#but also i think that its just important to think about it IF this is like. a pattern with ur headcanons. you know?

[dear-ao3]

by popular request: how to write an email

a disclaimer that this is the specific kind of email you send when people are absolutely smiting you and you know a phone call or an in person meeting is not possible/will not help. like youre 12 emails deep in an email chain and going in circles. youve been re routed to 13 offices 4 separate times. those kind of emails.

credentials: ive taken something like 13 semesters of college (dont ask) and every single semester have had to fight at least 3 offices for varying reasons in order to take classes. (including one time where i was shorted 5k in financial aid. i ended up getting 200 more dollars than i needed in the end) also my dad taught me everything he knows about emails (hes a tradesman turned corporate man and most of his job consists of telling people (nicely) that what theyre doing sucks and makes absolutely no sense)

Step 1: figure out who the email needs to go go

there is nothing wrong with emailing 11 million people if it gets the job done. if someone isnt helping you and you Know that they Should Be feel free to start to copy their boss on the email. copy your boss on an email. (or advisor or whoever). even if you think the person might only be like Vaguely helpful, sometimes people know people.

also theres nothing wrong with emailing the same email to several departments. sometimes you have to make a lot of noise to get something done (again. as like a last resort. dont email 11 million people right out of the gate)

Step 2: remember to be Polite

a very tempting step to ignore especially when you are 13 thousand emails deep in problems. but! if you are not nice to them! they will probably continue to smite you in the future! you want to make friends! not foes! so no matter how much people are smiting you, try to resist the urge to be an utter dipshit because it will not get the job done. vent to a friend or a coworker and send your polite and nice email

Step 3: articulate the problem Clearly.

a very important step. especially if you are adding more people to your email chain. dont assume they know your exact problem. they probably are dealing with other problems. articulate Clearly what is happening, no matter how long the email may be. its far better to get a long and detailed email rather than a non helpful short one. that will only prolong the process of how long it takes the problem to get solved.

Step 4: cite your reciepts.

wildly important. send your screenshots your attachments your whatever the fucking fuck youve got. its always good to have a paper trail. this is also where you would state any previously attempts to have the problem Sorted (ie i reached out to x person on x y and z days about x problem and it is still not resolved). you would not believe how many people dont scroll down in an email, especially a forwarded/replied one. so summarize whats Down There in your most recent email

Step 5: use the appropriate lingo

you dont have to be Overly Formal but there are a few good Buzz Sentences that usually get the job done. for example:

As Per My Last Email: a great line. emphasizes that youve already mentioned this. and this is not the first time youre mentioning this point. also emphasizes that the Thing has yet to be solved

See Attached/See Below: under utilized. again. people do not open attachments and they do not scroll down. almost had a friend once fail a class because a professor gas lit them in an email chain saying they didnt receive the final paper when the paper itself was attached earlier in the email chain. be Painfully Literal. it pays off.

Help Me To Understand: this is one of my dad's favorite lines. it really shows that you have no fucking idea what the person youre emailing is getting at and youre offering them the opportunity to spell out their nonsense for you. so that you can then be like. well. clearly This is where the miscommunication lies. its a great line. has saved my ass many times. because it is not accusing it is just offering someone to understand. it does not attack. it just is.

Step 6: give a polite sign off.

something along the lines of "thank you in advance for any help" or "i look forward to hearing from you" does the job. something that sends the message you are not pissed to shit at them even if you are.

Step 7: follow up and follow up often.

polite email response time is 48 business hours/2 business days. if it has been longer than that you have every right to email back and say hi x person just following up on this email, have you had the chance to review it yet? again. keep it polite. you actually want them to help you. and if they still dont respond well then maybe its time to loop in a boss or a supervisor or whoever the hell else. dont be afraid to go above them if you need to. nothing wrong with getting shit done when it needs to get done.

and really, if all that fails, as my dad says, a little office bribe in the form of cookies has never hurt anyone :)

so an email. should be formatted something like this:

Greetings/Good Morning (Afternoon) (Person)

I hope this email finds you well (or something similar for a greeting). I am reaching out regarding X incident/problem/whatever the fuck it is. I have previously reached out to X person on X dates and (summary of whatever they did or didnt do). See below/attached emails/pdf/screenshot/document (if applicable)

(explanation of the problem in as simple and detailed terms as possible. have someone re read it to make sure that it cannot be misconstrued)

(explanation of what you are looking for as a solution)

Please help me to understand why this (solution) has not been able to be reached. (explain you are on x timeline if the situation is urgent)

Kind regards/Thank you for any help in advance/I look forward to hearing from you etc,

email signature

go forth and conquer your emails. remember, sometimes you have to be a squeaky wheel. and in my million cases of email sending, it has ALWAYS paid off and i have gotten the problems solved. dont be afraid of the emails they can help you.

[mayajadeart]

I saw this screencapped on twitter and someone in the replies added this screencap. I don't know the original source but I think it's relevant to the conversation:

Twitter post

I feel it's important to emphasize, this post is not an argument about whether or not it's okay to fuck a dead chicken, it's about how we decide whether it's okay or not-- does the act itself have an inherent moral value that always applies regardless of whether anyone other than the consenting individuals participating is actually affected, or is its moral value determined entirely by the actual, measurable effect that it has only on the individuals who are actually affected by it?

This is also not a judgement on which method of moral judgement is more correct or more "good." I see a lot of people trying to weasel around the "no harm" metric by saying things like (paraphrasing) "committing an immoral act is inherently harmful to the individual committing the act, even if no external parties are affected," "committing an immoral act, whether or not any actual harm was done in this specific instance, is an indicator that someone is likely to do actual harm to someone in the future," or by citing the chicken as a harmed individual in a kind of "outrage against personal dignity" category. These are not reasons to conclude that harm was done in this instance, they are justifications for why the act should be considered to have an inherent moral value regardless of actual harm done.

It's okay if you come away from this exercise thinking "the act itself is still inherently immoral," just be aware that that's what you're doing, and be honest about what that says about your personal moral compass. Don't try to rationalize harm being done where there really isn't any, or try to convince yourself or others that you follow a moral system that you in fact do not. If you come to a conclusion that you don't like about the way you personally conceptualize and respond to morality, then you can change how you do that, through careful consideration, self-reflection, and practice. Just don't lie about what it is.

in order to not succumb to sex negative conservatism you have to accept that people will get off to things that are upsetting to you. and you cannot assume anything about what they have or have not experienced, what they do or do not believe, and how they act based solely on what gets them off. even if it's extremely confusing and disturbing to you. there are people who have only ever had heterosexual vanilla sex in missionary with the lights off, who actively contribute to more real world harm than your average fetish artist. kink is not a reliable source of information on someone's moral standing. it just feels good to think that way.

[boopshoops]

What your favorite TWST character says about you :)

As a note before I begin: I saw one of these that shamed malleus and randomly even chenya enjoyers- (claimed that they were pick mes or something? 😭) so i wanted to make one that was more positive out of spite <3 make it more about the writing and why people appreciate the characters. Take each of these with a grain of salt i spose- also a lot of them share similar themes <3

(Aka fans who have different views or even blatantly incorrect views of characters will always exist everywhere, but insulting the entirety of a group solely for enjoying a character, many for different reasons, is probably not a great idea!

I get that sometimes people suck and thats understandable, but quit generalizing ok? Ok.

From a malleus enjoyer who just thinks hes a silly little guy and im tired of feeling like i have to defend myself bc he's my blorbo 😵‍💫)

Final note: i love unapologetically taking frustration and turning it into something that can make people smile 💕 also i blindly wrote this from 11pm-midnight :))) dividers by @/cafekitsune!

Heartslabyul:

Riddle: you enjoy and/or relate to the idea of healing from the past. Working hard to improve oneself for the ones around you and yourself: creating a healthier environment where you can be happy

Trey: there is immense complexity in things that are seemingly mundane. Digging deeper and deeper to find something truly sweet and heart warming is your joy.

Cater: maybe you relate, or maybe you used to, or maybe parts of the connections made in the past/presence/future dont feel as deep as you truly want them to be. There is something beautiful about a desire for genuine human connection, but also peace in being alone. There is a safe space for you yet, just be patient. 💕

Deuce: you love drive and determination. An endless stubbornness that keeps one going against all odds. Against every person who tells someone they cant. You watch them get proven wrong, and its pure bliss.

Ace: you find the connection between people beyond words heartwarming: even the seemingly simple ones. The ability to have a connection with someone who can get up to some mischief, tease back and forth, yet be there when you need them to be one of the most valuable things.

Savanaclaw:

Leona: Adversity over a lack of belief in oneself is a very difficult thing to overcome- yet it is very possible with the right crowd, the right amount of time, healing, and effort. You think someone's worth lies more than just within their title/job/appearance, but within the fact that they are able to stand back up and keep moving onward despite the odds. The hope for that change, and the ability to get out of bed in the morning on its own is strength.

Ruggie: Despite being through so much trauma at such a young age, recovery happens anyway. Its not perfect, at times the lessons learned are even rough. The survival tactics that once helped are now hard to ditch when theyre not needed anymore, but the ability to smile and joke and keep pushing onwards is something you value in life.

Jack: Self discipline can be both extremely useful as well as harmful in different ways. You find the way people can constantly strive to better themselves at what they love and/or morally to be highly admirable.

Octavinelle:

Azul: People can be cruel. And sometimes that cruelty inspires cruelty. Sometimes its simply used as a way to move on and survive insecurities created from it. Its hard, its a fight, but those insecurities are part of what make people beautiful. They are nothing to be ashamed of, and even the many tactics and smart ways of learning to overcome cruelness can be beautiful too.

Jade: The mind is extremely powerful. Intelligence and knowledge are not the only important things, no. Using that intel to find entertainment in the surrounding world can be exhilarating. Finding and discovering new unknowns: learning their ins and outs until they're a part of you is something you can relate to.

Floyd: speaking of fun- you love what is essentially the written version of a roller coaster. Ups and downs, ins and outs. Every single twist and turn is exhilarating and new. Every different perspective provides new insight into a multitude of different things. You are along for the ride, and you are having a lovely time.

