut there was in absolutely inopportune moments just felt forced. We are two pages off a battle that might kill everyone they know and love, which might be a harrowing thought to process if the characters could get OFF one another long enough.

Now, although I just ragged on this book for 1... 2... 797 words, I will not have people believe I didn't enjoy it. So there are a few things here and there I have gripes with, I'm a picky kinda gal! The good outweighs the bad, mooooooostly.

I do think that this book was likely pushed out a bit too rapidly so the hype wouldn't be lost from the first book. Had there been time to go in and clean up this book, it would have really benefitted. Clunky dialogue, words that don't seem to fit the context, plot threads that go nowhere and random little thoughts with no conclusion are all scattered throughout this book. Just a whisper of tweaking could have ironed most of this out.

Curse capitalism.

But, unless I missed something in the marketing, this book isn't meant to be some otherwordly prodigy of a book, it's a romantasy with a high focus on the romance appealing to its designated audience after going nuclear on booktok. It knows what it is, Yarros knows what is it, and what it is is FUN.

Some of the lines from the characters, modern though they are, are fun and cheeky and youthful. The dragons, yet again, carry this book on their backs because all of their interactions are so enjoyable. There are little twists and turns that do catch you off guard, refreshing from the gentle handholding of the first book.

If people read it and like it, fantastic! If they read it and don't, understandable! But I do think everyone, especially those who want to get back into reading again as a hobby, give this series a crack because they're very easy to step into and get lost in.

Nothing more comes to mind, so I appreciate you listening to my thoughts. I’ll see you next time, stay well!

Hannah xx

[divorcelawyerdublin]

How to Find a Family Law Solicitor in Dublin, Ireland

The Importance of Expert Solicitors in Navigating Divorce

Divorce marks a profoundly challenging period in one’s life, fraught with emotional and legal complexities. Amidst this tumultuous time, the expertise of The Family Practice, a distinguished family law solicitors firm in Dublin, becomes indispensable. The right legal guidance is paramount, influencing the resolution of critical issues such as asset division, child custody, and spousal support. This guide explores the essential qualities that set The Family Practice apart, ensuring that clients navigate their divorce with the best possible support.

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The Family Practice understands that each client’s needs and preferences are unique. They are committed to providing a comfortable environment where clients feel supported in discussing sensitive matters, ensuring that individual needs are met with empathy and professionalism.

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Aware of the financial strain divorce can impose, The Family Practice offers a clear and upfront explanation of their fee structure. They emphasize the importance of transparency and affordability, offering detailed advice on the financial aspects of legal representation to avoid any unexpected costs.

Leveraging Testimonials and Recommendations

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In conclusion, by selecting a firm like The Family Practice, clients can rest assured that their divorce proceedings are in capable hands. Their approach not only aims to secure the best possible outcomes but also to make the journey through this challenging time as smooth and supported as possible. With their guidance, clients can embark on the next chapter of their lives with confidence and peace of mind.

[noprivatemeanings]

Books I've read in 2023

'Crying in H Mart' by Michelle Zauner

'The Tea Dragon Society' by K. O'Neill

'A Certain Hunger' by Chelsea G. Summers

'How to Break Up with Your Phone' by Catherine Price

'The Metamorphosis' by Franz Kafka

'Animals Eat Each Other' by Elle Nash

'Coming Out Autistic' edited by Steven Fraser

'The Very Secret Society of Irregular Witches' by Sangu Mandanna

'We Swim to the Shark' by Georgie Codd

'Passing' by Nella Larsen

'The Service' by Frankie Miren

'What I Want to Talk About: How Autistic Special Interests Shape a Life' by Pete Wharmby

'The Inland Sea' by Madeleine Watts

'Mating in Captivity: Reconciling the Erotic and the Domestic' by Esther Perel

'Let Them Eat Chaos' by Kae Tempest

'Introducing Existentialism' by Richard Appiganesi

'The Silence Project' by Carole Hailey

'Cursed Bunny' by Bora Chung

'Sunshine' by Melissa Lee-Houghton

'The Delicacy' by James Albon

'Are Prisons Obselete?' by Angela Y. Davis

'The Beginning of the World in the Middle of the Night' by Jen Campbell

'Square Eyes' by Luke Jones and Anna Mills

'Chess Queens: The True Story of a Chess Champion and the Greatest Female Players of All Time' by Jennifer Shahade

'Making Cocoa for Kingsley Amis' by Wendy Cope

'The Housekeeper and the Professor' by Yōko Ogawa

'The Artificial Silk Girl' by Irmgard Keun

'Because Internet: Understanding the New Rules of Language' by Gretchen McCulloch

'Esc & Ctrl' by Steve Hollyman

'The Doors of Perception' by Aldous Huxley

'Sedating Elaine' by Dawn Winter

'Different, Not Less: A Neurodivergent's Guide to Embracing Your True Self and Finding Your Happily Ever After' by Chloé Hayden

'The Appendix' by Liam Konemann

'Food Isn't Medicine: Challenge Nutrib*llocks & Escape the Diet Trap' by Dr Joshua Wolrich

