#bollywood movies 2018

[inmyworldblr]

Badhaai Ho (2018) | dir. Amit Ravindernath Sharma

[oatmilk-vampire]

I watched 5 Weddings (2018) and it was so good 🥺

[popsixsquishcicerolipschitz]

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[bwaldorf]

ramasha do you have any bollywood movie recs?? 🎤

omgggg em im so honored you thought of me!! 🫶🏼🩷

tbh i've sorta been on a journey of watching more bollywood (and south asian cinema in general), since there was a huge chunk of my life where i just never really kept up with releases and was sorta discouraged from watching it so my taste isn't the Most diverse (in terms of genres and years) but i'm working on it 😭 that said, here's my attempt at giving you a lot of different options, so hopefully there's something here that strikes your fancy hehe :3

lots will be under the cut bc im a huge YAPPER.... sorry. also, some of these haven't really aged that well and are sometimes more of just a nostalgic fav and/or ones i think are iconic so... take some of these recs with a grain of salt

some of my bigger personal faves:

om shanti om (2007) — it may hit more if you have a bit more exposure to bollywood cinema and its industry bc it references it a lot, but i still think it's an enjoyable movie regardless! (yes i am biased bc this is one of my fav bollywood movies ever + a huge nostalgic fav. plus SRK and deepika padukone.. can't go wrong there!)

haider (2014) — this movie is SOOOO good! i highly rec it 💞 it's an adaptation of hamlet, set within the backdrop of the 1995 kashmir conflicts. this is actually a part of trilogy of shakespeare adaptations by the director: the other two are maqbool (2003) which is macbeth and omkara (2006) which is othello

main hoon na (2004) — another SRK nostalgic fav

ghajini (2008) — it rips off christopher nolan's memento but i think it adds a lot of its own stuff too and i have a soft spot for it 😭

andhadhun (2018)

kahaani (2012)

tumbbad (2018)

amar singh chamkila (2024)

3 idiots (2009) — the most likely one that non regular bollywood watchers will know and deservedly so imo

gully boy (2019)

hum saath saath hain (1999) — okay not objectively the best movie.. but its a hugely nostalgic and comfort movie for me and i think its great if you wanna watch something that's heartfelt and doesn't have a ton of high stakes conflict

maine pyar kiya (1989) — same as above ☝🏼 i watched this one a lot as a kid

jab we met (2007)

devdas (2002) — worth it for at least the beautiful cinematography, costumes, and gorgeous talented cast

fanaa (2006) — plot is kinda messy at times but it was a real angst machine for me as a kid 😭

photograph (2019)

sir (2018)

bulbbul (2020) — tw for a rape scene though. sorry for the spoiler but it was genuinely really harrowing for me to watch so i think its important to mention

misc other movies i've seen:

qala (2022)

dil bole hadippa! (2009) — admittedly, i haven't rewatched this one in a long time so i can't totally say it holds up. it's a rip-off of she's the man, but … better….. TO ME. yes im speaking from nostalgia bc this is the one i saw first

badhaai do (2022) — this is technically a 'sequel' to the similarly titled movie badhaai ho (2018) but they're actually total standalones

gangubai kathiawadi (2022) — i have such mixed feelings about this one but it's a movie that really stuck with me ever since i watched it soooo yeah

raees (2017) — SRK looks unbelievably fine in that movie. need i say more?

koi mil gaya (2003) — it's a mix of both ET and close encounters of the third kind... but in my very biased, nostalgic opinion: better 🫣 there's also a few sequels, but i only really remember seeing krrish (2006)

josh (2000) — another entry to the SRK looks super gorgeous in this movie 😭 this is basically a desi west side story

go goa gone (2013) — not the best to me, but its a bollywood zombie movie! which was a very new concept to me in that industry so ofc i had to throw it in there

chennai express (2013)

mohabbatein (2000)

dilwale dulhania le jayenge (1995) — had to include this for SRK reasons and also bc it's a massively impactful movie in the industry so i'd be remiss not to

andaz apna apna (1994)

ek ladki ko dekha toh aisa laga (2019)

jaane tu.. ya jaane na (2008)

aaja nachle (2007)

munna bhai mbbs (2003)

gangs of wasseypur - part 1 (2012) — i've only seen the first one in this series but if you want a somewhat slower, meditative, gangster movie this one def fits the bill

what's your raashee? (2009) — can't remember how well this ages (i think it was pretty mid?) but the concept is fun! priyanka chopra plays 12 girls: each personifying a different zodiac sign as the main guy tries to find his soulmate 😭

taare zameen par (2007) — you'll also see this listed as 'like stars on earth' sometimes

amar akbar anthony (1977)

don (2006) — villainous SRK? sign me up! he actually has multiple movies where he's this sorta antihero/"antivillain" type character. and even a few where he's a straight-up villain. i've been trying to get through all of those bc i just love his range

anjaam (1993) — an example of the aforementioned thing ☝🏼 SRK plays a genuinely terrible guy here, and i love how it actually challenges a lot of the tropes that bollywood tends to use in its romances and shows how creepy and stalkerish they actually are (despite it being typically framed in the narrative otherwise)

partner (2007) — i recently found out it was basically ripping will smith's hitch 😭 i haven't seen that one so i can't say which is better, but if you enjoyed that one, you'll probably be into this one too. it's very unserious and not the Best. but i watched it a lot as a kid

aaja nachle (2007)

roadside romeo (2008) — okay this is a very unserious, low budget animated movie rec. it's soooo so silly and dumb but if you're in the market for smth like that, this is an amusing one for that

welcome (2007) — i gotta rewatch this one bc i don't remember a lot but it seems like a lot of tomfoolery and shenanigans

my name is khan (2010) — another one i gotta rewatch for its politics but i figured i'd throw it in regardless

black (2005)

kal ho naa ho (2003)

kuch kuch hota hai (1998)

sholay (1975)

hungama (2003)

some from my watchlist that i haven't seen yet:

(as if this list needed to be any longer.... but anyways! including these bc i think they seem promising/interesting and i think they introduce More variety of genres/time periods than the ones before)

ijaazat (1987)

thappad (2020)

udaan (2010)

merry christmas (2024)

chhoti si baat (1976)

hindi medium (2017)

the lunchbox (2013) — heard LOTS of good things about this one!

