#but also i think that its just important to think about it IF this is like. a pattern with ur headcanons. you know?

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[my-castles-crumbling]

hey I love your work!! you seem like such a gorgeous, thoughtful person.

I had a question, and you seem trustworthy—Cas have you seen the new ao3 privacy policy? the one with another checkbox? what’s that about? I’m a little scared especially with recent events and the actual documentation seems a little vague. what do you think? I live in the states

I have, and I come armed with research!

For those of you who don't know, the new policy states:

By checking this box, you consent to the processing of your personal data in the United States and other jurisdictions in connection with our provision of AO3 and its related services to you. You acknowledge that the data privacy laws of such jurisdictions may differ from those provided in your jurisdiction. For more information about how your personal data will be processed, please refer to our Privacy Policy.

To translate, this means you are consenting to your personal information (IE: e-mail address and IP address) being shared according to US privacy laws, not the laws of whatever country you live in or happen to currently be reading from. This is because AO3 is US-based.

This sounds scary.

However, if you delve deeper into AO3 privacy policies, it says:

We may share Personal Information if we:

are legally compelled to do so;

have a good-faith belief that such action is necessary to comply with a current judicial proceeding, court order, or legal process served on the OTW; or

are cooperating with law enforcement authorities.

We will cooperate with all investigations conducted by law enforcement authorities within the United States when legally required to do so. Cooperation with law enforcement authorities from other countries and cooperation when it is not legally required are at our sole discretion. Our discretion looks favorably on freedom and justice, and unfavorably on oppression and violence.

Basically this means they'll share your info if they're told to by law enforcement, which has ALWAYS been a law. This isn't a change. I think they just added this to say "Hey, remember if you live outside the US, just know that we as a website have to comply with US-based laws because we live here, and things suck here right now!"

The last part of their statement is also really telling. The creators of ao3 believe in free expression and are not trying to get you in trouble or censor your work. You're not going to get in trouble for posting/reading gay fanfics. It's not illegal to do so. (If that changes, we'll cross that bridge when we come to it).

I think the most important thing now is to advocate for the necessity of websites like ao3, because some people don't like websites like that. I think this shows that there will be probably more opponents to websites like this in the future. But I don't think the FBI is going to come and knock on the doors of everyone who reads bedtime stories on ao3.

Honestly, Ao3 is more transparent about this info than most people. all websites can share any personal info you put in if legally compelled to do so.

[molinaskies]

I rewatched Sonic Twitter Takeover 7 recently and been thinking a lot about this question (this is only part of the answer given) because I had a little epiphany about it.

Obviously these aren’t really ”””canon”””. The lore revelations to be had in these takeovers aren’t supposed to prove any major theories, BUT I like to look at the takeovers as a general guide for how the characters are meant to be perceived at the time of their release.

I remember people reacting to both this takeover and takeover 6 (sonic frontiers) a bit poorly because of how Amy’s feelings for Sonic were downplayed. Given the recent stuff with the Gens remaster, too, this still feels particularly relevant.

Amy’s romantic feelings for Sonic have been downplayed—there’s no denying that—but I don’t think they’re being erased. With the exception of that one clip from takeover 6 (where Amy says she loves Sonic, Tails teases her about it, and Amy backpedals, saying she said “like,” not “love”—very Boom! Amy, btw), Amy’s feelings have still been on prominent display.

However, two things have changed:

1) Amy’s love has matured,

And, more importantly, in my book—

2) Sonic’s response has matured.

In the above clip, Amy states emphatically that Sonic is “her’s” and that she loves him and that he’s perfect, but kind of stumbles over herself once she realizes what she says. Important to note is that she doesn’t take it back at all, meaning that she meant what she said, but probably would have said it differently if she had given it foresight, given the setting they’re in.

This reads to me like Amy is still very confident in her feelings but is making a conscious effort to be less pushy about it—perhaps for Sonic’s sake. However, sometimes it just gets away from her because her love is just so plentiful. It’s cute!

And what makes it even cuter for me is that Sonic is, just, like, totally okay with this?

What does he do when she goofed up and gets flustered about it? He laughs! Short and sweet. He’s very aware of her affection, and he doesn’t mind it at ALL. He loves when he can get reactions out of her (directly or not). It’s in this same takeover that Sonic rags on strawberry shortcake (Amy’s favourite cake flavour) again—specifically to tease her—and he laughs the exact same way, there, too!

(It’s also implied, there, that Sonic gets Amy to chase him, so he seeks out the game just as much as she does.)

Sonic’s response can still read as distinctly neutral on a romantic level, for those who’d prefer that, but objectively it’s a lot more overtly positive. There is no denying that he enjoys her attention.

So, it’s a rebrand. For sure. But I actually find this to be a lot more wholesome? Zainey Amy™️ (when written well and not over-the-top for comedy like in certain games) absolutely has its appeal and deserves its place in canon, but the idea of Amy literally being unable to contain her love for Sonic and her compliments bubbling over is very cute to me. I also find it more powerful and significant because she’s finding her words to express her love instead of just reacting. It’s more thoughtful and reads as more genuine, as a result.

It’s different, but in my opinion, not bad! She’s not boring. She’s still giddy, passionate, loving, and more compassionate than she’s ever been. And Sonic is more accepting (enticed, even) as a result.

[cherrycolored-punk]

best friend!eddie munson x fem!reader

Softember 🍂 prompt: “I used to have the craziest crush on you.” / “Why didn’t you ever tell me?”

author’s note: working through this writer’s block pretty nicely (so far), and had to write this. Josh Milligan may or may not be based on real life travesties. Also, if you’ve never seen Some Kind of Wonderful, this is the scene I’m referencing.

warnings: none, only first kisses and sweet confessions. But still - this is an 18+ blog, minors go away!

w/c: 2.2k

Some Kind of Wonderful plays on the television, its image staticky and slightly warped on the barely functioning system. Still, you watch intently. The pivotal scene playing out, the first kiss.

“Amanda Jones is no minor-leaguer who will be swept off her feet at the touch of your amateur lips,” you mouth along with the actress.

It was safe to say you’ve seen this movie, this specific moment, numerous times. Much to Eddie’s chagrin, he hated when you won the weekly bet and got to choose the movie because it was either this or some Molly Ringwald torture flick.

He groans now, throwing his head back against the paisley cushion of his worn down couch. The one you helped him thrift when he moved into his own place. A small apartment close to the mechanic shop that became a second home to you, spending more time here than your own place.

“We’ve seen this a million times, can we please watch something else?” He grumbles, nudging your shoulder but you don’t pay attention. Gaze set intently on the moment the two finally kiss, a romantic push and pull of their lips. Sweet, and soft. Like you’d always hoped your first kiss would be. Instead, it was a nightmare and the memory of it made your stomach churn. Josh Milligan and his too slick lips and his invading tongue.

Bile rose to your throat and you fought the shiver that slowly crawled up your spine.

“Seriously, you know how it ends. Put something else on,” Eddie begged, grabbing your shoulder and shaking you.

You turn to him, mind still elsewhere and not entirely listening to his pleas.

“Do you think they’re actually like that?” You question, turning back to the screen where the two main actors are still embraced.

Eddie follows your gaze, eyebrows pushing together in confusion.

“Huh?”

He’s not entirely following or he’s playing dumb which he often did to get some sort of rise out of you. You roll your eyes, glancing back at him with an impatient glare.

“Y’know,” you nudge him, “the kiss.”

Eddie looks between you and the screen, feeling as though you’re talking in riddles.

“What about it?”

“Are they actually that good?” Your shoulders sag, the yearning for something just as sweet crawling into your chest. Completely overlooking the part where this is a kiss between friends.

Eddie swallows hard, cheeks blushing a pretty shade of pink as his eyes dance between you and the screen. Paying attention for the first time since the two of you initially watched the movie in the theater. Vaguely remembering the plot, the most important detail standing out. The one that you overlooked.

At the time, he’d wondered if your mind had ventured where his always had. Drifting to daydreams of you and him being more than just childhood friends. Deep down, he knew that was a pipe dream. Knew that you were too good for him in every way but the truth didn’t stop his mind now.

He tilts his head, a teasing grin slotting into place as he looks at you, “Wouldn’t you know?”

“What’s that supposed to mean?”

“Come on, Princess. Don’t tell me all-star athlete Milligan had amateur lips,” he repeats the line from the movie and you can’t help but laugh. Jaw a little slack in surprise but quickly twisting into a cocky smirk.

“You have been watching!” You push off the couch and point an accusing finger. Eddie scoffs, nudging your hand from his face with a roll of his eyes.

“You’ve made me watch it a dozen times, how could I not catch some of it?” He gives you a bored stare but you don’t miss the slight grin on his face.

“Still watched it,” you grumble under your breath, falling back against the cushion and watching the movie but Eddie isn’t going to give up so easily. The thought staying present in his mind, urging him to ask again. Ask, ask, ask until you give him an answer.

“You didn’t answer my question,” he pushes you again, enjoying the scowl you shoot in his direction.

“Because it was a dumb question,” you sneer but lack any venom. Hell would have to freeze over before you admitted to being less than practiced in the kissing department. Something you knew he’d definitely make fun of you for.

His cinnamon eyes study the side of your face, the heat on your cheeks not missed by his suspicious gaze.

“I knew it!” He shouts suddenly, and you shrink under his innocent scrutiny.

“Knew what?” You tut your tongue, face twisting in feigned confusion. Attempting to cover the obvious.

“Is that why you broke up with him? Kiss was that bad?” He continues to tease, eyes glowing with mirth. Their intensity causing you to crack and break.

“You suck,” You groan, throwing your head back and shutting your eyes. Divulging every last detail of your first and last kiss as you avoid looking directly at him.

“It was so bad, Eds. He left a ring of saliva around my mouth and I swear to fuck he was trying to eat my face.”

Goosebumps rise on your arms and revulsion churns in your gut remembering the sticky ring he left behind when you’d finally left his house.

He laughs, a loud melodic sound that fills his living room causing you to break. You watch him with a glare, crossing your arms over your chest as you do.

“It’s not funny, Eddie,” you pout, and fuck, if he can’t help but find you cute.

His laughs quiet down and he tries to school his face into neutrality, but he can’t fight the smile from spreading across his lips when you look at him like that.

“It’s really not,” he shakes his head, dark curls brushing his shoulders with the movements. He meant what he said, it isn’t funny. A pretty girl like you deserves a good kiss.

“It’s probably my fault anyway,” you shake your head, a little flustered as the embarrassment creeps in and makes a home of your chest.

“I sincerely doubt that,” he scoffs, turning his body to face yours.

“I’m not exactly practiced, Eddie,” you admit with a roll of your eyes, playing with the hem of your dress and wishing the earth would swallow you whole.

Josh had been your first boyfriend, if you could call him that. Some lame-o jock with a nice car and a house to himself most of the time. You were seventeen and never been kissed. Just wanting to get it over with to say you had and you weren’t entirely sure the reason it sucked wasn’t because of you.

Eddie watches the side of your face, the nervous way you bite into your lower lip and stare into the shag carpet lining his hardwood floor.

“I can show you, if you want,” he offers suddenly, catching both of you off guard and you’re not entirely sure what he means.

He knows you better than anyone, can tell you’re confused by the upturn of your brow and the twist of your mouth when you face him.

“I mean, for practice,” he corrects, completely nonchalant and hoping the words are a lot more confident than he feels.

“That wouldn’t be weird?” You question, turning your body to mirror his. Sitting face to face and only inches apart. The smell of his cologne growing stronger, making your mouth water at the scent. Bergamot and tobacco, a small hint of his green apple shampoo.

“‘Course not,” he waves you off and sits a little closer, subtly wiping his sweaty palms along the tops of his jeans.

“What do I do?” You question, hands lifting and unsure of where to place them. Where you can touch him.

He grins, that megawatt smile that always had your heart racing. Less mischievous and more inviting than before, the dimple deepening in his cheek.

“Here,” he grabs your hands and wraps them around his neck, patting them softly. As though instinctively, your fingers curl in his hair. Wrapping dark brown waves around your fingers absently.

“And my hands would go here,” he grips your hips softly, your bodies moving closer until your chests brush and you wonder if he can feel how your heart thrums in your chest.

“Still with me?” He grins and you give him an uncertain smile, a small nod because the words are lodged in your throat.

“I’d tilt my face this way,” he moves his head, “and you’d tilt yours the other.”

You follow his instruction, gaze dancing between his cinnamon eyes and the plush of his lips.

He leans closer, and your eyes flutter close. Time slows until it stops altogether when you feel the gentle press of his mouth against yours.

Eddie’s lips are softer than you thought they’d be, mouth sweet like the chai tea he’d been sipping. He takes his time, focusing on your bottom lip and then your top one. A languid push and pull, his hand reaching up to cup your face. To hold you close. Making you melt where you sit, forget how to breathe as you follow his lead.

The kiss grows more intense, and you nip at his bottom lip without thinking. Tugging it gently, sucking it sweet and making him groan.