'Didn't Nobody Give a Shit What Happened to Carlotta' by James Hannaham

'Lies We Sing to the Sea' by Sarah Underwood

'Julia and the Shark' by Kiran Millwood Hargrave with Tom de Freston

'Who Will Run the Frog Hospital?' by Lorrie Moore

'Disability Visibility: First-Person Stories from the Twenty-First Century' edited by Alice Wong

'This Is How You Lose the Time War' by Amal El-Mohtar and Max Gladstone

'Small Bodies of Water' by Nina Mingya Powles

'The Cassandra Complex' by Holly Smale

'French Exit' by Patrick deWitt

'Sundial' by Catriona Ward

'Don't Hold My Head Down: In Search of Some Brilliant Fucking' by Lucy-Anne Holmes

'Girl, Woman, Other' by Bernardine Evaristo

'The Love Factor' (So Little Time #8) by Rosalind Noonan

'Paris: The Memoir' by Paris Hilton

'All Systems Red' (The Murderbot Diaries #1) by Martha Wells

'Intimations' by Zadie Smith

'Cultish: The Language of Fanaticism' by Amanda Montell

'Motherthing' by Ainslie Hogarth

[andremae]

Catriona Elisa Magnayon Gray 🇵🇭

• Miss Universe 2018

• Miss World 2016 top 5 finalist

“I really sympathize with young women everywhere because this pandemic has not been kind to everyone. It’s placed challenges on path to dreams that I don’t think any of us foresaw, but I would encourage those women to remember what their dream was. Your time has not passed, your time is still here, and it’s up to you to keep going towards your dream.”

[shoku-and-awe]

How many books did you read this year? 95!

Did you reread anything? What? A Wind in the Door by Madeline L'Engle, The Great Gatsby, The Sandman Vol. II & 2, Middlegame by Seanan Maguire, The Revolution of Marina M by Janet Fitch, The Secret History by Donna Tartt, and (all by Tana French) The Likeness, Faithful Place, and Broken Harbor.

What were your top five books of the year? Cheating cause I can’t choose! Here are my five-star books (minus re-reads), in order read: The Last House on Needless Street by Catriona Ward, The Miseducation of Cameron Post by Emily M Danforth, How Much of These Hills Is Gold by C. Pam Zhang, Echo by Thomas Olde Heuvelt, Beloved by Toni Morrison, Leech by Hiron Ennis, The Sentence by Louise Erdrich

Did you discover any new authors that you love this year? YES, too many to list here

What genre did you read the most of? Horror (40%), followed by Mystery/Thriller (20%), Fantasy (12%), and then General Fiction (12%)

Was there anything you meant to read, but never got to? I thought this would be the year of Gideon the Ninth, but alas it was not. Also thought I would finish re-reading Donna Tartt's The Little Friend by the end of the year but I'm still plugging away at that one.

What was your average Goodreads rating? Does it seem accurate? This year, I gave a 4-star rating to 49%, plus 4.5 stars to 20%, 3.5 stars to 19%, and 5 stars to 12%. That feels accurate because I am good about cold-quitting books I just don't like.

Did you meet any of your reading goals? Which ones? I made my goal of 90 books read, but still have two items left on BookRiot's Read Harder Challenge. I intend to finish though!

Did you get into any new genres? Not really!

What was your favorite new release of the year? I'm not sure if any of my books were new this year! Is that a thing people know?

What was your favorite book that has been out for a while, but you just now read? Maybe Fun Home by Alison Bechdel; that's been on my list for so long and was so good.

Any books that disappointed you? The Hacienda by Isabel Cañas and What Moves The Dead by T. Kingfisher. Both seemed super up my alley but fell flat for me.

What were your least favorite books of the year? Ooh! I had a real love-hate relationship with A Little Life by Hanya Yanagihara, and I DNFed some Algernon Blackwood with extreme prejudice (pun not intended but actually the racism was the main reason).

What books do you want to finish before the year is over? I tried desperately to finish Stephen King's Revival by the last few hours of the year!

Did you read any books that were nominated for or won awards this year (Booker, Women’s Prize, National Book Award, Pulitzer, Hugo, etc.)? What did you think of them? Don't know about this year, but I chose Toni Morrison’s Beloved for the Read Harder Challenge of "an award-winning book from the year you were born," and what I thought of it was that I am not even sure I'm the same person anymore after reading it.

What is the most over-hyped book you read this year? It’s absolutely The Maidens by Alex Michaelides! I found his other book dull too and hoped this one would live up to the hype, but no, it was even worse; he’s just not for me.

Did any books surprise you with how good they were? Ghost Eaters by Clay McLeod Chapman and Mr Loverman by Bernadine Evaristo. I had been underwhelmed by other books of theirs but loved these.

How many books did you buy? Only one that I’ve read so far (Tell Me I’m Worthless by Alison Rumfitt; chef’s kiss) and maybe a dozen impulse buys at the used bookstore (most of which I intend to read!).

