#but promo me now that i have a semblance of a theme up

[wttcsms]

we play our fantasies out in real life ways ; shouto todoroki.

pairing shouto todoroki x f!reader  word count 2.7k  synopsis knocking up his sugar baby seems (and feels) like a dream come true for the future ceo and youngest son of japan’s richest conglomerate family. content contains sugar daddy!shouto, yandere themes, car sex, creampie, breeding kink, quirkless au, ceo!shouto, tiny daddy kink author’s notes this is a repost of an old fic but pls tell me we are still horny 4 shouto. also ignore the Tesla promo, i was feeling silly when i wrote this </3

He can have anything he wants, you know.

And of course you know this. Of course you do. It’s hard to ignore this fact whenever he’s the exact reason your closet is overflowing with more dresses than you know what to do with; why your dresser can barely stay shut due to the amount of lacy lingerie you’ve had to shove in them; why you’re a third year college student driving to campus with a brand new Mercedes that technically isn’t even supposed to be out on the market ‘til next month. 

He can have anything he wants, and because you’re his, by extension, you have the power to make all your material wishes come true, too. All you have to do is ask him.

All you have to do is look up at him and give him those puppy dog eyes of yours and say, “please, daddy, can I cum?” and he’ll let you. You know he will, because stoic Shouto Todoroki, the future CEO and prized son of the Todoroki clan that happens to be one of the most famous conglomerate families in all of Japan, just can’t seem to say no to you. He signs off multi-billion yen deals as easily as one blinks and running multiple companies is just something he’s been born to do. It’s no easy feat to give commands to such a powerful man. 

And yet, one look and a tiny whimper is all it takes to turn him into putty in your hands. 

It’s always an out of body experience when you’re with Shouto. Being with him is like constantly being the main character of a movie. He rents out entire restaurants so the two of you can dine away from prying eyes. He sends you good morning and good night texts every single day. (One time you joked about him forcing his assistant to do it because there’s no way a busy man like him would ever have time to do something so insignificant; he didn’t like that you couldn’t seem to wrap your head around the concept of you being someone very important to him.) Shouto is incredibly good to you, incredibly good for you.

He’s incredibly good with a lot of things. Taking care of you, for one. Taking care of all his businesses, for another. And right now, he’s taking real good care of your cunt when he’s got three of his fingers knuckles deep in you. 

The windows to his sleek, outrageously priced car are tinted so dark, even you struggle to see through the windshield. You always tell him it’s dangerous, but he reminds you that there are always reasons for the things he does. You wonder if getting tinted windows so he could fuck his college student sugar baby with some semblance of privacy is the reason. 

And then all thinking on your end comes to a stop when he nips at the skin of your neck, biting down softly and getting you to let out a tiny whimper. It doesn’t hurt. You don’t think Shouto is even capable of hurting you; not because you’re some unbreakable being, but because you don’t think the calloused hands that have caressed every centimeter of your body is capable of harming you. 

The two of you are currently parked in the lot right outside the building where his main office is located. In about ten minutes, the parking lot will be flooded with employees who have just clocked out and are getting ready to speed home. In about ten minutes, anyone could accidentally (or purposely) become a little voyeur to the activities going down in the future CEO’s luxury car. 

Your back is pressed against his chest. More often than not, you find yourself naked while he’s practically still dressed, and it’s the same thing that’s happening right now. The buttons on his shirt are digging into your back, but you can’t find it in you to complain. Instead, you focus on gripping the wrist of the hand that’s in between your thighs. The sleeves of his button down shirt are rolled up, and if you take your tiny fingers just a bit higher, you can feel the veins running down his arm. 

“Tell me what you want, baby.” The baritone of his voice is smooth, calm, collected — in control. Because you can make any request in the world, and Shouto will fulfill it for you, but that does not mean that you are the one who makes the final decisions. At the end of the day, everything you have, everything that is given to you, is because of him, because of the decisions he makes for you.

His eagerness to gift you the world thinly veils the true depth of your submission to him. A subconscious part of you is well aware of the power imbalance in this relationship, but if all has been well these past two years, then surely it’ll only be smooth sailing from here?

You lean back, leaning into his warmth, breathing deeply to inhale the scent of his spicy cologne that costs more than your textbooks (that he bought for you). 

“D-daddy.” You moan out, trying to coax him deeper in your tight little cunt, as if his fingers aren’t already as deep as they can go, spreading out your hole to prep you for what he knows you truly crave. 

“You’ve got to speak up, love. I can’t give you anything if you don’t tell me what to give you.” His breath is warm against your ear, and it’s so hot in the car. So, so hot. You wonder if it’s just you feeling the heat, though. Shouto seems as collected as ever, not the least bit uncomfortable at all. 

“Mmm — w-want you.” You wriggle a bit in his lap, but his free hand grips your side and squeezes you with a firm, nonverbal command to stop moving. You do, immediately. Because that’s what you always do: follow his command. 

“I know you do.” He coos, finally moving his fingers. It’s agonizingly slow, too slow. The car is silent save for your little pants and the obscene wet sounds that come as a result of his fingers thrusting in your wet cunt. 

