#but it was perfectionism itself that prevented the work from getting done
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Specific manifestations of anankastic / obsessive-compulsive PD in my life
see similar post for schizoid PD
When I first heard of my personality disorders, it was hard for me to notice their role in my life. Part of it was that I was younger, and with less experiences, but part of it was that by nature PDs are so ingrained it's hard to see the full scope of their influence. Particularly I struggled to see the "dysfunction" part - I was thinking that sure, I do experience that, but is it really that bad? And you can't have a PD without the dysfunction, so do I even count? I think that now, after some time and more reflections, I can say I do see the dysfunction, so I thought to share my observations.
Disclaimer: I am going to combine DSM V and ICD10 criteria, and omit those that do not apply to me
Using DSM V + ICD10 criteria for OCPD that are relevant to me:
1/ A preoccupation with order and details that results in the person missing the point of an activity / Perfectionism that hinders the completion of tasks
This manifests in a very classic way for me. I get overfocused on aligning shapes in my presentations instead of focusing on, well, the goal of the presentation. I get fixated on trying to undestand everything in my classes/courses - instead of seeing what the entire course is trying to teach me, I get anxious and feel like a failure for not understaning one concept. It prevents me from moving on and trusting the process.
A big one that deserves it's own point is when I am organising things. I organise everything in my life, and I get into those organisation obsessions. When I am in one, it's all I can think of. How to put those notes in order, where to put this thing, how to create a system that makes perfect sense. Instead of recognising that the organisation part is supposed to help me with the things I am trying to organise, I get obsessed with the details of the organisation system itself.
2/ Undue preoccupation with productivity to the exclusion of pleasure and interpersonal relationships to an extent that is excessive and not explained by economic needs
Very much connected to 3/ for me, more on that there.
When I was still in school, the feeling of obligation was overwhelming. I can't quite even find the words to describe the extent of this feeling. I neglected everything, literally everything to do schoolwork. Sleep, relationships, family, my health, just because I felt this enormous pressure that Have To. I refused to meet with friends, or to watch movies with family, or to do anything fun, or to even go to the doctors because I had homwork, or an exam. And I know everyone does that from time to time, but the frequency and intensity is what made it dysfunctional. Also, as it turns out, it only caused me more harm than good - me getting a good grade 5 years ago absolutely doesn't mean anything anymore now. And me not making any long-lasting relationships? Absolutely does affect me to this day. My priorities were not serving me.
Now I don't have this singular intense big obligation that school was for me, but I still am rather obsessive about trying to gain skills that would make me employable / not useless. Granted, I am failing miserably at that, but it is my main focus. And I still neglect other things and relationships because of work or some other task I deemed an Obligation. I literally work full-time and then study part-time on the weekeds, I don't think I would do that if I cared about friendships or fun...
I can't allow myself to do anything fun / think about anything else when I have an Obligation planned. And it doesn't have to be anything big - even when I Have To buy someone a gift, I will not fully relax as long as I fulfill the obligation. Which is stupid, because there are always things to be done, so I am permanently stuck in this.
And all of the above is so irrational... Like I come from a relatively well-off family. I have had a full time job for a year now, with permanent contract. And yet, I still feel this sense of Danger and that I Have To do all the things, like work and studying, to make sure I don't die (it feels like I will die if I stop).
3/ Reluctance to spend money on oneself or others and a belief that money should be hoarded for emergencies
The motivation for all from point 2/ always has been fear of spending money, fear of being useless, fear of not having the skills for people to employ me and ultimately fear of ending up homeless. I was thinking of this even when I was like 13yo learning geography. I don't know how normal that is. So, I have always saved up as much as I can, to have the money when something bad happens. I am saying when, and not if, because it feels inevitable.
Everything costs money, and when I am afraid of spending it it affects so many aspects of life. I don't go to fun events for which you have to pay. I feel bad going out for dinner with friends, so I isolate instead. I don't buy clothes unless the ones I have are absolutely unwearable. I postpone going to the doctors, or getting tests done when I have to pay. I feel bad even bying basic groceries.
This is a big factor contributning of me not going to therapy, because it's expensive.
I also feel even more guilty when other people spend money on me. Like, I absolutely don't have to work actually, my parents could pay for my university. But it feels too wrong. I can't. I physically can't allow them to.
4/ Reluctance to delegate tasks to or work with others unless things are done his or her way
Pretty related to 1/. Other people just don't care about the details, or doing things right as much as I do (which actually, good for them because I am the one in the wrong, but I can't help it). I hated group assignments in school because of this. And then I would put too much effort into a stupid project that ultimately meant nothing, and so the cycle continues.
On the flip side, it makes me refrain from tasks, jobs or even basic activities which involve other people, because I know I will suffer with trying to ignore the "imperfections", or they will suffer if I nag them about them. So it may be limiting in terms of what I take on. Like not choosing work that I would maybe like / benefit from because it involves groupwork. And let's be honest, in today's complicated world there aren't many things you can do completely alone. All big, important projects involve cooperation.
5/ Excessive conscientiousness and infexibility related to morality or values (not explained by one's culture or religion)
The main value I hold in my life is to cause as little harm as possible. And you know what is the easiest way to cause as little harm as possible? To do as little as possible. I try to not consume much. I isolate because I don't want to hurt anyone with my broken brain. I chose the line of work and study not because I truly want to do them, but because they are viewed as more useful/benefitial than what maybe I would have chosen otherwise. I don't want to be a waste, and a burden.
I also hold some other tangentially related philosophical beliefs, that most likely don't serve me, but they feel too right for me at the moment. To name a few: antinatalism, nihilism, atheism, pessimism (in the philosophical sense). I like to think I could become convinced otherwise, but that I just haven't heard good counterarguments, but I don't know. Some poeple have said to me that I am just stubborn and refuse to listen, so maybe it is my infexlibility and not the weakness of the arguments.
6/ Feelings of excessive doubt and caution
The thing that have defined my life since I can remember is this feeling that the world is a dangerous place. That I am unwanted here and that I have to prove that I deserve to stay. That I have to make the right choices, and be cautious to avoid pain.
It's hard to find specific examples, because it's something so ingrained I can't imagine how I would act otherwise? But even such things as avoiding going out at dark (impossible to do 100% of the time) that made me miss out on fun or important things. I never trust people fully, especially that they will fulfill their obligations to me. I never trust myself - that I deserve to be where I am, and I always feel at danger of getting kicked out of places. I don't trust strangers on the streets to even not attack me, even though it never happened? I could go on and on. I just have this feeling that I always have to watch myself, and my steps, and to prepare for the worst always.
7/ Intrusion of insistent and unwelcome thoughts or impulses
Probably a lot is covered in 6/ as well
I want to also mention my bfrb - skin picking. It's embarrasing to be honest. I pick everywhere, but especially on my shoulders to the point I look like I was burned. I like doing it, but I guess it is unwanted in the sense that I wish I didn't? I don't know, it's complicated.
I would also classify my obsessive need for organisation here. Like sometimes I wish I could just do something, instead of having this need to organise and plan everything neatly first.
For thoughts, it's pretty standard talk of not being enough, of not working hard enough, of comparing myself to others. I recently also started having flashbacks to random memories. I don't particularly want to think about the past anymore, and I wish they would stop.
I also get some thoughts that are like what many people think is going on in OCD - I get anxious about not locking the door, not turining off the oven, stuff like that. I do occasionally have to go back and check to calm myself, and even after I do I still think "but what if I didn't???". A big and constant one is thinking I lost/forgot my keys, wallet and phone all the time even though I am literally touching them in my pocket lmao. I don't think it's to the extent of a person with OCD though.
Fighting all of that just takes a lot of brainpower in my day-to-day, and that is pretty distressing itself because then I will spend my brainpower on thinking about how much brainpower I am using on those things? Ridiculous cirular thinking, that I am also experiencing in other aspects, but this post is long as it is.
#schcomtalk#anankastic personality disorder#obsessive compulsive personality disorder#ocpd#cluster c
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What If S1E4 Meta: The True âHeartâ
The same way Stephen couldnât let go of Christine in the fourth installment of What If...?, I havenât been able to shake this episode off and out of my head since watching it. Iâm pretty sure itâs put me through the grieving process. Lately, itâs been haunting me like a ghost, and while mentally revisiting it for the fourteen millionth time, I realized something BRUTAL that I just had to share ASAP!
Hear me out, homies. What if...
The running theme and title of the episode was Stephen Strange losing his âheart.â But although the setup and storyline seems to suggest the euphemism refers to Christine Palmer, it doesnât! The âheartâ of Stephen Strange is not the girl of his dreams he lost in that car accident, but the greater man he had gained.
OK LISTEN. Let me have a shot to show you what I see (even in shite quality, pardon my crappy screenshots). Letâs start with the DS1 recap, 'cuz Iâm still not over the first movie, either, and itâs relevant.
Like the watcher explained, after the devastating and tragic death of the love of his life, Stephen Strange began to look for answers. Not different from Stephen Strange of the sacred timeline, he was obsessed with reversing the great loss and trauma heâd endured. It was with the same perfectionism that made him a great surgeon, that Stephen sought the power to âfind his own way back.â
... By any means necessary.Â
They both discover that âpowerâ they were searching for when they stumble upon time magic. However, Stephen is lectured that time magic is something that could risk the stability of the universe, and should never be done lightly and certainly never for the sake of one person over all others. Although harm is not his nature and Stephen doesnât want to hurt anyone, he struggles to give up on his quest to heal his hands, or alternatively, to resurrect Christine. He was told a solution wasnât out there, but found it in the Book of Cagliostro.
Despite every person that told him it couldnât be done, Stephen canât accept that. He wonât admit thereâs nothing that can be done, there has to be something he can do. Heâs conceited with the delusion he can alter his past to better his present. And he wonât be swayed of it.
But when the Ancient One fell, Stephen Strange rose to take her place and fend against the invading Dormammu. He saw for the first time the world that was so much bigger than him, that he could do so much good for, more than good only for himself. He saw the millions of lives that had not yet been lost to tragedy he could prevent and save from it, even if not what hardships had already been done and could not be undone in his own life. Things he could save, not fix.
And it wasnât his own life he saved with that time magic in the end, but earth itself. And Stephen Strange became something much bigger than himself. No matter what heâd lost in that car accident, he learned there was still much more he could gain, regardless of what heâd lost. He didnât need to fix his hands. They were still good.
Better than his brilliant mind, was his beautiful heart.Â
His capacity for goodness, not greatness.
And yet, for all the good heâd achieved and learned, on the two year anniversary of Christineâs death, Stephen canât help but get sucked into his past, and in a moment of weakness, allow his grief power over him once more. He canât stop reliving the past. He loops it over and over again, trying to reverse fate, trying to find a way to spare Christine and find that âmiracleâ that must exist to spare her.
The Ancient One has sensed his presence and meddling with the Eye of Agamotto, and warns Stephen that the path he had set himself on would lead him only to more pain. When Stephen refuses to be reasoned with, the Ancient One brandishes him with a single blow before he escapes into the past. He thinks she missed. She didnât.
SHOT THROUGH THE HEART, AND YOUâRE TO BLAME! DARLING YOU GIVE LOVE A BAD NAME!


But *ahem* seriously, notice how Stephen was struck mid center his chest, directly over his heart. It was in that moment that Stephen Strange lost his âheart,â as the Ancient One had knocked it out of him, just as she had knocked him out of his own oversized head when they first met. Theory: she cast a spell to separate Stephenâs heart from his mind, the two halves that make one complete man. Â
Because even if Stephen Strangeâs mind was still set on Christine Palmer, his heart had been changed, and there was still hope for it. And Stephen Strangeâs heart had enough with âliving in the past for one day,â and chose instead to share drinks with Wong.
Meanwhile, Stephenâs âmindâ searched the Library of Cagliostro for a way to reverse an absolute point and save Christine. Eventually, he found the answer he was looking for. He needed more power, that could be obtained by otherworldly creatures. Now, harm is not in Stephenâs nature. On his first attempt, he actually tries asking ânicely,â and ends up getting ass kicked.
OâBengh, the librarian of the books of Cagliostro, patches up his body and tries to warn Stephen. He may have lost his heart, but if he he keeps going at this rate, he was well on his way to losing his mind.

But Stephen didnât heed those words of warning. He distorted his body, darkened himself with every sacrifice he made for Christineâs sake. So caught up in the memory of Christineâs greatness, Stephen had forgotten heâd once had one of his own. Christine was all he saw.Â
So obsessed with her, he lost himself.
When Strange returns to OâBenghâs side, the librarian has aged and is dying. He reveals the passage of centuries Stephen has spent devoted to this madness. As someone Stephen thinks of as a friend passes away, Stephen canât think to cherish these last moments or listen carefully to his final words. All he can think is to use his magic to spare OâBengh, which OâBengh refuses, trying one last time to reach through to Stephen before giving up and leaving hope to the âheartâ to be strong enough to withstand and stop him.


*Wink, wink, wink.* Do you see it now?
Now, onto the confrontation between heart and mind. Stephenâs mind canât achieve anything if his heart isnât in it, and I love the symbolism of that. He must get it on board first, unite on both fronts.
Stephenâs heart can recognize that this isnât love, but the work of his broken mind lost in a delusion. And Stephenâs so far gone down the rabbit hole, he wonât even listen to his heart. Instead he ignores it, even burns the cloak of levitation... the very symbol of his finding something new that could uplift him after spending so long down on his knees in the past... and he burnt it to ash. When his heart wonât be persuaded, he resorts to trickery, attempting to con his heart with the same delusion that haunts his mind. Itâs the same Christine that Stephen first was hung up imagining when he picked up the eye of the Agamotto and got himself into this mess, his trump card.
But again, the heart cannot be deceived. It knows Christine is dead, and it realizes the fantasy his mind is pursuing is not the same as the Christine they once knew and loved. More importantly, his heart remembers that there are other people who need him now, people that are not beyond saving. And the mind is done playing.
If his heart wonât come willing, then heâll just have to beat it into submission until it canât make a single sound of protest, and then swallow it whole. Stephen makes the ultimate sacrifice the Ancient One had tried so hard to prevent, and abandons that heart she saw so much potential in and inspired her to teach him.
This episode AMAZINGLY tackles the narcissism and arrogance that hides in specific shades of grief and depression. In believing our problems are greater than anyone elseâs, that no one else could understand as Stephen insisted âthey didnât know her!â The selfishness that comes with refusing to see the world or those around you that still need you and choosing instead to chase the memory of the ones youâve already lost, who are beyond saving. If we choose those delusions over our reality, in the end, we will lose everything, and the ones who will pay the price for your arrogance wonât be you, but the ones you loved. Even the memory of the one you loved, that you twisted to fit your mold. Thereâs a selfishness in seeing only the bad of what was rather than the good of what could come.

Unless you want to end up alone inside a cold and empty shell, maybe itâs time to listen to your heart, and move on.
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asmr i psychoanalyze my favorite war criminal, aka calling out norman the essay
basically all of my thoughts on norman on one callout post because i care him (both manga and anime are discussed)
LINK TO RAY PSYCHOANALYSIS:Â Â https://chaoticgaymess.tumblr.com/post/646749875570196480/ray-81194-the-long-explanationÂ
this is going to be ungodly long so hereâs a keep reading, essay below the cut
((tw for suicidal ideation and self harm, brief discussion of eating disorders))
Disclaimer: no shipping is included here this is just about norman also theyâre kids who call each other siblings
Thoughts:Â So you may be thinking, Rowan, why do you yell about the colorless war criminal so often? Well the answer lies in your honor the court hates to see a girlboss winning. Norman is a girlboss :) Yes norman is a tiny twink who can't lift a milk jug. And he is a girlboss :) Obviously I don't condone, um, eugenics and all, but that's not the point the point is that he satisfies my need for more characters like Levi motherfucking Calder from Unwind because Iâm apparently an edgy 13 year old. Also all of his problems are violently things I can fix and I keep him around as a pet project because someone needs to give him a hug and slap him on the face
I diagnose him with things:Â
-pisces man :pensive:
-is he albino? Not literally. Is his skin so pale he would catch fire if he went outside at noon? Yes.
-autism: Yes Iâm aware that calling him autistic makes him, problematic rep by perpetuating the autism unfeeling savant stereotype whatever but have you considered iâm autistic and Iâm projecting also heâs L with standards? Anyway traits of AuTism he has: hyper  fixation, canonically breaks and fixes things over and over because like ofc he does, doesnât understand Emotion, hyperaware of body language at the same time as it all somehow flying over his head, low empathy, sensory experiencesâą, min maxed in certain areas, and I donât think heâs got social interaction quite right? Thereâs something off about it
-gifted kid (derogatory) This is self explanatory but basically him being the smartest and the best in a competitive environment caused most of his issues, such as the perfectionism, the need to succeed, the lack of self esteem and ridiculously high expectations on himself, giving himself no breaks or time to relax, the âi must be productive with every second of my day or i will dieâ deal, the âpeaked at 11â thing, the way in which he goes through life like thereâs going to be a fucking test on it
-Eldest Daughterâą lmao. Normanâs always had to be mature, heâs always had to be the best, heâs always had to do the things Ray got out of bc heâs a snitch and Emma got out of because Isabella likes her. Norman gets respect from Isabella only if he excels, and her bar for him is astronomical. He doesnât have the Mommy Issues that Ray has, but itâs because for him Isabella basically just reflected his expectations on himself, whereas with Ray it was more personal.
-low empathy (part of the autism thing): this one needs more explanation, but itâs not a bad thing in and of itself. Cognitive empathy is a thing and he can use it, but he does not instinctively understand other peopleâs emotions, or even recognize them properly, especially when the person is not like himself. This is obvious in Emma. Man has no fucking clue whatâs going on in her head or why she does what she does, but he can predict what she will do in any given situation very well. He could understand the suicide attempt from ray he predicted more because Rayâs an easier equation to solve, and someone whoâs more similar to him. I know he gets it because, well, motherfuckerâs just as self desctructive as him, just in a more dignified manner.
-heâs got some sort of chronic illness. This is also me projecting and a headcanon but heâs got something going on, even before lambda pumped him full of growth hormones or whatever which they maybe should have Not Done but oh well. (I assume this just didnât happen in the anime, since heâs still so fucking short) But he's So weak. He passed out when it was too hot. He passed out when it was too cold. He canât open a pickle jar. His skin is too pale and heâs skinny af. Heâs much more prone to sickness and probably has asthma too? But in the case that he did actually have something going on, I donât think grace field would see the need to treat it, if it didnât impact the quality of his meat? Isabellaâs probably just âyou have chronic pain and you get migraines? Great, take some tylenol and do some calculus.â Canât say that probably helped anything.
personality type: ISTJ
Basically, heâs the most boring personality type to exist, and personally as an enfp i do not respect him. But basically this means heâs a fucking nerd that gets his projects done for school the day theyâre assigned, is probably the president of the Anime Student Councilâą, and could probably get away with premeditated murder (ok actual istjs this is a joke donât skin me)
The only trait that norman doesnât have on the istj thing is telling the truth. Yeah, he values the truth, but like, that doesnât apply to him, clearly. Bitch is a notorious liar.
The only other personality type he has any similarity with is intj, which is the same except itâs more rare and a purple theme instead of a blue theme. Sadly, thatâs not him though, because although he can care more about some kinds of philosophy overall this isnât the case and ray already occupies this personality type tbh.Â
strengths and weaknesses: This oneâs kind of obvious, but he is aside from the crazy insane intelligence good at planning. Extremely good at planning. He can predict any outcome and figure out how to prevent it, using all his resources. For example heâs physically weak and someone could literally just walk up and stab him, but it doesnât impede his progress on his goals because heâs surrounded himself with strong, mentally inferior people who would die for him in a heartbeat. He never gets stuck in some âeverything is shit and i canât do anythingâ deal like Emma and Ray do, he always works through it and has confidence in his abilities (in as much as he will solve the problem or dieâą. Weaknesses other than his twink body include his Low Wisdom score. Itâs funny how heâs often associated with an owl, the mans is 14. He thinks he knows what heâs doing. He doesnât. Plus obviously his fundamental misunderstanding of so much of everything going on around him, the fact that he lies not just to the world but himself, his refusal to take care of himself and his incredible cowardice. His achilles heel is being forced to, actually confront his actions.
what he likes about himself: He does pride himself on his mental abilities, and his judgement, which in his opinion is the only correct opinion and the only correct way. In the past, he likes being seen as a leader, he likes being responsible for other people. He likes his ability to manipulate and lie, because he sees it as an asset, and I honestly think he enjoys being william minerva more than he enjoys being Norman. He prides himself on his unhealthy expectations and the fact that he is able to meet them. Honestly, he does think heâs better than everyone else, mentally, though itâs humbled by his self hatred. Cursed thought: If Norman had self esteem he would be light yagami.Â
what he doesnât like about himself/insecurities: Oh god, nearly everything. His appearance, his status, his superiority, his physical inability, his own mess of a mind, also have I mentioned his appearance. Heâs obsessed with self control. He wants everything he sees wrong with himself gone. And I understand why having control of everything is necessary and appealing, everything for him has always been rigid and planned out from moment one, he was even more regulated in lambda, and though he desperately wants to Not Be Food, he has no idea what to do with the chains now that heâs broken out of them. So he just wraps them around himself. Regulates to an unhealthy degree when he sleeps, what he eats, when he actually takes even minimal care of his own problems, what he looks like, how much of himself he lets show, the expressions on his face, the literal thoughts inside his own head he will shut down if they are not Correct. Itâs literal self harm. Norman, please stop it.
motivations/goals in life/general philosophy: To be honest, Iâm not sure he knows what he wants. He sure thinks he does, he could sure give you a memorized answer, but it means nothing. He wants to excel. He wants Emma to be happy. He wants to be perfect and for that to make everything perfect. But he doesnât realize everything heâs working towards will do pretty much the opposite of that. Heâs a crippling perfectionist, and pretty much everything he does is motivated by his fear of failing. He picks the certain path, he doesnât wait for anyone else, he doesnât care if itâs not nice. Emma foils that a most of the time because he cares about her, but it can only go so far, especially after heâs had so much time without her to develop a Complex. His philosophy is very contradictory, basically the tokyo ghoul âeverything bad that happens to you stems from a lack of abilityâ. All of his problems are his fault. All the worldâs problems are his to fix. If he canât fix them, itâs his fault, itâs because he wasnât strong enough, and not being perfect condemns someone forever, including himself.
how heâs perceived by others vs how he actually is: In most people there wouldnât truly be much of a difference, but with Norman things are different, because, well, most of his personality in grace field is a put on, as well as the tough guy dictator thing he radiates after lambda. How he appears to someone is determined by the context of their meeting- the kids at grace field see him as a nerdy, weakish, pretty boring kid who is really caring and kind. The researchers at lambda see an obedient, beaten down and perfectionistic boy. The lambda kids see him as an infallible leader, ruthless and genius, a good man who knows whatâs right. But in truth none of that is him. Itâs a fucking chess game to him, putting on different faces, lying and pretending and treating everyone differently. In truth? Heâs a fucking coward. Heâs scared out of his mind and heâs tired and he canât take pain, heâs obsessed with reaching some goal he deems is necessary that in the end is going to be his death because he doesnât want to face the consequences of his actions. Heâs taken on the role of someone evil, though deep down heâs not, he feels itâs easier to live that way because it strips him of his conscience.Â
interpersonal relationships: In general, Norman sees all relationships in a pretty dim light. He sees everyone as black and white, for the most part, and other people make no sense to him intuitively, he has to figure them out like a puzzle. Heâs manipulative and not particularly kind, but he follows all societal expectations to a T, overly focused on his appearance and placing the person heâs interacting with into a Categoryâą. So he can be truly kind, to people he feels deserve it, to people who he values and doesnât see flaws in. He gets incredibly attached to people he loves, protective, though he often doesnât take their own feelings on the matter into consideration, and heâs ruthless with anyone who he deems a bad person. With people he understands and relates to, though, things can be different. If he sees someone as like himself, he will drop all the social interaction police bullshit and cut to the chase of whatever he wants or needs from them, and heâs not very forgiving in any manner, if he thinks what someone did is actually bad.
