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deathbxnny · 3 days ago

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Helloo!! Arcane is ending soon, so I was wondering if I could request the Arcane cast reacting to a reader who suspiciously seems to know everything that’s gonna happen in the plot? They always appear where the action is, and they warn about dangers before they happen, trying to ”subtly” change the outcomes of horrible events. Tragedies are a core element of the story, so I feel that the narrative would create another disaster if one event got prevented, but the thought of these characters being safe and happy after all they’ve been through would be so healing :3 It’s up to you which way you want to take it 🐁💖 I’m fine with both platonic and romantic, but I’d love to see Vi, Jinx and Caitlyn if that’s ok :)

I love love love your writing, reading your HC’s before bed has become an important part of my day and it’s always a joy to see your work pop up in the tags <3 Thank you for letting us read your creations 💖 I can’t wait to read the second part of your Caitlyn fic!!

The Timekeeper. | Vi, Caitlyn, Jinx x Gn!Reader

I absolutely LOVE this idea, Anon, and I appreciate your request so much!! Also, thank you for your kind words. It really means the world to me reading something so sweet!<33

Content: Angst, can be read as either platonic or romantic tbh, time traveling, fluff, bitter sweet, cursing, spoilers for season 2?, sfw

Reader has no set pronouns.

((Not proofread))

You were always a mysterious figure to them. One that appeared at the right time in the right place whenever they needed you the most.

You never revealed a thing about yourself. You never even told them your name. But one thing they did know was that you had always looked out for them, like a guardian angel in a way.

And on one fateful day, after another evaded tragedy, they finally caught up to you just before you could leave again.

》VI

"Who the hell are you?" She asked completely out of breath after having practically chased you down through the dense crowd of the undercity. She had seen you so many times before. So, so many times. And every time she did, you were somehow able to save her from certain death by subtly showing her the right way to survive.

It took her a while to piece together that you must've known the outcome of every situation she had ever been in beforehand. That was the only logical answer to the many questions around your existence she could come up with, but it wasn't enough to satiate her desperate curiosity. There were times she had chosen against your signs, and the consequences ended up being almost grave. So whoever you were, you must've had otherworldly knowledge about everything and everyone.

Because whilst she didn't know a thing about you, you certainly knew everything about her.

Raising your hooded head, you idly played with the pocket watch in your hand, piercing eyes meeting her own. "Does that matter?" You ask, and truthfully, it shouldn't. Who cared about your identity when she knew she could trust you? But that wasn't enough. "Yeah, it does to me. Now tell me who you are already. I... I've been seeing you everywhere for years now. You have always been there and I..." She trailed off, suddenly losing her confidence.

She had thought of this moment for years now, imagined exactly what she would say to you. And yet, ultimately, she found herself speechless in your presence that seemed to drown out everyone else around you two. "I see... but my apologies, we were not supposed to meet yet." You said calmly, seemingly undisturbed by her appearance. "Time and fate... they both are so tightly intertwined and yet also so far apart from each other... how odd that the timeline changed so suddenly again, no?" Your words made zero sense in her mind, but that just added to your mystery.

"What-" "-Are you happy with the way your life is going?" You ask, and that made the woman pause in thought. The answer was positive, of course, but only because you had a strong hand in it once she accepted your help. She thought of Powder back home, who was probably happily tinkering away with the young girl Isha they recently took in, and that made her finally nod. "Yes. All thanks to you." "Not at all. It was you who chose your fate. I only showed you the alternative paths."

You two stood there in silence for a moment before she shoved her hands into her pockets and looked over to a nearby bar she liked to frequent in-between missions. "Let's go grab a drink and talk. It's on me." Deciding to accept this new path the timelines had given you, you accept her invitation with a smile.

》JINX

"You're terrible at your job." "Am I? I like to pride myself in my good work ethic, actually." Jinx was idly swinging her gun back and forth on her index finger whilst she rested up in the ceiling above you, clearly having followed you around secretly. But she knew that you already knew that from the start.

Scoffing at your words, she jumped down and landed in front of your indifferent figure as she pointed the gun right at you. "Pah! You're a funny one... so what are you? A time traveler?" "Ah, I like the title Timekeeper more." You were aggravating but at the same time a familiar face she had grown to appreciate deeply. You were the reason she was doing well in life now, even if she ignored you for a very, very long time. She thought she knew better despite all the odds pointing against her, especially you. Ultimately, she learned her lesson when she finally just listened to you.

"Ugh... whatever. Can't ya at least tell me your name?" "No." "Man, you're such a pain in the butt!" "Likewise." Rolling her eyes, she lowered her gun and lazily leaned against a wall, arms crossed tightly as she observed the crowds passing by from outside the abandoned building you were in. An admittedly comfortable silence fell between you two, one that relaxed her shoulders and made her sigh in defeat after a while. Your presence was always so comforting.

"So, you let me catch up to you this time. Finally tired of the cat and mouse game we've been playing?" You lowered your head at her question, a sly smile on your face that made her narrow her eyes in interest. "Perhaps. Or maybe I just wanted to ask you how you're doing?" What an odd question, considering the context of your meet-up. And yet, it was somehow fitting coming from you specifically. Wasn't your whole mysterious mission revolving around her well-being anyway?

"Shouldn't you know the answer to that, oh so esteemed 'Timekeeper'?" You found no offense in the mockery of your title. Just pure amusement. "I'm afraid that mind reading was not in the initial job listing." Jinx took a moment to think about your question carefully then, deciding to indulge you despite her better judgment. Things were good now, after all. She, Isha, and Vi were together again as a family, including Vander, even if they had yet to find a way to turn him back properly. But everything was happy otherwise... because you made sure that the end to her story wouldn't be a painfully tragic one.

"... I'm fine. Everything's fine." She muttered, and your smile widened at that answer. "So... I'm not terrible at my job, after all?" Pressing a playful hand to her chin, Jinx acted as though she was in deep thought. "Hmmm... I guess I'll need more convincing than all of this to decide." "Of course... then how about we start with running away before the Enforcers show up to raid this place in approximately... 2 minutes?"

Jinx rolled her eyes again with a grin but agreed to follow you, very much glad to have learned her lesson at your side throughout the years.

》CAITLYN

She was ignorant towards your judgment from the start, especially as she was able to analyze very quickly that you weren't all you claimed you were. You were too smart, too fast, too aware of everything. It was clear that you already knew how her life story especially would come to an end. But that didn't mean that she'd always listen to you.

Caitlyn believed to know better, even going as far as to protest against your word, which she had learned to be fate itself. And sometimes she'd nearly get away with her life, and on others, you'd be the one to show up just in time to save her. It was embarrassing and at times even near humiliating, but you never judged her, just silently left every time she attempted to confront you.

And this time she had finally succeeded.

Now dressed in a formal uniform, she watched your still form stare out of a window in her estate, as though you weren't practically trespassing. But Caitlyn was used to that. "It's going to rain soon. I wonder if the construction workers will get done with the restoration on time today before the first drops fall." The navy haired woman came to stand next to you, ears finely tuned to your calming voice she had heard in her dreams and mind for so many years. It felt surreal to stand next to you at last.

"You already know the answer... but I think Mother will send out guards soon to retrieve them." Her mother, who had only narrowly escaped her death, if it wasn't for you. She had only gotten a little injured from falling debris, but that was all that happened. All of the councilors and people in the building had survived the Jinx attack. No grave injuries. All because you prevented it by throwing Jinx slightly off balance enough to make her shot not as precise.

"... Thank you." "For what?" The right answer would be absolutely everything, but she refrained, noting that you didn't seem keen on praise. You saw it as your job. As your duty to her for a reason unknown. "For saving my mother." That should do.

You nodded at her words in acknowledgment as your eyes spied Ambessa retreating with her troops in defeat. They were practicing chased away by the council since their help was unwelcome. Served them right for meddling with the business of other nations. You had exposed their ulterior motives in secret, and that's all it took for the tide to turn against them. "Just my duty." "I knew you'd say that... but I want to reward you for all you've done. If it wasn't for you... then I... I don't want to know what I would have become."

You glanced at her with an unreadable look in your eye, and that reconfirmed her suspicions regarding how deep she would have fallen otherwise. It's best not to think of it.

Humming to yourself in thought, you gave her a small smile. "Very well, if you insist... you can treat me to some fine tea and cookies." Caitlyn weakly mirrored your grin, relief filling her senses at you accepting her offer. She was worried you wouldn't. "Of course. Follow me." Linking your arms together carefully, you made your way through the dim halls.

A chuckle left your lips when it indeed began to rain.

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auroracalisto · 2 days ago

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with all the power in oz

movie!fiyero x gn!reader, 2.2k words summary: the reader, rather anxious and studious, finds their self head-over-heels with none other than fiyero, supposed boyfriend to galinda upland. to placate this, they somewhat agree to meet him at the ozdust ballroom. a/n: YOU pronouns are used to address the reader, but there is no usage of y/n. just watched the movie today. tried to find a fic, couldn't. here I am writing one instead. reader worries a lot. so me. you're welcome. also, I'm going into this blind. I have unfortunately never seen the actual musical (downsides to living in the middle of nowhere) so I'm only going off based on wikis and the movie. it should be gn as I read through it like... five different times, but please let me know if I missed something!

Breathtaking. That's what he was. But could you truly refer to a man like him as breathtaking?

The very features that graced his face were absolutely mesmerizing, and you felt like a fool watching him at times. How could you not? He seemed so full of life, so full of... well, not a care in the world, really. It was as if he brushed everything off of his shoulders without hesitation.

