#black theatre workshop
Explore tagged Tumblr posts
jinxhallows · 1 year ago
Text
kinktober #o17 | glory
Tumblr media Tumblr media Tumblr media
KINKTOBER 2023 || jinxhallows glory (praise kink) || chan x fem!reader summary: you and chan met as volunteers for the local cabaret theatre, working as stagehands, but when it blossoms into something more, and the temperatures drop below freezing, chan figures out a way to warm you up, and fast... warnings: praise kink, and all that entails, plot heavy, fluffy, lots and lots of praise, 'daddy' petnames, non-idol AU
word count: 4k masterlist - click here
Tumblr media
The first time he let it slip, you two were still just friends.
You both volunteered as stagehands at the downtown cabaret theater, and you had been sent out to purchase some last-minute supplies. Your coat was dripping wet over your arm from running through the rain, a shopping basket hooked in the crook of your opposite elbow, and you held the phone to your ear, spinning around to decipher the location of the checkout.
"Did you get the safety pins?" Chan's voice came through the phone.
You nodded, even though Chan couldn't see you. "Yeah."
"And-"
"I also got the glue gun sticks, an extra pack of AA batteries, and a small can of black acrylic paint," you rattled off.
"Good girl," Chan responded, genuinely impressed.
At the time, he had no idea that his words had a much different impact on you than he could have ever imagined. The idea of him praising you under very different circumstances had ignited a fire within you, one you couldn't ignore.
The season progressed and Chan worked up the courage to ask you out for drinks and now you two are barely two months into a very new relationship. Still working together, now as hired staff seasonally, at the cabaret theatre, you two are now working together on helping out with the production of A Christmas Carol.  It’s two months until showtime, so you’re in the thick of things, managing a team of stage designers. Chan is managing the costume department and overseeing music direction. He has a brief gap between meetings, so he decides to surprise you by grabbing your favorite drink and muffin from the local coffee shop. After leaving a generous tip in the paper cup at the front of the register, he heads back to the theater through the brisk winter cold.
Chan enters the theater's workshop, finding you in your office. He closes the door behind him, greets you with a kiss and your drink, and then takes off his coat. As he hangs it on the nearby coat rack, you take a sip of the drink, savoring the warm, spicy flavors of your favorite spiced winter beverage. Opening the small, white paper bag, you take out your favorite muffin. "I needed this so badly. I was late this morning and couldn't grab breakfast."
"Why didn't you call? You know I could've picked you up," Chan says, sitting on the edge of your desk as you ease into your chair. You blow on your drink, preparing it for a sip. "Your car's been in the shop for weeks now. Any word on what's going on with it?"
You pause for a moment, taking a sip of your drink as you ponder how to address the issue. You've been avoiding Chan's questions about your mode of transportation since receiving the bad news. You're hesitant to reveal that you don't have everything under control, fearing it might push Chan away. After swallowing, you gather your thoughts and finally speak up.
"It's gonna be a while," you say, your voice tinged with a touch of uncertainty.
At this point, Chan has confirmed his suspicion that you're intentionally keeping this information from him. He nods, taking in your response, and glances at his watch. Fiddling with one of its links, he contemplates whether you've been together long enough for him to press you about these matters. He doesn't want to start an argument or intrude on your privacy, but he's genuinely concerned, especially with the weather getting colder and the distance you live from the theatre.
"That... doesn't sound good," Chan finally says, after you've taken another sip, looking back at you. You can feel the hesitation in his words and sense that he's holding something back. Your fingers nervously tap against your cup in an unknown rhythm that's stuck in your head. "Yeah, the engine, it's kind of... shot," you say, tapping the cup at a higher tempo. You find the lid of your cup more interesting than Chan's attempt to hide his shock. He knows he's not great at concealing his emotions, and he clears his throat, suddenly fascinated by his watch.
"Wow, that's... I'm sorry to hear that. Engine troubles can be expensive. You know if you need any help at all—"
"I'm just getting another car. I've been looking, but I haven't had the time yet, especially with the production coming up, so I've been taking the trains. I'm okay, though, Chan, really," you reassure him. Setting your cup down, you interlock your fingers, resting your chin on them, and offer him a disarming smile.
"Since you've had time to come visit me, I'm guessing you're ahead of schedule?" you inquire, relieved when you see his focus shift, steering the conversation in a different direction. 
For now, you've evaded his questions again.
"Like a well-oiled machine. In fact, there's a little bit left over in the budget to get the fog machine fixed."
"Chan!" you laugh, "How did you manage that?"
"A few people owed me a few favors. I know how much you wanted to give those Ghost of Christmas Future scenes more ambiance." Chan embraces you, and you eagerly rush into his open arms, hugging him tightly, the scent of his shampoo and cologne filling your senses. When you let go, he slowly turns you around in his embrace, his arms encircling your body, your back against his chest.
"Thank you for this. Oh, Hailey will be so excited to hear this, and Thomas, we'll have to space out the set for Act Three, but that's no problem. I—" You stop yourself, your hand on your forehead as you catch yourself from rambling again. Chan loves seeing you excited like this, so he never stops you during your enthusiastic outbursts. You turn around, your arms resting on his shoulders, and you kiss him, expressing your gratitude with a hundred silent thank-yous.
Chan finds the courage to speak out, his hands gently resting along your waist. "Please let me give you a ride, at least to and from here. You live outside the city, and I'd feel better knowing you're safe in this cold." He anticipates a rebuttal and adds, "Just for the cabaret. Whatever else you do is your business, but if you did need me for other rides, I'd be up for it—just needed to get that out there," nodding affirmatively to you and himself.
You decide to accept his offer this time. You had guessed wrong; it had never left his mind the entire time.
"Fine," you roll your eyes with a small smirk, "I just know you live in the city, and that's out of your way."
"It's not, honest," Chan stands up and leans forward, kissing your forehead. "You're really special to me." With a smile, he heads out and adds, "I'll meet you in the lobby after rehearsal."
"You're really special to me..."
Those words reverberate in your mind for the next four hours of work. They're louder than the hammering of nails into wooden boards, louder than saws cutting through plywood, and even louder than the timpanis in the orchestra pit.
As you work, your head down while distressing the paint on the side of a fake building, you can hear Chan stopping and starting the musicians, going over pieces meticulously. It's hard not to lock eyes with him when he glances over at you occasionally.
Unbeknownst to you, Chan is entranced by the way you bring a vision to life, ingeniously assembling pieces that leave him baffled. He observes you walking among other stagehands, adeptly adjusting a streetlamp, your gloved hands confidently resting on your hips, toolbelt hanging down. You point, shake your head, and oversee adjustments, stepping back and tilting your head, scrutinizing it from various angles before granting it a thumbs-up.
Every so often, you cast an inconspicuous glance over your shoulder, but Chan has already shifted his focus long enough to deceive you into thinking he wasn't watching. He splits his attention between you and the piano, directing the musicians, a sight he relishes.
At one point, a designer stands beside the piano with a partially costumed actor, waiting for the right moment to approach Chan. The designer holds up a piece of velvet red fabric against the navy blue costume.
"Was thinking maybe this material?" the stylist asks.
"Nah, not really, the blue is better against the gold buttons," Chan nods, providing his expert opinion.
"Take a picture, it'll last longer," Thomas' voice teases, breaking your focus and startling you from your reverie.
"Oldest one in the book. And corniest," you quip back.
"Don't do it, boo. I'd be distracted if Chan were mine too," Thomas remarks, and you both sneak another glance in Chan's direction. "He is a delicious piece of sweet potato pie, ain't he?"
You nudge Thomas playfully, and both of you head backstage.
As the day concludes, everyone gathers around for announcements and updates from the director. Afterward, people begin to disperse. You're embraced by hugs from Thomas and other crew members who've become like family. The holiday break is upon you, and some are leaving town to enjoy their vacation. The lobby teems with people, and amid the crowd, you spot Chan. You hear him chatting with others, and as he finishes, his expression brightens as he spots you.
You’re really special to me… You give Chan a warm hug. It's cozy inside, a welcome refuge from the cold winter winds outside.
"Ready?" he asks with a grin.
You nod, and together, you make your way to the exit. The bitter cold greets you as you step outside, and the wind feels like needles on your exposed cheeks. You tug your scarf up around your nose to protect yourself from the icy gusts. Chan holds you even closer as you both step out into the open, and he opens the passenger door of his nearby parked car.
The car's interior offers immediate warmth, and you welcome it with relief. Chan yawns as the silence settles in around you. He had a busy but good day, and now he's just as eager to hear about yours, especially after getting lost in watching you do your thing.
"Are you sure you wanna do this? Like, drive me all the way home?" you ask, your voice tinged with doubt.
"Yes, I want to drive you all the way home," Chan says with a chuckle. He starts the car, shifting it into reverse to back out of the parking space. "And then I want to walk you all the way to your door, and then I want to kiss you, like we're a couple of teenagers from the fifties."
You laugh at his sweet sentiment.
"I'm serious! You make this relationship thing feel like it's worth something, like it's something I can do... forever," Chan says. He starts to feel a little self-conscious about gushing and quickly dials it back. "You're just... really special to me." There it is again.
"Chan," you begin, and there's a moment of hesitation.
"Yeah?" Chan's gaze remains fixed on the road, but he's eager to hear your words.
"I love you," you say, surprising both yourself and him with the sudden confession.
Each quiet second Chan spends frozen on the road ahead makes you want to backpedal.  It’s too soon.  Are you dumb? He’s gonna think you’re crazy.  It’s not even three months yet.
“I love you too.” He says, and it comes out like his own kind of word vomit, at the tail end of his ruminating thoughts of whether or not you actually meant your statement.  Then he guilts himself for doubting the expression of your feelings. Chan would just like to get out of his own head for thirty seconds.
"Ok, now that that's settled," you say, your humor helping to break the tension, and you settle into your seat with a sigh. "I'm sorry I get so weird about you helping me sometimes. I just feel like you have your shit together, and I'm still trying to figure it all out. I know you didn't sign up to get a girlfriend with a bunch of problems—baggage."
Chan snorts, a mixture of amusement and relief. He's glad to hear that this is what's been on your mind, that you've been carrying a self-imposed burden. He appreciates the vulnerability in your words. Sometimes he needs to feel needed, especially in a relationship.
"I'm not sure what your definition of having my shit together is, but this version of me, isn't it," he says with a smile. "I didn't sign up for a girlfriend with a perfect life. I signed up for Y/N, and all that comes with her. How dare you short me the fries to my combo?"
You both share a laugh, and as the car settles into the quiet hum of the engine, you notice snow falling and sticking to the slushy roads as you leave the city behind and enter the suburbs. You check the weather forecast on your phone, prompting you to speak up.
"There's a frost advisory tonight, love," you muse. "You think you should stay over tonight? The roads are gonna be awful."
Chan hadn't planned on it, but he realizes he has nothing urgent to rush home to, and he's getting pretty tired too.
"Good idea."
It takes another thirty minutes, but soon, Chan is pulling into your driveway, turning off the car and walking you to your door just as he said he would. He waits patiently next to you, his hands warming in his pockets as he looks around at the snow falling and piling up, covering the black streets in blinding white reflected against the streetlights.
It's a perfect night to snuggle with a special someone.
You turn on the music, an old Aqualung album filling the former silence, making the blanket of white outside look even more magical. You had never found yourself enjoying the quiet company of another until you started dating Chan. It's a new experience for both of you since you can get lost in conversation for hours. But with Chan, there's no pressure to keep coming up with new topics. It's one of the many reasons why he enjoys your company. He can just be himself around you.
You come over to join Chan as he sits on the floor against the couch. He initially begins to unfold his crossed legs to make room for you, but you extend a leg over his, straddling him instead, holding two cups of hot cocoa in your hands.
"Oh, well hello, beautiful," he chuckles, taking one of the mugs from you.
The way he says it makes your heart flutter, and you can't help but tease him. You sip your drink, looking at him with a mischievous gaze. "There's just something about the way you say those things to me."
"What things, baby?" Chan asks, playing along. He knows what you mean, but he loves hearing it from you. "When I tell you how pretty you are? How I get caught staring at you at work at least five times a day by the other volunteers?"
You can't contain your giggles, and he takes your mug and his, placing them on the coffee table as he cups your face. "I can feel how hot your cheeks are getting too."
"Because!"
"Because why? Give me one good reason why I shouldn't list every reason why I've fallen in love with you to your face."
You bite your lip, realizing Chan's winning the playful banter. He holds onto your hips, shifting himself underneath you and readjusting, all while focusing on being romantic rather than all the nasty things he wants to do to you with you straddling him like this.
He kisses you, gently at first, and then more passionately. "For one, you are beautiful. Anyone with eyes can see that..." You notice the drop in Chan's volume and the edge his tone gains, making you crave him in ways you haven’t been able t0 have him yet. “I like that.” “Yeah?  You do? You should, ‘cause you’re a pretty girl, my pretty girl of course.” Chan's eyes linger on your lips, and you lean forward, capturing his lips in a single kiss that leaves both of you lingering, breathing heavily, your faces close.
"Call me your pretty girl again, and you might start something you can't finish."
"Who says I can't finish it, pretty girl?" Chan counters with a sly smile, his lips dangerously close to yours.
Chan is the next to initiate another kiss, drawing you into a passionate embrace. His hands trail up the bare skin of your back, hidden beneath your hoodie, leaving a trail of sinfire in their wake. You lean your head back with a gasp as he hums against your neck.
"Listen to those breaths you take, so sweet for me," Chan says, eager to hear more of your reactions. He sucks hard enough to leave a bruise under your collarbone, making you gasp in response.