Scarabia:

Jamil: self discovery can be very difficult after purposefully suppressing parts of one's self for a long time. Yet, the healing happens anyway (once again aha <3). People discover new parts of themselves, slowly becoming more comfortable not only with their environment, but how they react to it. The discovery is freedom, and freedom is bliss to you. New traits about oneself bloom like a flower: if not in the soil, then stubbornly in the cracks of cement. You gently take that bloom from the concrete and pot it, placing it gingerly in a beam of sunlight.

Kalim: Happiness isnt only sunshine to the one smiling, but to everyone else around them. It is delightfully infectious. However, happiness isnt a constant. You think emotions all emotions should be experienced rather than suppressed, because holding back sadness for the sake of others is a disservice to one's self. Discovering your own emotions, any range of them, is what makes people uniquely human. If anyone is holding those emotions back- hell, any part of them back, they need to be let out of the cage.

Pomefiore:

Vil: "Beauty is on the inside" is a saying thats been around for a long time, but beauty comes in so many forms. It can come from the stubborn desire to improve one's self: to be kinder, to help those around you, to be good. However it is impossible to be perfect. At times, for some, this can be crushing. People are hurt unintentionally, natural frustration can brew, the wrong actions can be taken: and thats okay. You believe whats important is to pick yourself up and keep going. To err is to be human, and that is beautiful too.

Rook: Error is beautiful. Symmetry is beautiful. Asymmetry is beautiful. A crack in the side walk is beautiful. Small things are beautiful, big things are beautiful. The nurturing of something through endless care is beautiful. The undeniable traits and hobbies of every individual that make them unique are beautiful. You find the endless optimism in finding beauty to be, in itself, beautiful.

Epel: Sometimes people will view others in ways that they wish not to be perceived as. This isnt in our control, as much as we sometimes want it to be. All you can do i be unapologetically yourself. To be you to the utmost degree. To prove those who thought otherwise to be foolish. You find this strength to find value in yourself despite others opinions admirable.

Ignihyde:

Idia: you have depression /j

Ok for real-

Life can be such a cunt. It can beat a person down, down, down and leave them vulnerable enough to fear it. To fear that beating, whenever it may next come. The anxiety of never knowing what or who will come next, or what one could lose. At times it feels more comforting to find a routine in solitude. But you know that the small things that give joy will wiggle their way in with time. The broken will meet people who love and care and find comfort in the companionship of healing, even from the little things: like a new story to read or game to play.

Ortho: You value unconditional support. Support through everything: the good, the bad, the just kind of okay. Knowing that someone can have ones back for every little thing- to be there solely because they care and wish the best for others- is something you look up to and maybe even wish to be for another.

Diasomnia:

Malleus: god damn people can be so hard to read and understand. They are so complicated: they are books you have to pay attention to from start to finish. But once you reach the end, you have a deep seated appreciation for them, and for the ones who stuck around to read your book too. Even if it was just for a fleeting moment: it is a happy moment. As painful as temporary things can be, it is also what you think can make the relationships we love and have loved so valuable.

Lilia: there can be suffering everywhere. There is war. There is famine. But there are also endless new sights to see. New discoveries to be made to help those still going through famine and war. New ways to love and understand people you never thought you'd understand. The development and positive parts of humanity, even though at times it can look bleak, are ever present to you. You love the discovery: of places and of people.

Silver: you believe that there is solace in being your own individual, regardless of who you are bound by blood to. Being shaped my experiences, friends, hardships, and new places are what make a person who they are. You value finding roots in and making your own home.

Sebek: Dedication can be a hard thing to come by, but when it does it can grab someone by the reigns. Using every waking moment to cherish that thing, learn more about it, become better at something, and strive to better ones self can be very admirable to you. But, on the other hand, it also calls for the occasional rest.

OTHER (just for ones I know well enough, sorry!)

Neige: You love kindness despite hardship. One can go through horrible things and still choose to be kind. The world could begin to end, and one could still choose to be kind, because it means everything.

Chenya: Curiosity fuels exploration. It fuels art. It fuels everything. It fuels excitement. It fuels friendships. It fuels medicine. It fuels life. Curiosity is endlessly fun, and you think that is very whimsical

Meleanor: Sacrifice for others can be tragic. Knowing what another person has given up for someone else, maybe even everything, is gut wrenching but undeniably a selfless love to you.

Crewel: There can be kindness in strictness. In teachings, there can be a parental guide. There can be someone who cares for you and undeniably wants you to succeed. They know that you can, so they push you towards it. You want this support.

Trein: Love surpasses time. When the ones we love are gone, the memories of them are still held close, with the love once given to them, we can show to others through advice and guidance that comes with time. You find comfort in that.

Crowley: People are flawed. We all know this, yet despite a persons flaws... however many there may be, there is still something hopeful and human about it. About having those flaws and persisting regardless. You may even like those flaws, and the unashamed desire to press on even with them on display.

Fellow/Ernesto: Live for yourself. This is what you desire. People are often caught up in material or monetary things. After all, we live in a world that required it to survive and even be respected. To throw away those views and simply live as you see fit: regardless as to whether you earn those things or not, is something you admire.

Rollo: Sometimes the attachment we have to those we lost can be painful. Regardless, that pain is proof that there was care and love. The things done for others, whether alive or dead, are done selflessly. Grief can fuel hatred, but it can also be caused by love. To unlearn hatred and learn to love again after the fear of loss is a natural human experience. It is a process you understand and admire those who take the time and strength needed to properly love again.

Thank you for reading <3

Tags <3

@lowcallyfruity @skriblee-ksk @justm3di0cr3 @cecilebutcher @kitwasnothere

@techno-danger @thehollowwriter @distant-velleity @the-trinket-witch @scint1llat3

@beneathsakurashade @qsoap @twsted-canvas @prince-kallisto @kathxrat-01

@sillyslipperybananapeel @jadelover69 @tixdixl @twstinginthewind

[bats-and-the-birds]

As much as a love watching Batman movies, and believe me, I love Batman movies, I have my gripes with just about all of them, as tends to happen with adaptations of beloved media.

And I think an issue that a lot of the movies have is underemphasizing how important Gotham is as a setting. Like, Gotham is nearly a character in itself. There is something about Gotham that is so distinct, so unsettling, so heightened, but also so beloved by the people in it that depicting it as just any other city will always inherently fall short.

And beyond that, Batman is so distinctly a product of Gotham that if Gotham is depicted as an average city, then Batman and the rogues that accompany him cease to fit within the setting. You could put Superman anywhere in the world, and he's still fundamentally Superman, same with Green Arrow, Flash, Wonder Woman, etc. But you can't take Gotham away from Batman because Gotham being Gotham is what made him.

I think my favorite depictions of Gotham by far are in The Court of Owls and Batman: The Audio Adventures.

Court of Owls starting with the "Gotham is..." column answers is probably my favorite opening to any comic I've read, especially because it becomes a running thread in the comic, but also because it immediately puts Gotham and the people in it as this living, singular, evolving beast.

Then, The Audio Adventures, because it only actually focuses on Batman like 1/3 of the time, just does a fantastic (and often hilarious) job of fleshing out the rest of Gotham and what's generally going on when Batman and co aren't around. The whole podcast feels like its built more on Gotham as a city than Batman as a character.

I just. I've got Emotions about Gotham.

[markrosewater]

hi Mark! i noticed in "#1202: Psychology" you didn't make any mention of the two aesthetic profiles Vorthos and Mel, and i was wondering whether any of the decisions being made specifically take them into consideration. like i ask this because one of the biggest changes to Magic this year (UB coming to standard) is something Vorthos care the most about but it seems like nothing has been done to directly address them as an audience

The aesthetic profiles aren't rooted in psychology like the psychographics, so that's why I didn't touch upon them in the psychology podcast. I'll probably do another aesthetics podcast one day (I did one as part of my "20 Lessons" series) and I'll talk about them there.

The concept of Vorthos, at its core, is about appreciating the creative elements of card design above all else. Many Vorthos adore Universes Beyond because we've done a very good job at capturing the various properties in Magic card design form.

But yes, there's a subgroup of Vorthoses that care specifically about Magic's creative world building, characters, and story. We're spending a lot of time and energy to make sure the products set in the Magic multiverse are doing a good job of representing it. 2024 had many successes (Bloomburrow, Duskmourn, and Foundations) in this area, but also some failures (Murders at Karlov Manor and Outlaws of Thunder Junction). The creative team is trying to learn from them and lean more towards the type of creative execution that make this group of Vorthoses happy.

As I've been saying a lot, Magic excels at being additive, but has issues with being subtractive. If you want cool Magic settings and characters and stories, we can and will continue to do that. If you want us to stop doing non-Magic settings, characters, and stories, I can't help you there. There's a big audience that enjoys that and so we're making it for them.

I do hear that there are players that are sad that non-Magic elements will mix in gameplay with Magic elements. There will be many limited formats, and a few constructed formats (like Cube or Premodern) where you can avoid that if it's important to you, but the number of players who will only play with in-Multiverse components is low enough that it's not something we're focusing on in the main sanctioned formats.

It's not that I'm not sympathetic. Go back ten years and I was one of you. I fought hard against non-Magic elements for many years. What finally swayed me was seeing how much I enjoyed it when a license that I truly loved got brought to Magic. There's something so exciting, so glee producing about combining two loves, that I became a convert. I want to make people as happy as I was made.

I know this isn't the answer you want to hear. I try to use this blog to be as honest with all of you as I can. Magic keeps changing and evolving because we try to do things that players will love, and there are a lot of players that truly love Universes Beyond.

That said, we're not abandoning in-Multiverse Magic. We're still making three sets a year (the standard for the majority of Magic's life), and we're truly taking to heart the lessons of 2024 (more worlds that are our carefully crafted take on the tropes and less just a place to show them off). Making the Magic multiverse the most compelling and exciting thing possible is still our goal, and there are a lot of people working really hard to continue to do that.

I think the future is bright for the Vorthoses, but I truly understand why some of you are sad with Universes Beyond coming to Standard.

[randum-famdoms]

Something I have seen people complain about is when the story “stops” for a character to mentally think about their feelings regarding something.

I think that’s bullshit.

Like, okay. Think about it. How fast is your train of thought? Faster than your reading speed, right? Do your thoughts all happen in neat little sentences, or as more of a nebulous and/or choppy half-formed thing that *you* understand, but would sound like nonsense on a page?