You could only wished you were the same way.

No cares, no worries. How lovely that would have been.

No, you hold onto the things that happen to you as if you have no other way to live. You hold grudges, you think over things that happened years ago that no one could possibly remember.

For someone who wished to be a sorcerer, you had a hard time simply letting things go. Your emotions often got the better of you, even when you knew better. Even when you wished it could be the opposite. But perhaps that was the way of the world.

Not a man in Oz could tell you otherwise.

Books in hands, you crossed the path to your dormitory, brows cinched together in mild concentration.

You had a project in your history class, and an extensive paper to complete on the study of mathematics—of all the things you could have had, a paper in mathematics. You'd rather perform magic in front of the entire student body, but you couldn't.

As you walked, you heard your name come from behind you. Eyes flicker back, a soft frown on your lips. You see him—Fiyero. The one fool you meant to avoid with all the gumption within you.

You'd melt just being near him.

"Fiyero," you softly greet.

He gave you a charming smile, coming up to walk with you. "Heading back already?" he asked.

"I am."

"Working on the project, hm? We could work on it together if you'd like. I'm sure our minds could do wonders," he said, a playful wink coming from him.

"I'm fine," you simply said.

He blinked slowly, but his smile never wavered. "Come now," he said, your name leaving his lips rather sweetly. "Surely you're not going to spend the rest of your evening alone. Why don't you come to Ozdust tonight?"

You looked back at him, frowning. "Ozdust. Me. I don't think so, Fiyero."

"And why not? I'm sure you'd be as dashing as ever."

You stopped in your steps, eyes searching his for but a moment. "Dashing. Are you in earnest, Fiyero?"

"Yes," he said, smiling.

"And what of Galinda? You'll be with her. Why invite me?"

"She doesn't need to know. It's not her business," he said. "Besides, she will be busy with Elphaba. I'd much rather spend time with you."

"And I think you're just pulling my leg," you said defensively. You crossed your arms over your chest, careful to keep your books close.

"Pulling your leg? I haven't even touched you," he said, a cheeky grin on his lips. "Come now, don't play coy. You should come."

"And if I do?"

"Then I'll be quite happy."

You rolled your eyes and went to walk away.

A hand wrapped around your bicep, and you paused, glancing over your shoulder at him.

His eyes widened a bit and he dropped his hand, albeit hesitantly. Perhaps he didn't think he would actually reach out to you. He cleared his throat.

"I really would like you to be there. You'll have the time of your life."

"The time of my life," you repeated. "I don't think you realize how much I dread parties."

"Have you ever been to one?"

"No."

"Then how do you know you dread them?"

"I just know," you said. "I feel it in my bones. I know going will just get on my nerves."

He scoffed, placing his hands on his hips. "I think you're foolish for that," he said. "Come on. What are you losing? A couple hours to work on a project that you know you could finish in a morning session? You'll be fine. Come to the Ozdust tonight. I'll show you a good time."

You clenched your jaw. "I don't want—"

"—I would like you to be there. That is all. I won't ask again." He gave you another small smile before he looked away. "I'll see you around. Perhaps tonight?"

You stared him down. He would like to see you there? Was he being honest? And what of Galinda? Would he be going behind her back? Wasn't he madly in love with her, or something? Or was it the other way around?

He said your name once more, and you looked up at him, letting out a soft sigh.

"Right. Perhaps tonight," you softly said.

The smile on his lips was rather... hopeful than anything else. There wasn't anything smarmy by it. He seemed as genuine as the glint in his eye—the one he used when he spoke with anyone he trusted. At least, you hoped so.

The night came quickly as you finished up your outfit—one you would hope you didn't look completely foolish in. The color you chose seemed to fit well with almost anything, but you still worried. You always worried about something.

Time was of the essence. You weren't even supposed to leave Shiz University's campus, but here you were, sneaking like some scoundrel.

Well, perhaps you were, listening to the requests of a man who already had a girlfriend—a fantastically beautiful one at that.

But you paid no mind. You did what you could, and soon, you found yourself walking down the steps of the Ozdust Ballroom.

Never had you been in a place like this. It was almost... breathtaking, had it not been for the overpowering smells of perfume and some kind of drink wafting from the bar. Your eyes flitted from patron to patron until you finally spotted him—Fiyero.

He looked just as handsome as ever.

Good Oz, what in the world were you doing? This was foolish.

You took a step back, staring at Fiyero for a moment as he spoke with another man, drink in hand. You needed to leave. This was ridiculous. You were ridiculous! Never in a thousand years would you ever imagine yourself to do such a thing—

"You made it!"

Fiyero's voice rang out above the music.

You look to him, eyebrows furrowed in frustration. Because of course he saw you as soon as you had decided to leave.

Fiyero smiled and made his way to you, taking your hands in his, drink left with the confused man behind him. Surely he didn't just up and leave in the middle of his conversation.

You part your lips and go to speak, but to your dismay, Fiyero is instant.

"I was afraid you had changed your mind," he said. "You look ravishing, darling."

Your eyes widened. Ravishing? You'd been called many things in your life, but never ravishing.

"Galinda couldn't make it?" you asked.

"Wha—no, she couldn't. But what of it? I didn't ask her to the Ozdust, I asked you. I'm glad to see your face."

Warmth blossomed in your cheeks as you watched him. "Fiyero, please... I shouldn't be here."

"Oh, nonsense," he said, grinning all the while. "Come. Dance with me."

"But I don't—"

"—do not say you don't dance. I can teach you."

"Teach me?"

"It's as easy as breathing," he said.

"For you, maybe, but not for—"

"—humor me," he said, smiling.

You pursed your lips. Of course he had to give you that charming smile and the sweet bat of his eyelashes.

"I do not dance," you repeated.

"I think I will be the judge of that."

He grabbed your hands once more and pulled you out into the ballroom floor, smiling all the while.

"You'll be a natural. I can just see it."

"I feel like if I were a natural, you wouldn't have to teach me," you said, gasping as he pulled you close to his chest. His face was dangerously close to yours, his eyes flickering from your eyes to your lips.

"You know," he began, eyes flickering back to your eyes. "We all start somewhere, do we not? You should know that better than anyone."

"What? What does that—"

He interrupted you by spinning you by your arm, back into his embrace. The music was rather ambient, not quite one for dancing so enthusiastically, but Fiyero embraced it. Hand to your hand, face close to your face.

"See? A natural."

"You merely spun me around, Fiyero. Do not be foolish."

"You could have fell flat on your face," he said, a boyish grin evident on his lips.

"Stop looking at me like that," you defiantly said. "You are far too close to me for my liking."

"Oh, feisty, are we?" he asked, moving his body along to the music and forcing you to go along, too. You nearly stepped on his toes several times. "I do not think there is anything wrong with the way I'm looking at you. You're rather breathtaking, if I may."

Breathtaking. The same way you had described him only hours before. He wasn't a mind reader, was he?

No.

Of course not. That was foolish. He was merely a man. Nothing of great importance—no power within him other than the power he held in every single eyelash as they batted down at you, making you melt over and over again.

"What of Galinda?" you repeated.

"What of her?"

"You shouldn't be calling someone who isn't yours breathtaking. It's quite..."

"There is nothing wrong with admiring the beauty in front of me," he said, your name playfully leaving his tongue. "Look at me. Galinda and I are only friends."

You rolled your eyes. "Do not lie to me."

His eyes widened a bit. "Lie? I do not lie. We are friends and nothing more. Though I do believe she thinks differently..."

"She must," you said, huffing softly.

"But that does not make it true. I have eyes for someone else."

"Eyes for someone else?"

He tilted his head once more. He was rather endearing when he did that.

"Who did I ask to their very first party?" he asked, smiling. "It's quite a feat, isn't it? Afraid you wouldn't show, and then you do, questioning me and everything I stand for, hm?"

Warmth found its way to your cheeks once more. You looked away from him. With the crescendo of the music, Fiyero pulled you closer, fingers lacing with yours. His lips hover dangerously close to yours.

"You know, if you would just give it a chance, perhaps you and I could make some magic of our own."

You let out a curt laugh. "You—oh, good Oz, I hope you never use that line on anyone! Has that worked for you before?"

He gave a cheeky smile. "It seems like it's working on you."

"Absolutely not!"

"Not even a little!"

"No!"

His smile only seemed to grow. "Truly?"

You looked away, swallowing thickly. "I mean... no. Not even a little. Not at all."

"You're lying," he said.

"I am not."

"I do think I know what I'm talking about," he said, leaning forward and pressing a soft kiss to the soft skin of your cheek. "Come now," he said. "Stop with the lies."

You looked up at him, a soft huff escaping you.

"Fine. I lied. It may or may not be working. But it's not just because of what you said."

"Oh? Are you saying you like me for more than my suave words?"

"Suave words? Who in Oz said they were suave?"

He just smiled, his eyes flickering to your lips once more. "Do you think instead of just a dance, I could try something more?"

"Try what?"

"I think you know."

You blinked slowly at him, your fingers gently gripping onto his tunic. Your lips part in mild surprise, but you realize that you shouldn't have been. He'd been eyeing you the entire evening.

"Very well," you softly said.

"Wonderful," he replied, and in a swift motion, he pressed his lips to yours. It was short as he pulled back almost as soon as he had kissed you, but it was enough to keep you wanting more.

"Fiyero, that wasn't—"

"—come with me," he softly said, lacing his fingers with yours once more. "Somewhere without so many prying eyes, yes?"

