#brandaus

[justinspoliticalcorner]

Alyssa Steinsiek at Assigned Media:

In November of last year, the Board of Supervisors in Fresno County, California, passed the “Parents Matter Act,” a controversial piece of county legislation that would create a committee of “parents and guardians” who would review all current and future children’s books in Fresno County public libraries. Now, a California bill that’s set to pass before the legislative session ends on August 31st would prohibit committees or policies that limit access to material at public libraries, effectively squashing Fresno’s plans before they’ve even begun.

Steve Brandau, Fresno County Supervisor, introduced the Parents Matter Act in a board session last year, where it passed three to two. The committee would be given the right to move any material that they consider “age-inappropriate” out of the children’s section in Fresno County public libraries, though Brandau assured reporters covering the act that no material would be outright removed from the libraries.

What material does Brandau himself find “age-inappropriate”? Unsurprisingly, LGBTQ+ material written for children. In an interview with CalMatters, Brandau said, “I don’t like a kid going in there and seeing ‘I can choose to be a boy or girl.’ It didn’t seem age-appropriate, especially without the parent being involved.” According to Brandau, when he realized this kind of material was available to Fresno County children, he started looking at other states for guidance on how best to handle the situation. States like South Carolina, Kentucky and Texas, where remarkably strict and targeted book bans have been enacted thanks to the work of dark money faux-grassroots organizations like Moms for Liberty, who masquerade as concerned parents in districts across America to ensure LGBTQ+ books cannot be accessed by young people. Regarding pro-LGBTQ+ protests against the Parents Matter Act, Brandau said, “It appears to me that they believe that children are best educated and raised as wards of the state. We have age limits for movies. We have age limits for alcohol. And it’s not unreasonable to have age limits on sexually graphic material.”

[...] The piece of legislation meant to prohibit this kind of targeted assault on the LGBTQ+ community, authored by California Assemblyman Al Moratsuchi, is AB 1825. Named the “California Freedom to Read Act,” AB 1825 requires California public libraries to establish a clear method of choosing reading material, as well as a process for community members to voice objections, but explicitly disallows the banning of any reading material because it contains content that deals with race or sexuality. It names non-obscene sexual content as allowable and gives librarians discretion as to where the material is displayed, though they cannot prevent minors from checking out the material. Of the bill, Assemblyman Moratsuchi said, “At the center of this bill is the fundamental respect for professionally trained librarians to be making the decisions as to what book titles and how to present them to the general public.”

California may be the latest state to bar book bans, similar to Illinois.

[flanaganfilm]

Hey Mike! Can you talk about your experience going from Absentia to Oculus? That process after Absentia went on its festival run to pitching Oculus? Would love to learn about that time in your life & career!

I moved to Los Angeles in 2003, right after I graduated college. I went to Towson University in Maryland, was an EMF major (Electronic Media & Film) and had wanted nothing more than to make movies my whole life. We were a comfortable middle class military family (my dad was in the Coast Guard) and for most of my life, making movies for a living felt like an impossible dream.

When I moved to LA I took whatever work I could find. I shot and edited those local car commercials you see on TV at 2am, I was a logger and an AE for reality TV shows, and I eventually worked my way to editing.

I said I'd give myself 5 years to make it in Hollwood. By the time we shot Absentia, I'd been here for 7 years, and in that time I hadn't gotten any closer to my dream.

I've already written at length about how Absentia came along and what it was like to make that little movie, and I've recently blogged about how the Oculus premiere changed my life and birthed my career, so I won't rehash those - but I don't often talk about what went on in between.

I finished editing Absentia just before my oldest son was born in 2010, and went back to working full-time as a reality TV editor. In fact, in the months leading up to his birth, I was working double-time - I spent my days at a company called Film Garden working on a series for DIY Network, and my nights editing packages at Nash Entertainment for those true crime clip shows. Whatever it took to keep the lights on and provide as much support as I could for my son.

While this was happening, I'd submitted Absentia to a pile of film festivals. We didn't get into any of the majors - Sundance, SXSW, and Toronto all passed on the film. Our world premiere was at the Fargo Film Festival, where Tom Brandau, one of my former professors from Towson - and one of my mentors - was teaching.

(Our original festival poster, WAY better than the weird clip art that would come later)

The movie got into a fair amount of film festivals, and we traveled with it as much as we could. I have fond memories of the Phoenix Film Festival, San Luis Obispo (where I met Greg Kinnear at a party and very awkwardly asked for a picture - you can see how thrilled he is about it) and my personal favorite: the Fantastia Film Festival in Montreal.

(At one of the screenings, I believe the San Luis Obispo Film Festival)

While this was happening, the film was picked up for a tiny VOD and DVD release through Phase 4 Films.

They were a Canadian distribution company whose claim to fame was putting out Kevin Smith's Red State under a very unusual distribution model. They acquired the movie, which led to a company holiday part in Hollywood.

There, I briefly met Kevin Smith for the first time. We've met again since, and I've now had a chance to thank him for the kindness he showed me back then - I was just some starstruck kid at a party, but he was gracious and available and inspiring. I really admire the way Kevin deals with his fans, and I've tried to emulate it over the years.

