#can you believe it's actually being advertised as a stupid romcom

[ourflagmeansbts]

Source (Season 1 - Februrary 15th 2023)

Emily: Just got an OFMD ad on Snapchat, that was a surprise

[vogelmeister]

i wasn’t going to talk about this bc its opening old wounds but now i feel i have to and maybe this might help.

basically everyone here at vogel.com knows im a huge theatre nerd. its part of the reason goud is a play, and why i like ushering. in my time i’ve been in some plays and musicals as well, bc i adore performance and performing. i do the normal theatre kid route of advertising shows im in but never have pushed it hard.

enter my delightful ex friends. theatre was never for them, neither was the arts (one of them was even like “i could never pretend to be someone else” which is? honestly one of the best parts for me but whatever, it can be humbling and can make one vulnerable but its not for everyone) and i didn’t really care. their dad especially would look down upon it but would pretend he didn’t mean me. i would give then links to shows i was in and sometimes they’d come, but as we got older this became less and less. they’d always say they were busy and i never fought it. i do remember them mocking little shop of horrors after a friend’s birthday where we watched the movie, but i kinda brushed it off. i also remember discomfort when we went to see the local co-eds school’s musicals and i remember them being appalled that the friend we were supporting was only doing tech.

i will say a massive red flag was when i was house drama captain in my final year of high school and they still skipped out on the performing arts showcase even though their good friend (me) had written and directed a piece. they gave me flowers and i just accepted that bc they always skipped these events and thats how it was. yea those compulsory events were stupid especially when you weren’t into the Concept but they should have supported me.

anyways a few years ago i did two plays with my drama society. one, parfumerie, was in development hell bc of covid, so when we finally got the slot we were thrilled. i couldn’t believe it and sent my friends (these two girls and another friend) the links to come, as i normally do, and to my delight my friends came and i was so happy. it was a romcom so i thought hey they’ll even LIKE the show despite me being in it. anyways they attended closing and i left it at that.

they didn’t attend r+g. i never fought it but i was sad. my family all got covid so no one saw me in r+g in the end.

fast forward to 2024. i go to the netherlands, the netherlands makes me realise that i don’t like these two friends, i ghost them, we cool. im still friends with the other girl who attended parfumerie. shes cool. i saw her today. we will call my friend… susie. so susie and i were walking to maisie peters and we were talking about how we gatekept maisie from them and how they never listened to what we showed them anyway. this prompted me to go “yea they judged me so bad for liking theatre.” and so then susie was like remember when you were in that play 2 years ago? parfumerie. and i was like ye ofc i do it was literally in development hell. and then susie basically tells me that these two girls basically didn’t want to come, that the one with their license refused to drive the other two, and that susie basically had to beg them to come. not only that they hardly watched the show or even gave it a chance, and spent most of the time talking to each other about how the guy that liked me was sitting in front of them.

now idk why but every time i think about that now i get emotional, but its a mix of hurt and anger and sadness. because if the roles were reversed, i would have been given hell (this was proven actually). and secondly these two were awful people and i have so much hate for them. i already have enough reason to not like them. but this was something i loved, they knew i loved and they couldn’t care less for. like they knew it meant a lot to me and they still mocked it and pushed it to the side. they went into my room they saw my programs of shows i was in along the back wall. they saw me get excited whenever i had drama and they saw me excitedly post my program when i was at the theatre. they saw me exclusively listening to showtunes in 2018 and they met my theatre kid of an ex boyfriend. like would it not kill you to see me doing something i loved?

the worst part was one even asked me why i never showed her hamilton and i was literally like ‘i didn’t think you’d like it.’ she was shocked i thought that.

this is probably why we’re not friends. anyways-

the saddest sight in the world is a married couple at a musical and the wife is super excited and happy and the husband looks like he was dragged along and he’s making a big deal about how much he doesn’t want to be there and the wife gets embarrassed or ashamed. this isn’t a funny post, it’s actually heartbreaking and i see it happen at like every other musical i attend.

[readingwebcomics]

Analyzing Questionable Content: Pages 1-50

And so it begins.

The very first comic of Questionable Content, posted way back in 2003 and what would eventually be Jeff Jacques’ claim to fame, the reason why everyone remembers his name and what has made him a wealthy man today.

…’s alright.

Of course, by modern standards it’s not very good. This was the early 2000s, the wild west of online artists who had nothing more than an art creation software and a dream. The Webcomic Review has a VERY good post about it right here, which explains what the landscape of webcomics were like around this time and why exactly Marten has a pet robot (tl;dr, EVERYONE had a pet robot in ye early days of webcomics because Megatokyo).

But aside from the… awkward art, this comic at least serves to set up the protagonist (as far as we’re aware right now, we’ll get into the roles of protagonists in QC later). He’s a lanky, assumedly average guy who hates where he is in life but doesn’t know what else to do or even where else to go…

…as he goes on to spell out two comics later. He’s unassuming, not really much you can say for or against him, miserable and stuck in a rut in his life that he’s too scared to escape. Sooo basically, freshly graduated college students – the exact kind of audience a RomCom like this would go after.

