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brynn-lear · 1 day ago

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for those who are looking which of these games have yandere endings, allow me to kindly add them in a read more :D

Cupid Parasite: Gill Lovecraft

The most consistent yandere-vibes from Lock's recommendations. Gill's I would say leans so much on pathetic sad dog yandere and irl stalker that the otome game community is very divided on him (and a majority of us are yandere/trash husbando fans lol).

You'll spend most of his routes looking at how much he's a loser (/aff) who simps for his former roommate. I mean, he's trying to get over you but the heavens might quite literally be playing with him— cause how can he move on when you're his matchmaker???????

Cupid Parasite is so silly and so fun, highly recommend for those who love romcoms.

Piofiore: Nicola (Bad End)

Note: don't search his name on google images cause one of the first things you'll see is his CG for the bad end. Do not spool yourself lol.

Oooh how I love this man. Him and Dante are my faves [and Roberto. Lord. I love Roberto so much why isn't he a love interest?!?!?]

I won't spoil much, but his bad ending is 🥰. Plus Piofiore is such a good game anyways, it's worth trying out. If you like mafia men that are trash and would definitely kill you in other routes (sometimes their own too aHEM MISTER CHINESE KEBAB)— this game is for you.

Olympia Soiree: Kuroba (Bad End)

Ngl I remember the yandere end for this one being relatively short, but Kuroba along with Byakuya are my faves so I didn't really mind. If you like your fics with some sort of "chosen one" flair to it, OS is for you <3.

Don't get it twisted though, the game makes it a point to show time and time again how much their color system destroys the people [definitely feels like a metaphor for racism-]

Even if Tempest: Crius Castlerock (Bad End)

TW: childhood abuse/neglect, cannibalism, straight up every route has murder since this is literally a Phoenix Wright fantasy otome game, blood, unending angst you can't escape from if you want to see a single good ending, etc. For the amount of girlbossing and (justifyable?) crimes the heroine had done [and lord she's such a pretty androgynous girlie], the game is very refreshing.

LOOK AT MY BABIIIIESSS 😭😭😭😭😭😭

If you love suffering, I highly recommend this game because the plot is amazing. It does not hold back as much. It's not like Black Wolves Saga's level of "dead dove: do not eat" but man will it surprise you.

Crius definitely feels overprotective even in routes outside his. As an older brother figure-esque, he has this tendency to help you out without question [this fact will hurt you later.] His bad end? I'm a simp. And I like the hurt it gives. 10/10. Also him in the fandisk is 🤌🤌🤌🤌. Everyone in that game is so loveable.

I play a whole lot of localized switch otome games and let me just say, he's gotta be part of my top 5— and some people on that list are there for nostalgia's sake (Hi Tokimeki Memorial). Crius is great. Much love.

Bonus route: Steam Prison - Fin Euclase

I shit you not, bro is a yandere in every route but his. I am not joking. The amount of Love Interests that had fallen from his hands— meanwhile in his route he's a struggling wholesome puppy just trying to survibe the underworld. I love him but I cannot be with him simply because I'm not content with just seeing him happy, I wanna see that broken side again /silly

I forgot to mention: I wouldn't say CxM has a yandere route [I say that as someone whose faves are Okazaki and Shiraishi, who keeps being typed as yanderes when they're deranged at best /j]

... Buuut there is a bad end where it feels like Hoshino/the MC is a yandere for our poster boy :)

lock's otome game recs

i received some asks indicating an interest in a compilation of my favorite otome games, so i decided to go for it!! i've played about fourteen otome games, but of those fourteen, only these six left a lasting impression on me. there are still some that i intend to check out, so the rankings may update in the future. i'll give a very general overview of each game and how i'd score the categories that i find the most important in an otome game — the heroine, story, art, enjoyability, along with the characters i liked the most.

number 6 - piofiore fated memories.

heroine: 6/10 story: 6.5/10 characters: 7/10 art: 10/10 enjoyability: 8/10 favorite characters: dante (ishikawa kaito), nicola (kimura ryouhei) and yang (okamoto nobuhiko)

this game centers around the heroine, with the default name liliana adornato, who finds herself entangled in the politics of the region's three most prominent crime organizations. the game has an italian backdrop and iirc, takes place in the 1930s.

the overarching narrative, while it has its fair share of intrigue, isn't the game's strongest point. it's the interactions with the characters themselves that made the game feel worthwhile. each love interest has more to them than what meets the eye, so it's satisfying to watch the relationship between them and the heroine develop.

the heroine takes a passive role throughout much of the game, events sorta just happen to her. still, she has a kind disposition that makes her likable and doesn't make stupid decisions that has you wanting to fling your console across the room. her characterization changes slightly depending on the route. for instance, without getting into spoilers, she's more assertive throughout yang's route. the resulting dynamic made yang's route the most memorable, even if he's my third favorite character from the bunch.

what feels unique to this game is the effort put into the bad endings. in most visual novels, bad endings can feel like gimmicks. you make one or two wrong decisions and you're rewarded with a few paragraphs. the downward spiral of the characters in the bad endings are decently fleshed out and you can see how they arrived at this 'worst' version of themselves. they're suitably dark and it shouldn't come as a surprise that i enjoyed them because of that 😭

then there's the art. it's stunning, the details in each CG are mindboggling. the heroine gets to wear a variety of pretty outfits which is something i like to see. even in the story's weaker moments, a stunning CG would pop up that had me forgiving everything. i still glance through the gallery to this day.

number five - cupid parasite.

heroine: 9.5/10 story: 7/10 characters: 7/10 art: 9/10 enjoyability: 9/10 favorite characters: ryuki keisaiin (junya enoki) & gill lovecraft (kimura ryouhei)

iconic. showstopping. a little bit camp.

cupid parasite stars one of my favorite heroines, lynette. she works as a bridal advisor whose ambition is to ensure everyone finds their soulmate. in actuality, she's the goddess cupid, who left her post in celestia to better understand humanity and create lasting pairs. she's a delight to play as.

this game's presentation and overall aesthetic is the most distinct from any otome game i've played. aside from the presentation, the story itself is unlike any of the others on this list. when it comes to romance, i typically prefer them to be dark and mature. this game opts for a more lighthearted approach. it vacillates between being a romcom and dipping into the absurdist genre. there were times i was literally left speechless (glances at gill's route)... but it makes for an entertaining experience. the game's plenty funny as well.

personally, i enjoyed the more grounded moments when the mythological elements remained in the background. because of this, the true ending doesn't do it for me as much as they do in other games. as with anything, this is a personal preference though. i liked all of the routes and found the game handles the development of each love interest well. we're introduced to these men at their most pathetic and get to help them become a little more well-adjusted. lowering the cringe meter, if you will. it makes their growth all the most satisfying as the narrative progresses.

number four - even if tempest.

heroine: 9/10 story: 8.5/10 characters: 8/10 art: 6/10 enjoyability: 9/10 favorite characters: the heroine herself, tyril i lister (noriaki sugiyama), crius castlerock (makoto furukawa) and lucien neuschburn (kaito ishikawa)

right from the get-go, this game's premise had me hooked. it features the heroine, anastasia (<3!), who leads an incredibly tragic life. she's bestowed the ability to reverse time following each of her deaths and uses this to unravel a mess of mysteries the world's setting is tangled in.

this game is absolutely anastasia's story. without spoiling anything, i loved the approach they took with the time rewinding ability. how it's incorporated is unique to an otome game, which they take full advantage of to amplify the tragic romances. on that note, the romance itself occasionally takes a backseat to the narrative as a whole. personally, i didn't mind this in the moment, since i found the story so interesting. in retrospect, i do wish that we got more moments between the heroine and each love interest, especially in the true ending.

there are more gameplay elements here as well. you have to conduct investigations, gather evidence, and apply what you've learned during these trial segments. when i first read about this, i thought it'd be a gimmick, but i liked playing through them. it incentivizes you to pay extra close attention to the world.

while i liked the narrative as a whole, i do wish we got more worldbuilding. there are hints of political subterfuge and religious oligarchy that, while touched upon, could've been leaned into more to give the setting a distinct feeling.

number three - olympia soiree

heroine: 8/10 story: 8/10 characters: 8/10 art: 10/10 enjoyability: 10/10 favorite characters: akaza (yoshitsugu matsuoka), himuka (shun horie), and yosuga (yuma uchida)

in olympia soirée, the eponymous heroine, olympia, lives in a society divided into castes based on colors. she is the last surviving member of a clan that can perform rituals to keep the sun aglow. this game is a lengthier title, i believe i clocked in around 25 ish hours (i don't use auto-play so that sheds some time). the story benefits from this, as olympia has rich worldbuilding and lore that's revealed throughout the route's progression.

we get to see the consequences of this caste system and olympia's growth as she becomes determined to realize a better future for the islands. this makes the heroine someone that you want to root for. personally, i'm a sucker for stories that center around a sheltered individual being forced to face the harsh realities of the world and maturing in their own way. this, paired with the struggles specific to this setting, make for a gripping backdrop for the character's routes. all the love interests have problems of their own that they need to address.

this is certainly a mature title, there's plenty of steamy scenes featuring gorgeous artwork. seriously... all the pretty CGs are absolute eye candy. i enjoyed the balance between the main narrative and the development of the romantic relationships, i don't remember ever feeling bored.