Also, the character probably isn’t actually taking as long to think these things as you are reading it. “Character A feels xyz about this” isn’t taking ten seconds to actually happen, feelings coexist with action!

Now, there is a time and place for introspection. It is my personal philosophy to have the amount of introspection reflect the pacing of a scene. Fast battle scenes will be far more action-heavy and introspection-light compared to, say, a calm breakfast.

I think it balances the annoyance over pages of introspection completely breaking the flow of an intense section of the story (at least, from the perspective of the reader), while still maintaining some of that wonderful interiority (which is actually a new word for me, and I adore it).

I’m the first to admit that I am far from an experienced or professional author. I don’t have a professional editor, and my only education is via Highschool and middle school classes (and while I was always in the advanced classes, a few even college level, they were still restricted by being part of the American education system). I definitely can think of times where my grasp on the interiority slipped. Especially when it comes to describing things that wouldn’t necessarily be noticed by the pov character, simply because I as the author do know about it and think it’s funny or important.

I’d imagine a good rule of thumb regarding this would be to treat it like dialogue. People always say to read your dialogue out loud to notice any problems. Well, just act out the scene as though you are the pov character. Not necessarily irl, but in your head. (And maybe even irl if you can manage it, it can’t hurt!) What way are you facing? Would you be able to see that annoying dog? Would you focus on the person you are talking to’s face, or their hands? Is this activity one that you would space out during, or does it require laser focus?

Basically, all the things you would not think about if you imagine the scene like a movie as you are writing.

Picturing the scene as a movie can be helpful, particularly for things like imagery. But it does have its shortcomings, as op said.

It can work thematically for some stories, but when it comes to most writing that is not third person omniscient, it’s definitely something that can cause the reader to feel… distant, I guess. Less immersed.

It’s also something that, sadly, many writers will have to teach themselves and seek out to learn, because, as OP said, it’s becoming harder to find in modern works. This is doubly so do people who mainly read non-published works. I will sing the praises of fanfiction until the day that I die, and maybe even after, but the fact of the matter is that 99% of fanfiction authors are self taught. They may not know how to incorporate interiority. They may not even have ever read a work that had it.

I know a lot of people say that you should read the “classics”, and you may be thinking that could help here, but I for one am a fierce defender of not putting up requirements to be considered a writer, and that includes required reading. Yes it can help you learn skills, but so can more modern works. I learned a lot from reading Percy Jackson, and other lesser known books, and none of them are considered classics on par with The Great Gatsby or Shakespeare.

Instead, I propose this: if you want to get a better grasp on writing with interiority, try actually consciously focusing on your day to day life for a little while every day. Focus on your train of thought, on the things you focus on, on the things you see.

If you want to read something, great! Ask for recommendations, go to your local library and flip through books until you find one you think you will both enjoy and which has a good grasp of the concept.

First and foremost, however, in any writing, is to remember how we as humans actually live and interact with the world, and you’ve got a primary source of research at all times: yourself. Exclusively using other texts as sources will only ever end in a very broken game of telephone.

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

[padfootagain]

Love in Verses (XLIII)

Chapter 43: ‘The whole world depends on your pure eyes and all my blood flows into their gaze’

Hi! Here is a new chapter! Some cuteness, some cuteness!!

I hope you like this chapter! Tell me what you think!

****

Pairing: Hozier x fem!reader (professor!AU)

Warnings: slow burn, angst, hurt, hurt/comfort, tooth-rotting fluff in later chapters, some scenes in later chapters will have heavy sexual themes even if it’s not explicit nsfw description, so no minors here

Summary: Your life seems perfect. You're engaged, your career is thriving as you become an assistant professor at Trinity College, and this Andrew Hozier-Byrne you're sharing an office with seems to be a nice guy you hope to call a friend soon. Life seems to be smiling at you... until everything goes sour. When your fiancé breaks up with you, your perfect world shatters. And when your colleague also gets his heart broken soon after, your shared office seems to be a curse rather than a blessing. But Andrew seems determined to mend your broken hearts... Will things finally go according to plan?

Word Count: 4472

Masterlist for the series – Hozier’s masterlist – Main masterlist

The curve of your eyes winds around my heart, A round of gentleness and dance, Halo of time, night cradle and safe, And if I no longer know all that I’ve lived It’s that your eyes haven’t always seen me.

Leaves of day and foam of dew, Reeds of the wind, scented smiles, Wings shading the world of light, Boats brimming with sky and sea, Hunters of noise and sources of colour,

Scents bloomed from a brood of dawns That still rests on a bed of stars, As the day depends on innocence The whole world depends on your pure eyes And all my blood flows into their gaze.

Paul Eluard, Capitale de la douleur, 1929

Summer. Emerald waves tainted the sea with white foam. Warmth. Rest. Vacations. Rain…

… it was Galway, after all, rain was never far away.

Andrew was getting frustrated. He was so excited to go on this vacation with you, you had spent so much time planning, and talking about it, and awaiting this trip…

… and now it was raining. It was cold. You were lost. In the middle of fucking nowhere. Stuck behind some bloody sheep…

Only in Ireland, really… It was fucking August, for God’s sake…

He heard you letting out a long exhale, feeling your frustration creeping through every corner of the car, your negative energy matching his.

He knew you would end up fighting. It didn’t happen often, but every couple fought from time to time. It had never been important, never been anything you couldn’t get passed in a matter of minutes. Your fights had always grown out of frustration over situations, like this one iteration of everything going wrong…

On the back seat, Elwood was growing restless. Andrew could hear its heavy breaths, the noise of his fur moving against the fabric of the seats. Even him was getting annoyed now.

“You should have turned left.”

There it was. Andrew knew you had longed to voice that sharp remark. To be fair, you were right, he was the one who had insisted to turn right at a previous intersection, hence getting the three of you lost.

He was not in the mood to be a reasonable adult and recognising his wrongs though.

“Next time, you’ll drive, so you can take all the bad decisions, and I can do the blaming. You had the map…”

“We have a fucking GPS…”

“Which is not currently working in this godforsaken land…”

“And I told you to turn left, and you didn’t listen!”

“Again, just take the fucking wheel then!”

You exchanged a glare, your eyes sparkling with thunder, before you huffed and looked at the time on your phone.

“We won’t catch the ferry. We should turn back.”

“We can still catch it.”

“It’s leaving in less than half an hour…”

“We can still catch it.”

“Andrew! We have no fucking clue where we are! We’re stuck behind those bloody sheep! We will not make it to the ferry, so let’s just… go back to the house.”

“You’re getting defeated…”

“No, I’m realistic. We’ll never get there on time, and especially not with these bloody sheep!”

“And what am I supposed to do about it?!”

You stared at each other for a moment. And then you did something Andrew had not predicted.

You unfastened your seat belt, opened the car door, and left.

You climbed out of the car, forcefully slammed the door shut. And you started walking across the road, walking ahead without so much as a glance in his direction. You had barely managed a few steps that you were already soaked.

As he stared at you walking under the rain, walking away from the car, walking away from him, all traces of anger left Andrew’s body. Instead, an old fear came back, raging, blurring his world for a second.

You were leaving…

In the span of a handful of seconds, mere seconds, his brain raced to the worst scenario possible. His thoughts stopped being logical and were filled with his worst fear instead.

You were sick of him. You regretted moving in with him. You wanted your ex back all over again. You would have been happier with Frank than with him. You were leaving, dumping his arse, it was over…

God… how could he survive that? You were… you were… he couldn’t…

But then you did turn around.

“ANDREW! HELP ME OUT FOR FUCK’S SAKE!”

He frowned, unable to move.

“ANDY! COME HELP ME OUT!”

That was when he finally realised what you were doing. You weren’t leaving. You weren’t walking out of his life. You weren’t breaking up with him, you were…

He saw you moving your arms in the air, calling through the heavy rain towards the scattered sheep, and he finally understood that you were trying to gather them all on the side of the road, towards an open field.

He tried to regulate both his breathing and his heartbeat while he climbed out of the car, securing his coat around his frame to protect himself from the cold rain.

He was panicking over nothing. You weren’t leaving. You weren’t leaving. It was fine… he was fine… all fine…

He longed to hurry to you, but his body couldn’t. It was a strange mixture of tiredness, frustration, remnants of anger, and fear. Mostly fear.

He had to stop overthinking everything. You weren’t like that. You loved him, and he knew that, deep down… it was just difficult for him to believe he was that lucky sometimes. He couldn’t help it…

You turned to him as he approached.

“We need to get them out of the way,” you said, your voice still shaking with anger.

You were visibly surprised when he wrapped his arms around you, held you in a fragile embrace. He felt you instantly relaxing, your body growing numb into his arms as you reached up to hold him as well.

“I’m sorry I got mad,” you mumbled under your breath, although you were still frustrated.

“I’m sorry too.”

“We should go back.”

“I’m sorry. You were excited about this trip.”

“It’s okay. It’s not your fault.”

“It is though.”

“It’s okay.”

“I love you.”

“I love you too, honey.”

You didn’t hesitate a second to say it back, to pick up on one of his pet names again. And he ought to stop overthinking everything, but he couldn’t…

“Let’s go back to the car. You’re soaked, love. You’ll catch your death. Come on,” he prompted you towards the car, and you followed him.

Andrew made a U-turn, drove back to the small cottage-like house you were renting during your two weeks in Galway. The drive back was quiet, but the silence was comfortable and warm again. All traces of frustration seemed to have disappeared from your features by the time you reached the cottage. It had stopped raining too, so you didn’t get even more drenched as you walked from the car to the front door.

You heaved a relieved sigh as you stepped inside the warm house, you wiggled happily as you took off your coat.

“We can try to get to the ferry again tomorrow,” Andrew started, his tone cautious.

You surprised him with a shrug.

“We could. We’ll see.”

“I thought you wanted to…”

“Andy… it’s alright. I don’t care. Don’t overthink this. It’s just an afternoon, it was just an activity. We can stay here today, relax, enjoy each other’s company. I don’t mind if we don’t go see the Arans. I don’t mind at all. I promise.”

Andrew forced his shoulders to relax.

“We can still go later this week.”

You nodded, a playful glimmer shining in your eyes.

“Although, next time, we’ll turn left,” you quipped, teasing him while gently pinching his side.