lipstick under my burkha (2017)

neerja (2016)

queen (2014)

rajnigandha (1974)

kaagaz ke phool (1959)

anand (1971)

paheli (2005) — it's a mainstream bollywood remake of duvidha (1973)

baadshah (1999)

monica, o my darling (2022)

madhumati (1958)

raaz (2002)

satya (1998)

highway (2014)

oh darling! yeh hai india! (1995)

pyaasa (1957)

sardar udham (2021)

awaara (1951)

shree 420 (1957)

kaminey (2009)

mahal (1949)

chandigarh kare aashiqui (2021)

bunty aur babli (2005)

talvar (2015)

duplicate (1998)

lootera (2013)

mughal-e-azam (1960)

baazigar (1993)

trapped (2017)

fire (1996) — a hugely significant movie in explicitly showing a wlw relationship in bollywood. i believe it was the first in that regard?

stree (2018)

piku (2015)

english vinglish (2012)

umrao jaan (2006) — there's also an earlier version of this movie with the same title that came out in 1981! i haven't seen either yet so i can't say which is better

jodhaa akbar (2008)

darr (1993) — big movie for villain SRK enthusiasts if that interests you too like it does me 🤭

zindagi na milegi dobara (2011)

dil dhadakne do (2015)

dear zindagi (2016)

special 26 (2013)

badla (2019)

mardaani (2014)

raman raghav 2.0 (2016)

peepli live (2010)

drishyam (2015)

[soracities]

!! did i hear hindi movie recs? tis me hindi speaking indian person! i love u and when i saw people reccing bollywood to you i literally gasped out loud. im glad people are sharing taare zameen par, maqbool, omkara, they are my favorites!! if its ok and you're still taking recs, im here to rec you a) pinjar (2003)- a heartbreaking film abt womanhood in times of indian partition, the bloodiest part of our history. its my favorite film nobody talks abt so i hope you like it!

b) thappad (2020) i really like the simple, sticking to realism narrative of thappad, that causes the expose so harshly in contrast, talking abt the casual misogyny even educated societies of india are entrenched into that this film caused people to take sides.

c) pink (2016)

d) veer-zara (a classic lol) (2004)

e) hichki (2018)

f) udaan (2010)

g) garam hawa (transl: scorching winds) (1974)

h) chak de india! if you're into sports movies this one is so close to heart everytime i watch it! (2007)

i) barfi! (2012) truly the movie of all time

j) kahaani (2012)

m) jaane bhi do yaaro (who pays the piper) (1983)

n) mughal-e-azam (1960) and last but not the least

o) devdas! (2002) its my screenwriter best friend's favorite movie!!

totally understand if this list is exhausting, i just meant to give you recs im in love with!! im lacking in watching films, smth i wish to correct soon, but i love these films!! if u like english vinglish, you might also like queen! (2013) i love that movie too!! sorry for the long ask, im not really good at containing myself lol. i hope u have a good day!! happy watching!! (and also would u also be watching non hindi indian movies too bcs 👀 there are amazing recs for those too!)

please do not apologise this is exactly the kind of range i love in films i feel like im about to have the world's best movie night / sleepover!!!

[dweemeister]

2024 Movie Odyssey Award for Best Original Song (MOABOS XII) final results

TAGGING (observers, participants, and non-participants): @addaellis, @birdsongvelvet, @cinemaocd, @cokwong, @demenshah, @doglvr, @dog-of-ulthar, @emilylime5, @halfwaythruthedark, @idontknowmuchaboutmovies, @machpowervisions, @maximiliani, @memetoilet, @metamatar, @monkeysmadeofcheese, @myluckyerror, @phendranaedge, @plus-low-overthrow, @rawberry101, @shootingstarvenator, @stephdgray, @theybecomestories, @umgeschrieben, and @yellanimal!

Hello all,

I am only a few steps now from finally closing the book on the 2024 Movie Odyssey. The next step: revealing the results for the 2024 Movie Odyssey Award for Best Original Song (MOABOS XII) Final. The Movie Odyssey Awards for 2024 will follow shortly. To remind everyone, I refer to the whole collection of films I saw for the first time in their entirety over a calendar year as "My Movie Odyssey". The Movie Odyssey is the raison d'être of my classic film blog on tumblr, which has been featuring the Movie Odyssey Awards (of which MOABOS is one category out of 26 total). The centerpiece to the blog remains my film write-ups, tagged "My Movie Odyssey" (813 write-ups since August 2012, but the count has slowed considerably in recent years).

INTRODUCTION AND A RE-STATEMENT OF PURPOSE

Whether or not you participated in 2024's Movie Odyssey Award for Best Original Song (MOABOS XII), I wanted to again extend my thanks to you for your consideration, your time, and your willingness to take a blind (for most of you) chance on the films and the movie music I was happy to experience this year. This twelfth edition of MOABOS was the eleventh with outside involvement from family, friends, and tumblr followers.

In the final minutes of MOABOS XII on Saturday night, a good friend of mine submitted their rankings and, in the comments, told me a personal story about their #1 pick, and how it revived a half-forgotten memory about drives in the car with their father when they were younger. The story is not mine to tell, so I'll leave it there. The song is from a film that might be considered obscure to many of you, in part due to its lack of (legal) distribution in the United States.

I thought my friend's comment was emblematic of what MOABOS – and, more crucially, what I deem my "Movie Odyssey" – seeks to achieve. Yes, those 800+ write-ups have slowed down in recent years, and they're an expression of my thoughts on movies (which you may agree or disagree with) and the strangest form of indirect memoir you can find. Together, those write-ups, MOABOS, talking about movies with many of you, and seeing movies with some of you, I hope I've been able to paint a portrait of an extremely young artform that already has a rich history. It's a history where the past is not so far away as some of you may think, where the juxtaposition between the famous works and the lesser-known is stark and worth exploring.

The films that come my way as Artistic Director of Viet Film Fest (VFF) get to be in conversation in a space that also includes Frances Langford and Eleanor Powell. A French cyberpunk movie made for a relatively small budget contributes to the same body of history that an Inside Out 2 does. Classic Bollywood of the late '40s to early '60s took Old Hollywood's glamor and social messaging, and shaped both to fit Bollywood audiences. Wicked: Part I was made by a director whose musical North Star is Meet Me in St. Louis (1944) – even if I'd argue he doesn't apply the best practices of that classic rather well.

The past is with us always, and it's worth contending with and acknowledging.

For the last twelve years, however long you've been doing this (from those who were there from MOABOS II to our first-timers) cinematic/musical journey, it's been a pleasure to be your guide.

RESULTS

Remember: the MOABOS final is not like the prelim. It isn't primarily decided on the points system used in the final. It, since 2018, is decided on single transferable vote.