He pulls away when he hears himself, too afraid to get lost in how you feel, how you taste, when this is supposed to be practice.

His hands remain on your face, pale skin blushed and brown eyes burning with something you can’t name.

“I don’t think you were the problem,” his voice is just above a whisper, your hands still tangled in his hair.

“No?” You repeat, mind still mush. Still focused on his lips.

“Definitely not,” he shakes his head and you fight the urge to kiss him again.

This was just a lesson, you tell yourself and loosen your grip. Hands falling to your sides.

Inside, Eddie is fighting a silent battle. Debating whether to tell you the truth or keep it his best kept secret. How would he even tell you?

Hey, I’ve always had a thing for you?

Could we be more than just friends?

“That’s better than what I could’ve imagined,” or that.

Idiot, he squeezes his eyes shut. Avoiding your surprised gaze, hoping to whatever god that you didn’t hear him but knowing you definitely did.

“W-what?” You stammer, unsure if you heard him right. Did he just say that?

Eddie shrugs, “Oh, c’mon,” he says your name with a shake of his head, opening his eyes and glancing down at his lap. You watch him pick at the frayed hole in his black jeans.

“Don’t tell me you didn’t know,” his voice is thick, lower than before and your face twists as you shake your head.

“Know what?”

The anticipation builds with every second that passes and he doesn’t respond. Building up the courage to say all that he hadn’t before.

“I used to have the craziest crush on you,” he laughs but it’s smaller than before. Your mouth goes dry and your palms sweat as you stare. Heart skidding to a stop because you never thought, never knew, that he felt that way about you.

“The look on your face tells me you didn’t,” he chuckles again, circling your face with one of his ringed fingers but still avoiding your gaze. You can see a hint of uncertainty there, a worry glimmering in them and you want to say something. Anything. To reassure him that you felt that, still feel the same. Have always felt the same but the words are lost on your tongue. Mind stuck on the kiss, his confession, and trying to pinpoint a sign or a clue.

With each passing second, Eddie feels more uncomfortable. More awkward than before.

“Don’t worry, I didn’t expect-“ he starts but you shake your head

“Why didn’t you ever tell me?” You cut him off.

“Because you’re my best friend for some reason and I knew that was already an anomaly. No way you like the town freak as more than a friend,” he shrugs, using self-deprecation as a shield to lessen the inevitable rejection.

You swallow down any fear of repudiation that you’d held onto all of these years.

“So you liked me?” You clarify, trying to see if it’s present or past tense. He squirms a little under your attention giving himself away and you can’t help the goofy grin that spreads across your kiss swollen lips.

“Oh that’s funny to you, Princess?” He jokes but the color of his cheeks deepen until they’re a vibrant red.

“You’re so clueless for someone so smart, Munson,” you shake your head and he finally looks up at you.

You’ve always thought he was handsome, good-looking in every way. From the sharpness of his jaw, to the prominent apples of his cheeks and the roundness of his nose. The kind of cute that was hard to miss, hard to stop staring at when you started. Just like now. Your eyes trace over the freckles dotting his alabaster skin and to his lips. A small countdown in your head and when it reaches zero, you’ll finally have the courage to lean in. For this to be more than just practice.

Three

Two

One

Eddie meets you halfway, his hands on your waist and your hands holding his neck. A soft peck that blossoms into something more. Exploring the plush of his lips, memorizing the way they curve under your kiss. How he sighs, happily, as the seconds drag on.

No, kisses weren’t meant to be rushed or make you nauseous. They were meant to be this. A rush of excitement, the thud of your heart, the way the world around you fades away until all you can feel is Eddie. Your best friend Eddie. All the stereotypical descriptors couldn’t do this justice.

—

thank you for reading! xx el

[remxedmoon]

You should tell us about color psychology that sounds cool as hell

YES… HA HA HA… YES!

GGGOD I WISH I WASN’T OUT OF THE HOUSE RIGHT NOW. but i’ve been thinking about colors literally all day so you all get to be subject to my madness! sorry this is long and rambly wauaua. nightmarishly long post under the cut.

okay. first things first, a few basics. color theory and color psychology tend to get confused a lot in discussions, but they usually refer to different things. color theory is more about we physically perceive colors (color wheels and color schemes the like), while color psychology focuses on our emotional response to colors. if you’re familiar with the children’s hospital color theory post, that poster wasn’t actually talking about color theory, but color psychology (and also it’s incredibly surface level and heavily misunderstands the subject because in what fucking universe does the quantity of positive associations with a color matter more than the context it’s used in and sorry i have personal beef with this tumblr post).

color theory is also a special interest of mine but i’m not gonna touch on it too much here because it’s not entirely important. mmmaybe another time…

essentially, certain colors (and color combinations) have associations in our brains and that affect our behavior and emotions. these associations are also very much affected by the context a color is used in. colors don’t exist in a vacuum! so while red can symbolize passion and love when used in something like a dress or a bouquet of flowers, it has a very different connotation when it’s, say, splattered on the walls or smeared on the ground in a snail trail.

or for a less Children’s Hospital Themed example, i’ll put my euphrasie and king designs here!

(of course the saturation and brightness of these blues play a massive part in how they’re perceived but this is not a post about color theory this is n)

and, of course, combining colors in a piece can also change their meanings!! i’m about to get real fucking normal.

i’m gonna be focusing on the color combo of red and yellow here because it’s the one that’s most relevant to my art (and also it’s really interesting.) basically, seeing these two colors together activates the part of our brain that controls our appetite, making us actually feel hungry. this is why so many food companies use red and yellow in their branding! it’s neat stuff!!

also, if you’re familiar with it, this is why the mv for butcher vanity uses this color palette!! along with red’s general associations with danger and blood, the color combo also physically induces hunger. pretty fitting for a song about cannibalism!

(there is also red’s association with lust and passion and how that intersects with the double meaning in the lyrics but i cannot derail this post into being an analysis of butcher vanity i’m sorry. we’d be here all week. maybe another day... wipes a tear from my eye)

and i think this might be the reason why some people feel hungry when they see my art, even when i’m not drawing food. while i don’t tend to use red outright, most of my art has very warm undertones (red-oranges and yellows especially), which could be activating that hunger response??

(ah fuck color theory managed to weasel its way into this post again)

admittedly this part is just speculation on my end. i think my rendering style and Shapes also play a role in it, but it’s interesting for me to think about!!

this is only scratching the surface of how complicated colors can get. i was going to go on an entire tangent about color grading and how green lighting can make a scene feel unnerving but this post is already Too Fucking Long. aaaa super sorry if this is Rambly or hard to understand!! i’m not Entirely sure how much the average person knows about color theory and psychology so if there’s any confusing terms here i’m fine with adding stuff for clarity!

wauauuaa thank you so much for asking!!!! i love talking about colors.

tl;dr colors have a bunch of different emotions and meanings tied to them, but you’ve gotta pay attention to the context in which it’s being used. so maybe take a step back before you put that thick red trail on the floor of your children’s hospital.

[dearlyya]

TIL’ WE MEET AGAIN | Young!Silco x Fem!Reader

Chapter One-Persistence; When a coward turns hero.

Warnings; Angst, pre-canon, hurt/comfort, Zaunites, Piltians, revolution, violence, blood, gore, drinking, smoking, gambling, swearing, sex, brothels, drugs, slow burn, the reader is a coward at first, original character (Wynn), strangers to lovers, bittersweet, Old Silco being weirdly sentimental, Jinx being noisy, and major character death.

A/N; I don’t do taglists, sorry. I also want to thank my friend for supporting my writing, proofreading, and character creation of Wynn. Love you, bro.

PREVIOUS CHAPTER | NEXT CHAPTER | MASTERLIST

Undercity is considered an industrial stain nestled beneath the grand city of Piltover.

With air that hangs heavy, and its people feral. Towering smokestacks belch black smoke into the already smog sky, casting long shadows over the cramped alleyways and buildings. The streets are strewn with discarded scrap metal, chemical waste, and other debris of the relentless production that drives the Undercity's economy. 

The warm green glow of the gas lamps casts an eerie, shimmering light over the buzzing market stalls and their wares. Cautious eyes dart about, gripping the crate tightly, as your knuckles white with tension. You trudge through the damp, uneven cobblestone path. Your heavy boots thud, but the market muffles the sound. Wynn strides ahead of you, his boysenberry hair reflecting the green making his hair almost black.

Both of you carry large, sloshing crates of alcohol that clink and bounce with each jostle from the crowded lane. Your tattered cloak draped your form, the hood pulled low to fight against the season's coldness and obscure your face from the lingering enforcers.

You instinctively glance at the enforcers standing near a stall, their voices raised in angry conversation with the stall’s owner, who appears equally irritated. They are likely issuing citations for illegal imports or contraband. Detailed by the other armored man holding up a list and pointing at the merchandise. However, when the vendor suddenly shoves one of them, you quickly avert your gaze, choosing to ignore the escalating commotion and focus on navigating the crowded marketplace.

Fighting wasn’t something you could do against the enforcers unless you’d want a hefty prison sentence or killed. So, you allow them to conduct their inspections and searches, gritting your teeth if their hands linger on your body for far too long.

You did dream of something better, a fictional land where all is peace and harmony, but that's wishful thinking. Life gave the Undercity people the short end of the stick, so now all you want is to keep your life, provide some aid to wanders, and of course keep the tavern: The Last Drop. Afloat.

Some vendors attempt to grab your attention, but you politely shake your head. Keep your eyes trained on Wynn who glides through the people with ease. You stumble and slip between people straining to keep up with your friend. Cursing under your breath at the fact that you could’ve gotten your supply runner to fetch the cargo, but no. Coins have been getting slimmer and slimmer at the drop. One of the many reasons why your resentment, once directed at the enforcers, began to shift towards the rebels who fought against them. While their cause was just, their tactics often made life even harder for the ordinary citizens of the Undercity. Strikes, protests, and their thievery disrupted supply lines which left families and businesses like yours struggling to make ends meet. Of course, this is only rooted in fear. 

Fear of losing more.

The mines that delve deep into Runeterra. Extracting precious minerals to fuel the insatiable demand. Workers in harsh conditions, their health and safety were often sacrificed for the sake of profit. Stark contrasts the cutting-edge innovation of Piltover ‘coexisting’ with the rampant corruption and exploitation they cause the city below them.

Down in the fissures, where deep cracks in the earth have split open, a treacherous underground network of tunnels and caverns caused by the relentless mining and drilling operations. Was bustling with the activity of workers, faces smeared with grime.

You and your father worked in those mines, and many families did. Your life narrowed down to one moment. A vivid horrible memory. You knew you should’ve put up a fight, and struggled against the enforcers alongside the others. When the tears finally spilled over, streaming down your face in hot, bitter rivulets. You couldn’t help but cower. You remember his body and the way the world seemed to tilt and spin around you.

When you pushed yourself up, letting go of a rusty pickaxe. A strong arm shoved you roughly back to the ground. It sent shockwaves through your malnourished body. Your coal-covered glove scraped against the unforgiving, rocky ground as you trembled uncontrollably, shaking like a frightened animal.

A cacophony of screams and desperate cries pierced everyone's ears like shards of glass. Through ‘The Gray’ smog you saw people–workers–were fighting against the enforcers with a fury born of desperation, their voices raw as they tried to reach your father, who was knelt on the ground, clutching the back of his head. Blood, vivid red against the rocks, drips steadily from his fingers, staining the earth beneath him. A macabre work of art. The sight of it sears itself into your mind, something you still see to this day.

Your wide eyes locked onto your father, drinking in every detail of his face, committing it to memory, as the screams and shouts faded into a distant, muffled hum.

He met your gaze, his expression was steady and calm despite the chaos that raged around you. He's trying so hard not to look frightened, putting on a brave face for your sake. He gulped, and in that tiny gesture, you saw the truth of his fear reflected in his eyes. But there's something else there too, a silent message of love and reassurance that told you that everything will be okay, that he'll protect you no matter what happens to him. 

But the man behind him, the one through the smog, the one who raises his gun high above his shoulder–tells a different story. The gun glints harshly reflecting off the gold on the enforcer. Quick to get to your knees, a firm kick sends you forward along with a harsh boot on your back keeps you in place. You cried out at the pressure, as you squirmed to get closer to your father. 

It's a swift blow, brutally efficient in its execution. The butt of the gun connected with the back of his head with a nauseating crack, and he crumpled to the ground. He fell face-first onto the unforgiving rocks. His body would twitch, but the last sliver of life drained away in an instant. You barely heard the final, choked-off words that he never got to finish. His last confession of "I love you" was stolen away by the cruel hand of fate.

Your breathing gets heavy when you remember, each intact a painful reminder of the life that still flows through your veins, even as everything else feels cold and numb. You shakily grip the case. It takes a special kind of strength, and true courage to stand up despite others bringing you down, to crush your hopes and dreams beneath the weight of their fears and insecurities.