Oh, did I forget to mention?

Yeah, QC started off as a RomCom.

This young woman is Faye, and she immediately cuts through the bullshit with an aggressive but to-the-point introduction of herself and her intentions.

While aggressive and to-the-point, she’s also set up as someone who meshes with Marten and Steve’s interests well enough and quickly makes friends. This is probably best exemplified in the seventh page, which serves two purposes:

Purpose the First: Showcase Marten and Faye have a shared niche interest, immediately establishing chemistry between the two of them. Be it platonic or romantic, they’re quickly hitting it off and, being a RomCom, will serve as the first rope potential shippers can grasp onto.

Purpose the Second: Jeff is a MASSIVE indie music nerd and he wants the fucking world to know it.

Also Pintsize is there doing funny robot things because 2003 webcomic.

It’s not long before this initial relationship is set up that two issues serve to sew the seeds of initial conflict:

This, likewise, serves two purposes: To show where Faye works and create a believable life for her to exist in when she’s not in the story with Marten, and as previously stated to sew potential romantic conflicts in the future. Jeff employs this tactic many-a-time throughout the course of Questionable Content, beginning a conflict and letting the implications sit with the reader while life goes on in the regular comics. Is this good writing? I honestly can’t say. Is it always done well? Oh good God no, some plot beats are outright dropped or left to sit for so long the reader straight-up forgets it’s there with this method. But does Jeff make it work? It’s all on personal taste I’d say, but personally it sits well with me.

Also, for those of you wondering why it looks like the word “hump” is just pasted onto the text bubble in post… well it was. The original comic implied sexual assault much more overtly, using the R-word instead of “hump.”

*Away from mic* Wait, can-can I say [NOPE]? Better not to risk it? Alright, fair ‘nuff.

But yeah, this was pointed out by readers to be pretty fucked up and it was swiftly changed, for good reason.

Later that night, Faye asks Marten to dinner with her. Platonically, of course. And here I believe I should point out the dynamic of their relationship as it stands – Faye is the aggressor. Marten is basically a doormat. Whenever something happens, Faye is always the instigator, be it going out to dinner or tagging along with him when he’s getting shopping done. This will feed into their relationship dynamic and sets up a decent inter-personal conflict: Marten is far too passive to reach out to Faye and make the move to start something, but Faye, despite how openly and quickly she attaches herself to Marten’s life, never takes that step into making it romantic. The two clearly have the hots for each other, but their respective personalities make it so neither one crosses that threshold.

Yes I know this is basic character writing for a RomCom 101, but the fact that so much about these characters are said in 12 four-panel comics says a lot. It hooks the reader quickly and gets them on the page Jeff wants them to be, and I respect that.

And in the next page, Faye’s aggression takes on a new level, albeit extremely briefly.

This is an isolated incident of actual physical aggression rather than implications and threats in these first 50 pages, but it becomes a trend as we go along – one that feeds into Faye’s character, mind, so it’s not just physical abuse for humor’s sake – so just keep it in mind as we go along.

Also on a personal note the actual restaurant they go to is simultaneously the worst and best idea I’ve ever heard of:

This is horrible. I should not encourage this. And yet some dark part of me finds the concept utterly hilarious even though I know I’m a piece of shit for liking it.

Actually, now some part of me wants to do the exact opposite – advertise a place as a steakhouse only serve an all-vegan menu. It feels less mean but just as funny to me.

…oh right, the comic.

After sharing dinner, exchanging banter that establishes good chemistry and parting ways, we come to this comic that I’m only showing because I’m a slut for good puns and I will take any and all opportunities to share with people.

(Pintsize totally won that round with the John the Baptist zinger by the way, if I’m allowed to judge this.)

And one page later, we get the biggest shake-up in the comic thus far:

It’s established Faye herself ended up burning down the apartment because she burnt toast, but that’s not really important. I know, the fact Faye BURNT DOWN A BUILDING isn’t important sounds completely ridiculous, but follow me here – the important thing for this setup isn’t the how, but the why. “How did Faye’s apartment burn down?” isn’t the question Jeff, nor the audience, is intended to be asking, that’s merely a vessel into the situation we’re in – the answer of “Why did Faye’s apartment burn down?” which is, of course, so Marten and Faye can become roommates and facilitate future antics and further their relationship. Familiarity breeds into both affection and conflict, and the obvious case of “Well you two are already living together, aren’t you?” will serve to further the flames of their potential relationship with one another.

…granted, a better reason to create this setup would’ve been nice, and from a writing standpoint it’s ridiculous that Faye never suffers any consequences for burning an entire BUILDING down, one that had many more people than just her in it. If present-day Jeff wrote this plotline… actually. Now that I think about it, Jeff DOES re-do this plot point and make it make a lot more sense and have a lot more impact on everyone involved.

But we’ll get to that when we eventually talk about Brun…. Three thousand and something pages from now.

Either way, my point stands: This plot thread serves mostly to create the situation we’re facing now, one where Faye and Marten end up living together. This shake-up to the early comic settles us into the new status quo, one that we’ll be riding with comfortably for the foreseeable future.