I will first reveal the standings on points. MOABOS XII is the third straight year with fewer people participating in the final round than the prelim. However, we still managed 37 rankings submitted (for 38 people, as one couple decided to file a joint ballot). This total is down four rankings from last year's record of 41, despite me inviting more people than ever. Folks traveling, my increasing reluctance to remind people between Christmas and New Year's, and other factors played into that.

STANDINGS ON POINTS (USED ONLY AS THE FIRST TIEBREAKER... the actual final result is the list below this one). Using the method used in the preliminary round, the count would’ve looked like this (“Song”, Film title (points) / #1 votes).:

"Belleville Rendez-vous", The Triplets of Belleville (222.5) / 5.5

"That's Amore", The Caddy (221) / 7

"Même plus l'amour (Not Even Love)", Mars Express (174) / 2

"On Earth as It Is in Heaven", The MIssion (164.5) / 4.5

"Awaara Hoon (I'm a Tramp)", Awaara (159) / 3

"Giấc Mơ (Dream)", Before Sex (155) / 5

"Something's Gotta Give", Daddy Long Legs (134) / 1

"Tammy", Tammy and the Bachelor (105) / 1

"Amor de Gitano (The Love of a Gypsy)", The Loves of Carmen (96.5) / 0

"I've Been Kissed Before", Affair in Trinidad (96.5) / 0

"Aren't You Glad You're You?", The Bells of St. Mary's (95) / 3

"You Are My Lucky Star", Broadway Melody of 1936 (89) / 2

"A Million Miles Away", Mars Express (88) / 2

"Tere Bina Aag Ye Chandni (Without You, Even Moonlight is a Scorching Fire)”, Awaara (88) / 1

"Goodbye Girl", The Goodbye Girl (75) / 0

"Game of Death" (Cantonese original), Game of Death (68) / 0

Using the points system tiebreaker alone, the 1.5-point margin between "Belleville Rendez-vous" and "That's Amore" is even CLOSER than last year's 2-point margin between "Miss Celie's Blues (Sister)" and "Suzume" from the original Color Purple and Suzume, respectively. This is the closest margin at the top on the points tiebreaker in MOABOS Final history. However, this is only the first tiebreaker...

THE OFFICIAL TABULATION FOLLOWS AND DETAILS CAN BE FOUND UNDER THE "READ MORE". We used a single transferable vote (which is explained visually here). With 37 respondents, a song needed 50% + 1 vote of all #1 and transferred votes to be declared a winner. Thus, a song needed 19 votes to win. The top ten songs became nominees; the bottom five are considered honorable mentions:

2024 Movie Odyssey Award for Best Original Song (FINAL STANDINGS) (playlist)

“That's Amore”, The Caddy (1953)

“Belleville Rendez-vous”, The Triplets of Belleville (2003, France/Belgium/Canada/United Kingdom)

“On Earth as It Is in Heaven”, The Mission (1986)

“Giấc Mơ (Dream)”, Before Sex (2024, Vietnam)

“Awaara Hoon (I'm a Tramp)”, Awaara (1951, India)

“Même plus l'amour (Not Even Love)”, Mars Express (2023, France)

“Aren't You Glad You're You?”, The Bells of St. Mary's (1945)

“Something's Gotta Give”, Daddy Long Legs (1955)

“You Are My Lucky Star”, Broadway Melody of 1936 (1935)

“A Million Miles Away”, Mars Express (2023, France)

“Tammy”, Tammy and the Bachelor (1957)

“Tere Bina Aag Ye Chandni (Without You, Even Moonlight is a Scorching Fire)  ”,  Awaara (1951, India)

“I've Been Kissed Before”, Affair in Trinidad (1952)

“Amor de Gitano (The Love of a Gypsy)”, The Loves of Carmen (1955)

“Goodbye Girl”, The Goodbye Girl (1977)

“Game of Death” (Cantonese original), Game of Death (1978, Hong Kong)

The bottom six all received honorable mentions. The top ten received nominations.

Congratulations to my friends from VFF, Alan and Minh, for their first MOABOS "win"! Additional congratulations to Cameron, Sophie N., and Ysa for joining the multiple win club! And a hearty congratulations to Michelle for joining the rarefied distinction of a trifecta of "wins"!

And I hesitate to say this – because I know what's about to head my way – I was the seventh person to rank "That's Amore" as my #1. This is the third time my #1 choice has won after "Rainbow Connection" for 1979's The Muppet Movie (MOABOS II in 2014) and "Stayin' Alive" from 1977's Saturday Night Fever (MOABOS IV in 2016). So, bring on the accusation of this being a rigged MOABOS?

MOABOS FINAL SUMMARY

Despite trailing by 1.5 points, "That's Amore" secures a tight win on the single transferable vote. On the eleventh and final round of counting, "That's Amore" defeated "Belleville Rendez-vous", 20-17 (the clinching number was 19). In simpler terms, 20 MOABOS participants had "That's Amore" higher on their ballot than "Belleville Rendez-vous", and vice versa.

"That's Amore" is very much a cultural touchstone in the United States, and I'm sure many of you were shocked to see it in the MOABOS Final (I received more than a few comments exclaiming something like: "This is from a movie???"). If you think that's bizarre for a massive musical hit, wait until a certain '60s song that might appear in MOABOS XIII! Having had a mixed opinion of the few Jerry Lewis films I had seen prior to The Caddy, the easygoing nature of Martin and Lewis – even though their professional relationship was fraying at the time – was a delight to watch. I can't wait to see more from both.

The win for "That's Amore" means that the 1950s have won three editions of MOABOS – giving the decade an outright lead, lifting it above the 1980s and 2010s. "Love Is a Many-Splendored Thing" from the 1955 film of the same name (MOABOS VI in 2018) and "Lullaby in Ragtime" from 1959's The Five Pennies (MOABOS IX in 2021) are the other winners from the '50s. In addition, composer Harry Warren became the first individual to have won MOABOS twice. His previous win came in MOABOS I in 2013, for "The Gold Diggers' Song (We're in the Money)" from Gold Diggers of 1933.

"Belleville Rendez-vous" becomes the best-performing French-language song in MOABOS history, surpassing last year's 3rd place finisher "Qu'est-ce qu'on fait de l'amour? (What Do We Do with Love?)" from 2022's Ernest & Celestine: A Trip to Gibberitia. I really adore Sylvain Chomet's animated films, and I think this is a great start to a year before his latest film, The Magnificent Life of Marcel Pagnol, comes out hopefully later this year.