You're not sure what you believe in anymore. That day the foundations of your world were shaken when the very ground beneath your feet shifted and crumbled, leaving you feeling lost and adrift in a sea of uncertainty before you were taken by the hand and brought up to a raft. You’ll always be grateful to Wynn. Though, all you know is that life is rather unfair, especially in the Undercity, and all you want to do is survive. Is that selfish? 

Perhaps you are one of those pushovers.

You were too lost in thought when you got pushed to the side, sending you to your left, and letting go of the crate to catch your fall, gritting your teeth you look up but notice it’s those same enforcers now carrying off that vendor's supplies. The one that shoulder checks you, gives you a look, and even with its helmet on you can tell that they’re testing your reaction. You look down at your crate. It’s open and bottles–thankfully not broken–have rolled out.

Maybe you've always been that way, content to let others make the decisions, to follow the path of least resistance rather than forging your way forward. But with the aftermath of your father's lifeless body that laid before you and the weight of powerlessness bearing down on your shoulders, you can't help but wonder if there isn't more to you than that.

Maybe, deep down, buried beneath the layers of fear and self-doubt, there is a spark of courage waiting to be ignited, a flicker of determination that just needs the right circumstances to flare into life.

You carefully lift each bottle to the crate, ensuring they are securely packed. Reaching for a bottle of scotch, your hand accidentally brushes against its neighbor, sending the bottle rolling away. It clicks and clanks across the cobblestone path before disappearing into the shadows of a nearby alley.

You pause, considering whether to retrieve the wayward bottle, but the risk of Wynn ringing your neck for wasting good money has you sighing. A broke bitch during inflation is someone you don’t want to mess with. You continue to pack the remaining bottles and get back to your feet, crate in arms.

No one notices you entering the alley, with your head hanging low. 

The ground is littered with discarded metal scraps, used needles, and unidentifiable substances. Peering from beneath your hood, you scan the area for any sign of the missing bottle, but your search becomes useless. Instead, you hear labored breathing and pained grunts from further down the narrow way. 

Your breath catches in your throat as you take in the scene before you. The glint of gold and blue uniforms mingles with the tattered red of the man's clothing. The sight is all too familiar. The enforcers’ figures huff up and down, laughing at each other in cruel satisfaction as they rain down blows on the man. Their boots connected with sickening thuds against his bloodied body. You can’t tear your eyes away from them. 

The right circumstance is all someone needs.

“Look at you, pathetic like the rest of those revolutionaries. You’re nothing but a filthy rat scurrying in the gutters and trash of refined people.” One of them coo, tilting their head at the body, you step closer.

You should move on, and let them take this man’s life if need be, so you can slip by unnoticed. It would be far more understandable than helping someone out of the kindness of your heart, but you have never felt such a surge of emotion before. The impending doom that bloomed in your gut yelling in your ear with a booming voice telling you that if you didn’t help this man you’d truly be the vermin that topside thinks you are. You can’t explain it to yourself, all your bitter-laced words and morals clashed when you heard them throwing those humiliating remarks. 

The right circumstance is all she needed.

The enforcers continue to beat him. You don’t think very much, the few thoughts that pass your mind are typically about personal survival, so thinking about beating these men into a pulp like they are with your fellow scum has you dropping the crate and racing towards them. Your heart is in your ears, bile backing up in your throat, as your coat flies off you. The knife you grip sinks into the nearest Piltie. Into their exposed armor between the helmet and chest plate. An honest, lucky blow to the neck.

He yelps, stopping his assault to cradle the wound that spurts blood between his gloved fingers. He staggers away as the other enforcer finally grasps the situation. With your dagger in the side of the other guy's neck, you quickly skimmed around the alley looking for a possible weapon, you spotted the bottle but you weren’t quick enough. The intact enforcer rushed at you and slammed you against the brick wall of a building. Your head hits it roughly dazing you. Your windpipe closes up when the enforcer pushes your throat with his forearm. His metal suit cuffs dig into your skin. You're frantic now. 

Shit–you didn’t think this through. Death was now a concrete possibility, and dying next to the man you tried so hard to save felt like the greatest irony. The pain shooting through your neck grew unbearable, causing tears to well up and cascade down your cheeks, despite the insults being thrown your way.

On this final night alive, you admit to yourself that you might have cared about the revolution after all. Your body was lifted off the ground, dangling up near this blue and gold-clad man. Both of your hands grip his gloves, trying to cause any damage by digging your nails into him. More tears roll. You weren’t crying because your own life was flashing before your eyes, but because you couldn’t save a symbol. A figure of hope.

The enforcer that you stabbed lays slumped against a gross dumpster, his hand weakly clawing at the stab wound in his neck. Crimson blood seeped through his armor, staining it a dark, glistening red. He twitched and spasmed as blood continued to spurt from the exposed injury. Despite everything a pang of guilt flickered in your chest. You had never taken a life before. Your gaze drifted to his neck, and realization dawned on you–your dagger was missing. As you slipped in and out of consciousness, the grip on your neck loosened.

The enforcer collapsed on top of you, pinning you beneath his weight as he sank to the ground his body took you with it. You coughed and gasped, and with a wave of nausea rising in your throat and bobbing pain around it you pushed the body off you. Looking up, you met the gaze of the man you had ‘saved’. He was huffing heavily, his eyes wide and wild mixed with shock on his pale face. 

Drenched in blood, sweat, and sporting bruises all over. His long hair clings to his face, some falling out of the low ponytail. His dark red tunic under a dirty gray cut-off vest. His body quivering on the brink of exhaustion. His gaze was glossy, only fueled by the last dose of adrenaline. With a final stumble, he crumpled to the ground. The knife in hand slipped away as he fell. You stare. Watching him lay defenseless, a newfound courage stirred within you, and for once in your life you know your stance. Now not cowering and licking the boots of those higher than you. You own up to the consequences, yet you still tremble. Your chest rose and fell with the rhythm of your heightened adrenaline as the footsteps of additional enforcers echoed.

You crawl to him, lowering yourself to his chest, and pray you still hear a heartbeat, and you do, it’s faint. Now kneeling, you carefully hoist his right arm over your shoulder, providing support for him to lean on. He was heavy, but his weight wasn’t overwhelming, allowing you to walk slowly with him. It was clear that he needed medical attention, and so did you. You can feel the cold blood dripping down the back of your head and the tight, painful bruise forming around your neck. You aren’t some hero, a normal citizen in a position of life and death—you’ll never become a foundation of hope in your city like in your childhood. 

And she never does. 

Your experience as a kid had given you an edge, as you used to steal from stalls and run away as they tried to chase you. Now, at the age of twenty, you thank your young self for your knowledge of the best shortcuts. It comes in handy when you hide with the unconscious man by your side, evading the enforcers who finally notice their dead brothers. From around the corner, you watch a group of them trek down the main street. You make your dash to the other side, going unnoticed.

“I got you, we’re almost there” Your voice croaks, not sure if you are trying to reassure the blacked-out man or yourself, probably the latter. There's a sign, not from Janna, but from The Last Drop. Dipping into the alley next to the tavern you head around back. Your arm that is wrapped around his slim torso is drying with his blood. More blood pools on your shoulder from his broken nose. You have to prop him up on the wall to open the cellar doors, and you both descend. 

Storage racks and unopened boxes flitter the basement. However, in the corner is a cot and stool. It’s the small medical area that you would use to aid people, usually, it was for small wounds like someone with a busted lip because they got into a fight in the bar.

So, with an injured rebel who hangs on your shoulder, you are well below practice. You manage to push the battered man off you and onto the cot. He slumps halfway off the bed, so you gently roll him back, carefully lifting his legs one by one to fully position him on the cot. Your hands tremble slightly as you work, the adrenaline running thin. 

You run a hand over your hair, feeling the back of your skull. As you bring your hand back to your eyes, you’re met with deep red staining your fingers. Your wound hits you, and you finally grasp the pounding headache you have. You slowly sit on the stool beside the cot.

“Shit” You mutter, your voice barely above a whisper, despite your possible concussion your priority is the very wanted rebel to your left. Take a deep breath to steady yourself and assess him.

His chest heaves in sparse, and uneven breaths through his busted nose. He’s still grasping onto the little energy his body has left to give. You rub up the bridge of your nose. The gravity of harboring a wanted revolutionary is not lost on you. Though at this moment, all that matters is saving his life, and not falling over while doing it. 

You lean onto your elbows while sitting, glancing at the empty bucket and washcloth, getting ready to work.

[phin-and-frob]

YES and like it's less directly referenced, but the show also touches on how wirt's negative self image and "nobody wants me I must be doomed to walk this life alone" bit, where he simultaneously longs for social connection/acceptance while also romanticizing and waxing poetic about his isolation and inclination self reliance, is likely being reinforced by his experience in the blended family dynamic.

he feels disconnected from his family, like an outsider. While some kids get angry at the new parent/siblings that are introduced, wirt projects the "blame" inward onto himself. its possible he feels like greg + Greg's dad his mom's preferred or *real* family and he's just a reminder of a past mistake and is unwanted. And/or he might just feel like there's not a space for himself in his mom's new life.

Especially with their age difference there was probably several years where the majority of the mental and emotional energy in the family was focused on taking care of the new baby. So wirt has developed a mentality of self reliance tinted with some feelings of being unwanted/unlikable (this mentality can definitely be seen in his social anxiety around his classmates and how he thinks they all hate him when they are mostly just neutral about him).

So he doesn't have a strong sense of belonging within his family unit or among his peers at school. So he tends to turn inward and pace around in his own head stewing on his thoughts and worries. and likely seeks out and clings tightly to any glimpses of representation he can find in the media he consumes (poetry, music, books etc). So he ends up idealizing this sort of misunderstood lone genius/artist archetype, bc it's a narrative that celebrates other people who feel lonely and misunderstood by the rest of society just like he does.

Also wirt is like 13/14? Puberty is a bitch and psychology 101 will tell you that during the teen years the most important relationships in a person's life shift from being family bonds to bonds with friends and peers.

So wirt is going through this internal struggle between

1 - The part of him that is resigned to isolation and is maybe even proud of it (bc it makes him fit the tragic artist archetype he idolizes)

and

2 - the part of him that feels lonely and is desperately seeking belonging and understanding from others.

And like,,that's rough buddy, puberty is hard I get it.

But as OP pointed out, he's so absorbed in his own internal conflicts and feelings that he brushes off Greg constantly, to the point that he doesn't even realize the unconditional love and acceptance greg is already giving him freely (obv it's not the same type of belonging he needs/wants from peers but it's a start and, crucially, it disproves the idea that he is some tragic loner doomed to a life without love--his family loves him--Greg loves him--he does have a place of belonging in his family-- they want him there!)

and it takes greg almost dying for him to snap out of it and accept the olive branch Greg's been trying to give him the whole time and start repairing his sense of belonging in his family (which in turn seems to help boost his confidence interacting with his peers)

ig in summary: I think wirt's experience with blended family dynamics actually does a lot in terms of helping establish the mindset, characterization, and therefore character development of wirt throughout the series.

like yeah it's easy to say he's just a grumpy teenager who thinks his little brother is lame but he's a teenager with a very specific lived experience that explains and influences how and why he pushes his brother (and other people like his classmates) away when they try to connect with him.

i dont think enough otgw fans talk about the exploration of complex family dynamics that the show manages to weave through pretty much every episode. like the relationship between wirt and greg seems so innocuous in the beginning, just normal aloofness due to the age gap, but as the episodes go on it becomes clear that wirt full on resents greg and actively dismisses him as “his stepdad’s kid,” while greg openly admires/loves wirt and doesnt understand why he wont spend time with him. theres so many little moments that make the lack of reciprocity in their relationship obvious, and it literally takes almost DYING for wirt to understand that he needs to treat his brother better. like holy fuck man ill be shocked if the person who wrote their backstory doesnt have a step/half-sibling cause WOW they got it right

[lndsismaeverything]

I'm here | sylus x mc/reader

An: this came up bec it happen to me I frequently got nightmares. And the only thing that makes me go back to sleep is hugging my plushy and listening to some music

Words : 0.5k more or less

It was late at night as you sleep in sylus bedroom , sylus went out with the twins for a meeting leaving you alone.

You couldn't move .

Your body cold even when you have the blanket around you .

You couldn't wake up from this dream, you knew it was a dream but can't wake up. You wake up many times but can't get out of if. You are stuck in this sleep paralysis

You finally woke up when sylus came to the room and saw the discomfort on your face. He gently wakes you up. Softy shaking your shoulders to wake you up

" sweetie? "

" are you alright ? " you jolted awake you looked around your surroundings before you stood up from the bed, sylus gently warps his arm around your shoulder using his thumb to rub smooth circles.

Hes clearly worried about you

" yea...im fine now.. Just had a nightmare that I couldn't wake up, don't think I can sleep for the time being "

" is that so... I have a way to make you sleep better. Give me a minute , sweetie" with that sylus leave the room

He comes back with a cup of warm milk and handed to you.

He started to play one of his vintage record player as it plays some classical music.