Emma: Norman obviously cares a lot about Emma, and honestly views her as better than anyone else. He realizes her moral integrity and all of the things she has and he doesnât, and admires it. Because of his black and white view, Emma is like an angel to him. She couldnât do anything wrong if she tried. But he comes to treat her as something to be protected instead of respected, and although he realizes she wouldnât like what heâs doing, he fundamentally cannot empathize with her and doesnât try to understand her. Their personalities are very literally opposite. Norman really needs to fucking listen to her. And Emma needs to understand that Norman doesnât have a single ounce of empathy and you really do need to spell it out for him. Emma can only convince him when she has logical reasons for her actions, which she, doesnât often have. And Emma gave Norman too much slack, because she didnât see past the surface, and Ray never wanted to warn her, even though he knew the dude was showing a bunch of red flags, because you know. It was kind of an unspoken deal between them. (on rayâs part)
Ray: His relationship with Ray is a lot more complicated than with Emma. He understands Ray, where he doesnât understand Emma, and he can see right through anything Ray does. And this makes things really tense between them, because Ray doesnât, take kindly to being psychoanalyzed. If someone perceives him he will deck them and Norman is just there silently perceiving him at all times when Emma doesnât see it. They are both constantly in competition with each other, but they care about each other a lot, though itâs kind of in a derogatory way. They both recognize each other as fundamentally fucked up, and silently agree never to bring it up with Emma. Theyâre nice to each other when sheâs around, but all pretenses disappear when sheâs gone. Ray is always frustrated with Norman, because Normanâs never been intimidated by him, and though he tries his best not to be vulnerable around him, Norman can always see through it, whereas Ray canât crack Normanâs fake fucking smile no matter what he does. Norman will always take Emmaâs side, and doesnât see Ray as a good person at all, but he still understands and can excuse him, he takes measures to be⊠worse than Ray, which is better in his mind, because itâs rational, and ânot selfishâ.
Isabella: She has always had ridiculously high expectations for Norman, and treats him kind of harshly compared to the others. Bitch has heat stroke and Isabellaâs first question is a calculus problem instead of like, âare you okâ. She knows he doesnât complain about anything ever and she doesnât stop him from being Terrible to himself, because it makes her job easier. They want smart kids, not mentally adjusted kids. She does really care for all of them, but she basically overrides it, she gives them what they want, not what they need, lets them be exactly what theyâre making themselves. Isabella is distant with Ray but gives him anything he wants, sheâs close and super nice with Emma, but Norman is⊠itâs weird. Isabella is proud of him because he meets her astronomically high bar. But at the same time, Norman never really cared for her that much and has never pretended to. Once they discover The Thing, though, he has a revelation, and it doesnât take him long to switch his entire perspective about her. Heâs pretty much like. Oh. Sheâs like me. That explains it, time to treat her like I treat myself: fucking brutally. Passive aggressive as hell. The kind of energy the :) emoticon at the end of an email gives. He does like just go âyeah we should kill herâ at one point, which. You know, ok. When he got shipped out it was hhhh really interesting because Isabella knew full well he knew he was walking to his death and Norman was like âare you Truly Happy?â and just went :) and she was like h u h and tried to get him to talk while they were walking there because she feels Bad about it and he just. Did not. He didnât say a single word just kind of smiled menacingly at her and I think it was half a sort of rebellion and half because he viewed her as similar to himself and therefore felt no need to put up any front with her, no words were necessary for him to impart exactly how he felt about it
Lambda kids: His relationship with the lambda kids is weird and bittersweet. I think he really truly does care about them, they were in a similar situation to his and he wants them to get what they want. However it is not a healthy or beneficial relationship, they see him as a god and donât realize that heâs killing himself to give them what they want, heâs basically adopted them when out of anyone normanâs the one that should least be in charge of kids. I think heâs honestly younger than them but Iâm not sure if they even know. He acts like their fucking mom, and thatâs from what he thinks mothers are like⊠like isabella?? Giving them what they want, not what they need, lying to them, showing a front, caring deeply for them but at the same time using them for his own ends. And itâs not helpful for him. He thinks he knows what they need, but what heâs doing is what they want. What they need is therapy,(and so does norman), and he doesnât think thereâs anything wrong with using them as weapons because they love him. It makes him feel good, to be seen as perfect, to have people who donât know how weak he really is. But itâs only making him worse, and heâs enabling everything the lambda kids are doing wrong as well. They need like, Yuugo and Lucas. Some actual adults who are actually wise and have the ability and the knowledge to take care of them and understand their mental problems and maybe actually address them. And actually be nice to them. But um sadly.Â
what heâs doing wrong: Itâs pretty obvious, but⊠Norman, you maybe *shouldnât* commit genocide? Youâre not helping emma, youâre not making anything better. Youâre not helping the lambda kids, youâre enabling them. Youâre not helping your friends from grace field, youâre ignoring what they want. Youâre not helping the world, youâre eradicating an entire race from the face of the earth and murdering the poor for the crimes of the fucking 1%. Youâre not being a martyr, youâre a selfish piece of shit liar you little coward, you just want an easy way out and you want to die on your bloody fucking hill instead of admitting youâre wrong. Grow up, cringe little man.
why he went wrong: I think most of the reason this happened was the way he was raised combined with the kind of person he is. Norman would have turned out fine, if there has been good adults in his life who actually cared about his well being. Instead he got people who just wanted to control him and make him what they needed, and family who largely didnât realize there was anything wrong. Ray being an ass to him most of forever probably didnât help but well, thatâs just Ray. Even then, he would have managed alright if he escaped with the rest of the kids because he would never have been separated from the experiences that caused the rest of them to realize demons werenât all evil. In lambda he didnât have anyone supporting him or telling him when things went too far, so he fell into relying on himself alone, pushing himself further with absolutely no limits. All he saw was enemies and allies, and things got stratified. He never had a lucas or a yuugo or mujika when he would have needed it, instead he found children who wanted him to be in charge and a world that made it so he had to be. Everything was an echo chamber for his worst thoughts, so they just became more and more dominant.
what he needs: To put it simply, he needs Emma and Ray to cut to the chase and slap him across the face and make him take care of himself. He needs to be forced to see everything for what it really is- this edgy 14 year old committing atrocities to feel better about himself? He needs to be told that what heâs doing is irrational, because in reality, it is. There are better solutions that heâs ignoring, both to his own suffering and the demons, and the way heâs going now no one will truly be happy because of it, that there is no requirement that things be perfect and this bullshit doesnât make him stronger. He needs someone responsible to take the fucking dagger out of his hands. He also needs someone to babysit him and make him go to bed at a reasonable time.
i describe his personality through songs on my spotify playlist for him:
-outrunning karma by alec benjamin: this one super applies because it calls him out for making shitty decisions, being manipulative and a liar, and having blood on his hands in a very calm and subdued manner, that he knows this is wrong and yet he chooses to keep running faster and faster towards destruction, that he means to escape it through death
-empty by boyinaband and jaiden: yes this is a song about anorexia yes it also applies to norman iâm not saying norman literally has an eating disorder (but honestly it wouldnât be far out of character if he did) but metaphorically this applies to his method of ignoring his needs, both emotional and physical, in favor of seeming in controlÂ
-toxic thoughts by faith marie: this one speaks to his gifted kid trauma. Manâs got perfectionism running his entire soul. Heâs terrified of failing, because heâs always been at the very top, heâll beat himself up over any miniscule mistake and forces himself to keep at bad habits that keep him Productive, but he wonât ask for help no matter how much heâs suffering because that would be failing, he fights with his mind, this song basically tells him âyeah i feel you but you need to stop thatâ
-no time to die by billie eilish: ignore the romantic overtones but this is emma and norman, emma who trusted norman and was lied to, betrayed, for normanâs greater good, and norman who refuses to feel or hurt because of it, who refuses to apologize or see himself as wrong, pushes forward because heâs going to Pass Away
-achilles come down by gang of youths: hhhhh it's like. His vibe. Obviously you can disregard the lifestyle specific shit but it's. It's achilles come down you have to understand itâs like the same deal as friend, please just like french and longer
-friend, please by 21 pilots: i feel like i don't have to explain this one but itâs more to the manga (not the anime where he kind of figures out he done did wrong by himself instead of committing unforgivable sins and still going yeah this is valid before emma is like holy fuck). He is like sorry emma I cannot fix anything Iâm going to die :) *coughs blood* and emma going like stop it stop it stop it fuck you see you fucked up and i forgive you just stop donât walk away while heâs like âno<3â
why im a repressed little norman kinnie even tho heâs my exact opposite: I donât generally kin ppl like norman, honestly heâs an infj I have no clue how it happened but Iâm pretty sure itâs because of my intense desire to project onto a little man who cannot lift a milk jug and has chronic pain and decides you know what I AM tired of being nice i DO wanna go apeshit. Also heâs a twink. A little bastard. Heâs a terrible person and I go mood every time he does anything. I said mood when he fell out of a tree. Donât know what this says about me, I swear I wouldnât commit no genocide. Heâs like the inverse of Yoichi Saotome, and somehow i kin him too. Damn.
Miscellaneous headcanons:
-manâs SO attached to his william minerva cloak. Heâs a wispy little bitch, you know heâs wearing that thing inside the house, heâs fucking cold. It also makes him Look Important he can retreat into it like an emo middle schooler with an oversized sweatshirt
-although you could probably get Mad street cred from having two whole brands you know heâs not gonna whip it out and show off his lambda thing heâs incredibly self conscious and his chest hasnât seen the sun in years
-normanâs got MAD laundry skills to be able to wear like, all white all the time while constantly murdering people. I think heâs the only one who knows to do the laundry. And Ray is the only one who knows how to cook.
-but even then thereâs gotta still be a few questionable stains on that thing, but if anyone asks heâs like âketchupâ âIâve literally never seen you eat anything with that much colorâ âketchup :)â *coughs blood*
-heâs probably thought âwell i have not literally coughed blood yet today so I am not legally obligated to take care of myselfâ
-He probably adopted much of his current personality from taking on the persona of william minerva. Iâm calling him out for being like me, heâs a blank motherfucker, he absorbs personality traits from characters he plays! Heâs just not in theatre so itâs a bit more intense!
-the first time he sees barbara Eating Demon Meat he kinda stares and goes oh cool! not for me and violently exits the room. Like it's hilarious bc he thinks that's really gross on a moral level though he understands why she would do itÂ
-Which is even funnier bc Iâm not sure about the canon on this but there was That Chapter Cover that one time that kinda seemed to imply norman eating demon meat which i absolutely latched onto because Iâm terrible. He was just politely eating it. With a knife and fork like why dude. As to a possible reason for him doing that I can come up with, of course barbara does it out of spite, but man we donât know the properties, if it had some sort of painkilling aspect to it or it was like, caffeine, you know he would, but he would Definitely not talk about it
-I kinda disagree with what the anime did in episode eight? It was good I liked it and the imagery was fantastic but also have you considered Norman could not kill someone with his own hands if he tried, or even physically injure them? Thatâs what his minions are for shawty. That doesnât make it any less bad, of course, but the manga captured it perfectly by the fact of he carries around a dagger and a scepter in the capitol battle, but he never even raises it out of more than intimidation. He walks through calmly like heâs not scared at all but he makes sure all the lambda kids do all the actual murder, he just stands there impartially, clearly The Mastermind, as the kids fucking murder the queen of the demons. And I think thatâs more profound because heâs, a coward. And he doesnât realize being the one who orders the strike makes you just as responsible as the one who sticks the knife in someone. The knife is just there to CompensateâąÂ for the fact that he weighs like eighty pounds.
-heâs more of like lady macbeth (because heâs a girlboss) than macbeth himself. He has blood on his hands, but itâs the kind of blood that you canât wash off. He never killed anyone himself, and he cannot admit he never would have been able to.
-the last thing is that there are definitely epic things about the anime, episode 8 was my favorite so far, goddamn that imagery and the bitch walking through the city while it burns down with the screaming asmr going on behind him my god. We stan. But like the downside of, letting Emma and Ray get to him before he commits first degree murder makes the whole thing lose a lot of his value. In the manga (oh my god look at me being a pretentious manga fan please) it fit more of his ideas- he never backed down, and he planned for Emma coming and trying to stop him. Of course he wanted Emma to stop him, he wanted it with all his fucking heart he was pleading for it to happen but the man wouldnât give himself what he wanted if he was held at gunpoint. He knew sheâd come and he made absolutely sure she wouldnât be able to stop him. So when she came and he said âyouâre too lateâ??? It kind of said it all, in the fact that he was disappointed that he got his way. He still thought he did the right thing, but deep down there where he shoved all his thoughts and feelings he desperately wanted to be saved from himself.
So yeah, those are my thoughts. Feel free to eviscerate me if these are not Correct he is just my favorite girlboss who I feel the need to yell at
#tpn#the promised neverland#yakusoku no neverland#tpn norman#norman tpn#essay post#god why do i do this to myself#dear god help me this is 5000 words#rowan's hyperfixation essays
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2020.11.29: Perfectionism
âStop thinking about the end result, because no matter what happens, by telling the truth, youâll be on the best possible path to happiness.â
Thatâs one of many little bullet points that Iâd left over from last week. I was feeling tired, so I didnât want to get into every detail of every thing that I was thinking or feeling at the time. But this one has rung a little true for me.
Iâm rounding off NaNoWriMo with nothing done for this story.
Itâs depressing, to tell the truth. However, I also picked up a new writing exercise. Iâll head over to the writing prompts subreddit, pick something, and write it. I did it yesterday. I did it for a prompt today that actually got taken down before I could respond to it.
So, I sent what Iâd written directly to the poster of the prompt and I wrote a short for another one.
Writing itself doesnât seem to be the issue for me. Itâs my connection to what Iâm writing that gets in the way of things.
The story that Iâm currently working on was never meant to be taken this seriously. It was supposed to be an inconsequential collection of the story scraps Iâd accrued while forming more viable ideas. But, a few months ago, I came to the realization that what Iâd believed to be my magnum opus, the story I was crafting to put on my pedestal as my greatest work since before I was a teenagerâa story that was a literal lifetime in the makingâwas a contrived mess that I couldnât reasonably untangle.
It physically hurt, realizing that Iâd fallen out of love with World Crown, formerly known as Vermillion Mythos, formerly known as YVK Chronicles. Itâs interesting seeing how my ability to name things has grown as well.
Anyway, now itâs a carcass for my other creative efforts to scavenge from. And itâs a sizeable one, so Iâm not short for ideas yet.
To pull myself back to the point, Iâm now attached to this new project in a way that I wasnât at its inception. And this wasnât created for NaNo mind you; this story is, I think one-and-a-half or two years old. Even older if you consider the more rudimentary stages of its existence. And because I want my child to become accepted by the world rather than a wretched outcast, Iâm keeping it locked away, where it can do no wrong in my eyes and where no one can judge it.
I donât know when Iâll get into talking about the stuff I read in depth or anything like that, but I did come across this earlier today in How to Be Miserable by Randy J. Paterson:
·      People wo adopt reasonable standards generally achieve as much or more tan perfectionists, because they get a motivational boost out of success, enabling them to devote more energy to their efforts.
·      Perfectionism imposes a fear of trying out new things out of a knowledge that you will not excel on your first try. This results in a restricted life.
·      Perfectionism can cause you to spend a lot of time erasing minor flaws that no one else can see, inadvertently annoying people with your slowness and preventing you from shifting to other challenges.
Thereâs knowing something, and then thereâs accepting something. The first two are things I knew, but need to remind myself to accept from time to time, so that I act instead of plan. The third one was something Iâd never considered, but did resonate with me. A good friend of mine, a fellow writer, got tired of listening to my ideas for a long time because I never implemented or finished anything. And I know it got on his nerves.
So, what am I doing to rectify this?
Well, this is the second week of posting on Tumblr. Iâd like to keep this going. I used to constantly burn myself out because I felt like I was screaming in the dark. And I know thatâs the point, but accepting that itâs the point is the hard part. Acknowledging that Iâm not the people I look up to. That these posts are for me and that in the future, Iâll have something I didnât give up on to actually look back to and congratulate myself for.
I also want to keep writing these Reddit shorts. Iâll post them here once a week. Maybe thereâs some gold to pan in there.
I donât know how to end this post.
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draw me like one of your french boys
warnings: smut, fluff, handjob, oral (female receiving, facesitting), praise kink, sub!Michael, Hawthorne!Michael, shy!Michael, female!reader
 summary: reader is an artist looking for a live model for her new artwork. When she meets Michael, she realizes that the boy, who looks like a Renaissance painting, is exactly who sheâs been looking for. They grow found of each other, and one day Michael asks her to draw him. Naked.
word count: 6850



Every artist experiences existential crises at least once in their lifetime, and if they havenât experienced it yet, it means that they are about to. Itâs an inevitable burden that occurs in everyoneâs life, especially after they become successful and the dependency of other peopleâs opinion increases. An artist, who once created for the sake of the process itself, gets trapped in the idea of being liked by their audience. Thatâs what you were afraid most of all. To become a puppet whose only desire would be to meet somebody elseâs expectations.
The sales of your paintings have increased drastically in the past six months and, as your manager kept telling you, it was high time to paint more. You started making new clients and getting offers for a personal exhibition, but it all felt like the weight of the world was forced on your shoulders. You wanted to rebel against it: tell your manager to shut up, and lock yourself in your studio, where you were alone with your thoughts and nobody told you what to do. It had always been your happy place with sketches all over the floor, your very first paintings hanging on the walls, a huge easel right in the center of the room. You loved the smell of fresh oil and ink, and two huge windows that offered a fascinating view of city skyline. How disappointing it was to come over one day and realize that nothing was making you happy anymore, and the main reason for that was right in the corner of the room. A big canvas of your last painting you had been struggling to finish. It was a drawing inspired by the early Renaissance period: a cherub in the rose garden, wrapped in a navy blue silk that was coming down his lean body in waves. The flowers turned out really beautiful, so delicate and precious with the drops of dew on the rosy petals. The problem was with the cherub. For some reason you couldnât paint his face, and the blank space instead of its place was driving you mad. You wanted it to be special, and you had spent days trying to find a proper live model who could pose for you, but, unfortunately, all these handsome males, you tried to get inspiration from, lacked the innocence of an angel (especially that one guy who posed for you half-naked, when you were painting cherubâs chest, and decided to hit on you. You were quick to explain to him that the job of a live model wasnât about hooking up with an artist and made sure that he wouldnât appear in your studio ever again), the lightness and purity. Days went by, your manager started being really annoying, but you kept looking for that very special one, because you felt he was somewhere out there. Your intuition never deceived you.
It was a regular rainy afternoon when you found yourself sitting in a local coffee shop not far from your studio, thinking how bad you didnât want to go there and face the unfinished painting which was some sort of a reminder of your inability to draw something decent. Another notification popped up on your laptop desktop, and you already new what it was gonna be about. One more email from Mallory.
âY/N, Mr. Gallant called, and heâs expecting the painting to be done and delivered to his apartment by next Sunday. Get back to work, pleaseâ. You sighed disappointedly. Fuck this stupid time-management. You are an artist, a free-spirit and you will be done when YOU decide that itâs time. Having aggressively shut the lid of your laptop down, you stared through the window.
The rain was oblivious of your worries, as each drop bequeathed itself into a cooling air. You felt pathetic and unprofessional. Why everything had to be so complicated? Why did you let your perfectionism take over and prevent you from drawing a face of any model you could pick from a local model agency? It wasnât even the artwork youâd hang in your apartment, and the man you were painting it for could care less about the face of a cherub as long it was pretty. You knew the answer to all of these questions â because you could never do things halfway â it was either all or nothing, even if it meant sacrificing set deadlines.
You rolled your eyes when your phone started vibrating with an incoming call.
âYes, Mallory?â You didnât even have to look at the display to know who was calling, Rubbing the bridge of your nose tiredly, you prepared yourself mentally for another lecture from your manager. âY/N, you know I would really appreciate if you answered my emailsâ the voice on the others side was monotonous.
 You sipped your coffee and winced, realizing that the drink had gone cold. Damn.
âI told you I was busyâ you answered and looked around the coffee shop, thinking that the way you spend your time could hardly be identified as âbusyâ. Chewing on your bottom lip, you brought your gaze back to the window.
âPlease, tell me that at least youâve read my last email and you are familiar with the new deadlineâ you could picture the way Mallory adjusted her glasses, her thin lips pursed, and pale face grimaced with annoyance.
âYes, I haveâ you mumbled in response and narrowed your eyes, as you noticed a group of boys crossing the other side of the street. They looked young. Really young. Maybe in their early 20s. Dressed in brown trench coats, they were jumping over puddles briskly, trying not to get their feet wet. Only one of them had an umbrella, so the others were trying to get under it. They were pushing each other with their elbows, playfully fighting for dominance. And then you noticed him. A tall guy who was trying to follow the running boys with his coat unbuttoned, so you could see his black and white uniform. There was a silk ribbon tied neatly around the collar of his crisp white shirt that made him look like he was straight out from some 18th century novel about a private boarding school. His blond hair, wet in the rain, sticked to his chiseled face with sharp, prominent cheekbones and pointy chin.
You literally got glued to the window, admiring him, and forgot that Mallory was still on the line.
âY/N? Y/N? Can you hear me? The painting should also...â
You cleared your throat and understood that it was either now or never. You didnât have much time, as the boys took their way down the street away from the coffee shop.
âMalloryâ you harshly interrupted her. âI canât talk right nowâ, you hanged up on her without even letting her finish the sentence. Her complains were the last thing you worried about when there was a gorgeous boy, who had the face of a cherub you were dying to paint, just several feet away from you. You grabbed your jacket and stormed your way out of the coffee shop. It seemed like your heart was about to beat out of your chest with an overwhelming excitement like a trapped bird. You have found him. You have finally found him.
Faster than the wind you ran after the boys hoping they didnât go far. You saw the tall guy take a turn around the corner, and without even realizing what you were doing, you shouted at the top of your lungs:
âExcuse me, sir!â
He didnât pay attention. âShitâ you thought to yourself and speeded up. Raindrops were running down your cheeks, and the wind was blowing right in your face making it extremely uncomfortable to run.