"Oh my God, Chan, I—" You start to express concern, but the juxtaposition of his arousal and your own, both concealed beneath clothing, interrupts your common sense. He shouldn't be marking you up like this. You realize you'll need to wear a turtleneck or a collared shirt to cover your collarbone.  “B-Be careful-”
"I'm sorry, baby. You're just so intoxicating, you know that?" Chan manages to peel himself away from devouring you for a brief moment, a feat that takes immense self-control. "And you have the most adorable smile."
You try to hide your smile, but he pulls your arm away. "No, let me see it. Look at how you get when I compliment you. I can't tell if you love it or hate it, but it's damn hot seeing you get all shy like this. Makes me want to say more, see how else your body responds to me."
"I think it's turning me on," you admit, your voice slightly shaky, and a coy smile forms on your lips.
“You think?” Chan states more than questions, running his nose and lips against your chest, peppering kisses up your neckline. He sucks again, leaving another mark, this time closer to your jaw. You moan in response, and he tangles his fingers in the hair at the nape of your neck as he pulls you in for a kiss. Your lips bruise against his, swollen as he pulls back, looking up at you as if you were Aphrodite herself.
“Thank you, babygirl. I’m sorry I left a couple of marks.”
“It’s okay, you should leave a couple more.”
So Chan does just that.
You hold onto his neck as he moves forward, pressing you into the floor, lifting your hoodie up and sliding it over your arms so he can lay more open-mouthed, deliciously wet kisses down to your navel. He dips his tongue in, taking your piercing between his teeth. Your back arches, and he's going for your jeans, ready to unbutton them, but he stops, sitting up on his knees.
Chan knows if he goes any further, it would be akin to dragging him from quicksand.
He has to ask first.
“We’ve never gone this far,” Chan says, feeling somewhat awkward for not just outright asking you. You realize, of course, that you two haven't gone this far, but Chan wants to ensure you're comfortable. How much further are you willing to go? Chan can easily wrap things up right here, but the way you're writhing underneath his lips every time they press into your skin, leading further and further down south; Chan needs you to tell him otherwise. “I want to go further,” you say, your thumbs hooked into the top of your pants. “You told me you'd finish it, didn't you?”
You assist him in getting your bottoms off, and he nuzzles against the damp fabric of your panties, taking in your scent. “Had no idea you’d smell this amazing,” Chan says, pulling your panties aside to slip a finger in, curling it up. “You must really want me, hmm?”
“Mhm, I do.”
“Can you take more fingers, baby?” “Yeah, I can,” you nod fervently, vigorously, eager to feel him spread you further. Chan gets two more fingers inside of you, and he pulls the panties even further around your lips, leaning down to kiss and suck your clit. He enjoys the way his saliva catches the light as you buck your hips up.
“Prettiest pussy I've ever seen, babygirl. Are you going to let my cock feel it too?”
“Yes, please, daddy?”
Chan has to process the fact that you've called him this. He nearly short-circuits.
“You must want to be my good girl tonight,” he says as he pulls off his hoodie, tossing it aside and unbuttoning his pants.
“I'd give anything to be your good girl, Chan.”
“Anything?”
His fat cock slaps against your wet slit as he holds it firmly. “Anything.” you begin to twist your hips, attempting to grind in a way that will make him slide inside you. You're wet, it's spread everywhere, slicking your inner thighs and cheeks. All it takes is one good thrust, and he can –
“I want this, right here,” his firm taps stop you in place, and his eyes lock onto yours as he pushes his cockhead between your folds, stopping as soon as he's sheathed inside, feeling your walls begging for more. “You feel so wet, baby. Is this for me?” he asks, inching inside until he's halfway in. Chan wants to stop, but the sensation of your walls squeezing him proves to be too much, and he bottoms out inside of you.
“Yes!” You cry out, stronger and louder than you intended, spawning Chan to thrust again, rutting into you. He doesn't always go deep; in fact, he's stroking you at just the right angle to make you see stars as you drag your almond nails down his back, feeling his muscles tense under your touch.
“S-sorry,” you hiss, your head falling against the floor as you cum around his cock. “Keep it up, baby,” he encourages you, “You look so good taking me like this right now, so fucking good.”
"I-I look—"
His firm grip on the strands of your hair at the nape of your neck forces your gaze upwards, compelling you to meet his intense, smoldering eyes.
"Beautiful," he breathes as his thrusts take on a deliberate, measured pace. Each motion propels you closer to the precipice of another orgasm, and you can barely keep your eyes open. His hand presses flat against your head, angling it so you can witness the raw, primal connection between your two bodies. "You look beautiful, say it." You gasp and muster the strength to whisper, "Beautiful," as he introduces two of his fingers to your lips. You eagerly accept them, your tongue tantalizingly caressing the pads of his digits, still bearing traces of your earlier essence. He withdraws his fingers and expertly circles your clit with confident, steady pressure, evoking whimpering pleas from deep within you.
"Such a good girl," he praises with a low, smoky voice, pride lacing every word. "I'm so proud of you, baby. Can you cum again for me? I just wanna see that face one more time.” He wants to etch the vision of your blissed-out expression into the depths of his consciousness, ensuring it's the first thing he sees every morning as he awakens with thoughts of you.   Instinctively, you attempt to shield your contorted, furrowed brows with your hands, but Chan swiftly restrains your wrists, pinning them above your head with a powerful grip. His other hand intensifies its attentions to your clit, moving more vigorously.  He pairs this with shallow, accurate thrusts,each one striking your g-spot with unerring accuracy, causing you to unravel until you could think no more.  You’ve been fucked dumb, for the first time in your life.  As you gradually return to your senses, you struggle to find words or even make sense of how another human being can make you feel this extraordinary.
Amidst the haze of your post-orgasmic stupor, a lucid thought pierces through: sex is a potent, heady concoction, a force to be reckoned with.
Then, the second wave of awareness washes over you when you hear Chan's voice, close to your ear, whispering those two potent words, "Good girl." - fin
533 notes · View notes
ggjunkie · 6 months ago
Text
Showmance
27,318 words
Adam x reader
Musical theatre! AU; College! AU
For anyone who'd rather read it on here:
You straighten out your clothes, fingers brushing off invisible lint as you take a deep breath, the excitement bubbling just beneath your composed exterior. The echoing sounds of chatter and nervous footsteps fill the audition room lobby, where a group of hopefuls wait for their names to be called. It's finally musical season at your university, and you’ve jumped on the train with unrestrained enthusiasm.
This semester’s show is Little Shop of Horrors, a classic choice that feels like putting on a comfortable pair of your favorite pants—familiar and comfortable. Though it's a basic pick, you definitely aren’t complaining; this is your chance to shine. For weeks, you’ve been meticulously preparing, working with your private vocal and acting coaches, honing every note and every intonation for this audition.
As a musical theatre major, a spot in the chorus is practically a given, but you’re not one to settle for just that. No, no, no. You have bigger ambitions. Your eyes are set on Audrey II, the mysterious talking, and singing plant. It's a role that demands charisma, vocal prowess, and a certain je ne sais quoi that you’re confident you possess. Or at least you really, really hope so.
Of course, you also understand you aren’t guaranteed a role! It’s really no biggie, you’re just excited.
Although theatre wasn’t always your passion, taking the class in middle school had spurred something in you. Since then, you’ve worked hard at your craft. And it’s definitely paid off! You managed to make it into multiple audition-based schools. At the memory, you pat yourself on the back.
Middle school was where it all began. You still remember the thrill of your first performance, the way the stage lights felt warm and comforting, and the applause that followed. It ignited a spark in you, a passion that has only grown stronger with time.
In high school, you faced more challenges. The competition was fierce, and the stakes were higher, but you rose to the occasion. You worked tirelessly, attending acting workshops, vocal lessons, and dance classes. You balanced your schoolwork with your theatrical pursuits, often sacrificing sleep and social activities to chase your dreams.
When it came time to apply for colleges, you aimed high, auditioning for some of the best programs in the country. The acceptance letters that followed were proof of your hard work and dedication. You had made it into multiple audition-based schools, each one a testament to your talent and perseverance.
Now, standing here, you can't help but feel a swell of pride. You've come a long way from that middle school elective. You've faced rejections and setbacks, but you've also experienced triumphs and growth. Every step of the journey has been worth it, and you're excited for what lies ahead.
Eventually, you finally hear your name called, pulling you out of your thoughts. You smile at the runner, a freshman eager to get their required hours in, and hand them your resume. They take it gratefully, glancing over the neatly printed sheet as they lead you into the audition room. It’s a black box theater, a square room with black walls and flooring. The stark simplicity of the space serves as a blank canvas, allowing the directors to transform it into whatever they need, just as they have for these auditions.
Their table is set up near the back, papers and coffee cups scattered across its surface, giving them a perfect vantage point to observe and take notes without being overheard. They chat quietly among themselves, their voices a low murmur that blends into the background hum of the building. You can feel their eyes on you as you step into the room, the anticipation almost tangible in the air.
Near the door, a piano sits, and at the bench is what you can guess to be your accompanist—a tall, chubby brunette with a messy sort of look about him. He’s honestly kind of cute, but you can’t afford to focus on that right now. You have an audition to nail.
You greet the directors with a confident smile and a nod, then march over to the piano. Handing the accompanist your binder, you ensure it’s open to the marked sheet music. Like a seasoned performer, you’ve already highlighted the 32-bar cut of your song, clearly indicating where he should start and stop.
As he scans the music, you take a moment to explain your plan. You point out the precise places where you’ll be taking breaths and describe the tempo you have in mind. He listens attentively, nodding along as you speak, his fingers instinctively moving over the keys as if mentally rehearsing the piece.
You glance over at the directors, expecting them to be ready, but they’re still shuffling papers and folders on their desk, likely comparing notes from previous auditions. A flicker of impatience might cross another's face, but not yours. Instead, you smile, savoring the rush of adrenaline that auditions always bring.
The anticipation heightens the moment, and you use the extra time to center yourself even more. You roll your shoulders, subtly release the tension in your hands, and take another calming breath. The hum of quiet activity behind the directors' table, the muted clink of pens and rustle of paper, only amplifies your focus.
"So, got any plans after this?"
You frown, snapping back to the present as you turn to the accompanist. "Excuse me?"
He smirks, leaning in slightly. "I can take you out on the town, show you a real good time. My roommate is even out for the night, if you know what I mean." He wiggles his eyebrows suggestively.
You scrunch your nose, not appreciating the distraction from your audition. You need to get in the zone and focus, but he’s throwing you off. You can entertain the idea after the audition, not during. However, at your reaction, he takes it as a no and furrows his brows. He starts to say something, probably something rude, before you walk off.
You head to the tape marking your spot on the floor, feeling the familiar buzz of excitement mingled with nerves. The directors stare at you blankly, their faces giving nothing away, but you know better than to let it get to you. This is your moment.
Taking a deep breath, you slate in, introducing yourself with a clear, confident voice
“I’ll be performing the song ‘Jenny’s Blues’ from ‘It Shoulda Been You,’ and a monologue from ‘Confrontation’ by Kelly Powell.” You smile before dipping your head, breathing in, and starting your piece. Your voice is strong, resonant, effortlessly sliding into the comfortable range of the song. Each note is delivered with precision, every word infused with emotion. You make sure to breathe deeply, expanding your diaphragm to support your powerful vocals.
However, halfway through your audition cut, you hear the piano falter and fumble, the notes coming out jumbled. You pause for a split second, a flicker of concern passing through your mind, but you quickly regain your focus. Mistakes happen, and you're determined not to let it throw you off. You press on, maintaining your composure and delivering a flawless performance despite the hiccup.
As you reach the climax of the song, you hold out your money note, pouring every ounce of emotion into it. The accompanist manages to catch up, albeit a little off rhythm, but you don’t let it deter you. With a final flourish, you finish the song.
You manage a quick glance at the accompanist before looking back– but wait, hold on. You look back again. That fucker has a smug smirk plastered across his face. His eyes twinkle with amusement, and suddenly it all clicks into place: He tried to mess you up on purpose because you ‘rejected’ him. Any chance you had with him suddenly goes straight down the drain, and now you're fuming.
You grit your teeth, trying to tamp down the surge of anger that threatens to consume you. How dare he sabotage your audition like that? But you refuse to let his petty actions derail your performance. Instead, you channel that newfound adrenaline, that simmering rage, into your audition.
With renewed determination, you throw yourself into the monologue, each word dripping with raw emotion. Your voice crackles with intensity as you inhabit the character, every gesture charged with conviction. The room seems to pulse with energy, your presence commanding attention as you deliver a performance that's nothing short of electrifying.
Well, not like you’d think as much.
You perform your piece, and as you finish, you try not to beat yourself up about it. It was… okay. A little frustrating, perhaps, because you ran more on muscle memory and pettiness than actually existing in the moment, but the dedication and hard work you had put into it still shone through. You remind yourself that perfection is an elusive goal, and what truly matters is the passion and effort you poured into your performance.
As for the song, you try not to dwell on it too much. Otherwise, you know you’ll get stuck in your perfectionist head, picking apart every single detail until it drives you mad. Instead, you choose to focus on the positives, reminding yourself of the moments where you truly connected with the material and let your talent shine through.
You take a deep breath, feeling a sense of relief wash over you now that the audition is over. Whatever the outcome, you gave it your all, and that’s something to be proud of.
You thank the directors, offering them a quick but polite goodbye, and head over to the piano to retrieve your binder. The pianist smirks, a mischievous glint in his eyes as he hands you the binder. But as you reach out to take it, he doesn’t let go. You tug gently, expecting him to release it, but his grip remains firm.