Hey, I really adore Ennio Morricone's work, too. And I think there's more than a few of his fans out there that might be upset with the result... but you know there are other categories involved in the Movie Odyssey Awards, right? Stay tuned (I personally thought that "On Earth as It Is in Heaven" blurs the boundary between Original Song and Original Score Cue, the latter of which is a category in the Movie Odyssey Awards)!

Many of VFF's staff (who weren't in Group B) and attendees powered “Giấc Mơ (Dream)” to a 4th place finish. But the song was easily among the most divisive in the entire competition. The lack of broad support, despite the third-most #1 votes, meant it paid dearly in the latter stages of counting.

The always-catchy "Awaara Hoon" is the second-highest finishing Bollywood song in MOABOS history, behind the bookending "Dekhi Zamane Ki Yaari / Bichhde Sabhi Baari Barri" from Guru Dutt's exquisite Kaagaz Ke Phool (1959, India; 2020's MOABOS VIII).

Mars Express is the only film to get multiple nominations out of MOABOS this year, with its song finishing 6th and 10th. Awaara had the chance, but it'll settle for 5th and 12th.

In the era in which we have had two preliminary groups (2017's MOABOS V to the present), "Tammy" becomes the first of only a handful of songs that advanced directly to the final, but didn't secure a nomination. Most recently, in MOABOS VII (2019), "Suite: Judy Blue Eyes" from 1970's Woodstock finished 12th in the final. 

Two Old Hollywood stalwarts – Bing Crosby and Fred Astaire – finally land songs with a MOABOS nomination after several years of futility for both.

Go find some of these films that were a part of MOABOS, folks. You know who to ask if you have questions or need more context!

CONCLUSION

Your winners now look like this!

2012 (Special): To be contested

2013 (I): “The Gold Diggers’ Song (We’re In the Money)”, Gold Diggers of 1933 (1933)

2014 (II): “Rainbow Connection”, The Muppet Movie (1979)

2015 (III): “Amhrán Na Farraige (Song of the Sea)”, Song of the Sea (2014)

2016 (IV): “Stayin’ Alive”, Saturday Night Fever (1977)

2017 (V): “Remember Me (Recuérdame)”, Coco (2017)

2018 (VI): “Love Is a Many-Splendored Thing”, Love Is a Many-Splendored Thing (1955)

2019 (VII): “I Wish I Didn't Love You So”, The Perils of Pauline (1947)

2020 (VIII): “Can't Help Falling in Love” , Blue Hawaii (1961)

2021 (IX): “Lullaby in Ragtime”, The Five Pennies (1959)

2022 (X):“9 to 5”, Nine to Five (1980)

2023 (XI): “Miss Celie's Blues (Sister)”, The Color Purple (1988)

2024 (XII): “That's Amore”, The Caddy (1953)

2025 (XIII): ?

2013 final

2014 final (input from family and friends began this year)

2015 final

2016 prelim / final

2017 prelim / final

2018 prelim / final

2019 prelim / final

2020 prelim / final

2021 prelim / final

2022 prelim / final

2023 prelim / final

2024 prelim

Every year as I write this sentence, it is uncertain whether MOABOS will happen again in this very new year. I don't know what movies I will happen upon during the calendar year (and which ones have original songs eligible for MOABOS). If we reconvene for what would be the thirteenth edition, I hope to see you here again, for this annual movie and music thank-you for all the care and support. For one final time this MOABOS XII, thank you for your help and your participation!

(Exit music): At the end of the prelim round's results email, I penned a small tribute to the late Quincy Jones. This time, a tribute to another major fixture in MOABOS's past. Last May, songwriter Richard M. Sherman passed away at 95. He, along with his brother Robert B. Sherman, were part of the Sherman Brothers – a musical partnership that many Disney fans know well. This was the first MOABOS without either Sherman brother still around. Including their non-Disney work, their credits included The Parent Trap (1961), Mary Poppins (1964), many of the original Winnie the Pooh shorts, Chitty Chitty Bang Bang (1968), Tom Sawyer (1973), and The Slipper and the Rose (1976).

The exit music for MOABOS XII finished 3rd five years ago. It's also a personal favorite from a movie of questionable quality. From the final live-action film that Walt Disney oversaw, here are��John Davidson and Lesley Ann Warren singing the Sherman Brothers' "Are We Dancing?" from 1967's The Happiest Millionaire.

37 ballots were submitted; nineteen #1 votes and transferred votes needed to win (Justine refers to my sister)

"That's Amore" won on the 12th and final count. 20 ballots to 17 for "Belleville Rendez-vous".

[lyknest]

omg top ten bollywood movies? (answer when you are free!!!!)

how DARE YOU ANON ok im gonna make a list in chronological order of release with no explanation or else it will be kilometre long post

Anand (1971)

Sadma (1983)

Paheli (2005)

Udaan (2010)

7 Khoon Maaf (2011)

English Vinglish (2012)

The Lunchbox (2012)

Kai Po Che (2013)

Go Goa Gone (2013)

Hasee Toh Phasee (2014)

Haider (2014)

Dil Dhadakne Do (2015)

Dum Lagake Haisha (2015)

Aligarh (2015)

Masaan (2015)

NH10 (2015)

Udta Punjab (2016)

Kapoor & Sons (2016)

Dear Zindagi (2016)

A Death in Gunj (2016)

Bareilly Ki Barfi (2017)

Meri Pyaari Bindu (2017)

Phillauri (2017)

Badhaai Ho (2018)

Mard Ko Dard Nahi Hota (2018)

ofcourse i went over the limit lmao. also obviously these aren't all of my favourite films, these aren't even probably the most but only those i remember on top of my head because ive seen so many movies its hard to keep track of all 😭

[jules-has-notes]

Mission: Jingle Bells — VoicePlay music video

After the events of "Panic! in 4 Minutes" (and its prequel "Trapped" that they hadn't filmed yet), you might think the VoicePlay guys would be more vigilant against being abducted. But no, they've gotten kidnapped and tied to a circle of chairs again. At least this time their captor isn't actively trying to kill them. He just wants a private performance… or else.

