#can the subtitlers for ONCE just do the damn job and subtitle things properly
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please drop the essay length analysis Judas and Jesus (extra gay Swedish edition), O great and knowledgeable monarch of our times
alright, you ask i deliver! please excuse any typos, my eyes aren't exactly working rn
welcome to my probably super subjective but correct analysis, aka
Judas Was Right and Jesus Was A Victim (At Least, In Swedish)
Before we get started, a couple points: i’ll try to avoid comparisons to other specific productions, i’ve only seen the other recorded 2012 british version which i didn’t like for reasons including but not limited to the amount of white people with dreadlocks. Also, my understanding of swedish is limited to a couple words and phrases, so most of the lyrics i reference will be english subtitles from Ola Salo’s swedish translation and therefore might not be the most accurate !
There’s so much i could cover in this, but for now i’m going to focus on how jesus and judas are portrayed in the 2014 swedish arena tour of Jesus Christ Superstar (JCS) starring Ola Salo as Jesus and Peter Johansson as Judas, along with how this production more implicitly views god.
From the opening number, translated into swedish as En Dimmig Himmelsdröm (A Foggy Heaven’s Dream), Peter Johansson’s acting and semantic differences in the lyrics present us with a deeply sympathetic portrayal of Judas. Looking purely at language, the english equivalent Heaven On Their Minds instantly paints Judas as much more of a faithless doubter- lyrics exclusive to the english version like “all your followers have gone blind / too much heaven on their minds” and “they think you’re the new messiah / and they’ll hurt you when they find they’re wrong” strongly enforce Judas’ main motivation for his actions being that he has less belief in Jesus and God’s plan than any of the other disciples with strong statements judging the other disciples for following him and claiming that Jesus ISN’T the messiah. The swedish translation doesn’t paint exactly the same picture- the focus of Judas’ number becomes his fear for Jesus’ wellbeing, not because he isn’t the messiah (the production remains fairly ambiguous on this point), but because Jesus can’t cope. The root of Judas’ concern comes from fear for Jesus’ wellbeing, and the disciples are referenced as regularly misunderstanding and wilfully twisting Jesus’ words. The swedish equivalent lyrics for the above examples are “they say, “jesus is god’s son” / but you know how people can change” (judas isn’t concerned with truth, just the danger that jesus will be in if the tide turns), and “the kingdom of heaven is within us, that’s what you said / bu they sew it, stitch by stich into some kind of foggy heaven’s dream”. Judas is showing that he HAS been listening and cares for Jesus’ teachings, but ‘they’ [his disciples] are turning them into something else entirely, and Judas’ worries that the support of the masses is fragile at best- the lines “and everything you say gets twisted by your lackeys / it will be anything but what you’ve said” and “you are being used by people who want you in their battle” reinforces this again. When combined with Peter Johansson’s tough but tender performance, in which he dances between disdain for Jesus, the institution, and affection for Jesus, the man (an important distinction), Judas is the harsh realist doing his best to look out for the man he loves. The way he takes Jesus hands and looks at him with love and urgency straight away establishes that his motivations are pure- Judas is doing what he thinks is best, even though it feels like no one will listen to him.
That was long, but En Dimmig Himmelsdröm is the perfect character introduction for Judas. He’s not totally unrecognisable, still delivering digs about ‘Jesus, the little carpenter’s son’, his manner is still rough and at this point we’re not sure whether or not the claims he makes about the disciples have any truth to them, BUT we can also see how much Jesus means to him, an important point that give context to the intensity of their future arguments and really makes the whole story much more heartbreaking.
This brings me to Ola Salo’s Jesus. Delightfully camp and queercoded, Judas describes him as being caught up in his own magic and mystery and buckling under the pressure, and he’s not entirely wrong. Throughout the first act, Jesus basks in the luxuries that being messiah can give him (the oils Mary paid for using disciple funds that were supposed to go towards helping the poor, him absolutely thriving in the shopping cart in What’s the Buzz?), and is shown actively avoiding any reminders of the seriousness of his position. He’s sick of the disciples asking him for a plan, he chooses the comforting Mary, who’s theme consists of telling Jesus everything is okay and he doesn’t need to think about anything, over Judas, who is less perhaps ‘cosy’ but is actively trying to warn and protect Jesus from an awful fate. During The Temple, he starts to crack as he’s overcome by the followers begging him to make him well, fear in his eyes as he raises his arms while frozen on the spot trying to avoid being devoured by the frenzy in desperate need of a messiah. Judas’ point about Jesus buckling under the pressure is starting to look more and more reasonable, and the dashes of showbiz campness add to the sense that much of Jesus is a persona constructed for the masses to give himself enough distance to prevent him from being crushed by the weight of God entirely. Jesus, the institution, prances around, lays his hands on his followers, and projects an air of easygoing calm. Jesus, the man, is scared and alone, and Jesus, the man, really comes out in Last Supper, but before we get there, I want to circle back to the Jesus/Mary/Judas thing.