“Faster, daddy.” You whine out, looking up at him. The sun is setting, and despite the tint of the windows, the orange glow from the sun still shines against his smooth skin, casting his face into something that’s half sunset/half shadow. It’s a good look; a sharp contrast that matches his hair. Seeing your blatant admiration of him only spurs him to give in and go faster. He had planned on drawing this out for as long as he possibly could. He had originally wanted to coax you into as many orgasms ‘til you were nothing but a fucked out little mess, too worn out to pay attention or even care when he finishes your little session with you plugged up with his cum. 

The lives of children born into the Todoroki family are more cursed than it is blessed, and Shouto had, a very long time ago, made a vow that he would never continue the bloodline. He would have no children, which would be easy because he planned on never having a lover.

And then he met you, started providing for you, realized how much he enjoyed providing, and realized even more that the only way to strengthen this transactional relationship is by forcing your hand. He likes to think that you would stay with him willingly, but there are some chances that he’s just not willing to take; there are some extremes that he’s all too entirely happy to go far to, though. 

Your sweet moans mix in well with the lewd sounds of your pussy getting thoroughly fingerfucked. His fingers are so much longer than yours, can reach spots inside of you that you can’t quite reach yourself. He’s efficient with anything and everything he does, and you’re not surprised when he doesn’t slow his pace. The consistent strokes of his fingers, your lowered inhibitions when around Shouto, and the look on his face (equal parts concentration and adoration) all help in making you cum all over his hand. 

“Good girl.” Shouto whispers, removing his fingers and holding his hand up. The sunlight beaming through makes his digits glisten even more, and you’re enraptured as you watch him bring his fingers to his lips to suck your essence off of them. Piercing heterochromatic eyes never leave yours as he sucks on them, and you have to turn away from embarrassment. How can he keep such a straight face when literally licking your cum off his fingers? 

“Don’t turn away from me.” His hand — still wet — grips your chin and forces you to look at him again. “I don’t like it when you shy away from me.” 

You nod meekly, and Shouto sighs. 

“You shouldn’t be shy around me. I don’t like making you feel uncomfortable, you know that, don’t you?” 

You nod again, a subtle, barely there move. He’s not impressed. 

“Answer me properly.” There’s a hard edge to his tone, and you sit up a little straighter. Shouto would never lay a hand on you with the intent to physically harm you, but he’s not above roughing you up during sex. You’ve heard him get this way before, and the imprint of his fingertips and the purple hickeys littering your poor body took three days to fade properly. 

“I’m sorry, daddy.” You say with a pout, trying to conjure up any sort of leniency he can spare. Judging by his facial expression and the wavering look in his eyes, he’s already softening up. You just have to make it up to him now to have his complete forgiveness.

Maneuvering in the limited space the driver’s seat gives is no easy task, but you manage to shift positions to where you’re straddling his lap, finally facing him properly. He’s leaned back, watching you with a hungry glint in his eyes that makes you feel like the most wanted girl in all of Japan. A surge of heat flows through your body, from the tips of your ears to your cheeks and all the way down to between your thighs. If you were in a different position, you could clench them together, try to rub your thighs in an attempt to ease the need for friction. 

Your fingers make quick work of his belt and his zipper, pulling down on both the waistband of his slacks and his briefs to finally free his cock. He’s already hard, and you admire the way your hand can’t even wrap fully around him. The tip is flushed red, pearly beads of precum already present. 

This is the part where you look up at him, almost as if you’re unsure about what to do. You don’t know what it does to him, to see you sitting on his lap with his cock looking outrageously large in your tiny hands. He can see your pretty pussy practically dripping all over his slacks. Now’s not the time for you to be playing the role of an innocent, unsure little girl, but then it hits him: you’re asking him for permission. He almost lets out a bark of laughter. 

“You’ve already taken it upon yourself to tear into my pants and make a grab for my cock. Surely you don’t expect me to beg to fuck your little hole now, do you?” He has a cold smile on his face as he brings you closer to him. “I thought this was my apology. Don’t tell me you’re going to make me do all the work?”

“O-of course not!” You look startled at the suggestion, eyes going big and round. He looks at you expectantly, as if telling you to do something. 

It always burns when you first take him. It doesn’t matter how many times he makes you cums, doesn’t matter how long he spends stretching you out on his fingers. By now, your pussy should have memorized the feel of his dick, should have been moulded to fit him and only him. And while there’s a tiny flash of pain and discomfort for you (which Shouto hates), it’s hard not to be in love with the feel of just how tight you are. 

The stinging pain is brief, though, and is easily replaced by one of satisfaction from being stuffed by the prettiest, fattest cock you’ve ever taken in your life. 

You moan, rocking your hips back and forth. Maybe this was originally supposed to be an apology to him, but it feels more like you’re using him as your own personal toy, and Shouto really couldn’t care less. After all, if it brings you pleasure, it brings him pleasure. 

“Are you enjoying yourself, baby? What would happen if I never met you, hmm? Are you willing to spread those pretty legs of yours for any man?” He says the last sentence with a tone sharper than usual. You shake your head as you continue to rut against him, chasing after your own high because you might not be a simpleminded slut for anyone, but you are nothing more than a cockslut when it comes to Shouto. 