" do you want to talk about your nightmare , sweetie? "

" it's just something stupid nightmare that hunts me everytime " sylus brow frown knowing this isn't the first time you've gone through it

" how did the meeting go ?" You asked putting the mug down next to the night stand . Changing the subject

" it went surprisingly well , I do have have another meeting soon" he changed his clothes and joins you on the bed

" they why are you changing ?" You asked curiously as he's switching for his usual work clothes to his sleep wear

" to get to bed, what ells kitten "

" but don't you have another meeting soon?"

" they won't mind if I move the date. " he pulled you closer to his chest and played with your hair

" you are more important right now, i can't go out without worrying you having another nightmare that you can't wake up from "

"Thank you...sy'' you snuggled against his chest wrapping your arm around him feeling his warmth

" shhh... Go to sleep"

" and don't worry I'm here "

As the night got darker, rain slowly made its way to the ground. The sound of rain and the sound of the music playing in the back and the warmth from sylus... It didn't take you long before sleeps takes over you

This would also suit for zayne x mx / reader too don't you think?

Sho I write it down?

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[killjoy-crashcart]

hang on i need to talk about these frames again

theres such a slight but important different in Poison's expressions here

i think its in between these frames that they realize they are not going to come out of this alive

there's a realization alongside the fear in the second one, where there's just fear in the first one

i mean, of course they're afraid in both, they're literally under heavy fire and in this absurdly dangerous mission, it's fuckin' scary, but the second one...

there's a difference between being scared for your life, and realizing that you were right to be scared

hugging the girl as a "hello again" and realizing that you are also hugging her goodbye i don't KNOW

i don't think i'm articulating this well. it is very much 4:30am when i'm writing this. but do we see what i'm getting at here. there's an important difference here i'm gonna come back to this when i can think straight

[frobby]

The fact that shiro fucked up so bad at parenting that both rin AND yukio are victims of parentification is so crazy

[missingininaction]

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART ONE —

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's begin with...

Titans: Dark and Light, Compassion and Rage, the Eternal Hymn and its Endless Listeners (1/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

Alright, pals. If you've been here a while, you know how this goes. I always start by listing what we're going to cover, like anyone who's never fully recovered from academia.

Today's Discussion:

What Veilguard (Re)Taught Us about the Titans

The Titans the first Shapers of the known world.

The Titans are beings of the Abyss.

The Titans are sleeping, dormant—but alive.

Dwarves are the Titans' children, created to tend them.

The Evanuris mined the Titans' bodies to create people.

The Titans—the Earth—fought back.

What Veilguard (Re)Taught Us about the Titans

The best thing about Dragon Age, as someone who loves the series to death, is that its worldbuilding is consistent, but also bears the unique quality that we, as players, are not aware of it all. Our protagonists in each game don't know everything; the people they learn from also don't know everything. We learn what we can through codices that are all biased and need an extra layer of decoding. This is a feature, not a bug.

It also means that we did not know how to understand the Titans before. Even my 30,000 words of theorycrafting, especially my piece all about the Titans, had elements of speculation. I had to check that speculation against other sources like the Chant of Light, which is a source that we REALLY did not know how to decode when it was revealed piece by piece in DAO, DA2, World of Thedas, and Inquisition.

Here, I'm going to break it all down, piece by piece.

The Titans were the first Shapers of the (known) world.

It is said in the Descent DLC that Titans are enormous beings whose singing shapes the world. Their existence predates much of Thedas, if not all of it. The Titans are called the first Shapers for this reason, and in Veilguard it is restated several times over that they did, indeed, shape the world—for instance, by Cole in Inquisition.

"Their ancient shapers were mountains drawn of all their wills, walking their memories into valleys of the world." —Cole dialogue.

Inquisition told us so much more about the Titans than just that, though. The Titans have a realm all their own, a counterpart to the Fade, mentioned over and again in the Chant of Light and referenced as a quest name in Inquisition.

Here lies the abyss: the well of all souls.

The Titans are beings of the Abyss.

Now, it's important that I mention right here that the Chant of Light has existed long before Inquisition. In fact, its tale is what opens DA:O as the game begins. Recently Eurogamer stated that BioWare has had a massive lore document for the 20+ years of its existence, and I believe that there is no truer example of this than in the Chant of Light itself.

The Abyss, for a long time, was a mystery to us. Inquisition cleared it up a lot—not only with its game content, but with World of Thedas' publication shortly thereafter.

Not only is the Abyss referred to in many elven codices, but we go there. The key locations of the Descent DLC—the Forgotten Caverns, Bastion of the Pure, and the Wellspring—are in a region called the Uncharted Abyss.

Now, with Harding, we go deeper into the Deep Roads than the average dweller. The same is true in that instance: venture down far enough, and we reach a Titan's heart.

We find a Titan's heart there. But the Titan does not wake—none have before DA:tV, and even then, they have not fully woken. Because, for as long as we have known...

The Titans are sleeping, dormant—but alive.

"It's singing. A they that's an it that's asleep, but still making music." — Cole dialogue.

There is so much Cole dialogue in Inquisition that speaks on the sleeping Titans, on their old songs that once sang the same, on how they will never wake up, that it would be folly to try and post every codex here. Suffice it to say: Cole knows of the Titans, knows of their songs, and knows they are asleep. He is one of the pathways to our knowledge of the Titans in Inquisition, and his words are peppered throughout the game.

The Chant of Light also makes reference to a mountainous Maker, who oft speaks about a forgotten mountain. When Andraste meets the Maker "in darkness unbroken," specifically, these words are used:

The Maker Appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. — Andraste 1:7

Heart that is broken, beats still unceasing — a being who has been broken, but whose heart still beats. We can hear that, in the Descent DLC.

Veilguard confirms that both sources are true through Harding, her personal quest, and the codices for the Dwarven people.

Records that exist outside of Orzammar mention "great sleeping Titans" and "the First Ancestors." — Codex Entry: Harding's Notes: Orzammar and Titans

Harding's experiences in Veilguard, in this way, serve to prove Cole right. That is a deliberate narrative choice: BioWare's way of saying, Yes, this is true. Yes, you should take Cole's take on Titans as correct.

We also know, from Cole, that this state of being is permanent. Not only are the Titans asleep, but they don't know how to wake.

Songs screaming far away. It wants to wake up but can't remember how. No one should be here. — Cole dialogue.

This becomes crucial information in Veilguard, and central to the main plot. It serves as the backdrop for what actually matters most to the characters living in Thedas right now, which is...

Dwarves are the Titans' children, created to tend them.

By now, a lot of people have seen this reveal in the art book: the dwarves were created to tend to their Titan hosts/makers. But we knew this before—we just didn't know it in context, and therefore we did not believe it to be objectively true of Thedas.

In truth, we've known about the elves and the dwarves' origin since the Chant of Light came out in full with World of Thedas volume 2.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I talk about it in more depth in my Chant of Light dissection, but what this verse says in context is that the dwarves (the Maker's second children) are beings crafted by the maker: bodies made of lyrium, souls made of the same "dream and idea, hope and fear" as the original spirits.

This concept has already been massively hinted toward with both Valta (who has become The Oracle in DA:tV) and Dagna, who both connect to isatunoll during Descent and Inquisition's base game, respectively.

We've known about the Evanuris' horrible crimes since before Inquisition, as well, for the same reason and from the same verses in the Chant of Light.

Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father." (8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty. — Threnodies 5

With the context given to us by Trespasser and Veilguard, we know without a doubt that the Evanuris are those "jealous spirits" that comprise the Maker's first children.

And just like the Chant describes, they sought to conquer the earth: the realm of the Titans.

The Evanuris mined the Titans' bodies to create people.

Trespasser taught us so much of what we needed to know about the Evanuris' and Titans' conflicts. Its codices in the Deep Roads outline how it was Mythal, specifically, creating some of the first elves in the coffins found in that zone. The Temple of Solasan features coffins of the exact same kind.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. — Codex: Torn Notebook in the Deep Roads, Section 3

My (updated) translation: Isatunoll Mythal gives you dreams Lyrium within Becomes Solas evanuris Little stone boy You give nothing to the Titan (anymore) Forever, forever.

Trespasser reveals that Mythal mined the bodies of slain titans and rendered their demesne unto the People: she conquered Titans and used their bodies for her own ends. The hints about these actions, however, are not exclusive to Trespasser, nor to Solasan. These seeds were planted all the way back at the Temple of Mythal.

Elgar'nan, Wrath and Thunder, Give us glory. Give us victory, over the Earth that shakes our cities. Strike the usurpers with your lightning. Burn the ground under your gaze. Bring Winged Death against those who throw down our work. Elgar'nan, help us tame the land.

This codex to Elgar'nan makes reference to Elgar'nan giving victory over the Earth (capital-E, the Titans). Trespasser would follow this up with much context—that it was Mythal who was first known to have slain Titans, "rendering their demesne unto the People."

I theorized that Mythal's mining of Titans for lyrium to make elvhen bodies was what angered the Titans, based on codices in Trespasser and the Temple of Solasan. (I go into much more depth there!) Veilguard confirms this theory in Solas' Memory #4: A Memory of Manifestation.

Solas: I have the Fade. Besides, this talk of taking on a solid form. When you took the glowing stone to build your body, did the earth not shake? Mythal: The lyrium gives us the strength we had when we were of the Fade. We are the best of physical and spirit.

Mythal's crime was what took the war with the Titans in a new, darker direction. It was what would set off the chain of events that would change the very nature of the world—and it was foreshadowed, back in Inquisition, by Cole.

The Titans—the Earth—fought back.

"They made bodies from the earth, and the earth was afraid. It fought back, but they made it forget." — Cole dialogue.

In this post, I theorized that it was Solas' creation itself that caused the first Titan to "go red." That is to say, to change its nature and fight back. I used codices from Trespasser and Solasan to get there, as well as one paragraph from World of Thedas and this codex on Fen'Harel that describe the Forgotten Ones as "beings of terror, malice, spite, and pestilence."

Thinking about those words, and specifically terror, I read the codex in the secret Deep Roads room in Trespasser with fresh perspective.

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

Terror. The first of the turned Titans. The fire/plant/ice imagery also caught my eye, and when I went back to Solasan to check, there were many hints that this was, indeed, where Terror came into being. (For more, go look at the most recently linked post in this section!)

Huge implications for Solas aside, what this codex taught me is that Titans' natures could change. This was confirmed in Veilguard many times over, yes—but my point here is that Inquisition taught this to me, just a few days before I gained the context of Veilguard. This was never a retcon! However, this lore plays exactly to BioWare's rules: we did not have the full context, and so almost no one read that Deep Roads codex as it was meant to be interpreted—including me, the first few times I read it!

It was only when I'd seen the achievement icons before Veilguard's release that it all clicked for me. All of the lore of Inquisition and everything before it made sense. That was never a bug, never a retcon, but a genius twist on BioWare's behalf: one that almost no one guessed at for an entire decade.

One that changes everything.

Titans, we know for certain now, behave as spirits. Obscure hints in World of Thedas, Inquisition, and the previous games have been confirmed in Veilguard. This new understanding changes not just the Titans, not just the dwarves, but reframes everything we know about the entire history of Thedas and how its magic system works.

______

Thank you for reading! It means a lot when people engage with these. And don't worry: I'm not nearly through with them. It's taken me a while to compile everything, but with more of Veilguard added to the wiki every day, it's a lot easier to compile things for these posts!

(Immense thanks to the wiki staff, of course. <3)

Up Next: Titans and Spirits are far more similar than we think, and it means everything.

[nocturnaclysm]

I'm going to start off by highly, highly recommending What is Body Horror? by Shannon Lewis if you want to know what body horror entails, because the above definition is far too simplistic. It also fails to take into account why we love body horror so much, and fails to acknowledge how it's being utilized so cleverly in Mouthwashing.

Body horror holds a mirror up to the person, saying “this is you”; the person’s reaction is to reply, “it can’t be.”

Body horror is complex, but at its core are two crucial ideas: 1) loss (loss of autonomy, loss of self, loss of control, etc.), and 2) confronting your own mortality and vulnerability of the flesh. These two things are precisely why the devs chose to use Curly's circumstances as a storytelling device; his disability functions to parallel the loss of autonomy and vulnerability felt by Anya, not as a punishment but as a consequence of his own inaction. The horror is on Curly's end, as he's forced to look in the mirror only to not recognize himself, to realize that he's not the person he thought he was - not because he's disfigured, but because his disfigurement is a physical manifestation of his complacency in a system that functions to strip others (i.e. women) of their own autonomy and safety. Only when he's finally able to acknowledge this does he lose the ability he once had to do something about it, and all he can do is watch his inaction unfold before him, and to him, powerless now to stop it.

"Even the most natural process can feel like a perversion to the person to whom it is occurring."