âHeeey!â you almost stumbled and instinctively put your hand out to prevent yourself from falling. Your purse hanged off your shoulder and nearly fell down in the puddle, but you managed to catch it. âExcuse me!â
Right at that moment the guy stopped and slowly turned around. With a slight confusion on his face he watched you slowly approach him, as you were trying to calm your heavy breathing. You imagined that you looked like a wet rat with your hair clanged to you face and smeared mascara â definitely not the most presentable look for the artist whose paintings cost thousands of dollars.
âIâm sorry? May I help you?â the boy asked. His voice was low for an angelic appearance like his. He looked even more handsome up close. The gray sky tinted his blue eyes beautifully, making them brighter. They were piercing at you cautiously, as he was trying to figure out whether he found you familiar. Even though his hair was wet, you still were able to tell that it was curly, as they were sticking to his cheeks in messy waves. You took a deep breath and tucked a piece of your wet hair behind your ear, but it didnât make any difference to your look.
âHi!â You smiled brightly. The only thought âitâs him, itâs him!!â was ringing in your head, making you grin like an idiot. Nobody could understand your delight at that moment. It seemed like sleepless nights, when you were eating yourself up for the lack of inspiration, have come to an end. If only this beautiful boy before you agreed to work with you! You would be the happiest person in the world. âIâm sorry for bothering you, sir. But I really need to talk to you...â
âMikey!! Whatâs up, dude? Are you coming?â the other boys were calling him. He turned around and raise his right hand in the air.
âJust a moment!â he shouted back at them. He adjusted the collar of his coat bringing it up, so the rain wouldnât get behind his back. âIâm sorry, who are you again?â
You realized that you shouldâve introduced yourself first, but you were taken aback by the beauty of a real-life angel, so you couldnât blame yourself for that.
âMy name is Y/N. Iâm an artistâ he furrowed his eyebrows, not understanding how it was connected to him, âand Iâm looking for a modelâ you explained. âIâm working on a painting...â, you paused, âof a cherub for a very famous client, but I canât finish it because I donât have a model whose face and I could paint, and you are exactly what Iâve been looking forâ, you bubbled excitedly.
You could see the blush bloom on the boyâs cheeks. He parted his finely-carved, scarlet lips, but didnât say anything. Only somewhat confusingly ran his fingers through his hair.
âIâm sorry, but Iâm not a modelâ, he mumbled, lowering his eyes. You couldnât explain the feeling inside of you as you watched him. He reminded you of Botticelli paintings. There was something ethereal about him: in the detached beauty of his perfectly sculpted face. He looked so fresh, so innocent, so pure, as if he was made of ivory and rosy petals.
âIt doesnât matterâ, you hurried to assure him, âyou donât have to be one. Itâs just...â you took a deep breath, thinking that you might have die if he didnât agree. âIâve been looking for a face like yours for months. It would be an honor to work with you...?â You heard one of the boys calling him âMikeyâ, but you wasnât sure what full name it stood for.
âMichael. Michael Langdonâ he said, still smiling shyly. He drew his bottom lip between his perfect white teeth and looked at you through his lashes. âLook, Iâm really fluttered. Thank you for your words, but....â
âMichael, we are going now!â, the boys shouted, and he turned his broad back at you one more time. It was pouring by now, and you knew that you couldnât hold the boy any longer.
âMichael, please, think it over and give me a call, okay?â You took your business card out of your purse and handed it to him. âIâm offering you 50$ per hour. One session usually lasts up to 3-4 hours. Please, do the math and give it a thoughtâ.
His doe-like eyes widened at your words. Not only he was blushing from your compliments, but he was stunned by the boldness of your offer, as if you were asking for something inappropriate.
âI-I-Iâm really not sure...â he stuttered. You understood his reaction: how often does one gets stopped by a stranger who offers them to model for a renaissance-inspired painting? But you really, really needed him, and you were running out of time.
âLook, Iâm not expecting you to answer immediatelyâ, you said looking him in the eye, and noticed that he instantly looked away, blushing even more, âlet me know if you agree by Friday, okay?â
The boys started whistling at Michael. He took your card hesitantly, his fingers were slightly shaking. He looked up at you and nodded slowly, hiding the card in the inside pocket of his coat.
âAlright, thank youâ, his voice sounded hoarse, so he cleared his throat and repeated himself, âthank youâ.
The corners of your lips twitched, but he didnât return a smile, being too confused and embarrassed with all this unexpected attention to his persona. You watched him join his friends. They tapped his shoulder, as he approached them, and shoot you a curious look.
You realized that you didnât even care about the pouring rain anymore. You were completely soaked, but the only thing you were capable of thinking was a gorgeous blue-eyed boy you just met.
xxx
The sound of the ringing phone disturbed the comfortable silence of a Saturday afternoon you were spending in your studio. You were waiting for Michaelâs call yesterday, but as the hour and the minute hands of the huge clock on the wall stroke midnight, you understood that he turned down your offer. Thatâs why you found yourself in your studio on the following day, standing in front of the unfortunate painting and thinking that you needed to start looking through the list of potential models Mallory had sent to you.
âHello?â, you answered the phone, noticing an unknown number on the display. A familiar raspy voice made your heart drop.
âHi, is it Y/N?â
âMichael?â you turned away from the painting and sat down on sofa, placing your feet on a small coffee table.
âYeah, hiâ, he said, âIâm sorry I didnât call you yesterday. Got really busy with schoolâ. School? How old was he? âBut I have been thinking about your offer...â
You hummed.
âHave you?â, you had to admit that you didnât like the fact that he ignored your request to call you back by Friday, because it meant that he wasnât the most responsible person, and only God knew how you were gonna arrange the appointments with him since he was incapable of planing his time. But then again, werenât you the same way? For a second you even sympathized with Mallory who had to deal with your own irresponsibility 24/7 (but only for a second).
âYesâ, you could tell by his voice that he was nervous. You smiled at the memory of him blushing in the rain. âWell, I-I-I think Iâm ready to try...â you swear you could ready to explode brighter than the fireworks on the 4th of July, but you managed to keep it cool.
âThatâs really nice of you. Thank you, Michael. Do you have a pen to write down the details?â
You two agreed that he would come on Tuesday for 2 hours, so you could look at him properly and decide what exactly needed to be added to the painting. Then he could come 2 time a week for 3 hour session. You didnât plan for the entire process to take too long, 3 weeks maximum. Thank God you had managed to persuade Gallant to give you more time. Actually it didnât even take a lot of effort: last week, after you discovered Michael, he came came to your studio and got so stunned by the painting that he let you take as much time as you needed. If only all clients were this way.
On Tuesday Michael knocked on your door in time. Dressed in a loose cotton shirt and linen pants, hair clipped in a messy bun, you went to greet him. He was chewing on the inside of his cheek, awkwardly shifting his weight from one foot to another. Just like you thought, his hair was curly indeed. Crisp, golden locks were styled messily, covering a part of his forehead. He was wearing the same coat and holding a big leather bag in his hand. You stepped aside, inviting him in.
âHiâ, he said, blushing, and you curiously wondered if it was an uncontrollable habit of his.
âHello, Michaelâ, you took his bag from his hands and carefully placed it on a table by the hangers. âIâm glad you cameâ.
He nodded. His long fingers started undoing the buttons of his trench coat. He carefully hanged it, and you noticed how elegant his movements were. He pulled the sleeves of his black sweater a bit up, exposing his delicate wrists. You definitely were staring, but not in a romantic way. You were observing him like a picture in a museum and wondering how you got so lucky to meet this precious boy. He was looking around cautiously, as he followed you into the studio, scanning the unknown environment with his eyes. You made your way to the center of the room, took one of the chairs and pulled it closer to the window, not far from the easel.
âPlease, make yourself at homeâ you smiled at Michael. He looked amused, as he studied a huge painting that was almost of the size of the wall for one of your old clients who ordered it about eight months ago. You created your own version of the Miracle of the Bread and Fish, and really like the result. For some reason, biblical scenes always were your favorite to work on. âWould you like some coffee or tea, maybe?â
Michael looked at you and shook his head.
âNo, thank you, Iâm goodâ, his eyes were searching for a place were he could sit, and you pointed at the chair. He took his seat and folded his hands neatly, lacing his fingers together, so you wouldnât notice them tremble. You watched him amusingly with your head tilted to the side. He was absolutely adorable.
âDo you live here?â, he noticed your gaze and smiled shyly, tucking a strand of his hair behind his ear.
You shook your head and turned away to take the painting of the cherub and carefully place it on the easel.
âNo, I rent this studio for work purposesâ, you nodded at the painting. âSo what do you think?â
Michael was in awe. His ocean eyes were glistening with excitement, the tip of his pink tongue ran along his bottom lips nervously, as he said under his breath:
âOh my God, this is magnificentâ.
For a moment it seemed like he stopped being nervous and expressed his opinion sincerely. Thatâs what you adored art for: it made people feel different spectrums of emotions, all at once. It lifted the armor and left one bare, vulnerable, and unguarded. âIâm not sure if...â, Michael covered his mouth with one hand and than placed it back on his thigh, âif Iâm good enough for posing for such a masterpieceâ.
You couldnât believe that such a stunning human being could doubt his looks. Michaelâs appearance was worth being painted by the best artists all over the world. How come nobody told him that?â
âI think you will be just perfect for thatâ, you didnât admit it, but making Michael blush was your new favorite activity. âBut it maybe a bit tiresome to sit still for such a long timeâ, you instructed him, âyouâll get used to itâ.
It was quite a disaster, you had to admit to yourself after some time. Michael just couldnât keep still. He was constantly shifting in his chair, playing with his fingers, and always felt the need to scratch his jaw or toy with the collar of his sweater. During your first session your were doing sketches of his face, and by the moment your time was up you were practically begging him to relax and stop frowning. He couldnât let go of his pressure and shyness.
âIâm so sorry, Y/Nâ, he pleaded, as he was putting on his coat. You smiled at him, washing your hands and watching him get dressed from the kitchen.
âItâs okayâ, you approached him and gave him the money for his work, âthank you for coming today, Michael. Iâll see you on Thursdayâ.
Despite his surprised squeak, you pulled him closer for a hug. You needed him to relax for the sake of posing for the painting. The sessions might haven taken longer than you had thought.
xxx
It took him a while to start opening up to you. By your fourth meeting his hands stopped shaking and he no longer seemed to feel uncomfortable. He didnât feel embarrassed to ask you to make some tea for him, and you learned that he liked it with lemon and one piece of sugar. As he sipped on it, watching you preparer the canvas and oil paints (you were done with pencil sketches by that time), he told you about his studies at Hawthorne school (Michael was twenty, and apparently, hated his birthdays. You found this fact absolutely astonishing, and made a side note to change this horrible omission), his friends, and his family. Turned out that he had a very troubled childhood, so his behavior started to make sense to you. Sympathy towards him grew with every session, and at some point you caught yourself thinking about him all the time. The thought about your meetings coming to an end made you feel extremely frustrated. Even though you kept reminding yourself that the relationship between you two had to stay professional, and it was wrong of you to think about him in a romantic way, but every time his blond mop of soft hair popped in the door frame you couldnât hold in a radiant smile. It was impossible not to hug him and accidentally brush your fingers against his flushed cheek. He looked so damn cute.
You grew found of this marvelous boy, who turned out be very sensual, with a bright and vivid mind that generated ideas at the supersonic speed. He loved asking you questions about history of art, he was genuinely interested in learning about your favoring painters and why you loved them so much. He never stopped amazing you with his mindset, and his child-like innocence bribed you.
Another Tuesday night was traditionally spent in your studio apartment with Michael at his usual spot in front of your easel. You were working on the cherubâs eyes. Crystal blue and bright just like Michaelâs. Your brows were frowned as you were trying to concentrate on the movements of the brush. The smell of oil paint was filling the room. You glanced at Michael to pay very close attention to his long eyelashes framing his eyes. Thatâs when you noticed a very strange look on his face. You couldnât understand what was that. Confusion? Doubt?
âMichael, whatâs wrong, darling?â, you asked him adding another brush stroke to the canvas. He slowly shook his head, trying not to move too much. From hours of watching him attentively you had learned his body language quite well. Now you could tell that something was definitely up, judging by the fact how he was holding onto the chair. His knuckles turned white. However, you proceed to painting, considering that maybe he was thinking of his problems or whatever there was on his mind.
âLove, please, look up for meâ, you asked him after a while, trying to paint the patches of light in the eyes of the cherub. Michal started biting on his lower lip, but obliged your order and lifted his gaze. Suddenly it all felt like you were back to session 1, when he refused to relax. You put the brush aside and whipped the excess of paint off your fingers.
âMichael, please, tell me whatâs bothering you?â, his face turned bright red at your question.
âNothingâ, he mumbled in response.
You sighed and took a step towards him. Carefully you took his face in your hands, forcing him to look up at you. You were glad that he didnât shy away from your touch like he used to at the very beginning.
âLove, I canât paint you when you look concernedâ, you gently stroked his cheek with your thumb, and he instinctively nuzzled against your palm. It was unprofessional of you, you thought to yourself, but whatever. âYou know that you can tell me anythingâ.
His eyes flattered, long eyelashes were casting shadows on his cheekbones in the dim light of the room. He wrapped his fingers around your wrists and carefully put your hands away.
âYouâre gonna laugh at meâ, he said, looking down at his knees. You frowned. Why was that? All this time you were trying to show him that he could trust you and you were his friend, and his doubts almost felt offensive to you.
âMichael, darling, I would neverâ, you assured him, watching him closely.
A broken cry escaped from his chest, as he hid his face in his hands. You started really worrying about him, was something hurting him? Maybe he wasnât feeling well? You petted his head lovingly.
âI canât tell youâ, he sobbed, and looked up at you. The expression of his face was unreadable. Eyes glistened with salty tears, as he was desperately trying to hold them in. âItâs so e-emb-b-barrassing. You...â, he sighed, âyouâre going to think that Iâm weird. I canât ask you for this...â
By that moment you stopped understanding anything from what he was saying. You wrapped your arms around him and brought him closer to you, resting his head against your stomach.
âShhhh, babyâ, you coed, running the fingers of your one hand though his hair and petting up and down his spine with the other hand. âWhat do you want, Michael? Please, tell meâ.
You felt him tightening his hug and nuzzling into your shirt like a cat. He sighed heavily before he answered:
âI was thinkingâ, his voice sounded so small and vulnerable, and you started wandering what sort of a dreadful sin Michael was going to confess that made him so insecure. âMaybe you could draw me?â
He lifted his puppy eyes at you, and you looked at him confused.
âBaby, isnât it what Iâm doing?â, you chucked softly. Silly boy.
Michael closed his eyes and nuzzled back into your stomach. You had to listen carefully in order to understand his muffled words:
âI was thinking maybe you could draw me naked?â
Your fingers froze in the air inches away from his curls. At first you thought that you must have misheard him, but as his shoulders started shaking in anticipation, you realized that you had heard him correctly. Your heart started pounding, you could hear the blood ring in your ears. The most terrible thing , in the context of your unprofessionalism, was the fact that his words sent impulses straight to you core making a thin cotton of your panties wet. You cleared your throat, looking for the right words. Michael was terrified. He decided that if you had stopped playing with his hair, you got mad at him, so he squeezed his eyes shut, fighting back the tears.
âMichael...â, you started slowly, but he interrupted you.
âY/N, Iâm sorry! I shouldnât have...Iâm sorryâ, he was talking fast, afraid that you could kick him out for his foolishness.
Multiple thoughts were running through your mind at that particular moment. Could you really draw him naked and manage not to lose control? Of course, it would be a wonderful sketch for your portfolio, but you doubted if it would be okay for you psych. The silence was making Michael feel even more embarrassed, so he started standing up from his chair, but you placed your hands on his shoulders to keep him seated. God, he was so scurrying all the time, it was almost unbearable.
âAlright, Michaelâ, you finally replied, hoping that he didnât sense how hesitant you were about this decision, otherwise it would devastate him. A wide smile spread across his cherry lips.
âOh my God, thank you, Y/Nâ he whispered giving you that look through his lashes you could never say ânoâ to.
You nodded and made your way to one of the shelves to get a sketchbook.
âWell,â you turned back to him, âget ready, and Iâll go find the fabric to wrap you inâ.
Michael was eager to oblige. You didnât expect him to want it so bad, but as he quickly stood on his feet and rushed behind the folding screen, you thought otherwise.
Unable to believe what you had just agreed to, you started looking through the rolls of fabric, trying to decide what color would suit Michael. Probably silver. It would look good with his skin tone and the icy blue of his eyes. You grabbed the fabric and approached the changing screen behind which you could see the outline of Michaelâs body. You hurried to hang the piece over the screen and shook your head, as if it would help you to get rid of the indecorous thoughts.
âI think silver will look goodâ, you said to Michael, âjust wrap yourself in it when you are readyâ, you swore your hands were shaking. What, you and Michael suddenly switched personalities? God, how were you gonna draw him when you were blushing like a teenage girl?
âDamn, Y/N, youâve worked with so many models. Get your shit together and breathâ, you scold yourself.
âOkay, Iâm readyâ, you turned around when you heard his low voice, and your jaw dropped. Adonis in flesh. You stood there blinking dumbly trying to comprehend the view of his broad shoulders, taut stomach, and his creamy thighs wrapped in silver silk. If the fabric had been navy blue you would have thought that your cherub painting came to life. No less. You opened your mouth and then closed it without saying a word. Michal blushed and awkwardly crossed his arms, waiting for the instructions.
You coughed and turned your gaze away from him.
âAlright, get comfortable on the sofaâ, you figured that a chair wasnât suitable anymore. The boy laid down on a green velvet sofa you had bought for an extremely expensive price at one of the auctions, and at that moment you were glad that you had, because Michaelâs pale skin looked even more fragile, tinted by the emerald color of velvet upholstery. He bent his long legs, carefully put them on the soft material, and leaned back on the pillows with his hands behind his head. For a second you forgot how to breath.
But as soon as you started sketching you felt relaxed. You let the pencil wonder around the clean sheet of paper, drawing the outlines of Michaelâs body. He couldnât stop smiling and looked genuinely happy that youâd let him pose for you. The skin of his cheeks and neck was in delicate pink hue, and he was biting his lips again. You wish you could bite them, too. Fuck.
Your brows frowned when you noticed that the silver fabric slipped off a little and didnât look as good as you wanted it to be, so you put your pencil aside and stood up to fix it. Michael thought there was something wrong with him.
âDid you do something wrong?â, he asked worriedly. You wondered why he always felt the need to blame himself for everything.
âNo, I just need to adjust the fabricâ, you explained, without meeting his gaze. You tried not to touch his skin, as your fingers cautiously folded the silky piece, draping it in wavy folds. But the skin of his stomach looked so soft, and couldnât help yourself and brushed it with just the tips of your digits. The muscles in his tummy tensed immediately, and you heard his breath hitch, so you hurried to take you hand away. Then he did something that sent the remains of your self-control straight to hell. Michael wrapped his fingers around your wrist and put your hand back on his stomach. Feeling enchanted, you slowly moved it to his abdomen and stopped right above the happy trail of blond hairs that went under the fabric. When you glanced at Michael, he was watching you in awe, his lips parted and his eyes wide open. It felt like his skin was burning under your touch.
âYou like this, donât you?â, the tone of your own voice was so low, you didnât even recognize it. Michael gulped and nodded. His lids fluttered, as you move your hand to his chest.
âPleaseâ, he murmured, licking his scarlet lips. He looked so soft, so innocent, and you wondered how beautiful he would look all wrecked and fucked out. You felt the adrenaline rush through your veins and the familiar heat between your legs. The last thought that came across your mind was âFuck itâ, as you leaned forward and pressed your lips against Michaelâs parted ones. He let out a surprised mewl, but eagerly kissed you back. You felt his hands sliding down your waist to pull you closer against his bare chest. The fabric couldnât cover the outline of his arousal: you could see the contour of his erect cock in the crease of his thigh. The tip of your tongue ran across Michaelâs swollen lips, and he gasped into the kiss.
âYouâre so prettyâ, you said, as you broke the kiss, pressing your forehead against his. The look in his big eyes was completely dazed. You smiled and cupped his face in your hands. âBabe, are you with me?â
Michael nodded and pulled you for another kiss. You yanked his head by his locks and moved your lips to his jawline. Numbing on the thin skin, you decided to test the waters and slowly snaked your hand down to his cock. He moaned brokenly when you stroked it through the fabric. There was already a wet spot of his precum. You moved the sheer material aside and took a look at the long shaft with flushed head glistening with the pearls of his arousal. He squeezed his eyes shut, when you wrapped your fingers around the base of his cock and slowly stroke it.
âY/Nâ, he pledged. He sounded so needy, so desperate. You formed a fist and started making circular motions with it around the head of his cock. Michael opened his mouth, but couldnât say a word, lost in the sensation. You couldnât take your eyes off of him. He looked like a painting with his boyish features, soft curls, and ripe, sinful lips he kept licking. You started stroking him faster, thrilled to take him apart and find out what his angelic face looked like when he was cumming.
âShhhhâ, you soothed him, lacing the fingers of your free hand into the strands of his hair and gently scratching at the nape of his neck. âMy pretty boyâ, you kissed his forehead.
Michael whimpered and pressed his head against your breasts nuzzling into them through your linen shirt. Holding tight to you, he carefully cupped your right breast and squeezed it slightly, making you moan and throw your head back. He was pleased with your reaction, as it got him braver, and he started unbuttoning your shirt, exposing more of your skin. You kept pressing feather light kisses to his closed lids, his cheeks, the bridge of his nose and his lips. His face must have been carved by angels from the finest marble. He wrapped his lips around your nipple and delicately sucked on it, drawing broken moans from your throat.
His hips were rutting against the crumpled fabric, meeting the thrusts of your hand. You stopped only for a second just to lick your palm, and wrap it around him again to resume pumping your fist.
âY/N...â, he whined hopelessly, âIâm closeâ.
You knew that he wouldnât last long. He was so young, you were surprised he hadnât cum right after you kissed him.
âCâmon, darlingâ, you encouraged him, teasing the slit of his tip, âcum for me, angel. My personal cherub...â
You adored the way his lips twitched, forming a perfect âoâ, the tense muscles of his stomach that spasmed in a convulsing pleasure, as he came all over your palm in white ribbons. You wished you could paint him this way. The picture of him cumming undone was forever imprinted in your mind. You smiled fondly when he looked up at you, feeling the warmth coil in the pit of your stomach.
âThank youâ, he whispered, and you chuckled at his boldness. His hands traveled up to your unbuttoned shirt and slid it off your shoulders, reliving your exposed chest to him. He caressed the nipples and leaned forward to suck on them again, swirling his wicked tongue around the hardening buds. âI think I owe you an orgasm nowâ.
You looked at him in surprise. He didnât have to. You just wanted to make him feel good, but Michael seemed pretty determined.
âCould you, please, sit on my face?â, he blushed at his own words, but managed not to turn his eyes away from you. Such a polite boy.