Your answer was almost instant: "Yes."

Fiyero led you back up the staircase, and he didn't look back once at the ballroom.

"Where are we going?" you asked.

"Somewhere where I can see you and only you," he said. "If that's alright."

"Oh," you softly said. "Yes. That's alright."

"Then follow me," he said. "Do you trust me?"

You smiled sincerely for one of the first times in the evening. Did you trust him? What kind of foolish question was that? If you had the chance, you'd do whatever he'd ask of you. You found your answer rather quickly, knowing within yourself that it was far truer than any other statement you had ever uttered.

"With all the power in Oz."

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badnewswhatsleft · 2 days ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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whumpster-fire · 3 days ago

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Oh boy okay I think my smallest / least known fave is Ambersun (formerly known as Albion, changed because of how many other bands have the same name), and I am begging everyone to listen to this band because seriously it is so good.

Summary: it's a power metal band which I think may be basically a one man show plus various guest vocalists I'm not sure, which does story-based concept albums based on different works of fiction. Possibly qualifies as Rock Operas? Anyway I love "fandom music" and this is one of my all time favorites even though two of the albums are for "I don't even go here" fandoms and the other is for a book I found through the music, because the sound is awesome, the lyrics are awesome, and you can just hear the passion put into them.

I'm now going to post a bunch of lyrics under the cut please please please listen to these songs. Actually just listen to the albums in order, this is one of those bands where the songs are already good as standalones but you really need to listen to the full album to get the full experience.

We are lost, in an endless night, the sun drained from our eyes

Gone, when we sold our lives to the plague that stole the sky

"Life Before Death," from The Poison Skies

Erased and they don't care, but you would still be here if only you'd stayed, been mine only mine

It's so unfair to leave me, the tribe I formed deceived me, but now I'll fight in your name

There's no way to hide from their stare,

I still feel their eyes everywhere

And the hatred that clouds all their minds, it hides the truth of it all

"Out In the Wilds" from The Poison Skies

The one to keep the noble name, to carry all their hopes and dreams, a future severed when one night became forever

"Run" from The Poison Skies. This. Freaking. Song. Has changed me. "Run" is a banger on its own, but reading The Afflicted and reaching the scene this song is about made it so much better and also slightly painful. Which can be said about the entirety of The Poison Skies but this song especially, because the entire song is a character high on adrenaline, deluding himself into believing he can actually pull off the promise he made to his friends that he was going to survive the badass self-sacrificing stunt he was pulling. Also I have no idea how I have not gotten a speeding ticket while playing this in the car yet.

Visions that I can't erase, every time I see her face,

She reminds me of how I never tried

Now I watch us as we fall, can't help anyone at all,

Why did I alone survive?

Survivor's Guilt!

"Survivor's Guilt" from The Poison Skies

This worthless weapon symbolizes who I am

Remaining silent, offer no resistance,

And I become the iron mask

"Disappear" from The Poison Skies

Survive one last dance through the wind and the cold,

We can't change our stories, but they still can be told

"Snow" from The Poison Skies

Sealed in cryogenic cold, I'll dive into the dark, reanimate your soul

Together we will rise up hand in hand this blackened night

"Morning" from The Day the Night Slept

I'll burn in the night, I'll light up the sky, you'll see,

And I'll be the Scorpion's Fire!

"The Scorpion's Fire" from The Day the Night Slept

Lost in the night, but still he survives

I'll tear apart time so his heart never dies

"Asriel Must Be Saved" from Buried Souls. Yes this is exactly what it sounds like from the title. A 15 minute musical fix fic about finding a way of saving Asriel Dreemur from Undertale with some sort of timeline fuckery I don't understand because I haven't played the game. And it's glorious.

Mighty wheels will turn again, flames of faith ignite

Chase the legend of the sun, and bathe our world in light

"Bring Back the Sun," currently a single release.

enough about taylor swift already. reblog and tag the smallest, least known artist you listen to

#music #power metal

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quantum1mmortality · 3 days ago

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The crew & using toys on their S/O in bed please with a cherry on top??

First time writing the whole crew kinda nervous 🤭🤭 I'm not writing Swansea tho I will NOT be writing nsfw of a married man

Tw/cw; Afab!reader, winners love winning in Anyas hcs (use of the term pillow princess), jorkinit jumpscare

Not proofread

Curly

I'm actually not sure if he'd be into toys

I've literally only written for Curly so I'd say I'm a Curly expert, and I just don't think he'd be into toys

He'd use a vibrator on you every now and then, but he'd just use it to tease you and make you beg for him.

He'd probably use cock rings. I am a firm believer Curly would use cock rings. Not all the time, but if he's had a really stressful day at work, he's wanting an extra hard hitting orgasm.

Omg not a toy but APHRODISIACS!!! This man would go crazy for some aphrodisiacs, whether he's taking it or you are.

Now I wanna write a wedding night one shot with Curly and aphrodisiacs thanks a lot anon 😔😔😔 I've got enough shit to write already

Anya

I don't care what any of you say this woman is a pillow princess

YOU'D be using toys on HER

She'd also be a cryer but that's not the point

She'd have a drawer dedicated to sex toys. She's trying to get into med school, she's CONSTANTLY stressed, how else is she supposed to release some of that stress? Don't judge her.

She wouldn't be into straps or dildos, she'd be into shit that vibrates. Vibrators obviously, rose toys, anything that stimulates the clit honestly

I lied she is into dildos this woman is a sucker for a RABBIT!!! Like I said, if it vibrates, she wants it.

Her favorite combo is the rose toy/vibrator + pussy licking. She cums so fast, then gets embarrassed, then begs for more. Praise her a bunch and she'll be able to go a few more rounds

BONUS CONTENT!!; she has a Christina and Princess Albertina, no further comments

Daisuke

Oh yeah, he's using toys.

He has a tongue piercing and sometimes he'll swap it out for a bar that vibrates but y'all aren't ready for that convo

He's gonna use the basic toys, nothing we haven't gone over yet. Vibrators, rose toys, cock rings, ect. He's just trying to figure out what he likes for right now, and he likes all of them

In missionary, he'd hold either a vibrator or rose up to your clit while he fucks you. Kind of uncomfortable as a position, but if it gets you off, it's worth it to him.

Not sure if this is considered a toy but he'd be interested in sounding. He's definitely had you try it on him once or twice, and he never lasts for more than a minute 😭 poor boy

He's just trying new things out. He's new to having a committed relationship, so anything you'd be into, he'd be willing to try. He'd let you peg him if you wanted, but don't ask me to write that.

My pegging days are over

Jonathan

The kinkiest cunt that ever cursed this god forsaken ship

Toys are a must have for him. On you, not him. He only likes using them on you, because it gives him a sense of power over you.

He'd be one of those assholes that would put a bluetooth vibrator in your panties and wait till you're in public to turn it on the highest setting. Like an asshole

Jizzdaddy would have a lot of toys. He'd have one of those robotic dildo setups that like.. idk does the thrusting how the fuck do I explain this????

You guys get what I mean if you've ever been on a porn site you've seen one

Anyway, he'd have one of those setups and watch it fuck you. Ass up, head down, grasping at whatever you could since HIS sadistic ass turned it up to the highest speed.

Eventually hed get pissed off and fuck you himself, claiming that you love the toy more than you love him 😔 the allegations are true but he doesn't have to know that

He'd also use plugs on you. In public, too. He doesn't care. If you humiliate yourself, that's your fault, not his.

vibrators are used during sex, nothing new. But it's the same situation as before. Claiming you love the toy more than him, so he stops using it.

Sometimes he'll just give in though and decide he doesn't care, and wants to tease you more than anything. Highest speed it can go, or the slowest. No in-between. He'll have you begging one way or another.

Chat I hate writing rough characters someone request ooc soft Joshua hcs so I can write him like I do Curly 🙏🙏🙏

A/N; Anya makes me wanna kiss girls

#mouthwashing smut #mouthwashing curly #mouthwashing x reader #jimmy mouthwashing #curly mouthwashing #jimmy x reader #daisuke mouthwashing #daisuke x reader #anya mouthwashing #anya x reader #why are there so many ship tags this is genuinely disturbing #curly x reader #captain curly x reader

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thessaralka · 1 day ago

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DAI, DA2, DAO are flawed masterpieces but they all thematically feel deeply similar.

veilguard dookied all over the dark spiritual/ moral/ religious themes of DA by erasing slavery, the bigotry of and towards the elves (dalish in particular), sidelining andrastianism, ignoring the dwarves apart from harding's questline, and HR-ifying the writing.

where was slavery in tevinter, the literal slave capital of thedas, apart from the existence off the shadow dragons (who must be doing a really good job btw bc slavery and the impact of it is basically not a thing), and in scenes w venatori where they're using slaves as benches in this weirdly-comical-dismissive way?

where was the nuance and moral greyness in how some people sell themselves into slavery or join the qun to escape poverty and lives that would otherwise be a lot less structured and even comfortable, and the cognitive dissonance that fact gives us? where was the "slaves are illiterate so they communicate with symbols" underground slave rebellion?

the most we get of solas and his thousands-of-years-long slave-freeing mission is a comment from neve about the chains in his hideout, we see nothing about how fen'harel freed slaves as basically a lifelong purpose of his, and how many of those freed-people dedicated their lives to that mission, joining him in his cause. solas would have had other people helping him out with this, he would have had a structured slave-freeing organization, he probably would still be using the lighthouse for this, but the most we get is "crusty wifeless bachelor pad" solas all alone. did he tell everyone to fuck off, like what happened there? why was solas soooooo alone, when he literally had cultists in trespasser and logically would have EVEN MORE cultists now? i understand he's mentally and emotionally alone, but an ancient elven god who has built a slave-freeing operation he would not be so physically alone, he'd have tons of people obsessed w his mission.