Your frustration mounts as you give the binder another tug, but still, he refuses to hand it over. With a growing sense of annoyance, you pull harder, and finally, he lets go. But instead of handing it to you properly, he lets it slip from his fingers, and it drops unceremoniously to the floor with a thud.
This bitch.
Instead of giving him the satisfaction of seeing you lose your cool, you bend down gracefully, feeling his eyes linger on your backside, and pick up the binder. Straightening up with a sense of quiet determination, you shoot him a subtle, sour look, and exit through the door.
You needed to be pinched awake.
There it was, plain as day—your name listed next to Audrey II. The role you'd yearned for, sweated for, poured your heart and soul into securing. And now, here it was, yours for the taking. You stare at the cast list, almost disbelieving, as if expecting the letters to rearrange themselves at any moment. But no, there it remains—your name boldly printed beside the coveted role.
Despite the adrenaline coursing through your veins and the excitement threatening to bubble over, you find yourself remarkably composed. It's as if a serene calm has settled over you, masking the tempest of emotions swirling beneath the surface. You're totally normal about this, you tell yourself, even as your heart races with exhilaration.
But inwardly, you're anything but calm. You're ecstatic, over the moon, practically floating on air. It's a dream come true, a validation of all the hard work, late nights, and sacrifices you've made in pursuit of your passion. And yet, there's a sense of quiet gratitude mingled with the jubilation—a recognition of the privilege bestowed upon you, the opportunity to bring this iconic character to life.
As you continue to scan the rest of the cast list, a few of your friends approach, their faces beaming with genuine happiness and excitement for you. They pat you on the back and offer heartfelt congratulations, their words a chorus of support and admiration. You take it all in stride, offering each of them an easy smile and a gracious thank you. At one point, you even go as far as to herd some of them into a group hug.
As you continue down the cast list, you recognize a few names, but none that you're particularly close with. Still, you can't help but feel a sense of optimism as you imagine the bonds that will form over the course of rehearsals. After all, there's nothing quite like the camaraderie that comes from working together towards a common goal.
One name stands out among the rest—Quinn, the guy playing Seymour. Memories of your collaboration on a project in Theatre History come flooding back, and you can't help but smile at the thought of working with him again. You remember how seamlessly you worked together, bouncing ideas off each other and complementing each other's strengths. With any luck, that chemistry will translate into a dynamic partnership on stage.
You can already envision the two of you bringing Seymour and Audrey II to life, each playing off the other's energy and timing. It's an exciting prospect, and you can't wait to dive into rehearsals and see how your dynamic evolves.
And then there's the puppet—your puppet. God, you were so excited for your puppet.
Still riding high on the euphoria of landing the role, you feel as light as a feather. It's as if you're floating on cloud nine, sipping Shirley Temples and being pampered like royalty. Every step you take feels effortless, every breath filled with a sense of elation. You glide all the way to rehearsal, anticipation buzzing beneath your skin.
But as you step into the rehearsal room, the bubble of bliss threatens to burst. There, standing before you, is the accompanist from before—the same one who tried to sabotage your audition. Instantly, the weight of reality comes crashing down, dragging you back to earth with a resounding thud.
You can feel his gaze boring into you, a silent challenge in his eyes. You roll your eyes in response, refusing to let him see how much his presence rattles you. At least he doesn’t seem too thrilled to see you either, his lip curling into a sneer as if he were growling in disdain.
Redirecting your attention back to the room, you notice that seats have been pulled to create a circle, a common setup for read-throughs. Your eyes scan the space, and you catch Quinn's enthusiastic wave, his smile infectious. You feel a sense of relief flood through you, grateful for the easy decision on where to sit, and you make your way over to join him.
"Hey!" he greets, his excitement palpable. "Congrats on Audrey II!"
You return his smile, the warmth of his congratulations washing over you. "Thanks! And congrats on Seymour! You definitely deserve it," you reply, genuinely happy for him.
The two of you strike up a conversation, the easy rapport between you quickly filling the air with laughter and shared excitement. But as you chat, you can't shake the feeling of someone's eyes on you. You glance around discreetly, your gaze landing on Adam, who's peering at you with a curious expression.
You lean over to Quinn, a puzzled frown creasing your brow. "So, why's the pianist here?"
Quinn follows your gaze before turning back to you, a thoughtful look crossing his face. "Adam? I think he's getting extra credit for this. He's a music major, so... It's kinda cool."
You shrug your shoulders, a bemused expression on your face. It makes sense that Adam would be here for extra credit, but what doesn’t make sense is why he's glaring daggers at you. All you did was turn him down, and then get upset because he tried to sabotage your audition. What a dick.
"Are y'all exes or something?"
You shake your head, a perplexed frown forming on your lips. "No, definitely not."
"Then why is he glaring at you like you killed his dog?" Quinn presses, his curiosity piqued.
You roll your eyes, frustration simmering beneath the surface. "He tried asking me out in my audition, and I didn't respond because I was trying to lock in."
Quinn's eyes widen in disbelief. "Oh my god, you should've totally said yes! He's a total hunk!"
You can't help but let out a wry chuckle, acknowledging the truth in Quinn's words. "Yeah, he's definitely hot," you admit. "But he's a dick though. He purposely messed up my backing accompaniment."
At that, Quinn sucks in a sharp breath before nodding solemnly. “So just a one night stand.”
At Quinn's suggestion, you cringe, feeling a surge of indignation rising within you. "What?" you squawk incredulously. "No! I'm not sleeping with him!"
“Sleeping with who?”
As the new voice breaks through the conversation, you and Quinn turn to see a girl– probably playing Audrey, your brain retorts. She's thin and gorgeous, her presence commanding attention. It’s probably best to keep her away from Adam.
However, when you glance over to see Adam's reaction, you're surprised to find that he hasn't even spared the girl a passing glance. Instead, his focus remains fixed on you, his glare as intense as ever. Annoyance prickles at the back of your mind, and you return his glare with equal intensity.
Adam seems to realize that you're looking at him, and for a moment, you see a flicker of something cross his features. But in a swift attempt to maintain his cool guy facade—or perhaps because he enjoys the attention—he smirks and throws up his hands in a playful gesture, as if suggesting a game of rock, paper, scissors.
You surprise him by joining in.
Rock… Paper… Scissors… Shoot!
But instead of throwing one of the three conventional options, you catch Adam off guard by flipping him off, a gesture that leaves no room for misinterpretation. With a satisfied smirk, you turn your attention back to Quinn and the girl, refusing to give Adam the satisfaction of any further reaction.
“Hi!” The girl’s voice is perky and energetic. “Sorry, I hope I wasn't intruding with my earlier question. I’m Sadai! You’re playing Audrey II, huh? That’s pretty cool! I’m excited about your puppets.”
At that, you perk up. “Yeah, me too!”
She glances away before leaning in, just as you had done before. “I don’t mean to overstep but… I can't help but notice a certain someone’s eyes on you. Did you break up or something?”
You frown, sinking into your seat. “No, why do y’all keep asking me that…”
“Well, that’s the more logical explanation.” Quinn pipes up.
“There’s an explanation?” Sadai grins. “Spill!”
As your director calls for everyone's attention, the lively chatter in the room gradually subsides, replaced by an air of anticipation. Rehearsal is about to begin, and you can feel the energy buzzing in the air.
When it comes time for Adam’s introduction, it's surprisingly more formal than what you would’ve thought. But that's probably because your director is right next to him.
“I’m Adam,” he says, his tone serious and professional, “and I’ll be the accompanist for rehearsals. I’m also a part of the actual band you’ll be performing with.”
You can't help but roll your eyes at him. It's a stark contrast to his earlier antics, and you can't shake off the feeling of disbelief at his behavior. You stick your tongue out at him.
As Adam clacks his teeth in response to your gesture, a strange sensation washes over you. It's a fleeting moment of amusement mixed with something else—something you can't quite put your finger on. You quickly dismiss the thought, shaking your head to clear it.
As the read-through gets underway, you find yourself slipping into the mindset of Audrey II, the iconic character you're tasked with bringing to life. It's a role unlike any you've played before, and you can't help but feel a surge of excitement mingled with apprehension. With each line you deliver, you try to embody the essence of the character, exploring different nuances and inflections.
But despite your best efforts, you can't shake the feeling that your choices aren't quite hitting the mark. They're not big enough, not bold enough—at least not by your own standards. Still, you refuse to beat yourself up about it. It's only a read-through, after all, a chance to explore the character and experiment with different interpretations.
However, the distraction of Adam's antics doesn't help matters. Every time you say a line, you can feel his eyes on you, making faces and mocking you. It's infuriating, to say the least, but you try to push past the distraction and focus on the task at hand.
Adam can get fucked.
As the ballet class draws closer, the familiar excitement begins to bubble up inside of you. You eagerly anticipate the opportunity to immerse yourself in the world of dance once again. Dressed in your favorite leotard and tights, you feel a sense of comfort and familiarity wash over you. The snug fit of the leotard and the sleek lines of the tights serve as a second skin, allowing you to move freely and gracefully without any hindrance.
As you enter the studio, you take a moment to soak in the atmosphere—the polished wood floors, the mirrored walls, the soft lighting casting a warm glow over the space. You’ve always made a habit to arrive early to class, giving yourself ample time to prepare both mentally and physically. Taking your place at the barre, you begin with a series of gentle pliés, allowing your muscles to awaken and loosen with each movement. From there, you move through a sequence of tendus, jetés, and dégagés, each step flowing seamlessly into the next.
As the warm-up progresses, you feel your body gradually opening up, the tightness in your muscles giving way to a sense of suppleness and strength. You revel in the sensation of your limbs stretching and extending, reaching for the ceiling with each grand battement and arabesque.
But it's during the stretch routine that you truly lose yourself in the moment. Finding a spot on the floor, you lower yourself into your middle splits, your muscles protesting slightly as you sink deeper into the stretch. With each breath, you feel yourself melting into the floor, your body becoming one with the music that fills the room.
But as you're bent over, laying your chest on the floor, you're suddenly aware of a presence behind you. Startled, you lift your gaze to meet the reflection in the dance mirrors, and your heart skips a beat as you see Adam standing there, a smirk playing on his lips.
“Adam.”
“That’s my name, baby. Go ahead and practice screaming it for tonight.”
You ignore that. “This isn’t an open class. You should leave.”
“Aw you’re looking out for me, how sweet. Good news though. I’ve been invited, bitch.”
You finally turn and look him in the eye. “Don’t call me that.”
Adam raises his hands in a mock gesture of surrender, but his smirk remains firmly in place. "Woof. Rough subject, huh?" he quips, his tone dripping with sarcasm. “Alright, what would you prefer for me to call you? Sugartits? Sweet thing? Mine?”
Your patience wearing thin, you shoot Adam a withering glare. "I'd rather you leave.”
Adam's grin only widens at your request. "Again, I can't," he replies, his tone smug. "I need this extra credit."
Confusion furrows your brows as you try to make sense of his words. "What do you mean?"
His smile widens even further, a mischievous glint in his eyes. "I'm playing piano for your class," he reveals.
"Oh god.”
Feeling the ache in your muscles, you mindlessly begin to pull yourself out of your middle splits, sensing that you're warmed up enough for the time being. But before you can fully relax, Adam's voice cuts through the air, drawing your attention back to him.
"You know what stretch might be good for you?" he asks.
Your eyebrows knit together in suspicion, wary of whatever suggestion he might have up his sleeve.
“Baby pose or whatever it’s called.” he licks his teeth.
“...Do you mean child’s pose?”
“I’m not sure. Why don’t you show me and we’ll find out. If you’re correct, you get a reward.”
The retort slips out before you can stop it, your frustration boiling over. "Go to hell.”
Adam's expression shifts into something more serious. "Hey, that's not funny,"
You're taken aback by the sudden change in his demeanor, surprised by the hint of offense in his voice. "You're... religious?"
Adam's lips quirk into a wry smile, always ready to talk about himself. "Minoring in religious studies, babes.”
“And you act like this?”
Adam looks genuinely offended. “Hey! God loves all His creations.”
You decide to test the waters, aware that this isn't just a question about religion, but more about understanding Adam. “So, you’re okay with gay people?”
“What kind of porn do you think I watch?”
“You watch gay porn?” What the fuck.
“Only the girls– it’s hot as fuck. Besides, look at you– I’ve disrespected everything about you except your pronouns.”
Well you’ve got to give him that.
As your instructor walks into the room, effectively diverting your attention from the unsettling exchange with Adam, you're grateful for the interruption. She calls Adam over, and you watch as he trails obediently toward her, unable to shake off the lingering annoyance from the wink he sends in your direction. The gesture sends a wave of bile rising in your throat, leaving you feeling unsettled and off-kilter.
Thankfully, the start of class offers a welcome distraction as you begin with barre exercises. The familiar structure of the routine allows you to slip into autopilot, your muscles responding to the familiar movements with practiced precision. Despite the discomfort of the exercises, you push through, knowing that each repetition brings you one step closer to improvement.
When the instructor calls for places to run the combination, your heart skips a beat as you realize it's finally your turn. You take a deep breath, mentally preparing yourself to showcase the combination you've been practicing diligently.
But before you can fully focus on the task at hand, you notice Adam's persistent attempts to catch your eye in the mirror. His gaze feels like a weight on your shoulders, but you steel yourself, determined not to let his presence distract you.
As the instructor calls for Adam to take his place at the piano, you can't help but feel a sense of relief wash over you. With him occupied at the keys, you're free to focus solely on your own performance without the added pressure of his scrutiny.