Jesus, Mary, and Judas are presented as a love triangle: so much so, that Judas seeing Mary sing of her love for Jesus (I Don’t Know How To Love Him) is actually played as the inciting incident that sends him to the pharisees. Judas, the picture of the jealous lover, storms onto the scene, breaking them up and attempting to kiss Jesus, who instead shoves him to the ground in disdain. Judas, who is perhaps a little controlling, realises that any influence he had over Jesus has gone, and it’s likely a combination of jealousy and the knowledge that Jesus won’t stop that prompts him to head to the pharisees. In his meeting with the pharisees (known in english as Damned For All Time, although that phrase doesn’t appear once in the swedish), Judas’ expresses outright that “I’m the one who sees / Jesus, he can’t handle it anymore” “the truth is that this hysteria is making him lose control”, once he can get past explaining how much this plan of action feels like a last resort. He never even verbally or physically accept the pharisees’ offer of money, he denies it twice before it is eventually thrown over him after he reluctantly gives them the date and time to find Jesus- we never even see him pick it up, unlike other productions which show Judas grabbing for the cash and place a higher emphasis on Judas making sure he ‘won’t be damned for all time’, painting Judas as far more self serving. When it comes to Jesus, Judas is active- he’s running around trying to help, caressing him, embracing him, grabbing his hand, kissing him. They share countless moment of intimacy, especially at the start, establishing the fondness between them instead of instantly jumping to their conflict. When it comes to Mary (and admittedly, this is partially because she’s a secondary character- don’t get me wrong I still love her and Gunilla Backman does a brilliant job), she’s much more passive. Other than the much more gentle kisses in I Don’t Know How To Love Him and her penchant for dabbing Jesus’ forehead, she’s mostly just ‘there’. She cares for Jesus after the fact, and even when performing acts of intimacy like the oil and the kiss, she maintains a lot of physical distance- her songs touch on this as, much like Jesus (admittedly for different reasons), she actively distances herself from feelings to protect herself, so naturally she literally places distance between herself and the object of her love.
This brings me back to Last Supper, Gethsemane ( I Only Want to Say), and the kiss of death that broke all of our hearts. Throughout this segment, this is when Jesus, the man, really comes through, and it’s devastating. In Last Supper, he properly expresses the sheer amount of loneliness he feels, reiterating how he feels everyone will forget about him once he’s gone, and doesn’t really care about him as a man (”for you, my blood is not worth more than wine / for you, my body is not worth more than bread” “you will have forgotten me as soon as i give up my life”). This devolves into the disciples fighting each other and, you guessed it, ignoring him. For the first time, Jesus meaningfully lets out his anger, and as it turns to Judas, Judas does the same. Because of the set up of their complicated romantic relationship and the stakes involved, the amount of personal attacks and anger that comes out of Jesus and Judas’ repeated fights (which get physical) make complete sense- Jesus’ frustrations come from the fact that his entire fate has been predetermined and to him, Judas is just another instrument in the ways he’s been controlled (both with Judas being his betrayer, but also the way that Judas’ constant advice and interference with Jesus’ life (most obviously, the mary thing) are acted by Ola Salo as becoming increasingly frustrating to Jesus)- these frustrations are directed at their real cause, God, in Gethsemane. Judas’ frustrations come from the fact that no matter how hard he tries to help Jesus and keep him safe, Jesus keeps rejecting his efforts resulting in “all that we’ve built up [being] destroyed”- Judas’ heart hasn’t just been broken by Jesus rejecting him romantically, but on every level. Here, he’s actually shown to be the disciple most passionate about helping people practically and long term, being the only one concerned about Mary taking money which was supposed to help people, manipulated by the pharisees with the promise of doing good for the masses, and criticising Jesus for how they could be doing so much for people, ending his part of Last Supper with “every time i look at you i ask myself why you let all your things go so wrong? / all i ever wanted was to help you”.