You hissed through gritted teeth, and before straddling his chest you involved him in another passionate kiss. He shifted on the pillows, sliding down the sofa to let you straddle his chest in a kneeling position. You scooted forward until your thighs were on either side of his head. The gold curls were disheveled. Lowering your body, as your pussy made contact with his face, you moaned loudly. Michael placed his hands on your thighs and calves for your leverage. As soon as his tongue licked a wide stripe across your wet folds, you cried out, thinking you were in heaven. The feeling of dominance was alluring to you, and in no time you started drawing figure eights with your hips, rubbing yourself against his tongue. You were probably suffocating himself a bit, but judging by Michaelâs muffled moans he was enjoying it. He used his fingers to help himself and spread you open, wrapping his lips around your clit. The gently sucking was alternated with him lapping on your folds.
âGood boyâ, you praised him, and his whimpers sent delicious sensation to your throbbing core. You reached for your hair clip and took it off, letting your hair down in loose waves. âJust like that, baby, just like thatâ.
You thought that you lost yourself when his started fucking you with his tongue, stretching your tight walls with each thrust of it. Your legs started shaking not only from your attempts to keep steady, but from the mind-blowing pleasure the boy between your legs was causing you. He was devouring you, as if you were his last meal. You looked down at him and moaned at the sight of him all soft and flushed beneath you. The fact you were sitting on the face of the boy, who looked like a real-life angel, made your insides quiver. A really warm fuzzy feeling spilled inside you, making you scream out Michaelâs name, as your orgasm pierced through every cell of your body. It was so good, to the extent of being extricating. Everything seemed unreal. Michael had let go of your thighs, and you bent over to kiss his mouth covered in your wetness.
You were laying on top of Michael, skin on skin, legs entwined, as you two were kissing lazily on the sofa.
âWhat are you going to do with all the sketches of my face after you sell your painting?â he asked, stroking your bare thigh.
You folded your hands on his chest and rested your head on them.
âI was thinking of using them for my personal exhibitionâ.
Michaelâs eyes lit up with curiosity.
âYou never told me about the exhibition! Y/N, thatâs awesome!â
You petted his cheek, smiling at his reaction. Thanks to him you started to remember what it felt like to be grateful for every little thing in you life. Somehow, despite all the difficulties, Michael managed to keep his inner child safe and happy.
âAm I invited?â he wondered shyly.
âOf course you are, loveâ you rolled your eyes at his silly question. âYou are my muse, after allâ
Tag list: @lovelykhaleesiii @langdons-rep @babypinkstyles94 @sammythankyou @kaigitana @ms-mead @sebastianshoe @langdonsdemon @iloveziggystardust @chaoticevillangdon
People who might like it: @lvngdvns @icylangdon @ritualmichael @langdonsoceaneyes @ccodyfern @sloppy-little-witch-bitch26 @sojournmichael @wroteclassicalyÂ
Amazing art by @theghostoflangdon

#michael langdon smut#michael langdon x reader#michael langdon imagine#ahs apocalypse#duncan shepherd smut
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panic room
ao3:Â https://archiveofourown.org/works/21457270
summary:Â Logan has a breakdown at the end of their Psychology class.
Loganâs eyes were downcast as they entered their Psychology class with Remus. It was hard masking anxiety. Their chest felt a bit heavy, but it wasnât an extreme weight. Similar to just a book or two being placed on your chest, but one of the books was a nice World History textbook. Logan could still breathe, nothing was too bad so it didnât matter.
They went and sat at their seat. The classroom wasnât arranged in rows, rather just groups. Loganâs assigned seat that they got to choose themselves was the one right in front of the pole in the room, the back row right behind them. One of their friends, Virgil, being at the corner seat of the back row and nearby. Remus sat right next to them, but his attention was on everyone else at the table. That was okay, more than okay really. Logan didnât really feel like talking to anyone, and really didnât want anyone to notice they were unraveling. They looked at the desk in the corner that was to the left of the door and noticed Mr. Sanders wasnât in that day. Instead, it was another teacher in the building, Mrs. Lorinn, meaning she was a substitute. Just great, their favorite teacher wasnât in again , and they would have to do a stupid amount of work they would never do otherwise in the class. It was only busywork, but it was also counted for a grade so Logan had to do it. This was only giving them more anxiety.
The other day there was also a substitute, Mrs. Poinsette. The assignment was online, and the class was given laptops and the class period to complete it. The problem was Mr. Sanders messed up the links on the Ted Talks assigned, and both Ted Talks were the same one, meaning the second set of questions couldnât be answered. It was available till the next day, but would be counted as late and would drop their grade a bit. Logan couldnât afford anything less than a 100 in this class. The second link was given on the board, but Logan did something they regret. Instead of working on their Psychology assignment, they saw it was available till the next day and decided to do their Algebra homework instead. They didnât know about the links being messed up, had only focused on the fact that it was âdueâ tomorrow. Logan was informed of this once they attempted at doing their work at home, realizing that theyâd need to somehow get the link to the second video. The last thing Logan wanted to do was ask others for assistance. Â
Now they were sitting in the room of which they had an assignment due and haven't completed yet. It was already late, Mr. Sanders changed the due date but kept the availability, so there was nothing Logan could do there. The only thing Logan could do was complete whatever packet was being given out this period, and swiftly go home and try to find that second video. One of the questions contained a quote, and with the knowledge of it being from a Ted Talk, Logan created the plan of searching the quote accompanied with the words âTed Talkâ and hopefully finding the link. Mrs. Lorrin smiled as she passed out the case studies.
When Logan got theirs, they immediately flipped through it, trying to estimate the time it would take to complete it. They went back to the front, and started reading the symptoms and backstories, until Remusâ voice cut through.
âHey Logan, do you know the first one?â Loganâs eyes kept firmly to the packet, not wanting to make eye contact with anyone, even if it was considered rude.
Of course he would ask them. Of course. Logan was the smart one, werenât they? They were expected to be able to understand everything as soon as they saw them, as if their mind was filled with whatever they considered intelligent. Logan never studied, and still got high grades. Logan was the smartest in the room, but was modest and denied it. Nothing more to it, Â right ? It wasnât like Logan simply learned by finding these subjects interesting and listening to the teacher, or that they had their own methods that helped them to know these things instead of the memorization of notes that all the neurotypical kids in the class did. Logan learned by rehearsing things, as if it was a speech. The repetition helped them. But nobody else knew that. It wouldnât seem fit for the smart one to be anything but neurotypical, or at least thatâs what they told themselves. It was terrifying keeping that under wraps, but they managed.Â
But god, the more difficult part was when people expected them to know something they were still figuring out. Logan knew nobody meant it this way, but when they were still in the process of finding the answer and someone asks them a question regarding it, since Logan canât give an answer they feel inadequate. They feel as if they canât live up to the horribly high expectations of everyone else and themselves, and that theyâre worthless. Worthless because they couldnât answer that question. Worthless because they arenât what people expect. Worthless because if they donât live up to these expectations, theyâre just a stupid, queer immigrant. The pressure took an enormous toll on Loganâs mental health, to the point where everything was skewed against them.Â
Logan tried their best to keep the stutter out of their voice. âI- Still getting it. Sorry.â The fumble of words made them embarrassed, increased their need to cry, but it was better than a stutter.
âOh, okay!â Remus said cheerfully, and turned his attention back to the other kids at the table.
That was it? Did Logan really just stress over something so  stupid ? They were losing their touch.
Focusing back on their work, they read it all over again. The lines for the answers were a bit messed up, but it was nothing they couldnât deal with. Well, they couldnât deal with it, but itâs okay since those papers would be gone in a little bit. The lines were distracting Logan. They kept rereading the backstory, trying to find something to work with in the symptoms, but their head was hurting so bad. When did their head start hurting? Well, it was now, and it was an issue. This headache was preventing them from thinking, the fuzziness and pain making coherent thought difficult. Logan wanted to ask for help, knowing they had to if they wanted to complete this, but not wanting to speak. They were smart, right? They would figure it out.
But the pain persisted. Logan couldnât stand it. Everyone was talking so much. Noises, too many noises. Logan clutched their ears, and angled their arms so they could stuff their face into them. Logan knew nobody would notice as long as they kept any and all noises gone. No noises, nobody would know about this. They let tears slide down their cheeks, keeping their labored breaths quiet. Wiping them away, they went back to the task at hand. They could focus a bit better, but everyoneâs voices were so loud. Logan wanted to tell them all to shut up so badly, but even they knew they couldnât do that. The thought itself sparked too much anxiety, and they knew it was horrifyingly rude. Logan still wanted to though.Â
Their eyes were still glued downward, but they knew nobody was looking at them. But what if they were? That single thought gave them too much anxiety to not simply check a little. If they were met with any eyes, theyâd just sink back down and die. Solid plan. The image of everyone staring at them scaring them enough to look up and get a tiny peak.
Everyone was chatting. Nobody was looking at them. They turned to the back row, and Virgil looked up at them.
âYou good?â Virgil asked, concern in his violet eyes.
Logan nodded quickly, facing back to their work. They tried to listen to what everyone else was saying, hoping they would give them clues. But when they tuned in, all they heard was comments about several different disorders and incorrect assumptions on them. Some of those disorders Logan happened to have. They kept their mouth shut, panic seeping in. Logan knew, logically, they werenât talking about them. This was a Psychology class, and they were doing case studies,  of course  they were going to be talking about disorders. The feeling still didnât go away. Emotions arenât rational, after all.
Somehow, that managed to help them think clearly. They were able to tune everyone else out and focus solely on the assignment. It wasnât difficult at all. Just some reading, and the disorder was rather obvious as well. Logan quickly jotted down the diagnosis they gave and the reasoning, but before they could get up and turn it in, Remusâ voice interjected once again.
âOh! Could I check my answers with yours? Youâre the answer key, after all.â Remus asked, joking at the end. But Logan heard that âjokeâ too many times. Truthfully, they hated the âanswer keyâ and âcalculatorâ comments, but would never speak out against it. Even if they did, it would just be seen as them being âmodestâ again. Logan really did hate being seen as smart. None of it was recognized as the hard work it really was, rather being thought of as ânatural talentsâ.
âSure.â Logan kept their reply terse. They really didnât want to speak more than they had to.
Remus saw nothing wrong with that answer, quickly scanning what Logan put on the sheet and giving it back to them.
âWe got the same things! Nice.â Remus giggled. Logan nodded, took Remusâ sheet, and rose out of their seat to turn in their work.
They were the first one done. While that shouldâve made them feel better, they only felt relief. Perfectionism and Imposter Syndrome were awful to deal with. No matter what, they couldnât feel satisfied. Wonderful.
They returned to their seat, but noticed that Virgil wasnât done yet. So Logan got up, went behind him, and started filling in the answers for him.
âOh, thanks L. You didnât have to.â Virgil twisted his neck to get a look at Loganâs eyes, the worry from earlier still being there, but Logan already finished all the answers and returned back to their desk.
âYouâre welcome.â Logan turned their attention to their thumbs, fiddling with them.Â
They were trying to find some kind of distraction. Any kind of distraction. Logan looked up and saw the girl in front of them still wasnât finished, and got up.Â
âDo you require any assistance?â They asked, keeping their voice leveled. Score for Logan, they donât seem on the verge of a breakdown.Â
âUh, yeah. Just this one, I got the others figured out.â she said. Julianna, they think her name was.
Logan scanned the case quickly, realizing it was Marianneâs from theirs and telling her, âPanic Disorder. She fears feeling anxiety at those places due to her previous situations, and anything similar to it. Thatâs what makes it different from an anxiety disorder.â
Julianna nodded, thanking Logan and they proceeded to go back to their desk and sit down.Â
Hopefully the bell would ring soon, as they could feel panic welling up inside them. Everything felt bad. Their head may feel okay, but everything else didnât. Logan knew they were going to cry again, but they really didnât want to. What if someone noticed? Logan couldnât stomach the thought of it.
Suddenly, everyone got up and Logan knew it was time to leave. They grabbed their books and pressed them up against their chest, making sure to keep their eyes on the floor and nowhere else. Everyone was still talking, still being so loud. They were talking about clocks, and time. Ha, time. Time was pretty funny. Daylight savings time was evidence in it of itself that time is a flawed man-made concept. Time existed, just not the way humans made it out to seem. Logan wanted to focus on those thoughts, something to them feel better, but then they couldnât because someone was focusing on them instead of the conversion.
âHey, Logan? Are you okay?â It was Patton.
Logan shook their head rapidly, before choking out a sob and slapping their head over their mouth.
âLogan, are you sure?â Patton again. His voice was filled with concern. Logan could picture the face he was probably making right now, but he couldnât put their head up. Patton would see the tears if they did. Logan clutched their books tighter.
Logan felt obligated to reply. If they didnât, would they figure something was wrong in their head? That they werenât as neurotypical as everyone else thought they were? So, Logan tried to reply without sounding like they were crying.
âIâm fine.â They said with extreme difficulty. Well, so much for sounding like they werenât crying. A sob climbed out of their mouth, the loud noise alerting Patton. Patton came and put his arm around Logan, asking what was wrong. Logan kept shaking their head, unable to move.
The bell rang, and Logan bolted out of the room. They didnât stop running, not caring that anyone could see their tears. They made it to their locker, quickly doing the combination before someone they didnât know squatted next to them and asked them a dreaded question.
âAre you okay honey? Whatâs wrong?â They was a short, black person. Logan didnât want to assume any gender here, but they did look feminine. Their hair was so pretty, Logan loved their ponytail. But Logan couldn't tell them that right at that moment. Pattonâs locker was right next to theirs, and it seemed Patton might be making his way up now.Â
âIâm fine, sorry for worrying you. However, thank you for being concerned.â Logan replied, and took their things before bolting down the steps once again.
They didnât stop running. Out of the building, fighting against the cold that numbed their hands, and off to the bus stop. Once they were home, everything would be okay.Â
Everything would be okay, but they werenât right now.
#sanders sides#sanders sides fic#logan sanders#remus sanders#virgil sanders#patton sanders#ts logan#ts remus#ts virgil#ts patton
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winterspring | pjm
âąÂ genre: oneshot (some angst i guess? fluff)
âąÂ pairing: park jimin x reader
âąÂ word count: 2k
âąÂ a/n: my entire life, iâve struggled with perfectionism issues. when talking to people about how i felt, i couldnât seem to pick the right words to describe it, and i was often brushed off as being nit picky, overreacting, self-critical. jimin discussing his own struggles with perfectionism in Burn The Stage nailed how i felt right on the head- guilty. i feel guilty when i canât provide someone with a perfect performance, a perfect drawing. the one uneven run, the one stray pencil mark prevents me from delivering that perfection, and it gets into my head until itâs all i can obsess over for hours, weeks, even sometimes months. i thought it was just me- until i saw that interview and realized for the first time that iâm not alone, and that thereâs someone out there who understands.
thereâs so much I wish I could say to jimin in person. sadly, i donât speak a lick of korean, and so i decided to have our conversation on paper. this isnât meant to glorify perfectionism, but to be an open conversation to those who struggle with the same, and for them to know that they are not alone.
It was a rainy evening in that time between winter and spring where the weather is trying to figure out which way is up and whether it wants to cling onto the last few flakes of snow for yet another week. Monday teased the sweet flowering of spring- birds sang, window boxes tentatively bloomed, and you no longer needed to steal one of his sweatshirts to stay comfortable. But Tuesday decided it would be just the opposite: the birds were bundled away in their nests, boxes frosted over; and you were back to that black hoodie that had a semi-year-round habitation on the nearest dining chair. The weather fluctuated between nearly-spring and definitely-back-to-winter, and seemed to bear you along with the storms and deposit you anywhere it pleased. It was too damn cold, but there you were, cozied up with socked feet, sweatpants, and a steaming mug of comfort that was a suitable substitute for your currently unavailable boyfriend.
Working on a university assignment kept you up past the normal time of retirement to the couch, tracing the rim of your favorite mug while you drank in chamomile and calculus III. Somewhere between five-point-one-nine-three-six-nine x to the thirteenth power your train of thought derailed, and you were lost on the tracks of cosine and possible weekend plans when the door opened and something hit the living room floor, making the cheerful vase of flowers heâd brought home for you last week on the coffee table rattle.
This was the usual routine. Heâd arrive home anywhere from 7:53pm-8:14pm depending on subway delays. The front door would slam open- it liked to stick, and usually required a good shove; on the odd occasion one of you was a little too forceful and the deepening dent in the wall was proof of that- his bag would end up flung from the foyer, bound for the couch, seeming to land anywhere but. The loose floorboard in the doorway of the dining room would creak. If you were lucky and there wasnât gridlock screeching on the block below, the huff of the fridge door and the ice makerâs grumble could be heard across the house, accompanied by the soft scrabbling only a snacker would know. Approximately twenty-four seconds and two (or three, sometimes four, depending on how intense practice was) scuffs later, he was standing in the doorway of the office, granola bar and half-empty glass in hand.
Tonight was as it always was, with some exceptions. His foot scuffed a third time behind the chair and the plastic Disney cup came down over your head, wedging itself carefully between the stack of index cards and the edge of your outdated sticker-covered Macbook. A pair of arms slipped around you, and something nuzzled its way into your shoulder, a muffled âHi, babeâ having been accompanied by a kiss placed by soft lips on skin just behind your ear.
You had to smile. âHi, you.â Thank god youâd listened to him when heâd selected the office furniture, because you hooked your foot under the edge of the base, and swiveled to face Jimin without having to get up and leave the awkwardly curled position your left leg was currently braced in. âHow was work?â
He shrugged, scratching the back of his neck, swallowing a bite of granola. âSame old same old. We polished up a few routines and started learning a fourth for the interlude. Oh-â he reached over you to grab for his water glass. â-and Jungkook says hi.â
âHi Jungkook,â you quipped, taking a sip from your own mug. âHow's everyone else?â
He nodded. âDoing alright.â He leaned over your shoulder. âWhatcha doing? You're usually done working by now.â You spun the chair around to face your laptop again. âEw, math.â You could practically sense his nose wrinkle.
âYeah, itâs awful.â You had to laugh. âYouâre lucky youâre a dancer and not an engineer.â
âYou could always become an idol instead of an architect.â He rested his head on top of yours, arms on the back of the chair, fingertips brushing your shoulder. âThe eighth hidden member of Bangtan.â You could feel his smile by the way his chin shifted.
âJimin, you know I sing like a deaf moose.â
âThatâs beside the point.â
âI also dance like Namjoon in clogs.â
âThatâs also beside the point.â
âWell,â You poised your fingers over the scuffed keyboard. âIn that case, sure, Iâll take you up on the offer. When do I start?â
âTomorrow?â He kissed your temple. âYou have the visual.â He leaned over you and picked up his cup. âIâm gonna go shower.â
âHave fun.â
From here, the night was always a gamble, a deviation from routine that was a welcome break from the monotony of the weekday. Some evenings were spent apart, separate yet only a few soft steps down the hall. Others were shared spilling milk all over the kitchen counter or sharing body heat under the knitted blanket you bought him for Christmas that draped over the couch, and even more were spent in pure simplicity, in the joy of just being together. You were birds of the same feather; neither of you spoke reticently, not wasting time on dramatics, because life was too short for that. Thus, you cherished the little things, and so did he.
It was approaching midnight, and you were on your third mug of caffeine, twitchy nerves getting desperate for another. He was sitting sideways on the small corner sofa, one leg bent under the other as his eyes skimmed the pages of a novel. It was a comfortable silence, permeated only by the occasional brush of paper on paper and the soft clacking of loose keys.
âHey jagi? Do you ever struggle with perfectionism?â
You were quiet for a moment, musing over the question, running your thumb over the lip of the mug. âSure. All the time.â
He folded the corner of the page, tracing the words with care, gently closing the paperback. âHow?â
You swiveled to face him, tea in hand. âWhat do you mean?â
âWell,â He sighed, taking off his glasses, folding them and hinging the temples on the collar of his t-shirt. âItâs just- something I was thinking about on tour. You see- if-â He cut himself off, taking a moment to choose his words. âThe performance of Lie at our concert in Chile. I- My voice cracked, and the microphone fell off. I messed up. It wasnât perfect.â His fingers strayed to a loose thread of the book binding, twirling it between his pointer and thumb. âOthers could say that itâs not a big deal, but that one thing makes me feel guilty. Iâm guilty about not being able to give the fans a perfect performance, and weâre never going to see them again. Two little things kept me from giving them what they deserve, and that really bothers me. It stresses me out even more than I usually am. I remember thinking to myself that if I screwed up even more, Iâll feel even worse. It wouldâve been harder to bear because thereâs nothing I could do to make any of it better.â
You crossed the room in two strides, settling cross-legged in front of him. You remembered the night of the Chile concert, he had called you on Skype despite the twelve hour time difference as he stared at the hotel room wall. You knew that look on his face, you knew the thoughts racing through his mind, and whatever you said wouldnât have made a difference in that moment, so you stayed quiet by his side until his laptop died an hour and a half later. He would speak when he was ready, even if it was a week after returning home from a months-long tour.
You reached for his hand, turning his palm upward to trace over the rough creases in the skin. You ran a finger down the outside of his thumb, across to the bone of his wrist and up to his pinky. He was quiet, watching your ministrations in a detached sort of way.
âNothing in life can be truly perfect, I guess.â You began. âMy grandmother always said that a performance guaranteed one mistake, and I believe that mistakes are supposed to happen. Mistakes make us better, they bring us down, they make us human. Weâve all experienced the rush of a perfect performance, when you know you nailed something. Weâve also all experienced how crushing it is when things go exactly the opposite of how we want them to, and we know how much it stings.â He nodded slowly, his hand coming up to cover yours. âThat euphoria that we feel when somethingâs perfect- itâs an addiction. If we felt it all the time, we would never grow. Imperfections give us room to grow, they allow us to become better and one step closer to feeling that euphoria again. Whereâs the fun in doing the same thing right over and over? Without imperfections, we wouldnât be human, and we wouldnât be able to better ourselves.â
âBut isnât the entire point of perfection to be better than the rest?â Jimin turned your hand over, digits tracing your knuckles.
âWell, now we get into the concept of God,â you mused. âHumans canât be perfect, itâs physically impossible. Many say God- if there is a god- is the only perfect being out there. Maybe God is, maybe God isnât, I really donât know. I'm not the person to ask.â Jimin smiled a little, dimples prominent. âI think- long story short, nothing in life can be completely perfect. Thereâs always one thing that keeps it from being perfect, and the best we can do is come close to being perfect with the exception of that one thing or more. Your throat was sore when you went out there, right? The voice crack wasnât your fault, Jimin, and neither was the mic falling off. There was nothing you could do. You were tired, and rightfully so. You did the best you could do under those circumstances, and youâre human like the rest of us. Your worth isnât defined by that microphone, the voice crack, or anything else that didnât go right.