As you wait for your turn to perform the combination, you can't help but find yourself drawn to Adam's piano playing. Despite the tension between you, there's no denying the skill and finesse with which he handles the keys. Each note flows seamlessly from his fingertips, filling the room with a melodic richness that captivates your senses.
You watch in quiet admiration as he navigates the piano with ease, his fingers dancing across the keys with precision and grace. There's a gentle quality to his playing, a delicate touch that belies his earlier brashness. It's clear why he's been enlisted to help with productions like Little Shop of Horrors and ballet classes—he possesses a rare talent that really elevates the performances he accompanies.
As you square your shoulders and turn out from your hips, preparing to execute the combination you've practiced tirelessly, you can feel Adam's eyes boring into you from across the room. Despite the tension that lingers between you, you refuse to let his presence throw you off course.
With a deep breath, you begin to move, allowing the music to guide your every step. Despite the lingering doubt that Adam's presence instills in you, the music never falters, reaffirming your belief that his attempts to sabotage you during the audition were indeed intentional.
But you refuse to dwell on the past, pushing aside the nagging thoughts and focusing solely on the dance. As you move through the combination, something feels different. It's as if you've suddenly become one with the music, feeling its rhythm pulsating through your veins and guiding your movements with an effortless grace.
A quick glance in Adam's direction reveals that he too is caught up in the magic of the moment, his expression mirroring your own sense of connection to the music. Despite the tension that exists between you, there's a shared understanding in that fleeting glance—a recognition of the power and beauty of the music that transcends any animosity or resentment. In other words, you can forgive him in this moment.
In that moment, as you dance to the haunting melody of the piano, you feel a sense of liberation wash over you. All the worries and doubts that had plagued you before melt away.
As you're swept up in the exhilaration of the dance, an unexpected twist of fate brings you crashing to the floor as your ankle buckles beneath you. Embarrassment floods your senses as you find yourself sprawled on the ground, the sudden halt to your movement jarring and disorienting.
But before you can fully process what's happened, a kind-hearted classmate rushes to your aid, offering you a supportive hand and helping you to your feet. Despite your attempts to brush off the incident with a forced smile, the humiliation of the fall lingers, casting a shadow over your confidence.
With your ankle throbbing painfully, you're guided out of the room by your compassionate classmate, grateful for their support and understanding. As you limp away from the dance studio, you can feel Adam's eyes following your every move, his gaze burning into your back like a weighty presence.
Thankfully, you hadn’t torn or broken anything. All that came out of that incident was a rolled ankle. The recovery was straightforward—alternating between icing and heating it. Before you knew it, your ankle was back to normal. You were able to rotate it without any stinging or pain.
The relief was immense. You had been worried that the injury might keep you from participating fully in rehearsals. Right before you walked into ballet class, you tested your ankle carefully, rotating it and putting a little weight on it. No pain. Perfect.
When you push open the doors to the space, Adam is already seated at the piano, idly messing with the keys. You know Adam never made a habit of being early to this class—especially since he didn’t need to be. During warm-ups, your instructor usually played music from her speakers. So why would he be here early?
Curious, you linger near the door for a moment, observing him. His fingers dance over the keys with a casual grace, producing a soft, almost melancholic melody. It's unlike the boisterous, cocky persona he usually projects. For a moment, he seems lost in the music, unaware of his surroundings.
You clear your throat softly as you walk further into the room. Adam’s head snaps up, and for a split second, you see a flicker of something—surprise, perhaps—before he masks it with his usual smirk.
“Good morning,” you say, keeping your tone neutral.
“Morning,” he replies, his fingers pausing on the keys. “Didn’t expect anyone else to be here this early”
“Same goes for you,” you counter, setting your bag down and beginning your stretches.
Adam shrugs, looking back at the piano. “Just felt like playing a bit before everyone else got here.”
You raise an eyebrow, skeptical but not wanting to pry. “Well, don’t let me stop you.”
He resumes playing, the notes filling the room with a soft, intricate tune. You settle into your stretch routine, focusing on your warm-up but unable to ignore the beautiful music emanating from the piano.
However, it seems as though Adam can’t go more than a minute without being a certified dick. He leans over the piano, watching you stretch, before speaking up.
“Seems like you healed up well.”
Your cheeks ignite, embarrassed by the reminder of your tumble. That shame shortly turns into anger, and you’re quick to throw it in his face.
“Yeah, and it seems like you finally know how to play piano, huh? No messing up?”
“Oh baby, daddy never messes up by accident.”
Indignation rises in your chest at Adam's casual confession that he's been deliberately messing with your music. The realization blooms on your face, and Adam smirks, clearly enjoying your reaction.
Just as you're about to take off one of your ballet slippers and give him a well-deserved bitch slap, Miss Nicole, your instructor, signals for class to begin. With a final glare at Adam, you take your place at the barre, forcing yourself to focus on the exercises ahead.
You spend the entire class wishing you were in tap, imagining the satisfying clatter of metal taps scuffing up the floor. Instead, you're stuck in ballet, with Adam just a few feet away, his presence a constant reminder of your frustration. You do your best to channel your rage into your dance, pushing yourself harder with each movement. The burn of exercise helps somewhat, providing a physical outlet for your anger. Your muscles ache as you stretch deeper into each plié and extend further in every arabesque.
By the time it’s your turn to work the combination, the anger has faded to a dull background hum. You step up, squaring your shoulders and prepping your feet before beginning.
Your chasse leads you into a middle leap. As you ascend, it feels good, almost as if nothing can touch you while you’re in the air.
Adam is a rude reminder that you are not.
But then, mid-leap, the music jarringly falters. You miss a beat, your landing is shaky, and the momentary lapse causes you to stumble. He had done it again, intentionally disrupting the music. It takes every ounce of your self-control not to let it throw you off further. You manage to avoid a full-on trip and finish your combination, but the disruption leaves you seething. As you head over to grab your water bottle, you glare daggers at Adam, who, despite appearing focused on the keys, is clearly smiling to himself.
One of these days, you think, you’re going to wipe that smug smirk off his face.
Class wraps up, and you see the clock signaling the end of the session. Why not today? The thought plants itself firmly in your mind. You decide it’s time to confront him directly.
As the other students start to filter out, you march over to the piano, your anger giving you a surge of confidence. Adam looks up, still smirking.
“What is up with you trying to sabotage me?” you demand, your voice edged with frustration.
He has the nerve to act confused. “Whaaaat? Lil’ ol’ me? I’d never! When have I even tried?”
“Just now. And my fucking audition.”
“Okay but is it really sabotage if you got the part? Think about it— maybe they were impressed with the way you continued on. Maybe I helped you,” he retorts, his tone flippant and infuriatingly smug.
Your jaw tightens, struggling to contain your anger. You take a deep breath, trying to keep your composure. “Impressed or not, you had no right to mess with my audition. It was unprofessional and disrespectful.”
Adam shrugs nonchalantly, not appearing at all remorseful. “Hey, it’s a tough world out there. Gotta learn to roll with the punches, sweetheart.”
“There’s a special place in hell for you.” It’s a low blow and you know it. But you get the reaction you’ve been waiting for, his nostrils flaring with offense.
“Bitch, you care way too much about college-level theatre.”
“At least I care about something other than myself,” you snap back.
“Aw, baby,” he drawls, leaning back and crossing his arms, “I can put some extra care towards you. Lay you out all nice for me, make you see heaven. Prove to you I can take care of you. Might make you beg a bit.”
“Eat a dick.”
“I know what you are, but what am I?” he retorts, a childish grin spreading across his face.
“That doesn’t even make sense!” you exclaim, exasperated.
Before the argument can escalate further, your ballet instructor, Miss Nicole, approaches. “Is there a problem here?” she asks, concern etched on her face. You stumble over your words, caught off guard by her sudden appearance and the need to explain the confrontation.
“No ma’am! Just some classic friendly bickering. You know how it is! We were just about to head out and grab some lunch, weren’t we?” Adam interjects smoothly, throwing you a glance that suggests you go along with his narrative.
You grit your teeth, seething at his audacity, but reluctantly nod in agreement, knowing you can’t contradict him in front of your instructor. The last thing you need is to cause a scene and get thrown out from the class.
“Yep. Just….bickering,” you reply through gritted teeth, your frustration simmering beneath the surface.
“Ah. It’s nice to see you getting along with our accompanist. I was a bit worried how everyone would treat him. Where are you going to get lunch?” your ballet instructor asks, oblivious to the tension between you and Adam.
“The campus cafe,” Adam responds smoothly, suddenly looking smug as if he’s won some sort of victory.
“Oh! I was walking that way. Mind if I join you on the walk? I’d like to talk to you about our future classes, Adam,” she says cheerfully, turning to you both.
You go to interject, to protest adamantly that this is NOT okay. But before you can speak up, Adam beats you to it. “Of course! We don’t mind, do we, babes?” he says, flashing a faux-charming smile in your direction.
You clench your fists at your sides, seething with anger at being maneuvered into this situation. With a forced smile, you nod curtly, not trusting yourself to speak.
"Great!" Your instructor claps her hands together in excitement, seemingly pleased with the arrangement.
The three of you walk. Adam seems effortlessly engaged, occasionally nodding and adding insightful comments. Meanwhile, you follow along half-heartedly, tuning out most of the conversation as your frustration with Adam continues to simmer.
You try to focus on the scenery passing by, the rhythmic sound of your footsteps, anything to distract yourself from the situation at hand. However, snippets of their conversation still reach you, reminders that Adam's presence is more entrenched in your academic life now than ever.
“So Adam, are you also the accompanist for the voice recital?” Miss Nicole asks, navigating the three of you past a group of what you assume to be freshmen.
“Oh, no ma’am. One of my classmates beat me to the punch,” Adam responds.
"Really?" Miss Nicole raises an eyebrow. "I thought for sure you'd be the first in line for that."
Adam shrugs, glancing at you briefly before turning his attention back to Miss Nicole. "I guess they were just quicker this time."
“Well I’m sure they’ll be good. Just maybe not as good as you,” Miss Nicole says, her tone warm.
You internally roll your eyes. Barf.
Adam seems pleased to hear that, and not just because his ego is getting fed. “Absolutely,” he replies, his smirk widening.
“You’re not a fan of them?” she asks.
Adam cringes. “You could definitely say that.”
“Is it that skinny blond kid? I know we were warned not to pair you two together,” Miss Nicole inquires, her curiosity piqued.
“Worse,” he says, his voice dripping with disdain. “It’s his girlfriend.”
Confusion clouds your expression as this new piece of drama unfolds unexpectedly. “His girlfriend?”
Your voice cuts through the conversation, drawing the attention of both Adam and Miss Nicole. They seem momentarily surprised, as if they had forgotten you were there amidst their discussion.
"I'm surprised you haven't heard about it, considering you two are friends!" Miss Nicole responded, her tone tinged with surprise and a hint of curiosity, her eyebrows arched expectantly.
"I don't think friends is the right word to describe us," you muttered under your breath, though Miss Nicole's sharp ears caught your words. Immediately, she began to backtrack, her cheeks flushing with embarrassment.
"Oh, I'm so sorry! I hadn't realized you two were... Well, you know what? That makes much more sense," she stammered, her words rushing out in an attempt to smooth over the awkwardness.
"What makes sense?" Adam asked, his brow furrowing in confusion as he glanced between you and Miss Nicole. Finally, it seemed, both of you were on the same page, even if it was only because you were confused.
"Well, would you look at that!" Miss Nicole diverted suddenly, pointing upwards. Following her finger, you spotted the familiar sign of the campus coffee shop. Finally, your destination had arrived.
"Here's your stop! I'll see you in class! Bye!" Miss Nicole blurted out, her cheeks now a deep shade of red as she hastily retreated. It was almost comical, and a snort of amusement escaped your lips. Even Adam chuckled softly before his expression turned mischievous.
"She totally thinks we're boning," Adam remarked with a smirk, his tone teasing.
Your smile faded instantly, replaced by a look of disdain as you curled your lip in disgust. "As if. You can only wish," you retorted sharply, the implication of Miss Nicole's assumption leaving a weird taste in your mouth. Not unpleasant, but you wish it was.
"Oh?" He challenged, striding ahead to hold the door open for you. "I'm the dick master over here. One of these days, you're gonna be begging and drooling for my dick, and I'm gonna say no, bitch."
You walked past him, rolling your eyes as he followed you into the store. "You've already been drooling for me."
"I drool for everyone," he retorts nonchalantly.
"That—" you pause, scrunching your nose, "that's not something to be proud of."
"So what're you getting?" he asked casually, not-so-subtly cutting in front of you in line. You sighed inwardly, not having the energy to react, so you let him take the lead. It was hard to gauge whether that pleased him or annoyed him.
"Probably just a chai with oat milk," you replied, your voice neutral.
"No food?" he inquired further.
"Eh, I don't know," you shrugged, feeling indifferent. "I don't feel like getting anything."
"Do you think their blueberry scones would be any good?" he asked, his voice contemplative as he eyed the display case of pastries.
You followed his gaze, your mouth watering involuntarily at the sight of the tempting treats. If only your bank account had a bit more padding, you might indulge yourself. A faint rumble from your stomach emphasized the point. "Yeah, they look really good," you admitted wistfully.
He nodded thoughtfully. "Cool, cool," he replied, his tone casual as he continued to scan the assortment of baked goods.
It didn't take long before it was Adam's turn to order. He stepped up to the counter, clearing his throat nervously. Glancing briefly in your direction, he then turned back to the barista.
"Could I get one large frozen hot chocolate, one large iced chai with oat milk, and two blueberry scones? Actually, make it three," he requested.