This is also the point where Judas’ claims about the disciples are essentially confirmed, and this productions intent to portray Judas as more of a tragic hero become absolutely clear. In the english version, the disciples chorus remains virtually the same each time it appears, generally being far too calm considering their leader is about to die, revealing their aspirations to be apostles, and their intent to write the gospels to be remembered. the swedish translation still achieve this, but with variations from chorus to chorus it becomes much more poignant. i’m just going to stick to ttwo, which are choruses 1 and 3. In chorus 1, lines roughly translate to “i’ve always wanted to be an apostle / life is so nice when you’re saved/ then when we’ve got time we’ll write the gospels / then everything will be the way we want”- the apostles declaring that life is so good when you’re saved supports Judas’ opening statement that they care more about some idea of heaven than anything else, not to mention ignoring the absolute horrors that Jesus will have to go through to be saved, while the final line about the gospels introduces their intent to change whichever details they need to make ‘everything the way we want’: once again, exactly what Judas warned us of in En Dimmig Himmelsdröm. In chorus 3, taking place after Judas storms out for the last time, these lines change to “never really liked that judas / never saw what jesus saw in him / then, when we’ve got time we’ll write the gospels / and we’ll angle it so he gets all the blame”. Judas as a sympathetic character is confirmed here, as the disciples straight up admit how they don’t like Judas anyways and intend to write him as a villain (also inadvertently admitting that, since they have to write the gospels to make it look like only Judas’ fault, Judas isn’t really the sole one responsible for everything that is to come). It’s deeply unsettling, and for me was the point where I really began to question how good any of these disciples were, and by extension, how good is this production’s God if his truly sanctified followers are acting like this?
Jesus vents out all of his anger and desperation in Gethsemane. He acknowledges his own powerlessness and begs him to change the plan, but with the dark stage and no response (along with Ola Salo’s spectacular acting) it becomes clear that if anyone is there, they’re certainly not listening (”you, who have all the power / can you please change the plan / for i can already feel the pain burning in me”). It’s worth mentioning that a lot of the imagery in this swedish version is much more intense than the english, both in this song and the production as a whole. Jesus plainly calls god “thoughtless”, begging to understand, and it’s that this point we realise that he agrees with much more of what Judas has been saying than he’s been letting on- Jesus’ faith appears to be the only thing keeping him from listening to Judas and running away. Judas’ messages about people misunderstanding Jesus’ words also come out (”you care that everyone sees / but not that anyone understands”), and his eventual agreeing to die is played less as an inspiring act of faith, and more an act of desperation as he realises, he realise has no other choice. In this song, we see just how much of Judas Jesus has valued and taken on board, and that his air of carefree aloofness which frustrated Judas was, as we’ve already touched on, a complete act. The line “might as well finish what i’ve... what YOU’VE started” is absolutely miserable, reinforcing one of the major themes of this production: the idea that Jesus and Judas were both just ordinary men tormented by futures defined by forces out of their control. Just as Jesus has absorbed Judas’ logic, as an audience so we have, and it’s difficult to view the rest of the play’s events as anything other than an immense and unnecessary act of cruelty.
we’re almost done i promise!
Even knowing what Judas has/will do, Jesus still greets him with love. Judas, still under the impression that Jesus will be okay and that he’s doing what’s best, approaches him with the utmost tenderness, and the kiss is a beautiful signifier of two things. For Jesus, the return of his love for Judas shows his realisation in Gethsemane that Judas isn’t the one who’s sealed his fate and has only being trying to help, it’s god himself who has decided Jesus’ future. For Judas, the kiss shows that despite all of the anger and frustration that has been pouring out of him, he truly does love Jesus, and the way he cradles the scared and alone Jesus to his chest afterwards shows just how much he wishes he could be the one to help him and keep him close. Even with all their arguments and dysfunction, here Jesus and Judas find comfort in each other, and it almost seems like everything will end up alright. It’s in this moment that Judas and Jesus are most identifiable not as enemies, or as villain and hero, but as archetypal lovers from a Shakespearean tragedy. Neither of them set out to hurt each other, but through miscommunications, their own flaws, and external forces (both natural and supernatural), their love is simply never to be. Furthermore, in the following torture and spectacle, everything that Judas predicted for Jesus is about to come true. Another detail I find interesting is the way that Jesus and Judas both sport black nail polish, leather pants, and similar length hair: along with just looking cool as hell, the similarities really reinforce how close they are and how much they influence each other- it feels like a contemporary version of carrying a cameo or a lock of your lover's hair with you, a way for 'star crossed lovers' to keep a piece of their beloved no matter what.