Details:

title: Mission: Jingle Bells

original songs / performers: theme from Mission: Impossible; traditional American carol "Jingle Bells"; rap verse inspired by "Dopeness" by the Black Eyed Peas

written by: Mission: Impossible theme by Lalo Schifrin; "Jingle Bells" by James Lord Pierpont

arranged by: Layne Stein

release date: 21 December 2018

My favorite bits:

the group being awakened by Earl, Eli, and J.None singing in three part harmony

Geoff busting out that iconic bass line

the extra bindings securing Earl's beefy legs (and the gift bow on the end of his beard)

J.None singing those happy lyrics to the M:I minor key melody

the lovely bell chord for ♫ "laughing all the wa-a-ay" ♫

the increasing concern on Geoff's face as their captor puts him through his bassy paces

J figuring out a loophole by speaking to the beat

Layne's percussion under the rap switching from resonant wood block sounds to quick high hats to ramp up the tension

the cautious ♫ "Time… to… get… out" ♫ from Eli inspiring everyone to pull against their bonds

Earl hitting that sky-high ♫ "jingle BEEELLS" ♫

the syncopated harmonies from Eli and J

that crisp diction in the final chorus

"Someone's coming to untie us, right?" 😟

Trivia:

○ Like most of the spoken dialogue in VoicePlay's music videos, the kidnapper is voiced by Eli. The mystery person at the computer equipment is Kathy.

○ The guys have never released a conventional version of "Jingle Bells", but they have done serveral creative things with it:

They performed a fun remix as a commercial bumper during the Sing-Off season 4 finale.

They did a Bollywood-inspired version on their 2012 holiday album, "Peppermint Winter".

And, of course, they included an excerpt in their "Most of the Songs" holiday medley that they performed at seasonal shows, including their three annual residencies at Disney World for Mickey's Very Merry Christmas Party.

○ VoicePlay later included the Mission: Impossible theme in their "Aca Top 10 – Movie Themes" countdown with guest Rob Lundquist from Home Free.

○ The fellas made some festive hostage-note-style promo posters that they posted to their individual social media accounts. (Though I can't find J.None's anywhere.)

○ This video was commissioned by Paramount Studios as part of the advertising campaign for the home media release of Mission: Impossible – Fallout, the sixth movie in the series.

○ Instead of a note in the YouTube description, they posted a comment reading: "MERRY CHRISTMAS! This video was sponsored by Mission: Impossible – Fallout — If you're looking for something INCREDIBLE to watch this holiday season with all of your fav secret agents, 😎 👉 http://paramnt.us/Get.Fallout. Today (This comment will self destruct in 5 seconds)."

○ The video won a 2019 Clio award, the industry awards for advertising. The coordinating agency, Think Jam Inc., took home a bronze in the Home Entertainment: Original Content category.

○ Earl got a little lost in the sauce when he picked up breakfast for the guys and their crew on the way to the filming location.

[perfectlyunlikelyunknown]

Back in 2018 i was extremely sick when i first watched this movie, I was a very young and naive kid and i vividly remember that when I saw the movie mental pain took over my physical pain like my heart broke into million pieces after watching laila majnu ending it gave me goosebumps and i couldn't control myself but broke down and kept thinking about this movie for weeks and months and I've a tendency of getting attached with my favourite movies and series.My connection to this movie is beyond words, a deep and unexplainable attachment that has woven itself into the very fabric of my being. It has become a part of me, a cherished piece of my soul that resonates with me on a level that defies explanation. Every movie of Imtiaz ali sir's holds a special in my heart. His characters hold a special place in my heart, and his movies are like magic, spelling binding me and transporting me to a different realm every time i watch them and the music in his films is another world altogether. When i first watched this movie it altered my brain chemistry and instantly became my favourite, i suggested it to everyone but they didn't watch it and called it cringe but i knew that one day it'll get the appreciation it deserves. I am convinced that art can save the world, and world needs more artists like Imtiaz ali, Avinash Tiwary and tripti dimri and the all the music artists they deserve the appreciation. if only I wasn't bounded by any societal norms or had an option of sitting all day in the theatre re watching laila majnu and other Imtiaz ali sir's movie , I'd have opted that.

Avinash Tiwary!!! Oh ! what have you done to us..... Should we call you qais? Or majnu? Or just Avinash thank you so much for doing Qais's character, you know that when life makes me numb and i want to cry my heart out or just having a bad day i re-watch this movie, thank you for letting my suppressed emotions coming through with your acting.I could feel the essence and emotions of your character in my bones. No one could've done Qais's role better than you. The performance was absolutely brilliant from Avinash and makes me question why isn't he a regular in Bollywood by now

The playlist of this movie has my whole heart ever since the release of the movie, laila Majnu songs rules over my Spotify playlists Each frame, each dialogue, each note of music is a brushstroke on the canvas of my soul, painting a picture of love, longing, and loss that I can never quite shake off.. This was the 9th time I re watched this movie and it still feels something different, unrealistic, beyond this universe. The real movie starts After interval which is mostly based on longing and yearning waiting and madness .The movie showed all stages of love Attraction, infatuation, love, reverence, obsession and death. - all stages of love laid bare before me, each moment a dagger to the heart, each scene a whisper of eternity. In another universe where infinite possibilities unfold like petals on a cosmic flower, there exists a reality where Laila and Qais found their way back to each other and they lived a beautiful life in that pahadon ke piche vala ghar

If Imtiaz Ali's films have a million fans, then I am one of them. If his films have five fans, then I am one of them. If his films have no fans, then I am no longer alive. For in the world he creates, in the characters he breathes life into, I find solace, I find truth, I find myself.

Forever grateful for the re-release, forever indebted to the magic of Laila Majnu.

-laiba

[clueless-fan-critic]

Spider-Man: Across the Spider-Verse: The Edge of the Sony’s Spider-Verse.

Alright. Let’s get to the meat of the business sandwich.

Spider-Man: Across the Spider-Verse is the sequel to 2018 smash hit film Spider-Man: Into the Spider-Verse that honestly broke all of my expectations about the film being a two-parter with too much info. I honestly loved the movie just as much as the first with its iconic animation style, charming characters, and impactful story. Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, it felt like the film was greatly cohesive without any confusion to the plot. It feels as if the film was not just a mandatory assignment but also a passion project made in the years before it was production. While I’m a fan of Marvel and the MCU (to some degree), I’ve definitely became a Spider-Verse fan.

Let us get into this Spider-Man classic once again.

The Animation

Alright. Let’s get this out of the way.

