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golshxd-blog · 5 years ago

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After a hiatus of more than 10 years, last year I became a car owner again. Living in a city I didn’t need a car, but circumstances had changed and a car gives more flexibility and ease when making long journeys at short notice. I’ve always had an interest in cars, but the process of looking at information about different models and looking into the options started to make me feel that our camera choices seem to have become similar to our car choices.

Before you dismiss this as a preposterous concept, allow me to explain.

A moment of contemplation. Sony A6500 + Sony Zeiss E 16-70mm f4

Firstly, in the car market there is segmentation. There can never be enough ways to differentiate models, and there seems to be no limit to the number of segments that can be created. If you want a small car then perhaps you want a “sub-compact”. However, if you look at a Citroen C3, a small hatchback, but think it’s too big, then perhaps you want a Citroen C2, a “super-mini”. However, maybe you look at a C2 and think “I like it, but it’s just too big“, in which case you want something smaller, so perhaps you should look at a “city car”?

So what exactly is the difference?

About 8″, apparently. After that, it’s hard to tell. They all have a wheel at each corner and 4 seats, but each one is ever so slightly different to the others.

A doorway to another world. Sony A6500 + Sony Zeiss E 16-70mm f4

Your camera isn’t like this, surely?

Camera makers love segments too, because they think they can make different models aimed at different buyers, all of which do more or less the same thing with minor variations in body style, size and specification. Every DSLR makers camera range has an entry level model for beginners, then another model with basically the same sensor and inner workings in a different body shell that’s aimed at slightly more serious “enthusiasts”. Above that is a slightly aspirational model for the serious amateur which often has exactly the same sensor again, but in a bigger fancier body with more knobs and buttons. Generally, they all do more or less the same things.

Take Canon. EOS 2000D with 24Mp: ��our newest”. EOS 250D with 24Mp: “our lightest”. EOS 800D with 24Mp: “our most advanced”. City car, super mini, sub-compact. Try hard enough, you might be able to work out the difference.

As you get into the upper end of the product ranges, the differentiation can be a little easier to understand. You can have a “tourer” – marketing speak for an estate car – that tries to do everything, a sports coupe that promises to get you to to your destination as quickly as possible, or something made for absolutely luxury and the best possible ride.

Canon EOS 5D: general purpose. Canon EOS 1DX: sports camera. Canon EOS 5DS R: maximum resolution.

Chef at the table. Sony A6500 + Sony Zeiss E 24mm f1.8

As you go up the model ranges, cars get more luxurious and offer endless features and configuration: 3 different gear change configurations, 5 suspension settings, headlights that can light your way home and be configured to the exact number of seconds you require. Should I set it to 25 seconds or 26 seconds? It’s so difficult to decide.

Cameras are becoming the same, although it’s not only the preserve of the top end models, as almost every camera now has DR expansion settings, custom control wheel settings, or a choice of AF tracking sensitivity. Should I set to 3 for a stage event? What if they walk quickly, maybe I need level 4? How can I choose?

Condiments to choose. Sony A6500 + Sony Zeiss E 24mm f1.8

If you are already confused, it’s already getting worse. Not content with city cars, super-minis and sub-compacts, the manufacturers decided that what customers wanted were “cross-over” vehicles – cars that pretended to be off road vehicles, but without most of the ability to actually, you know, go off road. People don’t need that for the school run, they just want to look cool. So perhaps you want a small cross-over vehicle rather than a car, perhaps something like a Renault Captur? It’s essentially a Renault Clio dressed up in a sumo suit, but inside it has exactly the same amount of space for it’s passengers, but being taller it isn’t so nice to drive, and it costs more.