Attributing ableism to this interpretation of Curly's character shows a lack of understanding for what body horror really represents. Body horror isn't horror because the body in question is disfigured or itself scary. It's horror because it forces you to confront your own vulnerability, because it's in our a nature, a primal instinct, to fear the "unnatural transformation, destruction, or degeneration of the human body or other creatures." It's in our nature to avoid it, to want to prevent it, and fear is a universal, primal emotion that's helped get humanity far enough to contemplate it. One could (and many, including myself, do) argue that having a body at all is inherently grotesque and horrific; our bodies smell, leak, decay, we're crawling with bacteria, we're susceptible to infection and disease, our insides spill out, shed, excrete. Most of all, we feel pain. Pain is a concept crucial to understanding Curly as body horror; the sounds he makes when you're feeding him his pill, the wailing you hear when he needs it, the blood-soaked bandages trying and failing to conceal the raw, exposed flesh underneath. The unbandaged eye following your every move, his only form of communication outside of agonized moans. It's horrific because he can't do anything but endure it, because there's no escaping it, not even in death. Jimmy took that from him, too. (The horror is on Jimmy's end just as well, while we're at it. He has to stare his sins right in the face and reconcile with them, but he fears it. Fears him. Again, not because he's disfigured, but because his disfigurement represents something much larger, much more horrific - the consequences of his own actions and the need to "take responsibility" for them.)

As the article touches on, though, there is a way to paint certain bodies that can be read as ableist (ex. "stories that position becoming disabled as a “fate worse than death”, antagonists with marked visible disabilities when compared with the “heroes.”"). This is an important distinction to make, but interpreting Curly's circumstances as body horror does not align with this (unless they're expressly saying he's horrific himself for being disabled, which I don't think anyone is arguing). Mouthwashing is a horror game after all. The use of Curly's disfigured body to instill fear in the player is deliberate, a perfect representation of what body horror represents. Whether or not you agree with its use is another conversation entirely, but make no mistake - Curly's disfigurement is horrific, in more ways than one.

body horror is defined as a horror subgenre depicting "the unnatural transformation, destruction, or degeneration of the human body or other creatures".

mouthwashing things that are body horror (or adjacent):

giant womb full'a horse fetuses

hallway full of giant curly eyeballs

climbing out of a giant disembodied curly head

polle centipede

jimmy dismembering and eating parts of curly (cannibalism; the dehumanisation and consumption of human meat)

mouthwashing things that are not body horror:

curly being a burn victim & amputee

[raven-at-the-writing-desk]

I wonder what would happen if the Glorious Masquerade gang and the PlayfulLand group swapped places 🤔

I've previously speculated on what Rollo's interactions with Ace, Ortho, Lilia, and Leona would be like! However, those were written under the pretense that there would be an event directly following Glorious Masquerade in the in-game timeline (so the other 11 NRC students would walk in already knowing what went down the first GloMas). The Anon above seems to be asking for a slightly different scenario in mind: what if the Playful Land attendees went to the Glorious Masquerade and the Glorious Masquerade guests went to Playful Land to begin with?

Instead of linking you to those old posts (since they're running on a slightly different premise), I'm going to present you all of my thoughts in this post that you're currently reading!!

Please note:

I will assume the same major story beats play out. The focus of this post is how Rollo, Fellow, and/or Gidel would interact with a different cast of characters, as well as how the NRC boys would react to the new circumstances they are in.

For simplicity’s sake, I will also assume the same SSR trios (even if I think other characters could be as meaningful in those roles); this means SSR Ortho, Ace, and Kalim vs Rollo and SSR Malleus, Idia, and Azul vs Fellow and Gidel. There will be a more intense focus on the interactions between these characters over the others, as well as how they problem solve.

The same rarities apply for everyone else. That means Floyd stays a SR in GloMas, Silver stays a R for Playful Land, etc.

I won’t be talking about Yuu and/or Grim’s roles in these events since they’re present in both and don’t play a large part in the conflict and its resolution. (The latter also applies for Trein.)

Technically I believe only the SSR trio of GloMasq learned about Rollo's motivations in detail, but 🤡 I think it'd be so fascinating if other characters knew and reacted to this knowledge too, so I will be writing my thoughts about that.

Are you ready? Then… Let’s go to the Glorious Masquerade/Playful Land!!

Glorious Masquerade:

Lilia

Gramps would have so much fun exploring the city and learning about its history! He'd be especially fascinated by NBC, since he hasn't had the chance to visit its campus before.

Praises Rollo for being so young yet so knowledgeable and respectful of the City of Flowers' history. It has changed so much since Lilia was last here! They're... amicable enough at first, but Rollo doesn't care for Lilia's penchant for surprises and sometimes juvenile proclivities.

Aggressively cuddles the community goats. (“They’re almost as cute as I am!”)

Of course, Lilia will have to pick up souvenirs for all of his children back home.

Lilia quickly becomes chums with the gargoyles as soon as he realizes they’re alive. He’ll talk about wanting to bring Malleus next time to see the talking gargoyles, which evokes a dark chuckle from Rollo.

Lilia would probably also be busting a move and spamming so much fun magic during the Festival of Fools/Topsy Turvy Day celebration (and make Rollo so mad in the process).

I like to imagine that Lilia, in his old age and wisdom, is the one that identifies the fire lotuses/crimson flowers right away and exposits to everyone else about what they are and what danger they pose to the world.

One of the first to volunteer himself as a sacrificial pawn to let the youngins charge ahead. After all, that's his duty as the oldest in the group 🎵 (but he actually ends up being one of the final ones to stay behind instead of the first; Lilia's just too strong of a card to play right away!)

Assuming that Lilia learns about Rollo's motives in the end, I feel like he'd give Rollo a verbal smackdown (similar to how he went after Leona's ass in book 2). Though Lilia understands the importance of family and the pain of losing loved ones, he'll never agree with, nor stand by, Rollo when he's taking such extreme measures to reconcile with his guilt. He’d probably lecture him at the masquerade too, trying to get Rollo to understand the positives of people opening up and coming together instead of living in isolation and narrow mindedness.

Like Trein, Lilia might keep himself open or make an effort to keep an eye on Rollo following the events. You never know when he might need advice or a mentor figure. What the not attempted was awful, but Lilia won’t allow hate to win out in the end. What he most desires is a world where everyone—even Rollo—can live in harmony.

Jack

Gives Rollo his utmost respect—after all, he’s an upperclassman and a representative from another school!! He tries to smile and listen attentively when Rollo speaks, though it’s hard for Jack to sense much of anything from him. Jack defers to Leona for his opinion, then marvels at his dorm leader’s wisdom.

He’s really impressed by Rollo’s discipline, from his detailed schedules to his exact meals every day. It’s not that different than following a strict training regimen!

Jack is the strong, silent type that just goes along with whatever the rest of his tour group wants to see and do.

His face normally makes people wary or feel intimidated. Since it’s Topsy Turvy Day they celebrate and laugh with him instead of shying away.

The goats try chewing on Jack’s tail, then they get skittish and scatter when he growls at them and tells them to cut it out.

When magic isn’t an option, leave it to Jack to be the raw physical powerhouse that buys the group time to ascend the bell tower!

Jack can't say that he understands Rollo's motivations, but as a big brother himself, he knows he'd be devastated to lose his siblings in such a way. Even so, he can't accept this--no, he swears to protect that which he loves. "Let's see whose will persists over the other's."

Trey

“It's nice to meet another Normal, Totally Sane, and Responsible person you,” Trey says, shaking Rollo’s hand. (Boy has no idea wtf is in store for them later.)

He unnerves Rollo by asking him how often he brushes his teeth and flosses after a single croissant. (Trey should compare his eyes to grapes too :3)

Very interested in sampling the local goods and pastries. He chats with the bakers about their techniques and specialties. Trey will try to recreate them for Heartslabyul since he can’t bring them back fresh for his dorm. Maybe he could try presenting Riddle with a grape tart instead of the usual strawberry?

He makes a dad joke about candying the flowers and eating them like sugared violets. No one laughs so he has to explain he wasn’t serious.

Like Lilia, Trey feels compelled to step up to the plate for his juniors when push comes to shove. “Riddle will kill me dead if I don’t make sure our dorm members are safe.” And with a solemn tip of his hat, Trey’s off to do battle with the deadly blooms.

Trey would feel bad for Rollo once everything comes to light. Of course it’s not easy for an older brother to lose their younger sibling—Trey’s an older brother too. There’s a guilt mixed with his sorrow, a part of him wondering if Rollo would still feel this way had someone been there to emotionally support him. It reminds Trey of his own complicated feelings when he didn’t deescalate Riddle’s rage. Who here was really responsible: Rollo, or the world he felt had failed him? That’s the question that Trey asks himself.

Jade

Jade immediately tries to flatter and befriend Rollo. (It pays to have friends in high places, no?) He makes it known that if Rollo ever needs any help, he’d be more than happy to assist. Rollo assures Jade that he doesn’t, he prefers to work alone—much to the eel’s disappointment. “Well, the offer is always on the table,” he says hopefully.

He'd be fascinated by all of the flora unique to the City of Flowers thanks to the Bell of Salvation's magic. Probably stockpiling stuff to bring back home and cultivate for personal projects such as his terrariums or various potions.

Jade stops by almost every food shop or stall to sample the local wares. He has a very healthy appetite (plus, Azul sent him on a mission to scope out the flavors of the city).

He’d love the glass mobiles—they remind him of the trinkets the Mermaid Princess of old would collect in her treasure trove.

Jade’s at first amused by the idea of flowers that fight back and actually pose a formidable threat to mages. Damn, it should have been him, not Rollo/j It’s so out of the ordinary—how could he not be entertained? It’s not every day that you face the end of the world as you know it.

He still helps in the battle to the bell tower, but he won’t automatically put himself in danger if others are willing to first. Jade has to preserve himself first and foremost! He’d probably try to manipulate NBC mob students to be his human shields before directly fighting the flowers.

Every so often he will drop an ironic comment like, “How dedicated Rollo-san must be to cultivate such beautiful and rare flowers.” (“Don’t act impressed by this!!” his classmates shout back.) Jade reassures them he’s taking this seriously, he’s just stopping to smell the roses along the way 😌

When the truth comes out, Jade claims that Rollo is a “poor, unfortunate soul” and offers nothing but pity for him. Internally, he’s marveling at the turn of events—surprised that the SSR trio would stoop to peeking in Rollo’s diary for information that’s something Jade would do himself www, chuckling at Rollo’s desperate struggle for salvation. It was well worth coming on this trip just to witness this all play out himself.

Cater

He’s his usual friendly, bubbly self around Rollo. The problem is that Rollo doesn’t reciprocate any of Cater’s attempts to socialize—he keeps things curt and professional.

Pulls Rollo into selfies and tells him to smile. Rollo doesn't.

Shocked when he learns Rollo prefers letters for texting or email. Rollo is just as appalled by Cater’s phone addiction.

Loooves the of and breads the city has to offer! The wide variety is aesthetically pleasing and keeps his camera sated. Plus, he doesn’t mind eating them instead of the sweets being offered.

Constantly snapping pictures to post on Magicam, cooing about how he loves "the vibes". (He also has documentation on his phone of the whole "wow, the city is infested with flowers" incident, but had to purge them when the group decides to let Rollo live with the guilt to himself.)

Cater would rely on the others to volunteer as shields first before he gets involves with the battles. He’d probably be one of the students to be forced into a situation where he has to fight the flowers (similar to how Jamil and Ruggie got cut off from the group and were forced to stay behind).

He could use his UM to make Cater copies that help to distract the flowers. I’m not sure how he could be impacted as the caster or if magic would still be absorbed if the flowers got to the clones and made them dissipate upon impact, but it’s worth a shot.

Despair is an emotion that Cater knows well but doesn’t show. Seeing that in Rollo strikes a nerve in him. His own loneliness and hopelessness is an echo of Cater’s. “Do you think this could have been avoided if someone had just been there for him?” Trey asks. (“I don’t know,” Cater replies, feeling as though he’s been punched in the gut. “It’s still totally not cool what he did though!”)

Vil

Cordial introductions and polite conversation are in order. Vil has no trouble navigating the city, nor dealing with Rollo. He’s had plenty of experience with stiff perfectionists in his industry (and it helps that Vil is one himself).

He compliments the NBC uniforms for being humble yet stylish. Rollo isn’t sure what to make of the comment (his face is blank) but he thanks Vil anyway.

Being a celebrity, Vil turns heads during his city tour. Rollo frowns in disapproval as fans swarm him, regarding Vil as a diva that promotes the sin of overconsumption. It doesn’t help his opinion that Vil often presents in an extravagant manner, full face of makeup, high heels, and all. It’s too much for the man to handle without his handkerchief.

Vil demonstrates an interest in the City of Flowers’ flora, just like Jade does. He’d love to preserve some for potions and his homemade cosmetics, but alas! They wouldn’t last the trip back. He’ll settle for other items: grape infused skincare and prank handkerchiefs—the latter, a bit juvenile, he confesses, but they’d make for excellent props for his Film Research Club.

When disaster strikes, Vil’s ready for action. His elegant, lithe form allows him to tuck and roll out of narrow scrapes with the flowers (all that work he does for doing his own stunts pays off here).