making the only dalish we encounter these veil jumpers that we have no connection or care for unless we read some books is lazy, and these dalish don't seem to care that their thousands-of-years-old faith that their entire culture is founded on is being demolished before their eyes, the DREAD FUCKING WOLF is back (one of their literal gods, and he's been back for like 12 years and many of them have joined him - where are thooooose dalish?), the dalish in VG are perfectly fine working with humans (the very ones who exalted-marched all over them, humans that rape and pillage them, humans that oppress and subjugate them, humans the dalish have canonically hunted down and killed - just for being human - in past games). the dalish are canonically shitty people who are also massively subjugated, are victims of their own hubris, victims of a war they started and lost and never got over, victims of their own bigotry, victims of their own misinterpreted and forgotten lore. while they have a right to be victims, it's never talked about how fucking revolutionary it is if any dalish/ elven hero of the past games (warden or inquisitor) was able to overcome the biases of their culture and heal, and work together with humans (inquisition did this really well for Dalish Inquisitors btw). the dalish being as forgiving and open as the veil jumpers are should be a bigger deal and have a major story reason behind it because healing thousands of years of trauma in a decade is impressive (fake).

#i just need to write this god damn fic #FINE #solas posting #dragon age #datv #dragon age the veilguard #veilguard spoilers #datv spoilers #solas dragon age #dragon age inquisition #solas #solas dai #dragon age solas #dragon age: the veilguard #veilguard #dragon age veilguard #da: the veilguard #veilguard critical

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chancloud8 · 2 days ago

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Teach Me

Pairing: Bang Chan x Reader

Word Count: 2,4k

Tags: A little bit of angst, Fluff, Kissing, OT8

Summary: After a failed date you find comfort with your best friend. He even offers to teach you how to kiss. Crazy, right?

*****************************

'Channie?' you call out when you step into the recording studio.

It was already close to midnight, but you know for a fact that your best friend is still here. He always stays late to work on his songs, either alone or sometimes with Jisung or Changbin.

'In here!' Chan's familiar voice calls back and relief floods your body at the sound of it.

You wipe your cheeks one last time with the back of your hands and take a deep breath before forcing yourself to smile.

'Bestie incoming,' you sing song as you walk the narrow hallway towards the room where his voice came from.

As soon as you walk through the door you freeze.

It wasn't just Chan inside. All the other members of his band are scattered across the couch and floor. Multiple take-out boxes and containers cover the small table and the smell of pizza and chinese food hits your nose.

Eight pairs of eyes are staring at you and it takes a few seconds before any of them react. Chan is the first one to jump up, his brows are furrowed as he takes in the state you're in.

You know you must look like a mess. Your hair is loose and wild from how you've kept running your hand through it, you know your make-up is smeared and your eyes are red from crying. You keep the smile on your face, hoping to fool your friends, but the moment he takes a step forward you know you haven't.

'You cried. What happened?' Chan asks when he's in front of you, softly grabbing your chin between his fingers so you have to look at him.

'Who do we need to hurt?' Changbin yells as he also jumps up from the couch to get closer to you as well.

You flinch at his loud voice and Chan turns his head to glare at his friend.

'No one, Binnie. I'm fine,' you say, but you know your smile is faltering.

'You're not,' Felix's deep voice says from behind Chan. You hadn't even noticed him getting up too. 'Who did this?'

You shake your head at him. 'It's nothing, don't worry about it.'

Telling Chan what happened was one thing, but telling all of them?

Nope.

You couldn't do it. It would be too mortifying.

'Come sit with us,' Chan says, letting go of your chin so he can grab your hand and lead you towards the couch where Jeongin, Seungmin and Jisung quickly make room for you.

As soon as you sit down, Seungmin shrugs off his jacket and hangs it around your naked shoulders. You shiver as the fabric touches your skin, it's warm and soft and you hadn't realized how cold you were.

'Where's your jacket?' Chan asks, as if he only just noticed you weren't wearing any while it's no longer hot outside at night.

The guys are all quiet, waiting for you to answer the question.

'I- uhm,' you swallow. 'I forgot it.'

'You forgot your jacket?' Chan narrows his eyes, seeing straight through your bullshit. 'You never go anywhere without--'

'I forgot! I was in a hurry to get away, okay,' you interrupt him, tears welling up in your eyes again as you think of the horrifying moment.

As one all of the guys lean forward, frowns adorn their faces.

'Get away from who?' Chan and Changbin growl practically at the same time.

'Y/N,' Felix gets up from his seat 'Are you hurt?'

'No, no,' you hurry to say. 'I'm okay, I promise. I'm just--' You groan and bury your face in your hands so you don't have to look at their faces. 'I'm extremely embarrassed and maybe a bit upset, but I'm fine.'

When they stay silent, you sigh and lift your head to look them all in the eye.

'I'm fine.'

They don't seem convinced and you can't really blame them.

'Look, I didn't expect you all to be here or I wouldn't have come. I'll just go home, bury myself in blankets and sleep,' you say, starting to get up.

Seungmin grabs your arm and pulls you back on the couch.

'No way we're letting you go when you're feeling down. You shouldn't be alone,' he says and the other guys all nod in agreement.

'And if you want to talk to Channie alone, we can leave you alone for a bit,' Jeongin offers, giving you an encouraging smile.

Your heart swells with how thoughtful they all are and you instantly feel a little better. You always knew they were good guys, but after tonight it was nice to get a reminder that thoughtful and kind guys still exist.

'But if you want you can talk to us too, we won't judge you, I promise,' Lee Know says from his spot on the floor.

'Or if you just want to eat or help us out with making music, that's fine too,' Hyunjin adds with a smile.

'We can also still beat up whoever made you cry,' Jisung swings his fist around in the air.

You can't help but tear up again.

'Y/N?' Chan moves over to you again and kneels down in front of you, placing his hands on your knees. 'You're not alone, you're okay and we're all here for you.'

That does it.

A sob escapes your mouth and you throw your arms around his neck, not caring about the guys seeing you cry anymore.

Chan immediately wraps his arms around you and pulls you against his body. Like a koala you wrap yourself around him and you bury your face in his neck, letting his familiar scent calm you down.

'It's okay, you're okay,' Chan continues to whisper as he strokes your back. 'I'm here.'

It takes a few minutes for you to calm down, but when you do, you feel a lot better. You allow yourself a few more moments, keeping your head in the crook of Chan's neck as you slowly get a grip of yourself again.

'I'm sorry,' you whisper.

'What for?' Chan whispers back.

You know that everyone can probably still hear you, but it still feels like it's just Chan and you. In some way the guys are a part of Chan anyways.

'For crying and for ruining your night.'

Chan's hands move up to your arms and he gently pushes you away from his chest so he can look at you.

'You could never ruin my night, Y/N, and as for the crying, isn't that what a best friend is for?'

Your lips curl up in a watery smile and you bring your hand up to pat his cheek.

'My sweet Channie.'

He chuckles and squeezes your arms. 'That's me. Now will you please tell your sweet Channie what happened tonight?'

Your smile disappears and immediately so does Chan's.

'What happened?' he repeats, his eyes dark.

'I just went on a shitty date,' you finally confess. 'He was very nice at first, but-'

'I swear if he hurt you,' Chan growls and from the corner of your eyes you see two other members get up as well.

'Stop being so macho,' you roll your eyes. 'I appreciate your concern babe, but I'm okay and he didn't hurt me.'

Chan narrows his eyes at you and cocks his head. 'Then what did he do, Y/N?'

'Did he force you to do anything you didn't want?' Changbin asks, sitting down next to you and Chan.

You wait a second too long with denying it and both men tense up.

'No, no! It's not like that,' you hurry to say. 'He just-' You pinch the bridge of your nose and close your eyes. 'He laughed at me.'

Chan blinks at you and so does Changbin.

'What for?' Lee Know pipes up from behind you.

'Did he just laugh or did he say stuff as well?' Hyunjin asks from the couch.

You sigh and bite your lip, debating whether or not to just blurt it out. It all seemed so silly now.

'Y/N?' Chan asks again.

'He kissed me and I didn't expect it,' you say, closing your eyes in mortification. 'I froze at first and when he-' you shiver and Chan balls his hands up in fists.

'He what?' Felix asks softly.

'God this is so embarrassing you guys, you're going to laugh at me too,' you groan, letting your head fall against Chan's chest again.

'We won't,' Jeongin promises and the others hum in agreement.

'I freaked out,' you mumble. 'And when he put his tongue in my mouth, I may have gagged and started hyperventilating.'

The guys are quiet around you and for a moment you wonder if they heard you. Just as you lift your head from Chan's chest, they all start to talk at once. They don't laugh. All their faces are serious as they try to talk over each other. All except Chan.

'What?' you whisper at him when his eyes stay locked with yours.

‘I had no idea you’ve never been kissed before,’ he says, his eyes falling to your lips for a millisecond. ‘And I’m sorry your first experience with it was awful.’

You shrug and snort when a thought enters your mind. ‘If only you could teach me how to properly kiss so I don’t freak out next time,’ you joke.