Superbike at a crossroads. Sony A6500 + Sony E 10-18mm f4

Cross-over cars? Mirrorless cameras. They mostly have exactly the same sensors as their DSLR stablemates, and often the same electronics and software, but they are packaged in smaller, more fancy looking bodies and have the party trick of interchangeable lenses but no mirror.�� For quite some time they were also mostly not quite as good as the DSLRs on which they were based, and notably more expensive. Much like the car market, where growing demand for cross-overs led to vanishing sales of more traditional models, so too did DSLR sales fall as fancy expensive mirrorless models proved fashionable and more popular. So long DSLR, hello Samsung Galaxy NX.

Canon EOS 2000D vs Canon EOS M100. How can you decide?

Twilight years. Sony A6500 + Sony Zeiss E 16-70mm f4

Apart from the manufacturers themselves, there is another group of people who love market segments – reviewers. If you want a new city car or urban crossover, the media is awash with articles and comparisons detailing the merits of each model and telling you which is the best. There are a couple of things that are most prevalent in these comparisons: specification and quality.

Brand names. Sony A6500 + Sony Zeiss E 16-70mm f4

Specification is very important to car reviewers as it allows them to make subjective and often skewed personal opinion be passed off as fact-based evaluation. The VW Up! Has class leading interior space, apparently. Firstly, note the phrase “class leading”, more reference to segmentation, even though it may not actually be very clear to you what segment it’s competitors are in. That’s good because perhaps the reviewer decided to ignore the Toyota Yaris even though it’s got more space inside, merely because it’s 8″ longer, and on the arbitrary scale of “segment”, it’s different. Of course, all this specification “fact” almost certainly came from the manufacturers press pack, so when the review tells you about the wonderful economy and emissions data for your new VW Up!, you might just want to take it with a pinch of salt. Even the “class leading” interior space was measured by how many polystyrene chips it took to fill it, so all those handy door pockets, the space under the floor of the boot, and how many they could cram into the heating vents will make the number look great, even if your feet won’t actually fit in the cup holders.

Lightest professional camera; class leading AF; professionally tuned.

New models. Sony A6500 + Sony Zeiss E 16-70mm f4

Quality is of course entirely subjective, and the manufacturers know it. If they spend a few extra euros and use some “soft touch” plastics on the dashboard, they know that reviews will talk at great length about “interior quality”, particularly if you told them all about it in the press pack. It doesn’t actually matter if the car turns out to have lots of niggling issues when it’s delivered to you, or tends to break down when you use it – it has some nice plastics on the dash, and that appears to be the most important measure of “quality”.

Premium Brand. Sony A6500 + Sony E 10-18mm f4

Camera makers know all about this too. It doesn’t actually matter how strong, well built or long lived a camera is, because “quality” is measured by the touch and feel of the body. Soft touch is great, but to hit the motherload you need to make it out of “metal”. Metal is absolute quality, because old cameras were metal. Of course, old cameras were brass, because engineering plastics weren’t available, but fancy alloy is also metal even when it’s the type of alloy that is brittle on impact and tends to crack. Manufacturers put a thin skin of alloy on a lens made of engineering grade plastics, and reviewers enthuse about the quality of the metal build and how it feels in the hand. Quality trumps fact, because how it feels is more important than any evidence that engineering plastics are stronger and have better thermal characteristics than old fashioned metal.

Plastic fantastic. Sony A6500 + Sony 10-18mm f4

Finally, we come to the factor which probably has the most influence on many car buyers choices: brand. Or rather, brand image.

Car manufacturers spend huge amounts of time and money trying to create the right brand image. When Toyota identified that they wanted to enter the luxury car market in the 1980s, they also realised that they needed a new brand, and so created Lexus. The original Lexus LS400 was released onto the domestic and American markets first, because Toyota also identified that in some markets customers are more brand conscious than others. In fact, what they really identified was that in some markets there is more brand snobbery – Europeans have much more snobbery about prestige car brands than Americans, who were more receptive to a new car brand that was quieter, smoother and more refined than the long established European marques at half the price. Toyota also realised the importance of after-sales support in brand image, and when it was identified that the car had an issue with its lighting system, they sent an engineer to every owners home to fix it, valeted the car, and fill the tank with gas.