So that was kind of it for Absentia. We went to a few festivals, went to a few parties, and posed for a few pictures with some people we admired. Phase 4 designed some truly godawful cover art, dropped the movie into video stores, and that was that.

($2.99 is a pretty good deal)

So Absentia had pretty much run its course. It had a passionate following of fans, but between the crappy art design and glut of low budget horror films on the market, its moment had already come and gone. I was back at work, editing a series for DIY Network called Extra Yardage, and yearning for another chance to make a movie.

Absentia might not have broken open the industry doors like I'd wanted it to, but one thing it did yield was a meeting with an entertainment attorney named Joel VanderKloot.

I had been represented a few times over the years by various managers (to be honest, they were actually Jeff Howard's managers, and they took me on because we had a co-written project together.) But those relationships hadn't gone anywhere, I'd never sold a script or booked a job, and when I suggested making Absentia they were not supportive ("You've already tried the indie thing, haven't you?") so by the time Absentia was made, I was completely unrepped.

Joel was a family friend of Jason Poh, who was one of our Absentia Kickstarter backers. He was a guy who'd just found the project online and donated a thousand bucks. He kept up with us, and loved the final movie. He told me he knew an entertainment lawyer and offered to arrange a lunch.

I left my editing job at Film Garden for a long lunch and met Joel in Santa Monica (this was a day-killing drive for me). Joel had seen the movie and really liked it. We had a good lunch, but wasn't immediately sure about taking me on - it's a lot of work to take on a new client, and there wasn't much heat on my movie. But there was something there that he liked, and he called later that day to say he would take me on as a client.

I was elated. I felt like I'd made my movie to the best of my ability, and that it had flashed in the pan and then died... no one had noticed outside of a few festival audiences and critics. But here was someone who worked in the industry and he saw something in the film that he believed in.

Joel started looking for managers while I clung to my day job. He passed the movie around and we had a few nibbles, which led to the first manager in my career who wanted to simply represent ME: Nicholas Bogner.

Bogner went about setting general meetings at production companies who specialized in horror films. There weren't a lot of takers, and not everyone was willing to watch an entire feature film in consideration of a general meeting. So it was hit or miss - I was a nobody, after all, and they get these kinds of incoming inquiries all the time.

But there were a few takers. And the very first meeting I had was with Anil Kurian at Intrepid Pictures.

Again, I took an extended lunch from my editing job and drove across town to Intrepid's offices in Santa Monica. I was beyond nervous when I sat in the waiting room. The young man working the front desk signed me in and offered me a water. And then, just before the meeting started, he leaned over and he said "I loved Absentia, by the way."

Anil was a really cool executive and we had a good general meeting. At the end of it, he introduced me to the heads of Intrepid: Marc Evans, and Trevor Macy.

We all ended up in the conference room, where posters for Intrepid's other movies - at that time, The Strangers and The Raven - were hanging. I vividly remember staring at them while I pitched all five of the ideas I had for movies.

One of them was a story about a little boy whose dreams manifested in real life, and another was a take on Stephen King's novel Gerald's Game. But at the time, none of these ideas worked. The meeting was over, and everyone was politely going about their day.

I felt a panic in me. It was my first real meeting, the door had been cracked open just an inch by Absentia, and I was about to walk away with nothing. Would my new manager want to keep me? Would my new lawyer think he was wasting his time?

I stopped in the doorway and turned back. "I've got one other thing," I said. "I made a short years ago about a haunted mirror, and I have a take for a feature."

They kind of laughed at the idea of a haunted mirror. "How do you make that scary?" Trevor asked. I said "Think of it like a portable Overlook Hotel," and the room got a little quieter.

"I'd like to see that short," Trevor said. I agreed to send it immediately.

I ran back to work, stayed a few hours late to make up the time I'd burned on my lunch hour, and went home to find a DVD copy of Oculus: The Man with the Plan.

I'd made that short in 2005. It was 20 mins long, and a lot of fun. Over the years whenever I'd get into meetings (all courtesy of Jeff Howard, who had sold scripts long before we started writing together), people would see it and ask about a feature. Every time, though, the conversation stalled because they wanted the film to be a found footage movie, or they'd balk at the idea of me directing a feature.

I sent the DVD to Intrepid and waited. About a week later, they called and asked me to come back in.

I took another long lunch (this would become quite a habit as the project advanced) and drove back down. We met again in the conference room, but this time the mood was a little different.

Trevor said "We're interested in this. How would you expand it? I know there are cameras in the room with the man and the mirror, which begs the question of found footage..."

My heart sank.

"... but we're thinking that's a mistake. It looks like all the fun is in playing with reality, and you can't do that with found footage. So how would you do it?"

And we were off.

I won't rehash the long journey between this meeting and the Oculus premiere at Toronto (scroll down to find another blog about that), but that was really the moment when things changed.

I drove back to work a little giddy. Intrepid optioned the short film, I called Jeff Howard to see if he'd still want to work on a feature with me, and we were commissioned to write the script.