The barista nodded, punching in the order as Adam glanced back at you briefly, a subtle smile playing on his lips before he focused on completing the transaction. "Man, you must be hungry, huh? Your piano teacher starving you?" you teased lightly, trying to inject some levity into the moment.
"Piano isn’t my only hobby. I only learned because I have to if I want a music major," he replied with a hint of a pout, sinking into a chair. You took the seat across from him, the uncertainty of how to navigate this conversation lingering between you. Bickering was your comfort zone, but this felt like uncharted territory.
"So," you ventured cautiously, hoping to keep the conversation flowing. "Why did you become a music major?"
"I want to be in a band. Well, I am in a band. But I want to write our own music," he answered earnestly, his eyes lighting up with passion.
"Why the minor in religious studies?" you asked, genuinely curious as you leaned forward slightly.
He smirked, pleased that you remembered something about him. "My dad wanted that. It's my backup, I guess. Makes him feel better about paying all this money."
Nodding in understanding, you replied, "Yeah, sometimes I wish I took a minor—Musical Theatre isn’t exactly the most stable major."
"So then why'd you take it?" he probed gently.
You shrugged, a smile playing on your lips. "There isn’t a world in which I don’t do musical theatre."
Adam looked at you for a long second, his gaze almost penetrating, as if he could see right through you. That same unsettling feeling from before crept in, causing you to shift uncomfortably in your seat. However, before the moment could linger, you were saved by the barista calling out Adam’s order. He stood up and headed over to collect the snacks and drinks.
Meanwhile, you tried to steady yourself, willing your thoughts to stop spinning. He was so... infuriating. Yes, that’s it. You were still annoyed from earlier.
But then Adam returned, deftly balancing the tray of food and drinks. The sight of him bringing back lunch for you softened your irritation. Of course, you were grateful. That’s all it was.
The two of you ate in silence. Adam seemed content, devouring his two scones and his drink without a care. On the other hand, you found it difficult to swallow, the food sitting heavy in your stomach. It felt like you were on the brink of a realization, a sensation that made your stomach churn with uncertainty. Still, you weren't about to waste free food.
Once you managed to finish your lunch, you found yourself unexpectedly thanking Adam. Gathering your things, you prepared to leave. However, to your surprise, Adam stood up too.
“So where’s your dorm?” Adam asks, following you out the cafe door.
"We're not having sex," you retort firmly, making your boundaries clear.
"For once, not my intention," Adam replies with a grin, his charm still evident despite your skepticism. "It's getting late, and I'm offering to walk you back."
"It's like 1:30 in the afternoon," you point out, slightly amused by his insistence.
"Exactly," he counters smoothly, his tone making it clear he’s not backing down. "It’s going to get dark soon. Let me walk you home."
You exhale a dramatic sigh, reaching for your dance bag and slinging it over your shoulder with a practiced motion. “Fine. But I expect payment.”
His eyebrows shoot up in surprise. “Payment?”
“Yeah,” you confirm, giving him a pointed look as you start heading towards the exit of the café.
“But–” he sputters, his voice trailing off as he rushes to catch up with you. “I’m walking you! What more do you want?”
“That was your own choice!” you call back.
“Okay, fine!” he exclaims, throwing his hands up in exasperation as he falls into step behind you. “How much do you want?!”
You pause mid-stride, causing Adam to almost bump into you. “How much– Adam, I don’t mean actual money. I just meant filling me in on your drama.”
His eyes widen in surprise as he forms a soundless ‘o’ with his mouth. “What, you mean with my ex?”
The two of you begin walking side by side. “The blond guy?” you ask, trying to piece together the details.
Adam scratches his beard scruff, his expression thoughtful. “No, well—no, I mean his girlfriend.”
You cringe slightly, trying to wrap your head around his words. “His girlfriend is your ex?”
Adam nods, looking somewhat resigned. “Uh huh.”
You frown.
When you arrive at your residence hall, you invite Adam to walk you to your room. His smile widens into a sharp grin as he agrees, and you both head up to your floor.
As you reach your door, Adam pulls out his phone, and you hear the distinct sound of a camera shutter. You glance at him, puzzled, but he doesn’t explain. Before you can ask, he starts to say his goodbyes, but you quickly shut the door in his face. The click of the latch echoes in the hallway,
You were backstage, flipping through the program selection, counting down how many performers were left until it was your turn to go onstage and sing. Voice recitals always made you nervous, despite knowing this was what you hoped to do for a living. The pressure for your notes to be pitch-perfect, the intense focus on your singing—it all weighed heavily on you.
Months of preparation with your vocal coach had gone into this moment. Together, you had meticulously chosen and honed your repertoire, though you only got to perform your favorite piece tonight. The culmination of all those hours spent practicing, tweaking, and perfecting was now just minutes away.
You took a deep breath, trying to calm your racing heart. The murmur of the audience beyond the curtain was a constant reminder of the scrutiny you were about to face. You glanced around, taking in the familiar backstage chaos—the hurried whispers, the rustling of sheet music, the occasional burst of nervous laughter from other performers.
So far, only two people were left before it was your turn. If you really paid attention, you could strain your ears and hear the beginning notes of "Some Enchanted Evening" from South Pacific. Your shoulders bounced in a silent laugh—what a classic choice.
The girl after him sang "Memory" from Cats, another timeless and powerful piece. As she exited the stage and entered the wings, she patted your back and gave you a thumbs up for encouragement. You grinned and whispered back, "Great job," before puffing out your chest and walking on stage.
The lights were bright, the audience a dim blur beyond their glow. You took your position at the center, feeling the familiar thrill of anticipation mixed with nerves.
Your vocal coach was busy introducing you and your piece—I Don’t Need a Roof from Big Fish—so you looked at the pianist.
Otherwise known as Adam’s ex.
Something about the thought pissed you off, but you refused to delve deeper into it. Her name was Lilith, and she was, without better words, hot. Which pissed you off even more. You dreamed about grabbing her by her waist-length hair and demanding to know how someone like her managed to date someone like Adam.
…Because she was totally out of his league, that’s all. You were just curious, yep. It’s not like the thought of her dating him filled you with this indescribable rage, something that felt so incredibly close to jealousy. She was hot, Adam was hot, and you... were not.
Lilith glanced up from where she was hunched over the piano, scanning your sheet music and cracking her knuckles. Seemingly unaware of your torturous thoughts, she offered you a small wave. The gesture made you feel incredibly guilty, and you forced yourself to smile back.
At that moment, your vocal coach seemed to have finished with the introductions, stepping off to the side of the stage to watch you. She gave you a wink of encouragement, and you took a deep breath, centering yourself.
Those past months of technique training come to mind, and you breathe out. You relax any tension in your shoulders before expanding your diaphragm, and start singing. Of course, you’re still a musical theatre major, so you act alongside the song. As you began to sing, you immersed yourself fully in the piece. The familiar lyrics and melody took over, carrying you along in a blur of emotion and intensity. You lost yourself in the character and story of the song, each word infused with meaning and purpose.
It goes by in a blur, too caught up in the song to really be conscious of what’s happening, but something feels wrong.
The piano.
It’s not as if Lilith is bad. Quite the opposite, actually. She’s practically perfect, understanding each breath mark and each shift in dynamics. If you didn’t know any better, you’d say the two of y’all work extremely well together.
Except… something is missing.
You don’t feel the music in your soul, like you did that one time in class. When Adam was playing. And even if Lilith is objectively better at piano than he is, it’s missing his spark. The final notes hung in the air, leaving you with a sense of dissatisfaction. In your own critical assessment, it felt like the worst performance you had ever given at a voice recital.
Someone seems to disagree though.
Hidden a few rows back in the audience, Adam suddenly leapt to his feet in raucous applause. His gesture, though likely intended to embarrass you, had an unexpected effect. Instead of feeling self-conscious, a smile spreads across your face. You were delightedly surprised to see him here, especially since Lilith, his ex, was seated right behind you.
As you listened to Lilith mumble something under her breath, your attention was drawn back to Adam in the audience. He was enthusiastically encouraging others to stand and applaud, and though most remained seated, a few near him joined in. When he called out your name, you waved your hand down at your side, a mix of amusement and exasperation at his antics.
His gesture, though somewhat obnoxious, strangely warmed your heart. Despite his teasing and occasional insensitivity, there was something endearing about Adam's unabashed support. He had come all this way just to see you sing—or at least that's what you hoped. Sure, he might be here for other performers or academic reasons, but the idea that he might have shown up primarily for you filled you with unexpected warmth.
As you processed these conflicting emotions, a sigh escaped your lips. Adam was, in many ways, a complicated presence in your life. His unpredictability, his charm, and yes, his 24/7 dickish behavior kept you on your toes. But underneath it all, there was a connection that you couldn’t deny, something past just irritation.
Fuck.
It's finally a rehearsal where you're called to the stage. The moment you've been waiting for, to step into the character's shoes and bring the scene to life. But for now, you're off to the side, nestled in a comfortable chair, flipping through your script and silently rehearsing your lines. The stage is a hive of activity, filled with the sounds of crew members adjusting lights, actors practicing their entrances and exits, and the director calling out instructions.
Right now, you’re using a facial steamer to help your lungs recover after a night of smoking weed with friends—which, in your opinion, is a good summary of theatre kids. The steamer emits a gentle mist, soothing your throat and helping you clear your lungs for the rigorous rehearsal ahead.
As you look over the steamer, eyeing the lines in your script, you quietly mumble the lines to yourself. Each word feels foreign at first, rolling off your tongue with an unfamiliar cadence. You're determined not to lock in one specific delivery, knowing that variability will keep your performance fresh and dynamic for the show.
You glance up from your script, noting how they’re almost up to your first line. The realization sends a shiver of anticipation down your spine, a delightful excitement curling in your stomach. You’re totally gonna blow the socks off of everyone here.
Speaking of people being here, Adam is in the audience. You aren’t really sure why, considering it’s just a blocking rehearsal. All you know is you'd prefer for him to be literally anywhere else. Ever since you found out you don't hate him as much as you thought you did, you’ve been avoiding the hell out of him.
This strategy has definitely worked against you. Adam probably thinks you're playing mind games with him, ignoring him just to get under his skin. He’s been working hard to try and catch your attention—apparently going as far as to show up to rehearsals. During breaks, you hear him call out to you, likely saying something provocative to get a reaction, but you always turn the other way.
Yes, you feel bad. No, you won’t stop.
The director calls for you, snapping you out of your thoughts. As you flip to the right page in your script, you feel Adam’s eyes boring holes into you from his seat in the audience. You awkwardly clear your throat, doing your best to ignore the sensation of his gaze, and instead focus on preparing for your section of the scene.
The director walks Quinn through Seymour’s blocking for this scene, giving detailed instructions and adjusting positions to ensure everything flows smoothly. You try to stay present, listening closely, but the awareness of Adam’s presence is a persistent distraction.
Finally, the director finishes with Quinn and calls for the two of you to begin. So… you do.
“Oh boy,” Quinn starts, reading the lines off his slightly crumpled page. “Here we go again. Look, I haven't got much left. Just give me a few more days to heal, okay? Then we'll start again on the left hand and—”
“Feed me!” you whine, your voice taking on a pleading, almost desperate tone. It feels good, acting. Not just good, but right. Like stepping into a pair of pajama pants fresh out of the dryer. The warmth of the role envelops you, and the words flow naturally, embodying the character’s urgency and need.
As you continue the scene, there’s a spark of energy between you and Quinn. The two of you effortlessly bounce off each other, each line building on the last, creating a dynamic and engaging interaction. You internally fist pump in victory.
However, you make the mistake of glancing out into the audience and meeting the eye of none other than Adam. Lately, since you’ve been ignoring him, he’s been wearing this resting pouty face that sort of looks like he sucked on a lemon. But not now. Watching the two of you, his eyebrows are raised as if he’s impressed.
You watch as he realizes you're looking back at him, and his expression shifts into something upset. The sudden change throws you off balance, and you stumble over your line. Embarrassed, you quickly avert your eyes to your script, desperately trying to find your place.
Quinn, sensing your struggle, tries his best to help by repeating his line. Your finger traces the lines on the page until you find where you left off. Taking a deep breath, you catch up, delivering your line as if nothing had happened. The brief disruption had felt like an eternity, but you manage to slip back into character, focusing on the scene and Quinn’s supportive presence.
The director, who had been watching closely, gives a small nod of approval as you recover. The scene continues, the rhythm gradually restoring itself.
You’re beating yourself up, disappointed in yourself for getting flustered. You need to get your head in the game–you’re paying a pretty penny to learn how to be the best performer, not whatever that was back there. You need to get it together, unless you want your director to replace you. That thought fills you with fear.
But then your blame shifts to Adam, and that fear transforms into anger, even though it shouldn’t. It’s easier to be angry with Adam than it is to feel the embarrassment and self-doubt that were creeping in.
You clench your fists, letting the anger simmer. It’s a distraction, but one you can channel. You mentally replay the scene, pinpointing where you stumbled and how Adam’s presence threw you off. The frustration fuels a determination to not let it happen again.
So when your director calls for a water break, you gracefully exit from the side stage and make your way towards the audience area. The theater is a hive of activity during the break, with cast and crew members scattered around, discussing scenes in hushed tones. You find your water bottle among the clutter of chairs
Chugging down over half of it in one go, you feel the cool liquid refresh your parched throat. As you lower your bottle and wipe your mouth with the back of your hand, you suddenly come face to face with Adam. He’s standing there, leaning nonchalantly against a nearby chair, a smirk playing at the corner of his lips.
For a moment, you just stare at each other, the air thick with unspoken tension. You resist the urge to say something biting, reminding yourself to stay composed in the professional setting of rehearsal. Instead, you give a curt nod, acknowledging his presence without inviting further conversation.