Which way to go? Sony A6500 + Sony E 10-18mm f4

Car buyers self-image, particularly at the “premium” end of the market, is just as significant and results in customers who choose car brands whose marketing appeals to their ego and their perceived social status. Who wants an uncool Vauxhall Cascada cabriolet when they can have a much more expensive Audi A4 cabriolet to flatter their ego, even though it may be worse in almost every way?

Camera buyers really aren’t that different, particularly higher up the market. Canon and Nikon both know this, and follow the same slow evolutionary approach to product development as the car makers, who often become stuck in a rut of brand-value sameness across generations of products made more to appeal to their customer base than to actually offer anything innovative. The dominant camera makers both want to be a safe pair of hands that buyers trust as a result of marketing and careful product placement. The other brands stake out their market segment with their own marketing and brand values, whether it is tradition, innovation, or performance. Loyal brand customers are often like evangelical zealots, with unshakeable belief in the superiority of their religious choice.

A view to the heavens. Sony A6500 + Sony E 10-18mm f4

Brand capital is king: look a Leica, a brand that almost always scores highly in those “top 10 most powerful brands” in spite of almost nobody actually owning one, mostly because of the mythos steeped on it. Even at the very top end of the market it’s more about image than substance. If you buy a Bentley, what you’re actually getting is a very fancy VW. Buy a Rolls Royce, you’re getting a BMW. The most prestigious camera brands are now owned by investors who see the “brand capital”. Buy a Leica, you might be getting a Panasonic.

At the other end of the spectrum we have what we might now call the hipsters, for whom cool is at the opposite end of the brand image spectrum. There are plenty of drivers who still love the original VW Beetle, even though it could be considered one of the worst cars ever made. There are plenty of photographers who like Lomo cameras, based on terrible 1970s Soviet cameras that should probably have been consigned to the bin of engineering history. Sometimes, you just can’t predict what people might like.

Parallel Lines. Sony A6500 + Sony Zeiss 16-70mm f4

Should any of this influence your choice of car or camera?

Just because someone else says something is “the best” based on some arbitrary and unsubstantiated measure probably shouldn’t mean it’s “best” for you. The manufacturer claims it does 65mpg, and that’s “class leading” and therefore the best car, even though real drivers get 48mpg, whereas rivals models claim 56mpg and drivers achieve it.

So which is best for a real driver on a real road?

The only way is down. Sony A6500 + Sony E 10-18mm f4

I’m actually all for independent empirical testing. If it’s important to you, knowing the dynamic range or noise characteristics of a camera sensor could allow you to choose the camera that’s right for you. I wouldn’t trust a lens manufacturers computed MTF chart, especially when the line pairs per millimetre is well below the resolution of the sensor in your camera, but I would read a selection of independent lens bench tests to get a feel for how a lens might perform. That won’t tell you it’s character, but it should inform you how well it resolves or how much distortion it has.

Test results can be taken too far of course. If a one car has a 0-60 time that is 0.2 seconds faster than another, it may not mean anything in real world driving. A certain breed of camera “enthusiasts” get very very worked up by DXO lens test results and their “perceptual megapixels”, even though there is no clear definition of what it means or how it’s measured. One of the lenses used to take photographs in this article apparently has a score of 8Mp, which is very bad, and so is regarded by many of them as useless rubbish. As far as I’m concerned, they can stick their perceptual megapixels where the sun don’t shine.

Sensor grid. Sony A6500 + Sony E 10-18mm f4

Before we conclude, let’s reflect on where all of this goes wrong. Sometimes, in spite of all the market research, segmentation and quality focus groups, they just get it wrong. Very wrong. For every Lexus, there’s an Infiniti lurking.