The animation was incredible and awe-inspiring much like the first film, but pushed into overdrive. Each animated world has its own style that reflects a different version of Spider-Man. From Hobie Brown’s collage-like style to Pavitr Prabhakar’s bollywood inspired environment. Gwen’s dimension is especially colorful with the watercolor style reflecting her comic book covers. Almost every character has a distinct style to their animation from 1960s campy to 90s angst. While the movie visually stunning and dynamic, let’s get into what’s going on story wise.

The Characters

The main characters of the movie are definitely Miles Morales and Gwen Stacy. They both are different sides of the story that reflect the theme of who someone is as Spider-Man and what kind of story they have or what they want out of life. In a way, it continues the ideas and themes about expectations with choosing their own path in spite of others’ opinions and expectations.

Afro-Latino protagonist Miles is someone who’s dealing with the crossroads of who he wants be while grappling with the expectations from his family. He’s also struggling with balancing his two lives as a teen and a superhero with his responsibilities to his family. When face-to-face with Miguel O’Hara, the Spider-Man of 2099, and the fact about canon events, Miles chooses to go against it believing he can save people without risking the Spider-Verse. The phrase “I can do both” is what caught my attention because it is possible for some people, but not a choice for Spider-People in that they must experience canon events for the sake of the Spider-Verse.

Gwen is faced with the rigid expectations of what it means to be Spider-Man and how she faces the choices she makes. Gwen makes the decision to go against Miguel and the Spider-Society to save Miles on the wrong Earth, deciding to become her own hero that she wants to believe in.

The Spot, Johnathan Ohnn, is the main villain of the movie with his power to make dimensional portals after the collider exploded in the previous film. They at first portray him more of a joke character, but then slowly build him into a terrifying threat with colossal amounts of power at his hands. This is shocking because I always thought of him as a lackluster villain despite having a cool power. They actually made what could of been a joke into someone more terrifying in concept alone.

The numerous cameos from the Spider-Society range from interesting to hilarious. One of them is an obscure spider-person in a wheelchair and with crutches named Charlotte Webber or Sun-Spider of Earth-20023. Others include a cowboy, cat, t-rex, and even dune buggy. They all could just be glorified cameos with no substance, but they actually bring out the abstract craziness of the Spider-Verse and what it means for future of the franchise as a whole.

The Story

The whole story centers around Miles Morales and his journey into becoming Spider-Man, but also Gwen’s journey and how the Spider-Verse is being threatened by the Spot.

The villain is definitely the Spot and his crusade to destroy Miles, but the antagonist is Miguel O’Hara’s ideology about the Spider-Verse. Miguel’s insistence of maintaining the order of the Spider-Verse goes directly against Miles’ idea of what it means to be Spider-Man. Miles wants to save his father from a fated death as a police captain, but Miguel wants to let it play out so that the universe isn’t destroyed because of canon events.

The idea of canon events creates the division among the Spider-People where they choose to let people die to preserve the universe or risk its destruction. This idea is pretty similar to what Doctor Strange presented in No Way Home with letting the villains die than risk the universe. I think because Miles doesn’t follow the canon, he can break the cycle that all the Spider-People endure and have them even question the very system they follow.

I liked how the story left us on a cliffhanger that made us crave more of the movies and possible spinoffs. Leaving us wondering what will happen to Miles on Earth 42 with his evil doppelgänger or what Gwen’s plan is now that she’s leading a splinter team against Miguel and the Spider-Society.

Afterword

Spider-Man: Across the Spider-Verse is a miracle in the landscape of sequels and two-parters. It has pushed itself to a whole new level of animation with unique colors and styles. The story and characters are pushed to their limits with dilemmas of preservation and duty along with freedom of choice and finding one’s way. It reminds us that no matter who you are, you can still be unsure of what you want and still be okay with questioning things.

Now I can’t wait for Beyond the Spider-Verse next year.

[inmyworldblr]

Badhaai Ho (2018) | dir. Amit Ravindernath Sharma

[the-untamed-mind-pdf]

Queer rep in Indian media

I want to talk about queer representation here. I will start with my introduction to queer media. My first introduction to queer people in India would be the newspaper coverages of Pride marches in big cities. When section 377 was decriminalised in 2018, I had never given thoughts to my sexuality. Being an avid book reader, sometimes books with queer characters would accidently reach my hand. I say accidently because my primary source of books before Covid was my school library. Not a great place to find queer books. I had never liked Bollywood movies because of their blatant sexism, and my love for Bollywood songs  was fading. So when I found myself questioning my sexuality, I had to specifically look up queer media on youtube and chrome. That was in 2020.

In the summer of 2023, I discovered the gold mine/hell-hole of BL webtoons. I don’t remember my first BL webtoon. Was it Hearstopper? Its creator Alice Oseman will say it’s not BL (more on that later). What I do remember is binging on BL webtoons day and night for many days, until I started feeling guilty of consuming mostly BL in the name of queer stories, and that too mostly the ones written by women. So I actively searched for GL webtoons, and found them, but sadly not as many as BLs. And to top it, they storyline in many of them weren’t great either. GLs were lacking a lot in both quantity and quality as compared to BLs. But I didn’t break my resolve and started watching anime for the first time. I watched Bloom Into You, a GL, and Yuri on Ice, a BL. Then I started watching Heaven Official’s Blessing (TGCF), and god knows I still haven’t recovered from it. I read the whole book series in 4 days, and wanted to read more MXTX novels but put off reading them because I knew I would be gone for if her other works were half as interesting as TGCF. A year later I finally gave in and read Grandmaster of Demonic Cultivation (MDZS). And then I started watching The Untamed. The boon and bane of my existence right now.

My exams were also going on, which meant added stress. But there were nights I cried myself to sleep after watching youtube shorts of The Untamed. There were so many questions I asked myself while watching those 10-15 second videos. How come the Chinese have censorship, but they get to make and see such a great series with queer characters and the actors are also famous ones? In case anybody mistakes it for jealousy, I want to clarify that what I felt was anger and frustration. Why don’t we have such a series in India? Why don’t we have mainstream actors playing queer characters? Why don’t we have a good queer series or movie? So much heterosexual and sexist garbage gets passed by the Indian film censorship board but no one dares to make what is actually needed. I know there are some movies produced in recent times which don’t depict queer people as a joke, but why are there only a handful of them?

In India we have so many mythological tales relating to queerness, we have queer Gods and Goddesses, we have trans Deities, we have ancient temples dedicated to love depicting non heterosexual relationships, we have queer characters in our great epics Mahabharata and Ramayana. But very few poeople are ready to talk about it.

I hope this changes one day, and one day soon.

I had wanted to talk about many other things but they will have to wait for another day I guess.

