#but also this is the most accurate description of babs ever written

[dearemma]

Do you have any theories for 2x08? I remember someone saying that it might focus on Christine and M'benga, hope that's true!

so! based on the promo pics that were released, we're definetly getting some christine and m'benga material.

we learned on episode 1 of season 2 that they served on the klingon war together and were one of the few survivors of a massacre. here is the description of episode eight:

"Captain Pike and his crew welcome a Klingon defector aboard the U.S.S. Enterprise, but his presence triggers the revelation of some shocking secrets."

we are getting some flashback content. christine is looking very hot in her black widow suit, i can't wait to get my hands on the footage.

ANYWAYS BACK TO THE SHOW!!! here is what we've heard so far about the episode:

I think that that's pretty accurate. For both of you, Season 2 is 10 episodes, do you have a favorite of the 10 episodes and why? BUSH: Oh, I'm gonna say eight and nine, and I can't say why because that would be a spoiler. BABS OLUSANMOKUN: Yeah, I would say eight, but I can't tell you why either – Oh, it was eight, now nine!

[ comment: nine is the musical episode ]

“As a performer, myself, the scenes that are the most challenging emotionally are the ones that are most enjoyable [...] and where there's the most to be found artistically,” said Jess Bush of the season ahead. “And there's a lot of that in episode eight. I loved doing episode eight with Babs. It was one of my favorite from the entire two seasons. And working with Jeff Byrd (Yellowjackets, The Flash TV series). He's incredible. He's an actor's director. I think he made us both feel really safe to find the truth of that episode. It stretched me and stretched Nurse Chapel a lot.”

You can’t drop a Star Trek truth bomb like that without fans wanting to know more. So, probing deeper, the stars revealed a bit more about episode eight with the round table. Olusanmokun shared: “I can’t reveal much of it, you know, but somewhere in there, there was a moment where I was like, ‘Okay, this is going much deeper.' It felt epic. I hope that was captured. I hope what you see on screen is, but it felt epic as we made episode eight — for me, personally.”

Olusanmokun assures us that it is in the cards. "We're going to see some of their past history, how they came to be, how they came together as compadres. It's written beautifully, and of course, we then tried to mold it as much as possible with our performances. "It's been something. It was really lovely to do. It was really lovely to experience. We maybe go over a scene together while waiting. "I know what I do [to prepare], but I also see that Jess comes quite prepared, and so when we land in front of each other, or the camera's rolling, there's a lot to work with. That's all you can ever ask of your scene partner. There's a lot of giving and taking and being open. Regarding their scene sharing, Bush acknowledges how close Chapel and M'Benga are. "Speaking for myself, I think it's just about staying open and curious when we're together on set and in discovery mode. "There is definitely a lot of deepening of the relationship with Chapel and M'Benga in this season, and we get to go through a lot together. It's something that I've really enjoyed. I think it's been a beautiful deepening of both of their stories separately and entwined. Very heartful, very heartful."

and i could not find the quote, but apparently christine is dropping a shocking secret this episode

so basically.... we're in for a ride, folks

as for theories... nothing specific tbh?? i'm waiting and seeing

[bigskydreaming]

IGN’s recent Bat-focused article (Batman: What Does Red Hood Need to Do to Get A Good Story?) praises fanfic writers and also is an amazing critique of how stagnant Jason has become under recent DC management and I’m so surprised at how good it is and how well thought out the solutions were

Hmmm. I just looked it up and I mean, I’m not trying to start anything but I both agree and disagree? Like, it makes some points for sure, I mean, its not like its saying things that I haven’t said a thousand times about Dick, like.....these characters need to be allowed access to a full range of emotions, both good and bad, in order to be fully fleshed out, so I mean yes on that premise alone I absolutely agree this is as true for Jason as it is for Dick or anyone else.

Tbh my only real criticism of the piece is it thinks Jason exists in a particular predicament the other characters aren’t in as well. And that I just don’t agree with, like they kinda lost me a bit with their first paragraph:

His complexities and moral ambiguity make him a compelling and distinct character among his more strait-laced Robin-brothers. Sadly, the character has seen little growth since his rage-filled reintroduction into comics. The ‘former Robin becomes a villain’ idea was enough for DC to coast on for a while but since rejoining the heroes, Red Hood has done little else.