He rolled his eyes, but a smile was back on his lips. If you were joking around, it meant that you weren’t mad. Good… that was good…

“You should take a shower, love. You’re freezing,” Andrew spoke in a quiet, warm voice, the one he knew always soothed you. He let his knuckles brush the sharper edge of your cheekbone, hated the coldness of your skin, longed for you to be warm and content again.

You nodded, taking off your jumper and wet jeans as you made your way to the bathroom.

“Actually, I think I’ll take a bath. We can take our time today, relax.”

You turned around, tilted your head a little in a tempting way as you spoke again. Andrew was having a hard time looking at your eyes instead of the length of your naked legs…

“Want to join me?” you smiled.

He gave you a suggestive look.

“In the bath? Or in bed?”

You bit down on your lower lip, and Andrew was gone for good. God, you had him wrapped around your finger… were you aware of the extent of his need for you?

“Hmm… bed first, then a bath? After all, we did fight… Some make-up sex is in order, no?”

He hummed, nodding his head as he walked closer to you. This time he didn’t refrain his urge to let his gaze travel down your legs, marvelling at their perfect curves, his fingers tingling already at the thought of touching them, feeling the softness of your skin, your warmth spread through his palms…

When he stopped, right before you, and looked up at your eyes again, there was something inviting in your gaze. He knew this look very well by now. It was the one that granted silent permission, the one that said I want you too, you can touch me…

His heart swelled at the thought that you were granting him the right to be this close to you now. That you were allowing him, even inviting him, to touch you. To kiss you. To worship your body… and he would. For the coming hour, he planned to do nothing but worship you, in the hopes that you would read in his adoration how much he loved you. How much he cared. How much he needed you.

You were staring right into his eyes as your hands slowly rose to his chest, as you peeled his cardigan off his body. There was so much tension in the air then, electric, as heavy as your stammering breaths, while you slowly unfastened the buttons of his white shirt. One button at a time. At an excruciatingly slow pace…

He let you do it though, do as you pleased with him. He loved it, the way you were setting a pace now. The way you were taking control. There was a quiet tenderness in each of your touches that told him he was safe with you, that you would never do him harm, that he could lay his heart, his body, his life into your hands, and despite that power over him, you wouldn’t destroy him.

He needed to stop overthinking everything…

He helped you slide his shirt off his shoulders, let you rest your palms on his undershirt, one hand on of each of his breasts.

“I love you.”

He grinned at the tender confession.

“I love you too.”

When you reached up to kiss him, it felt like breathing after a lifetime without air, like relief, like being alive…

At last… at fucking last…

This ought to be heaven.

After your pleasurable reconciliation, you opted to take a bath together. An hour spent in pleasure was incredible, but also exhausting, and both of you longed for rest now. Sharing a bath offered the warmth and quiet perfect for your tired bodies, and the intimacy you both craved after sex.

Andrew smiled at the memory.

Incredible sex, actually…

You heaved a content sigh as you readjusted your head against his shoulder, nuzzling into the crook of his neck. His brain was fuzzy with a happy static, the kind he had never experienced before. A strange sense of peace, contentment, happiness… but that felt better than all of that combined. He couldn’t explain it. He felt it only with you, that was for sure…

“Your skin is so soft,” he mused, trailing his fingers across your waist and hip, speaking without thinking.

It felt so soothing to have you in his arms like this. There was something grounding, reassuring, and delightfully vulnerable in lying here with you, naked, sharing a bath and cuddling. You seemed to have a special power, one that made his busy brain grow quiet.

You chuckled at his words, kissed his chest as a reward.

“Yours is soft too,” you nodded, caressing his chest as if to stress your words.

Andrew shifted his legs, unfolding them to prop his feet on the edge of the bathtub, making the water and its bubbles shift with his movements. You had added some scented salts, and he liked it. It was soothing. It felt so nice.

Loving you was so good…

You giggled, making him look at you again.

“God… even this gigantic bathtub is too small for you…”

He laughed then, bright and happy with your teasing. He wiggled his toes for good measure, making you break into laughter once more.

“Can’t help it,” he shrugged.

“I love that about you. That you’re really tall.”

“Do you, now?”

You hummed in response.

“It’s sexy.”

He chuckled, his cheeks turning a brighter shade of pink.

“Oh… so I’m sexy?”

He wiggled his eyebrows, making you laugh.

“Of course you are,” was your only answer, offered as if it was obvious.

Sometimes he forgot that you loved him this way. Like it was easy. Like there was nothing more natural in the world. That was how he felt for you; loving you felt as natural as filling his lungs with air, blinking at the bright sun, moving his leg over yours in bed. It was easy. Obvious. Ineffable.

You said that you felt like that, too. If it were a truth, it was a hard one to believe in. He wanted to though, longed for the safety of certainty.

He looked up at the ceiling, let out a long exhale as you nuzzled into his neck again, ran your fingers across his chest in such a soothing way, he almost closed his eyes.

He needed to stop overthinking this. You were here, in his arms, naked, loving him… it ought to be proof enough that you truly wanted him.

This fear he had felt in the car, seeing you walk away, this… uncontrollable dread that you could leave… He had to stop thinking about it, but he couldn’t.

What if you left?

He tried to picture his life without you in it. There would still be Elwood, his parents, his brother, Alex, his friends, his classes, his writing, music, poetry. He could find someone else, eventually. He hated every part of it…

When he pictured you in the same scenarios, everything seemed brighter. His life was better simply because you were in it. He tried to think of his life in a year, in five years, in ten years, in sixty years… Every time the life he wanted had you in it. He couldn’t picture a future that was happy without you being a part of it.

He had never felt like that before. Even with Sam. He had thought he would always love her, and yet, there were bits of his life that he didn’t picture her into. He could imagine living on his own, he could imagine his career, his friends, his family… without Sam in it, and still be content.

Not with you. All these lonesome pictures felt wrong. You were missing…

He thought of his life, the one that awaited him, that laid at his feet, and he didn’t want to live it without you.

“What are you thinking about?”

Your voice was quiet, warm. When he looked down at you again, if there was puzzlement in your gaze, there was infinite tenderness too.

He wanted this to last forever. You. Him. Forever…

He never wanted this to end. And somehow, he just knew then. That the reason why he couldn’t picture a happy life without you, was simply because you were the one for him. You were the love of his life. And his heart would always be yours.

He thought he would be scared by such a realisation, but he wasn’t. He reckoned the feelings had been in his heart for too long, had become a part of him. He was simply putting words on what he felt. You were the love of his life. He was so happy it was you…

He wanted to believe that you felt the same, but he wasn’t sure. It was okay. One day, perhaps, he would be. If he loved you for long enough, if he let you love him fully, perhaps, one day, he would stop being afraid of losing you.

Instead of answering by any of these thoughts, he cupped your cheek, gave you a tender smile.

“Nothing important. I love you, that’s all.”

Andrew was on the porch, you could hear him play the guitar. A soft melody you didn’t know, perhaps it was his own. You encouraged him to write full songs, but he kept on claiming he didn’t really want to. Poetry was enough. Music was enough. The two entities didn’t need to mingle. Sometimes he did play some guitar, hummed a melody to match one of his poems. Which you called ‘writing a song’, but he called it ‘exploring a theme through different media’. You rolled your eyes at him every time.

After the heavy rains of the afternoon, the evening was sunny and surprisingly warm. Outside, the sun was setting, kissing the hills goodbye as it lingered on their tops, flashing its golden hues into the sky before it would grow dark. You walked out with a cup of warm tea in each of your hands, took a moment to watch the beautiful colours in the sky, all golden and orange fading into red. It was quiet, you had rented a small house as an AirBnB in the country side, and there was no one around. Your closest neighbours owned a farm about a kilometre away, the road leading to the cottage was rarely used. You let your eyes travel across the fields, the green of grass, the deeper shades of bushes, the winding lines of stone walls. It was magical, in a way. There was something anchoring to this land, that made you feel like you belonged there.

The soft melody resumed on Andrew’s guitar, you turned to him. Elwood was lying at his feet with his eyes closed, but the movement of his tail told you he wasn’t asleep. Andrew was sitting on a wooden bench, right under the window of the kitchen, his legs stretched before him and taking up the whole width of the porch. His fingers danced on strings, he was humming every now and then. His notebook was by his side, open on a page stained with black ink. It was the notebook you had offered him the previous year, for his birthday. He never went anywhere without it. He seemed so peaceful, a content smile tugging at his lips. His long hair was tight in a messy bun, and he was gorgeous in an old pair of jeans and a blue plaid shirt, his skin and hair bathed in the golden light of the sinking sun. Beyond him, hills rolled, green and gorgeous. Andrew was all you could see.

You remained standing there, motionless, like a fool, staring at your partner with awe written all over your features. It was such a mundane, simple sight. And yet, it struck you then. The depth of your feelings for him, your longing for this never to end, for him never to leave.

It was silly… so silly… to realise that truth just by watching him, in casual clothes, playing mindless melodies on his guitar. And yet, that was the moment when you admitted to yourself that this was the life you wanted. You. Him. Forever. You never wanted this to end.

And God, he told you he loved you daily, showed it even more in a thousand actions and attentions he had for you each day. And yet, a part of you was still afraid he would leave, that you could lose him. What would you do without him?

You hadn’t noticed the music fading, too busy getting lost in the green of his eyes as he turned to you.

“You’re alright, love?” he asked, accent thick on his tongue with the fondness of his words, while he tilted his head.

You shook yourself, walked over to him.

“Yeah, yeah… I’m okay,” you smiled. “Made you some tea.”

“Oh, thanks!”

He accepted the cup you offered, moved his notebook so you could sit by his side. You didn’t mean to pry, you knew Andrew would not want you to read his writing unless he offered to tell you about it, so you looked away from the notebook as soon as you caught the title of his new poem.

That You Are.

“It’s about you,” he explained, noticing your glimpse at the notebook.

“I didn’t read…”

“I know. I trust you.”

You exchanged a smile.

“Are you really writing about me?” you asked, feeling shier now.

He chuckled, kissed your cheek.

“Who else could I write about? You’re my partner…” he answered, bending slightly in search of your gaze.

“I don’t know… your mistress…”

He laughed, shaking his head.

“You’re right, she’s hiding in the trunk of our car.”