P.S. I feel this piece was over a lot of places. I will learn to structure it better if there is a next time.

[mranassss]

DILBAR Lyrical | Satyameva Jayate |John Abraham, Nora Fatehi,Tanishk B, Neha Kakkar,Dhvani, Ikka

Gulshan Kumar and T-Series in association with Emmay Entertainment present the lyrical video 'Dilbar" sung by Neha Kakkar, Dhvani Bhanushali, Ikka, music given by Tanishk Bagchi and lyrics are penned by Shabbir Ahmed, Ikka of the upcoming Bollywood film of 2018 "Satyameva Jayate", Written & Directed by Milap Milan Zaveri. Produced by Bhushan Kumar, Krishan Kumar, Nikkhil Advani (Emmay Entertainment), Monisha Advani & Madhu Bhojwani. The movie features John Abraham & Manoj Bajpayee, Amruta Khanvilkar and Aisha Sharma in lead roles.

Full video

https://sfl.gl/J9fFd

[forkaround]

Classic BL Watch: MasterPost

Namaste besties. @waitmyturtles started a challenge watching Older Thai BLs and it got me thinking as well. I've seen a few, I've DNF-ed a few, but I wanted to see the progression with my own eyes. Thus we be here.

The basic premise is to watch and review Thai BLs from Love Sick 2014 (which I believe is the first Thai BL) to present time.

I'm going to make a few changes to the format and include BLs from other countries as well, including China (if I can find it).

This is a long post so I divided it into chapters: - Some History - The Method to Potential Madness - List - Rating System I've made individual posts about each under #org: subcategory

I've been fascinated with BLs for over two years. To find that there was an entire world of queer content out there which A) existed and B) didn't queerbait or bury the gay, was a revelation. How could this be? I'd watched Yuri!!! on Ice in 2017 and I guess assumed that BLs would be the same (E7 blocked kiss). So while BLs were on my radar for a while before I started I didn't get into them until relatively recently. I got so into them that I started a YouTube Channel about it.

See I'm a writer and watching art transform in front of your eyes is a relatively recent phenomena and it makes my brain go brrr...

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Some History:

I'm Indian. I'm queer. We didn't have any rights until 2018 when the ban on homosexuality was lifted. We've had queer movies but they were your traditional Oscar-bait type things until very, very recently. By that I mean until last year where we had Maja Ma, a Madhuri Dixit starrer movie about a mom coming out as a lesbian which shocks the family and makes trouble for the son's marriage. It's a brilliant movie with one of India's best actresses as the lead. But it was a Netflix Original. Before that there was Subh Mangal Zyada Savdhan and Badhaai Do, which are both good queer movies which aired in cinemas from 2020 and 2022 respectively. All to say, queer media is very very very new in India. As such, what was a young queer to do but follow the Indian Dream and go to America. Which I did, in a literary sense. In fact watching Nyssa Al Ghul kiss Sara Lance was my queer awakening. (I love Ava but this ship was really something.) Between the good writing and queer chars being present, I wasn't coming back to India like any typical NRI.

I've mentioned before about how for the story I started writing at 15 there was no other love interest for the female lead except for another girl. It just won't make sense. This was before 2018, mind you, so not a chance in hell this would be published in India. I consoled myself with 'We'll publish in America. It takes place in space anyway, so it's fine.' But then came a story that just won't work in America. Think: what if Succession's terrible people protags were queer and Indian but it's written from a 'truly believes in romance' pov. Confused already right? I'd already given up hope. I love this, but it won't be anything more than a webnovel.

Par kahte hai -

(It is said, if you love something with all your heart then the entire universe will conspire to get it to you.)

And somehow I found BLs. A world of queer stories the likes of which I'd never seen before, brimming with love and support and honest and real and queer. The Bollywood fan in me lived again after a decade 6 feet under.

I love BLs. There's no two ways about it. I love them for the love they give, the hope they have, the cringe, the drama, the stupidity, the honesty, the realness. It's everything I ever wanted queer media to be. To start it from 0 and learn what made them what they are would be an amazing learning experience and to share that with other people... well how can I not?

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The Method to potential Madness:

My tastes are a little peculiar. I have seen media from all over the world, the good and the bad, what it has taught me is nothing is every going to be perfect and I will miss things that are important to other people but what else I've learned is that I don't really care about something being good. If it's broken, a little difficult, a little cheap but made with love. I am all in.

See when I was young during Janmasthami every year these guys from an organization called Yogeshwar would come in white kurtas and perform nataks(plays) in our society. They didn't have sets, 2-3 props, just that white kurta and pants as outfits and yet it was entertaining. It was fun. I loved it. So money and pure intentions have never been barriers for me.

(an example of Janmasthami natak)

What I do care about is competence. That the writer understands what they are writing about. The best actor can't pull off a bad script but a bad actor can be tolerated in a good script.

To get you an idea of my tastes some of my favorite medias are Legends of Tomorrow, Guardian (Cdrama), Supernatural, Agents of Shield, Agent Carter, Chains of Heart, Kinnporsche, LITA, The Eclipse, The Devil Judge, Crash Course in Romance, SRK movies from '00 like Kuch Kuch Hota Hai, Main Hoon Na, Kabhi Khushsi Kabhi Gham, etc. As you can see, very widely ranging. I love competence and I love heart. Everything else I can live without. To that end some shows I didn't like/DNF-ed: Bed Friend, Step by Step, Big Mouth, Eve, Game of Thrones, most Netflix things, Mr. Robot, Supergirl, The Flash, Elite, Witcher, Coffee Melody, War of Y. If you get too PC without the narrative backup I'll leave; If it's too nihilistic, I'll leave; If it's too monotonous, I'll leave. I have Psychotic Depression, I don't have the time to deal with this shit.

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List:

To borrow from @waitmyturtles, a list of shows I'll cover:

ThaiBL: 1) Love Sick and Love Sick 2 2) Make It Right + Make It Right 2 3) SOTUS + SOTUS S 4) Together With Me 5) Love By Chance 6) He’s Coming To Me 7) Dark Blue Kiss 8) TharnType 9) Puppy Honey 10) Theory of Love 11) Until We Meet Again 12) 2gether + Still 2gether 13) I Told Sunset About You + I Promised You the Moon 14) Manner of Death 15) A Tale of Thousand Stars 16) Lovely Writer I will group these into either productions i.e. all GMMTV or by writer i.e. all MAME, all Jittiran, all Sammon, etc

Korean BL: 1) Where Your Eyes Linger 2) Color Rush 3) To My Star 4) You Make Me Dance 5) Nobleman's Ryu's Wedding 6) Light On Me 7) Peach of Time 8) Kissable Lips 9) Long Time No See 10) Cherry Blossoms After Winter 11) Blueming 12) Our Dating Sim 13) The Eighth Sense Others like The Tasty Florida, Where Your Eyes Linger, Semantic Error, etc. I've already seen and don't include on this list.