ironically enough, i think this is the darkest game from the bunch listed here, surpassing the game with actual horror elements. there's a whole litany of trigger warnings to be mindful of when going through the game's bad ends. they are, as the term suggests, Bad. not light or humorous in the slightest. the poor heroine goes through it. please be mindful of these more touchy subjects.

number two - 9 r.i.p

heroine: 8/10 story: 8/10 characters: 9/10 art: 10/10 enjoyability: 10/10 favorite characters: minami (nobuhiko okamoto), hibiki (shunichi toki), kureha (toshiki masuda), and koyo (ryota suzuki)

i was looking forward to the english localization of this game before it was even announced ... i'd been wanting an otome game with this vibe for ages. and it didn't disappoint! there are four different overarching story sections, with two characters each having their routes fall under them. this makes it difficult to give a summary since each route has a vastly different feel. some routes lean heavy into supernatural horror (such as hibiki and kureha), whereas others are just... supernatural (like with yukimaro and koharu).

the basic premise is that the main character, misa, is a high school girl burdened with her career survey. she's uncertain what she wants for the future and is being pressured by his mother to pursue a career in medicine. in one way or another, depending on the story section, she comes into contact with the afterlife and those who inhabit it.

i loved this game, i couldn't put it down. the routes that leaned heavy into horror were my favorites, which shouldn't be a surprise lol. i do feel some love interests were given preferential treatment of others, i wanted more from sena's storyline in particular, since he's voiced by one of my favorite VAs (tetsuya kakihara, the voice of scaramouche) 😭... apparently this game is receiving a fandisc, so hopefully they'll remedy that in the future.

minami stole the show for me. from what i've gauged online, he's a divisive character, you either find him grating or love him (like i do). i'm biased but i do think he has the most interesting and well-written story out of the love interests, i've played through it three times already. i just adored the dynamic between him and the heroine. he's petulant, selfish, and a bit immature, yet he goes to extremes for her as he realizes his unhinged feelings.

hibiki is a close second. the most yandere-coded of the bunch, he's soft-spoken and polite, but that exterior hides a creepy personality. like all of the characters in this game, there's a tragic element to him. i was worried about the role the heroine would play in helping him 'overcome' this, but i think they handled it well. it doesn't feel like the heroine's fixing him so much as she's helping him have a different perspective on certain events.

yeah i'm not normal about this game, i cannot recommend it enough. it would've taken the top slot if some of the routes were a bit more polished. i didn't care for yukimaro's at all, for example. routes like minami's, hibiki's, and koyo's more than make up for it though.

number one - collar x malice

heroine: 10/10 story: 10/10 characters: 10/10 art: 10/10 enjoyability: 10/10 favorite characters: takeru sasazuka (daisuke namikawa), kei okazaki (yuki kaji), and aiji yanagi (masakazu morita)

the holy grail. the otome games that died for our sins. this isn't just a good otome game, it's an excellent story, with a very human cast, commentary on issues like the nature of crime, and you're left wanting to solve the various mysterious as much as the heroine does. speaking of the heroine, miss hoshino ichika is my all-time favorite heroine. she's clever, resolute, compassionate, and you can't help but fall in love with her a little yourself 😭😭

i'm not sure if this makes sense, but the world feels very... full? you get this sense that ichika exists outside just interacting with the love interests. she has her career, friends, and her younger brother that act as more than passing NPCs. the writers ensured all the characters with portraits are given some level of depth. i left caring about more characters than the heroine and love interests.

each route is dedicated to working through a certain case, which keeps the story intriguing as you progress. finally, all of the little hints that have been littered throughout coalesce into the 'true' route, where questions you've had since the first chapter are given satisfactory conclusions. at the same time, you're left wondering about a few things, such as the complete philosophy of the main antagonist.

ichika's relationship with each of the love interests develops alongside the case they're investigating, which almost always have connections or parallels to the LI's past. this helped ground them in reality and flesh them out into dynamic characters. you come to care deeply about them alongside ichika. the romance feels earned and doesn't come on too fast, which some otome games suffer from.

if you like otome games and haven't played collar x malice yet, i fully recommend it!!!!!!!! it's the strongest title from what i've played so far.

#CxM my goat 👑#it's my first switch otome lol #EiT is definitely my fave of all of these ngl #I haven't played 9RIP yet since it's new but I can't wait :)

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cookinguptales · 2 years ago

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So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.

I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.

See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.

I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.

Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.

In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.

They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.

Conservatives lost their damn minds.

Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.

When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.

Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America.

Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”

Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.

The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.

This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.

Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.

The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.

I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.

Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.

Hell, it ensures that you can support activism.

The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.

That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.

They’re afraid that they won’t be able to legally discriminate against us anymore.

So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.

We have! To keep! Pushing back!

#disney #ron desantis #gay rights #lgbt #queer #lgbt history #queer history #homophobia #florida #us politics #religious fundamentalism #christianity #long post #god that should cover all the pertinent tags and content warnings phew

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birdantlers · 1 year ago

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A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.

(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)

it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it

...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..

Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.

I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.

(2nd vid is "Subjectivity in Art")

“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.

“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”

The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.

I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?

I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.

Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.

Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.

So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.

Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!

Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol

What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.

I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.

Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.

Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.

How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’

i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.

I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.

I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”

….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.

No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.

If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.

His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.

We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.

Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.

You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.

The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.

And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.

You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.

Give a heads up.

Something.

But don’t. kill. the media.

The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.

Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.

I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.

It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.

Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.

If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.

And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.

Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.

the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.

The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.

Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.

Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.

If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.

•

Muting notifs

#artists on tumblr #Artistic #digital art #art history #anthropology #humanity #art discussion #art theory #skit yells

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loveemagicpeace · 4 months ago

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🎲Lilith in Signs 🎲

Lilith in Aries- your dark side is that you want to be independent and confident about yourself. Nothing and nobody can stand in your way. When you set your mind to something, you want to have it and you stand behind it. You don't give up until you reach your goal and you can also be very competitive. Sometimes, your need to prove yourself can spill over into hypercompetitiveness. You must learn to love your tender parts of yourself.

Lilith in Taurus- You deeply appreciate life's pleasures and enjoy luxuriating in them whenever possible. indicates that your sense of security is violated. You can feel that it is not safe to have fun, be yourself, or to be happy about the beauty of life. People with this placement can feel that if they share what they have, others will take everything from them. Intimacy is very important to you. They can be quite possessive of their partner.

Lilith in Gemini- your trauma involves many people, from your neighborhood, classmates, relatives. Maybe as a child you felt like they had control over you or they hurt you in a way that made you feel like you weren't smart enough. Communication could also be a problem for you. Lilith in Gemini is often involved in conflicts. People with this placement can unintentionally say things that others misinterpret, or they find offensive. You are always careful when u say something.

Lilith in Cancer- your traumas come from your family, people who are close to you. It also includes your home and your comfort. Feeling like you can't find your home. You can feel like you want to control relationships, especially if you create a really beautiful and vulnerable relationship with someone. At the same time, it is difficult for you to be vulnerable in front of others or to show this side because you have the feeling that someone will destroy it. It is hard for you to ask for help and accept it. In extreme cases, this placement can even indicate trauma. It can also play out as one of the family members having serious problems that poison the domestic atmosphere. Cancer is all about being safe, nurtured, taken care of. Lilith here can either manifest as rejecting the idea of nurturing, or alternatively, being obsessed with it and overcompensating it. Your relationship with your parents is usually troubled, especially with the mother.

Lilith in Leo- your traumas come from childhood. Maybe in your childhood you felt that you didn't get the joy you wanted as a child. It's hard for you to show pride, ego and passion for the things you love to do. It's as if the energy is constantly pulling you back to do something you really want and to find pleasure. Here may be the pleasure you want but just can't find. Lilith in Leo can suggest that the father was very domineering, dictatorial, even abusive. Love had to be earned, if there was any at all. Lilith in Leo people have a strange relationship with attention. They want it, but they are afraid of it too. Admiration is a wound-healing balm, or at least it soothes the pain. In chart can suggest imbalance between masculine and feminine energy.

Lilith in Virgo-your trauma can come from your daily life, routine, things related to order, work, health, animals, caring. You may have a problem with not knowing how to serve others or be there for them (take care of them literally). Maybe you want to express this side of yourself more, but you don't know how. You can have a lot of problems with animals (they can die a lot), and every time you get a new pet you are afraid of it dying. Also shows a strong desire for control, order, and perfection. Lilith here suggests that you are very sensitive. It is not easy to express yourself in a healthy way with this placement. Lilith doesn’t tolerate being controlled, forced to stick to routines, and it can rebel against planning and logic too. It is extremely critical and analyzes everyone it meets if they meet its standards. You don’t like to let others see your vulnerable side.

Lilith in Libra- a lot of trauma comes from relationships and romantic relationships. You are hungry for love, but you can’t get enough of it. There is a tendency to see your shadow side mirrored back by others. You pay a lot of attention to what others want from you, even define yourself as the function of your relationships. As an adult, you probably dislike conflicts. If there is a lot of drama in your relationship, you want to get out of it. Libra want to be close to someone, but they are afraid of it too. Unconsciously they often sabotage their relationships. There can be a tendency to project your own insecurities onto others.

Lilith in Scorpio- There was lot of dark things that you experienced as child. And there may be secrets that you have to keep and could also be that you're afraid of the dark thing somehow. Can create an overwhelming desire for control and power in your life. There is a lot of tension in your mind, but it is hidden from the external world. Lilith in Scorpio forces you to face your shadow. Secrets come to light sooner or later. You can’t hide from your problems for long. This placement can help you find your power, but the road is not easy. Being at the mercy of someone else is one of your worst nightmares. Lilith here can be obsessed with safety.