“Ah — fuck, fuck, fuck!” You moan out, falling against his chest, burying your face into the space between his shoulder and neck. “D-daddy, fuck!”

He holds you close to him as you cum, not even minding the mess you’ve made of his work pants. “Daddy’s got you.” He coos, his hand finding the back of your neck and squeezing you there, gently. “You must be tired now…”

You’re still too fucked out to really comprehend what’s exactly going on ‘til it’s happening, but even with your slow reaction times, you still manage to let out a slutty moan as you feel Shouto thrusting up into you. It must be uncomfortable, you think. This position doesn’t make it exactly easy for him to chase after his own pleasure, but then you remember that Shouto Todoroki doesn’t back down or break down when it comes to challenges.

He perseveres. 

You’re like a rag doll, like a personal little fucktoy, made for him to use (and maybe even break) as he pleases. Every thrust is sharp and intense, and his teeth are clenched as he continues to use you, enjoying the warmth of your tight walls and admiring the ring of white that coats and clings to his dick every time he pulls out. 

It doesn’t take him much longer to finally finish; he grabs you by your hips, raising you slightly before abruptly pushing you down on his cock, making sure that he’s nestled as deeply in you as he can be when he finally cums. He’s breathing a bit harder as he comes down, and then he’s grabbing you by your hair, making you stare at him. 

His cheeks are flushed, there’s some slight sweat building up on his forehead, his shirt is wrinkled. He’s never looked better. You’ve never felt better. 

Or, more accurately, never felt fuller. 

“Shouto, did you c…” You can’t even finish the sentence. Did you cum inside? Not like you have to; you know the answer. Some of it is dripping out of you. 

All he does is give you that small smile, the one that he rarely lets anyone see, and starts up the car. 

If he doesn’t want to talk now, there’s no way you can get him to answer properly. You try to remove yourself from his lap and make your ungraceful, disgusting journey to the passenger seat, but Shouto places a firm hand on your waist, forcing you back down.

“Where do you think you’re going?”

“Shouto, you can’t possibly drive while I’m sitting here on your lap.”

“I bought a Tesla for a reason.” 

Right. Because everything Shouto does has a reason for it.

You think about this on the drive back to his penthouse, a little bit of fear building up in your lower belly. Shouto does everything for a reason, and what’s the reason for any man cumming inside?

[peachamiibo]

alright i really feel like i have to write this because i’m just so incredibly pissed off with CRWBY and RT’s marketing. i’ve been a fan of this show for 7 years - since the yellow trailer came out! and sadly even though i’m so attached to the characters i think i’m going to have to drop it unless this situation is handled well - which, at the moment, it is not - it’s a fucking train wreck.

anyway let’s start with the main issue: queerbaiting.

CRWBY, intentionally or not, queerbaited with clover / qrow. at this point, i’m believing it was intentional. first and foremost, their interactions in the show were very flirtatious, mimicking another beloved ship (bmblb). for instance, when yang first compliments blake this volume and she puts her hand behind her head and blushes - the SAME THING happens with qrow when clover tells him not to be so down on himself. further, there was the parallel with the waitress from v4 who was hitting on qrow. the official rwby twitter account teased the relationship a few times, as did amity arena, and a few other’s who work on or have worked on rwby. 

but sure! let’s go with the narrative that their interactions weren’t meant to be seen as flirtatious. fine! let���s go with it. here’s another issue: the character design. color is one of the most important symbols in RWBY. characters aren’t given colors without reason. let’s look at clover’s initial design compares to his final design: 

his original design was based more off of the kingfisher bird. cool design - love that journey for him. they intentionally changed his character design to complement qrow in color. especially eye color. we all know eye color is an important part of rwby (ruby’s silver eyes, bmblb’s complementary eye colors) 

further, if you compare his design to other couple’s in the show, it adds more to the potential romantic symbolism. he wears a red sash on his arm - qrow’s color. who else does that? yang - yang wears a purple sash which is blake’s color. taiyang wears a red sash - for summer. it’s not hard to see.

also, the semblances of the two are important. the fact that they didn’t explore a good luck semblance in it of its own should be a criminal offense, but it was a perfect match for qrow. just like bmblb! yang’s semblance encourages her to get hit to store up power - an offenesive semblance. blake’s semblance enables her to retreat - a defensive semblance. they compliment each other. qrow/clover’s does the same! (& before any clowns want to compare yang and adam, characters with the same or similar semblances are meant to have distinctions drawn between them. im not going to elaborate on yang and adam’s distinctions because that should be common sense in how they interact with blake). 

there’s a lot more stuff i could add in regards to parallels and such, but lets move on. 

let’s get away from the queerbaiting, you might not see it. fine! that’s ok. here’s why the decision to kill off clover still sucks:

qrow was recovering from alcohol addiction and depression. he was improving the entirety of v7. it’s a great story for him! clover was clearly a part of his improvement, whether it be platonic or romantic - it doesn’t matter. 