It was my first Hollywood job. I was paid the bare minimum, but I was also able to join the WGA because of the deal. I still didn't quit my day job (and wouldn't for a long time, not until the movie was really shooting in Alabama the following year) but I was off to the races.

Once the script was done, Oculus would lead to my first agents (at APA, and they treated me very well) and my first "real" movie.

What's particularly neat about this time, looking back, is that I owe it all to Absentia. We'd made this tiny little movie to try to kick open the door of Hollywood and start a career. And despite the enormous pride I had in the finished film, it felt for a long time like it hadn't quite succeeded in that.

But quietly, subtly, the movie did exactly what I hoped it would. The festival screenings built up a small but confident word of mouth. The movie led directly to my attorney Joel (who still represents me to this day), which led directly to my first real representation, which led directly to Intrepid Pictures.

Trevor Macy is now my business partner and has produced every single thing I've ever made since. We run Intrepid Pictures together, and I see that same eagerness in the faces of young filmmakers who find their way to us for general meetings. I try to be as supportive and accessible to them as I possibly can, because I remember very well what it feels like to stand in their shoes.

And Trevor even ended up making those other pitches he'd rejected all those years ago - Before I Wake and Gerald's Game followed soon after Oculus was done.

Absentia did everything I could have wanted it to do, and much more. I'll always remember that period of time with great affection... but man, it was stressful. The uncertainty of those years still exists in me, I don't think it'll ever leave.

Someone told me, along the way, that there wouldn't be a moment when I realized I "made it." It would happen while I wasn't looking. That ended up being absolutely true.

[markredfield]

DR. JEKYLL AND MR. HYDE (2002) Trailer.

Starring Mark Redfield Elena Torrez Kosha Engler Carl Randolph

On our YouTube Channel

Designed and Directed by Mark Redfield. Written by Mark Redfield and Stuart Voytilla, based on their stage play, and the novel by Robert Louis Stevenson.

With J.R. Lyston, Robert Leembruggen, R. Scott Thompson, James Nailitz, Jennifer Cortese, Ronald Burr, Alena Wright, Brad Marshall, Chuck Richards, Tom Brandau, Josh Petroski, Jeff Miller, E. John Edmonds, Melanie Ambridge.

Music by Nalin Tenaja. Director of Photography Carl DeVos. Edited by Sean Paul Murphy. Special Make-up Effects by Robert Yoho.

MarkRedfieldStudios.com

“Dr. Jekyll and Mr. Hyde” (2002)

Coming to our YouTube Channel January 2024.

https://youtube.com/@MarkRedfieldStudios

[abr]

La realtà è che il nostro Paese sembra non credere più a nulla, soprattutto a se stesso. Quando leggo le polemiche pro o contro Salvini e chi lo sostiene (sulle Grandi Opere tipo Ponte sullo Stretto ma non solo, ndr) penso al 13 agosto 1898. Quel giorno a Iselle di Trasquera, un paesino sopra Domodossola, brillarono le prime mine per il traforo del Sempione.

(A) quel progetto non ci credeva quasi nessuno salvo chi aveva pensato, progettato, finanziato e voluto un’opera tanto colossale. Si chiamavano Alfred Brandt e Karl Brandau, gli ingegneri che dai due versanti avevano dato il via a un progetto incredibile per quei tempi (...): un tunnel di quasi 20 chilometri (...) che rimase per 76 anni il record del mondo, superata solo negli anni ’80 (...).

Furono impegnati (...) decine di migliaia di operai (...), minatori sardi e toscani, contadini (...), disoccupati, analfabeti e tanti ragazzi. Solo nelle trincee del Carso ritroveremo fianco a fianco uomini così diversi (...). “Rimarranno schiacciati dal peso di oltre 3.500 metri di roccia sovrastante, saranno strappati via dalle correnti calde del sottosuolo e comunque non si può lavorare a 55 gradi!”. Rileggendo i giornali del tempo tutto sembrava impossibile e invece, neppure sette anni dopo, tutto era compiuto.

Alla fine i calcoli manuali dello scavo (...) risultarono perfetti: le due gallerie si ritrovarono esattamente a metà strada, dopo 10 chilometri di buio, con uno scartamento di soli sette centimetri e, su circa 15.000 operai impegnati nei lavori, ne morirono solo 42, un niente rispetto ai 200 del traforo del Gottardo di anni prima. (S)i corse sempre ai ripari organizzando migliori condizioni di vita degli operai che ogni giorno avevano abiti puliti, toilette e aspiratori per ridurre la temperatura (...). Nacque anche un paese, Balmalonesca, per ospitare migliaia di operai e le loro famiglie (...) con case, osterie, la scuola, una chiesa (...).

Scrivo questo pezzo da Dubai, dove trent’anni fa c’era solo sabbia e oggi (si staglia) il grattacielo più alto del mondo. È indigesto agli ecologisti e opera faraonica e inutile? Sta di fatto che l’anno scorso la città più visitata al mondo da turisti non è stata più Parigi ma proprio Dubai (...).