Lilith in Sagittarius- This gives you warm and bright energy that other people can't help but fall for. And while you love the attention you get from others, you're not as keen on settling down. There is a strong desire to carve out your own path. You tend to go to the extremes with this placement. However, integrating your Black Moon Lilith can help you understand yourself on a much deeper level and find your personal power. People with this placement have a strong desire to understand themselves on a very deep level, or alternatively if they try to avoid self-reflection, life forces them to be more introspective.

Lilith in Capricorn- you can have traumas involving your father or a person who may have had control over you (adult - older person). You may have trouble connecting with people who are older than you. You can have many fears. Becoming emotionally independent but at the same time being able to experience love and intimacy is a core theme here. Lilith here asks you to find balance between independence and acknowledging vulnerability. Learning to let go is another important lesson. Feeling safe in a relationship is not easy for you. However, Lilith here can also manifests as trusting the wrong person.

Lilith in Aquarius- you may often feel like you were a stranger in this world, detached from other people. However, understanding your Lilith can help you accept yourself and find your personal power. You want to maintain your independence at any price, what needless to say, makes relationships hard for you. This placement can even suggest being adopted or having unusual genetic heritage. As a child, perhaps you learned that trusting others can get you seriously hurt. Perhaps you experienced traumatic betrayal.

Lilith in Pisces- with this placement you are either overly realistic, or you for some reason don’t seem to able to pull your weight when it comes to dealing with reality. This Lilith sign tends to get lost in fantasy. They want to understand themselves and other people on a very deep level. As you grow older and integrate this placement properly, you can become very wise. This placement can also manifest as not being aware of your emotions, especially the negative ones. You are way more receptive to influences around you than most people. This placement can even indicate relationships with people who need help or who take advantage of you. You can have illusions about others and their intentions.

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

-Rebekah💗

#astrology #planets #my notes #astrology observations #moon #lilith

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forestpixies · 8 months ago

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no actually you’re either gentle parenting your child or you’re being emotionally and/or physically abusive to them, whether or not you’re aware of that.

because the term gentle parenting already includes discipline and teaching your kid right from wrong. gentle parenting doesn’t mean you can’t tell your kid no. it means you can tell them no when they do something they shouldn’t, but instead of punishing or yelling at them, you’re explaining and giving them reasons why they can’t do that, you are helping them learn and encouraging them to be better. gentle parenting means you’re using reasons built on mutual respect instead of anger. because yes, no matter how young your child is, they deserve respect too.

I’m sorry but most of the times when someone says they’re a strict parent, what it means is that they give their child childhood trauma that’ll last a lifetime, whether or not they’re aware of it. especially parents who brag to other people about how strict they are and how they punished their children.

and I’m sorry but saying you have a short temper is never an excuse to be emotionally and/or physically abusive towards your kid either.

“I yelled at you because I have a short temper” then why am I the one suffering? if you can’t control your anger, then get help. work on it. do better. be better.

also… your child standing up for themself against you, when you’re being abusive to them, isn’t them being disrespectful towards you. it means they are defending themself because you wouldn’t do that for them and so they had to step in and be their own protector.

if you’re a parent and can defend and stand up for yourself when you feel like you need to, but at the same time punish your kid when they stand up for themself against you, then you are the problem.

I was that child and I’m gonna make it as simple as I can for any parent out there — because no kid deserves to go through what I went through — imagine yourself owning a dog. really. you can either

a.) beat that dog whenever they do something wrong and simply take your anger out on them until they’re fully submissive and are terrified of you

b.) train them with love and gentleness and earn their love and loyalty in return

now imagine both A and B dogs on leashes and imagine them no longer being on leashes one day. which dog do you think will run away as far as they can and never look back, and which one do you think will stay because they love and want to be with their owner?

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huginsmemory · 2 months ago

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Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships.

The Ideology of Exceptionalism

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional.

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given.

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people.

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism.

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously;

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised.

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life?

And then it's better than that.

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all.

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself.

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it.

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill?

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'.

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone.

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows.

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism.

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back.

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

#gravity falls #ford pines #stanford pines #bill cipher #stanley pines #stan pines #hugin rambles #hugin rambles gf #journal 3 #the book of bill #thisisnotawebsitedotcom #billford #fordsquared #gravity falls analysis #gravity falls meta #book of bill #tbob #christ its so long whyyyy #also oh nooo i wanna do another thing but SPECIFICALLY on trust. gravity falls is ultimately about strength in community and hnnnghhhhh #that makes me wanna cry #also i had so many thoughts. also on the denial part of exceptionalism??? oh baby Bill fucking LISTS it in his book #like sir. please #anyways i love media analysis and im totally normal about all these characters #also like Fiddleford is. like. yikes man.#anyways uhm. does dropping a 6k essay post make me sexy? please say yes (i HIGHLY doubt it #sheesh who's got time to read all this... psssspsspspp theres PHOTOS that TOTALLY dont have more reading in rhem nawwww #i totally dont know what ur talking about mhmmm #if youre like is this about gifted kids- yes. yeah. i just didnt name it. its also about wider things but. yeah #also. unofficial title? Gravity Falls and Gifted Kid Issues an analysis #oh boy sure hope my post about gifted kid issues is a hit on the gifted kid issues site

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niallhorxns · 4 months ago

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Niall Horan x Reader: Not Like Him

Prompt: Because of your past, you hate confrontation. One day, Niall comes home particularly grumpy.

Word count: 1.7k

Warnings: anxiety, past verbal abuse mention

A/N: hi all!!! continuing to try and post on here. please feel free to send any niall x reader prompts / ideas my way :)

You’re in the midst of putting a dish you just washed away when you hear the front door open, then suddenly slam shut. The pictures hanging on the wall rattle as you peer around the corner anxiously. The first thing you see is Niall bustling through the door. Normally, having Niall home would cause a surge of warmth and excitement to rush through you– but today, instantly, you recognize that something about his demeanor is off.

He throws his flannel on the chair and with his back facing you, runs his hand through his hair. When he turns to you, there’s no warm smile or cheerful greeting. Instead, he takes a few steps then tosses his keys on the counter, letting them slide carelessly across the surface. He makes no effort to even acknowledge your existence.

Instantly, a lump forms in your throat, making it harder and harder to breathe. You hate tension… Or any sort of confrontation, really. Your parent’s entire marriage was built off tension and confrontation– passive aggressive comments and slamming doors leading to screaming, which then led to shattered dishes or dented walls.

Your father had a temper. And it didn't matter how well behaved or helpful or unseen you were. Something always managed to spark his anger. The nights he drank were worse, and as the years went on, the sober version of himself made less and less of an appearance.

Although you didn't recognize it at the time, looking back, you knew that you spent the vast majority of your childhood living on edge– always waiting for the yelling or the screaming. You were afraid more often than not. And that wasn't something you could just unlearn when you were old enough to leave– no matter how far away you were.

In fact, it took years of hard work to heal from the trauma you'd experienced. But for so long, it felt like no matter how much therapy you attended or self-help books you read, there was always a part of you that was just stuck.

Until you met Niall.

Niall was the missing piece. His presence alone was healing. He was calm and safe and consistent. He was patient and gentle and kind. And when you finally got up enough courage to tell him about your childhood, he listened carefully, his brows furrowed somberly. It was like your trauma caused him physical pain– that's how much he loved you– how much he felt with you.

With Niall, you could safely work on communicating without screaming matches or slamming doors. It had taken time, but slowly, piece by piece, you started to rebuild, until you actually felt like you could trust someone again.

And of course, even now, in the midst of whatever this unknown territory was, you trust him. But despite that, tension is radiating off from him. It’s almost palpable in the air– suffocating you.

You have to say something– Niall will understand.

“How was your day?” You ask nervously, already knowing the answer.

Niall walks right past you to the fridge, pulling the door open and ignoring your question.

You bite your lower lip, your anxiety settling like a rock in your stomach. This feeling felt too familiar…

“Is everything okay?” you ask. He pulls out a beer, showing no sign that he even heard you. He cracks it open, the sound alone sending shivers down your spine as you’re instantly reminded of all the nights your father would drink five beers before even recognizing you were home. But Niall is not your dad, you remind yourself. Niall is gentle. Niall is kind.

He takes a long swig before walking towards the stairs.

“Niall?” you say, worry evident in your tone.

He doesn’t stop.

Niall isn't like him. Niall cares about your feelings. Niall loves you.

You follow him a few steps, knowing that you can’t let him just go to bed this… angry? Upset? Whatever he is–

“Niall, what’s going on–”

“Oh my God!” He bellows suddenly, waving his arms and spinning in his tracks to finally look at you. “Can you leave me alone for one goddamn second?!”

Before you can quiet down your brain or repeat all the ways Niall was different from your father, your body reacts as if they are one and the same. You flinch harshly from his sudden movements and loud tone, like your body remembered exactly how it felt to live in your house twenty years ago. And before you can help it, the glass cup in your hand falls to the floor, shattering around your feet.

The noise makes you snap out of your trance. Looking down at the mess you made, your mouth goes dry. Your whole body has already begun shaking and you can feel the tears fighting their way to your eyes.