Adam’s smirk widens slightly, as if he’s enjoying the discomfort he’s causing.
“So, gonna blame me for sabotage with that one, too?” Adam quips, a smirk playing on his lips as he leans closer.
You roll your eyes and turn away, not in the mood for his teasing.
“Hey,” he whines, reaching out to grab your arm, but you pull away, annoyed. “Don’t be like that. I was only joking.”
“Piss off, Adam,” you retort, frustration bubbling up. “I’m trying to memorize my lines.”
“What, are your lines written in your water bottle?”
You glare at him over your shoulder. “Maybe.”
He laughs. “Yeah, you are definitely crazy enough to do that. How about we grab dinner after this and I can help you run lines.” He walks his fingers up your arm slowly. “And then maybe after dinner… we can have dessert…”
You flick his hand away, irritation simmering beneath your glare. His attempt at humor falls flat, and you feel a pang of hurt at how he’s toying with you, even if he doesn’t realize it. “Haha, very funny,” you retort dryly, crossing your arms defensively.
He frowns, but before you can respond, the director calls for places at the top of what you’ve blocked today. You peel yourself away from Adam and head to your seat on the side stage.
With Adam, it feels like one step forward and thirteen steps back.
You were still avoiding Adam, but he finally seemed to take the hint and left you alone. Occasionally, you’d catch him glancing at you from the corner of your eye, but whenever you turned to look, he’d quickly avert his gaze.
Rehearsals had been... okay. No matter how hard you tried and how much effort you put into it, it felt like none of it mattered. You weren't getting Audrey II down, and it was plain frustrating. The other cast members seemed to be finding their grooves, their characters coming to life in ways that left you feeling envious and disheartened. The role you had worked so hard for, the one you were so excited about, seemed to be slipping through your fingers.
You’d run through your lines over and over, trying different inflections, different approaches, but nothing seemed to click. It felt like you were hitting a wall, and every attempt to break through only left you more battered and bruised. The director's notes, meant to be constructive, started to feel like a litany of your failures.
The only thing you could fault was yourself. There were points where you would leave rehearsal in frustrated tears, feeling utterly defeated.
At one point, you had made the mistake of walking past Adam during one of those tearful nights. He stepped in front of you and blocked your path, his presence a sudden and unwelcome barrier. You could feel the heat of your frustration and sadness rising, threatening to boil over. The urge to scream at him, to lay into him and unload all your pent-up emotions, was almost overwhelming. Especially when he was looking at you with eyes full of pity, a look that made your skin crawl.
Instead, you swallowed it down, forcing the words to stay trapped in your throat. The effort it took to hold back was physically painful, like swallowing shards of glass. You clenched your fists, nails biting into your palms, and shoved past him with a force that surprised even you. He let you go, not saying a word, just watching you with that same pitying look that made you want to scream.
Today, though, was going to be a good day. The cast was scheduled to meet the band that would be playing for the show, and you were determined to make the most of it. You had been looking forward to this day, hoping that the energy and enthusiasm of the musicians might reignite your own excitement for the production.
As you arrived at the rehearsal space, you could already hear the faint sounds of instruments being tuned and tested. The anticipation in the air was palpable, and it gave you a much-needed boost. You spotted Sam, one of your acquaintances, setting up their drum kit with a focused expression. When you found out they had volunteered to help out, you had immediately warned them of Adam.
"Where's Adam?" you ask Quinn urgently, scanning the room for any sign of him. The last thing you want is to have driven him away from the show with your own behavior– you’d never forgive yourself.
"Aw, I knew you cared about me."
Startled, you spin around to find Adam standing right behind you. His smirk is evident, and you realize with relief that he hasn't left after all. On his back is an instrument case, not the familiar piano you've grown accustomed to seeing him with.
You purse your lips, still mulling over Adam's earlier comment. This conversation is the most you've engaged with him since that rehearsal.
"I thought you were our pianist," you finally manage to say, trying to sound casual despite the lingering tension between you.
Adam tilts his head, his expression shifting from playful to more serious. "For the extra credit. But piano isn't really my first choice. I learned it for music theory purposes."
Quinn chimes in, always eager to fill the silence. "So if you're not on piano duty for the band..."
Adam readjusts the strap of his instrument case, his grin widening mischievously. "I'm on guitar, obviously," he declares, a hint of pride in his voice.
That… actually makes a lot of sense. He doesn't fit the typical image of a pianist; his personality is more intense and unpredictable. You mentally correct yourself, aware of not stereotyping, but Adam's demeanor aligns more with someone wielding a guitar, ready to bring an edgier vibe to the performances. The image of him strumming away fills your mind, and you find yourself fighting the urge to bite your lip at the thought, because, well, yoohoo! Adam is right there.
Sadai bounds up to the three of you, playfully knocking Quinn on the upside of his head as she enters. Quinn, caught off guard, lets out an unattractive squawk that makes her giggle. Honestly, there’s something there that even you can see. And looking across at Adam, he sees it too.
He opens his mouth to say something, you assume to make a teasing remark on their romantic life, but you instead smack him on his head. Instead of a squawk, he lets out a huff of a laugh. He looks less pissed that you hit him, and more pleased to have your attention.
Out of the corner of your eye, you see Quinn and Sadai share a knowing look. Are you that obvious? Embarrassed, you grab Adam by the sleeve and tug him away. Adam, still preening under the attention no matter how harsh, obediently follows you. Once you’re a reasonable distance away, you remove your grasp and it makes Adam frown.
“Listen. I know you have a big, trashy mouth—”
“You love it,” he interrupts with a grin.
“—And maybe no one has smacked actual sense into you—”
“You have,” he quips again.
“—Stop interrupting,” you glare, cutting him off. “But if you intervene in whatever the two of them have going on, I’ll personally murder you myself. Let them figure it out themselves, without any side comments from you.”
He raises an eyebrow, but mimes zipping up his mouth and throwing away the key.
Your glare is still flat. “Do I make myself clear?”
He points to his still zipped mouth and makes muffled noises. Annoyed, you roll your eyes before digging into your pocket for the key. You pantomime unlocking and unzipping his mouth. “You’re hot when you take charge.”
Exasperated, you lock and zip his mouth again, this time tossing the imaginary key as far as you can. Adam pretends to look shocked, making exaggerated muffled noises between his closed lips. You raise an eyebrow, silently repeating your earlier question. He sighs dramatically, as if accepting defeat, before slowly nodding his head in agreement.
In appreciation, you gently pat his cheek and he leans into it. You quickly redraw your hand, feeling your face burning up, before you march off back to your friends. You see the question on their faces, but they never get the chance to ask because your director is calling for everyone’s attention.
As she talks, you see a clump of music students behind her– Adam and Sam included. Using the basic common sense you sometimes have, you’re able to deduce that this is y’alls band. Despite most likely volunteering for extra credit, they seem excitable. Well, minus Adam, but he doesn’t count.
After introductions, your director has the brilliant idea to let the musicians show off. They set up in the pit, adjusting and tuning their instruments. Although they don’t have their conductor with them, they feel confident enough to perform the title song.
Adam and Sam take their positions, with Adam adjusting his guitar strap with practiced ease while Sam eagerly checks the tuning of their drums. The other musicians, a mix of eager students, also seem ready, their faces showing a combination of nerves and excitement.
As they begin to play the title song of the musical, the auditorium fills with the lively melody. Despite the absence of their conductor, the musicians manage to synchronize well, each instrument blending harmoniously with the others. Adam’s fingers move deftly over the strings of his guitar, adding a distinct flair to the music, while Sam’s drumming provides a steady backbone to the ensemble.
The image of Adam with his guitar has absolutely nothing on the actual sight of it. He looks, for lack of better words, sick as fuck. Incredibly hot. You feel yourself getting hot under the collar the longer you watch him.
His concentration is palpable as he strums the strings, his fingers moving with a practiced grace that speaks of hours spent honing his skill. The way his hair falls across his forehead, the slight furrow of his brow in concentration, and the way he leans into each note—all of it adds to his allure.
You’re really fucked.
Fortunately for you, the band wasn’t called back until the sitzprobe in a week, so Adam was back to playing the role of accompanist. Although you couldn’t wipe the image of him shredding the guitar, at least you weren’t getting distracted at rehearsals.
Considering how close you all were to tech week, rehearsals had been extended an extra few hours. The long hours were grueling, but you pushed through, knowing it was all for the final performance. Today’s run-through was particularly intense, leaving everyone exhausted and hungry.
After rehearsal, someone suggested grabbing dinner together, and the idea was quickly embraced by the group. It seemed like a good way to unwind and bond after a tough day of work. As you gathered your things, you noticed Adam packing up his sheet music, glancing at you every now and then with that familiar smirk.
“Ready to grab some food?” Quinn asked, nudging you gently.
“Yeah, I could eat a horse,” you replied, slinging your bag over your shoulder.
The cast and crew gradually made their way out of the rehearsal space, chatting and laughing about the day’s mishaps and triumphs. You tried to avoid Adam’s gaze, but you could feel him watching you. He was always watching. You wondered what the dinner would be like with him there, knowing his penchant for stirring the pot. But maybe, just maybe, you’d all have a nice, drama-free meal.
For whatever reason, Chili’s had been chosen as the restaurant for the evening, and the thought of their triple dipper had your mouth watering. Quinn had kindly offered to drive, and you gratefully accepted, settling into the passenger seat and buckling up. As Quinn gripped the steering wheel, he paused, not making a move to start the car. Concerned, you turn to him.
“Quinn? You okay there?”
“I have something to admit.” his voice was serious, the most serious you’ve ever heard him. He was avoiding your gaze, and alarms were sounding in your head.
“...Okaaaaay?” you encouraged him to continue.
“I… hm.. I..” he took a deep breath before blurting it out. “I have feelings for Sadai!”
You stared at him… Did he not think you could tell? You had to stop yourself from laughing, as he was obviously distressed. Instead, you placed your hand on his shoulder. “Quinn, dude, I know.”
Quinn's eyes widened in surprise, and his grip on the steering wheel loosened slightly. “You know?”
You nodded, giving his shoulder a reassuring squeeze. “Yeah, it’s pretty obvious. The way you look at her, the way you act around her—it’s clear as day.”
He let out a breath he seemed to have been holding. “I thought I was hiding it well.”
You chuckled softly. “You’re not. And you know what? I think she might feel the same way about you. You should talk to her.”
Quinn finally started the car, a small smile forming on his lips. “Thank god.”
“I’m rootin’ for ya.”
As you drove to Chili’s, you felt a sense of hope for Quinn. Maybe things were finally falling into place for him.
When you arrived at the restaurant, the rest of the cast was already there, chatting and laughing. You spotted Adam at the end of the table, waving you over. At first, you ignored him, glancing around for other open seats. However, it seemed fate was against you, as those were the only two seats open. You sighed, making your way over to him. His smile widened, a mischievous glint in his eyes that you were starting to recognize all too well.
Sadai, who was seated next to him, perked up at the sight of you and Quinn. Or, you know what, maybe just Quinn. He froze up in response, so you pushed him down to sit across from her. You plopped yourself in the seat next to him… which was, of course, across from Adam.
Great.
You took a seat next to Quinn, who was looking more relaxed than you’d seen him in a while. “Feeling better?” you asked.
He nodded, glancing at Sadai who got dragged into a conversation with the group next to her. “Yeah. I think I will talk to her.”
Adam leaned over, grinning. “What’s the gossip?”
“None of your business,” you replied, shoving him away.
“Aw,” he whined. “I was nice enough to save you seats, and this is how you treat me?”
You raise an eyebrow in disbelief. “You saved a seat for me?”
“Yep.” he popped the p. “Had to make sure I had eye candy while I ate.”
Adam’s attempt at humor fell flat, and you found yourself frowning, feeling the familiar urge to shut down again. "Gross," you muttered under your breath, not appreciating his comment.
Despite his usual dense demeanor, Adam seemed to sense he had said the wrong thing, even if he didn’t fully grasp why. His expression shifted, suddenly looking bashful. “Besides, you three are the only people who talk to me here. Theatre kids are very...”
He trailed off, searching for the right word while you waited, arms crossed.
“Clique-y?” you finished for him, understanding all too well the feeling of being an outsider. His admission struck a pang of guilt within you. You realized you had been ignoring him, afraid to confront your own romantic feelings. It hadn’t occurred to you how this might have made Adam feel, especially since apparently you were his only "friends" in the theatre department.
He smiled lightheartedly, clearly not deterred by the topic. “Yeah, that’s the word.”
Quinn awkwardly cleared his throat, and you jumped, realizing you had forgotten he was there. You had gotten a little too wrapped up in your vulnerable conversation with Adam.
“Um, sorry to interrupt,” Quinn said with a hint of amusement, “but can we get back to the menu? I’m starving.”
You blinked, feeling slightly embarrassed by the abrupt shift in focus. “Right, sorry. Food. Yes.”
Adam chuckled softly. “Food sounds good. What’re y’all getting?”
Quinn is the first to respond. “I wanna try their quesadillas.”
You nod. “I want to get the triple dipper, but I’m stuck between getting the mozzarella sticks, or the eggrolls.”
Adam paused, gluing his eyes to his menu as he talked. “Get the eggrolls.”
You sigh, nodding your head in agreement. It did feel strange to be getting along with Adam like friends after all the tension between you. You weren’t sure how to navigate a conversation with him without being rude or defensive. Well, guess you’ll have to learn.
Eventually the waiter makes his way to the end of the table where y’all are sat. Adam is the last to order. As the waiter writes down his food, Adam clears his throat.