First off, this may just be me being pedantic but I’m ALWAYS going to go fetch a grain of salt before continuing reading anything that pits Jason against his brothers in a war of his moral ambiguity against their strait-lacedness. Because to me, that’s just a fundamentally shallow view of the Batfam that caters to the idea that they each must have their own distinct niche in order to be fully viable individual characters, when a) no, and b) they don’t fit neatly into the niches people keep trying to slot them into and it never ends well for anybody. 

Like Jason is morally ambiguous in a lot of ways too, yes, but umm, even if we assume that the writer is only speaking of Dick, Tim and Damian, we’re talking a guy who beat the Joker to death with his bare hands and has ten assassins and mercenaries on his speed dial and who co-led the Outsiders, a guy who was deeply immersed in weighing the pros and cons of getting revenge for his father by getting Captain Boomerang killed and is forever being DMed by Ra’s because he’s convinced he can get Tim to say He Has Some Points Actually, and the kid who was an assassin with a body count by age ten and who has struggled constantly ever since his debut to define his OWN personal view of morality that is not wholly predicated on what he was taught by any single individual.

And this is a big part of where I part ways with the article, because I think it falls into the same trap that a lot of people do by believing fanfic is inherently better by doing the same thing from just a different angle. Fanfic CAN be better than the canon, I absolutely believe that, I believe it is at times, but to do so, it has to like, BE BETTER. It has to do things differently, and not just paint a slightly different veneer over the same things. Like, pedantic though it might be, I outlined the above issue because its a mode of thinking the canon absolutely falls into again and again, and just like the writer of that article themselves, like....I think fandom as a whole is no different? 

Like, yes there are great stories about Jason out there, some writers have done great and interesting things with him, but that doesn’t mean there’s not a huge trend in fandom of doing the exact same thing I see here.....which is honestly a huge part of the exact same problem the article is decrying canon for......LIMITING Jason (and all the Batfam) by reducing them and their stories to finite niches as a way of spotlighting them as different from their siblings.....except they’re not that different! And that’s okay! They don’t have to be! Families can have lots in common, families DO have lots in common due to like.....shared variables during their formative years. 

I mean Jason was heavily influenced by environmental factors in how and where he grew up before he ever met Batman, but like the article goes into itself, he was no less influenced by Bruce himself as his father figure.....which is something he absolutely has in common with his siblings, thus its not hard at all to see how his siblings could have similar complexities and moral struggles that stem from trying to reconcile Bruce’s influence with the many other things and people that have influenced their childhoods.

And similarly, while the article is dead-on about Jason’s stagnancy....this is something that applies in equal measure to the rest of his family, because they’re all facing the same issues in terms of how DC views and utilizes them, and fandom as much as it likes to condemn DC for doing just that....frequently does the same thing. Like, Jason’s stuck in canon, absolutely......but Dick keeps being popped out into his own microcosm to experience a couple years of stories that essentially turn him into completely different characters isolated from every communal part of his character’s history, and then ERASE everything that’s happened at the end of each of these stories and reset him to square one.....and that’s just a different kind of stagnancy that again, still never allows for actual character progression or development. Tim has LITERALLY been regressed back to Robin, like a hard reset that’s its own kind of stagnancy and Damian has had years of character development upended just to kick him back to where he started, effectively strip away all the connections he’s developed at least in any meaningful way, etc.....and the same holds true for Babs and Cass and Steph and even Bruce himself IMO, in a lot of ways.

Its absolutely a problem, but its a problem that extends far beyond just Jason even if he is a great example of it. And its also a problem that extends into fic itself, and that’s why I don’t agree with a lot of the conclusions that article draws beyond just the fundamental “these characters need to be allowed access to a full range of emotions.”