He can’t help but scoff at the irony of Rollo’s predicament. It’s a cruel twist of fate, but he cannot overlook Rollo’s actions. “You stand before a burning city and still call yourself its savior? Nothing could be so sad as a villain who has deluded himself into believing he is a hero. You’re rather full of yourself, aren’t you?”

Leona

Leona doesn’t care for kissing up to others, but he’ll do the bare minimum of greeting Rollo in his “royal persona” before going back to his usual rougher, less polished attitude. He has no one to impress, nor does he care enough to (even with Vil and Rollo chiding him).

He languidly strolls through the halls of NBC as if he owns the place. When his eyes pass over the mob students, they seem to straighten, standing at attention.

Leona doesn’t seem all that thrilled to see the gargoyles around. He gets this scowl on his face and mutters something about how they remind him of a certain lizard who won’t shut up about them. “Lizards, yes,” Rollo mysteriously agrees. “Such despicable, vile creatures.” Leona eyes him—sure to keep that in mind.

He susses out Rollo. Leona has a keen sense for ill intent and stays wary. He might not know what specifically drives Rollo, but he’ll at least as a sneaking suspicion like, "oh, [Rollo] is putting on airs/this isn't his 'true self'," etc.

His heart isn’t in the tour. Leona’s already familiar with the history and culture here thanks to his tutors. As Trein lectures, he’s yawning and thinking about being anywhere but here. Still, Leona doesn’t miss a beat when Trein surprises him with a verbal pop quiz. Sharp as a tack, he responds with a correct answer and a smirk.

He finds some Bibles ancient texts to read later. They came on a strong recommendation from Rollo, who says he and the other NBC students read and recite from it on Sunday mornings. “This had better be good,” Leona grumbles.

The local goats really REALLY like Leona for some reason. They gather at his knees, forming a weird fluffy fortress around him. He growls and tries to shoo them off (their horns are too Malleus-like for his liking), but they keep bleating and bothering him throughout the day. A goat comes to his rescue from the crimson flowers/fire lotuses, just like the legends of foretold—

His strong magic won't do him any good when the flowers reveal themselves. It's a good thing he's got physical strength and flight abilities too, he'll distract the flowers while the others go on ahead! (He'll insist the others will only "weigh him down" to save his pride.)

At the ball, Leona isn't one to mingle. He stands off to the sides, in the shade of the pillars, watching the others dance while he mulls over his power, Rollo's power, that burden of powerful magic they must bear, the scars left from their pasts. "Hmph, how useless," Leona thinks. Struggling against a fate set in stone... He knows that story all too well, and where that story will end: in ruin.

Floyd

Does and says what he wants when he wants, not caring how much Rollo is glaring at him. “Mm? You got a problem with me? Stop hiding behind your handkerchief and say it to my face then.” Floyd’s had too much experience with Jade and Azul’s two-facedness to be patient with Rollo’s bullshit.

Bored with all the historical info being dumped on him (his interest actually flits in and out at very inconvenient times). He sometimes glances away, changes the topic, or runs up to stalls and touches things. Basically, annoying Rollo the entire time.

Buys a bunch of random stuff, whatever catches his interest. Floyd loves the handkerchiefs and their prank potential (he'll startle Azul with them!), and the glass mobiles remind him of all the treasures he collects from shipwrecks back home.

He also gets a bunch of snacks to chomp on as he walks along and peeks at the vendors' wares. Floyd scarcely picks up after himself though, so that leaves Rollo to grumpily follow and pick up the wrappers.

I'm sure he'll come up with some nickname for Rollo (which will annoy him), but I'm not too familiar with marine life so you'll have to do the imagining for a suitable nickname for me lol. Maybe some kind of a jellyfish (since it would resemble the shape of his hat and has stingers despite how demure it looks).

Floyd is eager to fight the flowers once they sprout up. He's never tried punching plants before, but now is as good of a time to try as any! (He has to have a partner that keeps him under control or can compensate for his recklessness, or else he'll just indiscriminately fire off magic...)

When the conflict is all said and done, Floyd is totally chill with having a blast at the party. Rollo's trauma? Who cares? Now's the time to dance and have fun...! Floyd might even pull Rollo in for a dance during the ball, much to the latter's chagrin.

Ace

Riddle gave him a good, long lecture before Ace is allowed to go off to NBC. He gives a perky enough of a self-introduction, but can't maintain that squeaky clean student facade all the way. (Ace makes it clear among his peers that he's excited about this trip only because he can skip his regular classes and party at the masquerade.)

He's not all too thrilled about Rollo. A lot of his demeanor reminds Ace of Riddle (but if Riddle were much more emotionally repressed). "He's gotta unclench his ass and learn to have some fun for once!" Well, whatever, Ace thinks--all he'll do is just play the part of a good little boy, and as soon as Rollo looks the other way, Ace will let his mischief loose! (Like with Floyd, Rollo feels the need to keep Ace in line.)

When Trein starts giving the verbal pop quizzes, Ace zones out and pays zero attention.

He takes pictures of all the cool stuff he's experiencing to share later with the students not picked to go (ie to rub it in their faces). "Man, you guys are missing out~ Sucks to suck, I guess!"

Ace buys a souvenir but if you ask him who it's for, he'll get defensive and claim it's "definitely not for Deuce."

Ace likes to show off his magic to the townsfolk, though his level isn't that proficient yet. Making little fireworks is easy and gets eyes to light up though, so that's what he provides to liven things up! Rollo scolds him and tells him to "put it away", but Ace only rolls his eyes and hypes up the gathering crowd more.

When you need a verbal smack-down or a call-out, Ace is your guy. He's the first to point out Rollo's hypocrisy, and he does so loud and proud. "Rollo-senpai's a mage too, right? Releasing these flowers on the world means he'll have his magic taken too. Does he really hate himself this much...? Yeah, well, he's about to hate himself a whole lot more once he loses to us!"

When the situation seems dire, it's Ace kicking people into gear. He doesn't encourage them, but rather irritates them so much it grants them the strength to keep fighting just so they can live long enough to get their revenge on Ace.

He calls Rollo out to his face too--there, atop the bell tower, Ace confronts him, throwing accusation after accusation. His pointed words infuriate Rollo, who is still in denial about the true motivations behind his actions. "Admit it," Ace tells him, "you're doing this for yourself. Not for your brother, not for anyone else. It's just you projecting to stomp out your own guilt."

Being a first-year student, his magic is clumsy. Rollo easily overpowers him--but it's okay! Ace doesn't fight will the full force of his magic, instead relying on simple diversions with light, sound, and sleights of hand to distract Rollo.

It's Ace who suggests hiding the truth of Rollo's actions when they've defeated him. "How else is he gonna learn? He should reflect on his actions by himself, cuz 'sorry' alone isn't gonna cut it."

Ace wants that masquerade party to go on, to which Rollo reluctantly obliges. (According to Ace, "Losers don't get the right to say no to the winner's demands!") Thanks to him, the party's on, and he's going to enjoy every last second of it.

Ortho

... Couldn't Ortho just lifehack the situation and save everyone the struggle of trekking up the bell tower by just flying up there and sniping Rollo with a laser beam????? I guess let's just say that the fire lotuses/crimson lotuses drained the technomantic energy he runs on and thus limits his capabilities. Either that, or maybe the Masquerade Gear he changed into isn't equipped with strong combat functions.

Idia begs Ortho not to go and socialize because "it'll turn you into a normie", but Ortho's so eager to go to this symposium! It's a great chance to exchange knowledge with fellow mages. He promises his big bro he'll be extra careful and will record all the cool new sights so Idia can vicariously experience them through him.

Rollo's confused as to what Ortho is--he's certainly not living, is he? There's a part of Rollo that is disgusted and appalled at the inorganic nature of Ortho. He's an artificial being, an affront to nature, proof of humans playing god.

Even so, there is an odd atmosphere around Rollo, a hesitant curiosity. He's oftentimes spotted eyeing Ortho or extending a helpful hand to him in particular, though he winces at the child's touch, as if Ortho is diseased.

He nabs some of those intricately detailed wood carvings for his brother. Rollo asks him why those caught his attention, and when Ortho mentions Idia, Rollo's eyes darken with quiet understanding.

As promised, Ortho goes around filming everything. It's so different than looking up facts about the City of Flowers online! Ortho senses Rollo following at a distance--almost like a guardian, trying to make sure he stays out of trouble.

Rollo never thought he would experience guilt--but the moment the flowers come alive with fire, he feels it when he sees Ortho surrounded by the lotuses. The red spilling over his small form... it gives him traumatic flashbacks to the origin of his hatred for magic. But his will is strong, and Rollo pushes down the bile rising in his throat and continues with his plan.

With his magical reserves down, it's hard for Ortho to fly, or to move much at all. He's conserving his strength for the final battle as he drags himself up the stairs. When his peers ask if he wants to rest, he frantically denies it. "We need to hurry," Ortho insists. "We must save Twisted Wonderland, the city... and Rollo Flamme-san himself!!"

He sees a lot of Idia in Rollo, and it's perhaps this perception that drives Ortho so hard to stop Rollo before it's too late. Ortho has lived through grief, has seen how it can twist someone beyond recognition and set them on a path of destruction. Not again. Never again. He won't allow for it.

There's not much "juice" left in Ortho by the time they make it to the top of the bell tower. He knows he can't haphazardly fire a laser beam and call it a day, so he'll instead use fake tears (knowing that Rollo has a soft spot for him). Putting his acting chops to some use, Ortho pretends to sacrifice himself to get Rollo to lower his guard, allowing his two less magically inclined allies to get the jump on him.

After the battle, Ortho still can't help but empathize with Rollo. Unlike Idia, Rollo didn't have people there for him in his time of need. Ortho bashfully offers emotional support and invites him to hang out with him and Idia ("Maybe you and my nii-san can be friends? I can pass along his contact info to you!"). Rollo refuses--but that door is always open for him.

Kalim

I FIRMLY BELIEVE THAT KALIM WOULD BE THE HERO OF THIS STORY AND NO ONE CAN TELL ME OTHERWISE

His extroversion is Rollo’s kryptonite. Kalim just bombards him with smiles and chatter, it bears Rollo’s patience thin quite rapidly. He basically has his handkerchief out at all times trying to covert his disgusted frown.

Kalim’s super into exploring the town!! He stops by all the stalls to stock up on tons of gifts for his dorm members back home. (Rollo is appalled by his extravagance.)

Big fan of the festivities too; he grabs Rollo and everyone else by the hand, encouraging them to join him in a big group dance. (Think of the town dancing scene from Tangled!!) It’s hard not to grin and clap along to the good vibes he brings!

When all hell breaks loose, Kalim’s still the one to beg everyone else to give Rollo a chance, to hear him out. (They all think he’s INSANE for asking this.)

He’s absolutely heartbroken to learn about the fate of Rollo’s younger brother. As an older brother himself and someone who has been on the receiving end of many assassination attempts, Kalim can’t imagine losing one of his own siblings to Death’s cold grip. Snot dribbling out of his nose, tears streaming his face, he’ll insist that Rollo’s about to make the biggest mistake of his life. They have to stop him.

When Ace, Ortho, and him arrive atop the bell tower, they’re all shocked that Kalim takes the initiative. Still sobbing, he calls out to Rollo, begging him to see reason, letting him know that he understands how he feels. Rollo, of course, doesn’t listen and only becomes increasingly angry.

A unique use of Kalim’s UM! 👀 Oasis Maker summons a ton of water at once and seems to have a large AOE. I wonder if this could confuse or temporarily delay the crimson flowers???? Because the water would technically be magic, right? Except it’s everywhere (and pretty evenly distributed). It could also wash away the magic traces of other mages, so the flowers wouldn’t know which direction to go. Oasis Maker is also a thematic opposite to Rollo’s fire, a perfect visual representation of fiery hate versus purifying, cooling love.

DBHLFADYUVAFP9A9 KALIM JUST. TACKLING ROLLO IN A TIGHT HUG AND ROLLO NOT KNOWING HOW TO REACT... IN THE RAIN... DO YOU SEE THE VISION.

Kalim’s also the one to suggest forgiveness and giving Rollo a second chance after his defeat. Ace is super against it and wants to blab about his misdeeds to the world, but Kalim manages to convince him to keep it under wraps through sheer charisma alone.

At the masquerade, Kalim approaches Rollo and offers to be his friend. Though Rollo briskly refuses, Kalim won’t give up! Kalim tells him that he has a friend back home (Jamil) that hates him, so Kalim’s gonna work hard every day to be someone worthy of his friendship. So… he’ll do the same for Rollo too!!

Stage in Playful Land:

Silver

Silver's probably one of those people who hears about Playful Land and comes along to help protect his liege and peers.

Somehow dense enough to think that Fellow and Gidel AREN'T suspicious (when they clearly are????). He just kind of tilts his head to one side and smiles, saying that these two seem really friendly.