Japanese BL: (from @absolutebl's recs) 1) Seven Days 2) My Love Mix-up 3) Restart after Come back Home 4) Mr. Unlucky Has No Choice but to Kiss! 5) Life: Love on the line 6) Man who defies the world of BL 7) Takumi kun 8) Boys Love 9) Cornered Mouse Dream of Cheese 10) Eternal Yesterday 11) Ossan's Love 12) Given Others like Cherry Magic, Old Fashion Cupcake, Minato Coin Laundry, etc. I've already seen and don't include on this list.

Taiwanese BL: 1 - 5) HIStory Series 6) Be Loved in this House: I Do 7) See you after Quarantine? 8) DNA says I love you 9) We are Gamily 10) Your Name Engraved Herein 11) Papa & Daddy 12) Plus Minus 13) Love is Science Others like We Best Love, About Youth I've already seen and don't include on this list.

Chinese BL: (If I can find them) 1) Addicted Heroin 2) The Untamed 3) Advance Bravely 4) My Esport Genius Brother 5) Like Love: I love you as a man 6) Mr. CEO is falling in Love with him 7) S.C.I 8) Irresistible Love 9) Mr. X and I Others like Guardian and Word of Honor I've already seen and don't include on this list

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Rating System:

Range: 3 Wonderland to 3 Wasteland. Wonderland = Good. Wasteland = Bad. 3 Wonderland = Best Ever. 3 Wasteland = Worst Ever. Categories: Writing/Script (character work, world building, pacing, etc.); Production (technical stuff, camera work, visuals, etc.); Acting; Joy Levels (how much I enjoyed it); Feeling (satisfied, confused, angry, etc.)(totally subjective, grain of salt metric) and a Final Rank.

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Tags: classic BL watch; [show]; fork watches; fork report;

[16/06/2023]

[ralexsol]

someone please tell me where to watch bollywood movies please i NEED to know where i can see Fire (1996), Memories in March (2010), Iratta Jeevitham (2018), and The Eunuch and the Flute Player (2017) pleeeeeeeeaaaaaasssssssseeeeeeee (i am a usa citizen and my desperate searches are coming up with nothing). also i would greatly desire to have english subtitles. if possible. because i do not speak hindi

[filmrelicsworld]

Karwaan: A Lifetime Adventure

2018 was a really great year for movies, Bollywood movies in particular. Karwaan, which attempted to carry on the tradition of this genius, debuted in theatres on August 3rd but was unable to survive a positive first week of business. Nevertheless, this film is a work of art that is transformed into beauty before your eyes! It has all the right amount of entertainment that a Bollywood film needs, along with morals and teachings.

After learning that his father died in an accident, Avinash (Dulquer Salmaan), the protagonist of the story, is somewhat demotivated. When Avinash needs assistance, his close friend Shaukat (Irrfan Khan) comes with him to take up the father's coffin. If only it were that simple, the airport cargo mishandles two bodies and delivers an elderly woman's coffin in its place. Avinash now realises that he owed his father the right to a dignified funeral for his corpse, regardless of the difficulties they had as father and son.

The main plot point of the movie is Avinash's decision to drive to get his father's coffin and give the elderly woman's coffin back to her. The granddaughter of the elderly widow whose coffin they had to bring, Tanya (Mithila Palkar), is a rather rebellious young woman who they encounter along the route. Her mother had asked them to securely deliver her home.

There are many twists and turns in the road trip, but none of them seem implausible. Even though each member of the trio has a distinct personality, they manage to work together and share knowledge about their varied lifestyles. They choose to move on and pursue happiness after accepting their pasts.

This film is a masterfully shot work of art with an abundance of brightness in every aspect that is displayed. Several features that jumped out were:

Cinematography: Every image on screen has a purpose. It emphasises on every subject's existence, and occasionally even on their absence. We experience the journey with the characters in the third person rather than from their point of view, which helps us feel more connected to the individual and their adventure. Nothing in the movie feels rushed or like a waste of time; every scene has a purpose. Everything culminates in the finale.

Performance: It is my intention to draw attention to Dulquer Salmaan's brilliant performance on screen. With Avinash, the guy realises his greatest potential. He is a natural and succeeds in persuading the viewers that he has always been Avinash rather than Dulquer. Because of how natural it seems, it's plausible that Avinash's character was created specifically to fit his personality. Let's go on to Irrfan Khan, another creative genius in the field. This man's hilarious timing makes him a legend. Despite taking up most of the frame, his attitude throughout the movie seems to be the best choice the director could have made.

His punch lines are what keep the whole movie going; there isn't a single scene where it seems like he's a drag. Insofar as it was feasible, Mithila Palkar fulfilled her role; the only negative aspect was that her character didn't progress as much as the others' did. All that is known about her is that she is a free spirit and renegade. Still, I can't complain because it fits wonderfully.

Background Score: This movie's soundtrack is a fantastic complement for the tone. It is simultaneously calming and revitalising. The spectator is given a sense of life. This movie's soundtrack directors have done an amazing job with it. Bravo to Imaad Shah and Anurag Saikia!

Dialogues: The film's writers have undoubtedly received recognition for their great work. The movie is entertaining and thought-provoking at the same time because of the timing, tone, and intensity of each dialogue. When they are employed in the right context and with the right words, they create a beautiful lexicon that pleases the intellect.

Slice of Life: This film's genre gives the theme of life a very genuine touch. It shows humanity in its best light. The supporting cast members of the film serve as its main supports. Shaukat is captivated by a beautiful woman, followed by Tanya's mother and an ex-boyfriend of Avinash. It's a beautiful portrayal of life where all these people and more come together to help the main protagonists become the best versions of themselves.

The director of this film is fantastic; Akarsh Khurana did a fantastic job. Although the direction of his other films is likewise based on this one, this one has a stronger narrative and cast than the others.

The conclusion was flawless—everything that could have been imagined, plus a little additional enjoyment that nobody could have complained about. This film offers you everything you could possibly want along with some delightfully surprising surprises. It's satisfaction at its finest.