“Can she breathe in there?”

“Bottle of oxygen.”

“Clever.”

He shook his head at you while laughing, but when he spoke again he was serious once more.

“It’s not quite finished, you can’t read it for now.”

“That’s okay. Do you want to tell me more about what it’s about?”

He shrugged, blushing.

“It’s about… being in love with you. And… wanting to be where you are all the time.”

He stared at you, and you couldn’t help yourself when you reached up to cup his jaw and kiss his lips.

“What about the music?”

“Just…something I’ve been thinking about. To go with the poem.”

“So… you’re writing me a song now? Am I about to be serenaded?”

He laughed, shaking his head.

“You’re insufferable,” he mumbled, before shushing your unspoken teasing with a quick kiss.

“I like it when you sing.”

“I know.”

There was something emotional shining in his eyes, but he didn’t speak more about it, and you let him draw the conversation away.

“What have you been up to?” he asked, taking a sip of his warm beverage while he put his guitar away.

He always asked these kinds of questions. At the end of every day he asked about how your classes had been, how was your research, how you were feeling. What had you been doing during the hours you had spent apart? It wasn’t prying, if you didn’t want to tell him, he didn’t insist. He just… genuinely wanted to know how your day had been. And you did the same for him. You remembered a time when you had settled for less than that simple, daily gesture. What an idiot you had been…

“I was just checking the weather for the coming days. It should be sunny on the Arans in a couple of days, so perhaps we could stay on the main land tomorrow. Perhaps a nice trek? It should rain early in the morning, but it’ll clear before noon.”

Andrew nodded, sipping on his tea, readjusting his glasses. At his feet, Elwood was now napping for good.

“We can drive to the national park, it isn’t far from here” he offered, looking at your phone as you showed him a page that referenced some paths across the wilderness of Connemara.

“Yeah, I thought we could walk around a lough.”

You studied the maps for a while, decided which path you would take the next day. Once the plans for your little adventure were sorted, Andrew gave you a mischievous smile, turning around and swinging his long legs over the edge of the bench. You fondly smiled as he moved to rest his head on your laps. His knees were bent over the edge of the bench, but he didn’t seem to mind.

“Can I?” you asked in a quiet, tender voice as you lightly tugged on his hairband. He merely lifted his head a little as a response, so you could free his long curls, letting the chestnut strands cover your laps.

You took off his glasses too, secured them by your side. He let his eyes close with a relieved sigh as you ran your hands through his hair. You felt his body relax, the tension in his muscles disappear under your soft touch.

“This is so nice,” he hummed.

“It is,” you nodded, softly scratching his scalp, and he let out a long breath in response.

“I know that we had to wait until August to leave for our anniversary, instead of celebrating properly at the right date… but it was worth the wait!”

“We did celebrate on the date, though.”

“Yeah… but this is the actual celebration. Like… the real gift.”

“Hmm… yeah, you’re right. And I agree, it was worth the wait.”

“We outdid ourselves with this trip.”

“Yeah, we did.”

“It feels so nice to be just the two of us. To not have to worry about the usual, daily problems for a while.”

“Yeah… I reckon we both needed this.”

He took one of your hands in his. While you kept on running your fingers through his hair, he brought your other hand to his mouth, pressed it to his lips for a long kiss, intertwining your fingers together. He brought it to rest on his sternum next, stroking your knuckles.

You wanted to tell him, then. That he was the one. That he was the love of your life. That you never wanted him to leave…

But you couldn’t. You didn’t have neither the courage nor the strength. It had been a year, it was too soon. You knew, but he probably didn’t. Why scare him off when you could stay quiet and stare at his handsome features while the day ended and a new night was born out of the sun’s absence? It was safer this way…

“I love you so much, Y/N. You know that, right?” he asked in a whisper, and you noticed by how his voice had quietened that he was beginning to drift off to sleep.

You offered a tender smile he couldn’t see.

“I love you too, Andy. More than anything.”

He gave your hand a squeeze, and a moment later, his lips were parting, and he was asleep, your hand still in his, resting on his chest, and his head on your lap. You kept on looking at him, admired his peaceful expression as he slept, every detail of his face, making sure to commit each of them to memory. You didn’t pay much attention to the dying sunset, despite the colours it shone onto the world. Only when it was getting too dark for you to see Andrew’s features did you notice the passage of time. But then again, he was beautiful like this, and his hair was so soft, and the weight of his head on your lap was reassuring, grounding…

Five more minutes…

[cripplecharacters]

this may be more of a general writing advice question, but in a non-visual medium, how often should i mention a character's mobility aid that he uses basically all the time? ie do i describe him grabbing his cane every time he stands up? do i narrate it when he's using it as usual or only when something 'abnormal' happens, for example when it prevents him from falling? describing it too often feels redundant and like its calling undue attention to it, but i also don't want to risk omitting it too much

Hi asker,

I would think about it kind of like writing a character who wears glasses, which is relatively common in media. You don't have to describe it every time, just once in a while. Definitely on introduction, but also when something notable or out of the ordinary happens – like how you could describe a character removing their glasses to rub the bridge of their nose when they're stressed, or having to clean them after getting caught in a thunderstorm. In a similar vein, you could describe it if a new character has noticed the cane, or if he's put down his cane in order to sit down,or if it clatters to the floor after he is startled by something.

You don't have to mention it too often – doing so when you establish him as a character and when something important or character-building happens can be enough.

Hope this helps,

mod sparrow

[starbylers]

How much of “El” was actually in Will’s van speech, why this scene does NOT point to him letting Mike go, and what we actually know about Will's arc/Byler because of it

I know everyone jokes about the Will crying in the van shot so we sometimes forget how serious of a moment that was but like…..he was devastated. It’s always bothered me when people act as though this scene was about El in any genuine way, and that the message to take away is that Will is accepting Mike and El love each other and starting to move on. Both of these things couldn’t be further from the truth, they’re just convenient interpretations to fit a certain narrative.

In reality, Will assumed what El feels because he loves Mike, and that’s how he feels. There was no conversation between him & El, nothing Will ever witnessed, for him to determine that Mike "makes her feel like she’s better for being different”, that that helps her "fight". It’s what El wanted to feel from Mike, but she clearly didn’t (“You think I’m a monster too”). We never see Mike uplift her for her differences throughout the entire time they're dating, and then in s4 El gets a plot about feeling like she doesn't fit in (“I am different”) and actively lies to Mike about it ??? So...when exactly does Mike make her feel like she's "not a mistake at all"? El doesn't even feel safe giving him the opportunity, in fact she actively refuses to repeatedly: lying in her letters, asking Angela to lie to Mike at the rink, in their fight when he tries to understand & she tells him he doesn't. (And then when he tries in the monologue to use the sentiment “I love you for exactly who you are” etc.…she loses.)

And aside from that, explaining the painting and its meaning was the most blatant lie we see Will tell, and that’s all him. El didn't say all these wonderful things she loves about Mike, didn't create a gift inspired by something personal to Mike (DnD) to emphasise that message. Those were Will’s thoughts and feelings, unquestionably. There is nothing to suggest that El perceives Mike in that way ("the heart", "guiding the party, inspiring us", "without [you] we'd all fall apart"), that she understands Mike and knows exactly what to say to make him feel important, special and needed, that she loves him the way Will loves him (which just coincidentally happens to encompass exactly what Mike needs to hear to soothe his insecurities (“I’m just some random nerd” etc.)). And frankly even if we pretend El thinks the exact same things, Will was the one who did the work to make Mike happy. The idea that El should be able to coast on the efforts of someone else because "well she obviously feels the same way" (where ???) is kind of disturbing. Mike deserves better, and it makes no sense that the writers would narratively reward a love interest who put no effort into showing how much Mike is valued vs one who went above and beyond to make him feel loved.

That speech only applied to El insofar as Will sprinkles in "these past months she's been lost without you", "she's so different from other people", "we'd all fall apart, even El, especially El" and "if she was mean to you/seemed like she was pushing you away". Not because El said any of this, but because it's plausible for Will to come to these conclusions on his own and think he's correct (and even be partially correct). He knows El was doing awful in Lenora because she is different, he knows she's part of the group and has experienced Mike's leadership, he knows she fought with Mike and then left him. All of these things also affect him - he missed Mike's friendship while they were separated, he's different because of his sexuality, he's part of the group too, he "sabotaged" the day in Mike's eyes after not reaching out much and we know he's scared of losing Mike due to his feelings.

But the rest? "Of course she needs you Mike, she'll always need you", "You make her feel like she's not a mistake, like she's better for being different and that gives her the courage to fight", "if she [...] was pushing you away, it's just because she's scared of losing you" (I do think that one's partially true but Will wouldn't know beyond a guess), “if she was gonna lose you I think she’d want to get it over with quick", "El needs you and she always will” (and of course "El commissioned it" and the compliments he gives after)...who is Will to make those claims? He doesn't know how El feels, he didn't even know El was lying to Mike, she clearly doesn't confide in Will about her relationship. No, these things are all Will guessing/outright lying and letting his own feelings slip through. And just in general outside of Will, El hasn’t done/said anything elsewhere in the show to confirm that she feels any of this (in fact it was de-confirmed, in the case of the “better for being different” stuff).

Essentially, it’s all just Will's assumptions about El, some of which are based in reality and some of which are Will projecting. But most importantly, the reassurance and comfort he gives (the painting stuff) in response to Mike talking disparagingly about himself are Will and no-one else, and part of the most blatant lie he tells (“she told me what to draw [...] your coat of arms, it's a heart [...] without heart we'd fall apart”) is specifically what is called back to to push Mike into confessing!

Now, the idea of Will "accepting the reality" of Mike loving El is so ridiculously irrelevant. Will was heartbroken after he did what he did, this boy was literally sobbing out the window, but the whole reason he does is because he fully 100% believes Mike loves El. He knows, people! He spends the entire season giving Mike advice and pushing him towards her. Why would Will need to "accept" something he's been actively supporting before and during this scene? In his mind it's fully unrequited and he's operating within that reality in the most selfless, helpful, unobstructive way! He's not in denial, he has no hope.