“I’m sorry–” you whisper, choking back a sob. Then you brace for the screaming– the berating. Clumsy, stupid, idiot.

Nervously, you kneel down, tucking your hair behind your ear while you try to pick up the broken glass. What the hell is wrong with you? It’s obvious Niall had a bad day. So why couldn’t you just leave him alone? The last thing he needs is you making and being a mess.

“Sorry–“ you mutter, it’s so quiet though, you doubt he hears. “I’m sorry,” you repeat. You’re so anxious you don’t even grab a dustpan, you just start collecting pieces of shattered glass in your hand. Your vision quickly becomes blurry with tears as they streak down your cheeks.

“Shit,” you vaguely hear, but you don’t stop trying to clean up. You’re frantic, grabbing whatever you can off the floor before he can get more upset about it.

Stupid, stupid, stupid.

Through your clouded vision, you can’t see what you’re collecting off the floor– all you know is that you have to keep cleaning it up.

“Baby, stop–”

The voice is distant.

“I promise I’ll clean it up,” you say, hands shaking so violently, you wonder how no pieces have sliced open your skin yet.

“Baby–”

It’s just background noise.

“Hey, hey, hey.”

You vaguely see a figure kneel beside you and before you can wave him away, Niall reaches out– hand cupping yours before forcing open your fingers. As soon as the glass is out of your hand, you see him reach up to toss it on the counter before kneeling back down to be on your level.

All it takes is one arm wrapping around your shoulders for you to break. Suddenly, you can’t hold back the sob that’s been sitting in your throat. The second it escapes from your lips, Niall pulls you into his chest tightly.

“C’mere,” he exhales, chin resting on your head while he slides the both of you back against the cupboard. You let out a choked gasp and cling to him.

His arm winds tightly around you, locking you in place. “I’m so sorry,” he breathes.

“I have to clean it up–” you cry.

“Shh,” he soothes. He rocks you on the floor like that, his arms wrapped around you securely. Your breathing is choppy as you shake against him. Niall grabs your bicep with his hand, holding you steady while his thumb rubs up and down your bare skin gently, trying to calm you down.

You’re not sure how long it takes for you to feel like you can think again. Time stands still as you settle into his embrace. Niall’s embrace– you remind yourself. Not your father’s. Because your father wouldn’t embrace you after yelling like that. And he certainly wouldn’t embrace you after you broke a dish.

After a while, your breathing gradually returns to normal again. Moments later, you feel him shift. “Did you cut yourself?” he asks carefully.

He supports the majority of your weight, all but lifting you off the floor before scanning the length of you.

You shake your head. At least you didn’t think you did.

Niall nods before reaching his hand out. “C’mon, let’s get away from the glass.”

You take it willingly, sighing as you feel the warmth from his palm spread through your hand. He guides you away from the pile of glass and towards the kitchen island. He helps you settle into one of the tall stools.

“Hey,” you hear him whisper. But you’re still staring at the mess, so worried about cleaning it up. Until you feel firm, but careful hands cupping each side of your face– forcing your attention to shift towards him. “Hey,” he repeats.

His calloused thumb trails along your cheek. Before you know what you’re doing, you’re leaning into his touch, craving his comfort.

“Did you cut yourself?” he asks again, clearly not trusting your earlier response.

To be fair– you’re not even sure that you trust your earlier response. By now, you feel like you’re actually back in your own body, and feel no pain. So you shake your head, this time more convincingly.

As soon as you give the confirmation that you’re alright, Niall takes a step forward and wraps his arms around your shoulders, crashing his body against yours.

“I’m so sorry,” he says, lips ghosting against the top of your head. “I didn’t mean to yell like that.”

You nod into his shirt, pinching the fabric between your fingers and breathing in the smell of him. Niall is not your dad, you repeat. Niall apologizes. Niall loves you.

“It’s okay,” you whisper, you were slightly more calm. “I’m sorry I was so annoying– I’m sorry I broke the glass.”

You feel Niall shake his head above you. “No–” he says firmly. “I don’t give a shit about the glass. I had a shitty day,” he sighs. “A really shitty day. But that’s not your fault.”

“I should have just given you space.”

He shakes his head again, pulling back from his embrace to look at you earnestly. “No– We’re supposed to talk about things. I promised you I’d always talk to you about things, and I broke that today.”

He brushes a few loose strands of hair from your face, before wiping some stray tears stuck under your eyes. “I know how much yelling activates you– I know it sets you off, and I just wasn’t thinking.”

“You’re allowed to get annoyed,” you remind him. “And angry. You’re allowed to yell.”

“That’s not how you and I communicate,” he says. “That’s not ever how I want to communicate, and I’m sorry. I’ll do better next time”

Squeezing him tighter, you nod against his chest.

Because Niall is not your father and you believe him.

#niall horan fic #niall horan angst #niall horan fanfic #niall horan fanfiction #niall horan imagine #niall horan x reader #niall horan x reader angst #niall horan x reader fanfic #niall horan x reader fic #niall horan #niall horan x you #niall horan x reader imagine

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thecordelialetters · 9 months ago

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She's my Angel I Five Hargreeves x Reader

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Post Apocalypse Au! Pt2 Pt3

WC: ~3,258 Warnings/Tags: Sexual Tension, Mentions of Abuse, Agedup!Five, Mentions of previous trauma, 18+

Summary: The Umbrella Academy saved the world, the Commission is no longer after them, the moon is in one piece and everyone’s lives start to fall back into place. Five attempts to start his life over again when Klaus brings home a girl with unusual shadow powers. ⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡

The Apocalypse was over and Five Hargreaves did what he did best, drink and cope. The first few weeks of freedom he tried things he had missed early on in his childhood. It started when Viktor took him shopping for a new, more appropriate wardrobe, that someone who looked his age would wear. Then he would often visit the park just to admire the beauty of places that were once a baron landscape. And sometimes he just spent his time reading catching up on what he missed in the last few years.

But old habits die hard when you spend 54 years alone and the next 2 weeks desperate to save yourself and save your family. Maybe Klaus was right when he called the apocalypse his drug because, for a while, it was all he’d ever know.

Five hadn’t slept well in a long time and despite his newfound freedom without the looming feeling of impending doom. He would find himself waking up at 4 am to check his window and just to see if everything was real.

The Academy had been empty for a bit, the first week his family had stayed back to collect themselves, celebrate, and appreciate one another but slowly their lives fell back into place. Allison went back to Claire wanting to get back her career and her daughter back. Luther wanted to find his independence and took a small helping from his inheritance to live on his own. Diego and Lila had also moved out in hopes of continuing to grow their relationship and perhaps find happiness in normalcy. Viktor, now confident in himself wanting to explore the world more began traveling and meeting new people. To Five it felt like everyone had moved on, except him. He had been the one to jump through time, and now he felt like he was stuck in it.

However this morning, his silent coffee and breakfast time was interrupted but a surprisingly sober Klaus barging through the door with a girl no taller than 5’3 who looked as if she had been dragged through the mud and a forest in his arms.

“I didn’t know where to bring her she ran into me frantic and couldn’t speak much,”

“There wasn’t anyone chasing her so I have no idea where she came from and she’s in pretty bad shape.”

Klaus looked panicked, he felt bad for the beat-up girl in his arms but what could he do besides bring her to the place he knew could help her best.

Grace and Pogo immediately took action, bringing the girl into the spare room to care for her wounds.

“What makes you think you can just bring random people in here? She could be dangerous?”

Five arched his eyebrow at Klaus’s behavior. He wasn’t a trusting man but he trusted his brother’s intuition and the girl genuinely looked like she needed help.

“I couldn’t just leave her on the road. I’m not a bad person Five. There’s something different about her I swear.”

Five looked distrustful at what his brother was saying.

“Well, we’ll just have to see when she wakes up.”

The two went back to doing their own things in the Academy waiting for you to wake up.

————————-3 days later————————

The sun shone brightly in the room you stayed at. Your eyes slowly opened, blinking harshly to adjust to the shining light. You had no idea where you were, this new place was uncomfortable and unfamiliar. Warm wood furniture decorated the walls, and the mattress you slept on seemed more comfy, soft, and warmer than your old hay-filled cot. Unsurprisingly your wounds ached but were clean nevertheless. You jumped when the door swung open to reveal a monkey? no an ape? in a suit. "Ah you're finally awake, Ill let the others know"

"I am Pogo by the way, please rest, we don't want your stitches reopening." Maybe it was the exhaustion catching up to you, but you listened to his words and laid back, staring at the large high ceilings waiting to see if whoever brought you here would be like your old doctors. Back downstairs Pogo noticed Five pacing around in the living room. "Any troubles worrying you?" "Yes that girl, I can't find any information about her, she had no ID, no name card, I even looked around the area trying to track back where she came from, and nothing." Five glanced around, more cautious of his surroundings

"What if the commission sent her?" "This is not good, not good at all"

And with a quick turn, he teleported to the room of which his unwelcome guest occupied. A flash of blue interrupted your daydreams when a boy about your age in a green flannel, cargo pants, with slightly long side parted hair entered your space. Besides appearing out of nowhere he looked almost normal, but that didn't stop you from being scared. Shivering you pushed yourself back on the bed as far as you could to try to get away from him. Sensing your fear Five held out his hands as a way to show you some form of peace. Lowering one hand he slowly approached you. But the closer he came the farther back you shuffled. Something wasn't right Five thought. You were terrified of him, what had happened to you to cause you to be in such a state.