âEven if the performance wasnât perfect, the fans are still going to love you. Theyâre still going to scream when they see you on the street, theyâre still going to go home and rave to their friends that it was the best concert of their lives-â He shook his head. â-oh shush you, yes it was.â He ducked, the smile breaking across his face, cheeks tingeing pink. âDo you think that just anyone can get up and dance blindfolded and still make it as sensual and sexy as you do? Nobody else can like you. You did the best you could in Chile, and none of us, fans or friends, could have asked for any more.â
Jimin paused for a moment, thinking, slowly beginning to nod. He released your hands to cup your cheeks, thumbs brushing over the curve, his eyes meeting yours. Any apprehension was gone, any trace of self-loathing had faded to be replaced with glowing admiration. Your fingers wrapped around his forearms, feeling the soft hairs that were nearly invisible to the eye tickle your skin. He leaned forward, his forehead resting on yours. Jimin took a deep breath and you closed your eyes, one hand on his chest, relishing the intimacy. Below you, cars honked and complained, and the imperceptible groan of the subway rattled the apartment building as trains rushed by, unceasing in their timing, unfailing in their presence. Rain pattered the window, and all was right with the world.
A script of trees before the hill
Spells cold, with laden serifs; all the walls
Are battlemented still;
But winter spring is winnowing the air
Of chill, and crawls
Wet-sparkling on the gutters;
Everywhere
Walls wince, and thereâs the steal of waters.
Now all this proud royaume
Is Veniced. Through the driftâs mined dome
One sees the rowdy rusted grass,
And weâre amazed as windows stricken bright.
This too-soon spring will pass
Perhaps tonight,
And doubtless it is dangerous to love
This somersault of seasons;
But I am weary of
The winter way of loving things for reasons.
Richard Wilbur, âWinter Springâ
#bts#bangtan#bangtan boys#jimin#park jimin#chimchim#park jimin x reader#park jimin x you#jimin x reader#jimin x you#jimin x female reader#bts x you#bts x reader#bts x female reader#writtenthanerased#my writing#write#writers on tumblr#writers#bts fanfic#bts fic#bts fluff#jimin fluff#winterspring#poetry#richard wilbur#i wrote this in march#hope you enjoy#it's not really a usual fic#burn the stage
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A Deeper Look : Dreamer with thefandomambassador

Fluffiness comes, and fluffiness goes. Love can pick your heart up, make it flutter, put a smile on your face, and set you down once more on a tiny cloud where you can soak in the sunshine, and bask in the sweetness. But sometimes, just before that love comes to full potential, shadows of doubt can be manifested in ways that feel like nothing can shatter the cold that has grown walls around your heart, preventing warmth from getting in. thefandomambassador, one of our most very talented and wonderful writers here at the blog took all of us on a journey with her enchanting story Dreamer. A tale of two hearts, one warm, and one grounded by cold. Perfect for each other, yet, conflicted by resistance and the fear of letting go. thefandomambassador letâs us in on the thought process behind Dreamer, and just how beautiful finding balance can be.

1.) Where did the idea for Dreamer come from? Could you share some insight on how you came up with the plot for this story?
A : Interestingly, Dreamer was more of the type of story in which you get the first line down and your imagination goes to work on the rest of it! I like to call it my Tolkien moment. When I was jotting down some random thoughts and notes for a new story, the opening line for Dreamer just randomly came to me. âJensen wasnât a dreamerâ. Well, why wasnât he a dreamer? Why didnât he believe in wishes? The line intrigued me and I wanted to explore the concept more. I ultimately chose to reflect some of my own thoughts onto Jensen. I consider myself a realist and I often have a hard time believing in things. Why should I believe that someone could love me? Do dreams really come true? Should I waste my time on wishes if theyâre not going to come true? I put these thoughts onto Jensen almost as a way to figure some things out for myself. In the plot, I decided that I wanted Jensen to have a little journey in his own mind where he can realize that he can be loved and dreams do come true. As I wrote, I just really let go. I wanted to convey that dream-like, slow and smooth feeling and I really just let my muse take over as I wrote.The rest of the scenes and anything in between came along as I wrote since I tend to be more of a spur of the moment writer!
2.) In the beginning, you start out with stating that Jensen is a realist, not a dreamer. Then in the next couple paragraphs, Jensen is kind of reinforcing this set of very strict morals and beliefs mentally. He also doesn't believe in wishes. Why does he hold himself to such hard standards?
A : I canât say that I know Jensen personally or have seen even half of his personality and characteristics, but as I got more and more into Cloud 9 and Jensen as a player, I began to see these strict mental guidelines that Jensen built for himself. He has this perfectionism about him where he seems like he wonât be satisfied until heâs the best. This no-nonsense mindset that he has in game, I reflected into Jensenâs character in Dreamer. Â He holds himself to these standards because he doesnât want to face the pain of being let down or something not living up to what he thought it would be. In Jensenâs mind, he doesnât allow himself to dream or wish anything because he figures that he will be let down in the end. He thinks that heâs saving himself from the pain of disappointment or heartbreak. Where I see Sneaky as the wearing his heart on his sleeve kind of guy, I see Jensen the type who always hides his feelings or emotions in fear of being less-than-perfect. He doesnât want to mess up the mental utopia he has built around himself. Giving in to wishes or dreams would mess up the strict real world he has given himself and he doesnât want to face that. This also comes from that âpessimistic perfectionistâ mindset where he needs to have these hard standards in order to become the best possible.

3.) Seeing as how hard Jensen is on himself about being a realist, what is it then that triggers him sometimes to enter that warm and dreamlike state? He obviously also doesn't like the fact that as hard as he tries to fight it, he can lose his grip on reality.
A : Not to be a big sap here, but itâs Sneaky! I think a part of Jensenâs fierce and stubborn realism is because he knowâs Sneaky is the dreamer. If he letâs go and succumbs to Sneakyâs almost gravitational pull, he knows he will be lost to the dreams. So Jensenâs dreamlike state in the beginning is when heâs drunk and his grasp on his strict guidelines is slipping as he is falling for Sneaky. Jensen knows he can easily become the dreamer that Sneaky is, but heâs too scared to let go. His dreamlike state is a mixture of a few too many drinks and the effect that Sneakyâs presence has on him. When Jensen finds himself slipping and losing himself to that feeling, he knows he has to get out of there and snap himself out of it before he does something stupid.
4.) The way you bring stars into this story, I have to say was really well done. Describing them to be as dragons, holding on to secrets that may not ever be revealed unless they become a supernova ready to explode. It painted such an amazing picture of just how turmoiled Jensen is over his feelings that it almost hurts to read. Why and how has Jensen managed to get to this place with his feelings? Why has it become so hard for him to deal with them?
A : Thank you! The stars were something that kind of slipped into my story without me realizing and then before you know it I had some symbolism there! Yeah, I wanted to portray a distinct difference between Jensen and Sneaky at that moment, so if Sneaky was associated with the warmth and dreams, then Jensen was the cold and untouchable. Jensen got in this place with his feelings because of his stubbornness. If Jensen just let go when he realized he was in love with Sneaky, he could go out and confess to him. However, the emotionally constipated dork he is, Jensen decided to let his feelings fester which always leads to some self-loathing. I have found that the longer you wait, the harder it gets to deal with feelings or emotions. To apply the overused euphemism, Jensen simply needed to rip the bandaid off and get it over with. However, that âstarâ inside of his just boiled and burned and left it all feeling worse than ever. It hurts Jensen to deal with it because the star is almost like a tumor now. It has been growing inside of him and it controls him. He needs to let it all explode. Heâs all bottled up and needs to get these feelings out before it destroys him.

5.) Jensen and Sneakyâs dialogue in this story is so simple and sweet, and surrounded by so much detail and description, which in my opinion, made the dialogue so much more effective. Could you share some insight on your decision to write the story with this style? How important is it for the readers to be able to understand Jensenâs state of mind and inner conflict to truly be able to appreciate the beauty of the simplistic dialogue?
A : Ah, thanks for noticing! I actually used this as a bit of a study for me. I tend to rely on heavy dialogue a lot and I specifically tried to work on a more poetic and descriptive writing. I wanted to make this a very abstract style story with a lot of imagery. I find that stories like those can often connect the reader a lot better because it gives them direct control over the setting and scene. Their own minds are supplying images for the descriptions that I write, so itâs definitely a very intimate and personal writing style. I wanted to portray it like that because the story is a very deep look into Jensenâs mind. I wanted it to be clear that these were his thoughts and the reader was in his mind. Thereâs nothing more personal than seeing into a characterâs thoughts so itâs a very delicate style and Iâm very glad it came through so potently! Itâs really important that the reader can connect with Jensen and effectively âseeâ through his thoughts. If I was not able to communicate Jensenâs inner dialogue and conflict, then the writing style would be lost on the reader. So if the reader can successfully make a connection with Jensen, then the simplicity speaks for itself. This style is definitely super-intimate so it tends to be very emotional and abstract, which is why I wanted to use it with this story!
6.) Just as youâve contrasted reality and dream with cold and warmth, youâve also contrasted Sneaky and Jensen â Sneaky as someone who does believe in things like miracles and wishes, and Jensen who doesnât, a true realist. What does their differences contribute to Jensenâs inner turmoil overall?
A : Their differences are created by Jensenâs inner turmoil. Jensen effectively alienated himself from Sneaky in his stubbornness and as he built those wall around his mind. As their distance fluctuates throughout the story, you can see how their differences and contrast changes as well. In the beginning, the contrast isnât as sharp because Jensen feels closer to Sneaky and heâs dropped his walls just a bit. Then outside is when Jensen feels the most distanced from Sneaky. Heâs cold and lonely. Just him and the stars out there, two untouchable forces. So when Sneaky comes outside, he brings that warmth with him and they are closer to that equilibrium and ease of mind. The more guilty Jensen feels about him loving Sneaky, the more he desires to distance himself from him. The contrast is created by Jensenâs turmoil because his own stubbornness is hurting himself as he tries to deny his feelings.

7.) In many ways, Sneakyâs personality balances Jensenâs. The way youâve written and created it is like the sun and moon, the warmth and cold, etc. And itâs almost as if saying one canât exist without the other. But can you explain how important balance is for personalities such as theirs?
A : Ah yes, exactly! With the contrasts, I am trying to communicate that Sneaky is effectively Jensenâs âother halfâ. Balance is extremely important between Jensen and Sneakyâs personalities. Like I said in the above question, they need to reach that equilibrium in order to achieve that peace and balance. Jensen alone is too severe. Everything about him just screams cold and alienation. Sneaky alone is that sunny heat, but because Dreamer was more of Jensenâs story I didnât take the time to explore Sneakyâs situation. If Jensenâs cold was threatening to freeze him, then I believe that Sneakyâs warmth very well couldâve burned him up as well. Every side has itâs own differences, but Sneaky was just as lost without Jensen as Jensen was lost without Sneaky. So they needed to balance these personalities before they could destroy themselves with it, which was an extremely important part of Dreamer. Sneaky brings that warmth to Jensenâs cold and together they can reach a perfect balance.
8.) Why do you think up to the very end, Jensen was trying to fight off that warmth that Sneaky brought to him? Itâs like he very much wanted it, but he struggles so hard to let go of that grip on reality. Deep deep down, what is it that Jensen truly wants?
A : Ah, Iâm sorry to say that Iâve cursed Jensen by reflecting my stubbornness onto him! Jensen, despite knowing he was going to lose that battle, had to try one last stand at fighting off what he had so painstakingly tried to avoid. Jensen had spent far too long hiding his feelings and denying himself from this that it was simply a force of habit for him to try to push away. Itâs really hard for Jensen to let go of something that he had put so much work into holding onto. Of course, deep down Jensen just wants to love Sneaky and be loved in return. He wants to be able to be free from his cage that he put around himself. He doesnât want to rely on the cold truth of reality, but he also doesnât want to be lost to the warm fog of dreams. What he does want is that middle-ground with Sneaky where he can have a dream become reality. In Dreamer, Jensen curses the stars for holding secrets. Itâs because he knows that he must go out on a line and actually wish or dream in order for the secret to be revealed. So metaphorically, the secret is whether or not Sneaky loves him back and the wish is Jensen confessing. He wonât be able to find out what the answer to the secret is without making a wish. Jensenâs struggle at the end is very important because it shows how he is able to get the strength to overcome his own mind and his doubt.

9.)Â How important was it for Sneaky to finally kind of force that warmth onto Jensen and make that first move? I feel like Jensen would have been at odds with himself for eternity if itâd been up to him.
A : Itâs very important for Sneaky to have done that! As we see when Sneaky first comes outside to join Jensen, Jensen is upset by his presence. He doesnât want to face Sneaky, not after he just barely lost himself to the dreams. But in the classic Sneaky way, he pushes forward because he cares about Jensen. Sneaky knows Jensenâs limits and he knows how to read him like a book. Although Jensenâs mind may have told him that he didnât want Sneaky out there, his heart was telling him that it was all he needed. Itâs definitely a joined-effort to get this relationship going. Jensen is hurting too much to push past his defenses and he needs someone to help him. Sneaky is the obvious answer here, which is why him noticing Jensen leaving the party, coming out to find him, and knowing to bring the jacket means so much. The jacket is another kind of, unknowing metaphor that crept up on me. Jensen of course, insists on going outside in the middle of winter with no jacket and Sneaky knows him so fully and so perfectly that he brought the jacket. And not just any jacket, but his own jacket because he knows it will comfort and calm Jensen. And maybe the jacket and the warmth and the scent triggered something in Jensen so that he could find that bravery and finally let the âstarâ explode. Jensen for sure could have been at war with his own mind for ages. Not that he didnât love Sneaky enough to push through, but he needed that extra push from Sneaky, that sign of hope. Jensen needed some sort of validation because he thinks he isnât enough and that no one could ever love him. The fact that Sneaky loves him and knows to come out and find Jensen when he disappears and to bring a jacket with him, means the world to Jensen and is the exact moment when he starts to let loose and allow himself to feel that love.
10.) What can we expect in the future of your writings?
A : Ah man, I have a lot in the future! My mind works faster than my actual body does, so I have a ton of ideas and half-written stories lying around. I will usually get out of random stories relating to what is going on in the eSports world, so if anything happens I might find a flash of inspiration and write something. I was actually going to write something for Worlds, but never got around to it because of my schedule, but if things slow down I might try to do a Worlds reflection story! Iâm also about 7k in on a Sneaky/Jensen/Meteos fantasy soulmate AU, which does not receive very much attention from me, unfortunately, but hopefully I might actually do something with it someday. In the future, I want to experiment more with the abstract/poetic style of Dreamer so you might see another one coming like that! Otherwise, humor and fluff will always show itâs face when I write sneaksen (or any other ships in that case). I like to write AUâs a lot too, so I might mix it up a bit with one of those! (Harry Potter, apocalypse, modern wizard, high-school, marriage proposal and asexual Jensen are all some things Iâve been wanting to write!) Also, for anyone out there, I do take requests, so if anyone wants to see something specific from me, just send a message over my way and I will do my best to bring it to life through my writing! Iâd also just like to say that this means the absolute world to me and thank you for the support and love for my writing! Iâm so glad that my stories are being enjoyed and this feedback is just incredible! I will continue writing for sure and I hope to grow a whole garden of sneaksen in this awesome fandom!
A HUGE thank you to thefandomambassador for taking the time to let us in on the secrets behind this charming and beautiful story! Cannot wait for the next journey youâll take everyone on!
To read Dreamer, click here.
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https://www.cbc.ca/news/health/canadian-hospitals-expanding-covid-19-care-facilities-1.5516559I started reading about whatâs happening in New York at the moment, and I donât know what to say... it sounds very tough for the people there.
I put quite a lot of things this week that may hopefully be of some use, but I donât know yet with much certainty because I just started reading about it.
They need a list of- e.g. the 500 overall and specific most effective strategies for anything coronavirus related (within a coronavirus budget- which still needs to be quite high considering how many peopleâs friends and loved ones are dying and at risk), strategies which you create and find over days, weeks, months, and the year, and as you aim for finding the #1 to #10 methods (be really tough with where you rank things- if you think itâs #1, put it as #50), and slot in more as you find them with estimations of effectiveness results- finding 5-30 high ones a week seems like a great goal (even 5 high ones is better than 1, 2 or 0). There could be the 500 best strategies, ranked, the government does, and a separate 500 best strategies, ranked, the people add to and do (especially for the goals of flattening the curve, influencing people, figuring out the top 20 skills people need to learn and encouraging this, and helping the media to support optimal help and prevent/stop panic, getting people in the optimal frame of mind for problem solving, and helping the most vulnerable with how they earn or get enough money for rent and food).Â
One of the big questions for the government would be, who are the 30-50 types of people who are at risk of suffering the most in the medium and long term, and what strategies can be added to protect them better and better? Another thing to be really aware of is not only New York and the US itself, but vulnerable countries all over the world, as well as vulnerable areas throughout the US? Why? The US is one of the best off countries in the world and has a strong public health system. Flattening the curve as much as possible is strongly needed to minimise people getting rejected from hospitals. However, areas all over the world are 1000x less prepared, 10000x less prepared to protect their citizens from the coronavirus than the US. It may be impossible to stop the spread of the coronavirus in the US because it is such an open country, but to give the most vulnerable countries as best an opportunity as possible to prepare for this. For example, Australia is under a near complete lockdown (can only leave the house for work, medical care, groceries and exercise with 1 person, not allowed to having social gatherings with more than 1 person, thorough clear resources on the primary government website, clear memorable messaging on TV for habits, and police giving out fines for specific not-allowed activities). A big part would be strongly training people to learn the top 20 habits that would keep people as safe as achievable, and asking the media to send out 10,000 memorable ripples for the people who care the least (e.g. criminals) to learn these. But without stressing people out too much, because that impairs thinking and memory. How can the media best help? And what are they doing now that they need to do less of (e.g. expressing things in a way that encourages panic rather than problem solving, focusing on what you can do, and appreciating the rest of your life thatâs still happening)?Â
Another example is that it seems places where there are vulnerable or at risk people (I called them Level 2-10 people in a post further down) need to be the best protected, which could be done by legal methods (e.g. banning people from going to nursing homes, heavy fines for not following government instructions to protect people, and setting up video conferencing in all homes so nursing home residents wonât be killed by loneliness rather than the virus) and by strongly (and ethically/ non-stressfully) motivating anyone in contact with nursing homes to do exactly what they need to do. You might need a team of 20 extremely effective researchers, specialists and data analysts (e.g. someone who has worked with every aspect of retirement homes over the past 20 years and knows all the details extremely well), each researching recommendations and data, and also giving very good reasons for why for each recommendation. And getting people who will disagree with each other (in an amicable way) working together so they can spot flaws in each others evaluations (i.e. so big and medium mistakes can be prevented more effectively).
You canât demand perfection (i.e. 100% of people), because you will stress yourself out too much and reduce your abilities, but you can constantly improve (e.g. aim for 10 big improvements a day- even if you fail- 1 big improvement is bigger than 0) towards the required goals.
One thing seems clear though... there is something called âwartime productionâ, where the government pays- or pays and legally forces- certain companies- e.g. ventilator companies, facemask companies, quarantine gown companies, people glove companies, hand sanitiser companies, to produce a tonne of what is needed. And some can be reused every 5 days, right? If you put it in boxes? What do medical experts say- is this safe?Â
Especially ventilator companies. If various countries have built hospitals in two weeks, then it is definitely achievable to expand ventilator production an absolute tonne (i.e. build additional factories right now and run them 24/7). And once the epidemic peak is finished in the US, you can give or sell the ventilators to the other 213 countries that need them.
https://www.cbc.ca/news/politics/trudeau-medical-supplies-procurement-1.5516068
"The entire world is trying to get its hands on the various equipment needed to fight this virus. That is why we know that it will be important to have made-in-Canada solutions," he told reporters.
On March 20, the federal government announced its intention to provide monetary support to manufacturers that can retool their assembly lines to make ventilators, masks and other personal protective gear, and to help those already making such products quickly scale up manufacturing capacity. "This is a priority for our government and we will continue to source new solutions every day," he said in his prepared remarks. âHowever, If you >>>stay home and >>>follow public health recommendations, you can slow the spread... (and reduce the likelihood of Intensive Care having to reject people who need to be in Intensive Care)". "This is all hands on deck... our government is leaving no stone unturned." The hardest to influence citizens (e.g. criminals) need to be encouraged to meet all requirements as well.Â
https://www.cbc.ca/news/health/canadian-hospitals-expanding-covid-19-care-facilities-1.5516559
If someone is hooked up to a ventilator for an average of 1 week, then 1 ventilator might save something like 50 lives, which is a LOT compared to 0 ventilators. So, if ventilator production is increased from e.g. 10 ventilators being produced a day to 10 factories being built by government funding (and youâre one of the richest countries in the world- this funding is 100% there) this means 100 ventilators will be produced a day. Yes- flattening the curve by sending out 10,000 extremely effective (and ethical/ non-freaking people out) waves to influence the hardest to influence people (e.g. criminals) is the best way. But ventilator production is definitely the other half of the coin. What if there are future pandemics from e.g. unethical behaviour (letâs all do our best to influence the hardset to influence 5% to make sure that never happens)? This is all skill building, training and resources for how effective you are with that as well.Â
Although it would be a very good idea to take this one day at a time in terms of worrying, or even one hour/ half an hour at a time if you need to. i.e. plan ahead for the future, but your responsibility is your actions over the next day or half hour (planning is an action).Â
And all senior decision makers need to regularly get enough sleep and food, and to get serious help with anxiety/ worry (e.g. medication or refusing to worry in your recovery hours/ giving full responsibility to second and third in command during recovery hours). It would be excellent to also hire additional extremely effective people from a variety of relevant fields as problem solvers (even if 90% of the time they donât get anything and 10% of the time they come up with highly effective strategies), or at least schedule e.g. 1 hour a day (of non-recovery time) to problem solving.Â
It would also be an extremely good idea to have a list of the 200 best self protection and mental health protection methods (while still being extremely effective), ranked in order, which you actively research and slot in. This is absolutely necessary for these times. Yes, itâs sad that thousands are dying frequently but the only thing you can control is the effectiveness of your inputs. You must put boundaries. And minimise trauma to yourself after this happens. As well as minimise any legal liability as well (while prioritising the people, which will protect your mental health at the moment.
I donât really know at the moment. You wouldnât be able to focus on perfectionism, just on attempting to make 10 huge leaps on the current strategies each day. Or hiring people who will achieve this.Â
And definitely getting people to research what other countries are doing for if any steps are useful or relevant. If your job is to protect your people in the best way possible, while also doing your best to give poor, vulnerable countries as much time as they can to prepare (as their hospital systems will be anything like 1/10th, 1/100th or 1/1000th of yours- time to prepare will help them a lot), then definitely find out and use all of the best methods from all of the countries all over the world. One idea is to see the ways that the poorest countries prepare- e.g. government orders to protect nursing homes and the most vulnerable, getting people to optimise their habits around coronavirus AND getting all level 2-10 people to do 20x500 things to optimise their lung and immune system health before the coronavirus and applying it to your most vulnerable populations. I also have a friend in New York who has a collapsed lung- I wonder what specialists would say that the best 20x500 things that people with specific health conditions (like this one) can do to optimise their health before the illness. I think that accepting fate is crucial to protect your own mental health, but I also think that everyone who is Level 2-10 should give it their absolute best to do 20 things x 500 times each to pre-prepare as best as possible... itâs just figuring out what those 20 things are, and I think medical specialists would know what they are the best, as well as general immune and lung optimisers, like taking multivitamins, getting enough sunlight, becoming more and more skilled at meditation, getting your immune system and lungs to the perfect strength and the strongest immune and lung intelligence.Â
Also, with closing schools- people have to work, because they have to pay for food and >>>rent (what can be done to help the most at risk renters? This would need itâs own ranked list of 100 things to slot in). Some people can work from home, but others canât. The idea is that everyone who can pull their kids out of school should, but people who have to go to work? Maybe they would get their kids babysat for free by someone? What people could do this and what people couldnât? With schools, there would need to be ways to protect teachers and their families though (without scaring little children).Â
I also particularly recommend seeing the measures Australia has done, for everything as well as the best methods that all the countries around the world have done. Weâre all in the same boat with this so best practices are universal and should definitely be used to save as many lives around the world as humanly possible. Definitely, definitely, find the best methods from around the world and see of what % relevance they could be (or if they could be modified to be as effective as possible for your specific context). Donât worry about âtakingâ- if this is something youâre worried about, you can help them with something else (e.g. influence) after all this is over. Focus on saving as many lives of your own people as you can possibly achieve within your capacity (while also protecting your own health), and worry about everything else later.