Did you use your library? Prodigiously! Mostly Libby, but I came home and got to make one in-person visit at the end of the year ☺️

What was your most anticipated release? Did it meet your expectations? Two sequels (but I’m not sure when either was released). The first was Seasons of Fear by Seanan Maguire, which was just as absorbing as the first book but had weird pacing and was kind of anticlimactic. I also found myself less invested in the characters (but am still looking forward to more of the series). The second was Chimes of a Lost Cathedral by Janet Fitch. I'd found the first book almost unbearably romantic 5 years ago, but upon the re-read, realized I'd kind of outgrown it. The sequel had a satisfying ending for Marina’s story (and I'd probably still read a third), even if it was a bit tedious at points.

Did you participate in or watch any booklr, booktube, or book twitter drama? A few times I tried desperately to decode book twitter drama but gave up.

What’s the longest book you read? The Revolution of Marina M (816 pages) but since that’s a reread, next longest is its sequel, Chimes of a Lost Cathedral (752).

What’s the fastest time it took you to read a book? One day. (Counterfeit by Kirstin Chen, Just by Looking at Him by Ryan O'Connell, and if we're counting re-reads/YA, Akata Witch by Nnedi Okorafor and The Midnight Club by Christopher Pike).

Did you DNF anything? Why? Yes! For the second year in a row, I DNFed Marlon James' Black Leopard, Red Wolf. The writing is gorgeous but I just keep losing track of the story. Aside from what I mentioned above, I also DNFed (but might go back to) Authority by Jeff VanderMeer, Harvest Home by Thomas Tryon, and Manhattan Beach by Jennifer Egan. (There are also some DNFs I wouldn't go back to.)

What reading goals do you have for next year? Still working it out but I want to read more socially (things people have recommended to me) and to read some authors I've always meant to (list so far: Isabelle Allende, Clarice Lispector, Virginia Woolf, Audra Lorde) and maybe get into a new series. I should make it a goal to read more nonfiction but I know I won’t!

end-of-year book ask

How many books did you read this year?

Did you reread anything? What?

What were your top five books of the year?

Did you discover any new authors that you love this year?

What genre did you read the most of?

Was there anything you meant to read, but never got to?

What was your average Goodreads rating? Does it seem accurate?

Did you meet any of your reading goals? Which ones?

Did you get into any new genres?

What was your favorite new release of the year?

What was your favorite book that has been out for a while, but you just now read?

Any books that disappointed you?

What were your least favorite books of the year?

What books do you want to finish before the year is over?

Did you read any books that were nominated for or won awards this year (Booker, Women’s Prize, National Book Award, Pulitzer, Hugo, etc.)? What did you think of them?

What is the most over-hyped book you read this year?

Did any books surprise you with how good they were?

How many books did you buy?

Did you use your library?

What was your most anticipated release? Did it meet your expectations?

Did you participate in or watch any booklr, booktube, or book twitter drama?

What’s the longest book you read?

What’s the fastest time it took you to read a book?

Did you DNF anything? Why?

What reading goals do you have for next year?

[pagebypagereviews]

Get Ready to Be Captivated: 20 Most Anticipated Thrillers of the Year You Can't Miss Thriller enthusiasts, brace yourselves! This year is shaping up to be a goldmine for lovers of nail-biting suspense, heart-pounding action, and mind-bending twists. Amid an avalanche of new releases, we have sifted through the lot to bring you the 20 most anticipated thrillers that promise to keep you perched on the edge of your seat. With psychological thrillers, crime mysteries, and suspense novels offering immersive experiences, these books tackle the art of anticipation and fear, resolving the eternal quest for that perfect page-turner. Every thriller lover knows the significance of a brilliantly executed story that can siphon you into an alternate reality, where every rustle is a prelude to danger, and every character may not be who they seem. With rising stakes and intricate plots, these novels not only entertain but also offer a mental escape from daily life stresses. Prioritizing the most anticipated thrillers is crucial, solving the dilemma of selecting the best of the best. These selections promise to ignite your imagination, challenge your perceptions, and deliver that irresistible mix of mystery and suspense we all crave. Dive in to find out which psychological thrillers, crime sagas, and suspense-filled tales are set to become your next obsession. Plot: The plot of thriller books often revolves around gripping narratives that keep readers on the edge of their seats. In the 20 most anticipated thrillers of the year, intricate storylines involve high-stakes scenarios, unexpected twists, and relentless pacing. For instance, books like "The Last House on Needless Street" by Catriona Ward present mind-bending plots that challenge the reader’s perception of reality. Complex plots often interweave multiple subplots, character backstories, and shocking climaxes that culminate in unforgettable endings. Characters: Characters in anticipated thrillers are typically multi-dimensional, with deeply woven personal histories that are integral to the overall narrative. In psychological thrillers such as "Survive the Night" by Riley Sager, protagonists are often flawed individuals with complex mental states. The development of both protagonists and antagonists is key to building suspense, as readers get engrossed in their motives, fears, and moral ambiguities. Iconic characters from previous years' thrillers often return with more depth and darker pasts. Writing Style: The writing style in thrillers is crucial in maintaining tension and pace. Anticipated thrillers of the year showcase authors who are masters of their craft, skillfully using concise and impactful prose. Authors like Karin Slaughter employ a blend of descriptive and direct sentences to create an immersive experience. Effective use of cliffhangers, unreliable narrators, and shifting perspectives enriches the narrative, making the reader question each characters' integrity and the unfolding events. Setting: The setting in thriller novels can significantly influence the mood and tone of the story. A well-crafted setting in anticipated thrillers ranges from isolated cabins in remote woods to bustling cities riddled with secrets. For example, "The Paris Apartment" by Lucy Foley uses the atmospheric setting of a mysterious old building in Paris to heighten suspense. The setting not only serves as a backdrop but often becomes a character in itself, shaping the story’s events and the characters’ actions. Unique Aspects: Unique aspects of the most anticipated thrillers of the year include innovative narrative structures, genre blending, and incorporation of contemporary issues. Books like "The Night She Disappeared" by Lisa Jewell mix mystery with social commentary, making them stand out. Furthermore, authors experiment with time jumps, fragmented timelines, and epistolary formats to keep the reader engaged. The integration of modern technology, social media influence, and real-world psychological research into the plots adds another layer of realism and intrigue.