Hey Im not going to hurt you, I don't know who you are but Im not going to hurt you." Five could see that you weren't budging so he reached into his pocket and pulled out a hazelnut toffee-flavored candy. He wasn't a big fan of sweets but had kept some from his last visit to a local coffee shop. "Here you must be a little hungry, it's good to see." He popped it in his mouth to show her that it was safe, not a trick. Slowly you reached out and touched his hand, grabbing the little treat, unwrapping it before letting the gooey sweet melt on your tongue. Five smiled at your reaction. "See? It was good." He thought you looked adorable with big doe eyes waiting to see if he had any more. He reached into his right pocket and pulled out another handle full of candies. "Ill give you one each time you answer a question. Can you do that for me?" You nodded slowly. "Okay, can you tell me your name?" "Angel" you pointed to yourself "Five" you pointed to him. You had heard Klaus shouting his name when you entered the house. "Angel? Do you have a last time?" "Five. Five Hargreeves" He pointed to himself. "Angel" You repeated. Okay maybe you didn't have a last name that was fine, at least he had gotten a name. He gave you another candy and watched you excitedly open it. "Okay Angel, another question where did you come from? Who or what were you running from?" "Doctor" you responded looking down. "What Doctor? What did he do to you." You felt like you should have known better than to trust the boy in front of you, but he looked so earnest so sweet, that you decided to show him your secret. Opening your fist a ball of shadows appeared in your hand before you tossed it into the air letting whatever light was in the room dissipate. Five knew what this had suggested. Whoever took you, held you captive, and experimented on you. Perhaps they were trying to make you into one of the unlucky 43. Another candy was handed to you.

“Show me more” Five demanded. You blinked at him slowly before he put another candy in your hand. “Show me.”

You looked at him and brought both your hands up into the air. He watched shadows run from the ground into the room and swirl around you. It appeared you could summon shadows at your will and control them.

“Good girl” and another candy as placed in your hand. "Tell me, Angel, do you know where or who it was? Do you know the name of the commission?" You stared at him blankly not understanding what he said. Before Five could ask any more questions Klaus had burst through the door. "My Angel! You are okay !" As he rushed towards you to grab your face. Stunned you jolted back from his presence. "Angel, that's why she called herself that, it's not her name, it’s what you called her!" Five went to smack Klaus in the back of the head when his hand was stopped by a shadow. "No hurt, Klaus friend" With heart eyes, Klaus dove into Angel's arms "LOOK AT MY ANGEL PROTECTING ME!!" With the gentleness of a newborn deer, Angel reached out to Klaus with a small sweet in her hand. "Candy?" "For me? Of course, Angel thank you!" Rolling his eyes at the scene Five teleported to his room to think. Where had this girl come from she had no name could barely speak and had a dark power with unknown consequences. Angel clad in Umbrella Academy uniform, and Klaus were in the living room when a flash appeared in the doorway. "Cinco! Where are you off to?" "Library I need to do some research." But just before he would reach for the doorknob a body was flung into his back. "Here take Angel with you, she needs a new set of clothes, can't have her wearing this uniform, you know all about that wouldn't you?" Klaus said as he shoved Angel forward. "I don't have time, I'm not a babysitter." Five expressed as he grabbed your arms and pushed you back. "Five...mad?" You looked up at Five with tears in your eyes. Reaching out to his face with his hand you softly pet his cheek. "Five...happy. Happy"

The time travelers face softened at the kindness you showed while trying to console him.

“I’m sorry Angel, yes Five is happy. Come on let’s go.”

He grabbed your hand ignoring the feeling of his heart when your soft skin wrapped around his.

————————-In the Car—————————

“Alright Angel, as cute as you look in the uniform we have to get you some normal clothes.”

Five looked over at you, but you were looking out the window. His green eyes passed over the cuts on your legs and the faint but visible bruises on your neck. It wondered him how someone could do this to you, turn a girl who seemed like an Angel into a shadow user. He parked the car at Gimble's before flashing to your side of the door to open it, Five was still a gentleman after all. "Okay now Angel, we're here to buy you some new clothes." You nodded your head to show you understood him and hopped out of the car excited to see the world around you. Being locked up for so long you had forgotten what the outside world looked like. Today the sky was blue with warm gusts of winds filling the air. People and families were seen chattering about. You reached out to grab Five's arm and pulled him closer to the store. Five chucked at your childlike antics, letting himself be whisked away by you. You dragged him to the dress section; some of the kinder doctors had given you books to look at to pass the time, many of them being princess books. There were cute frilly dresses that caught your eye immediately. Rushing forward you grabbed 3 dresses that might have suited you. With a sigh Five grabbed your shoulders wanting to tell you to go find some more practical everyday clothes. But after seeing the glimmer in your eye as if you found the most priceless thing...he couldn't bear take that away from you. "Come on Princess, let's go try them on." He ushered you to the changing room and waited outside. As he turned his back you grabbed his hand, but Five had yanked it back at the unexpected contact. He wasn't completely used to physical touch yet.

Ignoring this you grabbed his hand once more and tried to take him into the dressing room with you. "No Angel I can't go with you, just put on the dresses inside and Ill wait out here."

You had refused to let go of his hand. With another sign he allowed himself to be pulled into the confined space of the changing room. You quickly shimmied out of the uniform skirt and tie throwing it into a random corner. Five's face turned a deep scarlet red, although he was an older man the sight of your small and barely clothes body was enough to make him shift in his pants. Before he could embarrass himself any further he blinked out into the waiting room fanning his face as if he ran a marathon. There were small warning signs in his brain, don't get too attached, she doesn't know better, please don't get a boner right now. Trying to collect himself he put his hands in his face wanting to be anywhere but here right now. You interrupted his train of thought when you came out bouncing with a big smile on your face. The dress you picked out was a cute white summer dress that was white had thick straps tied on your shoulders. The skirt part stopped right above your knees and flared out with a twirl. You looked absolutely adorable, an Angel who wielded the power of a devil. "You look...beautiful" Five muffled through his hand. "Beautiful?" You questioned. "Yes you, Angel, you are beautiful." And as if your smile couldn't get any bigger, you ran and jumped into Five, his arms slowly wrapping around your frame to prevent you from falling.

"Five! Beautiful!" You smiled and pointed at him. Your fingers had graced his cheeks into a smile. Pointing at his dimple "Five! Beautiful" you repeated. "Oh, you think I'm beautiful Angel?" Five couldn't help but also feel happy and continue smiling, something about you felt like a breath of fresh air. His last few weeks had been nonstop paranoia and feeling the effects of an identity crisis, but hearing your laughter and seeing you call him beautiful, it felt as if he was actually living again. However, that didn't stop the nagging fear in the back of his mind of where you came from and what had happened to you. Perhaps it was the assassin in him that just couldn't let him...enjoy a moment. "Come on Angel, let’s get the rest of the dresses and pay. We need to head to the library before it closes." You nodded your head and skipped off to grab the rest of your dresses and clothes. You and Five stood at the cashier waiting to pay. "That will be 45.78." Five pulled out a 50 and felt your head lean on his shoulder. "Five, thank you." You looked up at him with a mischievous gleam in your eye. As he was retrieving his change you leaned up and placed your soft lips on the corner of his mouth. "Five happy?" He looked down at you and blushed "Yes Five is very happy." ————————The Library—————————- You were sat in Five's lap flipping through a picture book while he was doing research. Unfortunately, there was almost no information about any kind of suspicious activities in the area where they had found you or even how you even got to the city. Five had to expand his research on places that might have to do with experimental tests but with so little access he was found himself at a dead end. "Nothing! Absolutely Nothing!" Five yelled before slamming his notebook on the table. You jumped in his lap and covered your ears, eyes filling with heavy teardrops waiting to fall. "Shit Angel Im sorry come here." He cooed wrapping his arms around you for the fourth time today. Five pressed a kiss to the top of your hair and inhaled slowly. You smelt like a blooming meadow and a hint of cinnamon. Closing his eyes he rested his head on yours. It wasn't been often when he felt a peace like this, heck he didn’t even remember the last time he felt calm, other than when he was drinking or passed out after a mission. Your eyelashes fluttered on his neck as you began to press small kisses on his jawline. "Come on Angel what are you doing?" "Make Five happy. Kiss you" You mumbled and continued leaving marks on his neck and jaw. Five clenched his fists around you "Angel if you keep this us I'm not going to be able to hold back." Five groaned as he pulled you closer into his lap. And with his last bit of resolve, he blinked you guys back into the car. "Come on Angel let's go home." He kissed your cheek slightly to assure you he wasn't mad and drove the two of you back. ————————the academy———————--- "Mi hermano and Angel ! You guys are back" Klaus shouted from the couch he was currently lying on. You ran into the living room jumping in front of Klaus to show off your dress.

"My cutie Angel! You look so pretty!"