About a decade ago Renault launched 2 new cars, a luxury saloon called the Vel Satis, and a sort of sports people carrier called the Avantime. At the time they were both modern, striking, and mostly very capable. They were both also epic failures that were quickly withdrawn from sale. The Vel Satis was a kind of soft, comfortable luxury saloon with big seats like armchairs launched into a market where everyone wanted a German sports saloon with hard seats and a Teutonic interior, not cream ruched leather. The Avantime seemed to be a solution looking for buyers who had a problem – a 2 door sporty people carrier, a kind of Espace coupe hybrid. Hindsight being what it is, perhaps they were just ahead of their time: Lexus made a market for comfortable luxury hybrid cars such as the CT200h to which the Vel Satis bears a striking resemblance; BMW sell SUVs such as the X6, a kind of high riding sports SUV for people who want to look like they can go off road very quickly – or kerb crawl past topless bars. Where Lexus and BMW succeeded was brand – the former with a kind of thinking persons eco-concious luxury, the latter with the old classics of snob value and speed.

Fast progress. Sony A6500 + Sony E 10-18mm f4

Cameraland has an equal history of things that looked good on paper, or good ideas that simply failed to find their market. For every Sony A7 there is a Nikon 1.

Pentax released the K-01, a K mount camera with the mirror taken out, emblazoned with the signature of industrial designer Marc Newson. It tried to be cool, but neither appealed to traditionalists nor hipsters, and became an experiment never to be repeated. Sony’s QX series of camera modules that attached to smart phones which acted as their LCD probably seemed like the answer to pocket camera sales that had fallen off a cliff because of smart phones, but they were probably too difficult to understand, too fiddly to use, and didn’t really take better photos than consumers phones, which were improving at incredible speed. Hasselblad released badge engineered versions of the Sony RX100, NEX-7 and Alpha 99 with stratospheric price tags, clad in fancy materials and wooden grips, which were obviously supposed to appeal to the well heeled brand conscious consumer. Unfortunately, unlike Leica, Hasselblad don’t appear in those top 10 lists of cool brands, so rich brand snobs didn’t want them, and they soon ended up in the discount bins at Best Buy.

Wherever you look there are parallels, ones that worked, and ones that didn’t.

Organic growth. Sony A6500 + Sony Zeiss 16-70mm f4

Cars have become a commodity item, often more likely leased rather than owned outright. This suits many drivers, who see their car as a lifestyle choice and a fashion item, used until it goes out of style or they get tired of it, and then given back. In a market where it’s increasingly difficult to make sales or a profit, this changing business model may suit manufacturers. With camera makers trying to appeal to customers by pushing the same emotional buttons of brand image, quality, or performance, perhaps it is only a matter of time before the ownership model also changes?

Remember the Ricoh GXR with it’s interchangeable sensor and lens modules? What if you leased them? In a shrinking market with difficult sales and unpredictable profits, maybe it’s time for one of the more vulnerable manufacturers to do something really radical with their ownership model?

There’s a storm brewing. Sony A6500 + Sony 10-18mm f4

Photographs in this article were taken in Thailand and Singapore in 2018 with a Sony A6500, a really excellent little camera, which may be a cross-over. Or a sub-compact. I’m not really sure. The pictures were post processed using SilkyPix Developer Studio Pro v9.

Posted on DearSusan by Adrian.

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itunesbooks · 6 years ago

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David Busch's Canon EOS Rebel T7i/800D Guide to Digital SLR Photography - David D. Busch