Thriller Books Pros of thriller books include their fast-paced narratives and constant sense of urgency, which can make for an exciting and edge-of-your-seat reading experience. The intricate plots and unexpected twists often keep readers engaged and invested in the story. This genre typically delivers high tension and adrenaline-pumping scenarios, making it ideal for those looking for a gripping and mentally stimulating read. Cons of thriller books often involve over-complicated plots that can be difficult to follow, sometimes leading to confusion or a lack of engagement. Additionally, the reliance on suspense and shock value may lead to repetitive or predictable storytelling. Excessive violence or dark themes can be off-putting for some readers, impacting the overall enjoyment and readability of the book. Anticipated Thrillers Pros of anticipated thrillers include the pre-release buzz and high expectations that can enhance the reading experience. Fans often feel a sense of accomplishment and excitement when they finally get their hands on a much-anticipated release. These novels frequently come from well-known authors, ensuring a certain level of quality and reader trust in the storytelling prowess. Cons of anticipated thrillers can be the unrealistic expectations that lead to disappointment if the book doesn't live up to the hype. The pressure to deliver a groundbreaking story can result in overambitious plots that don't always cohesively translate. Additionally, the commercialization and heavy marketing can sometimes mask a lack of originality, leading to a formulaic reading experience. Suspense Novels Pros of suspense novels include their ability to create a sustained sense of intrigue and tension without necessarily relying on fast-paced action. These books often delve deeply into character development and psychological nuances, making them intellectually stimulating. The gradual build-up of suspense enhances the emotional engagement and makes the eventual resolution more satisfying. Cons of suspense novels might include a slower-paced narrative that could potentially bore readers looking for immediate thrills. The emphasis on atmosphere and detailed plotting can sometimes result in long-winded descriptions and less action. Readers who are not patient may find the slower build-up less engaging, impacting overall satisfaction. Psychological Thrillers Pros of psychological thrillers include their focus on the mental and emotional states of characters, often exploring complex themes like manipulation, mental illness, and deceit. These novels are intellectually engaging and stimulate deeper thought, providing a richer, layered reading experience. The unpredictable nature of psychological elements can result in surprising twists that keep readers guessing until the very end. Cons of psychological thrillers might involve the heavy and often dark subject matter, which could be distressing for some readers. The complexity of psychological narratives can be hard to follow and may require a high degree of focus, possibly detracting from the enjoyment for casual readers. Overuse of psychological tropes can sometimes make stories feel derivative or cliché. Best Thrillers Pros of the best thrillers include their ability to combine strong storytelling with compelling characters and expertly crafted suspense. These books often set the benchmark for quality within the genre, offering unique plots and memorable twists that stand the test of time. Strong critical and reader reviews support their status, making them reliable choices for both new and seasoned readers seeking a fulfilling experience. Cons of the best thrillers can sometimes include inflated expectations that are hard to meet, leading to potential disappointment. Additionally, what qualifies as "best" can be subjective, and personal preferences may not align with popular opinion. Over-recommendation of these titles might result in overrated perceptions, where readers find them not as groundbreaking as believed due to the heightened anticipation.