What they really mean is he needs to move on and that this scene is somehow an indication that he is, but again, no: "[I] need you, and [I] always will" is Will's final projection before he cries his eyes out, and then later on we see him miserably staring at them again. The fact is, Will has accepted his "reality", that just didn't lead to him getting over Mike. No, it led to him sacrificing something he poured his heart into to save Mike’s relationship because he thinks that what will make Mike happy is to be with El, so he's making that happen. He is a bigger M!leven shipper than anyone. He still loves Mike, shows no signs of letting go, but he's just that selfless. And it's perfect, because no amount of knowing Mike loves El seems to change how much Will loves Mike. Incredibly inconvenient for a "plot" that relies on the gay character’s silly feelings magically disappearing out of reverence for a het couple and their deep soulmate love……

But this is why some people try to invent an imaginary arc where Will was somehow trying to get in the way of M!leven/had hope Mike could feel the same way, because otherwise you just get: Will likes Mike, knows it's hopeless, and then it randomly fizzles out lmao. Everyone knows that's not an arc; there's no change, no development, nothing learned. Plus, if Will is already in full acceptance of M!leven endgame…what’s next seaon's alleged rejection going to do/change? Nothing, Will’s feelings aren’t dependent on Mike reciprocating as has been shown, so the only purpose would be rubbing salt in the wound. And again, you end up with not an arc but a flat, depressing line. Will likes Mike, knows it's hopeless, has it painfully reaffirmed that yes it is hopeless, and then fizzle. If you know stories you know this makes zero sense, and therefore is not happening 👍

[agirlinthegalaxy]

Hi! Fellow person with an English degree, along with working for an academic company that has a short college textbook about AI! One of the things that was discussed was hallucinations, which is incorrect information that AI presents as fact. Because the thing is, AI isn't capable of critical thought on its own. It takes in all of this information from the internet, but, as well all know, the Internet isn't inherently a trustworthy source of information and AI isn't capable of actually verifying this information.

One of the ways that we demonstrated this in our textbook is by inputting "Who won the 2022 presidential election?" This was using a previous ChatGPT model, but it actually would answer the question genuinely as if there had been a 2022 presidential election. Another way that I found personally is that I would begin discussing television shows and push it, and without fail, it always began making a lot of errors about obvious plot points and would be unable to keep it straight. Here's an input where I ask for an explanation of the finale of the Charmed (1998) series. (Spoilers for that ahead, but also the show ended nearly twenty years ago, so.)

While a lot of people probably don't know a lot about the show, here's the most relevant part: the entire Ultimate Power section is a complete fabrication because, while they exist, they're distinct characters with a completely different background. (And before anyone says anything, the point isn't about how recognizable the show is, it's about the AI literally makes up false information and presents it as truth when it's very easily disproved.)

Another way of illustrating AI's hallucinations is asking an either/or question, presuming that an event happens. Now, in full transparency, I have not read Dracula since 2021/2022, but I'm about eighty percent sure that this is an example of a hallucination. If not, my apologies, but I'm sure you can find a hallucination if you input it enough similar statements.

Beyond clearly just knowing what is accurate or not, AI also, like the previous OP said, doesn't know what is important. In many classes, when you're discussing some kind of novel, small details will of vital importance whether it about character, plot, or theme of the book. Demonstrated by one of my professors who asked us about the symbolism of the horse that Thomas Sutpen rode into town in the beginning of Absalom, Absalom only to very loudly proclaim that it was between his legs as a phallic symbol, which honestly was probably correct with the author William Faulkner being who he is. Side note, but he was a weird man, and I still don't like his works. If I was a student in that class today, here are the two different shortcuts I could have gotten.

(ChatGPT)

(SparkNotes)

Between the two, even disregarding that SparkNotes' summary is four paragraphs to ChatGPT's three (since the girl in the og Twitter post used three), SparkNotes just provides so much more information and detail. I'd argue that ChatGPT doesn't even summarize it efficiently anyways. So if you're just trying to cheat for class, ChatGPT still isn't a good option.

But I think the worst thing is that the people in the original Twitter convo aren't even reading for class. They're (presumably) reading for enjoyment, which makes it so much more bizarre to me. Because the thing is, and this is a rare one for me to say, you don't... have to read if you don't enjoy it? Once you've left school, very few places (unless you intentionally opt into it or have a very specific job) will make you read novels in your free time. Furthermore, I really can't fathom problems that ChatGPT solves that, say, an audiobook can't? Discussing these two specific instances individually:

If you're wanting to learn more about what Aristotle said in more readable English, baby, he's Aristotle. I can almost guarantee you that there is some kind of book out there, or even something online if you'd like to use the Internet, explaining his philosophy in easier to understand terms. Also with philosophy, I think that "main gist" can be a bit of a trick in of itself because it's designed to make you think critically about these ideas. Sometimes, the "main gist" is even the opposite of what they may seemingly be arguing because they're mocking it.

As for reading a book recommendation by a friend. ... girlie pop, you literally could just not read the book. I've gotten plenty of book recommendations that I've never read and my friends are not insulted at it. If it's a bid for connection, I'd argue that this is more insulting than simply not reading it because if you don't want to invest the time into it, that's fine but this weird shortcut way as if it's beneath your time is... oof. But especially if you want to discuss it, because AI will not include every beat and a lot of a novel is in the way it's written, the pacing or tension, etc. Things that an AI summary can't define out for you to have an actual meaningful conversation. That's something I do when I see a movie that looks halfway interesting but don't care enough to actually sit down and watch it. And even then, I'd never go back to that friend and act like I actually consumed that media; I'd probably just say that it sounds good because I still have not actually truthfully engaged with it!

This is a very long post, but I have a lot of thoughts and feelings about AI, especially in classes, literature, and media in general. Most of them are very negative, but I mean, please don't hand over your critical thinking of what you're consuming to artificial intelligence. Its intelligence is artificial; yours is not.

what is HAPPENING

[milotraflgkl]

PT. 2 of Law being Delusional

note: I hope yall all enjoy this, there will be a part three but i might have to make yall wait for it so i can get through some older requests that im still behind on then once im done i’ll be able to write more random things i feel like writing. here is part one!

content: ooc?, law being soft, hinted confession/feelings, fluff

Law had been trying to deny his feelings but every time he’d close his eyes it was just.. you. He hated it and he knew at some point he was going to need to confront his feelings, to face you and look at you after almost two weeks of avoiding you. He never realized how important you were in his day-to-day life, the times you’d bring him coffee to wake him up as well as bring him small snacks throughout the day. He wasn’t sure why he felt so strongly about the situation, especially since he was the one who told you to shut up and pushed you away. He would grumble something as he brought his hands up to his head, leaning against his hands as his elbows rested on the table. He was trying to figure out how to talk to you, to bring it all up, and to take back what he said. To tell you that he wanted to talk, to bother him, to annoy him. All of the above.

Finally, he caved. Making his way around the submarine glancing into every room to try and find your face, to hear your voice, to see you again. He finally would make his way to the lounge area, finding you sitting there reading a book that he knew he had read before and you had caught home reading it. It made him grow nervous, the realization that you probably also continued to think about him and probably more than he thought about you made this all more nerve-wracking. It was stupid, he felt like a dumb teenage boy going to confess his feelings to his first-ever crush. But- He wasn’t going to confess his feelings! … Right? At this point, there was a blur between what he was going to do in the current moment and his body started to move on its own as he walked over to you looking down at you for a moment before he cleared his throat.

Flinching you snapped up to look up from your book, staring up at him as your eyes scanned his face and tried to figure out what even was happening in the current moment. With the way that he held his hat over his eyes and tilted his head to look away from you, his body language was strange and unusual. After a moment of staring at him in shock you clicked back to reality and shut the book moving to stand up, “I’m sorry, was I in the way?” You ask him as you slightly bow your head down to him and keep your eyes to the ground, worried you had done something else wrong and he was here to get onto you.

He hated the fact that his words had caused you to believe that just being even a bit in his area meant that you were in his way, he almost reached out but he quickly remembered that he didn’t want to open up the chance of physical contact. “No, I wanted to talk to you.” He said in a flat voice, his brows furrowed as he stared down at the wall next to him that was decorated with a bookshelf that was filled to the brim with different types of books. “I wanted to apologize for telling you to shut up and pushing you away like that…” He grumbled as he had a heavy frown on his face his eyes trying to distract himself by reading the different titles of the books.

You stared up at him in shock, was he… apologizing??? You weren’t sure how to react, especially since you weren’t sure you’d ever seen your captain apologize even if he was wrong - he was stubborn in that sense. You took a deep breath and then swallowed thickly, “It’s… okay.” You whispered out, you didn’t mean for your voice to sound so quiet, and silently swore under your breath for how weak your voice even sounded. You noticed how he didn’t even look toward you but you didn’t notice how his whole body tensed up, you slowly lowered your head to look at the ground in defeat. “I thought about how I had acted previously and it was too much, especially between a Captain and his Crew.” You spoke up, wanting to say what you needed before anything.

He snapped to turn to look at you, being greeted with the top of your head pointed in his direction. His eyes widened and he paused as he stared down at you before he took a sharp inhale, reaching over to grab your shoulder causing you to look up at him. “I didn’t mind it.” He admits, that his expression was stern yet his voice almost seemed to falter at the admission and he could feel his ears beginning to heat up when you made eye contact with him staring up at him with those… eyes. He quickly retracted his hand and subconsciously wiped his hand off against his shirt and then dropped it down to the side of his body, you didn’t take the act as offense as you knew your captain's feelings on physicality, and him even trying to touch you made you feel something.

“Thank you.” You whispered back out to him, your eyes scanning his face and glancing at the pink that had decorated his ear almost giggling before holding it back and swallowing it thickly. You watched as he turned to look away again, his eyes scanning the different books but wasn’t paying attention to what they said, and seemed like he was trying to figure out the words he wanted to say to you. “I wouldn’t mind if you went back to… acting how you did.” He said in almost a whisper, your eyes stared up at the side of his face admiring his jawline and then hair that decorated up to his hair and you felt your whole body heat up by just how attractive your captain truly was. “Yes, Captain.” You respond without a thought before tensing up and looking up to see if what you had said was.. bad timing. He didn’t seem bothered.