Klaus then swept you off your feet and into a fit of giggles. Five, who had been observing the scene from the bar was actively trying to fight off the green monster that was creeping up his heart. "Leave her alone Klaus we had a long day. Come on Angel let's have your shower and get ready for bed." It was obvious you needed to be cared for and Five had already begun to assume the role. Pulling out some extra pajamas Five had in his wardrobe he handed them to you before showing you the bathroom. "Shower here and come back to my room when you are done okay?" You nodded back and went into the bathroom. With a sign Five flopped on his back in bed wondering more about you. How could someone he just met cause him to feel such a way? Maybe it was his messed up time-traveling brain that was causing these emotions but deep down he knew he had a hidden attraction to you. He began to think more about your powers. You couldn't be part of the 43 because you were too young but you also showed an understanding of your abilities and more control than Viktor did when he first found out about his. Five would have to talk to you after you shower about your abilities. Small footsteps padded outside his room before stopping. The door swung open and there you stood wrapped in only a small towel Grace had given you. Five green eyes turned wide as you skipped into his room.. You had turned to grab the pajamas he had left you on the bed and dropped your towel. Five sat up instantly, his eyes wandered over the curve of your breasts and the plumpness of your backside. Being in the apocalypse and focused on getting back home to his family never allowed him much time for romance or women, besides Delores. You stood up as bare as the day you were born, nipples perked up at the cold air and you put the silk top and bottom on. Now properly clothed you turned to Five who was staring at you with eyes that rivaled a burning sun. In a blink, he was in front of you grabbing your waist with such a force it felt like you would disappear if he let go. Bringing his lips to your neck he kissed gently and dragged his face to meet your eyes. Soft despreate lips met plump shy ones as you and Five melted into each other. The kiss grew hungry, more desperate, both parties missing the feel of one another. The two of you fell back onto the bed with Five on top of you. Two souls both isolated from the world finally finding solstice in one another. All the questions Five had for you were gone from his mind, the only thing replacing it was the thought of how your body felt against his. A small hand reached into the front of Five's pants. "I want to help Five" You had whispered into his ear. It was going to be a long night.

⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ʚ♡ɞ˚‧｡⋆⋆｡‧˚ Authors note : I kinda of wrote this on a whim in the middle of the night. I’d want to make this into a full series although and go really in depth about Angel who she is and how she got her powers and I defiantly want to bring back the rest of the Hargreaves but I'm not sure when Ill have another creative burst.

#the umbrella academy #umbrella acedmy #five #five hargreaves #five hargreeves #number five #five x reader #five x y/n #five hargreaves x reader #five x you #five hargreeves x reader #five hargreeves x you #tua #tua five #tua klaus #klaus hargreeves #tua fanfic

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novemberheart · 2 months ago

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{overview} You meet someone from Johnny’s past. A worst case scenario becomes a reality

{warnings} fem reader, poly 141, very Johnny-heavy chapter, cursing, mentions of drug use and alcohol, abandonment, abusive parents

Chapter 26 <- Chapter 27 -> Chapter 28

It had been more than a week since Kyle and John had left. A week and three days to be exact. You peered over at the clock on Johnny’s nightstand.

Make that four days. You had been having a hard time sleeping. Since your nightmare about Kyle, you've had two more. At least they were about you dying. That was easier to think about than a member of your pack passing. To make matters worse Simon had to leave last night to do some vague solo mission. Well, every mission to you was vague. Still, there was a heaviness in the air and Johnny felt jittery. Simon was going somewhere dangerous by himself. He seemed to prefer that though. Not that it offered you any comfort.

You wished you hadn't turned down a sleeping pill. It was too late to take one now. You sighed, rolling over, wrapping your arms tightly around Johnny’s middle.

At least you weren't alone.

“Come on, Bon,” you jumped as Johnny patted your bottom. He grabbed a few things out of the cabinet- specifically your favorite snacks. “Grab Vernie and change- casual. We’re going on a little trip,” he winked, throwing the snacks into a backpack and beginning to fill up your water bottle. You grinned, heading over to your room to change. It was officially summer, much to your dismay. You decided on a pair of shorts, a tank top, one of John’s flannels, and Kyle’s baseball hat. Johnny made a mental note to snap a picture for them.

You didn't bother to ask where you were going because you knew he wouldn't tell you anyway. The man loved his surprises. Wherever it was it was off base- making you even more eager. You and Johnny had similar music tastes, which made making you DJ less hard for him. You didn't make it too far before he pulled over at a store.

Your giddiness increased as he led you over to the swimsuits.

“Are we going swimming?” you questioned, already digging through the rack. He said nothing, a familiar glint in his eyes.

John and Johnny were more similar than people ever gave them credit for. It was easy to compare the betas and say they were the most similar, but the more you got to know them the more you recognized the similarities between John and Johnny and between Simon and Kyle. John and Johnny took charge. They were providers and made it known to everyone around them. They were both reactive. While John was a captain and had a higher expectation of controlling his emotions- when he was unhappy, everyone knew. Johnny operated the same way. The bark before the bite so to speak. You could easily imagine Johnny being a Captain one day. Kyle and Simon were both the bite after the bark. There was something mysterious about both of them that made people want to get to know them- for different reasons. They were both quick-witted and spent more time observing than speaking.

“How ‘bout this?” Johnny smirked holding up a bikini you weren't even sure could cover a nipple. You rolled your eyes, a smile etched onto your face at his antics. The perfect swimsuit finally caught your eye. A low whistle sent a shiver up your spine. “Quite like that, peaches,” Johnny hummed. It was decided.

You had figured you were going to a pool, so when you started seeing signs for a beach you couldn't help but shriek. You leaned over into the driver's seat, pressing rapid-fire kisses against his cheek.

“I’m so excited!” you cheered.

Johnny unloaded the car, a large duffle and a backpack. The sand was chilly but you didn't care. You and Vernie ran along the sand dunes. You came back to help Johnny set up a large towel and umbrella. You weren't even sure where he had gotten all this stuff. He even packed a few empty containers for sand castles. There was a breeze that reminded you of your childhood- and for the first time in a long time, they weren't bad memories. The beach was fairly empty, with just a few joggers and random families on holiday. Johnny grabbed a spare towel, tying the two ends and placing it around his neck so Vernie had somewhere to rest. You wrapped your arms around his neck, Vernie crushed between the two of you.

“Thank you for doing this,” you smiled, pressing your lips against his. He moved forward to deepen this kiss, until you pulled away racing towards the water.

“Ya’ Mommy’s naughty,” he chuckled to Vernie, racing after you.

You yawned, your eyes slowly opening. You could feel hands against your skin and you slowly lifted the baseball cap away from your eyes, chuckling as Johnny was rubbing your third coat of sunscreen into your skin.

“I’m going to get cancer from all the chemicals before I do the sun,” you stretched. Hours had flown by before you had known it, your stomach wanting more than just snacks. You and Johnny packed up the car (the worst part of the beach) and went on the hunt to find a restaurant for an early dinner. It would be a crime if you didn't order the fish and chips. Vernie was happy chewing on her puppy chow underneath the table.

“What are you doing?” you questioned, peeking next to you at Johnny’s phone. “No those look terrible,” you whined watching as he sent practically a whole new photo album full of pictures to their group chat.

“The only thing that's terrible is your eyesight, Bon,” Johnny shot back, his lips pressing against your hairline.

“Can you at least send me the ones with you, me and Vernie?” you pleaded. You felt your phone chime a few seconds later.

“Johnny?” a voice questioned from behind you. He stiffened, his body instinctively moving closer to you. Even Vernie could sense a shift as she drifted closer to Johnny’s feet.

“Fia,” Johnny greeted coldly. His hand gripped your knee. You weren't sure if it was to ease you or him. Your fingers wrapped around his arm in solace. They were related. They had to be. Her eyes were identical, and you suspected they had the same hair color before she dyed hers red. They stared at each other. She seemed to be waiting for him to say something. He remained silent.

“How have you been?” She asked slowly. She was Scottish.

“Why, so you can fill Dad in?” he shot back. They were related. Your eyes widened at the iciness in his tone. She swallowed, drifting from foot to foot.

“I’m Sofia. Johnny's older sister,” She offered you a polite smile. You started to introduce yourself but Johnny cleared his throat. “We didn’t know you were here. Shannon thought about texting you but”- she trailed off. Johnny slid out of the booth, urging you to follow. You quickly did, his hand reaching out to grip yours. Sofia followed behind the two of you, pleading for Johnny to stop. He opened the door for you, plopping Vernie in your lap.

“There’s nothing we have to say to each other,” Johnny growled, slamming the driver's door shut. He didn't bother putting his seatbelt on, pulling out of the parking lot. You sat in your seat nervously, his normal soothing scent of cinnamon turning spicy enough to make your throat burn. He rolled a window down. His hand reached for yours, holding it up to his mouth. His nose pressing against the pressure point of your wrist. He breathed you in like it was the only thing keeping him from losing it- it may be.

“I’m sorry, Bonnie,” he whispered against you. You quickly shushed him.

“There are people that would get that reaction out of me too, Mac,” you soothed. You pulled your hand away, your fingers scratching at his scalp. “Do you wanna talk about it?” you whispered, his head pressing against your hand.

He had picked up some fast food. Despite him being shaken to his core he still had to make sure you were taken care of.

“I haven't seen her in seven years,” he said finally. “My parents are purebreds. When I presented as a beta it caused quite the shock. One in a million chance that’ll happen. My father kicked me out and that was that,” he sighed, making you gasp. Your throat tightened, your hands gripping onto his shirt sleeve. His own eyes welled- against his will, as he offered you a slight smile. “Don’t be sad for me, pretty girl. It’s fine now.”

“No it’s not,” you gasped. “How old were you?”

“I was thirteen when I presented but I was able to hide it for a little over a year,” he cleared his throat. He couldn’t look you in the eyes, knowing he would break under their caring glint.

“Where did you go?” you asked finally. You didn't want to know the answer.