FAQ for Thriller Books What defines a thriller book? A thriller book is characterized by the feelings of suspense, excitement, surprise, anticipation, and anxiety it generates. The plot often involves a protagonist facing dangerous situations, high stakes, and imminent threat, keeping readers on the edge of their seats. What are anticipated thrillers? Anticipated thrillers are upcoming books in the thriller genre that have generated significant buzz or excitement among readers and critics. These books are often awaited eagerly due to the popularity of the author or the intriguing plot synopsis. What is a suspense novel? A suspense novel is a sub-genre of thriller that focuses primarily on creating tension and uncertainty. The plot typically involves a mystery or a crime that needs to be solved, keeping readers guessing and on edge throughout the narrative. What elements make a good psychological thriller? A good psychological thriller delves deep into the mind of its characters, exploring their thoughts, emotions, and mental states. Key elements include complex characters, mind games, manipulation, and plot twists that challenge the readers' perceptions and keep them engrossed. How can I find the best thrillers to read? You can find the best thrillers by looking at bestseller lists, reading reviews from trusted sources, joining book clubs, and getting recommendations from fellow readers. Online platforms like Goodreads, Amazon, and BookBub also provide curated lists and reader ratings to help you choose. Are thriller books suitable for all ages? Thriller books vary in content and may not be suitable for all age groups. Some thrillers contain graphic violence, mature themes, or psychological intensity that may not be appropriate for younger readers. Always check the recommended age rating and content warnings before choosing a book. What are some must-read classic thrillers? Some must-read classic thrillers include "The Silence of the Lambs" by Thomas Harris, "Gone Girl" by Gillian Flynn, "The Girl with the Dragon Tattoo" by Stieg Larsson, "The Da Vinci Code" by Dan Brown, and "The Shining" by Stephen King. Why do people enjoy reading thrillers? People enjoy reading thrillers because they offer an adrenaline rush, emotional engagement, and intellectual stimulation. The fast-paced and suspenseful nature of thrillers captivates readers, providing a temporary escape from reality and an opportunity to solve puzzles and uncover mysteries. Do thrillers need to have a lot of action to be effective? While action can enhance a thriller, it is not a necessary component. Many effective thrillers focus on psychological tension, atmosphere, and character development to build suspense. The key is to keep readers engaged and intrigued, whether through action, complex plots, or intense emotional dynamics. What are the differences between a thriller and a horror novel? While both genres aim to elicit strong emotional reactions, thrillers focus on suspense, danger, and high-stakes situations, often involving crime or espionage. Horror novels, on the other hand, aim to scare and unsettle readers, often featuring supernatural elements, monsters, or psychological terror. The primary difference lies in their approach to generating tension and fear. As we eagerly await the release of these 20 most anticipated thrillers of the year, it’s clear that 2023 is shaping up to be a landmark year for thriller enthusiasts and literary aficionados alike. Thrillers boast a unique ability to immerse readers in exhilarating narratives, forcing them to navigate intricate plots and confront the chilling specters that haunt the pages. The diverse selection of anticipated titles ensures that there is something to captivate every type of reader, whether you seek psychological depth, high-stakes suspense, or heart-stopping action. These upcoming thrillers promise not only to entertain but also to engage readers on a deeper level. Psychological thrillers particularly stand

out, with their capacity to delve into the complexities of the human psyche, exposing the dark crevices of the mind and presenting the intricacies of human behavior. Such books not only thrill but also provoke thought, offering insights into the motivations and fears that drive us. Readers are often compelled to question their perceptions of reality and morality, finding themselves lingering on the story long after the last page is turned. Suspense novels, another key aspect of this genre, keep readers on the edge of their seats with masterful pacing and plot twists that leave one's heart pounding. The best suspense novels skillfully balance tension and release, creating an addictive reading experience that compels readers to keep turning the pages, desperate to uncover the next clue or revelation. This year's list promises a wealth of such experiences, with authors who are adept at weaving intricate and unpredictable narratives. Inclusion in the list of best thrillers also suggests a level of literary craftsmanship that ensures not only gripping plots but also well-developed characters and profound themes. These novels offer more than mere entertainment; they provide an opportunity for readers to explore societal issues, engage with complex characters, and experience the thrills of danger and discovery from the safety of the printed page. In summary, the 20 most anticipated thrillers of the year offer invaluable experiences for readers. They promise to deliver suspense, provoke thought, and captivate through expertly crafted narratives. For anyone looking to lose themselves in a story that challenges and thrills, these upcoming releases are sure to be an excellent choice. Whether you are a seasoned fan of the genre or new to its allure, these novels are set to be some of the year’s most unforgettable reads.

[janedyson4thyear]

Millner, Jacqueline, and Catriona Moore. Contemporary Art and Feminism.

Conclusion pg 238

The seemingly simple question—how can feminism translate into a socialmovement today?—is a wake-up call for feminists working in the academy and theartworld to keep reaching beyond these contexts to re-develop a grass roots politicsof alliance. An interesting recent turn is feminist artists extending their practice intothe formal sphere of political institutions, seeking and securing seats in local legis-latures by campaigning on their expertiseasartists, highlighting how artists haveparticular insights into community issues and the capacity for creative solutions.

feminist art as an activistpolitics of alliance, with three main strategic emphases, namely, decolonisation; re-imagining the art/life divide, and problematising‘equality’politics.

Ethnicity won’t join a white feminist agenda. It will transform it. It willbecome the central agenda of feminism, as rightly it should, because we arethe majority...the groundwork laid by white feminists of the 1970s, that bodyof knowledge, will be a resource, but we will have to redefine it according to238Conclusion

the experience of women of colour...I can’t relate to the universality of allwomen. We make these bridges tentatively, we don’t make assumptions, webuild a relationship slowly...It’s a long struggle, a long time buildingbridges

https://www-jstor-org.ezproxy.massey.ac.nz/stable/1358556

In reconsidering the historical disjunct between the studio and the street,

feminism dovetails with, and draws upon, centuries of de-colonial cultural resis-

tance by linking the artworld to other social spaces through a porous art practice

Artists registered excessive (including failed or under-performing) gendered sub-jectivities and sexual proclivities that complicated the representational demand to bemiddle class, white, straight and good looking. White feminists also learnt from FirstNations’perspectives that proposed a decolonising non-essentialism as a starting pointfor resistant acts of sovereignty, rather than investigating the politics of media/high artrepresentation as a (postmodern) end in itself. Feminist artists broadened their sightsbeyond the circularity of representational politics, towards a politics of acts rather thanof identities.