Yes. That. That right there, THAT I think is crucial, but I think that writer needed to widen the scope a little to take in the full impact of what that actually MEANS for the characters....so as to not accidentally repeat the same problem they’re being critical of by essentially arguing for a full range of emotions for Jason....while still defining or viewing Jason through a finite lens of “the more morally ambiguous Bat character, at least as compared to his brothers.”

Because its that last part that’s so detrimental, because it seems like such a little thing at first, until you realize that essentially its just putting a ceiling, a cap on how far those full ranges of emotions can be expressed. Like the problem with Dick Grayson in canon and fanon is NOT that he can’t be written with a full range of emotions.....its that his character absolutely can encompass a wide range of opinions and viewpoints and emotional stances from “I don’t believe in killing as a first option” to “I absolutely can, will, and have beaten a damn clown to death for joking about murdering my brother”.....and he can still walk away as Dick Grayson after expressing both those things, because his character is big enough to include them both. HE’S not limited as a character, its canon writers and fandom writers that both heap artificial limitations of their OWN on him, say that his character is so defined in such a specific way that there’s no way for the latter expression of his character to actually be IN character.....and the fatal flaw here is fully fleshed out characters are never just one thing. They don’t fit in niches anymore than people do, and notice the problems we all run into when we try and pigeon hole people as being just one thing, like humans can’t be contradictory or act against their own self-interest or be hypocritical or evolve or even regress past prior viewpoints....basically, any time you try and sum up a human being in one line, no matter how accurate that description is, there’s still SOME things that are going to be left out of that picture. 

Now, these things don’t always have to matter that much, like if I look at a serial killer and say that’s a serial killer, like, I might be leaving out of the picture that once he helped an old lady across the street and didn’t kill her and he doesn’t even know why, and I for one, simply do not care that I leave that out of the picture. Its irrelevant to the big picture for me. I can acknowledge that it adds a smidgen of nuance to that particular picture and then go yeah but also I don’t care, nuance denied.

But in terms of fictional characters, these things that get left in the discard pile when we try and sum up characters as just one thing, like, they can be hugely significant, because characters unlike real people, are simply WHAT WE MAKE OF THEM. That stuff that’s been left out of the big picture look at that character because its stuff most people to DEFINE what that character looks like have deemed irrelevant....its still there, and still perfectly relevant for anyone who wants to pick that stuff up and make something of it, use it to change the overall picture or even just point to ways and places that picture can absolutely encompass and include these other elements and STILL fundamentally be that same picture, that same character.

And this isn’t to say that characters can never be written out of character, its to say that usually IMO what ACTUALLY makes the difference between something being out of character and something just being an unexpected but still valid character choice is just.....how these things are executed. The latter is when writers make the effort to JUSTIFY their character choice, to sell audiences on why and how this is absolutely something this character would do, to take them on a journey of what led the character to making this choice and let them see how those steps actually line up, that’s an actual journey that character might take. The former is when writers just don’t bother and are just like, well here’s a thing that character did, and you know it was in character because well that’s the character and that’s what I wrote them doing lol, what more do you want. No. Yawn. Next.

But the trick is if you’re going to try and make a character a SPECTRUM of emotions and choices rather than just a same datapoint recurring over and over again endlessly, a literal sticking point that never advances, never progresses, never changes......you have to actually give that character free range to utilize that spectrum of emotions and choices.....not just confine them to accessing all those possibilities but ONLY within a narrowly defined niche that is its own kind of limitation.

A character can START from a logline, absolutely. Can BEGIN in a narrative niche as a way to INTRODUCE them as seemingly different from their surroundings or their peers when they do not yet have the backstory, the evidence of past stories and character choices readers can use to interpret their actions or guess their choices.....but narrative niches, IMO, are meant to have a shelf life, an expiration date. They’re a seed for characters to grow FROM, to grow PAST, not return to over and over again.....because that’s when a niche just becomes another house that stagnancy built.

Anyway, thanks for the thoughts and the article mention.....it was an interesting exploration of thoughts for me even if I didn’t ultimately agree with a lot of what was already said....still a worthwhile read though I think and I mean hey, its cool if you still agree with it more even if I don’t, lol. This is just my take.