#but you can't deny it would be funny if in the year of bands Sweden denies their most successful Eurovision artist ever
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We’ve had 24 national finals this year – over the past few months I’ve ranked at least the final of every single one, and I’m finishing tonight by looking at the Melodifestivalen finalists!
Smash Into Pieces – Six Feet Under
Loreen – Tattoo
Nordman – Släpp alla sorger
Jon Henrik Fjällgren, Arc North ft. Adam Woods – Where You Are (Sávežan)
Marcus & Martinus – Air
Panetoz – On My Way
Tone Sekelius – Rhythm of my Show
THEOZ – Mer av dig
Mariette – One Day
Maria Sur – Never Give Up
Kiana – Where Did You Go
Paul Rey – Royals
After all the semi-finals I really wasn’t feeling impressed with Melfest this year, but I actually quite like the final in general. Six of my personal DTFs are here, with one (Now I Know) staying in Andra Chansen, and only one (Länge leve livet) failing to make it through a semi. Being Sweden, it’s a given that all these songs are well put together – well produced and very polished.
Two songs in particular stand out to me from this line-up. The first is unsurprisingly the rock track Six Feet Under, which I was very excited by when I heard it! If there’s a rock track at Melfest there’s a solid chance it will be my favourite entry. The stuff that makes it here is generally rather formulaic, never anything experimental, but it’s always decent quality. I found the chorus of Six Feet Under very memorable, and the singer has a fantastic rock vocal – I loved when he belted that top note at the start of the final chorus! I also really enjoyed the cyberpunk aesthetic of the staging.
Then there’s Tattoo. I first want to say that I love how this was staged, it was easily the most exciting and interesting performance to watch. I do also really enjoy it as a song. It’s a catchy piece of dance pop, very well produced even by Sweden’s standards, impactful yet accessible with it’s familiar sounding beat. Loreen elevates it further live, with her powerful, distinct voice, and artistic performance. I don’t enjoy it as much as I love Statements, but it’s a very good entry nonetheless.
Tattoo should win easily tomorrow, it stands head and shoulders above anything else in the contest. I struggle with this one a little, however, because I think if I heard this from someone other than Loreen I’d definitely consider it a notably good pop song, but wouldn’t see it as a potential winner. However, it’s also very hard to separate her from it – her calibre as an artist is undeniable. I don’t know if this is winning Eurovision, but I think it’s fair to consider it. Of course, until tomorrow we don’t know for certain that she’s going, I’d be very intrigued if someone else did manage to beat her and get the ticket to Liverpool instead, but it’s a conversation I expect we’re going to be having for the next couple of months.
#eurovision#esc2023#nf ranking#sweden#I find it so hard to put my feelings about Tattoo into words#essentially I think the hardest thing to talk about is a song that I like but don't love#that a lot of other people seem to really love#I completely failed to ignore fan perception to it#how could I - it's Loreen!#I've seen both sides - the adoration and the backlash to the adoration#I wish I could just judge it devoid of all that context but I won't lie it being Loreen again after Euphoria does tie into my feelings#it's the exact same way I've felt about Euphoria for years#I like it an awful lot but don't think it deserves all the hype#I want to just enjoy this song without stressing about if I'm gonna view it as a mediocre Eurovision winner later down the line#or who knows maybe it grows on me even more and I actually get the hype this time?#best case scenario for me is if Smash Into Pieces just win tomorrow#never gonna happen of course#but you can't deny it would be funny if in the year of bands Sweden denies their most successful Eurovision artist ever#and sends yet another band
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