Across these diverse spaces, we noted how

feminist pedagogy has always been provisional, just as concepts of feminist aes-

thetics have never settled

Renewed attention to the materiality of feminist arts and crafting from the 1990salso helped to sideline the linguistic models that underpinned psychoanalytic ana-lyses of gender and sexual identities. Material practices could directly link to gen-erative and generous acts of non-essentialised common cause and care.

We argued that feminism contributes new artistic perspectives on art and envir-onment by confronting the lingering and gendered view within Western thoughtof nature as feminine and/or racially other.

These challenges have further transformedthe anthropocentric terms whereby Western landscape traditions read the land toexpress self-realisation through divine or proprietorial connection, to help build aneducative, ecological ethics.We noted how feminist participatory actions often have a community base devel-oped through listening to other voices and opening up overlooked spaces of cultural agency

The idea that personal life has political implications (and vice versa) lies at the heartof feminism and of this book. Consciousness raising methods derived fromWomen’s Liberation, such as supportive group reflection on the political implica-tions of women’s personal experience, found their way into feminist aesthetics asan interrogative tool and a means to assert, diffuse and multiply agency. It’s time toacknowledge how feminism introduced this expandedfield of the everyday, thedomestic and the collective into the artworld

it has now become an aestheticnorm in global exhibitions of contemporary art, with artists creating‘diurnal’pro-jects responding to local problems, working with local art co-ops, unexpected sites,

walks and mapping to engage memory and place

This book has tried to under-stand the varied ways that‘the personal is political’has shifted both the way we doart and the way we do politics. This slogan is still relevant today, in promptingintersectional reflection on how experiences of gender are also articulated by race,class, sexuality, disability, religion and geography

the traditional political creed of‘human solidarity’.

[chesterguiam]

The first half of 2023 is almost done. A lot of challenges, struggles, and victories are now part of an unforgettable learning experience.

I want to share with you 6 strategies that can help us finish strong for the next second half of the year. Here we go:

1. Positive Outlook: We should naturally have an optimistic mindset, which allows us to focus on the bright side of life and find joy in everyday experiences.

Everything has a different side like a coin. May positive and negative talaga. Always focus on the positives. Sabi nga ni Catriona Gray our Miss World Philippines — we need to see situations with a silver lining.

2. Gratitude: Expressing gratitude for the good things in your life because it can contribute to a sense of happiness. When you appreciate and acknowledge the positive aspects of your life, it can enhance your overall well-being.

Yung coffee break ko sa office na black coffee, super kinaka thankful ko yun haha! Yung spotify app ko na any genre of music ay ma pplay ko base on my mood na aappreciate ko yun. We don’t need to have BIG purchases or incredible achievements to express gratitude kasi even makatulog ka lang sa gabi is a big thing na. Many people had a hard time sleeping at night and it can give a negative impact sa health ng isang individual. So stay grateful.

3. Healthy Relationships: Strong connections and positive relationships with family, friends, and loved ones can contribute to your happiness. Having a support system and feeling loved and supported can bring joy and contentment.

Yes, the world is indeed getting smaller because of the internet. Different social media apps. Pero nothing beats yung small cirle naten. The one who truly cares and understands kung ano o sino ka as a person.

Our families and friends are the true gems. Lalo na if you have a good relationship with them. I strongly believe na we are always wearing a mask and it depends on who we are with. Sure ako pag naging talkative and makulit ka. Yan ang geniune cirle mo. Have a blast.

4. Purpose and Meaning: When you have a sense of purpose or meaning in your life, it can bring a deep sense of fulfillment and happiness. Engaging in activities and pursuing goals that align with your values and passions can contribute to your overall well-being.

This is very important. It’s very subjective din dahil naka depende sa cultural and beliefs ang purpose ng tao. Iba iba din tayo ng upbringing and experiences. Kadalasan ng mga youth eto ang pinag dadaanan. They are looking and finding themselves.

Always stay curios, try as many things as possible. You may also experience some mistakes in life wag lang sobra dahil it may greatly impact you sa future just enough lang para may matutunan ka.

Hinahanap ba to? I don’t know but if it’s your calling. You will not find it but it will FIND you. Just do it.

5. Positive Self-Care Habits: Taking care of yourself physically, emotionally, and mentally can contribute to your happiness. Engaging in regular exercise, practicing self-care activities, and managing stress can boost your mood and overall sense of well-being.

If you like what you are seeing in the mirror, tataas confidence mo. If you want to improve physically it takes time and disciple din. You should also learn and have discernment hindi lahat ng pieces of advice na mapupulot mo sa internet nowadays may be right and fit for you. Always seek advice sa mga experts.

Kaya if you want to be fit and healthy haha! This is Chester G. I am also an experienced fitness coach. Don’t hesitate to message me. Excited hearing from you.

6. Mindfulness and Living in the Present: Being present and mindful can help you fully enjoy and appreciate each moment. By focusing on the present rather than dwelling on the past or worrying about the future, you can cultivate a greater sense of happiness.

