#but playwriting

[sleeprough]

i don't care.

[ljmoorewrites]

How can I become a writer?

Write.

But I don't know where to start.

Write.

But I'm worried.

WRITE.

What if nobody likes it?

W R I T E

What if it's not very good?

Write. Write. WRITE. WRITE.

W

R

I

T

E

Write

Write. Write. Write. Write. Write. Write.

Write.

Write

Write

Write

Write

Write

Write

Write

Write

W R I T E

Write write write

Write

Write

[ancientsstudies]

[s-soulwriter]

How do we write characters authentically?

Hello, my dear writer! I assume we've all wondered at the beginning of our writing journey, "How do I find my own writing style? How do I stand out, and how do I make my characters sound authentic?" This post is dedicated precisely to the latter question. How do we write characters authentically?

Observe Different Personalities: Observe people of different age groups, from various cultural backgrounds, and with diverse life experiences. Pay attention to their language, gestures, and behaviors to develop a broad understanding of human diversity.

Take Time for Character Development: Invest time in developing your characters, including their background, motivations, goals, strengths, and weaknesses. The better you know your characters, the more authentically you can portray them.

Utilize Realistic Settings: Place your characters in realistic environments and situations that are recognizable to your readers. Describe the details of their surroundings, such as landscapes, buildings, clothing, and everyday items, to create a vibrant backdrop for your story.

Be Open to Change and Development: Allow your characters room for growth and change. People evolve over time based on their experiences and decisions. Permit your characters to learn from their mistakes, gain new insights, and undergo development.

Everyday SituationsAn additional tip is to place your character in various small situations, even if they are a fantasy figure. For instance, have your character order coffee. What happens if they encounter a ghost? What are their feelings about Christmas? Accompany them while shopping. How do they react when meeting their greatest hero? Describe everyday scenarios that aren't part of your official story but are meant for you to better understand your character.

[swan-of-saraswati]

RIP Lady Macbeth you would’ve loved hydrogen peroxide

[jacobtheloofah]

im doing normal and acceptable things in the world of playwriting. also im responding very well to reading "house of leaves" thanks very much why do you ask.

[girlsfirstplaywright]

“We are all in the gutter, but some of us are looking at the stars.”

- Oscar Wilde, Lady Windermere's Fan, 1892

[soniaknox]

The Power of Silence in A Story

Harold Pinter believed that what isn't said in a play can be more important than what is said. He thought that when characters face intense emotions or experiences, they often struggle to express them, or choose to stay silent. This creates mystery, tension, and deeper meaning. Pinter’s famous use of pauses and silences lets the audience read between the lines, making the unspoken just as powerful as the dialogue itself.

[jareckiworld]

Peter Weiss (1916-1982) — Sketch for Theatre [gouache on paperboar, 1955]

[davidhudson]

Joe Orton, January 1, 1933 – August 9, 1967.

[onlyifyoubadd]

HOLY FUCK! WE WERE FED SO MUCH!

not only did we get the rj reveal and them talking about their SON, but we also got them talking about michonne's branding and how she had to kill her friend, how she almost died getting to him, michonne carressing rick's amputation, rick crying while their making love, michonne's processing guilt over leaving her kids, bickering while killing walkers then killing walkers as a team while kissing intermittently, michonne being like "i dont give a fuck if this building comes down around us, sit yo ass down!", rick crying about how the crm took carl away from him, rick saying he wouldnt survive without her, they started in the apartment fighting and returned to it to make up, then riding off into the sunset with rick taking off his uniform!!!!

DANAI OUR QUEEN!

[wolfmountainworkshop]

[imastoryteller]

Free for a Limited Time: A Course for Writers!

I’m thrilled to announce that "Playwriting Mastery: From Idea to Story," a course I co-created, is available for free right now!

This course was designed for playwrights, but it’s truly universal—perfect for anyone who loves storytelling. Whether you’re crafting plays, novels, scripts, or something entirely different, these lessons will help you discover ideas, develop them, and shape them into powerful stories.

📖 What’s in the course?