what does killing clover off do for qrow’s narrative? it sends it backwards. an entire volume of development erased. qrow formerly believed that he and his semblance brought nothing but sorrow and misery to people. now that belief is going to be reinforced - because the man with the literal antidote to his bad luck was killed because of him (in his head). is the man going to be able to stomach being around the light of his world, ruby? or is he going to think he will eventually lead her to her death, too? what’s the point of this? at worst, it’s telling us people like qrow (depressed people, alcoholics, etc) don’t get their happy ending. at best, it’s just really shitty writing. 

finally - crwby’s response to this has been absolute garbage. eddy said that their relationship wasn’t meant to be seen as important (he also compared wanting lgbt rep to wanting a shopping montage, but lets digress). great! you don’t know the impact of your own writing! but even beyond that, after the finale, the officialrwby account decides to promo some new merch its selling! 

but i thought their relationship wasn’t meant to be important? but i thought you didn’t know clover would be a popular character? you knew well enough to attempt to profit off of it. and before anyone says “marketing is different from writing” - sure, that’s true, but after the backlash clover’s death had, you would think somebody could write an email saying “hey, maybe lets not tease the ship even more after we killed one of them!” 

and even if this was made BEFORE that, why would the marketing team have an incentive to put them together if it wasn’t for the writing that portrayed them together multiple times? it’s also worth noting that clover is the only ace-op with merch so far. hmmm. why’s that.

also, i’m not even going to go into why the “born unlucky” is shitty and the fact that they want to sell a pint glass themed after qrow (haha alcoholism is funny!!! bad luck!!!)

the straw that broke me is eddy rivas’ response to all of this. 

eddy had previously said he would discuss the decision to kill off clover after the series ended. we are still waiting. then, this fiasco happened with the marketing team, and he tweeted this out. after people have been asking for answers for like, a week at least now. and it’s just worth some emojis to him! nothing more. us mlm fans are just like the people who want an atlas shopping montage, right? shrug emoji! 

this is just garbage. im out unless rt fixes this somehow.

also: if you want to disagree with me that’s fine, i’m happy to talk about it, but if you’re going to be a clown don’t bother

[quintessence-sentimentalist]

quintessence-sentimentalist Takes on 30 Days of W.i.t.c.h.versary!: Week Three

Week Three already! Days 15 through 21 below the cut!

Day 15 Something that needs a quick fix

Ahaha, well, some 99.9% of things that need fixing with this series can’t be completed quickly, so let me just go with the simplest thing that comes to mind:

The uniform color errors.

In both the comic and cartoon, there are color swaps between the top and bottom, with Irma being the most frequent offender (frankly, I only remember Cornelia’s top being purple on the cover of one of the final Ludmoore arc issues, and maaaaaaaybe Hay Lin got a color swap once too, so basically it was all with Irma). I don’t know if it’s because she and Will might look a little similar in black-and-white or something and that’s why there was confusion over whose top is which color (although if that’s the case then why didn’t it happen to Will too?), but it just kept happening throughout the series. It’s even wrong on the official promo art/opening sequence end card for the animated series. 

So yeah. Easiest fix I can think of is to please check which color goes where before inking them in.

Day 16 Something that needs an overhaul

I’m just going to spin the wheel here...

Better executed romantic break-ups/avoidance of shitty break-ups altogether. Consistent lore. All the arcs New Power and beyond. New Power Matt. That one self-indulgent what-if I had about leaving Medina, McTiennan, and Sylla’s memories intact and they basically become the girls’ non-magical mentors and trusted adult figures who help them balance their lives between Guardianship and just being normal girls.

Uh... I can’t choose. 

I’ve talked at length about and reimagined a lot of these before (and will do so again, for sure), and those I haven’t people have discussed much more eloquently than I can. And I’m sure I’m still missing some, so I’m not going to get too deep into this and save that all for inevitable rambles later on.

Day 17 Something that needs to be revisited

The Astral Drops, hands down. Why bother sending them off to live new lives of their own, while pointedly leaving them with magical tattoos that will light up when Kandrakar must call on them, if you’re not going to loop back around to that? Honestly, this is something that should have slid back into the narrative in at least some way before things wrapped up.

Day 18 Something that needs more love from the fandom

It’s going to be too predictable if I start chanting “animated series Matt and Will/Matt” (but really, they do deserve all the love), so let’s go for a different angle this time.

Oh... well, I guess since I was already at it, maybe the animated series itself? 

Alright, look: I was a comics purist for a solid eight years. I watched the show in full and enjoyed particular (largely season 2) parts, but I still had the frequent complaint that it wasn’t a faithful adaptation and didn’t watch it again for years even when I regularly reread the comics. 

But then the English translations of the comic ended, and I was left without any real new material. A couple years later, I was about to go off to college and came across something that reminded me of the cartoon (more on that later on), and I figured what the hell.

It’s still not a perfect or even great adaptation of the comics, and sometimes I still struggle with getting through the first season, but going back to the animated series as a young adult - after years of distance from it and easing up on my rigid stance on comics-only - helped me gain a newfound appreciation for it. The animated series did some things I liked better than in the comics. It had a badass theme song. From a fan creator perspective, I found the cartoon universe a little bit more malleable and full of possibilities than with the comics, partially because it unexpectedly got cut short.