At first he thinks the park is a little odd because there aren’t any wild animals—not even birds—there. But he soon forgets his worries and is caught up in the magic of the amusement park. Silver thinks of it like an extensive obstacle course for his training! He’s especially interested in tests of strength (he and Sebek got competitive about some of those games).

Thinks the park's mascots are cute. Picks up a souvenir that features them (maybe a keychain or plush toy) for Lilia and Malleus.

Not much for performing. Silver's facial expressions are stiff and he can come off as scary without meaning to--but on that stage, he comes alive and all his muscles move in perfect unison to execute a dance. How invigorating...!

Gets puppet’d for falling asleep in an area he shouldn't be loitering in? Or maybe he leaps in the way to protect someone else. He can’t help it!! Gallantly shouts at the others to run and leave him behind—what a noble sacrifice!

Tries to talk some sense into Fellow. The only one who gives him the benefit of the doubt and sees the good in him.

He commends Fellow for ultimately "making the right decision" and freeing everyone at the end. Tells them he hopes they'll meet again someday, and he's eager to hear about the success of his school.

Epel

Peak of his rebellious kid phase. Decides to sneak out just to stick it to his dorm leader (who nagged him very recently for something). Does not realize Rook followed him all the way to the pier until Rook greets him.

Completely fooled by Fellow's friendliness. Epel's used to this kind of attitude back home in Harveston. Because the community is so small, everyone knows everyone and they're pretty closely knit. He figures Fellow and Gidel are the same way!

Totally hype to take everything in! Makes everything a competition (and unfortunately gets smoked by his peers in most of them). Drowns his sorrows by eating tons of the apple (core) flavored foods offered in the park.

Really put off by the invite on the stage. He's reminded of when Vil voluntold him to perform for VDC/SDC. Tries to weasel out of it, but Fellow won't be having any of that! Epel's suddenly filled with a light heartedness and fond memories of his month-long training with friends. He lets his instincts take over and relives those times on the grand stage!

LHFLIDFPIEIFEQFQEFJA I THINK IT WOULD BE FUNNY YET SUPER STUPID IF EPEL GOT PUPPET'D FOR EXCESSIVE PROFANITY... and he continues to swear after he's been caught by the magic. This is a family friendly PG clean place, Epel 😤

How dumb would it be if Fellow told the caged boys stories about his travels while they waited for the others to be captured and as he's listening to these stories EPEL REALIZES FELLOW AND GIDEL ONCE STOLE CROPS TO EAT FROM HIS FAMILY... Boy starts hooting and hollering all over again.

Joins Deuce in stomping around the park and bashing it up. They're a real pair of delinquents... Maybe pops a squat and asks Deuce to take a "cool pic" of him posed by some rubble.

Tells Fellow that folks might be more willin' to help him and Gidel out if they were more honest with their intentions. Epel's not entirely sure if his words got through to him though...

Ruggie

He heard the word "free" and he was instantly in. Leona-san's been working his tail off lately, a hyena needs a break every once in a while! Who cares how shady the offer is? Free is FREE, isn't it? He'll worry about the details later.

Pals around with Fellow and Gidel, talking about their odd jobs and old bosses. They get along swimmingly (which gives everyone else Bad Vibes).

Ruggie thinks the park is like paradise! All you can eat food? And for free? No work, all play?? Cool! He runs around collecting freebies, stuffing his face, and prowling around at the game booths racking up prizes. He plans to resell all of this stuff at a mark-up once he gets out of the park!

He's not all that eager to get on the stage (if he's gonna sing and dance, you better compensate him for it!). But what's this? Why's he suddenly feel eager to join in? Well, he supposes it seems like fun, so he might as well jam out too.

"Whaaat?! I knew this was too good to be true!" he laments when shit goes down. Ruggie holds out pretty well, but he eventually turns into a puppet cuz his greed got the better of him. Most likely stole a baton or something off of a fallen puppet to use as a makeshift weapon (which violates a park rule about stealing from staff).

Can't even be mad when he's captured and stuck listening to Fellow ramble about money. I mean, yeah, Ruggie doesn't WANT to be a puppet, but he sympathizes with Fellow's poverty and lack of education afforded to him in a "No, no... Let him cook" way.

Listening to Fellow vent reminds Ruggie of how lucky he is that he managed to find a meal ticket and a way out of the slums. He wonders if he'd have ended up like Fellow, had he not met Leona.

Really eager to bust up the park. It's not every day he gets to do this kind of thing!

When it comes time to part ways, Ruggie has a few words for Fellow! He doesn't think that his idea of a school is half bad--but he also tells Fellow to pick a less sketchy employer for his next gig.

Rook

Pulls up to watch out for Epel. He knows just how furious Vil would be if he found out their freshman wasn't getting his beauty sleep, so Rook has come to implore him to return to his chambers!! But--oh la la, he can't help but be intrigued at the idea of exploring uncharted territory, and so Rook comes along to Playful Land.

He keeps a close eye on Fellow while playing the part of an oblivious bystander. Rook does all of the right things: shaking Fellow's hand, chattering about how excited he is. The more Fellow underestimates him, the more taken by surprise he'll be when Rook unleashes the full brunt of his strength against him.

Nickname for Fellow might be "Roi du Renards" (King of Foxes) or maybe "Roi du La Scène" (King of the Stage). For Gidel, maybe "Monsieur Muet" (mute) or some equivalent like Calme (quiet).

I feel like Rook would love seeing the variety of attractions the park has! The stroll along the seaside has him rattling off about the majesty of the ocean deep. He would kill at a lot of the games but is most interested in the thrill rides and the pictures that come out afterwards. Rook marvels at everyone's unique expressions! (He looks pretty normal and is smiling wide in the pics.)

One of the first to hop onto that stage when the offer comes up. Rook has a flair for the dramatics and would love for nothing more than to be one of the performers he adores watching.

Becomes a puppet because he's one of the first to attack the gate or the staff (before everyone figures out that breaking the park rules results in the puppet transformation). What can he say? The huntsman is a man of action! Dramatically begs everyone to flee like how the huntsman in Snow White does.

Weirdly okay with (even excited about???) the cage. Don't ask why.

Laments having to destroy the dear park where they had such fun and made so many happy memories. Gleefully delights in the destruction too though.

Touched by hearing Fellow's hopes and dreams. Rook takes his hands, and, with sparkling eyes, encourages him to continue following them, to never give up!! (He barely seems bothered by the fact that Fellow almost sold them off.)

Riddle

Absolutely refuses to go at first and only shows up at the docks because he had a sneaking suspicion that some students would try to sneak out and defy his orders anyway. Fellow then enchants Riddle with Life is Fun and convinces him to try it out since "you broke curfew and came all this way anyway!"

Points out that Fellow is "a highly suspicious individual".

Riddle didn't have much in way of a traditional childhood; the most entertainment he had was doing crossword puzzles in his home. He's hesitant and wary of all the park's attractions and has to be persuaded to try them out.

He keeps worrying about skipping school, so Fellow has to really stack his spell on Riddle. Eventually he, too, gets lost in the sauce and thinks about how he, Trey, and Chenya would have liked this park as kids... and how he wants to have that childhood he missed out on. When he's caught laughing on the merry-go-round, teacups, or bumper cars, he denies it.

Needs that extra push to hop onto the stage. Riddle's stiff with his movements--he basically only knows how to do formal dances--but he gets the hang of it with some help from Fellow. Soon his troubles melt away and he doesn't recall what he was so worried about before.

Since Riddle closely observes the rules, the only way I can see him getting puppet'd is either the park rules and the Queen of Hearts' rules clash somehow and he cannot decide which to adhere to, OR he breaks a park rule he wasn't aware of. Maybe a hidden rule???

When he's caught, he pops off on an angry rant about how they all deserve this and he KNEW this was a bad idea, what will his mother think, etc. (Fellow has to put ear plugs in.)

Vents his anger by firing off tons of magic and destroying a lot of the park. (Has to be reminded to stop and take breaks or he'll exhaust himself.)

Before parting ways with Fellow, Riddle clears his throat and gives him a thorough lecture on the importance of having a clear conscience. Tries to be nice by wishing him luck on his educational endeavors--after all, Riddle is also someone who values a good education. Fellow scoffs at his advice and tells Riddle he's gotta get more street smart if he wants to survive in "the real world". (That's his tsundere way of saying "thanks for that, kid.")

Deuce

The idiot child who decides to sneak out cuz Ace told him they should. (Ace got caught early and didn't end up meeting them at the rendezvous point.)

A little dense, but his heart is in the right place. Thinks Fellow is a respectable adult that can be trusted because "do you really think people just go around and lie like that?!"

Loses himself pretty quickly in the park. He loves the adrenaline rush of the thrill rides. Competes with Epel to see who can handle the most consecutively without throwing up. Also takes some pictures to send to his mom!

Feels sort of bad for leaving Ace behind so he picks up a Playful Land deck of playing cards as a gift for him.

Even stiffer and more robotic than Riddle when he's ushered on stage. Continues to fumble and trip over himself, but Fellow assures him it's okay as long as he has fun!

Picks a fight with a puppet (he goes delinquent mode) and breaks it. Profusely apologizes to Riddle as he's hauled off.

Gets super into smashing up the park. At one point, he forgoes using magic and starts destroying stuff with a bat or a metal bar he picked up somewhere.

Not very good with parting words, but he manages to wish Fellow and Gidel luck. He sees a lot of himself in them and doesn't want them to stray from their path. Trying to summon the same vibes of the understanding policeman that helped him turn his life around, Deuce lets them know that it's not too late--they can change for the better.

Jamil

Absolutely no way Jamil would have gone had Fellow not cast his UM on him. He entices Jamil with a break from work and the wonder of the stage, preying on his secret desire to stand out and to have his talents noticed. His, not Kalim's. Jamil cannot explain to himself why he goes out that night, his feet carry him there as if acting on their own.

Of course he thinks Fellow is conspicuous. There's no way he isn't. But Jamil doesn't think of him as much of a threat with how simpering and pathetic he acts. What a fool, Jamil thinks, so servile, like a dog. True hater energy. Still, he plays along since Fellow is his ticket into the park and it's best to keep in the manager's good graces.

Jamil's used to lavish trips and amusement parks thanks to having to babysit and follow Kalim around whenever his parents rent entire venues out for him. Nothing surprises him anymore--though he does enjoy the food and tries to pick apart their recipes as he tastes them.

He ends up having to babysit some other students (mainly the first years) anyway. Jamil groans... even at Playful Land, there's no rest for him!!

Lives it up on stage. Forget Kalim, forget Vil--HE'S taking command of the spotlight and he's loving every second of it. Jamil throws his heart into his singing, his dancing. The audience's eyes are all on him, and it all serves to feed his starved ego.

Gets thrown off his game by a bug and accidentally damages park property. Shrieks as the bug crawls all over him and he’s unable to fight back once he’s petrified. (Fellow points and laughs at him as Jamil seethes.) Vows to kill Fellow dead in revenge.

Like Ruggie, Jamil comes from a place of understanding where Fellow and Gidel are coming from… Stuck in some lower social status, forced to suck up and be humble. He just doesn’t sympathize because they’ve cause a significant inconvenience to him. All bets are off now.

Shit talks Fellow for being slimy and underhanded while conveniently ignoring the fact that he, too, is slimy and underhanded.

Surprisingly very into venting through destroying the park. That deranged look of his appears as the man relishes in setting tent ablaze and decimating the local bug population. You feel like he’s five minutes away from an evil villain cackle.

Holds a grudge against Fellow for the bug-induced trauma he went through. Shakes his hand and sees him off, but swears if they cross paths again that he will end him. Has vicious and vengeful thoughts about Fellow's downfall but says good-bye with a neutral expression.

Sebek

(Loudly) insists he is too mature and has better things to worry about than having fun at a park. (He’s secretly very interested in it and gets goaded to attending thanks to being taunted by his fellow freshmen + learning that Silver is trying to protect them; Sebek doesn’t want them to outdo him!)

Constantly gives Fellow lip. It’s a real struggle for Fellow to keep a smile and an upbeat attitude when dealing with Sebek’s brazenness.

Checks in frequently with Malleus to ensure his liege is making the most of his park experience! Every time Sebek wins a game, he looks to Malleus for approval. Whenever he finds an interesting attraction or ride, he’ll excitedly tell Malleus about it. Cherishes the pictures he takes with his prince, keeps them safe for his Malleus shrine when he gets home.

Fanboys for Malleus to go up on stage and “show those pathetic humans what-for!” Sebek is humbled to be able to stand on it beside his young master—he’ll do what he can to support him and make his skill truly shine!

His anger for their actions surpasses any sympathy he might feel for them. A good education is something his grandfather highly values—and he of course would be devastated if he were unable to read and enjoy all of his favorite books. But Sebek isn’t in the business of fraternizing with those who deceive and besmirch his master’s good name! Have at them…!

Probably violates some park noise regulation or simply gets too rough beating down puppets. He bellows that the others better do a damn good job of protecting the young master in his absence! Nearly weeps when Malleus thanks him for his loyalty and service.