The disaffected persona of Jesus, the institution, comes back as he’s taken by the authorities and subsequently insulted, degraded, and whipped. Also the swedish version of The Arrest, when the chorus starts singing questions, contains this dick joke and I think we all deserve it: “why were you dating a whore? / talk about a huge magic wand!”
Skipping forward to Judas’ Death, this is where both his character and the production’s conception of god beautifully (and miserably) align. When Judas runs to the pharisees, minor semantic changes (along with the genuine concern and great acting from Peter Johansson) reinforce that this Judas genuinely didn’t know that Jesus would be beaten and sentenced to death the way he has been, and Judas’ concern regarding how things look is played less as ‘oh no people will hate ME!’, but how having sentenced the man you love to death is one nightmarish thing, but for everyone to think you did it knowingly and willingly and then congratulate you for it is unthinkable. Where the english shows Judas’ attempting to evade responsibility for Jesus death, the swedish is more focused on Judas’ guilt, horror, and regret. The english “I’d save him all the suffering if I could / don’t believe our good / save him if I could” is swapped in swedish for “If anyone should die here I should / don’t say I’m good / better if I died”. While the english statements are somewhat empty (sure, Judas says he’d save Jesus’ suffering if he could, but he can’t so we’ll never truly know) and are still focused on Judas’ attempt to construct himself as a good guy, the swedish translation has Judas admit his guilt (even if it’s not really his fault), and make the promise of “better if i died” which, given the name of this sequence, he later delivers on. When english Judas sings “Christ, I’d sell out the nation / For I have been saddled with the murder of you”, swedish Judas sings “Jesus, I’ve been deceived / because of my act your blood’s now being spilt”, and instead of ending this first section with “I should be dragged through the slime and the mud”, swedish jesus returns to the theme of character assasination with “i will be cursed as the one behind your murder”.
The swedish translation of the next rework of I Don’t Know How to Love Him also places much more emphasis on Judas’ genuine romantic love for Jesus- we’d be here for hours if i listed everything but here are a few key contrasts. The english has Judas sing “I don’t know how to love him / I don’t know why he moves me”, whereas the swedish has Judas crying while singing “how do I show my love / all I want is to be close to you”. Along with acknowledging Judas already loves Jesus, the entirety of this segment is shifted from Judas singing about Jesus in the third person ‘he’, to a direct address. Judas isn’t performing his sadness, or venting his emotions, he’s emitting one last desperate cry to the man he loves as he sobs on a stage completely shrouded in darkness, and it’s devastating. Peter Johansson lets his voice run raw as he’s belting, and interrupts lines with sobs, and this Judas answers the question of “do you love me too? do you care for me?” with a quiet “no”- Judas is about to go to his death convinced Jesus must hate him, just as Jesus will face his knowing his love inadvertently put him there.
We finally reach Judas’ actual death, and the production’s far more ambiguous (if not negatively geared) depiction of god comes to a head. Judas’ screaming at god the moment he realises that his god essentially forced Judas to be the one to kill Jesus (an act of ultimate cruelty given their love) comes across as horrifying in it’s validity, unlike in other english language productions where it follows the more common characterisation of Judas being an unbeliever who can’t take responsibility for his own actions. When he spits on the ground, screaming “you have murdered me!”, we can’t help but agree- Judas was trying everything he could to stop Jesus from dying, and yet here he is. Most notably, Judas doesn’t set up his own suicide- a noose literally descends from the heavens, already tied, and Judas is literally trapped between the edge of the stage, and the symbol of death behind him. Much like he didn’t choose to kill Jesus, Judas has no choice in his own suicide- it’s suggested to merely be another part of the plan god has for him, and Judas raising his arms to form a crucifixion pose before he finally turns and jumps, disappearing into the depths of the theatre as the rope trails down (somewhat evocative of a leap to hell), highlight the sick joke. Much like Jesus begging in Gethsemane, a plea with god that in anyway implies fault or cruelty is met with silence followed by a death sentence.