“Um,” he glances at you before looking back at the waiter. “Can you also add an order of mozzarella sticks? We’re gonna share,” he gestures to you. “Put it on my tab though.”
Your jaw slightly drops as the waiter scampers off. Apparently Quinn is just as shocked, as he nudges you under the table, out of Adam’s view. At your reaction, Adam becomes defensive. “What?”
His remark catches you off guard, but you resist the urge to retort with something sharp, something that would escalate into banter. Instead, you find yourself smiling genuinely at him, a gesture of gratitude you hadn't anticipated making. It feels different, acknowledging his gesture without a layer of sarcasm or defensiveness.
"Thank you," you say, the words soft but sincere. There's a flicker of surprise in Adam's eyes, quickly replaced by a faint smirk that hints at his usual playful demeanor.
"You're welcome," he replies casually, though his tone holds a hint of something softer beneath the surface.
Quinn, sensing the shift in dynamics, nudges you lightly again under the table, his silent approval evident. You keep your gaze on Adam, meeting his eyes for a brief moment before looking away, the weight of unspoken words lingering between you.
Sadai, unaware of the weird tension, turns to the three of you. “Okay guys, help me out. Is Hamilton technically an opera.”
Quinn guffaws, caught off guard by the question. Or maybe he’s just flustered, you can’t ever be too sure. Adam just narrows his brows.
You, on the other hand, nod your head. “It’s a rap opera– it’s completely sung through. Just like how Rent is a rock opera. Duh.”
“Thank you!” Sadai exclaims, clearly relieved to have you on her side. “They’re trying to tell me I’m wrong!”
She turns back to her group, her expression a mix of concentration and amusement as she engages in the lively debate. You and Quinn exchange a glance, silently observing the group.
Suddenly, a light tap on your head breaks your focus. You instinctively turn, catching sight of Adam across the table. He sits with a mischievous grin, busily rolling up straw wrappers into small projectiles. With practiced precision, he flicks them in your direction, each one landing with a gentle thud against your shoulder or bouncing off your arm.
You deftly dodge one of the trash balls, your reflexes kicking in as you narrowly avoid being hit again. "How did you even get those?" you ask incredulously, amusement dancing in your eyes despite the slight annoyance.
"I asked for a bunch before you got here," he replies nonchalantly, launching another wrapper ball in your direction. This time, it catches you off guard and smacks you square in the nose, prompting an involuntary grumble and a playful pout.
Before you can retaliate, another wrapper ball grazes your arm. Determined not to be outdone, you swiftly grab one from the table and send it sailing back towards Adam with a flick of your wrist. The small projectile arcs through the air, landing neatly in his lap with a satisfying thud.
Adam chuckles "Nice shot,"
You smile, finding yourself surprisingly enjoying the playful banter with Adam. Despite his occasional crudeness, his sense of fun is infectious. As you glance over at Sadai and Quinn engrossed in their conversation, a smirk tugs at your lips. It seems Adam has noticed too, his sly expression indicating he's been watching your reactions closely.
With a casual flick of his fingers, Adam pulls out his phone and swiftly types a message before sliding it across the table to you. You pick it up and read the screen.
‘Are they together now or what?’
You slide his phone back, shaking your head. "You're such a gossip, Adam."
He pretends to look offended. "Hey, curiosity killed the cat– but satisfaction brought it back."
As the waiter sets down the plate of mozzarella sticks between you, you and Adam both reach for one almost simultaneously. He's quick to grab one, popping it into his mouth with a satisfied crunch. Following suit, you dip yours into the marinara sauce before taking a bite, savoring the gooey cheese and crispy coating.
Mid-chew, you notice Adam staring at you with a peculiar expression. You tilt your head in silent question, wondering what has caught his attention. Without warning, he leans forward, and you freeze, unsure of his intentions. His hand gently cups your chin, and with a surprising tenderness, he uses his finger to swipe at the corner of your mouth, where a smear of marinara sauce has escaped your notice.
The brief touch feels oddly intimate.
All too soon, he leans back to his seat, bringing his hand with him.
"You had sauce there," Adam says with a smirk.
Is…
Is he flirting…?
The realization sends a thrill through you.
The rest of dinner goes on without a hitch. You and Adam keep flirting– at least you think so. But based on how Quinn keeps sending you looks, you’d say you weren’t wrong. However, with all the water you’ve chugged, you get up to use the restroom. Quinn, probably determined to talk to you about Adam, practically leaps up from his chair, offering to join you.
You accept.
As you make your way to the restroom with Quinn trailing behind, you notice him shooting furtive glances back at the table where Adam sits. The restaurant's ambiance wraps around you, filled with muted conversations and the clinking of cutlery. Quinn waits until you're both out of earshot from the table before he speaks up.
"So, what's going on with you and Adam?" Quinn asks, his voice low but filled with curiosity.
You pause, considering how much you want to share. Quinn has been your friend for a while now, always there with a supportive shoulder or a witty remark when needed. "I don't know," you finally admit, trying to sort through your own thoughts. "It's... complicated."
Quinn raises an eyebrow, his expression a mix of amusement and concern. "Complicated how?"
"I used to really dislike him," you begin, your words slow and thoughtful. "But lately, things have been different. He's been... different. I guess I've been different too."
Quinn nods, understanding dawning on his face. "So, are you saying there's something between you two now?"
You hesitate, unsure of how to answer. "I honestly don't know, Quinn. Sometimes it feels like we're on the same wavelength, and other times..." You trail off, not wanting to voice your uncertainty aloud.
He nods again, his gaze thoughtful. "Well, just be careful," Quinn advises gently. "You know Adam can be unpredictable."
You sigh, feeling the weight of his words. "I know. That's what makes this all so confusing."
Quinn gives you a reassuring smile. "Just take it slow, okay? Figure out what you really want and go from there."
"Thanks, Quinn," you say sincerely, grateful for his support.
You step into the restroom, taking a moment to freshen up before heading back out to join Quinn. There's a smile on your face, anticipation building as you look forward to rejoining Adam and continuing the lively atmosphere at the table. As you walk back towards your group, you feel a rush of excitement.
However, as you approach the table where everyone is seated, you suddenly come to a halt.
You freeze in your tracks, feeling a knot tighten in your stomach as you watch Adam leaning in close to Sadai, his fingers toying with her braids. The sight hits you like a punch to the gut, shattering the good mood you had moments ago. For a split second, you feel a surge of anger and betrayal, mixed with a pang of hurt that catches you off guard.
Quinn notices your sudden change in demeanor and follows your gaze to Adam and Sadai. He frowns, sensing the tension in the air. "Hey," he murmurs softly, touching your arm gently. "Are you okay?"
You swallow hard, trying to push down the swirling emotions threatening to overwhelm you. "I... I don't know," you manage to reply, your voice wavering slightly. “Are you?”
Adam and Sadai seem engrossed in their conversation, oblivious to your presence. The image of Adam flirting with Sadai stings, igniting a mixture of jealousy and frustration within you. You had started to feel a connection with Adam, and now it feels like a slap in the face to see him cozying up to someone else so effortlessly.
“Not really.”
You stand there, frozen in place, as Adam and Sadai continue their animated conversation, completely absorbed in each other's company. Quinn's quiet admission hangs in the air, echoing in your mind as you watch Sadai laugh at something Adam says, playfully smacking his arm. The joy on Adam's face is unmistakable, and in that moment, it feels like a dagger to your heart.
A rush of emotions floods through you—embarrassment, disappointment, and a profound sense of being utterly foolish. You had allowed yourself to get swept up in the playful flirtation with Adam, only to realize now that his attention has shifted elsewhere, toward Sadai. The bile rises in your throat, a bitter taste of rejection and self-doubt washing over you.
You glance at Quinn, who meets your gaze with a sympathetic look, understanding the turmoil churning within you. The urge to turn and walk away tugs at you, to escape this painfully awkward moment. But you stand rooted to the spot, grappling with your emotions and trying to compose yourself.
Taking a deep breath to steady yourself, you reach into your wallet, determined to handle the situation with dignity. Beside you, Quinn does the same, silently acknowledging the need to gracefully exit from what has become an uncomfortable scenario. Together, you count out enough money to cover your meals and leave a generous tip—a gesture of gratitude for feeding the group of loud theatre kids.
With a sense of numb resolve, you make your way back to the table, each step feeling heavier than the last. You avoid making eye contact with Adam and Sadai, focusing instead on the task at hand—settling the bill and preparing to leave. The once vibrant atmosphere around the table now feels tinged with an awkward tension, and you silently curse yourself for letting your emotions get the better of you.
As you approach, you set the money down on the table without a word, your movements deliberate yet distant. Quinn follows suit, his expression mirroring your own subdued demeanor.
As Sadai and Adam remain engrossed in their… position, seemingly oblivious to your departure looming nearby, Adam's intermittent glances in your direction don't go unnoticed.
You instinctively turn away, shielding your face from view, determined to conceal the raw emotion threatening to spill over. You muster a smile as you bid goodbye to the rest of the group.
As you and Quinn make your way out of the restaurant, you're caught in a whirlwind of emotions, trying to maintain your composure despite the disappointment weighing heavily on your heart. As you exit, you catch a glimpse of Adam's face, and for a fleeting moment, you swear you see a frown etched across his features. It's a look of disappointment, unmistakable in its fleeting intensity. Despite your efforts to avoid his gaze, his reaction doesn't escape your notice.
The next day brings rehearsal, a welcome distraction from the previous evening's emotional upheaval. You find it easy to avoid Adam; he's at the piano, absorbed in his music, while you remain backstage, clutching your microphone. The distance between you feels like a necessary buffer, allowing you to focus on your part without the complication of seeing him.
You can't help but feel for Quinn, though. He has the unfortunate task of performing a scene that requires him to make out violently with Sadai. This scene had always been your go-to for teasing him, but now the dynamics have shifted. Quinn is doing his best to avoid her backstage, and you choose to keep your observations to yourself, respecting his discomfort.
As you sit there, the quiet moments between cues offer too much space for your thoughts to wander. Each time you think of Sadai, your mind inevitably drifts to her interaction with Adam from the previous night. The memory stirs a sickening emotion within you, a queasy sensation that threatens to unsettle your stomach. The vivid recollection of their interaction gnaws at you, bringing back the bile that rose in your throat.
Your director calls for a water break, and you can't help but watch as Adam immediately stands up. He scans the room, his eyes moving through the various clumps of people, clearly searching for someone—likely you. When he doesn't find what he's looking for, he bangs a fist on the piano in frustration, a gesture that sends a jolt of mixed emotions through you.
As you're absorbed in observing Adam, a sudden presence at your side startles you. You spin around quickly, a small squeal escaping your lips as you come face-to-face with your director. The surprise causes your heart to race, and you notice out of the corner of your eye that Adam's attention has snapped in your direction. Thankfully your director is straight to business… well, once she’s done laughing.
“Sorry, sorry,” she says, wiping away a stray tear from laughing too hard. “I just came to tell you that your puppet is finished. Want to come look at it?”
You nod eagerly, feeling a spark of excitement light up within you. The emotional turmoil from moments before takes a backseat as anticipation takes over. You follow her backstage and into the workshop, your steps quickening with each stride.
As you enter the workshop, your eyes widen in amazement. The puppet, which had only been a concept in your mind and a sketch on paper, now stands before you in all its detailed glory. It's even more impressive than you imagined. Every joint, every feature, every piece of fabric and paint has been meticulously crafted.
"Woah," you breathe, stepping closer to inspect it.
The puppet was a mesmerizing blend of alien grotesquery and organic menace. Standing as the largest iteration of Audrey II, its slender frame defied your expectations, draped in sickly pink with accents of puke yellow that sent a shiver down your spine. The puppet's design looked like it was inspired by a Venus flytrap, with a face that opens like the petal-like maw of a demogorgon.
In other words, it’s sick as fuck.
“Go on ahead, you can touch it.” Your director gives you permission.
Giggling eagerly, you carefully lift one of the plant's roots. To your surprise, it's heavier than expected, its weight adding to the puppet's realistic feel.
You playfully make the root squirm in your hands, marveling at how lifelike the puppet is even in its stationary state. The texture is smooth yet strangely slippery, reminiscent of a reptile's scales. As you manipulate the root, you can’t help but continue to laugh in awe.
“Be careful though,” your director warns. “It’s not completely finished, so it’s easy to tear.”
You nod obediently at your director's warning, fully aware of the delicate craftsmanship that went into creating Audrey II. With careful hands, you gently place the root back onto the workshop's table, ensuring it rests securely.
As you do so, a sense of fondness washes over you. You pat the root gently once, twice. "Goodbye, Audrey II," you murmur softly, your voice filled with a weird mix of affection.
Your director smiles warmly at your gesture, appreciating your connection with the puppet. "You're going to bring it to life on stage," she says encouragingly, her confidence in you evident.
As the rest of rehearsal proceeds smoothly, you notice Quinn standing by the piano, deep in discussion with Adam, probably about the timing in the music. From the subtle shifts in Quinn's demeanor and the tension in Adam's posture, it's clear that the atmosphere between them is strained.
Taking a deep breath, you decide to suck it up like a big boy and offer Quinn some support. Swallowing any residual discomfort, you make your way over to where they're standing, determined to ease the awkwardness if only for a moment.
"Hey, Quinn," you greet him warmly as you approach, flashing a genuine smile that belies the effort it takes to maintain composure. You deliberately avoid making eye contact with Adam, focusing your attention solely on Quinn.
Quinn's relief is palpable as he meets your gaze, a faint smile of gratitude tugging at his lips. "Hey," he responds, his voice carrying a hint of appreciation.