Who are the 30 to 50 groups of people at risk of the highest suffering from the coronavirus, and what can be done to protect them? It may be very hard to put emotional boundaries around that (i.e. block yourself from feeling bad- sympathy, understanding and respect- with strong emotional boundaries- are much more adaptive and healthy in this situation than empathy). However the above would probably be the most important way to minimise harm from the coronavirus. And prevention is usually many, many, many times easier than after effects. Maybe another method is giving people clear, memorable instructions on what they need to do.Â
And optimum emotional states for the things they need to do... anxiety might be making people act irrationally- e.g. putting them in fight or flight mode/ generalised anxiety disorder, which makes it harder to access the thinking parts of their brain. What clear instructions can people be given for the top 20 skills they need to learn to prevent the coronavirus from spreading? And how do you motivate the hardest to motivate 10%- and 5% of people?
And stoicism. Stoicism is an excellent mental health supporter (i.e. actually reading books by stoicists). As well as many other types of mental health support.Â
https://www.cbc.ca/news/covid-19/italy-covid-19-outbreak-lessons-1.5517520
This sounds a bit hippy but what about if Intensive Care Units and hospitals play super-healing lung & immune system music quietly in the background? Patients can ask to turn it off, but to have it playing continuously in the background. This has the risk of making hospital workers tired (as when you are healing your energy goes to your immune system rather than your legs and arm), but this will help patients a tonne. Maybe it can be done like in airplanes, where patients can plug earphones into something for super healing music? And that itâs available 24/7? So hospital workers have lots of energy but their immune system is boosted as well.Â
Boosting hospital workers immune systems with music like this that allows motivation and music more is an excellent idea, and where patients can put in earphones into really superhealing rest music that covers the hospital workers quiet background motivating & immune superhealing music? It sounds hippy but I think this might help severe symptoms heal faster. e.g.
https://www.youtube.com/watch?v=l8wzTdaGjac
I really donât like people suffering too much, and thatâs why I help people.Â
But if youâre someone who canât accept help unless thereâs reciprocity, there are three areas that seem connected that are especially close to my heart:
Helping Puerto Rico untie the aid, bureaucacy and social requirements for the rebuilding funding promised for Hurricane Maria. Hurricanes batter their island each hurricane season, and unrepaired houses are at much higher risk of getting more broken. If it takes 10,000 waves to untie the category 5 aid they need so much to rebuild their priorities, it would be so very helpful to add to these waves to help them get it. And maybe to help them figure out how to rebuild houses if there has been 1000 earthquakes and a big earthquake expected every year. Would this be an area of engineering that needs to be created? Or does California know how to do this? It needs to be hurricane surge proof as well.Â
Helping Haiti be a politically neutral country, like Switzerland- they really donât have much power or influence, so being a really strong friend and ally to them while, at the same time, allowing them to work a lot with Venezuela, who provides them with crucial trade and oil subsidies (which they very, very strongly need) and allowing them to work with China, who provide them with funding for infrastructure projects, which will help them an absolutely huge amount. Haiti really does not have much power or influence internationally, so making them like Switzerland would have little impact on the USâs needs or influences. So, being a big help to them, even if they also accept help from Venezuela and China. They are the poorest country in the Western Hemisphere, and 90% of their people live below the poverty line, so everybody should be allowed to help them... Letâs win their support via who helps them the best, rather than threatening to withdraw allyship. Apparently Haiti and the US have a strained relationship, so this would need to be healed somehow though.Â
Any way to help the Rohingya find a big picture and short term solution. <3 <3 <3 If it takes 1,000 methods to complete the puzzle of a win/win solution for them, any methods contributed would be hugely helpful. I donât know how, but any contributions to help them find a big picture solution that is good for everyone would be hugely appreciated.Â
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Anathema - Chapter 9
Previous chapters: SWG or AO3
The chant of the hammer was echoing loudly around him, the grave notes too much like those of a bell, a toiling bell, which repeated endlessly its omens and announcing, if not death, at least the end of something; of an era, perhaps, or of a mood, an atmosphere which was slowly shifting and turning into something new. The spring was silently rolling towards its own end and with the summer were coming new hopes but also new threats, for the clouds above Tol-Sirion seemed to carry the stench of the North, and slowly it crept down the streams. The Narog itself seemed to suffer from the poison, droplets of evil flowing down Beleriand despite the protection of Ulmo.
The hammer kept on falling, regularly, and the steel beneath it received the blows with an echo of its dirge, as if all the threats which a blade could carry were gathering into the sharp alloy. Curufinwë liked its music. He liked the promises held by the elegy of steel, he liked the hopes which, as the sparks kindled by the blows, sprang around the anvil. He also liked the heat of the oven behind him, the soft breath of the bellows and the crackling of the flames.
As soon as he had been able to walk again, CurufinwĂ« had locked himself up in the smithy which he had made his. During the weeks which had followed, the weakness of his body had been a bit of a burden, and with each breath he drew, a new pain came hitting at his ribcage. His lungs too were painful at times, justifying Tyelkormoâs reproach regarding his bold decision to tarry in the ashen atmosphere of the forge. CurufinwĂ« had had to literally wrestle with his brother, who would have picked him up and carried him outside, hammering that only some fresh air would quicken his recovery.
But what did it mean now, for CurufinwĂ«? A physical recovery was nothing beside the emotional one, and still the needles of his failures and the poison of his inner fights were assaulting him. Hence the long hours bent upon the anvil, sweat dripping down his forehead, muscles tensed as he moved carefully, with the precision of old, the perfectionism of his hands and the intent focus which his handcraft required. Even Tyelperinquar had not dared disturb his fatherâs studious loneliness, and barely had he dared to stand on the threshold of the workshop, observing, fascinated â as usual â by CurufinwĂ«âs skills, by the delicacy of his movements, the intensity of his concentration, by the way his eyes followed the lines, scanning the beauty of the ores which he would enhance, as much as the bright reflection of the light on the steel. And CurufinwĂ« paid no heed to his sonâ s presence, nor to the exhaustion of his own body. He had even stopped caring about his appearance, and the stained and old apron that he wore barely covered a tunic which had been the same for the past days. With his dishevelled braids and the dirt on his face and fingers, his look matched his despair, and if Tyelperinquar did know recognize his father behind these grim and miserable features, he did recognize him in every movement that he made, in the prowess displayed through each delicate shift of his fingers. And CurufinwĂ«âs eyes could not lie either, nor would they let him pretend to be someone he was not.
Sometimes he mumbled words, uttering straps of truth, monosyllabic realities, dulled offspring of a hidden epiphany. He himself did not totally grasp the core of their meaning; they were thoughts, furtively escaping his mind before he could catch their truth, before he could bring himself to understand them. They hastily left his lips and ran away from his reach, muffled and veiled by his own unconscious reluctance to seize them.
Oblivion. That was what he sought, and that was the reason of his immersion, of his delving into work. Burying himself beneath his peerless creations, hidden behind the scoria of these accomplishments. Perhaps would he find in them a meaning, a new breath, which would help him recover the taste of life. Yes⊠to recover pride and self-esteem in the fruits wrought by his skilful hands, and to unveiled his dignity. His work, at least, would not betray him, his talent would not desert him, and still, as he dived into this ineffable ability of his - his capacity to create, to sharpen, to enhance â he could allow himself not to think. Oblivion. It was himself that he feared, the dreadful dreams and expectations, inexorably imbued with humiliation and shame. He did not wish to think about them, to think about himself, about what he had done and what could still be done.
Perhaps the time had come for him to uncover the lies, all these lies forged around himself; that he was just like his father. That there were in him the radiance, the power and the skill of FĂ«anĂĄro. That he could eventually live up to him. All lies. All broken. Perhaps he simply needed to discard them. Perhaps he would become another man. Perhaps it would make him more real. For if he stopped trying â and failing â to be just like his father, he could probably manage to become his real self. But what did it mean? Who was he? What was his reality?
Oblivion. That was why he worked so hard, caring neither for his physical needs, nor for his appearance. He sought to protect his sanity, to keep the questions away and to prevent himself from drowning into a swamp of self-bashing, to keep the inquisition of his own mind shut. Tyelperinquar could still watch him, but Curufinwë would not allow him to fathom the intensity of his misery, of his reassessment.
The song of the hammer cradled him, chasing away doubts and fears. A familiar melody of old, reminding him of who he used to be, reminding him of the one he called father. And yet, this melody was but another illusion, a fruitless attempt to summon peace, merriness, and solace. Lessons heard and internalized centuries before, they were parts of him now, and in the hypnotizing chiaroscuro of the workshop, CurufinwĂ« came to wonder if he had been made of them: The lectures given by his father, the advises and ceremonious teachings; how much had they forged him, the eager student, bewildered by FĂ«anĂĄnoâs every word and the wisdom they distilled. CurufinwĂ« had had no such wisdom for his son. Only the shadows of what had been learnt in the past, and even this, he could not give anymore.
They were both used to work together, with his son, if not on the same process, at least in the same workshop â side by side â each silently bent on a new creation, and the young Ăoldo would sometimes ask for an advice, or for his fatherâs approval. Which CurufinwĂ« never begrudged. All was different now, and Tyelperinquar still stood on the threshold. Since his father had returned to the smithy, he hadnât touched a hummer nor approached any anvil. He just watched, worried and half hypnotized by CurufinwĂ«âs very movement, his own eyes grasping and learning all they could from his fatherâs processes.
Unable to look away from the steel in front of him â fearing to see another ghost born out of his mind â CurufinwĂ« did not notice his approaching son, and when he reached out to pick up the tongs, he was most surprised to have the tool hanged to him by Tyelperinquar. His son was smiling, dimly, as if shyness forced him to repress any hasty expression, and as CurufinwĂ« looked into his eyes, he seemed to wake up from a trance.
âGood morning, father.â
Morning? So, another night had passed, and a new day was coming. When was the last time he had seen the light of Arien? Casting aside the questions and thoughts, CurufinwĂ« gave a quick nod and took the tool, but quite to his own surprise, his son did not let go of it, his fingers tightly clenched around the handle. With a questioning look, CurufinwĂ« held on too, and the two Ăoldor stared at each other, both quiet and still, as if trying to decipher each otherâs thoughts. Eventually, CurufinwĂ« broke the silence with a grim voice. His throat was sore.
âAre you waiting for something, Tyelperinquar?â
âAt last!â Said Tyelperinquar, finally letting go of the handle.â Yes, father. I was waiting for you to notice me, you know, me. Your son.â
Bemused and confused, CurufinwĂ« frowned. He did not understand â or did not want to understand â what this fuss was all about, and he looked at his son with a gloomy pout, his head tilting slightly. Thus, Tyelperinquar continued:
âI have been waiting for you to acknowledge my presence, my concern, my worry. I have been waiting for you to realise that you cannot go on like this!â
âWhat do you mean?â Said CurufinwĂ«, unwilling to acknowledge any of this, unwilling to cast away the veil which had kept him blind and protected him from the truth, from the dreadful epiphany. Not only did he not want to see his sonâs sufferings, but he was also reluctant to admit his own misery.
âWhat do I mean? Are you kidding, father?â Tyelperinquarâs voice as growing louder, his tone more impatient and his movements had nothing in common with his usual behaviour; hasty, blunt, tactless. âDo you even know for how long you have been locked in here?â
âEnough with your whimsical fit, Tyelperinquar!â Stated CurufinwĂ« sharply. âI am working here. And you know better than anyone that I have toââ
âNo, father.â Tyelperinquarâs voice was sharper than his fatherâs now, and it forced CurufinwĂ« to freeze, catching him by surprise and cutting right into his soul. âI have enough of your lies, of your phony justifications, of your feeble excuses, father. I do not know who you are trying to fool â me or yourself â but it must stop. I am not a child anymore, and you⊠you should stop behaving like one!â
âGet out, Tyelperinquar.â
âFather, Iââ
âGET OUT.â
These last words had been uttered with such a biting tone, that Tyelperinquar found himself forced to step back, as if pushed by the keen point of Angrist. His eyes burning with a new painful fever, CurufinwĂ« watched his son as he swayed on his feet, astounded by the harshness of his fatherâs words and tone, and CurufinwĂ« was still watching heatedly when Celebrimbor left the workshop, tensed and shocked.
CurufinwĂ« too was shocked, not only appalled by the boldness of his sonâs behaviour, but also by his own spiteful reaction. His hands were shaking now, which was totally unusual, and so unlike himself. This too, he would need to forget, to dismiss. The sweet fragrance of oblivion was tempting him again. But only work could help him reach the level of deafness which he needed, and with these shaking fingers, no work could be achieved. Nonetheless, this overwhelming powerlessness did not alleviate his restlessness, and with the heavy gait of a wounded beast, CurufinwĂ« walked to a basin. The water felt cool and comforting on his skin, and the droplets that slid down his face, if they could not wash away his frustration nor his shame, would rip the veil which covered his mind with the numbness of his disillusion. Luckily there was no mirror in the workshop, no reflection, no dull twin to judge him, no one to mimic his foolishness.
He looked down at his hands again. Still shaking. His frustration increased and Curufinwë had to gather all his will to not strike the wall with his trembling fist. There was hate in his heart, but he did not know who he hated; surely not Tyelperinquar. Himself? no, not himself. His behaviour? yes, painfully. His own behaviour and the unknown motives behind it. He did not fully grasp the meaning of it, nor the reasons that hid beneath his reactions. And yet, it felt like the explanation was close, so very close, only a few inches from his understanding. But yet it remained buried under a heap of secret fears and despondency. Nonetheless, he could not remain idle, he could not passively wait for the truth to reveal itself and he was about to try to get his hands back to work when the silence of the workshop was broken anew.
The loud and deep voice which was already calling for him could only belong to one person, and Curufinwë was not sure he wanted to see him right now. But there was no place to hide, and he knew he would have to listen to whatever his brother had to tell him.
âTidings from Himring.â Tyelkormo yelled as soon as he stepped into the workshop, and CurufinwĂ«âs heart started to pound fiercely. No matter what the news were, it would still be better than another heap of remonstrances, and they would keep him away from his own pervasive thoughts. Their messengers had been sent many weeks before, and the two FĂ«anorian lords had feared that they had never reached their brothers. With a quiet nervousness, CurufinwĂ« waited for the hammer to fall, expecting the worse. But suddenly, Tyelkormoâs sharp expression shifted and a peaceful smile reached his lips.
âThey are all safe, Curvo.â
The hammer which fell upon him was the hammer of relief, of odd gratefulness, and one of the layer of this ominous, blinding veil had been torn apart, allowing a ray of light to touch him.
âKano is in Himringâ Tyelkormo continued, stepping closer. âJust like the Gap, Thargelion had been utterly ravaged, but apparently Moryo escaped southwards to find Telvo and Pityo and they all reached Ramdal, from which they hold the way to Ossiriand, so the East is not utterly taken by our enemy. They all suffered many losses, but they are alive and ready to fight again.â
CurufinwĂ« nodded gratefully, but through his relief another poison was already making its way to his heart. âWhat of Himlad?â He asked with a dim voice.
Tyelkormoâs smile faded, and CurufinwĂ« saw him swallowed bitterly a formidable knot of angst. âDevastated. Nothing is left, they said, but ruins and dusts. And rotten corpses. Nelyo sent his henchmen to gather the dead, and to give them the honour they deserve, but the orkor seem to linger on our landsâŠ
â⊠and who knows what shall become of the dead.â CurufinwĂ« concluded with an acrid voice, his tongue weighted by the acrimony of the vision in his mind; his lands desolated and his people slaughtered; farms, towers, houses and fortifications burnt to the ground. Blood on the thick turf and ashes in the winds. And there was nothing to be done. Then the dreadful words came back to his mind: âTo evil end shall all things turn that they begin wellâŠâ
âWe shall take it back, Curvo. We shall return, slaughter the invaders and rebuild, restore, heal and strengthen everything.â
It was but the dream of fools. He knew it now, and with each passing day, it had become so painfully clear to him that Himlad was definitely lost. He said nothing though, unwilling to break his brotherâs expectations, his hopes and confidence. Tyelkormo was not ready yet to accept it. And CurufinwĂ« could only nod and pretend.
â⊠Is Himring safe?â He asked after a short silence. âDid they manage to block the Pass.â
âNelyo retook Aglon. And I believe in him. He has gathered around him the survivors from the East Marshes and Dorthonion.â
Another approving nod, and a genuine one this time.
âAll is not lost, little brother. And despair is not our fatality. And although we cannot return yet, we still have reasons to believe in revenge. The Enemy will pay.â
These were words CurufinwĂ« needed to hear, and his brotherâs determined tone soothed, momentarily, his aching soul. Since Tyelkormo had stepped in, CurufinwĂ« had done all he could to hide his shaking hands, sticking them in a pocket or folding them behind his back, and luckily, Tyelkormo had not noticed his brotherâs awkward behaviour. Or if he had, he had not mentioned it. Now that CurufinwĂ«âs discomfort had slightly vanished, he could finally expect his fingers to behave. Thus, he started to tidy up the workbench, and much to his relief, his hands obeyed him, calm and submissive as they picked up the tools and scrolls.
Now Tyelkormo was quietly watching his brother, waiting for a reaction which Curufinwë was unwilling to give: he was determined to control himself now, and to not let his emotions overtake him again. What had happened with Tyelperinquar had been a stupid mistake which he would not allow anymore. His emotions, as fierce as they could be, had to be kept in bounds, locked within him. They were dangerous, and no matter how hard they would burn him from inside, Curufinwë would not let them get out. It was a vulnerability which he would never accept.
âAnd how do you feel, Curvo?â
He did not answer, pretending to be too busy with his cleaning. Tyelkormo, who knew his brotherâs too well to be fooled, continued:
ââTis strange to receive such complete tidings from Himring while I get none from you.â
âI have been working.â
âI do not believe you.â
âwhat else do you think I do, here, if not working?â
âBrooding. Hiding. Feeding your own misery; the kind of things at which you excel.â Tyelkormo said with a shrug. âWhat is wrong with your hands?â
They had started to shake anew, triggered by Tyelkormoâs assessments which had struck too close to the truth.
âNothing.â Answered CurufinwĂ«, turning away, folding his arms as to hide his fingers under his armpits. âThank you for the relieving tidings, brother. Now I must work, so could you just leave?â
âCould I help with your work? I have not been in a forge for decades, I need to practice.â
âNo, you do not, Tyelkormo.â CurufinwĂ« was not one to be fooled so easily, and he too knew his brother to the core. He too could see through his tricks.
âAlright. Then perhaps you need to practice something different⊠such as socializing, sleeping, eating⊠and bathing. When was the last time you change? Even my hunting boots are cleaner than your shirt, and you know of my tendency to step on orkorâs skulls.â
âAs much as I know your inability to stay away from my business.â
âThat is different, Curvo, for your business is also mine.â CurufinwĂ« replied with a deep growl but TurcafinwĂ« ignored him as he continued. âOur people count on both of us, and we agreed that you would mainly do the talking with FindarĂĄto and his courtiers about our position here. Now FindarĂĄto himself asks to meet you and none of his pets dares enter your den. Then, well, you know how things usually go in such circumstances; our cousin gets impatient, he sends people to find me, he asks about you and insists that I get you out of here. I refused of course, but now I cannot draw a breath without his pets asking me news of you. I feel like our cousin is growing obsessed with you and it is getting embarrassing.â
âNot my problem.â CurufinwĂ« sighed, barely raising an eyebrow, not even surprised by his brotherâs speech.
âIt is a problem to me, and my problems should be yours.â
âWhere does that come from?â Now, CurufinwĂ« was growing impatient too, and Tyelkormoâs insistence only increased his reluctance. âMoreover, I am convinced that you could easily get rid of these parasites who seem to be after you.â
âPray tell me, brother, how could I do that?â
â Scare them; all you need to do is to be yourself.â CurufinwĂ« replied with a sharp smirk.
âI would love to, but I need to look out for my reputation. That is what you told me, is it not?â
Another sigh left CurufinwĂ«âs lips, a longer one, and exhaustion could be heard behind his breath. Of course, his brother did not need him. TurcafinwĂ« could very well deal with FindarĂĄto without him; it was but an excuse, a trick to draw him away from the dust of the smithy. This CurufinwĂ« knew too well. But behind his exasperation and his reluctance to step outside, his determination was growing thinner, weakened by his own lack of confidence regarding himself, and the future which stood before them. There were fractures in the thick walls of his will, and the high throne on which his ego liked to sit was being wrecked by his dejection and his lack of insight. He no longer understood himself, and he no longer saw where his path led.
âPrithee, Curvoâ Tyelkormo almost begged, getting hold of his brotherâs sleeves, âLet us get out of this place. Come with me. If only for a few hours. Then I promise I will let you dwell in here. I can even get you a blanket, a hide, a litter, everything that such a lonely lair requires.â
âAs long as I can keep the ermineâŠâ Curvo said, trying not to hinder the smile his brother had managed to draw from him.
âI said everything, did I not?â
With a few quick movements, Curufinwë took off the apron, grabbed a dark cloak which he instantly put around his shoulders, and followed his brother whose satisfaction was obvious.