I’ll be the first to admit that I don’t necessarily have impeccable taste when it comes to media (I have a guilty pleasure for short-lived and long-forgotten early 00s sci-fi action shows. I unabashedly enjoyed the live-action Birds of Prey series, and that’s even more wildly inaccurate a comic adaptation than the W.i.t.c.h. cartoon). Still, I think about some other animated series that are based on beloved comics/manga but not direct adaptations, and some of those are considered just as good or even better than the originals (and potentially subsequent accurate adaptations). I feel like at the very least, the W.i.t.c.h. animated series could be a guilty pleasure, or even enjoyable AU adventures of the girls as they are in the comics. 

Day 19 Something small but unforgettable

Nothing was immediately coming to mind, but then it hit me. I love that the animated series changed the name of Will’s power to quintessence in the second season. 

In the comics, her powers were a bit of a nebulous space, while the others’ were clearly defined elements. I remember it being called “energy” or “absolute energy,” which... while not wrong, it’s just such a broad term, and frankly is missing some pizzazz to it. It wasn’t even a consistent name, since oftentimes Will just called out for the Heart, and then with New Power it became “the power to unite them” or something (uh... what?). I just think it’s weird to have one of your main characters without a clearly defined - or simply named - ability, unless it’s intentionally vague to allow for various deus ex machinas from the Heart, with Will serving solely as the conduit.

And that’s kind of what happened with the first season too, where Will was honestly only able to activate the Guardians and close portals and had no inherent offensive ability. So season 2 was great in the respect that they actually gave her a power, but then there was that name!

Seriously, quintessence. Even before you really know what it is, it’s a pretty kickass name, right?? It definitely has the mystical quality to it, and the fact that it literally translates as fifth essence/element makes it just too good. Guys, there’s a reason why it’s in my username.

(Well, that and the fact that seeing the word and its definition again after many years reminded me that I should rewatch the animated series, and that was what kicked off my spiral back into W.i.t.c.h. fandom. It did tie into the “sentimentalist” aspect in the end.)

Day 20 Something you’d always come back to

Hmm, I’m a little unclear on the prompt for this one, whether it means something I’ll reread/rewatch, or some idea from the series that just sticks with me. I’m going go with the first interpretation, which I guess also ties in with the second.

Hardly a surprise at this point, but I regularly rewatch the most pivotal episodes of the Shagon arc - those being L is for Loser, M is for Mercy, and S is for Self. I just love seeing Shagon in the forefront as a villain, and how Will knows how to deal with Nerissa in some respect at this point (staying suspicious - maybe a little bit too much - and learning to out-strategize the ex-Keeper), but goes absolutely ballistic and loses her calculating edge whenever she’s facing Shagon on his own. He knows exactly how to needle into her vulnerabilities, and the two of them engaging in emotional warfare is just so good. Watching these always gets me wondering how the fallout from this arc would have gone had we had more time and the series had a different tone (maybe more along the lines of Young Justice, to borrow a different Weisman show), because I’m firmly of the mind that Matt would have some lingering trauma from the experience (which he’s had to put aside to take on a new role and deal with everything else that came after he was freed) and I would have loved to see that play out.

As for the comics, though, I like to loop back around to the girls’ potential futures from issue 50. Their careers just fit them all so well, and the way their designs and friendship evolved into adulthood just felt right to me. They’re all grown up and more sophisticated now, but they don’t simply look like a slightly older version of their Guardian forms, and manage to maintain a semblance of their styles from their young teen days. And even though they’re no longer active Guardians and are busy with their own lives (sometimes in various other places), thus not being in each others’ back pockets anymore, you can tell their bond is holding just as firmly as it was forged back in the day. I vastly prefer this glimpse into the future over the one we’re shown in the post-New Power era, so I like to use it at least as a basis for when I imagine the girls post-Guardianship. 

Day 21 A memorable architectural design

I do love the design of Sheffield Institute. It’s just so elaborate and wildly different than what you’d normally see for a high school, at least from my view and experience. It certainly looks like a place with a rich history, and honestly I think it’s a great parallel to Kandrakar and the castles of Meridian and Arkhanta - not quite as regal or mystical, but still a structure with some elegance.

[tinkdw]

14x06: Toxic Love v Healthy Love

14x06 watching notes.

This episode we see our Cas stand-in (Jack) team up with Dean and ask him to explain what love is, with Dean explaining that he very much does know the difference between healthy romantic love and toxic romantic love (exposed this episode with the zombie boyfriend “don’t leave me, it’s better you be dead and stuck with me than leave to live your life” storyline which I’m sure has no correlation to Dean and Cas coming up where they may be separated but let each other go, I’m side eyeing you 14x08). With Yockey emphasising that the lesson he himself exposed last season of sibling toxic love (the witch sisters) has also been learned as Dean and Sam exhibit perfectly healthy, open, communicative sibling love. 

And I mean...  mirrors...if we get any more mirrors Dabb’s going to have to open up a funhouse on set.