By thinking the past medyo di ka makaka move on kasi baka lies na yung voice na ma accept mo. Na baka yung little demon voice will say wala ka na pag asa mag bago. Kino konsensya ka ng mga pagkakamali mo. NO. Always look and have that faith for greater things. It’s good to have goals. To have a wonderful future that we’ve set. Pero no one can predict the future. No one.

Kaya focus ka sa present. Galingan mo sa present go all in. This is a gift and magugulat ka nalang na di mo na namamalayan. Nag eenjoy ka sa ginagawa mo. Until yung future na ini aim mo. Na reached mo na pala unknowingly.

I loved the quote from Kung Fu Panda that says “Yesterday is history, Tomorrow is a mystery, but Today is a gift. That is why it is called the present.” — Oogway.

We may feel down at times. Normal yan. Life has a vicious cycle. We have to accept that fact. Like the seasons of nature, there are also Personal Seasons in life: The season of winter — sadness, heartbreak, loneliness, and sickness. Season of spring — hope, new beginnings, opportunities. Season of summer — signs of growth, need for protection, an abundance of distractions.

Kaya tuloy ka lang kaibigan, tatagan mo loob mo. Dipa tapos ang laban. Let’s finish well and Hope for the best. Talk to you soon.

[thxnews]

UN Denounces Attack on Mogadishu Airport

In a recent development that has shaken the international community, the United Nations in Somalia has issued a strong condemnation following a deadly mortar attack at the Aden Adde International Airport in Mogadishu.  

Tragic Incident at Mogadishu Airport

Sombre Moment for the UN The attack, which occurred on Thursday night, tragically resulted in the death of a member of the UN Guard Unit. The UN Secretary-General’s Special Representative for Somalia, Catriona Laing, expressed deep condolences. “The UN Guard Unit plays an integral role in ensuring the safety and security of UN staff working in support of Somali peace- and state-building," she said. This incident underscores the ongoing challenges in maintaining security in the region.   Al-Shabaab's Claim of Responsibility The attack, which saw several mortar rounds land inside the airport area – where the UN Compound is also located – inflicted not only loss of life but also significant damage to infrastructure. The militant group Al-Shabaab has reportedly claimed responsibility for the attack.  

UN's Call for Action and Commitment

Demand for Justice In response to this heinous act, the UN in Somalia has called for the perpetrators to be brought to justice. This demand aligns with the global community's stance against acts of violence that disrupt peace and stability in regions like Somalia.   Continued Support for Somalia Despite the attack, the UN remains steadfast in its commitment to supporting the people and government of Somalia. The organization continues its efforts to aid in building peace and stability within the country, emphasizing the importance of collective action in overcoming such challenges.  

A United Stand Against Violence

This mortar attack at Aden Adde International Airport is a stark reminder of the fragility of peace in conflict zones. The United Nations' condemnation of the attack and its continued support for the Somali government exemplify the international community's resolve to stand against violence and work towards a more secure and peaceful world. The loss of a UN Guard Unit member is not only a tragic event but also a call to action for stronger measures in safeguarding peace and ensuring justice.   Sources: THX News & United Nations Assistance Mission in Somalia. Read the full article

[renzonav]

Blog#4: Reflections and Revelations: Navigating the Entrepreneurial Odyssey – The Final Chapter

The Startup Sheriffs - Renzon A. Villacillo

"Success is not final, failure is not fatal: It is the courage to continue that counts." - Winston S. Churchill

Over the past five months, my journey in entrepreneurship has been a profound learning experience, unveiling insights that extend beyond textbooks and theoretical knowledge. One of the most striking realizations has been the importance of adaptability. The business landscape is dynamic and really not my forte, and being able to pivot and adjust strategies quickly in response to feedbacks or unforeseen challenges is crucial. Embracing change and viewing it as an opportunity for growth has become our mantra for navigating the unpredictable terrain of entrepreneurship.

Equally significant has been the value of building a robust network. Connecting with fellow entrepreneurs, mentors, and industry professionals has provided me with invaluable perspectives, guidance, and support. The collaborative spirit within the entrepreneurial community fosters an environment where ideas flourish, partnerships develop, and shared experiences become reservoirs of wisdom. Establishing and nurturing these relationships has not only enhanced my knowledge but has also opened doors to unforeseen opportunities and collaborations.

Lastly, resilience has emerged as a cornerstone of entrepreneurial success. Facing setbacks and encountering obstacles is inevitable, but the ability to persevere, learn from failures, and maintain focus on long-term goals is what sets successful entrepreneurs apart. The journey has taught me that setbacks are not synonymous with failure but are stepping stones toward refinement and improvement. Embracing challenges with a resilient mindset has empowered me to confront adversity head-on, turning obstacles into opportunities for growth and innovation.

As I end this blog, I want to say thank you to our instructor, Ms. Tecson, for her expertise in this field and for guiding us all throughout this entrepreneurial journey. To my co-members, thank you for being understanding and enthusiastic all the time, for without these values we would not be able to finish this journey triumphantly. And to you who is reading this, thank you for being a part of this journey, from the beginning, trying to give a solution to the transportation problem, to being rejected, to coming up with a new and brightful idea that will not only help people but also the environment, and to finally pitching the "Musaquito Banish Wax" to the panels with pride and honor. Indeed, I have learned a lot of things.