Everyone falls quiet and Chan’s eyes darken before he looks down at your lips again. His tongue comes out to moisten his lips and your heart skips a bit at the sight. Shit, he had no right to look at you like that.

‘I’m only joking,’ you choke out, breaking the silence and shifting awkwardly in Chan’s lap.

Chan’s hands fall down to your hips and he holds you still.

‘I could, you know,’ he says then. ‘Teach you.’

You open your mouth to respond, but nothing comes out. All you can do is stare at him with big eyes, both in shock and intrigued. Was he really serious? Would he teach you? Wouldn’t that be weird? Wouldn’t that ruin your friendship?

‘Or any of us could,’ Changbin pipes up, breaking your thoughts. ‘Or if you need some practise after Chan teaches you-’

‘Shut up, Bin,’ Chan interrupts his friend, his hands tightening around your hips.

‘Hey, don’t get all alpha on Y/N now Channie,’ Jisung teases.

You laugh and look around at the guys, no longer feeling awkward. They really are the nicest people you know.

‘Thank you,’ you smile at them. ‘I feel much better already.’

A chorus of cheers makes you laugh and for a moment you forget the offer that still hangs in the air. That is, until Chan suddenly stands up and hauls you with him as you were still in his lap.

‘Come with me,’ he says when you stand on your own legs again.

He grabs your hand and leads you to the hallway as another chorus of cheers and whistles erupts in the room. When the door to the recording studio falls close and the sound of the guys falls away, you find yourself alone with Chan. Your heart is beating so wild in your chest that you wonder if Chan can hear it.

Is he going to kiss you? Does he really want to? What if you freak out again?

As always Chan seems to be able to read your mind and when he cups your face with his hands and locks his gaze with yours, everything else falls away. He leans his forehead against yours and his warm breath puffs against your lips.

‘Breathe,’ Chan whispers. ‘Just breathe for a moment.’

You do as he says and close your eyes as you focus on his breathing, trying to match it with yours while you try to ignore how close his lips are to yours. It doesn’t take long before you’re breathing in the same rhythm and when you open your eyes you find Chan already looking at you.

‘Now what?’ you ask, biting your lip. ‘Will you really teach me?’

Chan’s lips move up in a sweet smile and he moves his hands so that one of them is cupping the back of your neck, while the other grabs onto your chin.

‘Do you want me to?’

You should feel nervous, like you were on your date earlier, but you’re not. You feel calm. Safe. Excited.

‘Yes,’ you whisper, gripping the front of his shirt between your fingers. ‘Please.’

‘Stay still and relax, okay?’ Chan nods and then he cups your face again with his big hands. The cool metal of his rings feel nice against your hot cheeks.

Chan slowly moves his face even closer to yours and when your noses touch he stills, once again letting his breath tickle your mouth. You tremble in anticipation and tighten your fingers on the fabric of his shirt.

‘Channie,’ you breathe out, nearly panting already when he hasn’t even done anything.

Chan chuckles and closes the distance, pressing his lips against yours softly. His thumb gently caresses the skin of your cheek and you melt against him as he slowly moves his mouth over yours. You copy his movement and when he hums against your mouth in approval you feel like you’re on cloud nine.

Who knew kissing could feel so good?

After what feels like only a few seconds, Chan pulls back and you shamelessly chase his mouth with yours. A hoarse chuckle escapes Chan’s throat, but he lets you kiss him again. And again.

There’s no tongue, but at the moment you don’t feel like you neither need or want that. Not yet.

No. This is enough for now.

Chan’s lips were plump and soft and you felt like you were surrounded by his comfortable smell and touch. It felt amazing, addicting and oh so wonderful.

When you finally pulled back again to look at Chan, his pupils were dilated and his lips were red and a little swollen. He looked beautiful and you fight the urge to kiss him again.

‘Lesson one complete?’ you grin up at him.

Chan flicks your nose with his finger and grins back at you.

‘Lesson two will include tongue, think you can handle it?’

You shiver at the thought. If kissing Chan feels this good without tongue already, how would it be to really kiss him?

‘I think I can handle anything when it’s with you.'

************************************

a/n: eeeekkkk my first y/n fic. I hope you like it <3

I debated having all the guys teach her, but ended up with just Chan for now. I also might write a part 2 (; xxx

#bang chan x reader #stray kids fanfic #stray kids imagines #stray kids x reader #stray kids scenarios #stray kids fluff #bang chan fluff #skz x reader #skz x y/n #skz ot8 #bang chan x y/n #bang chan x you #bang chan fanfic #all the guys are SO sweet

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dreamsteddie · 2 days ago

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AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good 😓

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

@wheneverfeasible @the-dark-hearts @sofadofax @wrenisfangirling @whatfinestandsfor @lilpomelito @raisedbylibrarians @ollyxar @mugloversonly @xxbottlecapx @hezaaxdexangelous @kimsnooks @that-one-gay-crow @travelingtwentysomething @shoujo-wizard @stripey82 @live-laugh-love-dietrich @cr0w-culture @notaqueenakhaleesi @bookworm0690 @r0seprincess @estrellami-1 @little-annie @dreamercec @tinyplanet95 @rawrx3ky-txt @bexinator3000 @justalittledrainbamage @scarletyeager @themoonagainstmers @yesdangerpls @mydysfunctionallife @maverickricky @silentiumdelirium @i-amthepizzaman @samsoble @foolishness-and-confusion @dragonmama76 @gregre369 @thewickedkat @lexr86 @martinskis-lydias

#steddie #fanfiction #dreamer speaks #stranger things #steve harrington #eddie munson #corroded coffin

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sol-iscus · 2 days ago

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❗️Mild arcane spoilers ❗️

Miiight ruffle some feathers.

Not EVEN going to lie, unnecessary ship wars aside, the fan base has developed such a deep love and understanding for these characters (because let’s be honest, there are some pretty intelligent people giving eye opening analyses) that after the finale, it appears that we have a better understanding of them than the actual writers.

We deserved better as the audience after all the hype over the years, all the waiting, even after some episodes got leaked a while ago, most of us remained respectful and waited to see what this season would bring us. The core characters ABSOLUTELY deserved better as well.

It felt as if I was watching all of the characters’ development be erased in real time, or become sidelined and nearly mute after being propped up to appear as if they were going to have a significant arc.

With the amount of episodes we had, it felt like they were trying to cram a bunch of different storylines into one 9 episode season and that left us with annoying plot holes and rushed sequences.

And I’m just gonna say it.

If a certain relationship needed to be sacrificed if it meant that other characters had the proper development they needed and DESERVED, then I would have preferred that much, MUCH more than that undercooked finale.

Don’t. Even. Get me started on that caitvi scene. In the cell? Right after that conversation she had with her sister? Don’t give me that nonsense about how it’s vi reclaiming her power or something. (An actual weird ass statement from Amanda Overton in a Q&A video about how that was Vi reclaiming and working through her trauma in that cell).

No apology? No groveling for forgiveness? That little argument they had lasted like five seconds and didn’t even address the earlier conflict that happened in the show after cait left vi. And before any of you say “cait apologized with her actions”

I don’t care. Two things can be true at once, she can and should have apologized directly as well as displayed that with her actions.

Moving on to Mel??? We did not nearly have enough time to explore her new abilities as a mage, her armor, and her connection to the black rose. As I said, the storylines this season should have been more refined so we could focus on a central group of characters. They did nothing but hint at her armor from the end of season 1 all the way up until now.

Also maybe I’m hallucinating, but did we ever find out what happened to the firelight’s tree?? That’s one of the main reasons Ekko and Heimerdinger went to the lab isn’t it? HELLO?

Next on my list, Jinx. This girl has suffered to no end.

- Lost her whole family except for Vi.

- Almost died once and was brought back to life.

- Tried to end her life several more times

And you slap us all in the face by writing her off?

“Oh but she may not be GONE gone, look at the glitching at the end!"

I. Don’t. Care. It’s the principle.

I’m sick and tired of seeing characters that struggle with mental health and keep having one bad event after another happen to them, never receiving a proper ending. What messages are the writers sending with this? That death is basically the answer because there’s no hope for them? Cool. That was not an honorable act of self sacrifice, that was plain insulting.

Instead, if they still really wanted to have a Jinx redemption arc and a chance to rekindle her relationship with Vi, having her tap into engineering for the betterment of Zaun would have been the better route.

We should have gotten an extra extended episode since this is last season for the Piltover/Zaun region, and for Jinx and Vi's story. I really want to blame Riot for being greedy and possibly becoming too cocky with the popularity of Arcane that they think anything would suffice because It's Arcane.

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boomstab-papa · 1 day ago

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Oh absolutely, giving misogynists captive girlfriends/wives isn't going to fix anything. Being a little more misogynist to try to appease misogynists won't work.

But "giving any credence" is such an interesting phrase to use here, because it's so ambiguous and also accusatory. What does "giving credence" mean? Who has been doing it? What have they been advocating for? Who, for example, has been saying leftists should be more misogynist, and how?

I'm not alone in this confusion, either, there are several comments on the tweet who are equally perplexed.

The fact is that the left DOES NEED a better approach to people who are feeling lost, angry, and scared.

Alt-right "self-help" authors and programs are hugely popular. These predators target lost, scared, and angry people. They're cults, really. And no matter how much the left discusses things like "can we stop parroting bioessentialist bullshit because hey, men aren't destined to be misogynistic assholes"... these alt-right cultists don't ever even have to TALK TO a leftist to repeatedly hear "leftists hate you for being born white/male/rich/etc". I really can't get over how Rush Limbaugh popularized the term "feminiazi" and told an entire generation that feminists were angry man-haters when they literally are not. But that's exactly how the grift works!! I should know, I grew up in exactly this Rush Limbaugh kind of house!!