Ormai Europa e Asia sono connessi sul Bosforo senza problemi, così come decine di isole nel mondo. Anche considerando solo i ponti a campata unica (...) costruire il ponte sullo Stretto tra Calabria e Sicilia é nell'ordine delle cose e non ditemi che in Turchia, in Giappone o in Cina non ci siano tsunami e terremoti! (...).

via https://www.ilsussidiario.net/news/ponte-sullo-stretto-il-monito-del-vecchio-sempione-ai-sabotatori-che-ignorano-la-nostra-storia/2686470/

Sempre provinciali siamo stati, ma oggi più di ieri: più sono sinistri ecoambientalisti che si credono moderni, più regressivi ignoranti tutto sentimient' pregiudizi e blablabla impauriti a bocc'aperta diventano. In sintesi, dei Tozzi.

Peccato che i piagnina senza lumi né speranze dilaghino attualmente anche oltre il divide con gli ignoranti a sinistra. In ritardo ma l'han vinta finalmente, la battaglia per l'egemonia culturale: non è questione di contenuti ma di metodo, han reso la mentalità e l'approccio della maggioranza silenziosa che lavora, negativa passiva aggressiva come la loro. Al più fanno i "benaltristi", altro diversivo classico sinistro. Non per caso i figli (=speranza di futuro migliore) non li fa più nessuno.

[pituliya]

Modern German Name Replacement

After making my medieval replacement some weeks ago, I realised that I wanted some more variety in my modern game too. Thze first names are a mix of german names (traditional and modern) and various other countries names (par example english, turkish, french). The last names are a mix of many german last names (I was lazy and added the medieval last name list to my old classical list, since their both appliable to modern times) and some other countries last names (like turkish, italian, polish last names).

The replacement has 764 last names, 509 female names and 497 male names.

Combinations I got during my testing:

Ariane Brandau, Miriam Winkler, Friederike Rossi

Kieran Heuer, Colin Winkler, Reinhard Röder

Download  (Box)

Download (Simfileshare)

random trivia: 2022 was the first time in years were little boys got named Erwin again

[humbertovidalphoto]

Skateboarding Is Now an Olympic Sport—and Lizzie Armanto Is Going for Gold from NewYorker on Vimeo.

She’s one of the best skateboarders in the world. In “Chasing Tokyo 2021,” by Nathan Fitch, Lizzie Armanto recounts her award-winning career as she prepares for the 2021 Summer Olympics.

Director & Producer, Nathan Fitch: vimeo.com/nathanfitch Cinematographer, Eric Schleicher: vimeo.com/ericschleicher Sound Recordist & Add Camera, Kristian Mellom: vimeo.com/kristianmelom Editor, Anna Quinlan: vimeo.com/annaquinlan Colorist, Cédric von Niederhäusern: vimeo.com/niederhaus Sound Mix, Chase Brandau: vimeo.com/chasebrandau

[splashes-of-joy]

Review tour for Standing Strong by Tina Brandau

Join Us For This Tour From Feb 6 to Feb 24, 2023 Book Details:Book Title:   Standing Strong: The Real Life Story of Overcoming Adversity and Becoming Unstoppable in Life and Business by  Tina BrandauCategory:  Adult Non-Fiction (18+), 154 pages Genre:  Memoir / Self-Help / InspirationalPublisher:  Red Sky Publishing​Publication Date:  May 3, 2022Formats available for review:…

[fundinmental]

Book Details:Book Title:  Standing Strong: The Real Life Story of Overcoming Adversity and Becoming Unstoppable in Life and Business by Tina BrandauCategory: Adult No…

[animalplanets-world]

Πόσο κοστίζει ένας σκύλος Pitbull;

Πόσο κοστίζει ένα κουτάβι Pitbull;

Η τιμή ενός κουταβιού Pitbull από έναν αξιόπιστο εκτροφέα μπορεί να κυμαίνεται κατά μέσο όρο από $2100 έως $21.000. Πρόκειται για κουτάβια που προέρχονται από σειρές κύρους. Ωστόσο, είναι δυνατό να βρείτε κουτάβια Pitbull που κοστίζουν από 810 $ έως 1.100 $. 12 Ιουνίου 2020

Ποια είναι η τιμή του σκύλου Pitbull στην Ινδία;

Η τιμή ενός κουταβιού Pitbull ποικίλλει ανάλογα με τον εκτροφέα, το γενεαλογικό, την ποιότητα του κουταβιού και την τοποθεσία. Οι κτηνοτρόφοι σε όλη την Ινδία χρησιμοποιούν μια μέση τιμή βάσης μεταξύ 25.000 ₹ έως 35.000 ₹. 30 Αυγούστου 2020

Είναι τα πίτμπουλ καλά οικογενειακά σκυλιά;

Τα Πιτ Μπουλ είναι υπέροχα με τα παιδιά. Τα Πιτ Μπουλ είναι μια πιστή, προσανατολισμένη στον άνθρωπο φυλή που ευδοκιμεί ως μέλος της οικογένειας. Είναι στοργικοί τόσο με τους ενήλικες όσο και με τα παιδιά. Σημείωση: Όλα τα παιδιά πρέπει να διδάσκονται πώς να αλληλεπιδρούν με ζώα και θα πρέπει να επιβλέπονται όταν παίζουν με οποιοδήποτε ζώο.