I quote from Catriona Gray's saying that, "Know that your dreams are valid, and on your path, you are never denied but only redirected.". Turn your visions into reality and never be ashamed about it, for you never know what and where it brings you.

[saoirse-gillespie-film-blog]

Outline Feedback

We received the following feedback from Catriona on the 3rd of February regarding our outline and the changes we had made as a group, Mara took notes and typed it up as follows:

Original was good because it was simple - now it’s getting over complicated, there’s too much. Stay with simplicity.

Wrestle with form and develop the characters.

Film to look at - Green Card (1990)

The brutishness of the character could be similar, unapologetic, ‘I am who I am’.

She is confident in answering the questions and knowing the answers.

He doesn’t answer properly/ ends up failing.

She is confident they will pass but he realises he has failed.

The conflicting compatibilities (in flashbacks) seem superficial and don’t show the depth of the relationship.

Don’t use superficial details - lack of compassion.

Could show one dealing with a difficult thing and the other not understanding/sympathising.

Flashbacks are the weakest form of storytelling and communicating character.

The characters will become passive if they must watch their own lives.

Can they just be pictures that prompt conversation?

 Analyse the details and understanding/misunderstanding of each other.

In the original (Esther’s outline) it feels like a test/ they are prompted to test the relationship

Being in their 20’s makes the fact they are in the after life less obvious, to fix this you might need to show that they died/ how they died in the beginning.

Show what they are like now instead of the past to reflect their relationship.

Show how they’re not compatible in the present, not through the past

 If you don’t want to have a ‘villain’ show the details of the relationship

We don’t villainize people who we see are vulnerable.

The ending has too much ‘acceptance’ for a couple who are going to be in pain/hurting.

How can you reflect how they will be feeling in such a short time?

 SIMPLICITY

Concentrate on characters; wants, obstacles, vulnerabilities without using a lot of backstories

 Questions to consider:

What catalyst should we use instead of the flashbacks? And how would this start the conversation?

How would this show/ help them real us they aren’t compatible without literally showing them?

How do we make it visually interesting without flashbacks?

How do we make sure to show not tell or make the dialogue too obvious?

What things would be good enough to reflect that they aren’t compatible?

  Further feedback:

Don’t worry about what is happening (when trying to develop this new outline) dig into the characters and what is at stake.

For example, what is behind the doors? What will change if they go through separately vs. together? Is it different things behind each door?

Are they motivated by the fear of the unknown (in their decision to go together or separately)

Look at the metaphor for breaking up.

 Another film to look at: THX 1138 (1971) Dir. George Lucas

What should we use instead of the flashbacks?

Could still have questions on the walls (production design)

AI? Could this be questioning them audibly? Or could they be reading the questions?

Inner dialogue is more interesting, and you could do this best by separating them

Flashbacks are ineffective unless someone challenges them/ makes them talk/ prompts them to speak (you wouldn’t just watch a video and decide to talk about why you’re not compatible, especially with such a small snippet of your life)

Her questioning him (like in original) doesn’t show her character, it only develops his

Could it be a ‘only real lovers/ true relationships get into heaven’ test?

Maybe make the characters slightly older

Look at films which show relationships under a microscope, people reflecting on their relationship when faced with a hard situation e.g. apocalypse, illness etc

Could the end reflect the protagonist’s idea that ‘I am strong enough to walk through the door without knowing what is behind it, because I am strong enough and I have loved’

 Do more research! (reference films, test shoots for lighting and camera)

[gorillaspictures]

Film form - post-production

As I mentioned before, we had a very small group. Thus, the post roles were split among us, and we helped each other out with anything that needed to be done. I took on the main editor role, while Mark-Antony very kindly got all the footage/audio prepared and synched everything up.

My biggest challenge while editing was getting the pace right. In a genre such as horror, the build-up to the scary monster is just as important as the monster itself. If not done right, the pay off will feel unearned, and won’t be as effective. Fortunately, as director I had instructed Frederik to run through the scene at different paces, some takes being more drawn-out than others. So, I had lots of differently paced takes to choose from, and had more freedom when constructing the edit. In the end, I chose the slower takes, so as to create an uncomfortable, slow-burn of a build-up, while trying not to make it feel like the film was dragging.

Another challenge was representing all of the computer messages without showing the screen itself. I was inspired by shows like Sherlock, which use the “floating-text” technique to show what the character is looking at, without cutting away to a computer/phone screen. I was originally going to track the text along with Frederik’s movement, like they do in Sherlock, but ultimately I found it to be too distracting, and it took away from the slow, methodical pace I had built up in the edit.

I also applied feedback from Catriona as best as I could, but unfortunately the lack of coverage in Scene 1 came back to bite us. There was a shot that Catrionna suggested I take out, which I agreed with, but I could not replace it with another shot without the scene losing cohesion.

After the picture was locked, I helped out Fionntan with sound design. I was there to give him a second opinion, help him to source sound effects, and use my knowledge of sound design to help mix the tracks. It was a very positive experience working with someone else on the sound edit, as we were able to keep each other on track, and suggest things the other might not have thought of.