âIf I may, Curvo, before you bestow your glorious presence upon the king, you should definitely drop by the bathroom.â
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2019 Goals Update
Check it out. Iâm procrastinating again with another blog. Iâm supposed to be editing my novel right now but Iâm not because I like to self-sabotage myself by avoiding the work I need to do to avoid feeling the deep sting of failure at my poor writing choices.Â
Here we go!Â
Health Goals
1. Lose 10 inches from my waistline by the end of the year.
5 inches by June
5 inches by December
Iâm not doing too well with this. Iâll tell you more about why that is in a later section, if you get that far. The short of it all is that there were days that were Too Much for me and I just shut down. A suicide prevention workshop that took more out of me than I expected. My sisterâs birthday that my mom tried to ruin with her âFamily Firstâ bullshit. I lost a little bit off the waistline, true, but I havenât been consistent. Hopefully, being unemployed for a little while will help me get into the habit of exercise.Â
2. Learn to cook 6 vegan meals (not snacks)
One meal every two months, I said. And here I am. Still no progress. I mean, Iâll have all the time in the world for a couple of months so weâll see what will happen. Mom wants me to go do driving lessons (Hey whaddup Iâm Joey Iâm 25 and I never learned how to drive) so Iâll be out and about. Thatâs my one big problem with cooking/baking these days. Going out is such a chore. I donât want to look at people after dealing with People for a whole work week.Â
Now, the excuses will be off the table. Shit.Â
3. Clean room while listening to a new Night Vale episode podcast.
Iâve actually been doing this! Itâs not the best system but I have been keeping the clutter from getting too much. Iâve been listening to Hannahlyze This and theyâre doing this whole arc of episodes surrounding perfectionism and itâs been very helpful. Anyway, I marie kondo-ed the fuck out of my closet (for the most part) and itâs a lot less crazy in my room. This month has been difficult but I still have a couple of days to do my second round of cleaning.Â
Writing Goals
1. Finish HSHL (His Smile, His Laugh) by June 30th, 11:59PM
Listen, Iâm more behind than I care to admit but Iâm also going at this faster than I expected. Itâs weird. Part of me thinks I shouldâve been done by this month, another part of me realizes that, all things considered, Iâm doing well. I hate to admit that Iâll only be able to finish this novel because I wonât have a job in May or in June. Itâs like I can never fully admit to being a Big Boi Writer because I havenât done what most writers have done: Write a Book While Holding Down a Regular Nine-to-Five.Â
But I think I blogged before about using what advantages I have. Right now, itâs Mommyâs Money. No matter what, Iâll be a writer. I write stories, I let people read them. Iâm a writer. I have to tell my pride to ease off because my confidence canât breathe in this kind of environment.Â
Iâm taking this very seriously. If I donât have a finished product by June after a literal month of unemployment, Iâm going to be disappointed.
2. Submit draft to AT LEAST 25 agents starting July 15th.
3. Submit 3 stories to 10 journals/magazines
Okay for these two, I canât say much of it because I still have to do the first one, but soon!Â
4. Finish âJulianâs Bodyâ by February 28, 11:59PM
5. Finish âForgive My Weaknessâ by January 31, 11:59PM
The first goals I did this year. I want to brush them off as easy and I donât want to talk about how difficult it was to finish them both before my deadlines. But weâre not doing that. Iâm going to allow myself to be proud of what I accomplished with those fics. I wrote them, I started my novel, I went to work. I did that. Iâm capable and I shouldnât take that away from myself.Â
6. Read at least one book/full lit mag/journal per month.
I almost jerked it this month because I thought I could read the Dungeon Masterâs Guide from cover to cover. I realized quite early that it read like a textbook. I hate textbooks. Still, I powered through and took what I could get. I read most of it. I set up a decent campaign for a couple of friends. Hopefully theyâll enjoy it. That shit ainât easy. I will cry if they end up getting bored.Â
This month Iâm also reading Alice Isnât Dead by Joseph Fink. I started reading it yesterday and Iâm more than halfway through. See the difference between a textbook about creating a fictional world, and actual fictional world.Â
Actual Fictional World. Huh.
Work Goals
As of writing this, Iâm resigning in one day. Itâs a bittersweet feeling since itâs been such a huge part of my life and the people I met along the way have been amazing and Iâll miss them. At the same time, Iâm so tired of dealing with everyoneâs bullshit. I learned that Iâm not someone for a managerial position.Â
Although, Iâve got something down the line (itâs dark and murky and I have no idea if itâs actually there) that might mean another job like that but I hope that it doesnât deal with the same issues.Â
1. Set up QA team by April 1st, 12:00PM
Got that off its feet and itâs doing fine. Right now itâs still in the infancy stage and things still need to change but Iâve gotten the ball to roll. The people handling this situation are far better suited to make this baby fly.Â
2. Set up monthly incentive program by April 1st, 12:00PM
3. Set up phone rep incentive by April 1st, 12:00PM
Do you know how hard it is to start an incentive program? Pretty fuckin hard, m8. Alas, I failed these two. Or rather, I didnât have time to get them started. I was tired of work. I was unable to ignite the tiniest bit of motivation to even work up the brainpower it requires to persuade the higher ups to see what the account needs. Besides, the QA program is still figuring itself out. That needs to become solid before we can do anything else. I couldâve stayed a couple months longer but I just couldnât stomach it any longer than May.Â
4. Do minimum 4 writing workshops at Spark
Okay, Iâve got an idea of a lesson plan ready. Iâve got Real Life Reference Material. And I have unemployment waiting for me. All I have to do now is set it up and make it a real thing.Â
Money Goals
1. Get new debit card from BPI by April 17th, 12:00PM
I had to change it to April 17th because of...me not wanting to leave the house and actually do this. Goals can change. As far as my other goals, this is bottom priority. Still, I had to do it. My new card doesnât arrive until the 8th so I wonât be able to make any changes to my patreon, spotify, and amazon.Â
That means I canât finish my clearance at my soon-to-be ex-company and that may delay my final pay. Regardless, itâs the set cards I chose to be dealt with. I wouldnât have had to wait so long if Iâd done this in March but here we are. No use crying about that now. At least itâs done.Â
2. Pay mom back for treadmill by end of year.
Iâm mad at my mom for personal reasons. Still, Iâll look into paying her shortly. It depends on the money situation the next few months. Again, bottom priority. And, as of this moment, I canât be arsed to feel any sense of urgency around this.Â
Five months in and the year is shaping up at little bit. Iâm not where I want to be or where I imagined myself to be but Iâm getting there. And Iâm gonna be unemployed so honestly I canât escape any farther.Â
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How to Build an Effective Remote Team
Howdy fellas!
Never before has there been such a large number of remote employees scattered around the world. And several businesses that prefer a remote team building format still increases. It is a flexible and viable model if it is properly organized.
A work team is like a shipâs crew: everyone has a role to play in a huge effective system. A remote team is a virtual ship crew, a ship that floats in the future of work.
Like most IT companies, Standuply crew has a cozy office too, where we go to work every day. As an office team, we managed to reach considerable heights in product building, but it was time to expand the team. So we decided to set the course in the direction of remote team building and began to look for employees in other places.
Now, many months later, we know a lot about remote work: how to work from home, how to manage a remote team and how to create a business with employees who rarely see each other in real life.
Donât get us wrong, we donât want to say that everyone has to quit office work and start working remotely right now. We really love our office, but also we have an experience of remote team building and now want to share it with you hoping that it will help those who have not passed that hard way yet. So are you standing in front of the challenge of building a remote team and do not know where to start? Then this article is for you.
Cast off! We are going on our journey across the workflow! Remote workflow, to be specific.
Less is More
This is the first rule that you need to consider in team building with remote employees. First of all, you need to identify the people you need and what they will do. No need to recruit a lot of people, just take three persons who will be able to do the work for the five. This does not mean that three people have to work for the whole company, it means that working remotely employee performs a greater amount of work than working in the office, making the same efforts and not being distracted.
Most modern IT offices are coolly equipped, there are a lot of bean bag chairs instead of hard ones, and even hammocks, you can play kicker with colleagues, and some offices like Googleâs one reminds childrenâs town. We do not argue with the fact that a cozy office is indeed awesome because everybody should work in comfort.
Those who go into remote work just clearly understand that work is the work, not just a kicker.
They create a comfortable area around themselves for work and they have no temptation to have snacks with employees and games. They plan when they work and rest during the remaining time.
This rule is about minimalism. Remote employees just donât need such stuff that office gives, such as table football, and bean bag chair could be at home.
Find an ideal employee
Fifteen men on a dead manâs chest! um⊠startup.
Search for perfect employees, who will succeed in the project implementation and will strive to realize the global idea. Companies that hire remote employees are much more likely to find a candidate with the unique abilities necessary to perform tasks because the geographical search from one sea expands to the world ocean. There are dozens of such skills, but we have identified four main criteria, which we look at when choosing an employee:
â Yo-ho-ho and a bottle of.. enthusiasm!
Any captain wants each of the crew to share the interests of the whole ship, see him/her being proud of work and striving for common success. Enthusiasm is the fuel in the workflow ship that keeps it afloat. It all starts with an idea and desire to bring it to life. It is critical that applicants are interested in your companyâs area. If a candidate at the interview did not even bother to read about the project on its official website, he/she would waste your time.
â Perfectionism (but not too much)
For a remote employee, itâs important to think critically and evaluate the work done objectively, especially if the time zone is different. Being picky and look at work as a head. The person needs to clearly understand the main goal, be able to break it into small ones and move step by step to achieve the main goal.
â Make work, not shirk
Office employees are used to working and getting paid for the time, for example from 9 to 6. Remote workers are paid not for the time, but for a result that should not be affected by any distracting things, whether itâs a sudden general cleaning or a kid who wants to watch SpongeBob right now. Or possibly it is you who want it, whatever. All this can cause the work to be completed in the last minutes before the deadline.
â Desire to work
And to learn. If the person is too lazy, has no desire to develop, and is looking for work only for money, most likely he/she is not interested in the companyâs goals at all. The imaginary presence of a few working hours at the computer will not help this new fish to join the team. But what is more important is to contribute to the development of the company. Itâs not gold that should keep a sailor on board.
As a rule, lazy employees are eliminated at the test task stage. If they are not really interested, they will not spend their time. You donât need people like that.
Weâll talk more about how to cultivate these traits to go to a remote job as a job seeker and without any discomfort, but this article is not just about that.
I will call you yesterdayâŠ
Or timezones problem. Well, letâs say you found the perfect sailors on your virtual ship, but hereâs the problem â time zones. If the time difference is up to 8 hours, it is almost invisible. Anyway, most of the day you are in touch with the employee.
In some cases, you will have to initially look for an employee to work at your night time, which means a time difference of 10-12 hours because the position involves working in shifts, but 24/7.
This time gap reduces the ability to call/chat during the day, so you need to allocate a couple of hours to call and give as much detail on the daily tasks for the employee to prevent possible questions to you.
What about tools?
For the most automated operation and correct processes resolution during remote team building, you will need some tools. Fortunately now on the market, you can find a lot of cool programs-assistants both paid and free and even choose by the price/functionality ratio.
â Messengers
Among messengers, we prefer Slack, of course. Our Standuply bot daily helps hundreds of teams to organize processes in Slack and to establish communication channels. Here you can read more about how to run standup meetings in Slack via Standuply. For us, this messenger is like an office: logging in Slack means coming to work.
Build a better team culture in Slack with Standuply too!
Still, of course, we use Telegram and Skype. The first is more convenient for chatting, the second one is useful for calls.
â Tasks trackers
Notebooks in the past! Use task trackers to not keep all your plans, ideas and tasks in mind. In our opinion, Asana, Trello or Jira are the most convenient ways to plan your workflow as in a diary. All tasks can be painted on the urgent or not, and forget something very difficult because everything is before my eyes. Actually, the most difficult thing is to teach each team member to use task trackers and systematically mark each step.
â Time Helper
Itâs not so easy to find common work time and schedule calls with employees scattered around the world. If team members are in different time zones, youâll need the World Clock program for Mac. In other cases, Every Time Zone or World Time Buddy will help you with time planning.
â Cloud Storage
So, in a big team, you can not deal without a storage solution which extends to cover network drives. And in that case, for us, Google Drive has no equal. It will not only free up space on your hard drive but also make it easier to communicate with your team. It is much more convenient to share a link to a document and give access to editing instead sending the same file to each other for the sake of one little edit. In addition, if your computer suddenly breaks down, you can be sure that your documents are safe in the network.
â Remote Screen Control
âAhh! I clicked something and itâs all gone! Devs please do something!â Huh, familiar words from employees who are far from coding, arenât they? In such a situation, it is easier to do yourself than to explain what button to press. For remote support and screen sharing, you can use a wonderful TeamViewer that allows you to control someone elseâs computer and solve the problem with your own hands. Also, this program is used for remote technical support of users.
Motivation
It is hardly possible to single out a special motivation for remote employees, as for a separate type of employees. Each personâs motivation is individual, regardless of whether it is a remote or office employee. And it is important to focus on the person, analyze and to think, what is important for each one. The difference is that itâs much more difficult to understand the values and aspirations of the employee, whom you donât see daily in the office.
Normally, itâs a set of needs, for example, an interesting area, a convenient schedule, and a decent salary. If the person is attracted only by the format of remote work or a good salary, but absolutely do not care about work itself, then it is unlikely to achieve good results.
Your sincere interest and praise even for the simplest tasks are very important for the employeeâs good motivation. Did a newbie just solved a simple problem or came up with a new idea? Tell that person is doing great and you never would have come up with that yourself. Without any sarcasm, just let the employee know that he/she is important and much in the project depends. And then the person will do very best not to let you down.
Control your control
Obviously, when you build a remote team, it is difficult not to worry about the employeesâ productivity. How do you know if a person is really working if you are not sitting in the same room? But actually, the problem is not about hundreds of miles between you and the employee. The problem is about lack of trust.
Some companies force remote employees to install special programs on a personal computer for time control. These are accounting systems for website traffic and counting employeesâ work time. We strongly donât support such method (and we didnât even mention these apps in the tools section) and thatâs why:
Firstly, such a distrustful attitude kills any motivation and initiative. Your employee will do the job half-heartedly and just to work off the required hours.
Secondly⊠Really, if there is a need to control your worker so much, do you need such worker at all? People choose remote work for freedom and the opportunity to work for the result, not for the number of hours spent on the site. Remember that your remote employees are your secret weapon.
Give your employees the freedom they are looking for and you will be surprised how effective people can work if they are not pressured.
Instead of conclusion
If you follow these uneasy rules (who said that remote team building is an easy thing?), you can assemble a remote dream team. Because the opportunities for this become more and more widespread every day. New developments are emerging, the interest of remote employees is growing, and the owners of companies are finding more and more benefits of such a solution. Remember, it is not enough to find and organize really valuable employees. They need to be interested and motivated for the best result â and this rule is applicable for any type of teams.
So good luck and may the wind be in your jib!
DataTau published first on DataTau
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Pokémon Mystery Dungeon: Legendary Genesis
Chapter One: The Bug Catcher
A human is reborn as a Pokémon. A Pokémon will be reborn as a god. Factions collide as they race to collect eighteen legendary treasures, threatening to further upset the balance of an already fractured world.
I began writing this fic during the summer of 2012, and over the next several years, I planned out the plot in extensive detail. My perfectionism prevented me from getting very far in the story itself, however. Late last year, I began what I hope will be my final rewrite before the fic is completed. If I want to get anything done, I need to stop letting my perceived inadequacy hold me back. Anyway, this new version might not be perfect, but I hope you like it!
This fanfiction is suitable for general audiences. It will not contain any strong language, graphic violence, or sexual content. There will be some disturbing themes later in the story, but there wonât be anything explicit.
AO3: https://archiveofourown.org/works/13973847
In the soft light of morning, the Foreboding Bog hardly lived up to its name.
It was humid, and the smell of rotting vegetation lingered in the air. Gnarled mangroves towered over dark ferns and beds of reeds. Sunlight kissed the water, warding away the swamp gas that created illusions in the dark. Everything was calm and still; the Foreboding Bog was considered inhospitable by most, so few Pokémon dared to set foot in the dungeon.
One such exception was a young Carnivine by the name of Dion. Unlike the majority of Pokémon, Carnivine were adapted to thrive in vile wetlands. As such, Dion felt right at home in the Foreboding Bog. With a bag slung over his shoulder and his signature grin plastered across his face, Dion was oozing with confidence.
He hung by the entrance, appraising the dungeon thoughtfully. âI bet nobody's been to this place in centuries. It's gotta be loaded with treasure!â he said to himself. âWhen I return to the academy with a huge bag of loot, everyone will think twice before making fun of me.â Under his breath, he muttered, âWell, maybe not Cleo.â
Dion was the newest student at Arcanine's Academy, a school dedicated to the art of treasure hunting. School policy required each student to be paired with one or two partners, forming a âhunting teamâ. This allowed Headmaster Arcanine to create specialized lessons based on each team's individual strengths and weaknesses. Most of these lessons were hands-on, and they tended to involve navigating treacherous dungeons. At Arcanine's Academy, students were expected to encounter all sorts of perils and foes. If the headmaster was to be believed, that was how they learned best. Students were strictly forbidden from taking lessons alone, though. That was too dangerous.
Due to a recent slump in recruits, Dion had yet to be sorted into a hunting team. He bided his time running errands for Headmaster Arcanine, helping Chef Muk in the kitchen, and tidying up the academy with Chamberlain Claydol. Since Dion was clumsy and a tad dimwitted, he had a habit of messing up even the simplest of tasks. This provided the other students with endless entertainment.
Usually, it didn't bother Dion when they laughed. Only one student managed to get under his skin: Cleo, the leader of Team Masquerade. The catty Yamask had delighted in making his life miserable since his first day at the academy, and Dion didn't have the slightest idea why.
A particular incident involving her remained at the forefront of his mind.
âThat Dionâhe's such a useless oaf! He'll never make it as a treasure hunter. If he came along on one of our expeditions, he'd just slow us all down. Headmaster Arcanine, why don't you just have him expelled?â
The headmaster had laughed. âLass, that's not your call,â he'd told her, his baritone voice raspy with age. âI let Dion enroll for a reason. He has potential, just like you do. Maybe someday you'll see what I mean.â
Cleo had proceeded to leave in a huff.
Dion mulled over the headmaster's words while fidgeting with his bag.Headmaster Arcanine said I have potential. I wonder what he meant by that. He knew he wouldn't find the answer while idling around the academy, which was why he had decided to take matters into his own hands.Today's the day I'm going to prove my potential to the academy⊠and maybe the world!
Dion entered the Foreboding Bog, using Levitate to float about a foot above the ground. He spotted a rickety old boardwalk and swooped down to investigate. Dion ran his hand along the grooves in the weathered wood, only to recoil in pain. A splinter had embedded itself in one of his leafy fingertips. Dion plucked it out, wincing. âEee⊠this thing doesn't seem very safe.â He stared at the boardwalk while contemplating turning around. Once he had made up his mind, Dion rose into the air.
He froze.
âOh, yeah,â he said, chuckling. âNever mind!â Dion whistled a cheery tune as he hovered along the boardwalk, keeping his eyes peeled for treasure. The only problem was that he didn't actually know what treasure looked like. He was sure he'd be able to recognize it if he found some, though.
Dion wiped a bead of sweat from his forehead. It was the height of morning, and the temperature had peaked as well. The humidity was becoming unbearable, even for a Carnivine. He shrugged it off and pressed on, refusing to bow to the heat.
Dion frowned when he reached the end of the boardwalk. The last few planks had broken off and fallen into the motionless water. âThis can't be the end of the dungeon, can it?â He balled his fists. âNo! A trick like this might keep some PokĂ©mon away from the treasure, but it's not gonna work on me.â Smoothly, he boasted, âI can Levitate.â He tore into the depths of the Foreboding Bog, weaving between the mangroves and rustling the plants below.
Almost immediately, Dion caught a glimpse of something bright green. âOh? What could this be?â Dion drooled in anticipation as he approached, savoring the moment. âMaybe it's a giant emerald! Wait, no. The headmaster said emeralds are dark green. It's gotta be⊠a peridot! Yeah, that sounds right. Either way⊠I'm gonna be rich!â
Dion brushed aside a curtain of leaves and recoiled at what he found.
The body of a Scyther lay belly-down in a pool of muck. Its torso was hidden beneath the water, but its abdomen was still visible; its size indicated it was female. The Scyther's head was resting on a pile of damp stones, and her face was contorted in a grimace. She had thrown one of her scimitar-shaped arms over the rocks; the other was underwater. Her wings were waterlogged. Her legs were sprawled in a strange position. Nearby, a muddy piece of purple cloth was sticking out of the water.
Dion jolted backwards and slithered up a tree in fright. He shielded his eyes with his broad, leafy hands, but curiosity compelled him to take another peek. âGolly!â he remarked in a whisper. âI wasn't expecting to find anyone out here, especially like this! Oh gosh, is she even alive?â Dion broke a stick off of the tree and prodded at her face. âWake up! Please wake up!â
When the Scyther's eyes snapped open, Dion nearly tumbled out of the tree. To his surprise, she didn't look the least bit alarmedâin fact, she looked as though she had just woken up from a pleasant dream. She grunted something unintelligible before parting her jaws in a yawn.
Dion beamed in relief. âOh, good!â he cried as he flung the stick into the water. âYou're not dead!â
The Scyther flitted her eyelids a few times before quizzically narrowing her eyes. âWhat?â Her voice was soft and low-pitched, unlike Dion's.
âUp here!â Dion shouted. When the Scyther lifted her head, he gave her a friendly wave.
She regarded him for almost a full minute, dumbfounded. At last, she stuttered, âY-you're⊠a CarnivineâŠâ
Dion got down from the tree. âYup! As a matter of fact I am.â He reached out to her. âNeed a hand?â
The Scyther blinked some more. âYeah, I guess that would be⊠uh, nice.â She jerked her arm and her scythe shot out of the water. In the throes of disorientation, her movements were stiff and erratic.
If Dion had been any closer to the ground, he would have gotten skewered. âYikes! That was a close one!â he yelped, bunching his vine-like legs. âHeh⊠guess I didn't think that through. You really could use a hand or two, though. They're a lot less dangerous than scythes!â He let out a playful guffaw, hoping the other PokĂ©mon would join in his laughter.
But the Scyther was silent. She was staring vacantly at her bladed arm, her expression unreadable.
âH-hey, it's okay! I'm fine! You didn't actually hurt me,â Dion insisted.
The Scyther swiveled her head around and looked him in the eye. âNo. You don't understand,â she said with wooden intonation. âThis isn't my arm.â
Dion's eyes were wide with horror. âThen⊠whose arm is it?â
The Scyther clambered to her feet, her legs wobbling beneath her. Seconds later, she toppled onto her back. âI'm dreaming,â she mused, lying in the mud. âYes, that has to be it.â
âDreaming?â
She smiled at Dion, catching him off guard. âLook,â she said. âI'm not even going to bother explaining this to you. This is probably never going to happen again, so I don't want to waste any time.â The Scyther shook her head, still smiling. âI⊠I can't believe it. I can't believe I'm actually having a lucid dream!â She cackled as she spread out her arms, carving shallow trenches in the dirt. âI'm a Scytherâa PokĂ©mon! How crazy is that?â
Dion watched, baffled. âYou're⊠not making any sense,â he said. He gestured at the pile of stones. âMaybe you hit your head on those rocks over there.â
The Scyther was on her knees now, slashing at the reeds. Without looking up from her work, she murmured, âHmm⊠nah.â
âI think you should come with me to Origin Central. Maybe I'll be able to get you some help.â
âI'll gladly come if it means getting out of this swamp. For a dream, this place reeks.â She got up again, using her scythes for support. She took a big whiff of the air. âHuh, that's weird. I also smell something sweet. What is that? It's kind of nice, actually.â
Dion ignored her. âI don't know how to tell you this, but I really don't think this is a dream.â Just to be sure, he swept his hand across his face. It felt real to him.