"Don't blame the hyper-wealthy for ruining the economy, blame women and foreigners for taking all the jobs! Don't blame the ruined economy when nobody wants to have kids anymore, blame the women! Don't blame patriarchy and all the misogyny it taught you when women avoid your misogynist ass, blame the women! Remember, the feminazis hate you!!"

So what to do?

On an interpersonal level, sometimes it can be really easy. This is a comment made to Innuendo Studios's video "How to Radicalize A Normie" on this exact topic (which I highly recommend watching).

"Hey, ex-alt-right member here. First, really like this series. I feel like you’re validating the radicalization that me and my male friends experienced. Putting it into words and showing us how we got tricked, exposing the magician and their tricks. Second, I vot out not through argument and discussion but actually through feelings. I was very edgy and would use the n-word in jokes all the time. My male friends would not call me out on it. But a female friend of mine said it made her uncomfortable and that she didn’t appreciate these jokes when we played fortnite together. That shook me to my core as I cared for my friend and that’s how my deradicaliztion started. Just wanted to add in this personal story, keep up the great work :)"

If this is someone you know, tell them their behavior is not cool.

THIS GOES DOUBLE FOR THE MEN READING THIS. Misogynists are more likely to listen to you than they are to listen to women!! If someone is being a shithead in your vicinity, consider: are you gonna let it slide? Or are you maybe, possibly, going to be the one thing that yanks them out of a hatespiral and prompts them to re-examine their hateful worldview? Tell them "hey not cool".

This might not work the first time. This might not work at all for some people. But if the situation is relatively safe, then it's worth trying.

And this does not mean that you personally are responsible for "centering men in your conversations" or "marginalized people putting in even more emotional labor" or "if a man is misogynist it's because you failed him" what the fuck ever like I've seen in this discourse. Come the fuck on.

It means you can probably try saying something to somebody you know. And if it doesn't work? You can say you tried.

On a policy level, we have more work to do. It shouldn't come as a surprise to any leftist that the current economic and political system in the USA exists to separate and exploit people. I think we all agree it really sucks to live in a system like this. Your average reactionary misogynist also thinks the system sucks, but as explained above, they've been trained to place the blame on some convenient scapegoats instead. Immigrants. Women. Queer people. Muslims. Anybody who's not white. Et cetera. "Government needs to get out of the way of smart people and then Elon Musk will build a utopia for The Faithful (which includes me) on Mars" or some shit.

These people need to hear that their anger is justified, but that their blame is misplaced. They need policies that will hold the responsible parties accountable. They need policies that won't leave them impoverished and isolated and exhausted after working a 40+ hour work week. They need to realize the system isn't sorting people into "the worthy rich" and "the unworthy poor", rather, that it's exploiting everyone except the wealth-owning class. They need to realize it's their politicians' biggest campaign donors that are doing this to them.

The Democratic Party needs to actually talk about this. I'll be dangerously pithy here: the Democratic Party needs to sound more like Bernie Fucking Sanders. Politicians need to oppose health insurance companies and get Medicare For All going. Politicians need to stop voting to give the military two fucking billion dollars every single day and fund free college and trade schools. Politicians need to tell business interests to fuck off and get a livable minimum wage AND a universal basic income passed, which will severely undercut employers' ability to exploit and isolate us.

And we need Citizens United repealed. Badly. I'm not trying to imply the problem is only with Republicans' campaign donors, because Democrats' biggest campaign donors are also often the same people exploiting us. But look at how Democrats did a tiny little bit of pro-union and anti-trust work these past 4 years and they screamed bloody fucking murder. If Democrats are relying on these people's money to get them elected, I think it's going to be really hard to get policies passed that will actually make USAmericans safer and happier (ie. address Republicans' economic fears that they keep blaming on various scapegoats).

Although with Republicans controlling the entire Federal government for the next two years minimum, this feels more distant than ever.

That's what we need to be taking seriously. If you don't give any credence to the fears and insecurities underlying the horrifying reactionary politics, you're not actually addressing anything. If you can't admit that capitalism fucks all of us over and makes all of us miserable and looking for a remedy, are you even a leftist?

#politics #talking #essay #feminism tag #misogyny #cults #activism

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lolaandthens0me · 1 day ago

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I get asked this all the time, "So, how did you get into this whole diaper thing in the first place?"

I thought I'd take a moment to talk about it!

I am not a "factory-installed" abdl, but rather an "after-market upgrade". I was first introduced to diapers and the whole abdl scene through my ex. They, being a longtime DL, told me about their diaper fetish pretty early on in our relationship. I was only 18 or 19 at the time and thus quite innocent and inexperienced in kink and sexuality in general. I was at first a little confused by the thought of being turned on by diapers, but very open-minded to learn about and discover why this fluffy, absorbent plastic-backed thing did it for them, and for so many others I came to find out!

They encouraged me to do a bit of investigating and education on my own into the world of AB/DL to see if I could find something about it that spoke to or resonated with me. I popped my online-kink cherry on the Tumblr of old. The Tumblr where porn, especially diaper porn, reigned like golden rays of sunshine. You could find it all and see it all on Tumblr back in the day. I quickly stumbled upon lots of ddlg content, and here was this thing that seemed to incorporate my budding, but long held interest in being submissive *and* my ex's interest in diapers. And ~voila!~ MisterAndLola was born.

We focused on building a ddlg dynamic, including the use of some AB stuff like onesies, cute socks, Goodnites, and calling them Daddy. We started our first Tumblr blog, TheDiaperedandtheDamned. We began to take some cute pictures and post them on Tumblr and Reddit. I bought a few toys and coloring books, decorated our Guest Room with some decals and fairy lights, and started to try to wet in my pull-ups.

It turns out, it was a lot harder than I thought! I would practice wetting while sitting on the toilet and when home alone. I was extremely nervous about leaking, and was struggling to get my potty-trained brain and body to let go. My ex had the thought - why not get some adult diapers and try those? I would surely not leak using those and it might make me feel safer or more comfy in the thought of "unpotty-training" my mind. The crazy thing is, it worked. And there I was, wearing diapers. I believe the first couple I tried were ABU Lavenders and DC Amors. I felt extremely silly, but also shyly naughty wearing these crinkly, poofy undergarments. And the thought of peeing my pants, wherever I was, started to turn me on. The taboo factor of willingly peeing in my "underwear" as a thriving, strong adult woman felt delicious. I loved the feeling of being naughty.

The first time I finally full-on wet my diaper, I immediately felt burning humiliation. And that also made me feel deliciously naughty. It turns out, I really have a thing for pee. My own, others’, it excites me and always pushes my button. I don’t have an inherent fetish for diapers, but I think I do for pee, or more generally, liquids. Even the feel of my own slippery wetness when I’m aroused does it for me. And being covered in cum…yup…that does it for me too.

After months of growing and exploring and trying on the role of “little girl”, I realized that I really don’t find a lot of joy or fulfillment in age play. The ddlg dynamic wasn’t really working for me or my partner at the time. But the fondness and growing arousal for being in and peeing in diapers…that was just beginning. Thus, my diaper kink was born.

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murdockcastleslut · 2 days ago

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𝔒𝔣𝔣 𝔗𝔬𝔭𝔦𝔠

synopsis: y/n is an up and coming influencer, who has established her own with thriving youtube channel and podcast. when she releases a new episode with her new co-host and special guests, things get messy.

a rafe cameron smau! |part eight| part nine |part ten|

a/n: This is a long one for you guys :) thank you to @ivysprophecy @kimoralov3 for letting me annoy the shit out of you as i bounce ideas off of y'all.

Off Topic Official Transcript

12:30

Cleo: so Rafe, you did a recent shoot with loewe.

Y/n: [you bite your lip subtly] oh my god yeah, i remember hearing Sarah talk about it. you looked really good.

Rafe: oh yeah? [he raises his eyebrow] thank you. it was really fun, the crew and photographer were great. i’ve always wanted to do a shoot with them and i was so grateful when i got the chance.

Rafe: i know it’s yalls’ podcast but if you could work with any brand, which would it be?

Cleo: easy, easy man. either gucci or miu miu.

Y/n: i think for me it would probably be ysl or prada.

Rafe: yeah, you’d be a prada girl? [he asks cockily]

Y/n: yeah, haven’t you seen me rock a pair of prada sunnies. i always serve face. [you smile and then give a model face to him and cleo]

Cleo: that is correct. my girl always looks good, especially in prada.

Rafe: oh, i have no doubt. [he smiles at you brightly]

26:45

Y/n: [laughing at something Rafe said before hand]

Cleo:[smirks] so rafe, we have this recurring segment of this show called “be mine” and it’s where we ask the guest, what’s their ideal type or what they are looking for in a relationship.

Y/n: [stops laughing and is subtly looking at Cleo with bewilderment]

Cleo: and since we don’t have more than one guest today, y/n will share with you!

Y/n: [looks at Cleo with a look of confusion] i will?

Cleo:[gives her look]

Y/n: i guess i will be today.