When Judas reappears to the broken and bloodied Jesus in Superstar, he appears as more of a twisted hallucination than the literal spirit of Judas. He’s the opposite of everything he was in life, draped in colour, surrounded by red lighting instead of the signature blue, his hair quite literally let down, joking and dancing. Despite singing about him, Judas virtually ignores Jesus for the whole song except when he’s taunting him, snatching his hand away after a broken and desperate Jesus reaches out for the image of his beloved (refuting Judas’ belief that Jesus would die hating him), along with the swedish additions of Judas repeatedly addressing him as “little Jesus”. Where the living Judas was serious, sometimes harsh but always well intention, often paying more attention to Jesus than he received, this Judas is the opposite: light hearted but cruel, not caring about Jesus one bit. It’s somewhat an inversion of the beginning of JCS, where the tormented Judas was constantly reaching out to Jesus, and often met with scorn and insult (see: most of their arguments, this line from Everything’s Alright: “the thought is beautiful but quite unrealistic / yes, even quite stupid”). As the song goes on, and even as Jesus is crucified, the victorious scoring of the Superstar theme ends up reinforcing the cruelty and questioning of god distinctive of this production: Ola Salo’s Jesus is one of the bloodiest Jesus’s (Jesii?) I’ve been able to find, with blood covering his torso, his arms, and all over his face, not in passive dribbles, but violent ‘swooshes’ spreading out from his eyes, emphasising the fear and pain contained within them. As the music suggests how great and wonderful Jesus’ death is, the images straight out of a horror movie before us don’t seem to match up: as both Judas and Jesus question, if no one is understanding what Jesus is saying, why kill him? instead of making a point, you’re ensuring that the falsehoods continue to circulate, unless spreading the true message isn’t really the intent at all. or, simply that Jesus was wrong: his interpretation and teachings of god were far too kind and practical, and the true god really is the one that he briefly saw in the garden of Gethsemane, and that Judas saw before his death- a cruel and vindictive god using them for his own sick purposes. If you're a strong Christian, I'm sure you could watch this production and still believe that God was right (although I think Jesus and Judas being in love counts as blasphemy), but I think in doing so you'd lose part of what makes this production so hard hitting and, as i keep saying, devastating.
that’s pretty much it for this one! i feel like jesus and judas as a queer couple is less significant to this production than the fact that it’s specifically jesus and judas that are in love - they don’t face explicit homophobia as such, although i do think the paratextual and historical associations of queerness (both with them each looking visibly queer, and them as a couple) adds a beautiful dimension by subverting the standard christian teaching of Jesus’ sacrifice as “a love that changed the world” and making the love that truly could have been transformative (and was, to a degree) the love between Jesus and another man, not to mention the way in which queerness is often viewed as radical perfectly upholding the ‘radical’ views of god and the story of Jesus shown in the production. Why wouldn’t the love between two men be the love which has us questioning god, faith, and that which many of us have been taught since birth? Ola Salo has talked about how he’s able to be positive and negative towards christianity, along with how he wanted Jesus and Judas to really represent two sides of the same coin (’faith and intelligence’), and being bisexual along with having alluded to being raised christian (not to mention Breaking Up With God, a song by his band The Ark), it’s not surprising he’s managed to present such a nuanced and layered interpretation of Jesus Christ Superstar that even me, a trans exvangelical, can fall in love with.