“Good.” That was all he said before he suddenly turned around and walked off, leaving you to sit there and process the whole interaction before you started to do a small dance and squeal a little bit. You finally got your spot back to annoying your Captain and he liked you being there, you were thrilled while Law sat in his office with his head in his hands and his face best red from embarrassment at his actions and words. It would take him a while but, he’d get used to you being around. Came to enjoy it and missed it whenever you were busy or gone, often trying to go out of his way to check up on you if you haven’t been around for a long time. The crew didn’t notice at first until maybe a week or two later, they were happy the uneasiness was gone now but there was another issue…. the way that their captain was acting with you was foreign.

tags: @paraniodidiot @elationa @valval08

[achilles-rage]

Hii can I request 18) complicated sex with an ex from the smut list with buck

sorry this took a while, my mom wanted to watch the beetlejuice movies with me lol. but i'm back, and i'm gonna post a couple more before i go to bed!!

number 18 from this post: "complicated sex with an ex"

you remember the last time you saw evan.

you were both 19, and he had just told you that he was dropping out of college and running away from pennsylvania. you had been dating for almost a year, and even after you begged him to stay with you, to not leave you, he had told you that he had to.

with that, he was gone, and you hadn't seen, or heard from him, in 10 years.

until today.

you had recently moved to los angeles for work, and when your building was doing a routine fire drill, you saw the man that you were sure you'd never see again. one that had left you when you were 19 and had you questioning every relationship you've been in since.

"evan?"

your voice travels through the crowd and hits his ears, and his stomach drops.

he knows that voice. he knows it will too well. and, the last time he heard it, it was practically screaming at him, telling him that he was abandoning her, and that he didn't love her as much as she thought he did.

when his eyes meet yours, both of your expressions are the exact same; jaws slack, and the look in your eyes a mix between disbelief, joy, and a tinge of regret.

"what are you doing here?" he asks as he closes the distance between you two. he wants to reach out to you, to pull you into his arms and never let go, but he holds back. the last time you saw him, you were crying, and yelling, telling him that you hated him in the heat of the moment.

"i live here." you reply, your voice light and airy, as if you still don't believe that he's standing in front of you.

"me too." he tells you, a smile making its way onto his face as his eyes travel down your soft figure. you're still the same as 10 years ago, although you look older. he's missed your kind eyes, and you pretty smile, but he also misses your plush body, the one that he's been thinking of for years.

he's torn from his daze when he feels your palm hit his chest. it's not hard enough to hurt, especially with his gear on, and when his eyes meet yours again, he sees anger and hurt replacing the disbelief in your eyes.

"how could you?" you whisper-yell, still aware enough that you're surrounded by people.

he opens his mouth to speak, then closes it, then opens it again, but no words come out.

those years were some of the best of his life; he got to travel the world and meet so many people, but they were also the hardest. he knew you wouldn't go with him, and he didn't want you to either. he knew how important college was to you, and he didn't want to make you decide between him and your future.

as he looks down at you, head still spinning with both disbelief and relief that you're finally back, all he can say is "do you wanna go out with me?"

"what?" you ask, brows furrowed and a slight frown on your face. this is the first time you've seen him in how long, and he's asking you out?

"please let me make it up to you. i was a fucking idiot- i still am. please let me take you out." he pleads. he knows you've never been able to say no to his puppy-dog eyes.

"okay." you say with a sigh. at the very least, you’ll get the chance to tell him how he made you feel.

evan, who you've since learned goes by buck now, is still as charismatic as ever, and by the end of the night, you felt yourself, against your better judgement, forgiving him for everything.

it’s how he get you here; in his apartment, in his bed, completely bare and pinned down under him.

his thrusts are slow and deep, and you can feel his hot breath on your ear as he moans lowly into your ear. he was good at sex when you were dating, but you catch yourself thinking about how the hell he got so good since then. he’s hitting that spot inside of you that has you seeing stars, and it’s making your back arch and your eyes roll back in pure ecstasy.

“fuck, i’ve missed you so much, baby.” he rasps in your ear before bringing his lips to yours, kissing you so passionately that your head spins.

all you can do is moan in response, gripping his shoulders tightly as you feel yourself clenching around him. when he parts from the kiss, he looks down into your eyes as he trails one hand down to your cunt, fingers finding your clit and rubbing lazy circles around it.

you whimper loudly, tightening your legs around his hips, and as you get dangerously close to the edge, all the doubt you had of him disappears.

he makes sure you both cum at the same time, and he holds your head in place so he can look into your eyes, groaning as he shoots his seed into your cunt. he continues his movements for a few more sloppy thrusts, letting you both ride out your highs, then kisses you deeply, savouring the feeling of you back in his bed again.

he buries his face in the crook of your neck as you both catch your breath, and as you stare up at the ceiling and listen to the steady sound of his breathing, you feel tears form in your eyes. you’ve been thinking about evan for years, and you were angry for so long, and now you feel an odd feeling between shame and relief that you’re back with him.

he left you, and you fell into his bed so quickly. all it took was one dinner and a few apologies. you remember telling yourself years ago that you’d never forgive him; that he had broken your heart and doesn’t deserve a second chance.

“woah, hey, are you okay?” you hear him ask when he finally pulls back from your neck and looks down at you. he can see the tears in your eyes, and the small frown gracing your lips, and his heart shatters.

“please don’t leave me again.” you whisper, a few tears finally falling down your cheek as you look into his eyes. you can feel your throat tighten as you fight back a sob, and you blink slowly, trying to blink away the tears threatening to follow the first few.

he sighs at your words, bringing one hand up to cup your cheek. he gives you a sad smile as you lean into his touch, and then he leans down and presses a soft kiss to your forehead.

“oh, baby. i wouldn’t dream of it.” he reassures you, and he means it. he never wants to be away from you ever again.

[lesbianherald]

hiii I’m curious : what’s your process for creating your stories? like character development, plotting, creating arcs, etc?

thank you for asking !!! i'm going to get way longer and more thorough about this than necessary I feel it in my bones so I'm going to read more this now (I included a few tidbits from my miro board for carry the blade :) )

it's such a mixed bag ! part of this is my adhd lmao, and part of it is because, genuinely, I think each story needs something different.

almost ALWAYS (with one rare exception of a sci/fi fantasy world I've been building for years) I start with character, especially in original work. Because character is everything it's who we're following it's what the audience/readership will grab onto. Usually I have a basic premise and setting already there, but I don't build on it until I get to know who we're dealing with in the story. And then after building up the premise, setting, and plot I do even more character work after.

sometimes.... sometimes I get really impatient to start and start writing half way through the planning process. But anyways.

so I come up with character. do the basics. think about what their deal is. What is the journey they need to have, the lesson they need to learn, what themes and emotions do I want to explore with this character? Why is she important to me? Why will she be important to others?

I also think a lot about relationships

i just wrote a coming of age dramatic comedy for instance, and for that one, I broke up the story into my protagonists relationships. Wrote out the arc/story of each relationship and then combined each of these arcs into the key points that made up the film. Each relationship I wanted to be relevant to her grieving process, as she had just lost her mother. IDK if that makes sense. I wish I could show you but unfortunately I cannot.

for fic its honestly similar, but we already know character, so I usually ask what about this character/these characters am I most excited to explore.

that being said, coming home came to me in the idea for what they'd be like in modern day, and then a single idea for a single scene - their first kiss in the lab. I wrote that first, then asked myself what the context I wanted to give it was. Of course, I changed it a little once I actually got to writing and fleshing out chapter eight.

but this fantasy fic i'm writing is a fun example. I'm building out a lot. I'm building out characters, the world, the themes. - using visuals to help me kind of guide myself.

but because I have adhd and get impatient. I am outlining throughout this process to keep myself entertained. perhaps ideally you'd figure out everything first then outline then write but my brain just doesn't work that way.

in fics, especially, the relationship is so important that I really like to see how the obstacles they face, both due to their own psychology and internal pressures, can reflect the themes, create tension, etc.

but i also like to reflect on side characters too - their motivations and desires. So they don't just become like - flat little reflections of the central love story.

Finally, and this i learned from acting theory mostly - but I love it - is in each scene I like to think of what each character wants, what they are going to do to try and get that, and why they want it. In this fic, wants are something I also look at from a chapter by chapter basis.

side note - and i'm only saying this this far down so hopefully not too may people will see it - but I do have a secret subplot going on throughout the first half of this story that the audience doesn't know about.

in order to make this work I've been mapping out everything going on behind the scenes, and making sure they pair up well with events that people reading will see. it helps me plant little hints and seeds while hopefully not giving too much away (secret subplot in blue, actual story in red)

sorry i know this is such a ramble I just took my meds and had a double shot of expresso so I am buzzing right now lmao! Obviously I'm not the expert and there's not only one way. And also it really is so different for me every time. It's important to think about what the story actually calls for !

[snugglyporos]

// Christ I wish I could go back in time and erase concepts like 'unconscious bias' from the world of popular lingo because people apply it to things that they don't apply to. No, most people do not possess an unconscious bias that working class people are worth less than rich people, that's your classist ideology being applied to things that you shouldn't apply it to. We might call that a conscious bias.

What is actually happening is a mix of tropes being blended together and not changing over time. Namely, the idea that the more individuals there are, the weaker they are. We see this everywhere; fifty ninjas? Weak. Not a problem. One ninja? Super powerful. Legend. This exists in everything from James Bond movies to comics to Power Rangers.

The reality is that, narratively speaking, the random cannon fodder between the protagonist and the final boss do not matter. They don't! In real life they would, but if you tried to give ever goon a backstory and explain it you would have a shit story because the audience does not care about the backstory of unnamed good #23. After they take the punch from the protagonist, the audience has entirely forgotten they existed.

Which means that, narratively speaking, the killing of the main villain is more important and more impactful than the killing of some random goon. Now, if you're a good writer this shouldn't be the case. But this too, comes from the blending of genres and tropes.

In the late 1980s, fiction became more violent and more visceral. This means that a lot more violence was happening! And yet, writers still wanted to have their protagonist show that they were the protagonist, because people were all in on moral relativism. People would be like 'well, there's no difference between the hero and the villain if the hero kills the villain.'

The response was a lot of heroes started adopting a weird kind of no killing rule; Batman will break your fucking spine but kill the guy who just blew up a building? That's too far! 'I'm not like you, a guy who kills people, I just cripple them for life!'

And again, this is what happens when genre conventions (the hero should be morally superior than the villain, or at least attempt to be) mixing with trope developments (everything now needs to be brutal and violent to reflect real life).