“Everywhere and nowhere at the same time. Got roped into a crowd that wasn't the best, but it was my safest chance at the time,” he explained. His knuckles brushed under your chin, his thumb rubbing against your cheek. You pressed a kiss against his hand, holding it in yours.

“Tell me, please. I want to hear,” you whispered. He sighed heavily and you wondered if you had pushed your luck.

“We would crash in barns,” he nearly chuckled. His face fell. “There were drugs and drinking- all of which I did. When I was fifteen I overdosed, they were at least kind enough to call the police before fleeing. I was put into rehab and they put me back with my parents. My dad made my life hell until I left again. I ended back with the same crowd and when I was seventeen I got caught with a bag full of opioids. I was thrown back into rehab. It was good for me though. I was able to finish secondary school and I showed enough promise that they wiped it off my record. By then I was eighteen and joined the military when I got out,” he explained. His chest felt light, his shoulders relaxed against the seat. He knew you wouldn't judge him, but the silence was making him uneasy.

“No one in your family helped you?” you mumbled sadly. Your grip on his arm was tight, your cheek resting against his knuckles. He shook his head.

“They all sided with my dad. Can't say I blame them- but I do,” he grumbled. “My eldest sister Shannon reached out to me a few times the past few years. I just couldn't bring myself to answer,”

“You know I just see you as stronger now,” you spoke softly. “I’m proud of you.”

His jaw clenched, his head turning to face the window as he shoved back the tears. He took a deep breath, his fingers pawing at his eyes.

“Thank you, beautiful.”

Something wasn't right.

You could feel it deep within your chest, a heavy uneasiness. You stayed tight-lipped. It was just you and Johnny and you didn't want to seem like you were feeling into every thought you had. Simon had called this morning. You had been asleep. John and Kyle being gone is what worried you. They have been gone for two weeks now. They were only supposed to be gone for one.

Even though you didn't voice it- Johnny could tell you were feeling it.

It was your first night of peaceful sleep.

The phone blaring on the nightstand changed that.

Johnny groaned, his hand patting your back like he was already trying to lull you back to sleep.

“What happened?” he groaned as soon as he answered. He rolled you off of him and sat up quickly. “Where are you?” he questioned. You sat up abruptly, your body moving faster than your mind. It was like your body had already prepared for this. The other line was quiet. You couldn't even make out anyone's voice. Johnny reached under his bed, grabbed a bag, and shoved a few of his shirts in. He made his way to your room, your legs moving on their own accord after them. “Pick out a few comfortable things. I'll get your stuff from the bathroom,” he whispered to you.

Tears fell from your eyes. You couldn't help it.

There was only one reason you would be pulled out of bed in the middle of the night.

Someone from your pack was hurt.

Hi friends! This chapter was a bit of a doozy, but hopefully you enjoyed it! See you in three days for chapter 28!!! 🧡

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mv1simp · 3 months ago

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Just Hold On, We’re Going Home ♥️

Max Verstappen x Fiancé! Reader

I got my eye on you, you’re everything that I see (I want your hot love and emotion, endlessly)

After a particularly bad argument with his father, Max is mentally checked out and needs to be pulled out of the dark place his mind has gone too. As his fiancé, you know just what to say to make him feel your love and bring him safely home.

Content includes: 18+ MDNI, smut, size kink, orgasm denial, I know I said I would never write subby max and that was apparently a LIE, but he’s more of a soft pure loverboy who needs you ok, you both have daddy issues, mild angst and childhood trauma, 3.1k WC

You can tell your fiancé’s mind is somewhere else right now, instead of at the intimate dinner you’re sharing at a cosy restaurant. You know this because you know Max well, having been friends before you two started dating, meeting as mutuals within the same extended group, and then online where you would both take a break from your demanding careers to enjoy a friendly grand theft auto competition.

Your friendship had gotten closer when you’d proved to be someone he could trust and always rely on. Especially when it came to talking about his father - a very multi layered relationship given that Max owed a large part of his F1 success to Jos’s discipline and the fact that, well, said discipline had involved emotional abuse on a good day and physical abuse on a bad one. It was a complex dynamic to unpack, and one that he didn’t really do with anyone - because he couldn’t trust anyone outside his family to not leak it to the media somehow. And within his family, the only one who came close to understanding was his little sister Victoria - who wanted to talk about it just as little as Max did.

However, you knew a thing or two about complex relationships with parents, growing up in a household with a luxury property developer tyrant of a father, and a homemaker mother who would never dare come between her husband and his demands for absolute perfection from his children, especially from you - the eldest. Similarly to Max, you owed a large part of your highly successful investment company and Oxford financial degree to your father’s attitude, which had been so sweet on days you performed, and then like a dark thunderstorm on the days you didn’t.

So you’d been the only one to see the look in Max’s eye one night when he’d had one too many to drink at a house party, and had wandered out into the garden by himself. You’d spotted him leaving, already having a growing soft spot for your friend at that stage, and had followed him out. It had taken you a while to find him amongst the dark sprawling bushes, but when you did, you promptly sat down next to the much taller Dutchman and didn’t ask him anything. Instead, you told him about the time you’d scored 99.9 on a notoriously difficult advanced calculus exam, and you’d proudly told your father about the result of your months of study, top in your class - and he’d responded by coldly demanding why you didn’t get the 100. What’d you say to him? Max slurred, morbidly intrigued by the story.

Nothing, I was way too upset I'd disappointed him. But I did go fight the Mathematics head professor about giving me the extra 0.1. You shrugged, telling him you probably should’ve just gone to frickin family therapy instead and saved yourself arguing for 45 minutes only to find out 99.9 was the highest possible mark anyways.

Max looked at you, blue eyes intense in the moonlight. You in turn looked back at him with nervous doe eyes, and when he didn’t say anything, anxiously started apologising. Perhaps you’d read his emotions wrong, you didn’t mean to overstep and relate to his own relationship with his father-

Max cuts you off to explain what had been on his mind. I’m sorry, you - you argued for 45 minutes with the department head for an extra 0.1? On top of 99.9? This time, when your gazes meet, you both burst into drunk giggles at the sheer absurdity of a five foot nothing, 15 year old schoolgirl going toe to toe with a grumpy old professor for such a thing.

He’d started opening up to you after that, bit by bit peeling back the onion layers, because you always met his confessions with no judgement because this was his narrative, and helped him reflect on his emotions and understand why, 20 years on, he still couldn't accept a compliment but easily responded to insults. And when you two finally became a couple after a very convoluted weekend in Ibiza - involving multiple schemes from both parties, various slutty outfit choices from Max that showed off his abs, and your use of one (1) Charles Leclerc to make his Dutch childhood karting rival jealous (a story for another time) - you’d heard the full tale of what Max’s upbringing had been like.

And now, 5 years on from the infamous Ibiza weekend, and sitting across from him at dinner as his fiancée, you know instantly from the look in his eyes what's troubling him. You touch his large hand gently to draw him back in, and with a startle he comes back to you, apologising. It’s been a shit last few races, yeah? You start, going straight to the source of his worries. And now a big one this weekend, Zandvoort, your home race.

Max sighs, nodding, grateful for your ability to pick up on what's on his mind without him needing to say it. On your drive home he rants passionately about all the bullshit decisions his team has been making and the problems with the car he's asked to get fix for months. You soothe him reassuringly, rubbing his hand where it rests firmly on your thigh as his other drives, chiming in to agree with his critiques and make him laugh with jokes to diffuse his tension.

And that night he shows you just how thankful he is for all your understanding, picking you up in a display of strength that always has you needy and dripping for him. He smirks as you beg him to take you to bed and fuck me, please Maxie, after he has you breathlessly stretched out on his large, thick fingers. Like the good fiance he is he gives you what you want, all his stress melting away with each strong thrust into your small frame underneath him, your tiny hands clinging desperately to his broad shoulders.

You're furious the next morning when you wake up to multiple calls that there'd been a massive PR scandal within one of your principal investing companies, sending your high profile clients into panic - including your father, who demanded you fly out to London right now to sort this out. You'd been ready to send your executive manager out instead, not wanting to miss this important race for Max - but he'd chuckled and reassured you he was sure he could handle it - having done some odd 200 races or another. So after giving him a guilty kiss, you two fly off in opposite directions. You'd meant to have arrived to the paddock by Saturday noon at the latest, in time for qualifying at least, but London takes longer than expected. You don't come until halfway through the race on Sunday, and see him take P2 after multiple mistakes on the track - both from him and his team. Despite the objectively good result, you know Max would not be pleased. Seeing the stormy expression on his face on the podium after he'd tersely greeted you post-race, you give him his space to cool off, knowing it's not personal. Instead you catch up with the other WAGs and laugh at Charles who still faintly blushes at the sight of you, thinking about Ibiza. But later, when you head to the Redbull garage, you hear raised voices arguing in Dutch - before Jos emerges from Max's room and storms away. You pause before deciding to go in, gently asking how he's doing.

Max, as you expected, scoffs and sarcastically asks how do you think he's doing. You continue reassuring him, being used to seeing him like this after a bad race, and place a soft hand on his shoulder to soothe him - only for him to rip it off you almost violently, making you flinch in surprise. He yells at you to stop pretending like you understood a damn thing, as if you'd have any idea what kind of high pressure he has to deal with compared to your comfortable office job.