UPDATE: @bands-and-hobbits has just let me know that Ola's dad was a priest! Apparently he's said that he liked the organs and the music, but that was all when it comes to christianity, which (when combined with Ola stating in interviews that the JCS soundtrack has been one of his favourite albums since he was 14) makes a lot of sense about the level of familiarity he had with the text giving him confidence to go in and make changes to really capitalised off of some of the themes that are hinted at in the english version- you have enough information to understand how everything works together, but aren't so dedicated to preserving belief that you feel you can't improve/change things (and my god are we glad he did)
#thank you if you made it this far!#also the inherent rhythm in swedish as a language just makes all of the songs sound better i'm gonna say it#english is really hit and miss when it comes to music and can get especially clunky with musicals requiring exposition#also sorry there's so much i've left out !#anyways enjoy#jesus christ superstar#jesus christ superstar swedish arena tour 2014#jcs#peter johansson#ola salo#also i have barely edited this so i hope it's coherent
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Survey #414
“mirror, mirror, tell me who you see / am i you or me? / i can never remember”
How many people have you kissed? Four. Ever kissed someone you weren’t dating at the time? No. Of the people you’ve kissed, how many do you regret kissing? Two. Ever been kissed by a legal adult when you were a minor (or vise-versa)? Yeah, with Jason, but it was only a two-year difference. Ever kissed someone on a dare/as part of a game? No. Where’s the most public place you’ve ever made out with someone? Nowhere public. I wouldn't do that. Can you snowboard? Never tried. Have you ever made a mixed cd for someone? No. Do you use recycle bins at your house? Yes. Do you own more than one bathing suit? No. Have you ever kissed someone who smokes weed? Jason did occasionally with his best friend, but he stopped for me. How are you right this second? I'm all right. Last night was pretty rough, so I'm just glad that's over. My body is just tired. Is there anything you disliked about your last birthday? Honestly, I barely remember what I did on my last birthday. I just remember it was fine. Oh wait, actually, on the way home from going out to eat, we had to call the cops while behind a car whose driver was obviously drunk or high OFF. HIS. ASS. He was swerving like crazy and almost hit SO many cars. I was having an absolute panic attack. I pray to God that guy was more than just found and fined. Do you keep a diary or journal (offline or online)? No, unless you count surveys, I guess. What were you like a year ago? I was the unhappily the same. Is someone on your mind right now? Fucking always. Having a warm dream about him last night didn't help. Who was the last person you sat next to? My mom. What do you currently hear right now? My screen is split so I can watch John Wolfe play some indie horror games. What’s something you need to go shopping for? I need to get new bras baaaadly because I'm tired of none fitting properly. What’s the last thing you ate? I had a donut 'cuz Mom stopped at Dunkin' for coffee. Do/did you do good in school? I did up to college. Then I just... sucked. Do you always get along with your siblings? I mean I don't see/talk to them every day or anything, not even very regularly even, but we generally get along fine now as adults. We disagree about shit for sure, but keep our mouths shut. Or probably talk to Mom about it while I'm not present. I don't even think they like me half of the time. Are you frustrated with anything? So much. Why did you fall for the last person romantically? There were/are a lot of factors. Just she as a person is phenomenal. What’s your younger sibling’s name? Nicole. Can you speak in a different language conversationally; if so, which language? A tiny bit of German. Do you ever fear of falling asleep? With my nightmares, I used to dread it. Now, thankfully, my APAP mask has prevented them from happening, mostly; I've only had two in the month that I've had it, and I ordinarily had them every single night. Do you have an idea of what kind of profession you’d like to have? I do, but I honestly doubt I'm going to succeed in even making it a part-time job by this damn point. Which beach would you say is your favorite? I don't have a favorite. I don't even like the beach very much. What kind of cookie is your favorite? Chocolate chip. Have you ever had a churro? Yes. Too crunchy and ridiculously sweet, not a fan. Truth be told, are you more into looks or personalities the most? A good personality beats good looks any day. How is/was your chemistry class in high school? I actually didn't take chemistry; my graduating year, physical science was offered as the alternative, which I took. How does alcohol affect you? I get hot, and my face flushes badly. It'll make me more talkative. Have you ever tried lemon brownies? No, and I don't want to. I don't like lemon-flavored stuff like that. What was the last type of meat you ate? Beef. Have you taken any medication today? I have prescriptions I take every day. Have you ever watched Parks and Recreation? I've seen some of it at Sara's house. What is your favourite kind of pasta? Just spaghetti with tomato sauce and meatballs, really. I've been on a major chicken pesto kick lately, though. Have you set an alarm today? No. Think of a random person, and give them a message here, no names: Literally just the chance to say "I'm sorry" would be fucking amazing. Just two fucking words. What if there were two of