Finding the central theme of your story—the heart of what you want to say.

Turning that theme into a meaningful message.

Exploring conflict to create dynamic, compelling stories.

Generating and refining ideas until they truly shine.

Choosing the right genre to elevate your vision.

Understanding conflict on a deeper level.

Taking your idea and shaping it into a clear, pitch-ready story.

This course is a labor of love, and I’m so excited to share it with you. For a limited time, it’s completely free—because I believe storytelling should be accessible to everyone.

📍 Find all the details on my Patreon page (Link in pinned post).

If you’re a writer looking for inspiration or clarity, I hope this course can help you bring your unique stories to life. Let’s create together. 💡✨

Help us spread the word! If you know writers or creators who might benefit from this, please feel free to reblog this post. Let’s make sure as many people as possible can take advantage of this opportunity!

[mackdizzy]

Definitely an emotional moment for me. After over 2 years of work, I am happy to present the piece I created for the @mcytplaywritingfest : underscore, a presidency in 2 acts. Please check out the amazing accompanying artwork here. This piece was a behemoth and a challenge and an absolute delight, covering the Manberg and New L'manberg Administrations and featuring exiles, chess, the horrors of what can and can’t be shown on a stage, knowing you have an audience, not knowing you have an audience, the fourth wall, chekov's gun, being the third person in your own story, and pretty much everything else that happens when the Dream SMP and stagecraft intersect. Content warnings are in the author's notes. I hope you all enjoy reading as much as I have had the honor of both running the event and bringing the piece to you.

[nrivanwrites]

did anyone ask for a SUPER LONG writeblr/wip intro?

my name is Ro, I'm 23 years old, and I currently work full-time as an optician while I juggle approximately a dozen projects. please please PLEASE tag me in your projects, tag games, whatever. I love to look at things :)

here's a handful of my current projects. let me know if anyone wants to be on a gen/specific tag list!

THE LAST LORINEAN

epic fantasy, draft 3.2

A marathon of a project, spawning from an absentminded idea in 2011. While the central cast has undergone some face-lifts over the years, the bones have remained somewhat unchanged. There's probably a million drafts of this out there, but we'll call my current one the third big effort to get the story written.

Found family, magical road-trip, and laying the foundations for an interconnected multi-series exploration of the universe in which it's set.

Those born on the Aronian continent do not dream, long-cursed by the Witch Queen of the previous age. The dream-weaving Lorineans, who once provided a reprieve from the curse to the Aronian people, conspired against the kingdom and earned their eradication at the hands of the now-immortal Emperor. The empire now lives in dreamless peace, a united force of human, elven, and faerie kingdoms.

In the rural south of the Empire, Lilliana Karington has been living a quiet life. Unbeknownst to her, a Lorinean has been hitching a ride on her soul for her entire life—a secret that will send her on the run. She is joined by a fugitive by the name of Sadene from the faerie kingdom of Kyrania who carries secrets of her own, secrets that could topple the Kyranian monarchy and pantheon both.

With Imperial soldiers and Sadene's twin brother on their heels, Lilli must learn to trust the Lorinean she is bound to if she is ever to find a way to return to her peaceful life. But as she learns more about the secrets her Empire hides, the harder it will be to find peace ever again.

THE DAUGHTER OF DENMARK

historical fantasy, draft 3

a.k.a. I played Hamlet seven years ago and now it's everyone's problem. A novelization/reimagining of Hamlet through the lens of gender, queerness, and what a religious conflict means when there is concrete memory of Denmark's pre-Christian heritage. However, please don't expect historical accuracy from this project. It's about vibes.

Court intrigue, love quadrangles, repressed trauma, tragedy… y'know, the Shakespeare of it all.

Hamlet has known what her life was meant to be from the very moment she was born. Named a Ragnarson to ensure her claim to the Danish throne, she has been sheparded by her kind-hearted father and traditional German mother towards the title and burden of King.

When a hunting accident brings Hamlet near death, she is sent to her mother's old university for safety, far from the politics of Denmark. The things she saw in the world between life and death haunt Hamlet between her studies and blossoming friendships.