David Busch's Canon EOS Rebel T7i/800D Guide to Digital SLR Photography is your complete all-in-one comprehensive resource and reference for the Canon EOS Rebel T7i/800D, the first Canon camera to offer in-body five-axis image stabilization for video capture. Aimed at photo enthusiasts seeking to improve their photographic skills, the T7i/800D is an affordable digital SLR with an impressive range of features, including including Wi-Fi communications to link your camera to your iOS or Android smart device. With this book in hand, the camera is remarkably easy to master, too. Equipped with a 24-megapixel sensor, full HD movie-making, an accurate autofocus system, and a full range of semi-automatic modes, scene options, and creative filters, this newest Rebel has everything you need to explore the world of photography. With clear how-to steps and full-color illustrations, David Busch's Canon EOS Rebel T7i/800D Guide to Digital SLR Photography covers all the camera's capabilities in depth, from taking your first photos through advanced details of setup, exposure, lenses, lighting, and more. Also included is a handy Canon Rebel T7i/800D "roadmap," an easy-to-use visual guide to the camera's features and controls. With best-selling author and mentor David Busch as your guide, you'll be in full creative control, whether you're shooting on the job, as an advanced hobbyist, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Canon EOS Rebel T7i/800D today. http://bit.ly/2EVe5uh

#Photography

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livioacerbo · 6 years ago

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Best wide-angle lens 2018: ultra-wide lenses for Canon and Nikon DSLRs

Wide-angle zoom lenses are the thick end of the wedge, at least when it comes to viewing angles. With zoom ranges starting at just 8mm for APS-C format DSLRs like the Canon EOS Rebel T7i (EOS 800D) or Nikon D3500, and 11mm or 12mm for full-frames, you can shoehorn vast areas of a scene into …

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kerryjackman · 4 years ago

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5 BEST CAMERA FOR PHOTOGRAPHY

Whether you would like the simplest camera for photography as a hobby, for experience portfolio or your family photo album, these 5 good cameras for taking pictures are the models you'll buy regardless of what budget you've got .

Best Cameras for Photography

I reviewed the cameras per their picture quality, build quality, shooting speed, ergonomics and recognition among photographers. of these models are good digital cameras online uk for photography where one camera body has the right number of megapixels, an enormous dynamic range, etc. Compare these 5 models and choose the simplest photography camera for your photographic style.

1. Sony A7R III

What i actually like during this mirrorless camera body is its speed of 10 frames per second, improved add poor lighting conditions, a built-in stabilizer and A battery that isn’t worse than in SLR cameras. this is often one among the simplest photography cameras that has the widest dynamic range not only at the minimum, but also at relatively high ISO. you'll take amazing night photos which will be published in high resolution. of these advantages are combined with its compact size, good sort of lenses and therefore the resolution of the matrix support.

2. Nikon D850

The Nikon D850 is that the best camera for professional photography. The autofocus system is one among the simplest among all the prevailing camera bodies at this price range. Seven fps shooting speed makes this camera even more versatile than its predecessor, the D810. It’s especially important that the Nikon D850 is that the first high-class DSLR equipped with a flip touch screen. The camera runs longer on one battery charge, which is ideal for studio photography.

3. Canon EOS 5D Mark IV

The next variant of the simplest camera for photography is meant by another world-famous photography equipment brand – Canon. This really multi-purpose camera body are often successfully used for fashion photography, landscape, portrait and even for reportage shooting. it's referred because the best photography camera among the full-frame cameras in terms of versatility. All disadvantages of the EOS 5D Mark III are appropriately fixed within the remake . So, we will enjoy the new sensor with a wider dynamic range and more correct handling of details, even in dark areas of the shot.

4. Canon EOS Rebel T7i / Canon EOS 800D

It is the newest top-quality DSLR canon digital cameras. The capabilities of the camera and its new interface will allow anyone to become quite confident photographer. this is often an honest camera for photography that has fast autofocus, HDR video support and a swivel touchscreen display. Unfortunately, the camera will seem simple and not functional enough for users preferring to form videos instead of take photographs. At an equivalent time, it’s the simplest DSLR camera for creating home videos together with your family and friends. because of the swivel screen and DualPixel AF, the method itself is sort of simple.