you? Would the world be in trouble? No. That'd be a waste of space, though. Not like I'm contributing much to society. Would you prefer an ice cream sundae or an ice cream cone? I dunno man, it depends on my mood and what I want in the moment. Do you watch movies with the subtitles on? No; I find it to be distracting. Is the last person you kissed yours? I hate this saying. She's her own person that belongs to nobody but herself. But to just go along with it and answer the question, no, we're not together. Do you think you will be married by the time you are 25? Welp, I'm halfway through 25, so. Do you have siblings over the age of 21? All of my siblings are. Do you have a hard time admitting you’re wrong? No. Especially as I've aged, I'd say I'm pretty quick to accept if I've fucked up. Who has the ability to hurt you the most emotionally? Jason will probably always have that power, even if he's not in my life. Would you ever be a stripper? God no, nobody wants to see that. What are your plans for tomorrow? Just get through the day, man. Do you owe anybody money? No. How would your parents describe you? Reserved, shy, a deep thinker, animal lover, uhhhh... What is the most you have ever weighed? Let's not. Would you ever work at McDonald's? No. I'm never working in food service. If you aren't already, would you go vegetarian or vegan? I want to be a vegetarian and being a vegan would be perfectly ideal for me, but I really don't think I can healthily accomplish either. I am FAR too picky to where I'd almost definitely become malnourished. To make it even worse I absolutely cannot "suck it up" if I don't like a food, so it's not like I could choke down stuff I don't like. Not to mention I'd be pretty sad without any yummy food to look forward to, aha. Coolest person you've ever met? Uhhhh I don't know. Do you wear boxers? No. Girls, how old were you when you first learned how to put in a tampon? I don't remember. Would you ever attend a gay pride parade or festival? I would absolutely love to. Did you see Paranormal Activity 2? I think I've seen all of the movies. I liked them, given paranormal horror films are probably my fave. What would you do if an old man grabbed your ass? Kick him in the fucking balls so goddamn fast and probably slap him across the face at the same time. Probably cry later from feeling violated and having my fear of men aggravated. Do you like moustaches? It depends on the person, but I'd say I generally prefer an attached beard and a mustache versus JUST a mustache. Could you hack into someone's computer if you tried hard enough? No. I have no idea how to do that. Have you ever smoked a cigar? No. Do you go out on Black Friday? Hell no. NOT worth fighting people for deals. Do you have curtains in your bedroom? No; I have those blinds that you can close upwards or downwards. Did you like the Spice Girls when you were little? Yeah, I did. Can you sing the entire Fresh Prince of Bel-Air theme song? I think I can. Do you get heartburn? I'm literally on an antacid prescription, or else I get insane heartburn every day. Are you scared of elevators? To a moderate degree, yes. I'm terrified of it getting stuck. Have you ever seen a dead body in person? Yes, at an open-casket wake. Have you ever seen The Goonies? I have. If you're white, do you ever wish you were black? Or vice versa? I'm fine being Caucasian, but ultimately don't care. Do you bake cookies all the time around Christmas? I don't bake. Do you like your hair pulled? Uhhh... I'm assuming you mean this in a suggestive context, in which case no. Never pull my hair, actually. What kind of jeans do you like? Ripped skinny jeans. What do you think is overrated? Who really cares. Let people enjoy what they enjoy. And what are your goals for the remainder of this year? Lose lots of weight, find a job, get back into old hobbies and develop new ones... Name a city that starts with A in your state/province etc. Asheboro. Name a landmark that starts with M in your state/province etc. I'm blanking right now. When was the last time you gave a horse a carrot? Been years. I think I've only done that once, and I can't even remember where it was. Have you ever had to shovel snow? No. How many seasons is your favorite TV show in so far? MM was just revived for its fifth season! :') Where would you most like to go in your state, etc. that you haven’t been? NC actually has this really old Wizard of Oz theme park! It's on the other end of the state, though, and NC is one wiiiiiide state. What was the last bird you saw? A robin, I think. What color was the last thing you drank? Green. Has a wild animal ever been loose in your house? Besides insects, no. Well wait, scratch that, once or twice we had a small mice problem when we lived in the woods. What’s the name of the bookstores in your city? The only one I know off the top of my head is Books-a-Million. Where do your parents live? I live with my mom, and Dad lives in the same city as us. Have you ever seen or touched an iceberg? No, but that would be cool. What colour are your father’s eyes? Brown. If your ex turned up on your doorstep now, with nowhere else to go, would you let him/her stay? Well one, this isn't my house, so I can't make that decision. My mom being who she is though, she'd let pretty much anyone stay the night. If it was Sara, Mom would let her stay as long as she needed. The last time you cried, was it connected with someone of the opposite sex? Ugh, yes. My PTSD was BAD last night. Delicious warm brownies or a giant cookie? I'll take the brownie. Have you visited a haunted building or area before? No, but damn I'd love to. Have you been to North Carolina? Ayyyyeeeee that's my home.