Further evidence of Faye’s aggressive and troll-ish nature… one that may or may not play into future revelations about her, now that I think about it.

Remember what I said about sewing the seeds of drama? Well here we stand now – a misunderstanding, or the beginning of genuine conflict between these two?

The answer is… they talk it out like actual goddamn adults, avoiding a stupid, unnecessary fight.

Honestly? Kind of refreshing. But what makes it better is the following page:

Honestly? This moment never fails to make me laugh. The one-two punch of complete betrayal of the reader’s expectations as well as the utter dismantling and defusal of the romantic interest subplot between these two dorks – while denying some genuine romantic conflict that may force Faye into being more upfront with how she feels about the situation – is a fun denial of the kinds of RomCom clichés that one might expect to find in this story.

Sure, there are other stories that do this better, I’m not denying that. But isolated in a bubble, this stands by itself and, frankly, works well enough for the story Jeff’s telling.

Also say goodbye to Sara, once she walks out that door she goes to join the little sister from Family Matters and the big brother from Happy Days on the twisted Island of Irrelevancy, visiting the story only when she can spare the time to craft a raft out of banana leafs and... where was I going with this?

…okay, personal story time. The Walmart I’m doing contract work for this week has a CD display of new-ish albums, and honest-to-God I completely forgot music CDs were even a THING. MP3s have spoiled us, and I now feel old for some reason.

Right, getting back on track.

I wanted to show this comic to establish three things.

1) Marten is the kind of person who sits on things that bother him and lets them stew for awhile. As established in the previous image I showed with Marten and Steve at the music store, it’s been at least a day since what happened with Sara and Marten’s still thinking about it. This, for better or worse, becomes a core part of Marten’s character moving forward.

2) Faye, for all her faults, is a genuinely good friend who cares about Marten and knows when to channel her natural aggression into support rather than ribbing.

3) This is another comic that always makes me laugh whenever I read it. Yes I know that’s much less of a real reason than my other two points but let me have this dammit.

This particular page itself isn’t terribly important to the ongoing narrative but I wanted to include it because it introduces QC’s unquestionably best character, Jim. Hi Jim! I like Jim.

(He’s a minor character at best but he’s just so earnest and fun and every time Jeff brings him back he just gets better and better.)

Oh, and for those who were skeptical that the more-than-platonic interest was mutual between Marten and Faye, the next two issues serve to showcase that… yeah, both parties TOTALLY have the hots for each other.

The first of those two comics, by the way, gets called back to much later down the line. And the fact that Faye speaks in a southern accent is more than just a joke, it’s going to be touched on more later.

Jeff says in the description of this comic that this is based on personal experience, and it shows – this is the most backbone Marten displays to my memory.

And in the very next page, we’re introduced to a new character – although you wouldn’t guess it from her appearance.

That’s Raven. I like Raven. Her personality changes a ton once she’s properly introduced as a character and not a nameless employee, but for posterity’s sake: Here’s her very first appearance in the comic.

There’s only one more important comic to touch on in this batch of fifty, and it’s about both Marten and Faye’s families:

While this could be as simple as a “har-dee-har, my family drives me up the wall,” this comic serves to say a lot about both characters once we know more about their families. Both Marten and Faye actually have very good reasons why they don’t want to see their respective families or go back to their hometowns… Faye especially so. We’ll touch more on that when we get more into her backstory.

Before we wrap things up, I’d like to do a quick comparison between page 1 and 50 to see in what small, subtle ways Jeff’s artistry has improved:

There’s not a LOT of difference, but the small details really showcases just how different they look. Small changes from the placement of everything on Marten’s face, to the size of the eyes, the width of the eyebrows… It’s good shit.

Overall, what did I think of batch 1? Well… for an early 2000s webcomic, it’s engaging. The characters are likable, the plot is progressing at an enjoyable pace, and I’m already on-board to see if Marten and Faye will get together. I mean, I know the answer, but my point stands.

Also because I’m a freak or something and like data compilation I went ahead and kept track of who showed up in what comic and made some numbers for it:

Not counting the one guest comic and two non-canon pages, Marten showed up in 45/50 pages, being in 90% of the comic so far.

Faye was in 38/50 pages, taking up 76% of the comic so far.

Pintsize comes in third place being in 15/50 comics, taking up a paltry 30% of the comic thus far when compared to the screen time Marten and Faye have taken up.

Likewise, Steve has been in only 8/50 pages, making up 16% of the comic up to this point.

Sara was in 5/50 pages, making up 10% of these first 50. That percentile will grow smaller and smaller with each update, believe you me.

Jim was in 2/50 glorious pages, making up 4% of the comic up to this point. And that was the best 4% this comic had to offer, let me tell you.

Raven, although still unnamed, I’m counting – she’s in 1/50 of the first batch of pages, making up 2% of screen time.

Tune in next week as we continue onwards to pages 51-100 where we’ll be introduced to the next major character in the series, who’s mere existence will further the plot more than anyone we’ve previously met. See you then.