5. Fujifilm GFX 50S

This is not the simplest cheap camera, it's the simplest mirrorless medium format camera body which will be recommended to those that appreciate the very best quality for the ultimate image. an enormous medium format matrix with a resolution of fifty megapixels allows you to urge the clarity of the sides , details and low noise at an unsurpassed high level. The GFX viewfinder is one among the simplest within the class. The camera lacks speed within the continuous shooting, but if three frames per second are odd for DSLRs and mirrorless cameras, then it's a true breakthrough for the medium format.

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topreviewvn1 · 1 year ago

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Cost-effective: The F1.8 II camera lens is an affordable option. It offers image quality and performance comparable to high-end lenses at a more affordable price, making it ideal for photography enthusiasts on a budget. Large aperture: The maximum aperture of this camera lens is F1.8, which provides excellent low-light shooting capability and shallow depth of field. This means you can take clear, bright photos in low light and easily achieve a background blur effect when you need to highlight your subject. Strong compatibility: F1.8 II camera lens Compatible For Canon Rebel T6 EOS 450D 500D 650D 700D 750D 800D Mark II IV and other Canon cameras. This means you can use this lens Compatible For Canon cameras without worrying about compatibility issues. Autofocus and manual focus modes: The F1.8 II camera lens supports both autofocus and manual focus modes. This allows you to choose the right focusing method for your shooting needs, whether it's capturing a moment quickly or focusing on a specific target precisely. Lightweight and portable: This camera lens is lightweight and easy to carry and use. Whether it's daily street photography or travel photography, it's an ideal choice that can easily fit into your camera bag and record beautiful moments anytime, anywhere.

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phonesep · 4 years ago

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YONGNUO YN50mm F1.8 Camera Lens EF 50mm for Canon Aperture Auto Focus Lenses For EOS DSLR 700D 750D 800D 5D Mark II IV 10D 1300

Options: 1. F1.8 giant aperture,digital background,which makes pictures with extra enjoyable. 2. Help auto focus and guide focus mode; 3. Adopts gold plating for the steel contacts,successfully enhance the sign conductivity and corrosion resistance; 4.…

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photographycentreblog-blog · 4 years ago

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Different types of cameras

Being a photographer requires tremendous skill, talent, and patience. But to be able to produce beautiful images that perfectly capture every emotion every glorious day, there is one thing that every photographer need: the best camera for the job. Photography is a demanding job that requires a high-performance DSLR camera designed and built to not only meet but exceed the photographer’s needs in terms of speed and image quality.

A lot of people often love to click pictures when they travel to different locations. I am one of them too which is why it is important that we purchase a good quality camera if we wish to capture our experiences properly.

You might feel that purchasing a high-end and more technologically advanced camera from the start would be a wise choice, but it is not. Because until you get a hang of photography and how to manipulate angles successfully, your camera will remain just a piece of metal for you.

These travel camera picks will suit a wide range of budgets, needs, and expertise levels. Our picks are ordered in approximate order of budget, from lower budget models through to higher end models.

So, getting a compact and sturdy travel camera in the start is actually a better decision. I, myself, researched a lot when I bought my first DSLR and I still wish that I had done a little more planning before I purchased it.

In this guide, I have listed down the best entry-level cameras that can be considered for beginners.

Things to Consider When Purchasing a Travel Camera

This is an important one. Cameras vary wildly in price, from a couple of hundred dollars up to thousands of dollars. So, you definitely need to think about how much you want to spend. Also, this is a travel camera. Whilst you want to get the best shots, travel can expose you to risks, from loss to theft. Obviously, these are things that can be mitigated against with insurance, but it’s something to bear in mind when making an investment – the pricier the camera, the higher the insurance premium.

Here are a few things that you should definitely consider when choosing a travel camera for yourself.

Consider the Type of Camera

There are several types of cameras available in the market which differs from each other in terms of weight, size, price, etc. So, make sure you check them out and look at both the pros and cons before deciding for yourself.