Ποια ράτσα σκύλου απαγορεύεται στην Ινδία;

Προς το παρόν, αν και η λ��ψη άδειας από δημοτική εταιρεία είναι απαραίτητη, αλλά καμία ράτσα σκύλου δεν έχει απαγορευτεί ή έχουν διαμορφωθεί οποιοιδήποτε κανόνες που να εμποδίζουν τους ιδιοκτήτες να τους κρατούν ως κατοικίδια. Τα Pitbull, Rottweilers, Doberman θεωρούνται επικίνδυνες ράτσες που μπορούν ακόμη και να επιτεθούν στους ιδιοκτήτες. 21 Ιουλίου 2021

Μπορώ να έχω ένα Pitbull στην Ινδία;

Ειδική νομοθεσία για τη φυλή. Η Ινδία δεν έχει ειδική νομοθεσία για τη φυλή κατά των Pitbulls. Δεν υπάρχουν απαγορεύσεις κατά της ιδιοκτησίας Pitbull στην Ινδία. ... Χωρίς εκπαίδευση και στενή επίβλεψη, ένα Pitbull μπορεί να είναι θανατηφόρο. 12 Ιουλίου 2020

Τα pitbull στρέφονται εναντίον των ιδιοκτητών τους;

Τα πίτμπουλ είναι διαβόητα για μοχθηρές, απρόκλητες επιθέσεις. ... Αλλά ο Brandau λέει ότι οι επιθέσεις στον ιδιοκτήτη ενός σκύλου είναι εξαιρετικά σπάνιες, ακόμη και για τα πίτμπουλ. «Είναι πολύ σπάνιο τα δικά σου σκυλιά να σε γυρίζουν και να σε σκοτώνουν και μετά να σε φάνε», είπε. 20 Δεκεμβρίου 2017

Χρειάζονται δουλειά τα pitbull;

Δώστε μια δουλειά σε ένα λάκκο και θα χρησιμοποιήσει την ίδια αποφασιστικότητα. Αυτά είναι δυνατά σκυλιά που χρειάζονται άσκηση. Για παράδειγμα, τους αρέσει να τραβούν. Και μπορούν να φέρουν ένα σακίδιο πλάτης όταν πηγαίνετε για μια βόλτα. 8 Αυγούστου 2019

Τα pitbull γαβγίζουν πολύ;

Τα πίτμπουλ είναι μια από τις πιο έξυπνες ράτσες σκύλων στον πλανήτη. Δεδομένου ότι γενικά έχουν πολύ μεγάλη επίγνωση του τι συμβαίνει γύρω τους, δεν αισθάνονται την ανάγκη να γαβγίζουν τόσο συχνά. Στην πραγματικότητα, το pitbull σας σπάνια θα γαβγίσει χωρίς λόγο.

Ποιος σκύλος είναι απαγορευμένος στις ΗΠΑ;

Ορισμένες ράτσες έχουν περιοριστεί ή απαγορευτεί, συμπεριλαμβανομένων των Rottweilers, American Staffordshire Bull Terrier ("Pit Bulls"), Chow Chows, German Shepherd Dogs και Doberman Pinschers, και ο κατάλογος αυξάνεται.

Ποια ράτσα σκύλου ζει περισσότερο;

Αυστραλιανός σκύλος βοοειδών Ένας αυστραλιανός σκύλος βοοειδών που ονομάζεται Bluey κατέχει το ρεκόρ του μακροβιότερου σκύλου - φτάνοντας τα απίστευτα 29 χρόνια. Η φυλή ζει κανονικά για περίπου 15 χρόνια, πριν από 5 ημέρες

Ποιος είναι ο πρώτος σκύλος στον κόσμο;

(CBS News) -- Το Labrador Retriever εξακολουθεί να είναι η πιο δημοφιλής ράτσα σκύλων, σύμφωνα με το American Kennel Club. Το AKC κυκλοφόρησε τη λίστα με τις πιο δημοφιλείς φυλές σκύλων την 1η Μαΐου 2020. Βασίζεται στα στατιστικά στοιχεία εγγραφής του AKC του 2019. 4 Μαΐου 2020

Πόσο κοστίζει ένα Pitbull καθαρής ράτσας;

Πόσο κοστίζει το Pit Bull; Το κόστος ενός καθαρόαιμου κουταβιού Pit Bull κυμαίνεται από $500 έως $1.000. Ωστόσο, είναι πιθανό να βρείτε ετικέτες χαμηλότερης τιμής, αλλά είναι πιθανότατα απάτες. Εκτός από αυτό, θα πρέπει επίσης να γνωρίζετε το κόστος ζωής του σκύλου. Αυτό μπορεί να διαφέρει πολύ, αλλά τα 15.000 $ είναι μια κατάλληλη εκτίμηση.