All too soon, Hamlet is called back to Denmark, where a dark shadow has robbed her of all she once knew. Through madness and memory, she must spiral to the end of a story that was written long ago.

PROJECT: ATLANTIS

epic sci-fantasy, outlining

Inspired by a Google+ roleplay group the two of us were members of in 2014-2019, a friend and I have been building a world and narrative that stretches years of cowriting. We are slowly finding a way to adapt our work into novelizations. One day, we'll even come up with a title!

Political intrigue, vast worldbuilding, and a web of characters spanning one end of the world to the other. Featuring a conlang and neography!

After fifteen years of tenuous peace in Atlantis, the question of succession has risen again. Faolan Althaea is of age to take her family's throne, but the banished descendants of Faolan Agallai have retained their influences in the dark, and they are ready to make another bid for the throne. Althaea is thrust headfirst into the boiling conflict, and she must learn fast which faces to trust.

On the other side of a once dormant portal, Faolan Illyrius is paying the price for rescinding his claim to the coveted throne. The godless, ransacked world of Aegina—known as Earth to its inhabitants, the aeg'oroi—is hiding knowledge that could turn the tides of the Faolan and Agallai conflict, and he is the one who must get his hands dirty to find it.

The Agallai loyalists have not been dormant since orchestrating the death of Althaea's parents. They have gathered supporters of a new generation, preying on the aeg'oroi that regent Priar Arsina, ruling in Althaea's stead for the last fifteen years, is so determined to alienate. As the succession crisis comes to a head, loyalist agents vie for control over the portal connecting Atlantis to the aeg'oroi homeland.

Something dark lurks in the shadows of Entropy connecting these two worlds. The gods have fallen silent, and their people are divided. Will Atlantis stand, or will sickness devour it all?

ON THE PRECIPICE OF THE UNIVERSE

narrative sci-fi poetry, final draft

Return of the king… because I am going to be self-publishing her! I am starting a fresh round of edits and will be looking for some beta readers soon. Mostly need a vibe check on the amount/length of poems and general format. Then comes cover design (will be commissioning a college friend), page design, and figuring out how the hell I'm gonna do this!

Sentient spaceships, loneliness, and the great unknown.

When the last war broke out on Earth's surface, the spaceships launched. No one expected the fires to reach high enough to knock the entire fleet out of the sky—save one, a sole survivor drifting onwards to a new planet.

Years later, only one of the ship's passengers remains alive, going through the motions of the day without fail. The last human alive cleans the vents and weeds the hydroponic gardens. And, they write, chronicling the little life they have left to live.

OEDIPUS REGINA

tragedy, draft one

Apparently, I am allergic to writing a play about anything but the ancient Greeks. Yet another gender reimagining! This came at the request of some college friends who acted in The Kassandriad and have done some readings of my other Greek plays. Still debating if I will be swapping the masculine and feminine for the names.

Cycles of fate, inherited trauma, and the inherent eroticism of riddles.

Oedipus, princess of Corinth, is a young woman when she hears the prophecy that she kill her mother and bed her father. She flees the home she has always known and finds herself in Thebes, a city living in the shadow of a sphynx and the absence of their queen. The childless, widower king takes an interest in her; an interest that sets in motion a cacophony of disasters for the Theban throne.

EAT HER HEART OUT

drama, draft one

Guess what. It's a reimagining of a Greek myth. Who is surprised. This one is taking a look at the Homeric Hymn to Demeter—and yes, I am aware of how many Persephone retellings there are in the world. Leave me alone. What if I'm built different (I'm not).

Motherhood, dependence/independence, and unreliable narrators.

We visit three worlds: of the gods, where Demeter searches for her daughter and Persephone toils in the Underworld; of the mortals, where Demeter hides among a mortal family during her endless winter; and of the Muses, who tell the story à la true crime podcast. The lines intertwine and an old story is made new (again).

[thelowcalcalzonezone]

best part of making character: character. is in my braimn

worst part: character. it is in there 7ever