Point and Shoot Camera

For people who aren’t travel professionals and don’t care much about photography controls, a Point and Shoot camera would be a good choice. It will allow you to take amazing photographs without having to bother too much with the settings.

However, you won’t be able to manually set the photograph settings or take pictures in raw. But, it is certainly the least expensive option as a travel camera.

Mirrorless Cameras

If weight, size, etc. matters to you a lot then a Mirrorless camera would be an ideal choice for you. A mirrorless camera doesn’t include a mirror reflex optical viewfinder. As a result, it is lightweight but still allows you to change the lenses. Mirrorless cameras allow you to swap and change lenses like a DSLR, but because the mirror inside the camera has been removed (hence the name, with mirrors used to bounce light from the path of the lens up into the optical viewfinder of a DSLR), it has allowed designers to make mirrorless cameras much more compact than DSLRs.

Another great thing about this camera is that it shows you the real-time effect of ISO and Aperture adjustments. So, you don’t have to guess too much about the outcome and know that what you see is what you actually get.

Digital SLR Cameras

Although Mirrorless cameras have given DSLRs a tough competition, DSLR still comes out at the top in terms of quality. Ideally, a DSLR camera is great for action photography and wildlife photography. While mirrorless cameras are good, they don’t offer as many lens options as a DSLR camera.

So, if you want more lens options, faster focus, and more control over photo manipulations, then DSLR is the best choice. Sure, it is a little bulky but it will allow more flexibility to you.

Underwater Cameras

If you plan to take a lot of underwater photographs then you would need to check out a waterproof camera. These cameras will not only take amazing pictures underwater but will also allow you to capture the marine life on film.

There are many point and shoot cameras which can click decent photographs underwater. However, GoPro is still considered the best choice for underwater photography.

Are you planning to take a video too?

Another important thing that you should consider is if you are planning to make videos and vlogs too. If the answer is yes, then you might need to consider a camera with a good resolution option. Also, a flip screen would make it convenient for you to take the shots.

Budget – How much do you have to spend on a travel camera?

Let’s face it, the budget plays a major role when choosing a travel camera for yourself. You don’t want something too costly initially because taking care of your camera equipment is no piece of cake. Your camera bag could get lost or stolen while traveling so, always make sure you spend a reasonable amount of money at the start.

Consider Some Additional Camera Features

Make sure that you check out for some additional features too. One of the most important and convenient features is the inbuilt Wi-Fi in your camera. This allows you to connect the camera with your phone on the go, allowing you to transfer pictures when you are traveling too.

Weight – How much are you willing to carry around?

This is a really important question. If you’re the kind of person who likes to travel light, then you’re not going to want a bulky DSLR. Having the best travel camera that sits in your hotel room while you’re out having fun isn’t going to be much use.

Even a mirrorless system might be too much for you if you want something that will truly fit in your pocket or purse, and your best bet is probably a smartphone or compact camera.

On the other hand, if image quality and low-light performance are more important to you than weight, and you’re happy carrying spare lenses, filters, and other accessories, then you’ll likely be looking at a mirrorless or DSLR system.

Entry-level DSLR bundles

If you're buying your first DSLR, it makes sense to buy it as a kit, which generally includes the camera body along with an 18-55mm lens. Often referred to as a 'kit' lens, this covers a pretty broad zoom range, perfect for everything from landscapes to portraits – but that's just the start.

A word of warning, though. Look closely and manufacturers will often offer two types of kit lens, one with image stabilization and one without. Normally there's not much difference in price, so make sure to go for the kit with the image-stabilized lens as it'll make it easier to sharper images at slower shutter speeds.

These kinds of lenses are more than adequate to get you started, but the key advantage of DSLRs over compact cameras is that you can add to your kit with additional lenses. For example, wide-angle and telephoto zoom lenses, as well as high-quality macro options. You can also add a flashgun and other accessories, which help you to make the most of whatever types of photography you're into.