Ποιες δύο ράτσες σκύλων υπάρχουν για να φτιάξετε ένα Pitbull;

Staffordshire Bull Terrier American Pitbull Terrier (APBT) American Bulldog American Staffordshire Terrier

Το Pitbull έχει κατοικίδιο;

Ναι, τα Pitbulls κάνουν καλά κατοικίδια, είναι ακόμα πιο φανταστικά ως καλύτεροι φίλοι. Το Pitbull είναι ένα στοργικό, πιστό και αφοσιωμένο σκυλί που θέλει να ευχαριστήσει.

Τα πίτμπουλ κάνουν καλούς σκύλους φύλακες;

Υπήρχε μια μακροχρόνια διαμάχη σχετικά με το εάν τα πίτμπουλ μπορούν να γίνουν καλοί σκύλοι φύλακες. Αλλά η αλήθεια είναι ότι μπορούν πραγματικά να γίνουν καλοί σκύλοι φύλακες. εάν τους δοθεί η κατάλληλη εκπαίδευση. Και πολλοί ειδικοί στην εκπαίδευση σκύλων το έχουν επιβεβαιώσει.

Πόσο κοστίζει ένας σκύλος pitbull;

Κάποιος μπορεί εύκολα να αγοράσει κουτάβια pitbull στην Ινδία στην περιοχή από 9.000 INR έως 80.000 INR, ανάλογα με τη ράτσα του σκύλου, (δηλ. έλεγχος καταγωγής και γενεαλογίας).

Πόσο κοστίζει ένα κουτάβι pitbull;

Πόσο είναι τα κουτάβια Pitbull; Η τιμή ενός κουταβιού Pitbull από έναν αξιόπιστο εκτροφέα μπορεί να κυμαίνεται κατά μέσο όρο από $2100 έως $21.000. Πρόκειται για κουτάβια που προέρχονται από σειρές κύρους. Ωστόσο, είναι δυνατό να βρείτε κουτάβια Pitbull που κοστίζουν από $810 έως $1.100,12 €. 2020 γ.

Πόσο είναι ένα ΓΚΡΙ pitbull;

Τιμές και έξοδα για κουτάβι γκρι Pitbull: Πόσο κοστίζει ένα γκρίζο Pitbull; Οι υψηλές τιμές συνοδεύουν αυτόν τον σπάνιο χρωματισμό. Συνήθως, τα μπλε μύτη Pitbulls μπορεί να σας κοστίσουν περίπου 2.000 $ έως 10.000 $ εάν προέρχονται από μια αξιόπιστη γραμμή αίματος και εκτρέφονται από έναν επαγγελματία εκτροφέα.

Είναι το Pitbull ασφαλές για την οικογένεια;

Ένας τρυφερός σύντροφος και οικογενειακός σκύλος. Ζωηρή, με φιλική προσωπικότητα. Προσανατολισμένος στον άνθρωπο και πρόθυμος να ευχαριστήσει. Ευφυής, φιλικός και εύκολα κερδισμένος.

Είναι ένα pitbull καλό για ιδιοκτήτες για πρώτη φορά;

Θα πρέπει να έχετε πολλή ενέργεια, χρόνο και στοργή για τον σκύλο σας. Δεν πρέπει να σας πειράζει να αντιμετωπίζετε πολλή προσοχή από τους άλλους, θετική αλλά και αρνητική. ... Δεν τα κάνω για ιδιοκτήτες σκύλων για πρώτη φορά. Είναι δυνατά σκυλιά, μερικά από αυτά έχουν ιστορία κυνομαχίας και η επιμονή τους είναι ατελείωτη.17 Οκτ. 2013 г.

Ποιο είναι το πιο σπάνιο χρώμα pitbull;

Σύμφωνα με το American Pit Bull Registry, τα Merle Pitbull είναι μακράν τα πιο σπάνια, γεγονός που εξηγεί την απότομη αύξηση της ζήτησης για αυτά τα Pits. Οι ιδιοκτήτες Pitbull λατρεύουν τις μοναδικές χρωματικές παραλλαγές του merle Pit και τα μπλε κρυστάλλινα μάτια του που προκαλούνται από το κυρίαρχο αλληλόμορφο merle στον τόπο M.

Είναι σπάνια τα μπλε pitbulls;

Ως εκ τούτου, μπορεί να μην έχετε ακούσει ποτέ για το Blue Nose Pitbull, ή ίσως να πιστεύατε ότι ένας σκύλος που έχει μπλε μύτη δεν ήταν μεγάλη υπόθεση. Αλλά στην πραγματικότητα, η μπλε μύτη είναι σπάνια όχι μόνο μεταξύ των περισσότερων σκύλων αλλά ακόμη και μεταξύ των ίδιων των Αμερικανικών Πιτ Μπουλ Τεριέ.15 π.μ. 2019 г.

Πώς ονομάζονται τα GRAY pitbulls;

Το Blue Nose Pit Bull είναι μια πρόσφατη εφεύρεση του κτηνοτρόφου. Τα μπλε μύτη πίτμπουλ είναι συνήθως είτε αμερικανικά τεριέ Staffordshire είτε αμερικανικά τεριέ Pitbull. Ή είναι μια διασταύρωση μεταξύ των δύο. Οι κτηνοτρόφοι προσπαθούσαν να πάρουν ένα σκυλί με μπλε-γκρι τρίχωμα και το χρώμα της μύτης ήταν τυχαίο.