- So the episode opens with a Cas visual reminder with Harper wearing a beige coat before she changes after that job of “remember Cas in this episode” is done into her *warning sign* red clothing. Beige trenchcoats in Vancouver are clearly in limited supply after SPN has decided to dress everyone in one for the Cas effect. Get yours now.

- “Mary and Bobby’s" well, that didn’t take long to be an established thing.

- To Jack nothing tastes right without his powers whereas to Cas nothing tastes right with his powers >....>

My theory as a firm endgame human!cas meta writer with the later addition that Jack is a mirror exposition of each of TFW’s arcs that Jack gets his power back because he wants and chooses it as a part of his identity and Cas decides to be human in opposition because of his own choices and identity feels like it’s being fed here. Excellent.

- Sam smiling at the fidget spinner gives me feels of a positive goof nature

- Jack feels guilty for not killing Michael while Dean feels guilty for enabling Michael and I have feels about them understanding each others’ guilt and not pushing each other to get over it but just being supportive.

- Sam and Dean COMMUNICATING! MARK THE CALENDAR! Dean knows Sam won’t be particularly happy about him taking Jack hunting but he doesn’t hide it, he calls Sam and lets him know. Sam in turn doesn’t forbid it but shows he is not happy with it. COMMUNICATION. Taking into account each others’ judgement but not stifling each other. I’m living. This is what I was saying about the toxic sibling relationship v healthy sibling relationship in my opener. Steve clearly has big feels about this just as we do and wow he’s done an amazing job at firstly highlighting it with mirrors and metaphors then slamming it home with text... side eyes all the current metaphors and mirrors being highlighted for *other themes*.

More under the cut...

- Lol @ the barn behind Dean in the diner while Jack fills in the Cas visual gap.

- Wait did they even explain where was Cas is?! Nope. Yockey didn’t even bother cos he knows how stupid anything will sound lmao. *Cas is *throws dart** is about right here lbr.

- Chuck Berry as Dean and Jack’s pseudos. I love it.

- DEAN TURNING THE COCK AWAY WHILE TALKING ABOUT SEX I CANNOT. WHERE ARE THE GIFSETS?! I NEED GIFSETS! I WILL REBLOG ALL THE GIFSETS! it literally goes from talking about courting, dating and specifically sex and dean gets awkward and turns away the cock. I MEAN. This ain’t even SUBTLE.

- Are we supposed to see the two women they interview as a couple, I’m not sure. 

- Charlie’s story is A. sad AF B. Political AF. C. Super thematic to the show. She worked at Richard Enterprises as a nice callback to show Yockey knows his canon on OG Charlie, then her story is full of fanfic tropes an ultimately death. Now, I hate kill your gays as much as anyone but I don’t think this is what Steve’s doing here, he literally can’t have her gf alive here. Now could Charlie go off to find her in this world? That would be brilliant.

- Did dean just call sam Thelma lol

- So Jack says he has no understanding of romance despite seeing Dean and Cas doing “googly eyes” each other to death and saying he knows this means someone loves you. 

x

So Jack is the one who doesn’t know as the Destiel romance GA stand in where they figure it out but so does he so they don’t feel stupid as there’s someone on screen who’s like oooooooh I see now! So Sam can have the role of “I knew all along I just didn’t want to force you out of your comfort zone or get involved in things that don’t concern me” just as he did with Mary/Bobby last episode and which explains all his “strictly into Dick” “maybe you’re overcompensating” “because it’s Cas” lines from previously. Brilliant. Please continue.

- “Old man” good cop bad cop with sass. Jack, I love you.

- Jack doing all the OG Hunter tricks I love it. Again Yockey telling us he knows canon and knows what he’s fucking doing. Good lad.

- Sam: “people need people, we’re social animals”. Yockey and Dabb laying down what BS it is that Sam and Dean want to be alone just the two of them nearly every episode now is just the best. Sam wants people around him, now imo he’s not necessarily telling Charlie she should stay a hunter, just that it would be a real shame for her to ostracise herself on top of a mountain with wifi all alone. He gets that, he gets the escapism after all the trauma but he wants to help her and thinks she would be better off surrounded by others, my family and friends and he’s offering this to her and well, he knows this is what helps from his own experience. He’s living this change and seeing the benefits for himself. Just. So much yes.

- I also love that Charlie’s personality is part similar to ours but also part totally different because she’s not the same. Good, thank you Yockey. She’s not a replacement for our Charlie. No matter how hard Bucklemming may try and think they “fixed” her original death. She ain’t our Charlie and they haven’t fixed it. We are grateful to have some semblance of her but you are not forgiven for your complete lack of credibility, writing skills and total problematic behaviour regarding both her and all the other things you’ve done just by giving us an AU version of Charlie. 

- So Harper is evil, quelle surprise. She exposes a codependent and unhealthily toxic relationship where she preferred to kill her boyfriend and tie him to her, having him literally kill and eat others rather than just let him go and live his life. So, I will write a separate post about this because I think it is the theme of the episode but this heavily reminds me of Yockey’s witch sisters being a dark Sam and Dean mirror of toxic sibling love last seasons, emphasising their choice to be toxic or healthy, with them now exhibiting all the healthy and rejecting the toxic behaviours. 