Rafe: [chuckles at your reaction] i have only been in two really serious relationships and they were both totally different experiences. the first person i'm really good friends with still but that relationship taught me all the things i did want like someone adventurous, kind, and someone who can communicate. in this life we live in the media. i never wanna be the last person to know something about my partner. i think from my last relationship we were very private and i didn’t really mind it but sometimes i wanted to share cute photos of them… [he shifts in the chair and manspreads a bit]

Cleo: [she looks at you and gives you a smirk at the mention at photography]

Rafe (continued): especially since i really like film photography and really i couldn’t share my photos, so i wanna find someone who's comfortable with that for sure. and by no means do i think i am perfect, i think i got somethings to work on but those are just somethings that are really important to me. [he finishes speaking and looks at you for your reaction.]

Cleo: [is smirking in her seat] damn model boy knows what he wants.

Rafe: [laughs] sometimes if you want something you just gotta put it out there. [he shrugs and smirks]

Cleo: ya know y/n here loves film photography? has a whole account dedicated to it too.

Y/n: [your eyes blunge out hoping she’d be quiet] yeah, i do but it’s nothing.

Rafe: [smirks and leans forward and places his elbow on the chair arm and places his chin on his knuckles] it’s not, nothing. it’s cute, sweetheart. [he gives you a kind smile] so, what are you looking for? [he points with his chin to you]

Y/n: um… i agree with a lot of what race has to say. i especially feel the same about communication, in my last relationship there was a really big lack of it and that along with cheating was the end of our relationship.

Rafe: [frowns at the mention that you have been cheated on]

Y/n: So now i think i need someone who is willing to take things slowly and understand that it takes me a second to trust their intentions. but i also really want someone who likes to travel because i love traveling and seeing new places. also my friends have to give the stamp of approval because they are everything to me. [you smile at cleo]

Y/n: but my ideal type, i don’t know, tall, kind, intelligent, passionate, empathetic, and i don’t think it would hurt anyone if he was pretty on the eyes either.[you smile widely]

Rafe: i think it's really raw and real of you to talk about trust in that way because i feel the same way.

Cleo: you two have a lot in common huh?

y/n's phone

taglist: @ivysprophecy @kimoralov3 @sabrina-carpenter-stan-account @charli123456789 @wearemadeofstardust0 @frankoceanluvr11 1 @harrys-housewife @urbrunettebombshell @mayhapsnini i @psychicnatural @aariahnaa @rafeycameronsgf @laniirackssss @cl4uus @honk4emoboyz

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zorbik-guligan · 18 hours ago

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Not really sure what incongruous means so I'll look it up after but it does feel like as i get older life gets more complex theres more things i understand now that sure i knew about them before but not in great detail but it feels like I've become so fucking complex as a person that if i tried to explain what i actually think and feel it would just overwhelm a person so i try and section myself off into pieces and just use different parts of me with different situations or people and it may just be because ive spent most of my time these past 2 almost 3 years now alone with nothing to do but think and figure myself out that when im asked what i think about something slightly personal its kinda hard to say it just got lost in my head somewhere and that whatever i think will change at a moments notice like i can bring up memories of lots of things and remember nostalgic times but i spent so long thinking about why i feel a certain way or what makes me feel a certain way in order to try and get a better hold of myself that ive kinda forgotten alot of my past like so many memories that i made are just gone because remembering them made me feel a way i dont want to feel like i remember realizing the beginning of 6th grade that i had completely forgotten 5th grade and the reason why was because that time i had was so nice yet not at the same time my brain just frogot because it didn't want a reminder of how good yet not something can be like great teachers who for the first time ever actually seemed to care as far as i could tell class mates who were generally friendly and occasionally checked on me if i seemed off yet i felt so alone cause nobody there really seemed like a real friend like the friends i had before who even when we were in deep trouble wouldn't rat me out and would stick with me who genuinely cared and missed me if i was sick getting older and not having anyone to socialize with for really formative years off my life has made understand those really old dudes who are nice and always up to make friends but just seem extra lonely for some reason despite knowing so many people i guess technically being that alone did hurt me but i kinda learned that im just not alone ever when im outside theres always some squirrels birds or plants nearby that make it more lively its why ive grown so fond of certain forested spots they are always lively and it feels like hanging out with all my friends its also why i enjoy making things like with metal or wood stone or even writing and painting those things feel alive in a way same with music and having time to think so much has made me reflect and realize that no day is the same and even when something changes something else stays the same or gos back to how it was in a weird cycle like growing but remembering where you were growing older for me anyways is like gaining more skills and more knowledge not just on the stuff around me but on myself too obviously people change sometimes pretty quickly too but getting older makes you learn more about yourself which duh that how life works but still it feels weird to be aware of it at 17 when it feels like i should still be trying to figure out my favorite youtuber or something not contemplate who i am as a person and what makes me feel the way i do but its a good kind of weird and theres always more to learn and find so i still have plenty of room to learn more about myself still not being able to really fully let a person know you kinda sucks but to be fair that is a rather special thing its also nice being able to put into words why i feel a certain way so that i can actually explain myself instead of just going quiet cause i dont know myself that well still kinda funny to know your own problems but not be able to jusy fix them when you know its a very deep problem even when it seems surface level and damn i got kinda personal there woops also just noticed that im shaking so might be overwhelmed remembering 5th grade which is probably why i frogot it or at least thought i did

anybody else feel that being human is like being a long-time syndicated cartoon character watching the world get more complex while your own design stays the same until youre incongruous with the reality around you??

#Anyway im gonna see if i can calm down and mabye froget 5th grade again #not remembering stuff can hurt sometimes so dont try it i already fucked up learn fro. my mistakes

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rush-the-stars · 1 day ago

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cw: reader is femme presenting in a skirt. and an actor bc im feeling self-indulgent. otherwise n/a. probs ooc for sae lol he’s maybe a lil too playful. but alas.

***

“your friend is trying to set us up.”

the night is damp and cold—biting enough that your fingers and tips of your ears ache with it as you stand outside this swanky, upscale speakeasy. its smoky and dark and smoldering in there, so the night air is a sharp balm, a rush of clarity.

especially after a drink or two had gone to your head.

you’d been dragged out by friends who mean well but are nosy, and desperately trying to get you to let loose. not focus on work—maybe find someone.

you roll your eyes and suck your teeth.

“she knows i don’t like athletes.”

“yeah, i don’t like actors, either.”

you finally let your gaze fall on itoshi sae; dressed smart in black slacks and some expensive, maroon turtleneck. looks maybe like cashmere, or some other soft, plush fabric that would feel a little too good to run your hands over—

his jacket is leather. rich and dark. it looks warm and supple.

and he is handsome. kind of ridiculously so, with his long lashes and artfully tousled hair. but he’s some friend of a friend they’d also dragged out tonight and he’s hardly said a word, hardly changed his facial expression. he’s not really your type, so you don’t really know what your friend is thinking—

“looks like it’s not meant to be then. too bad for her.” you reply with a shrug. you wrap your arms around yourself, trying to keep out more of the frigid wind as it whispers past.

but then you cock your head, consider him for a moment.

“wait. why don’t you like actors?”

there’s just the slightest, most horrible quirk upwards at the corner of his mouth.

there’s a little skip in the tempo of your heartbeat, too.

you bite back a shiver.

“why don’t you like athletes?” he returns easily. he shoves his hands into his pockets and your gaze flickers to them—big and long and lithe—before they disappear into his slacks.

“they’re cocky and smarmy.” you reply.

“funny. i don’t like actors for the same reason.”

“i’m not smarmy.” you snip.

“no, maybe not smarmy.” sae says, “but you’re cocky.”

“i’m confident.” you correct and you make the mistake of facing him and trying to peer up into his face with this little furrow on your brow. he’s half-lidded as he looks down at you, unbothered, except for the glint in his cold eyes—

“you’re vain.” he replies, and you think he’s trying to bite back a smile. “and spoiled. you’re used to getting what you want.”

you make a sound like a scoff, heat rushing to your face for reasons beyond you. it’s not enough to keep out the chill and when you move your hand to your hip, you have to keep your teeth from chattering to say, “because i do get what i want.”

“see?” he says, and you think it’s the most amused he’s been all night, “spoiled.”

it’s enough to irritate you, enough to make your eyes flash.

“i get what i want because i fight for it.” you snap back and now there’s more bite behind your words, crossing your arms across your chest again, “you don’t last long in this industry if you don’t, mr. fancy soccer player.”

you say soccer player with enough disdain that he laughs a little.

it’s the first time you’ve heard him laugh all night. you can’t help but stamp your foot a little;

“ugh! see, you are smarmy!”

“such a temper.” he sighs, “are you always like this?”

“are you always like this?” you bite back.

“cocky and smarmy?” he asks and this time, he smiles a little more—enough to disarm you. he’s got such a stupidly handsome smile. sly in the corners, bit crooked for all his perfection.

he’s so—

“yes!”

he shrugs. the wind rushes past and your teeth finally chatter and click together as you shiver hard.

and then, with his usual apathy, he says, “we should get you back inside. it’s cold out.”

and now he looks over you, holding your arms around your middle and trying to keep warm, shivering in your tights and little skirt. you hadn’t grabbed your jacket on the way out, thinking you’d just get a moment of air. you hadn’t anticipated him to follow you or—

“i’m fine.” you sniff, “i wanted air.”

there’s a moment of silence, before he suddenly moves. he shrugs off his leather jacket and drops it over your shoulders.

you stare up at him in shock as he fixes it to you—and its still warm from his body heat, enveloping you like a physical touch. it smells like cologne, too; black tea and sandalwood, surprisingly warm, before there’s a little bite of musk. maybe leather, from the jacket.

you try to recover, “why are you giving me this?”

“because you’re cold.” he says dryly, like it’s the most obvious thing in the world.