Γιατί οι άνθρωποι μισούν τα pitbull;

Το 68% των απαντήσεων σχετίζονταν με το απρόβλεπτο, τη βία και τον κίνδυνο, το 64% με την ευγένεια, την ευγένεια και την πίστη, το 59% με το στίγμα που σχετίζεται με τα μέσα ενημέρωσης, το 57% τη φυσική εμφάνιση των πίτμπουλ ως τρομακτικών ή εκφοβιστικών, το 55% ως που σχετίζονται με το ότι είναι σύμβολα κατάστασης για συμμορίες και άλλα βίαια άτομα, το 46% ως ...17 нояб. 2020 γ.

Θα προστατέψει ένα pitbull τον ιδιοκτήτη του;

Ναι, ένα Pitbull θα προστατεύσει τους ιδιοκτήτες του εάν αισθανθούν άμεσο κίνδυνο. Τα Pitbull εξελίσσονται σε ένα στοργικό, πιστό και δεμένο σκυλί και γρήγορα αγαπούν τους ιδιοκτήτες τους και είναι πρόθυμοι να τους προστατέψουν. ... Είναι ένα Pitbull καλός σκύλος φύλακας;

Τα pitbulls έχουν αγαπημένο πρόσωπο;

Έχουν το Pitbull ένα αγαπημένο πρόσωπο; Ναι, το Pitbull θα ευνοεί συχνά το άτομο της οικογένειας που το αλληλεπιδρούσε και το εκπαίδευσε περισσότερο. Θα έχουν μια έντονη συμπάθεια προς τους ιδιοκτήτες τους και το άλφα στην οικογένεια.

Τι λέει για εσάς η κατοχή ενός pitbull;

Πιτ Μπουλ. Τα πίτμπουλ έχουν έντονη επιθυμία να ευχαριστήσουν και θα κάνουν τα πάντα για την οικογένεια ή τους φίλους τους. Οι ιδιοκτήτες πίτμπουλ είναι θαρραλέοι, γεμάτοι ζωντάνια και προσέχουν συνεχώς αυτούς που αγαπούν. Απολαμβάνουν να βρίσκονται κοντά στα παιδιά και γίνονται εξαιρετικοί γονείς και παππούδες.18 июн. 2015 г.

Είναι ένα pitbull καλός σκύλος σπιτιού;

Τα πίτμπουλ είναι υπέροχα οικογενειακά κατοικίδια. Επειδή τα πίτμπουλ αγαπούν τόσο πολύ τους ανθρώπους, κάνουν μια εξαιρετική επιλογή για οικογένειες. Πριν από λίγο καιρό, ορισμένα μέρη χρησιμοποιούσαν τα πίτμπουλ ως νταντάδες (κάποιων ειδών) επειδή ήταν τόσο καλοί με τα παιδιά. ... Από όλες τις ράτσες σκύλων, τα πίτμπουλ είναι γενικά υγιή κατοικίδια.7 янв. 2020 γ.

Γιατί τα πίτμπουλ δεν πρέπει να είναι κατοικίδια;

Οι ιδιοκτήτες εκπαιδεύουν τα πίτμπουλ τους να κάνουν αυτό το κακό πράγμα, όπως να επιτεθούν σε κάποιον, μόνοι τους, όπως τους μαθαίνουν. Μερικο�� άνθρωποι θα μπορούσαν να πουν, τα πίτμπουλ δεν πρέπει να επιτρέπεται να διατηρούνται ως κατοικίδια επειδή σκοτώνουν και επιτίθενται σε ανθρώπους (είναι μοχθηροί). Δεν είναι μόνο τα πίτμπουλ που επιτίθενται στους ανθρώπους, υπάρχουν πολλά άλλα σκυλιά που ενεργούν το ίδιο με ένα πίτμπουλ.

Είναι τα Pitbulls καλά οικογενειακά σκυλιά;

Τα πίτμπουλ είναι υπέροχα οικογενειακά σκυλιά καθώς τα κοντά παλτά τους απαιτούν ελάχιστη περιποίηση. Επιπλέον, είναι λιγότερο πιθανό να αποτελέσουν έδαφος αναπαραγωγής για ψύλλους. Επιπλέον, το μπάνιο ενός πίτμπουλ είναι γρήγορο και εύκολο και τα παλτά τους δεν χρειάζονται βούρτσισμα. Επιπλέον, το κόστος και η γούνα τους είναι επίσης δυσάρεστα.

Είναι τα πίτμπουλ καλά κατοικίδια;

Τα Πιτ Μπουλ μπορεί να είναι καλά κατοικίδια και δεν πρέπει να απαγορεύονται. Η ειδική νομοθεσία για τη φυλή είναι ένα σύνολο νόμων που τίθενται σε εφαρμογή για τον περιορισμό και την ευθανασία όλων των σκύλων που έχουν κριθεί θανατηφόρα, επιθετικά και παχύρρευστα. Αυτή η απαγόρευση έχει στοχεύσει μια συγκεκριμένη ράτσα σκύλου, το Πιτ Μπουλ.