You manage to hold it together as you tell him you're going to leave, you'll be flying back to Monaco and will talk to him there once he's calmed down. He rolls his eyes, telling you to get out, then and you make sure you're well away from the paddock and in the privacy of a car before you left yourself cry. Max had definitely been angry around you before, even enraged - but you'd never felt the full brunt of it come out and attack you so directly. Taking a deep breath, you focus on calming yourself down, as the argument brings up your anxieties from your own father - who had no problem raising his voice when he was angry. By the time you land in Monaco, you're ready to head back to the office, where you end up accidentally sleeping on your couch after tidying up the rest of your PR scandal.

The next day as you're coming home from work, unlocking the door to your shared apartment with Max, you stumble forward when the door is yanked open. On the other side is your rather panicked looking fiancee, who says that he'd thought that you- he swallows, looking like he was about to be sick -that you'd left. Forever. Perplexed, you tell him that you’d never do that, not without talking to him, and he launches into a frantic apology, saying that he regretted his words so much, that you didn't deserve to have him take his anger out onto you. Grateful for the sincere apology, you let him know with a genuine smile, saying that you're completely okay now, you had understood he’d been frustrated in the heat of the moment.

But Max's worried looks at you don't stop as you wander off to take a shower and then continue over your favourite dinner that he'd cooked, uncomfortable with the compliments you gave him about it - as per usual, still struggling to accept a kind word about anything he did. When you feel his upset gaze on you again when you're cuddled against his shirtless chest, watching a movie, you decide enough is enough and pressed pause to gently ask him what was on his mind.

That I just let all my anger out onto you like that without any hesitation. And the things I said about your job not being important - God, it’s something my dad would have said. His guilt at having hurt you with his cruel words make his blue eyes bright with the threat of tears. He says he couldn't just accept that you'd let it go because you thought it was fine, because it wasn't, not really, don't ever let me speak to you like that again, schat.

Bringing yourself up to straddle your fiance's wide lap, you settle in comfortably and closely examine the helpless look in his pretty eyes. It's rare for Max to get so worked about something like this, being the rather laid back guy he is off the track. But when he does get like this, all pent up from stress, his father’s expectations heavy on one shoulder and the fear of turning out like him on the other, there’s very few ways to pull him out of his head. Gun to your head, you’ll admit, you had your own personal favourite method for helping Max unwind. Because on nights like these, it's the the only time he'll hand the control over to you in the bedroom and the only place where he'll accept your compliments. With a teasing smile, you pepper him with gentle kisses, erasing away every tense line on his face.

Sure, Max you whisper breathily into his ear, biting the edge of it, I guess I did forgive you too easily. Maybe I should make you work for it, hmm? A delicious pink flush spreads across Max's cheeks, making you grin wickedly and press deep kisses into his soft mouth. He breathlessly whines when you pull away to tease your hand down his muscles chest, stopping just above his low waisted sweats. You can already feel how hard he is underneath you with the impressive semi he’s sporting. Choosing to ignore it, you climb off him and pull him along with you too. He follows you like a lost dog to where you walk over to the kitchen, dropping your hoodie as you went, to reveal a cute La Perla pink set underneath that he'd given you for an anniversary.

When you stop to lean against the counter, eyeing him coyly, he tilts his head down curiously - only to have you tangle your small hands through his messy, long locks and guide him all the way down, until he's on his knees below you. He looks positively delicious, all soft and flushed, as you coo that he needs to prove just how sorry he is, by putting that mean mouth of his to work and eating you out, yeah?

He nods eagerly, burying his large nose right into your core and breathing in, licking furiously through your thin panties and when he tries to yank the lacy garment out of the way, you swat his hand back, telling him no, not yet, he didn’t deserve it.

He whines openly then, teary and breathless against you as he kisses along your thighs, the swell of your ass, and then to your delicate ankle as you teasingly stop him coming any closer with a foot to his toned chest, your gold anklet dangling. Running a hand through his hair again, you tug on it firmly so you can smirk down at him when he begs you please, schat, I promise I’ll be s'good for you-

Your resolve is crumbling at seeing your normally in control fiancé reduced to putty in your small hands. Trying to maintain your willpower, you teasingly pull your pink bralette off first, enjoying the way Max's breath hitches, eyes wide with pure need, as he follows your hands ever so slowly slide your panties down your legs. But he still doesn't move, fists clenched into his thighs, desperate blue eyes looking up at you, waiting for your approval to touch you. You throw him a bone and slide one soft thigh over his broad shoulder, your other leg still leaning against the counter, giving him irresistible access to your dripping pussy. Go on then, baby, you tease, here's your reward.

He buries his tongue into you in half a millisecond, eating you out like he's kneeling at your altar and worshipping your thighs. His large hands squeeze your curvy ass, pulling you even closer onto his tongue as he hungrily eats you out like a starved man. You're moaning sweetly, telling him he's doing so good for you, it feels amazing, that you wonder how the world would react if they knew their favourite F1 champion was as good at eating pussy as he was at driving racecars.

Your praise has him keening, now desperately kissing and sucking your core, and somehow both your thighs have ended up draped across his strong shoulders, his large palms still squeezing your ass. This angle lets him slide in deeper than you’ve ever felt his mouth reach, face completely buried between your thick thighs, and with a few more talented flicks you’re lean back against the counter and squirting right onto his waiting tongue.

Dazed from the intensity of your orgasm, it takes you a few minutes to come down from your high, and Max slowly licks your clit in the meantime, toeing the line to overstimulation. Standing back up shakily from potentially the most mind blowing oral you've ever had in your life, you tilt his chin up to look at you with a gentle hand, giving him a kiss because he was such a good boy, all for me, yeah baby?

He nods furiously, almost looking like a cute Labrador with his blonde hair and blue eyes and you giggle at the mental image, telling him he’s earned his next treat. Max practically stumbles after you as you gently tug him up by his jaw and back over to the comfortable sofa, where he sits down after you playfully shove his chest. His muscular thighs spread wide to make a perfect throne for you to climb onto. He's still in his boxers, his bulge straining against the damp material, and you tease him with a smug smirk, asking if he'd already cum in his pants just from eating you out, like a dirty little perv?

He desperately moans out his No, no, promise I didn’t, held it all back to fill inside you, please- He becomes breathless from your mean hands that tease his cock further through his boxers. When he tried to redirect you, guiding your hand under his boxers to where he really needs it, you shove him away and tell him to keep his hands to himself. You demand to know why he thinks he deserves to put his gross, sticky cum anywhere near your sweet, precious hole, is he at least going to use some manners and ask politely?

Max pants, face flushed and blonde strands attractively stuck to his forehead as he feverishly begs you, please, schat, he needed to be inside of you so bad, he couldn't take it, hadn't he been so good for you already? You can tell your fiance is close to his tipping point, and you almost send him over the edge with a smooth motion as you slip his fully erect, huge cock out of his boxers and start lazily jerking him off. Sliding your fingers into his mouth for him to lick, you smirk as he does exactly that. Using his spit on your hands to give him a couple good pumps - making his breath hitch as he struggles to hold back his orgasm - you guide his throbbing length to your dripping pussy, which is so ready for a second round.

Max screws his eyes shut, head thrown back, as you wickedly torment him some more, dragging his tip teasingly along your puffy lips, drenching him with your slick. His hands dig into the sofa, desperately trying to resist the urge to touch you like you'd ordered him to earlier. And when you finally sink down on him, all the way to his base, he's moaning and begging again, tears in the corner of his eyes as you slowly ride him - edging his poor cock with the relief of your tight, warm cunny but not giving it quite enough pressure. And when your thighs are starting to get tired from the effort, and Max has ripped holes on your sofa while gripping the fabric, you know it's time to let him take control again.

Guiding his hands gently to your waist, you lean forward into his firm chest to whisper Maxie, baby, it's too much for you, can he please help you out and make you cum again-

His eyes snap open, wide blue eyes coming to stare into your pleading doe ones as you hand the power over to him, all dished up on a silver platter with a pretty please. He brings his forehead forward to lean against yours, your ragged breaths meeting as you feel shivers run up your spine in anticipation of what’s coming. Then, with an all too familiar smirk returning to his face, he tightens his hands into a bruising grip on your waist and easily begins bouncing you up and down on his fat cock. His wide thighs, which had been straining in an effort to hold back, now flex as he thrusts deeply into you from below, making you wail at the furious change in pace and you're screaming his name, proving once again just how good he makes you feel. You two barely last another few seconds before you're cumming, your name on his lips as he pumps an obscenely thick creampie into you.

You stay like that for a while, sweaty and tangled in each others arms, exchanging gentle kisses and loving affirmations with him still deep inside you, until sleep starts to take over. Later, after you'd showered because wow, that had been a particularly filthy session, you find yourself stroking his damp hair as he lies against your chest, the rest of his body on the bed to keep the weight off you. Thank you, liefje, he murmurs sleepily against you. At your inquisitive hmm? he presses a loving kiss to your skin, telling you his thanks was for always knowing how to calm me down. For always bringing me back home. I love you.

You smile in the dark, warmth blooming across your chest as you press a kiss to his head. Always, Max, just like you do for me. I love you too.

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A/N: SOO i never thought i'd write this but after zandervoot im manifesting the return of max supremacy with this. had to rewrite a bunch of times cause genuinly couldn’t picture max as sub instead of dom so lmk what u guys think!! Also… should i do a part 2 where its the reader with daddy issues instead hehehe 😼😼😮‍💨

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