1. Nikon D3500

Not the flashiest camera here, but we reckon it's the best right now

The D3500 picks up from where the D3400 (below) left off, and it arrives with a handful of extra perks. The battery now lasts for 1,550 images between charges, which is way ahead of most other DSLRs, while the new 24MP sensor delivers excellent image quality. Nikon also revised the body and control layout, not only to make it nicer to handle but easier to use, while the Guide Mode takes the first-time user's hand and walks them through all the key features in a way that makes everything easy to understand. We love it – and we reckon you will too.

PROS

Excellent image quality

Easy to use

No touchscreen control

CONS

Bluetooth, but no Wi-Fi

2. Nikon D3400

Knocked off the top spot, but still a great buy

It may have been replaced by the D3500, but don't discount the D3400. Sporting a range of features perfect for the novice user, this is still a great camera to get started on the road to more creative photography. Sharing many of the same internal specs as the D3500, the battery life is brilliant, while the images from the 24MP sensor won't disappoint.

Pros

Superb battery life

Good single-shot AF

No microphone ports

Cons

No touchscreen

3. Canon EOS Rebel T7i / Canon EOS 800D

One of the best options out there, but a bit pricey

The EOS Rebel T7i (known as the EOS 800D outside) sits at the top of Canon's entry-level EOS DSLR range. Sporting a 24.2MP sensor that delivers an improved high ISO performance over older models, the Rebel T7i's autofocus also gets a boost, now with a 45-point arrangement that's backed up by excellent live view AF system.

Pros

Great touchscreen

Excellent sensor

Plastic finish

Cons

No 4K video

4. Nikon D5600

Need a little more power? The D5600 could be what you're after

The D5600 is a step up from the D3xxx-series models, with a stronger set of specs to rival the likes of the Canon EOS Rebel T7i / EOS 800D. Key advantages over the D3400 and D3500 include a larger LCD screen, which not only flips out and swivels but also responds to touch, together with a more advanced autofocus system, Wi-Fi and a healthy range of additional control on the inside.

Pros

Excellent image quality

Articulating touchscreen

Slow Live View focusing

Cons

Snap Bridge needs work

5. Canon EOS 750D

The EOS Rebel T6i (called the EOS 750D outside the US) may have been replaced by the EOS Rebel T7i / 800D, but it's still a great option if the price of the newer model puts you off. While the sensor isn't quite as good as the one in the newer T7i – despite sharing the same resolution – it's still very good, while the vari-angle touchscreen is still one of the best around. AF performance could be better though, and the camera isn't quite new enough to benefit from the more up-to-date Dual Pixel CMOS AF system that makes focusing swift in live view and during videos, but overall this is still a very capable entry-level DSLR.

Pros

Great touchscreen

Wi-Fi with NFC on board

Cons

Average battery life

Autofocus could be better

#film photography #photographers on tumblr #portrait photography #photography #cameras

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izzyitsolutions · 3 years ago

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Canon EOS 800D Digital SLR 18-55mm Lenses 24.2MP APS-C CMOS Sensor Wi-Fi NFC Bluetooth HDR Movie. KSH: 64,999 24.2MP APS-C CMOS Sensor DIGIC 7 Image Processor 3.0″ 1.04m-Dot Vari-Angle Touchscreen Full HD 1080p Video Recording at 60 fps 45-Point All Cross-Type Phase-Detect AF Dual Pixel CMOS AF Up to 6 fps Shooting and ISO 51200 Built-In Wi-Fi with NFC, Bluetooth HDR Movie and Time-Lapse Movie EF-S 18-55mm f/4-5.6 IS STM Lens https://bit.ly/3f4oFkJ CALL/WHATSAPP 0972444700 www.izzyitdigital.co.ke

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fittneshub · 5 years ago

Link

Nikon D3500 W/AF-P DX Nikkor 18-55mm f/3.5-5.6G VR with 16GB Memory Card and Carry Case (Black)

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