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Omg I did not mean to delete my recap 🤦🏽♀️ why is this new editing thingy so useless.
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More observations after properly watching Dead Apple
- all of Chuuya’s dialogue in the flashback. His first line is “piss off, scrub!” to Oda and it doesn’t really change much from there until Shit Gets Serious. Him and Dazai are so mean to each other but it’s really funny.
- I didn’t catch this last time but Shibusawa told Chuuya that all his friends committed suicide which...ouch.
- I really like the opening credits. It’s actually a really good way of introducing the characters (I couldn’t read it last time without subtitles but each character has a brief profile) and overviewing what happened so far, so if you didn’t see it...now you kind of have an idea.
- Everything Kunikida does when he’s with Atsushi. I like how he has this whole speech about being able to overcome yourself and then reveals all these big-ass weapons like “we’re an armed detective agency” like...I’m sure he was sincere about that speech but also it was a lot less metaphorical once you take into account the huge guns he had.
- Dazai being completely (and very obviously) unimpressed by Shibusawa and Fyodor gets funnier the more I think about it.
- Akutagawa is just like “Atsushi you’re so stupid” the whole time
- the two times Atsushi notices something good about Dazai, Dazai is like “oh, really?” which is a big mood
- Kyouka’s “do what you need to be doing.”
- Oda’s face whenever Dazai talks in the bar scene. It’s just a mood.
- I feel like I could ship Tsujimura and Chuuya.
- I can definitely ship Chuuya and Ango, because damn that scene where Chuuya threatens Ango is great...but also Ango’s worry over Chuuya using Corruption even after he asked Chuuya to help is A+++
- also Chuuya being like “I didn’t appreciate you calling me like I’m a take out delivery boy” RIP
- I didn’t see the ending last time so I missed Ango talking about Dazai, Fyodor, and Shibusawa being “aliens” because of their intelligence and when he’s like “luckily I don’t have to know what that feels like!” or something like kJFDASKLJDSFA ANGO
- Also that Ango and the SAD spent four straight days up until then trying to cover up the incident
- Dazai asking Shibusawa if he had friends and commenting on the fact that he doesn’t is both hilarious but also--it implies that a) Dazai has friends now who aren’t dead (YES LOOK AT HIM BECOME A BETTER PERSON) and b) Fyodor also has friends
- Dazai’s reaction to being killed being that it feels good is great
- the movie did a better job of showing how powerful/creepy Corruption is. It also added the weird idea of Chuuya being slightly coherent at points during Corruption, which idk if that was just for plot reasons or what.
- Atsushi and Kyouka coming to terms with seeing their Abilities as part of themselves... ;__;
- After both the Dragons Head Rush incident and the events of the movie Fyodor stands on a rooftop looking over the city like “yeah that was fun but i still got more shit to do”
- Fyodor talking to Shibusawa’s skull is very entertaining. Also Fyodor slashing Shibusawa’s throat was one of two things the people in the theater reacted to (the other thing was Akutagawa enjoying his and Atsushi’s abilities fighting)
- brief chuuaku I’ll take what I can get (I need to write a missing scene fic of when Akutagawa helps Chuuya back to base)
- Mori’s talk about how Dazai chooses the star in these situations (and how Chuuya was the opening act LMAO); Chuuya being like “don’t thank me, i was doing my job”
- Dazai calling Kunikida the ADA mom. other people mentioned it before but I didn’t see it last time and I loved it.
- I still don’t understand: how no one noticed that fucking huge tower that Shibusawa uses before (since it’s said to be an abandoned building), why Atsushi’s Ability is so important (and what Shibusawa means when he says that it’s not his Ability but rather his spark of life or some shit), whether or not Akutagawa knows that Atsushi has a repressed memory or whether he’s just been assuming that Atsushi has an unresolved thing holding him back from regaining his Ability
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