Είναι τα πίτμπουλ κακά σκυλιά;

Όλα τα Πιτ Μπουλ είναι κακά – Τα σκυλιά δεν έχουν συνείδηση. δεν μπορούν να είναι «κακοί». Τα Πιτ Μπουλ αντιδρούν στον κόσμο τους με βάση την εκτροφή και την εκπαίδευσή τους. Δεν μπορείς να εκτρέφεις έναν σκύλο για να πολεμά άλλα σκυλιά για σχεδόν 200 χρόνια και να περιμένεις ότι αυτά τα ένστικτα θα εξαφανιστούν. Read the full article

[runtermitdemblutdruck]

Lebenskunst - gerade jetzt!

oder wie du in herausfordernden Zeiten in deine Mitte kommst. https://youtu.be/p-gE9CMKl60 In bewegten Zeiten stabil sowie innerlich frei zu bleiben, den eigenen Weg zu gehen und dabei Lebensfreude zu empfinden - das ist Lebenkunst! ISABEL BRANDAU Lebenskunst gerade jetzt! ist das Motto von Isabel Brandau. Sie hat in ihren wunderbaren Podcastfolgen viele Themen zu deiner Gesundheit in allen Lebenslagen aufgegriffen. Ich konnte sie gewinnen, dir ihre "Essentials" zum Thema Lebenskunst zu vermitteln. Freu dich auf Biohacks und kalte Füße. Isabel Brandau findest du im Web und bei Instagram https://www.isabelbrandau.de/blog-podcast/ https://www.instagram.com/isabelbrandau/ Lesen Sie den ganzen Artikel

[markredfield]

Happy birthday, Mike.

A love of telling stories and making movies brought us together many years ago, in the mutual friendship with the late Tom Brandau.

Here’s to friendship, forgiveness, frolics; to health, happiness, hearts full of love and understanding; to caring, creating, and just enough crazy to see us through.

~ Mark

20 May 2024

[tetcny]

POE IS FOUND

October 3rd, 1849.

A tradesman, Joseph Walker, finds a disheveled, incoherent, man on the street, at 44 East Lombard Street in Baltimore. Walker can discern the name “Dr. Snodgrass” from the stranger, and has him sent for. Walker first takes the stranger into Gunner’s Hall Public House, and out of the cool autumn air. It is there that Walker discovers that the stranger is the writer and poet, Edgar Allan Poe.

Once a relative arrives, Henry Herring, Poe is taken to hospital. Washington College Hospital. The attending physician is Dr. John J. Moran.

THE DEATH OF POE

Mark Redfield’s surreal, nightmarish film about the last week of the great American writer’s life, arrives on YouTube of 7 October, 2022.

YouTube @MarkRedfieldStudios

https://youtube.com/channel/UC1Th_SVrgXPKWE9jxZjuy6A

Please subscribe! It’s FREE! Thank you.

THE DEATH OF POE (2006)

80 minutes

Black and White/Color

with

Mark Redfield as Edgar Allan Poe

Kevin G. Shinnick as Dr. Moran

Jennifer Rouse as Mrs. Moran

Tony Tsendeas as Neilson Poe

Kimberly Hannold as Virginia Clemm Poe

Wayne Shipley as Henry Herring

Jonathan Ruckman as Joseph Walker

Sean Paul Murphy as Dr. Snodgrass

George Stover as Thaddeus Wainwright, Zachariah Wainwright

J. R. Lyston as The Irishman, an investor

Kurt Boushell as The Proud Father

Sandra Lynn O’Brien as The Talented Daughter

Chuck Richards as The Stranger in Richmond

Debra Murphy as Maria Clemm

David Ellis as Cornelius Ryan

Jimmyo Burrill as Election Gang Leader

Thomas E. Cole as Caleb

Eric DeVito as Horace

Pete Karas as The Landlady’s Son

Andrew Ready as Griswold’s clerk

Thomas Brandau as Rufus Griswold

Holly Huff as Elmira

Johanna Supensky as The Landlady

Directed by Mark Redfield

Written by Mark Redfield and Stuart Voytilla

Composer Jennifer Rouse

Cinematographer Jeff Herberger

Editor Sean Paul Murphy

Assistant Editor Jay Carroll

“Another noir achievement for Horror’s classic maverick iconoclast, Mark Redfield.”

- David Colton, USA TODAY

AVAILABLE OCTOBER 7th 2022 on The Mark Redfield Studios YouTube Channel: YouTube @MarkRedfieldStudios

https://youtube.com/channel/UC1Th_SVrgXPKWE9jxZjuy6A

#EdgarAllanPoe #TheDeathOfPoe #surrealism #IndieFilm #IndependentFilm #mystery #biography #AmericanWriter #AmericanPoet

[subtilitas]

Brandau Ciccardini - Challet renovation, Zeneggen 2019. Photos (C) Philipp Mächler.

[annbrandaumurguia-blog]

[seonqhwas-remade]

89 by THE8 & KIM MINGYU | Fashion Brand AU [1/?]