Gives Fellow (and the other puppets) an EARFUL. Fellow tells Gidel to slap tape over Sebek’s mouth to get him to shut the hell up. This is only mildly effective.

Applauds Malleus as he rains destruction down upon Playful Land. Competes with Silver to see who can cause more collateral damage.

Gives Fellow and Gidel a second earful before the two depart on their own travels. Sebek says he hopes they’ve learned the error of their ways and will repent! He doesn't believe in them, but at least knows they're annoying enough that they'll keep surviving out there.

Azul

Under ordinary circumstances, Azul would absolutely not consider accepting a free ticket (what if Fellow demands repayment?!) or a deal that seems too good to be true. But something about this Fellow man is agreeable—perhaps scammers call out to scammers. He figures it would be fine to investigate what methods this illusory theme park is employing.

Azul and Fellow have an unsettling air about them as they converse. They're both all smiles, but it feels like there's a dark tension hanging around the two. Even Gidel seems nervous and fidgets as the two older men talk business and entertainment.

This dude has a little writing pad out and is actively taking notes on the things he sees around the park. He's thinking about how these could translate into his own financial ventures. ("Are you seriously working at Playful Land?! What a studious scholar!" Fellow simpers. "But there's no need, really! Put your mind at ease! Kick up your feet! Relax!") Needs more of Fellow's UM to keep pliant.

Also keeps track of the games, foods, attractions, and rides he partakes in. That way, he can whip out his sheet at any time and quote the value he owes back to the park. Azul doesn't want to give back more than he was given!

Humbly says that he couldn't possibly get on the stage--but oh, if you insist! (He was humble bragging, his voice is amazing.) Not much in the way of dancing though, he prefers to stand to preform, as he has insecurities about being clumsy thanks to his childhood experience being bullied for his bulky tentacles.

... Probably gets caught by Fellow and gets his ticket torn up because Azul's not athletic. Resents that Fellow calls him a stuck up and out of shape brat, maybe if he didn't sit on his ass all day he'd be better at practical things; fires back by going, "ACTUALLY, I am quite accomplished, I assure you! I don't just sit around on my laurels and let my minions rake the money rake in, I EARN every thaumark I'm worth!" (Azul's soooo offended OTL)

His mouth still works, even if the rest of his body doesn't. Azul tries all kinds of tactics to try and get Fellow to let him free. Flattery, bargaining, threats, asking if he can speak with his boss, etc.

Fellow seems to have a bone to pick with Azul on account of Azul being a successful guy from a successful family (Azul mentions his successful mom and dad willing to pay for his release). He never got any of that support when he was a kid, and Gidel never will, so Fellow's real bitter about it. He takes it out on Azul by kicking his cage and telling him to "shaddap" already.

Agonizes about being charged for any damages he incurs while tearing up Playful Land. Azul comes up with a contract on the spot and demands that Fellow sign it to free him of any liabilities before he joins in on destroying the park.

Azul begrudgingly wishes Fellow luck in his own endeavors--oh, and if he's ever in need of a small loan of a million thaumarks (with a frightening amount of interest), please feel free to reach out to him! He says it with a smile, but his intentions are far more malevolent.

Fellow laughs it off and says he and Gidel can do fine without a snot-nosed punk's help. As soon as he's out of sight, Azul turns to his classmates and huffs. "Well, I NEVER! Such a rude man could never hope to make it in the world."

Idia

Bro didn't want to go in the first place, he HATES crowded places full of outgoing people. Ortho guilt trips him into it, saying that "Nii-san needs to touch grass!!" Ortho even assures him that he'll come along too. So Idia shows up, but there's no Ortho there... turns out it was a trap to force him to socialize without his little brother's support!

He tries to keep his distance from the rest of the group and sneak back to Ignihyde, but Fellow unfortunately strolls right up to him, wraps a hand on his shoulder, and starts smooth talking. Idia freezes up and wonders if this is what shoujo protags feel like when sleazy guys come up to them on the street and try soliciting them for dates before the male lead (Silver lmao) steps in to help them out.

He feels a little more comfortable around Fellow when he's paired with Gidel. Something about their dynamic reminds Idia of himself and Ortho. At some point, Fellow mentions that though they're not technically related, he thinks of Gidel like his dear family. Idia finds himself nodding along to that sentiment, even smiling a little at that. "... Yeah. Family's family."

Drifts around like a ghost, not wanting to get involved in anything. The others boys have to drag him onto the rides (Idia leaves them practically foaming at the mouth and on the brink of death).

Loves the arcade area. He gets the chance to show off his mad gamer skills and clears the shelves of all their prizes. Excited to have earned some cool merch and to be able to have something to share with Ortho when he gets back.

WANTS TO PERISH ON THE SPOT when he's invited up on stage. Fellow has to drag him there kicking and screaming. zilfbdifbabia Funnily enough, I feel like Idia's panic and gloominess would override Fellow's UM but he gets peer pressured into performing anyway... so he hangs out in the corner like a banshee and half-heartedly mumbles the song lyrics and kicks at the ground to "dance".

When things start taking a turn for the worse, Idia tries to cope with his anxiety by relating their situation to some of the classic horror films he has seen. Maybe he uses some of that knowledge to advise their next moves? “N-Normally I wouldn’t want to stick with you normies, but splitting up’s always the wrong move in the horror movies…”, “Wh-What’s next?! Is Fellow-shi going to chase us down with a chainsaw?!”, etc.

His stupid blue fiery hair always gives them away in the dark 😭 The boys force Idia to hood up to avoid being a beacon.

Probably also gets caught because he’s out of shape and gets his ticket torn up. Rages when he turns into a puppet, saying that no one EVER reads the terms of service, so why punish them for it?! (Azul starts to argue with Idia on this.)

Proceeds to whine about all the games, manga, and anime he won’t be able to finish. Gidel seems curious about what those are, but Fellow keeps him away from Idia.

Fellow hates to admit it, but he feels a little sorry for Idia when he mentions not being able to ever see his little brother again. He pulls up a crate and sits on it, listening to Idia talk about this Ortho kid.

Ironically, it’s Idia that starts to make him reconsider his own conscience—but ultimately, the need for money has Fellow turning away and steeling his heart. He has to look out for number 1, he has to do this for his own little brother.

Is weirdly gleeful about the park’s destruction. Happily firing laser beams off with his little skull device. (It’s like one of his shooter games!) Wishes Ortho was here to participate.

Declares that this is the last straw for him once the ordeal is over. Idia claims he is NEVER stepping foot outside of his room again, terrible things always happen when he does!!

Fellow laughs at him and tells Idia to take life in stride. Closing those doors to opportunity might cost him in the long run! Idia shoots him a glare. “Y-You’re the last person I wanna hear that from!!”

Malleus

So pumped that he actually got invited to go somewhere. Doesn't care how sketchy it is (he can easily decimate any troubles), he's so hype about just the idea of being included in a gathering.

A little oblivious to Fellow’s shadiness. He greets the man cordially and thanks him again for the invite with all the dignity and grace of a royal. Asks many questions of Fellow as well; Malleus wants to know more about the history and the magical construction of the park!

He experiences many of his firsts at Playful Land but has a hard time wrapping his mind around some concepts. Why would you ride a ferris wheel when he can fly up and see the entire park that way? Do humans really get a thrill from getting splashed with water as they descend on roller coasters...? Here, he can summon a pillar of water and drench you right now. Oh, the game is to knock the pyramid of bottles over? He can easily do it with a blast of magic.

Apples are a common food and flavor in the park? Malleus thinks they taste better roasted. Let him demonstrate, he'll use his fire breath to--

For some reason, Malleus is really into the mascot characters of the park. He doesn't think they're cute or anything "normal" like that; he just has this weird respect for them as the "guardians" of Playful Land. They're basically gargoyles in his mind. Gets super invested in this game of pointing out all the "hidden foxes" he spots.

Malleus has attended balls and other formal gatherings before, but he has never been in a show. Everything there shines, and then there's him... a dark, foreboding presence sucking up all the light on the stage. Though he moves with elegance and joins in on the singing, he strikes terror and sends shivers down the audience members' spines. (Fellow quickly ushers him off.)

Explodes when he learns he has been tricked. (Let's uh... assume they're in a wide-open area when his lightning strikes out of anger, because otherwise he'd for sure take down some attractions and would instantly get puppet'd; let's also assume the park's magic is somehow strong enough to resist his own magic.) Malleus is determined to storm right up to Fellow and give him a piece of his mind!!

After Idia and Azul are captured, it's down to only him and the sly fox that started this all--and it's not even a competition. Fellow poses no threat, Malleus takes him down without even batting an eye. I can see Fellow pretending to beg for mercy and grovel, hoping to trick Malleus into lowering his guard so he can spring a last-ditch trap on him, but it doesn't work since Malleus is so OP.

I like to imagine there's a scene where Malleus has Fellow in tears when he realizes the true disparity between this FAIRY PRINCE and him, the haves and the have-nots. And Malleus is about to blast him, but holds off after seeing Fellow being a mess Not out of actual sympathy, but out of a sense of noblesse oblige (a duty that the elite have to help the less fortunate). Fellow's probably really bitter about it too, seeing it as Malleus looking down on him and pitying him.

"Perhaps life has chosen to be unkind to you. However, that does not preclude me from pardoning you." (Sebek shouts something about how Fellow should be grateful for his liege's magnanimity!) "Rise, Honest. You will live to see another day--but be certain that you make that day an honorable one for yourself and your ward, lest you incur the full extent of my wrath."

In a climactic moment, Malleus flies high above Playful Land and lets loose a flurry of magical explosions. It's a magical way to close out the closing of the park. Rides collapsing into rubble, fireworks in the sky. A performance worthy of a standing ovation (if you ignore his classmates screaming as they bolt for the exit before the falling buildings land on them).

While his classmates are clamoring to get back to NRC, Malleus finds himself glancing back at Fellow and Gidel, who are packing it up. He approaches them (Fellow jolts back) and politely wishes them safe travels--a small blessing. "And may all of your dreams come true," Malleus adds (ominously).

It might be interesting to see Malleus question the resource disparity in his own country at the end?? Fellow wasn't able to study and be a mage because he was born in the wrong social standing, so he had to resort to unsavory action to scrape by. This would sort of parallel what we eventually see in book 7 (ie the human invaders taking resources from the fae) and could lend him a unique perspective + give him a lot of things to consider for when he will eventually ascend to his throne. What about his citizens with little or no magic? The destitute? How will he, as king, ensure that his people have what they need to be happy and fulfilled, so that no one ends up like Fellow?

[specialagentartemis]

thinking more about @thetransfemininereview's Trans Microlibrary Project.

It's a good idea, an important idea. TBH microlibrary preservation projects seem like a good idea in general. My mom used to warn me about internet safety, “The internet is written in ink”—that once you put something on the Internet, you can never fully remove it. But the tragic problem is, that’s only true of the stuff you don’t want spreading—the stuff you actually want to preserve is so ephemeral it can disappear without a trace, and you can never get it back again. Jamie Berrout's work is an eternal preservation difficulty this way. A few years ago, a Metal Gear fanfiction author on Livejornal I loved deleted her LJ account and all her foundational Metal Gear fanfic was just—gone. I go and reread some important blog posts about asexual history and link rot has already set in. The Internet Archive did something phenomenally stupid and as a result faces a credible threat to its continued existence.  Personal offline archives of internet-native work seem more important now than ever.

I believe wholeheartedly in the Trans Microlibrary Project and I certainly have PDF copies of several trans books that it is hard-to-impossible to get anymore (Jamie Berrout’s work, primarily, but also one of Xemiyulu Tapepechul’s poetry chapbooks) and other indie trans fiction that who knows how long the content hosters will allow in this skittish political climate (Gillian Ybabez’s flash fiction and various works by the Trans Women Writers’ Collective/River Furnace), so I’m thinking about buying a handful of flash drives and making my own personal preservation projects:

Contribute to the decentralized Trans Microlibrary Project as described in this post (and this will be an inspiration to read M. Kirin’s book Memory Leak, which a recent review piqued my interest in. Itch.io is a very under-recommended venue for indie queer books!) I'm particularly interested in sci-fi, fantasy, horror, and related genre fiction.

An Ace & Aro archive—so much of the important ace writing is on blogs and in zines, and with Matt Mullenwig beefing with Wordpress, I don’t know how stable Wordpress-based blogs will continue to be. Thinking about trying to download PDF copies of the entire Asexual Agenda. I also have several self-pub ace and aro books that are… at best okay tbh. But worth preserving as well. 

Fanfiction. Wanting to have the stuff I like on hand and safe—not even from government censorship or hosting problems necessarily but from all the things that inspire people to delete their fics and their accounts and their blogs. I’ve been burned by Athena Crikey deleting her LJ after years of inactivity and I don’t want to lose so much work I’ve enjoyed over the years.

More projects than that would probably prevent me from doing anything at all lol. But this offline preservation work of internet material is something I have a renewed interest in actually doing.

What do you think is worth preserving?