Now, the circle has completed itself, where we're once again back to 1985, where people are like 'actually no, the hero should fucking kill that guy.' You'll probably be a big fan of the Death Wish movies and The Dark Knight Strikes Back; you know, things that lots of proto-fascists really love because they reinforce the notion that actually, heroes should wield violence against their enemies and impose their will through abject terror.

The reality is, people aren't sitting around going 'my work should reflect the idea that workers are less important than the boss' it's that narratively, the random goons exist to be smacked down to prepare the audience for the big bad, because rising action requires that there be rising challenges. This is mixing along with personal tastes in media.

Now, you could, for example, turn this new trope on its head and ask whether the Punisher murdering every jaywalker and low level drug dealer with extreme violence makes him a villain, because his ideal is that any lawbreaker should be murdered instantly no matter how low the crime. You might also argue that the trope should actually be that the grunts shouldn't be killed by the hero, but the guy who organized them should, because he's much worse than they are.

You could also argue that, the reason why the hero doesn't just kill the villain is that murder is wrong? Even if you think it's morally justified? I think people forget, when they fantasize about an ideal French Revolution, that the most common crime people were executed for was pickpocketing, and every day they would execute the guys who got caught working the crowds at the executions the day before. More poor people got killed in the French Revolution than rich people; you should probably keep that in mind!

Because the core reason you probably want your hero to not kill people in general is that you then have to ask who deserves it and your answer will inevitably include a lot of people you might actually like! You probably don't want heroes taking vague concepts like justice into their own hands because inevitably that makes them into the Death Wish protagonist, deciding that what really needs to happen is for a white guy with a gun to just start shooting up inner cities.

You don't want your hero to start killing people because this is corrosive and it will inevitably result in comparisons between people who got killed.

So no, it's not some kind of unconscious bias, it's because we've melted a worldwide demand for bloodshed and violence with established genre tropes and if you removed one or the other people would complain and be very unhappy.

Or, I guess you could go on and say that Freddy Kruger is anti-marxist because he only targets teenagers instead of people who really deserve it.

[aeimygdala]

I think the thing people aren't acknowledging about WWDITS is that yeah the main characters are all queer. And yet, the only established and long lasting main couple is M/F, regardless of how many jokes are made about them also being queer. im not saying bi/pan m/f rep isnt important, but it is relevant to note. most of the mentions of other characters being queer (besides Guillermo being gay) are basically "promiscuous bisexuality is funny and surprising" when you actually think about them seriously. I actually hated everything with lazlo's dad, ngl. looking back at the entire shitfest of season 6, it feels like everyone gives its "representation" too much credit when defending its shipbaiting. like you understand this was intentional, and it's obvious the intent was never to actually deliver on queer relationships long term, even if it gives us queer characters? like, it's cool that you have queer characters, but are you doing to deliver on what you've been implying regarding them?

we get heartwarming moment after heartwarming moment with Lazlo and Nadja. idk I don't think it's Evil but I think a lot.of us collectively gave it too much credit for how much it actually gave a shit. it's a sitcom, and it made it soo clear, and we're pissed at realizing it.

idk, but looking back, a lot of shipbaiting and jokes reslly feel kind of mean-spirited and mocking. like we know you CAN write meaningful relationships, everything with nandor and Guillermo this season was leading up to the extreme improvement in their relationship and interactions, soooo.

I think people who are pissed really deserve to be bc it really leaves a bad taste in your mouth bc you KNOW. the shipbaiting was deliberate. n we'd rather be funny here than actually deliver on queer relationships and happiness. and it's always been that way, and that isn't EVIL or anything , I guess, and it's fine, but it sucks that I gave it too much credit thinking otherwise because I want happy m/m relationship rep or something lol

feels like a slap in the face to people who just wanted something nice!!! I'm not a shipper, I don't exist in the wwdits Fandom, I'm just a queer fan that was eagerly hoping they'd actually have a payoff for all they were doing!!

[martiae]

from me to you | pepe martí

“all of the girls you’ve loved before, made you the one i’ve fallen for” ♡ (inspired by to all the boys i’ve loved before!)

synopsis: you’ve been in love with your childhood best friend since you were 6. when you were 13, you decided to start writing love letters to him. you never planned on sending them but they somehow made their way to his house?

pairing: pepe marti x reader (y/n) adler | genre: highschool au, smau, fluff, slight angst | warnings: some cursing, suggestive jokes from christian (haha), gianna/gigi is an oc, y/n is kind of irritating because she assumes a lot !!

chapter 1 : ignorance is bliss

now playing : i think he knows — taylor swift

you waited at the bus stop a few blocks from your house, your mind totally occupied by the mortifying events that happened yesterday.

while you didn’t want to think about it at all, it was hard not to. your mind was constantly playing the moment back.

you wondered how much he read, how he felt when he read it, what his face looked like, his thoughts, etc.

but, a part of you also really did not want know. your heart was sadly fragile, super sensitive to anything relating to pepe.

you knew it was stupid; but, you really thought that you could just peacefully like him. you were waiting for your feelings to just go away, a confession seeming out of reach.

you had to get a grip, you needed to figure out how to go about this whole situation since you knew that he would most likely not drop it.

the bus began to approach the stop, a part of you feeling happy that you had some more time to put together a plan for today.

you sat down at the window seat, the seat feeling very comfortable, yet, undeniably cold.

it was nice though. you finally had some peace and quiet, and could focus on what was important.

that focus broke quickly when a familiar figure sat next to you, their head instantly looking at you.

“hi there”

you wanted to scream. no, you actually wanted to get off the bus and run back home. your plans of peace, tranquility, and happiness was totally interrupted by the guy.

your eyes widened, your mouth parting in a surprised expression. your guys eye contact and silence existing for a long time.

“you’re still not talking to me?” pepe asked, his eyebrow quirking up.

you stayed silent, trying to disassociate from the fact that the boy you’ve been in love with for 11 years is trying to talk to you after finding out you like him.

pepe smiled to himself as he looked down, a small chuckle coming from his mouth. your heart skipped a beat, his stupidly cute smile has always had some kind of effect on you. and you know very well that you probably wrote some very cringey (but true) things about it in your letters.

oh god, just thinking about him reading your bare emotions and feelings about him has you feeling like laying out on the road. this was torture!

pepe looked back at you, his smile not leaving his face yet. you returned back to looking in front of you, the bus coming to a sudden halt.

the force made you lean forward; but, pepe quickly put his palm in front of you and his other hand holding onto your shoulder.

you leaned back, looking at him in surprise.

he chuckled, “didn’t want you hitting your head on the chair..”

your face became slightly flushed, a very soft expression on your face, “thank you”

pepe smiled again, his hand letting go of you and returning to his lap.

“are you going to explain the letters now?”

you tried to not show your shock; but, it appeared on your face before you could control it.

you were praying for the bus to drive faster, you just wanted to go to school and avoid him at every opportunity. its hard to ignore him over text. but, it’s even harder to ignore him in person.

“one more stop” you chanted in your head.

pepe sighed with frustration, “come on..anything? as i said im not mad at all! i just really want an explanation or something! please give me something to grasp!”

you saw the bus begin to pull towards your school, your face relaxing.

“please? something?..” he explained.

the bus stopped, the door’s opening quickly. you looked at him before murmuring a small “bye” and speed walking towards the exit.

you could hear pepe calling your name from behind but decided to sprint to the campus, your adrenaline running.

that was the worst 7 minutes and 34 seconds of your life. (yes you were counting.)

pepe was a guy who was sweet, calm but also expressive, and passionate. he was strong willed and smart and honestly, perfect. he was the guy who every girl has had a crush on before, the guy who would be the best boyfriend and would never fail to impress your family, and just be the guy you’d plan on marrying.

he was all of those things. scratch that, he is all of those things. but because he’s all of those things, you know that it couldn’t work out.

“oh my god, i tried catching up to you but you were running for your life!” gianna said out of breath.

you were panting, still recovering from your very quick run to your class.

“he….was…at….the…bus…stop.” you let out with many breaths.

gianna’s face lit up in shock and excitement, her hands covering her mouth.

“no way! spill now!”

you went the whole school day on guard, observing carefully to not run into pepe. it was kind of pathetic, even you could admit it. you were practically on edge and running away from him because you knew that it was getting harder and harder to face him. you did not want to confess, hell, you didn’t want to do anything. you wished you could reverse time and stop your 13 year old self from beginning the disturbing trend of writing sappy love letters addressed to him.

gosh, this whole situation really made you feel insane! it was hard to just let it pass without feeling the pain of embarrassment.

“(name)!” gianna called.

“oh hey gigi!” you smiled.

“hey! any updates?”

you sighed before looking her in the eye, “i’ve been avoiding him all day.”

gianna groaned, “oh come on! you can’t ignore him forever!”

“i don’t want to ignore him. it’s getting really hard to do that. i just, gosh, i really just don’t know what to do.”

“i get it. but i also don’t. what are you so afraid of?” gianna questioned.

you wanted to say ‘everything’. it was true. you were scared of hearing his voice tell you that he didn’t feel the same, his reaction when you tell him it’s true, oh god, it seriously was the most embarrassing thing in the world.

“i’m afraid of the truth. i really wanted to hold onto my crush and just peacefully love him.”

gianna frowned before turning to stand in front of you, both of you guys stopping.

“the truth may be scary. you may expect him to not feel the same; but anything’s possible. while i know how crazy those letters are, trust me, i can say for sure that you shouldn’t ignore him anymore. he deserves an explanation.”

gianna was right, and she knew she was too.

with a sigh, you nodded.

to face him after this all is like opening mary poppin’s bag. there’s no certainty at all, and you knew that it was going to be so uncomfortable.

gianna’s eyes began to drift to behind you, your natural instinct telling you to look.

you turned to see pepe standing behind you, a shy expression reflecting on his face.

“good luck!” gianna cheered before walking out the gate.

“gigi!” you shouted.

she began to skip happily, an obvious taunt to your calling.

“gianna!”

you turned around to look back at pepe, who’s hand was touching his neck shyly.

oh god. you were done for. you could tell that he was annoyed, or maybe angry? fear began to make an appearance on your face, your body staying frozen.

“can we talk now?”