âDon't be silly,â the Scyther chided. âThere's no way this is real. That would be impossible.â
It had become clear to Dion that trying to convince the Scyther otherwise was futile, so he changed the subject. âBefore we get going, can you tell me your name? Mine's Dion.â
âMy name? My name isâŠâ The Scyther wrinkled her nose. âWhat is my name? I⊠I don't remember!â
Dion nodded in silent understanding. âIs there anything you do remember?â
âNow that I think about it⊠no, not really. Like, I know I had friends and family, but I can't remember anything about them.â She shut her eyes tight. âThis is freaking me out. I kind of want to wake up now.â
âBut you do remember that you're not supposed to be a Scyther, or at least that's what you believe.â Dion rubbed his chin. âWhat are you supposed to be, then?â
âA human,â she replied casually.
âA human?â Dion gasped. âBut⊠humans aren't real, are they? I thought they were make-believe!â Dion had heard plenty of stories about humans: strange, bipedal creatures that trapped PokĂ©mon in special Wonder Orbs and forced them to battle each other.
âTouchĂ©.â The Scyther heaved a sigh. âNone of this makes any sense, but⊠maybe you're right. Maybe this isn't a dream.â
Dion gave another somber nod.
The Scyther let her arms hang at her sides. âI guess this is it, then.â All of the joy had been sucked out of her voice. She almost sounded like a different PokĂ©mon altogether.
Dion twiddled his thumbs. âEr⊠anyway, let's get going. I'll take you straight to Arcanine's Academy. If there's anyone who'll know what to do about this, it's Headmaster Arcanine. I'll show you the way.â He sailed forward, peering over his shoulder to make sure the Scyther was following. When he noticed she was struggling to keep up, he slowed down a little. âYou know,â he said, âI thought Scyther were supposed to be super fast⊠so fast you can hardly see them!â
âI'm not a Scyther.â
âOh. Right.â Dion was quiet for a moment. âThat reminds me. Since you can't remember your name, is there anything in particular you'd like to be called?â
âUh⊠Eileen. That was the first thing that popped into my head. Could it be my real name? No, that can't be right. Whatever. Just call me Eileen.â
âAll righty! Eileen it is.â Dion thought about what he'd name himself if given the choice until he was interrupted by a loud splash. He whipped around. Eileen had fallen into the water and was fighting to stay afloat. Dion had only made it to this part of the Foreboding Bog with the help of Levitateâan ability not possessed by Scyther like Eileen.
âGah!â Dion cried. âHow deep is it? Can you swim?â
âNot like this!â Eileen snarled as her head went under. Seconds later, her snout emerged. She managed to spit out a mouthful of green water before disappearing once more. Dion gnawed on his fingertips as he waited for her to return. The only sign of the Scyther was a steady stream of tiny bubbles rising to the surface.
Dion flew around the watery chasm in a panicked circle. âWhat do I do? What do I do?â When he realized he was wasting precious time, he forced himself to calm down. âThink, Dion, think!â Thinking was not one of Dion's strong suits, so he scoured his surroundings for inspiration. Surely enough, he found it in a nearby mangrove that had been overtaken by vines. âThat's it!â A pair of skinny tendrils extended from the base of his neck. â Vine Whip!â
Carefully, Dion guided his vines into the water. He fished around until one of his vines got caught on a long, slender object. Dion breathed in relief and reeled it in, only to find it was the stick he had discarded earlier. âWhat? No way!â He tossed it aside, dipped his vines back into the water, and tried again.
This time, Dion grabbed onto something much heavier. It had to be Eileen! He tightened his vines around her upper arms and tugged with all his might, but he wasn't strong enough to lift her above the surface. Eileen gasped for breath as her head burst out of the water.
Dion looked her over. âAre you okay?â
âNo,â Eileen croaked between coughs, retching. âUgh. It tastes like something died in there.â
âWell, be glad it wasn't you!â Dion couldn't help but feel a bit peeved that Eileen hadn't bothered to thank him. âI'm sure you'll be fine.â
For several minutes, Eileen paddled in place while Dion held her up. Once Eileen had caught her breath, she demanded, âNow what?â
Dion gulped. There was something intimidating about her appearance, from her penetrative stare to her scythes that could slice a PokĂ©mon into ribbons in the blink of an eye. It didn't help that Dion was weak to both of her types. He knew Eileen had no reason to hurt himâand even if she did, she probably wouldn't know howâbut she made him nervous nonetheless.
âEr⊠there's a boardwalk somewhere around here. Now, where was it?â Dion hauled Eileen along behind him as he searched, and she was too exhausted to care that he was guiding her into all sorts of hidden boulders and logs. Her eyes were glazed with weariness, which made her look just a tiny bit less menacing.
âAh-ha! There it is!â In his excitement, Dion dragged Eileen into one of the planks that had broken off of the boardwalk. The plank coasted into the shadows and disappeared.
With newly found energy, Eileen glared at him.
Dion averted his eyes. âHeh, whoops. S-sorry about that.â
Eileen turned away. She studied the boardwalk for a long time, idling in contemplation.
âThink you can do it?â Dion snapped. His patience was wearing thin.
Eileen stirred, shaken from her trance. âI'll⊠I'll try,â she said in a small voice. She dug her scythes into the boardwalk, leaving deep incisions in the wood. Shifting her weight onto her upper body, she struggled to push herself onto the platform. Dion strained himself as he tried to help pull her out. Despite their combined efforts, Eileen remained in the water.
âPhew.â Dion lowered his head in despair, his gaze landing on Eileen's wings. His head shot back up. âHey, wait a minute!â he hollered, nearly letting go of her.
âWhat?â
âEileen!â He slapped his tangled knees, wheezing with laughter. âWhat are we even doing? You have wings! You can fly!â
âI have wings?â she repeated. âI can⊠fly?â
âOf course! I can't believe it took so long for one of us to notice. What are you waiting for? Get up here!â
Eileen frowned. âI don't know how to fly.â
âIt just sort of⊠happens, I guess. That's the way it is with Levitate, anyway. It's probably a lot different when you're using wings.â Dion loosened his grip. âI guess you'll just have to give it a whirl and see how it goes.â
Eileen drew a wary breath. âAll right, then.â Her four wings vibrated in unison, spreading a shower of mist into the air. Spooked, she made her wings still. âThat's so weird⊠it's not what I was expecting at all.â
âKeep at it!â Dion cheered. âDon't give up!â
Eileen gnashed her teeth. Her wings buzzed and she tore her blades out of the wood as she started gaining height. Eileen angled her body over the boardwalk and drifted forward a few feet; then, she let herself fall. She hit the wood with a thud. âOw,â she hissed as she stood up. âI'm so heavy.â
âTell me about it!â
Eileen flashed Dion a look that made him fear for his life.
Sweating, he said, âHaha, well⊠at least you're out of harm's way!â
âAm I?â Eileen said through clenched teeth. She picked up one of her feet and showed it to Dion. There was a large chunk of wood wedged in her sole.
âYikes! I should have warned you about the splinters.â
Eileen reached for her foot, glowering. When she remembered she didn't have hands, she brought her scythes together and attempted to use them as tweezers. She lost her balance and fell onto her side, where she proceeded to writhe in frustration.
âWow,â remarked Dion. âI never thought I'd meet a PokĂ©mon as clumsy as me.â
Eileen stopped moving and looked up at Dion.
âYou know,â he continued in a wistful tone, âI think the two of us would make a great team. We wouldn't slow each other down, that's for sure. Maybe we could even learn how to be less clumsy together.â
Eileen slammed the back of her head against the boardwalk, suppressing a scream.
âOh!â cried Dion, shaken from his daydreams. âI should probably help you with that, shouldn't I?â He glided over to her, grabbed her leg, and pinched the splinter with his leafy fingers. Eileen grimaced as he yanked it out and flicked it into the water. Then, Dion used Vine Whip to help her to her feet. Eileen didn't thank him for any of it, but Dion had stopped letting that bother him.
He had certainly found something deep within the Foreboding Bogâsomething that might have been even more interesting than treasure. Dion couldn't wait to report back to the academy and share his discovery with Headmaster Arcanine.
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How to Tackle Fear and Anxiety Cognitively, Behaviorally, and Spiritually
âThe beautiful thing about fear is that when you run to it, it runs away.â ~Robin Sharma
During my first-grade choir concert, my classmate, Meg, fainted from the top row of the bleachers, and in a subconscious gesture of empathy, I went down right after her, breaking my glasses and flailing on the gymnasium floor.
Itâs possible that this triggered some kind of coping mechanism in my brain, because I started fainting again and again.
One time I fainted at the dentist officeâimmediately after the dentist injected me with my first round of Novocainâthen months later in a hospital parking lot after a small medical procedure.
I also fainted a few days after getting my ears pierced. I was showing my grandmother my new gold studs, and I happened to look toward the TV just as Nellie Olsen fainted during a Little House on the Prairie rerun, and that was enough, over I went.
What affected me the most during those early years of growing up was not the tangible act of fainting, but my anxiety anticipating when and where I would faint next. Whenever I wasnât moving, whenever I tried to be still, my thoughts traveled to the fear of fainting. And because of that, I tried to keep my mind constantly active.
I had several tests, and the doctors found nothing medically wrong with me. I literally scared myself to the point of fainting. Though I never let fear prevent me from doing things, inner struggles and cautious dread were always present. It made living in the moment very difficult.
Going to church became a major source of stress for me. I had time to think, worry, and become anxious. These were ideal fainting conditions for me.
Iâd have panic attacks during Sunday mass without anyone knowing. Moments of pulling my hair, pinching my skin, feeling my heart pounding out of my chest were common, all while trying to will myself from fainting.
This continued for years.
I seemed to outgrow my anxiety attacks after high school, and I continued through college and beyond, without thinking much about my prior angst. I got married and had three children. Then, during my late thirties, my anxiety returned with a vengeance, escalating to a fear of driving on the highway.
Things got worse in my early forties when I developed major health concerns. Again, there was nothing physically wrong with me; I was purely manifesting physical symptoms from worrying about a certain disease or medical condition. It was quite a skillâone that I was not proud of, but one that certainly awakened me to the power of my mind.
My fear ran deep and was so powerful that it physically controlled me.
The more I tried to ignore my anxiety, the more it escalated until it gradually controlled the person I was becoming. I didnât like âmeâ anymore.
I was afraid of everything. I talked to my doctor, read every Louise Hay book, went to biofeedback, performed EFT, and saw a few therapists. I would do anything to remember who I was before the fear of living got in my way.
The funny thing was, no one else noticed because this overwhelming anxiety never stopped me from doing anything. It just sucked the spirit out of me. No one knew that, to me, life felt really scary.
I wanted to crawl up in a ball with my kids. I wanted to control every waking move I made and make sure we were all safe.
I remember a profound moment one fall day after finishing a run. Out of breath and standing there with my hands on my knees, I looked up at the trees and saw a leaf floating from a tree. I stood and prayed that Iâd learn how to let go and release my inner struggles and be as light and free as that leaf.
That was when I decided I would not consume my every waking moment with this fear. I would be the person who chose to live life fully.
So this is what I know now.
To let go of something, you need to lean in.
This is counterintuitive. We all have a built-in âfight, flight or freezeâ response to stress, which is a physiological reaction that occurs in the presence of fear and is exhibited by the urge to flee, run, or freeze and do nothing.
In many ways, anxiety can protect us from harmful situations. In other ways, when the threat is not harmful, it can prevent us from functioning at our fullest capacity and experiencing all that life has to offer.
I spent many years of my life trying to push fear away and running as fast as I could from it. But what I needed to do was to allow myself to lean into fear, to work through it, to face it head on. I needed to show my anxiety and fear that I wasnât afraid anymore.
This was a frightening act. But the alternative was to continue to runâand this was even more terrifying.
So I began to allow, to surrender, to trust. I stopped fighting and made a conscious choice to choose love over fearâagain and again.  Battling and rejecting a part of myself had only caused feelings of isolation and anguish.
I searched to understand the power of my subconscious and began to process fainting as my defense mechanism. I realized that if I was going to move through this fear, Iâd have to love and accept myself, including the anxiety within me.
I stood firmly anchored in the ground of acceptance. Of all of me. And the result was a newer, more powerful version of myselfâone that no longer was afraid to live.
If youâre struggling with anxiety and/or fear, here are eight ways to move forward. In more severe instances, you may need the help of a medical professional.
Cognitively
Acknowledge your fear.
This is a major first step. We often ignore our fears and anxiety for so long that they progress into a part of us.
Compartmentalize your fear, separating it from yourself. Then peel back the layers and find out what it is that you fear. Is it disappointing others? Rejection? Failing? Something else? Recognize that itâs holding you back from becoming your true self.
Fear is sneaky. It can be quite obvious, presenting as physiological symptoms, or it can be much more obscure. Procrastination, perfectionism, and overwhelm can all be forms of fear.
Explore if any of these are showing up for you and consider how they may be contributing to your lack of progress. Â When you pinpoint the underlying fear and how it is presenting itself, you diminish the power it has over you.
Initially, I believed I was afraid of fainting. After much reflection with my coach and therapist, and as my thoughts evolved, I was able to identify my underlying fearâthe fear of dying. Every time I fainted, my blood pressure would drop and Iâd lose consciousness, essentially looking death in the eyes over and over again.
Once I recognized this, even though it was still scary, the awareness allowed me to use coping skills to move forward.
Lean into your fear.
When you feel like running or fleeing, itâs time to face your fear with courage. Although our automatic response is often to run away and numb our feelings or somehow distract ourselves, escaping only temporarily relieves the anxiety. Fear will return, possibly in a different form, until you choose to confront it with kindness.
Bring yourself into the present moment by noticing the sensations in your body. Where Is fear showing up as discomfort for you? In your chest? Your stomach? Your throat? Fully experience it.
Befriend your fear.
Let fear know that youâre not afraid of it. Ask it: What are you trying to tell me? What do you want me to know?
What I learned from asking these questions was that fear was trying to keep me safe from harm. A part of my past needed to be acknowledged and fear was whispering, âYou canât move on and become your most powerful self until you work through this, my friend.â
Then thank it for trying to protect you in the only way it knew how.
Behaviorally
Exercise.
For me, running has always been a huge stress reliever. Whether itâs running or yoga or something in between, movement calms you down by releasing chemicals called endorphins.
Make healthy choices.
When I feel stressed, I limit my sugar and caffeine intake, since sugar crashes can cause irritability and tension, and stimulants like caffeine can worsen anxiety and even trigger panic attacks. A well-balanced diet full of healthy, whole foods will help also alleviate anxiety. Be sure to eat breakfast to keep your blood sugar steady, and stay hydrated to help your mind and body perform at their best.
Breathe.
Since I have made yoga and meditation a part of my daily routine, Iâve noticed a difference in how I react to stressful situations. Slotting this time into my morning ensures I get it done before the day gets busy. When youâre in the middle of a panic attack, itâs harder to move into meditation and deep breathing, so itâs helpful to make this an everyday practice.
Spiritually
Trust.
Fear and anxiety can stem from self-doubt and insecurities. If you regularly work on accessing your inner wisdom, and acting on what you learn, youâll start to develop more trust in your ability to do whatâs best for you. You can begin to strengthen your relationship to your inner wisdom by journaling, meditating, and sitting in silence. This is an ongoing process that requires exploration.
Another way to tackle insecurities is to think back to how and when your feelings of self-doubt showed up for you in the past. In middle school, my peers made fun of me for being an airhead and clueless. Once I realized that part of my lack of confidence stemmed from comments made thirty years ago, I could identify that they no longer served me.
Itâs easy to fall down the rabbit hole of negative thoughts when you are stressed or anxious. The power to change your pattern is within you! I sometimes talk to myself and say, âNo, youâre not going down that path today, Carly,â and gently replace a negative thought with an empowering one.
One of the most effective ways to build self-trust is to take small steps forward. Know that it can (and most likely will) be scary, but once you step out of your comfort zone, youâll see that much of what you were afraid of was in your imagination. To make this easier, I often recall a time when I trusted myself, despite my self-doubt, and things turned out positively.
Surrender
When you have done all you can, let go. Discern what is outside of your control and find the courage to release all expectations of it. You may just find a sense of relief in allowing life to unfold as it should.
â
I still have moments when I get anxious and overly worried. In these moments, I think about the influence my mind has over my body. Perhaps itâs not about resisting my mindâs ability to control me, but rather redirecting its incredible power to work in my favor.
And with that, I can move mountains.
About Carly Hamilton-Jones
Carlyâs a mindset coach for overwhelmed women who want to break through their fears and anxiety and gain the confidence and courage to go after their big, scary goals. She is a certified life coach, educator, and counselor with over twenty years of experience helping women transform their lives with confidence. Download her 12 ways to find flow here.
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The Anchor of Procrastination: How Dragging Your Heels Weighs You Down Both
By Laura Stack
This article was originally published on TheProductivityPro.com and is reprinted here with permission.
There may be a few perfect employees out there who have never once dragged their heels on a taskâŠbut I doubt it. While procrastination is nothing to brag about, we all do itâsome more than others.
Sometimes procrastination seems reasonable: when work is scarce and efficiency will put us out of a job; when we fear a backlash for being too efficient later on; or when our personal circumstances force us to cut back to a more realistic workload.
Sometimes, though, the self-imposed anchor of procrastination stems from more unworthy factors. We may hate a task, find it difficult, or simply want to duck the responsibility. Other factors holding us back can include:
Workload
Fear
Inertia
Lack of self-confidence
Uncertainty
Perfectionism
Distraction
Excessive time pressure
High frustration levels
Negative self-talk
Notice I donât include âlazinessâ in the above list. While âMotivational Deficit Disorderâ does sometimes contribute to procrastination, Iâve found successful, hard-working people to be among the worst procrastinators. They are so busy being busyâworking on their day-to-day operational tasksâthey âhave no timeâ to focus on strategic priorities.
Regardless of the cause, however, procrastination always generates anxiety in the long run, creating a negative, paralyzing feedback loop. Rather than wasting time twiddling your thumbs or staying busy to hide your lack of productivity, take these steps to banish procrastination from your work life altogether.
Control Your Fear
Fear serves a legitimate purpose to protect us; however, when you find a task unpleasant or difficult, you canât let it stop you in your tracks like a mountain lion would. In many jobs, youâd never get anything done if that were the case. Imagine working as a homicide detective or a zookeeper for carnivoresâthere are some jobs that are truly scary! But most fear is irrational: fear of failure, fear of running out of work, or fear of social disapproval. These fears shouldnât prevent you from pushing forward with a task. Indeed, some people have observed that nearly cause of procrastination boils down to one fear or another when you get right down to it. Perhaps the task itself may seem huge and fearsome. Fortunately, you are the master of your emotions, and no one or nothing can make you feel any certain way. Itâs up to you to conquer your fear, whatever form it takes, so you can forge ahead successfully. How can you do that?
Visualize the outcomes. On one hand, you have positive reinforcement, which helps you succeed by emphasizing all the positive outcomes of taking on and accomplishing your task; on the other, you have negative reinforcement, which dwells on the depressing consequences if you donât. I prefer the former, but if the latter spurs you on, then by all means go for it. Do you want to lose your job, lose your house, and be a bag lady living under a bridge?
Focus on the positive. As for positive reinforcement, think about how great itâll feel to finally conquer the hurdle blocking your path. Not only will you not have to worry about it anymore, now you can spend that worry-time on something productive. Maybe youâll even get a promotion for accomplishing your task when no one else could! It doesnât hurt to be a little lavish in your visualization if it helps you âscrew your courage to the sticking point,â as Horatio Alger used to put it. Bad things just fester when you ignore them. Most of the time, a yucky task doesnât just go away. It wonât do itself, and you canât assume someone will do it for you. Get moving, or the anxiety will keep eating at you, devouring your energy and time.
Strategize. Take a little time to lay out a plan for getting the task done. You may find it easier to break it into smaller subtasks, each with its own due date and milestones. You can add each subtask to your to-do list and keep chipping away at it until youâve completed it all. Think of building a wall, with each brick as a subtask. It may take a while, but youâll eventually finish the wall if you keep at it.
Eliminate distractions. We clever humans have a tendency to let our labor-saving devices take over our lives. They are like appendagesâwith us wherever we go. We have an obsessive curiosity about whatâs happening âout there.â In addition to all this, you have to deal with other people bugging you, as well as their technology breaking your concentration. Slip that electronic leash and block out the distractions. Turn everything off. Close your door or go somewhere quiet to hide if you absolutely must focus on a task.
Get Busy. Motion beats meditation. Once youâve collected the facts and resources you need to do the job, take the bit between your teeth and run. Even if you only make it a short distance the first time, every time you work on the task youâll cut down on the space between here and thereâand those efforts will add up. Set a timer for 15 minutes. Tell yourself you WILL focus until the buzzer goes off and do not click off your screen. Stretch the time periods 5 minutes at a time, until you can focus for 45 minutes. Youâll discover nothing blew up while you were actually getting work done.
Tenacity
Although we tend to make a big deal about talent, what really mattersâin work as in the rest of lifeâis tenacity, the old stick-to-it attitude that pushes you through to completion. Talent without action is worthless. In many cases, action alone can result in great success, as long as you pair it with basic competence. So stop thinking about that task and just get to work.
Every job includes some disagreeable chores, so even if you canât stand what youâre doing at the moment, find a way to tolerate it. As the old song goes, âIf you canât be with the one you love, love the one youâre with.â At the very least, getting an unloved task done will put you closer to being âwith the one you love.â
A Little Creative Avoidance
You may discover that no matter how you try, completing your top priorities just isnât in the stars. Rather than give up and go play Words with Friends, divert yourself into creative avoidanceâi.e., work on smaller tasks that still have some value, even as you duck the big task. Here are some suggestions:
Go through your master task list and delete things youâll never do.
Clean up your computer hard drive and desktop, deleting and organizing files.
Look at next monthâs calendar and think about whatâs coming up and what preparation is required.
Clean up the paper piles on your desk and clear your filing pile.
Restock your office supplies and straighten your surroundings.
Catch up with industry reading.
Check in with team members and get the status on delegated items.
Water your plants.
You get the idea. Iâm not a fan of procrastination, but at least creative avoidance accomplishes something. Sometimes all you need is momentum. Once youâve boosted your confidence by crossing a few items off your list, youâll probably find it easier to reel in that anchor, latch onto one of your bigger jobs, and start making progress. Low value tasks may not matter much in the long run, but at least they can help you prime the pump for your real work.
Where Angels Fear to Tread
Now that youâre revved up and ready to go, a word of caution: donât leap into the fray without considering all the consequences. Youâll still need to think about your Next Big Thing long enough to cover every angle and make sure you have everything you need. But once you do, donât hesitate.
We can examine the reasons for procrastination from this side of eternity to the other, and in the end, it doesnât matter whether the reasons we come up with are legitimate or just excuses. Either way, youâve hurt your productivity for no good reason. Ultimately, you just have to force yourself to get to work. Face down your subconscious and stop sabotaging yourself. In the classic words of Larry the Cable Guy, just âget âer done.â Then eat a piece of dark chocolate to reward yourself.
© 2018 Julie Perrine International, LLC
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