So who is Harper and her boyfriend a dark romantic love mirror of now then with them potentially soon to choose a healthy route instead in direct opposition and one of them letting the other go, hmmmm I wonder...

x  Just getting this gif out again cos well I’m sorry but Cas wasn’t even in this episode or last or last last yet he’s all over them with not just human!Cas stuff here but also all the Destiel like wow... it’s impressive tbh.

- Meanwhile Dean is dishing out healthy relationship advice. Again this feels relevant to Cas’ recent admittal to Nick that he had to “eat” someone to live in a way ie possess Jimmy for his body. This feels even more like a metaphor for his giving up his grace and exposing Cas again as not this but having his own body now created by Chuck just as everyone else does. Just in case people want to continue to use this argument against him and Destiel with the necrophilia rubbish which is already totally disproved but again rears its head in a “clearly this is not the same as that” way with actual dark mirror necrophiliac toxic love going on.

- Okay so we have more blatant overt textualised metaphors with the word “metaphor” in the text with Charlie v the big fly. They really are hammering home the concept of “pay attention to metaphors and mirrors people” this season. Wowzers.

- Next week’s promo also gives us another mirror with Jack driving the impala and telling Dean “it’s like I’m you!” “no it isn’t”. Honestly, is this a memo that they have to do this every episode because I approve. Knock that memo home.

- I would also like to point out as @margarittet reminded me, the queer story in this episode (Charlie x her girlfriend) is beautiful and positive though tragic due to outside circumstances and the heterosexual story is toxic and gross with codependency, necrophilia and murder by Harper’s own choice. This isn’t to say it’s anti hetero it’s just making a point that it doesn’t matter who you love it’s what you do with it and who you are that counts.

And isn’t that a beautiful way to end this.

[itsclydebitches]

RWBY Recaps: Vol. 5 "Unforeseen Complications"

This is a re-posting from Oct. 28th, 2017 in an effort to get all my recaps fully on tumblr. Thanks!

This RWBY review had to be put on hold while I finished Stranger Things 2. In all honesty if you're reading this instead of watching the new season... please re-think your life choices.

For those of you who have binged properly you'll already know that though RWBY doesn't do holiday-themed episodes, they're still bringing in the Halloween spirit this week with the rather terrifying title "Unforeseen Complications." We open on Blake, Sun, Kali, and a pacing Ghira, wearing his tiny reading glasses that everyone was gushing over when the promo picture first dropped. Luckily we haven't lost the adorable cat Dad (yet), but things aren't looking good, especially when he's given this much screen time in a show that just loves breaking up happy families. Ghira is prepping a speech in regards to Adam's recent power-play and the only thing that eases the tension is a warm, family hug.

And Sun's awkward fourth-wheeling. Honestly, that was funny about ten episodes ago. For a side character that's been thrust into one of the main cast's storyline, Sun sure hasn't justified his place there yet. He's done little in the way of really assisting Blake in her work and the injury that worried everyone last Volume was explained away this very episode, amounting to nothing. The guy either needs something to do or finally needs to clear out--which, I should add, Blake wanted him to do weeks ago.

Sun aside, Ghira remains a favorite among fans for his sweet nature, fair views, and unending support of his daughter. His speech here, laying out Adam's rogue faction in the White Fang and his involvement in the Fall of Beacon, isn't anything that the viewer didn't already know about. In fact, the scene is a little confusing if you don't catch that Blake's story is apparently taking place a month behind everyone else's. There's no overt indication of this using text on screen and given that we're following so many characters, there's no easy way to imply an ellipsis, let alone that we're jumping around a suddenly non-linear timeline. I had originally taken Ghira's warning that Adam intends to kill Sienna as an indicator that news of her death hadn't reached the island yet. However, it was pointed out to me later that Ghira mentions Haven opening in two months time whereas Ozpin, later in the episode, says that school starts up in a month. I'm not sure why RT has chosen this form--or why they've made it so convoluted--but I'm trusting that it will somehow benefit the overall structure of the Volume.

Ghira's call to assist the humans in Haven certainly doesn't get an outcry of support from the crowd, but he's entirely undermined when Ilia (dramatically) throws off her cloak and reveals herself, shouting that they should never help the humans when they've done nothing but harm the faunus in turn. Sun tries to grab her (he fails) but the damage is already done. As we see through the camera focusing on our two creepy fox brothers, Adam's splinter faction has wormed its way in deep. We know thanks to Ilia's scroll that Adam not only plans to attack Haven but take out their CTT tower as well. RWBY is chock-full of themes surrounding communication (or the lack thereof) and literally taking out the kingdoms' one way of contacting one another is highly reflective of that. Combine that with Ilia’s few words sowing so much discord. Divide them and they’ll fall, and all that. 

The real action of the episode though is with Team RNJR. After a full two weeks we finally get to see the gang's reaction to Professor Ozpin's return and oh boy, it did not disappoint.

Ruby: "Isn't it weird?"