“what is my friend gonna think when i walk in wearing your jacket?” you ask now, looking up at him through your lashes. he finally lets his hands fall from the lapels of it, standing there in front of you.

“that you asked for my jacket because you were cold.”

“i didn’t ask!” you huff and again, a flicker of a smile darts across his face; there and gone like a shooting star.

“that’s not how i remember it—you asked and pleaded for it because you were just so cold.” he says in that dry way he has. but his eyes are bright, dancing with amusement.

you push him away a little, and you hear what might be a huff of laughter, “i did not! do not go telling people that!”

“—and well, you always get what you want, don’t you?” he asks, “so i had to give you my jacket.”

“i don’t want your jacket!” you snap, even as you hold it around yourself, cling to its warmth.

he shrugs, apathetic again, “i don’t care what she thinks.” and then he says, “don’t stay out here too long.”

“i’ll do what i want.” you sniff, as he starts to turn away, back inside. you fist your hands on the inside of his jacket and pull it tighter to you, trying to drown yourself in the warmth that’s still lingering from him and—

you call out to him before he makes it to the door, “i thought you don’t like actors?”

and he looks over his shoulder, small smile a flash across his face, there and gone so quick you start to doubt you even caught it;

“i don’t.”

#he is haunting me i fear #i need to bite him #itoshi sae x reader #sae itoshi x reader #sae x reader #blue lock x reader #bllk x reader

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minswriting · 3 days ago

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Do I Wanna Know? - Step-Brother Spencer Reid x Reader

About: It’s not easy fucking for your nerdy and hot step-brother when feelings become involved.

Warnings: NSFW, MDNI, step-cest, step brother spencer, oral (f receiving), vaginal sex, unprotected sex, guilt, shame, unspoken pining, etc.

Word Count: 1702

“Have you got color in your cheeks?

Do you ever get that fear that you can’t shift

The type that sticks around like summat in your teeth?

Are there some aces up your sleeve?

Have you no idea that you’re in so deep?

I dreamt about you nearly every night this week.”

Your mother married her husband a few months ago. At a time when they had only been together for a few months but they apparently just “knew” it was meant to be. Who were you to judge, really? If you know, you know. You were just glad that your mother was relatively happy. There was also that added bonus of having a very new step-brother.

Spencer Reid, a profiler for the BAU and now your step-brother, was this nerdy guy. He had an eidetic memory, dressed like a grandpa, and was extremely hot for no reason. The day you met him, you were overwhelmed by his attractiveness. And he was so awkward too, adding to the appeal. You don’t see him often strictly due to his work and the fact that he lives in D.C while you live in Las Vegas. But when he does, it’s as though you’re in heaven. And tomorrow, Spencer is flying out to visit.

“How many secrets can you keep?

‘Cause there’s this tune I found

That makes me think of you somehow

And I play it on repeat

Until I fall asleep

Spilling drinks on my settee.”

Spencer: I can’t wait to see you.

You: I can’t wait to have your face buried between my thighs.

Your phone buzzed with another text.

Spencer: That will be divine.

You couldn’t help the smirk that traveled on to your face. You remember the first time you ever initiated anything with Spencer. It was a month after the wedding. He had flown back to Las Vegas for a case he was working on and decided to stay at the house rather than in a hotel with his team members. You noticed the way he had looked at you whenever you guys saw one another. Like you were forbidden fruit. But he was always too awkward, too shy to say anything to you. You guys hardly spoke unless necessary.

That was until you cornered him one night after he had gotten back at three in the morning after his case had been concluded. You remember the words you had spoken to him. “I see the way you look at me,” You had said quietly but seductively. That night you had gotten on your knees and gave him the worlds best blow job imaginable. And ever since then, the two of you had a very secret thing going on.

Late night phone calls, sexy photos, videos of one another sent privately. The past few months had been absolutely blissful. The amount of orgasms that you had every week was astounding and you were absolutely never sick of it. Because you got to hear the hot and sexy sounds that Dr. Spencer Reid, your step-brother, make.

As the months had gone on, these late night phone calls would turn into more than just sex. Talks about your days, life, books you both had been reading, the shows you’ve been watching. What was supposed to be nothing more than physical was slowly becoming emotional. At least for you. These days you often wonder if Spencer felt a similar way. But that didn’t matter as much. You would never allow yourself to cross the emotional territory. Or at least you’d never actively admit it.

“(Do I wanna know?)

If this feeling flows both ways?

(Sad to see you go)

Was sorta hoping that you’d stay.

(Baby, we both know)

That the nights were mainly made

For saying things that you can’t say tomorrow day.”

The day Spencer had arrived, you spent the day teasing him. You wore a red dress that covered just enough to be considered appropriate. But if you bent over in the slightest, which you certainly did, you could see the sexy red lingerie set you wore underneath, Spencer’s absolute favorite on you. He hadn’t had the opportunity to see it in person until now. After your family dinner and your parents had gone to bed, you had dragged Spencer to the bedroom, not even bothering to take your time.

Maybe it’s the way his tongue moves around your cunt, lapping up your juices. Or the way Spencer sucks on your clit, doing whatever he can to bring you the most pleasure. All you know is that you have to try your damn hardest to keep quiet, to make sure neither your mother or his father wake up to hear what their children are up to. Spencer’s face is buried in your pussy, tonguing your hole while his nose runs against your clit. If hell were real, you definitely would be going with how much you enjoy fucking your step-brother. And it would be absolutely worth it if you get to live this lifetime underneath Spencer.

When you finish twice from his tongue, Spencer finally removes his face from your cunt. His face glimmering from your juices as he reaches his hands to undo his shirt. You were already naked, something Spencer had done as soon as you closed the door of the bedroom. As he took off his shirt, Spencer licked his lips, looking at you with a look that you couldn’t quite interpret.

You knew this was wrong. So ridiculously wrong. He was practically family, at least legally. He was supposed to be your brother, someone you can depend on. Well you certainly depend on Spencer for something. And it’s certainly not for anything family friendly either. You’ve tried calling it quits. Three weeks in, you tried leaving it be by not calling Spencer or texting him. You only lasted a day before you started craving him again.

“Crawling back to you

Ever thought of calling when you’ve had a few?

‘Cause I always do.

Maybe I’m too busy being yours to fall for somebody new.

Now, I’ve thought it through

Crawling back to you.”

With you laying on your back while Spencer pounds into you like his life depended on it, you were absolutely trying so hard not to moan like the slut you know you are. You had a fist to your mouth while you looked at Spencer, who was leaned over you, arms on either side of your head, while his cock was thrusting in and out of your tight pussy.

“You’re so wet,” Spencer whispered shakily, looking at you in your eyes. “So tight. I could be buried inside you forever.”

You couldn’t help the whimper that escaped your lips as you looked back up at Spencer. The look in his eye. the one you can’t quite put a name to, was still there. Lust? Guilt? Love? It couldn’t possibly be the last one.

“Have you got the guts?

Been wondering if your heart’s still open

And if so, I wanna know what time it shuts

Simmer down and pucker up

I’m so sorry to interrupt, it’s just I’m constantly on the cusp

Of trying to kiss you

I don’t know if you feel the same way as I do

But we could be together if you wanted to.”

His lips went to yours, kissing you like you were his last breath and he needed you to hold on for life. His cock plunging into you at a rapid pace. The room was filled with the rhythmic sound of skin slapping skin and the wet sounds of your pussy. Had your mother and his father been awake, they’d certainly question the noises going on.

“(Do I wanna know)

If this feeling flows both ways?

(Sad to see you go)

Was sorta hoping that you'd stay

(Baby, we both know)

That the nights were mainly made

For saying things that you can't say tomorrow day

Crawling back to you (crawling back to you)

Ever thought of calling when you've had a few? (You've had a few?)

'Cause I always do ('cause I always do)

Maybe I'm too (maybe I'm too busy)

Busy being yours (being yours)

To fall for somebody new

Now, I've thought it through

Crawling back to you”

You could feel the heat building in your abdomen as Spencer’s cock hit your g-spot repeatedly. “Oh fuck,” you whisper moaned, breaking off the kiss. “So close, Spence.”

“Go ahead, sweetheart,” he whispered back. “Cum for me like a good girl.” He continued his movements, fucking you to completion.

You let out a whine, trying hard to not be loud as your orgasm grew closer. Spencer reached down between the two of you, rubbing your clit. And you gasped loudly, bringing your hand back to your mouth as your walls tightened around Spencer’s cock. Within seconds you were cumming, hard, spilling your juices onto his cock and onto the mattress. Your back arched as you came, your toes curling from the best orgasm you’ve ever had.

Spencer followed you, cumming inside of you with ropes and ropes of his cum, filling you with not a single care in the world. Maybe it was a sick thought on his part. Maybe if he got you pregnant, he could finally claim you as his. Or maybe that was just your fantasy. You were on the pill, it was very unlikely.

Afterwards, it’s the cuddling. The soft words spoken about how beautiful you are and how good you did that make your heart flutter in your chest. The way Spencer looked at you with that same look. And in your heart you absolutely knew what that look was. Love. Adoration. Mesmerized by you. Your step-brother loved you. Just like you loved him.

But you’d never admit it out loud. Neither of you would. Because your circumstances wouldn’t allow for such a thing to happen.

So in the shadows you guys remain, caught in your own little bubble where it’s nothing more than sex. But the calls while he’s away become more frequent, more about missing one another and wanting to hear each other. Many words spoken and yet many remained unspoken. Just as it will remain.

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