She's so excited about this! Qrow reminds the kids that this is strange for everyone involved, including the boy you're hounding, so they sheepishly give Oscar some space. He admits that he's a little nervous because he's never met real huntsmen and huntresses before, which is a wonderful callback to Ruby's excited, "Can I have your autograph?" to Glynda in Episode One. She's come far enough now that she's the one people look up to with awe. There's also perhaps a bit of rosegarden here, but that's obviously a ship that can only happen if Ozpin gets a body of his own.

We then (bless) finally get some actual information regarding this Oscar-Ozpin situation. Oscar shows everyone his "parlor trick" where, with a flash of green aura, gold eyes, and white hair, Ozpin takes control of his body, making everyone emotional with a sincere, "It is so very good to see you again, students."

It's a remarkably light scene for all the revelations. Like I've been noting in all these recaps, Ozpin admits how pleased he is that Ruby and the others can retain their sense of humor in the face of confusing and traumatizing circumstances. We get another callback as Ozpin apologizes, saying that he wasn't exaggerating when he once told Ruby he'd made more mistakes than any man, woman, or child. We learn that he has been “cursed” by the gods for failing to stop Salem centuries ago. For thousands of years Ozpin has lived, died, and reincarnated in the body of a "like-minded soul," though there's still no explanation of what exactly constitutes "like-minded” in this scenario. 

Jaune: "So who... what are you?"

Ouch. Though not an entirely unwarranted question when you’re suddenly dealing with the impossible. Ozpin says that he is the "combination of countless men" who have spent their lives trying to protect Remnant. The implication that he only reincarnates as a man aside (seems like a missed opportunity there), this seems like a pretty firm confirmation of the merging theory. The person we know as Ozpin might not entirely erase Oscar, but it certainly sounds like they won't remain completely separate people for forever. Indeed, Ozpin says straight out that at some point, "eventually," they'll “merge” and become the new Ozpin, a man who retains the memories of all his past lives. It’s all still horrendously murky, but honestly, if Oscar doesn't have at least a little bit of a freak out over this I'll be sorely disappointed.

We still don't know who or what Ozpin was originally. Was he just a man who took on too much, cursed by the gods for his failure or arrogance? Was he the wizard, one of the few capable of wielding magic in Remnant, thus making his survival (and the curse to ensure as much) a necessity? Ozpin isn't saying just yet. After assigning Qrow to find them more huntsmen he turns his sights on Team RNJR, telling them that they'll need to get into "fighting shape" before they can face Salem.

There is nothing that I don't love about this scene. Bringing back Ruby's lack of skill in hand-to-hand after Yang's character short spent so much time emphasizing it? Check. Implying that we'll finally unlock Jaune's semblance this Volume? Check. Ozpin confirming that outside the confines of his headmaster persona he's a happy, dramatic showoff?

Triple check.

All poor Oscar asked is that Ozpin not do anything embarrassing while he has control of their body and what does this man do? Act extra as fuck of course, performing a backflip onto the chair and spinning his cane far, far longer than he needs to. Nora is the only one unimpressed by this display, but I personally can't wait to see Ozpin training the kids. It should be especially interesting given his sudden loss of control--Oscar coming back unexpectedly and losing his balance, toppling them off the chair. Training is hard enough. Training while you're stuck in the body of a weak, undisciplined child... that's something else entirely.

The end of our episode takes us back to Weiss, still guarded by Raven's bandits. It's a moment of psychological torture, with her captor taunting Weiss with her own weapon and demonstrating that the one tool she has, information, is severely outdated. Ironwood has recalled all his troops from Mistral, including Winter. She's not around now to save her little sis’ like Weiss had hoped.

Which is hilarious, because in no world does Weiss Schnee need saving. Our last shot is of the miniature knight she's made out of a tiny glyph and her confident smile. Can't wait to see what she's planning to do with that.

Other Details of Note

I was incredibly nervous during the later half of Ghira's speech where he's just going, "We have ALL this INCRIMINATING evidence on this ONE SCROLL that I'm going to WAVE AROUND out here in the OPEN where anyone could EASILY STEAL or DESTROY IT..."

The faunus press all using their scrolls instead of cameras or old-fashioned pen and paper. It's a small but enjoyable bit of world-building.

The voice acting for Ozpin as Oscar was incredibly well done. Jury's still out on whether the echo is just a byproduct of his control or is somehow more meaningful. One theory currently says it's used whenever Ozpin says something that references all of his past lives, not just his last two.

Qrow immediately gets Ozpin coffee. Or hot chocolate. Whatever it is. He might be in the body of a 14yo, but you know as soon as he has control he needs a mug in his hands.

... Qrow then breaks the table and the mug. Hello, semblance. I'm looking forward to seeing more of that as the Volume goes on. Does the bad luck get worse the longer Qrow stays in one place? Is that why he's so eager to leave and recruit more huntsmen? What exactly are the rules here? No one has laid them out and (like silver eyes...) no one seems very interested. 

Oscar upon learning that he'll be training too: "Wait, what?"

And you've gotta love Nora. She went from thinking over how she could bribe her powerful, dignified headmaster ("No wait, he has a school") to flouncing about and calling him their "little cute boy Ozpin." I really hope she ignores his request and keeps calling him that indefinitely. It's very amusing.