"Have you seen my Audrey II puppet yet?"
Quinn glances at you, a flicker of interest crossing his face. "Oh, did they finally finish it?"
"Yeah, sorta! I was just heading to go look at it again now. Wanna come with?" you offer, hoping to include him in something that might lift his spirits.
He grimaces slightly, apologetically meeting your gaze. "I would, but I HAVE to run through my lines. Sorry, dude.”
"No big!" you reply with a casual shrug, trying to keep the atmosphere light.
“I want to.” Both you and Quinn swivel your heads to Adam. His tone carries a hint of annoyance, likely catching on to the fact that you've been pointedly avoiding him.
“You want to…?” you ask cautiously, unsure of his sudden interest.
“Look. I want to look at the puppet.” Adam interrupts, standing from the piano stool and closing his binder of sheet music. His abruptness catches you off guard, and you awkwardly laugh, glancing over at Quinn for his reaction.
"Are you sure you don’t want to join us?" you hastily interject, silently pleading with Quinn not to leave you alone with Adam.
“Oh uhhhhh yeah sure! Why not! In fact, let’s get the whole cast to come and look!” Quinn exclaims enthusiastically, seizing the opportunity to divert attention away from any potential awkwardness. His declaration gathers the attention of the entire cast, who readily agree to join in.
Grateful for the distraction, you lead the way to the workshop, guiding everyone towards Audrey II. As the group gathers around the puppet, curiosity and excitement fill the air. Conversations bubble up among the cast members, sharing their thoughts and impressions of the intricate design.
When one of your castmates reaches out to touch the puppet, you instinctively slap their hand away. “Don’t touch it— it’s still fragile,” you caution, a hint of protectiveness in your voice.
Out of the corner of your eye, you catch Adam raising a brow as your castmate apologizes and joins the rest of the crowd to ogle at Audrey II.
After a few minutes of everyone marveling at Audrey II, they begin to file out of the workshop one by one. You watch the group gradually disperse, feeling a mix of relief and lingering excitement from the shared experience.
Turning back for one last look at Audrey II, you take a moment to soak in the puppet's eerie beauty and the significance it holds for the upcoming production. As you start to turn away, ready to join the others, your heart skips a beat and you clutch your shirt, a startled shriek escaping your lips.
Adam is still there.
His presence catches you completely off guard, the sudden realization causing a jolt of embarrassment to course through you. You hadn't noticed him lingering behind, and now he stands alone in the workshop, observing Audrey II with a thoughtful expression.
You could've sworn Adam had exited with the rest of the group, but there he stands, still in the workshop. Your attempt at a polite smile falters as you realize he’s holding one of the puppet’s roots.
"Adam, put that down," you warn firmly.
"Why should I?" Adam retorts, a playful glint in his eyes as he continues to hold onto Audrey II's root.
"It's not yours," you state matter-of-factly, trying to maintain your composure despite the frustration creeping in.
"Technically not yours either," Adam teases, a smirk playing on his lips.
You bristle at his response, the playful banter hitting a nerve. "It's my character.”
"And yet you don't move the puppets even once.”
"Adam," you warn, your patience wearing thin.
"Baby,"
You huff in frustration. "I'm not going to be nice about it."
"You never are.”
"Put. It. Down," you grit through your teeth. "Adam!"
He moves it again, and this time, you hear a faint tearing sound. Your heart sinks as you see the seam start to pull taut.
"Adam!!" you practically shout, urgency in your voice now.
Finally, Adam looks up, his expression shifting from casual amusement to concern as he realizes what he's done. The tear in the puppet's root is evident, a small but significant damage that threatens its fragile structure.
"Oh, shit," Adam mutters under his breath, his eyes widening in realization.
You stand there, a mix of anger and disappointment washing over you. "Adam, please put it down—" you start to say again, but it's too late.
Rrrrrrrip! The tear worsens, the fabric giving way under the strain. You wince at the sound, knowing the damage is done. You both stare in shock as the root rips from the body of Audrey II. Adam jumps, his hands instinctively letting go of the root, which drops to the floor with a soft thud. Your heart sinks as you quickly bend down to retrieve it, hugging the damaged puppet piece protectively against your chest.
The workshop falls silent, the weight of the moment hanging heavily in the air. You shoot Adam an angry glare, your eyes flashing with a mix of frustration and disappointment. His usual nonchalant attitude falters under your gaze, and for once, he seems genuinely remorseful.
"I didn’t know it was gonna do that!" Adam exclaims, his voice tinged with a hint of desperation as he tries to justify his actions.
Still, you say nothing, your focus solely on assessing the damage to the puppet. The torn fabric and strained seam speak louder than Adam's words.
"Seriously, I didn’t know!" Adam insists, his tone pleading now, seeking validation or perhaps forgiveness.
Silence greets him once more, your expression unreadable as you continue to inspect Audrey II's damaged root.
Adam's nervousness grows palpable. "Really, if it was going to be that fragile, then it totally would’ve ripped on stage!!" he continues, his voice rising slightly in frustration.
But still, you offer no response.
"Why won’t you respond? Say something!" Adam finally demands, his patience wearing thin.
“Why do you have to be such a dick?!”
Adam flinches visibly at your outburst. His expression shifts from defensiveness to a mix of surprise and guilt
“Seriously, you complain and whine about how no one wants to be your friend here, but then you go around and act like this!” Your throat hurts. “Do you have no common sense? No respect for other people? This isn’t some show, Adam, this is my future!”
Adam's tense and nervous laughter only serves to fuel your frustration, his dismissive response hitting a nerve as you confront him with the seriousness of the situation.
"I'm not joking," you assert firmly, your voice edged with determination. "This is my first chance at a lead. If I don't do well now, my director won't consider me for other roles. And without that experience, I'll have nothing to show for when I enter the real world. It's my dream, Adam, and it means everything to me."
"Baby," Adam begins, attempting to placate you, but you cut him off sharply. “I think you’re being a bit overdramatic–”
"Don't tell me how to react!" you snap, your anger bubbling to the surface. "You're such an asshole!!"
"Why? All I did was fuck with a puppet!" Adam retorts defensively, his frustration mirroring yours.
"And then you went behind Quinn's back and flirted with Sadai," you say, your voice cracking slightly with emotion. The reminder of his betrayal overwhelms any lingering anger.
Adam cringes visibly. "I wasn't flirting—" he starts to defend himself, but you’re quick to cut him off.
"Adam," you interject.
"Okay, fine!" Adam admits, his voice tinged with remorse. "I was, but not for the reason you think!"
You meet his gaze, your eyes searching his for an explanation. "Then why?" you ask quietly,
"Jealousy is a very powerful emotion—" Adam starts, but you cut him off, unable to contain your incredulity.
"—you flirted with Sadai to make Quinn jealous?"
Adam hesitates for a moment before nodding reluctantly. "Well, I mean, something like that."
"What the fuck," you exclaim, your frustration boiling over. "You manipulative asshole."
Adam winces at your words, his usual bravado crumbling under your righteous anger. "Sadai was in on it!!!" he blurts out defensively. "We were just hoping that... he'd… make a move on her."
"Because he was jealous," you conclude bitterly, the pieces falling into place.
"Yes," Adam confirms, his voice quieter now, his gaze shifting uncomfortably.
"Well, good luck with that now! Now he thinks he has no chance, so he’s not interested anymore. And I can’t say I blame him," you say, your voice tinged with resignation.
Adam's gaze remains steady on you, his expression unreadable as he waits for your response.
"Are you?" he asks gently, much softer than before.
What?
"Am I..." you repeat softly, the question lingering in the air.
"Not interested anymore?"
You feel a lump form in your throat as Adam's gaze lingers on you, his silence echoing loudly in the workshop. The vulnerability of the moment washes over you, leaving you feeling exposed and uncertain.
"In Quinn?" you ask again, your voice barely above a whisper, hoping for clarity amidst the swirling emotions.
Adam's expression remains unreadable, his eyes searching your face as if weighing his words carefully. He doesn't respond immediately, the tension between you palpable.
"No," he finally answers softly, his voice steady but devoid of further explanation.
Your heart sinks slightly at his cryptic response, the lack of elaboration leaving you with more questions than answers. You struggle to maintain composure, your mouth dry as you attempt to process his words and the unspoken implications behind them.
You're very careful with your words. "If I were in Quinn’s shoes, I wouldn’t be.”
Adam sniffs softly, his eyes momentarily flickering away before locking onto yours again. He seems to choose his next words carefully, his demeanor serious yet contemplative.
"Okay. So you’re in Quinn’s shoes and you’re mad at Sadai. What now?" Adam asks.
"I wait for an apology," you reply firmly, your voice gaining strength as you articulate your stance.
"An apology? That’s it?" Adam questions, his brow furrowing slightly in apparent skepticism.
"No, that’s not it," you clarify, meeting his gaze unwaveringly. "But it’s the first step."
Adam purses his lips. "Okay, she apologizes to you. Now what?"
You shrug. "I don’t know.”
"The fuck you mean you don’t know?" Adam exclaims, his frustration escalating.
"Adam.”
“You’re right, you’re right. Whatever. So what, should Sadai just go up to Quinn and apologize? What if she’s not sorry?”
"Then she better not talk to him until she is," you assert firmly.
Adam frowns, his expression troubled as he considers your response. "What if Quinn doesn’t forgive her?" he asks, his voice tinged with concern.
"Then Sadai better respect that.”
"And what if it kills Sadai that she won’t have Quinn in her life anymore, if he doesn’t forgive her. What if that’s too big a risk to take— to apologize and find out."
You can't decipher if Adam is speaking from a hypothetical standpoint or if there's a deeper personal resonance behind his questions. Nonetheless, you stand firm in your belief, doubling down on your stance with resolve.
“At least then she’d know.”
Adam nods slowly in agreement, his expression thoughtful as he processes your words. "Right," he acknowledges, his voice subdued.
You stare at him, waiting for an apology that never comes. The silence stretches between you, filled with unspoken expectations and unaddressed emotions. When it becomes apparent that Adam isn’t going to apologize, you sigh deeply, the disappointment evident in your voice.
"Alright Adam, time for you to get out of here," you say with resignation, firmness creeping into your tone.
"But—" Adam starts to protest, his voice tinged with uncertainty.
"Just go, Adam," you interrupt, cutting him off before he can say more. "I’ll see you in class."
"C'mon baby—" Adam tries again, a hint of pleading in his voice.
"Goodbye.”
As Adam begins to muster a response, he catches sight of tears welling up in the corners of your eyes. The defiance in him wavers, replaced by a sudden deflation. Adam nods silently, his resolve faltering. Without further words, he turns and exits the room, leaving you to grapple with the aftermath of your exchange.
You’re left still hugging that damn puppet’s root to your chest. Holding it tight makes your heart hurt a little bit less.
After ballet class, you find yourself lingering with a mix of emotions. Adam's absence didn't go unnoticed, and while a part of you is concerned, you're also determined to convince yourself not to care. Getting over a crush is never easy, and you're trying your best to stay focused.
Class was fine. The familiar routines and movements provided a welcome distraction, allowing you to immerse yourself in the physicality of dance. Your muscles ache in that satisfying way that signals a good workout, and your mind feels clearer, if only for a little while.
The sight of Adam waiting outside the dance class catches you off guard. He's sitting on one of the benches, his head buried in one of his hands. At the sound of the door opening, he jumps up, his posture stiff with tension. You watch, puzzled, as he nervously gulps and reveals a bouquet of flowers from behind his back.
For a moment, you just stand there, frozen. The confusion must be evident on your face because Adam's expression shifts from nervousness to something resembling desperation.
"Um, you're late to class," you say dumbly. Of course he knows that.
He glances at the clock. "Yeah, I was waiting for it to be over."
"Why weren’t you here?" you ask, still trying to wrap your head around the situation.
"I wanted to talk to you.”
You glance behind you to see more of your classmates piling out. Contemplating, you bite your lip. “Can it wait?”
“Oh, oh yeah, no, totally, that’s fine,” he stammers, his nervousness evident in the way he shifts on his feet. He passes you the flowers and you take them, cradling them to your chest.
“Okay,” you say, feeling the weight of the bouquet in your hands.
You awkwardly snap your mouth closed and wait for everyone to leave. Ms. Nicole is the last one out. She notices you, Adam, and the bouquet in your hands. She coos, her eyes twinkling with a knowing smile.
“Aww, you two look adorable. Have a good evening, okay?” she says, waving as she exits.
You offer a tight-lipped smile, feeling a flush of embarrassment rise to your cheeks. “Thanks, Ms. Nicole. See you tomorrow.”
As the door closes behind her, you and Adam are left alone in the now-quiet hallway. The silence is thick with unspoken words, and you shift uncomfortably.
“So…”
You click your tongue. "So..."
"Uh, listen." He finally looks at you. "I'm not good at apologizing—"
"Yeah, I can tell."
His eyes narrow at your interruption, but you remain firm. He hurt you, whether he meant to or not, and you're willing to hear him out, but you won't make it easy for him. "I'm trying here."
“Yeah?” you ask. “Well, try harder.”
He pinches the bridge of his nose, clearly frustrated but determined. “I’m sorry for messing with your puppet.”
“And?” you prompt, raising an eyebrow.
He grumbles, his voice dropping. “I’m sorry for flirting with Sadai.”
You nod your head slowly. “Okay.”
“Okay. So we’re good?” he asks, hope in his eyes.
You laugh, but it’s a bitter sound. “Fuck no. You were a dick.”
He winces. “I know, I know. But I apologized—”
“You tore my puppet after I told you to put it down. Who do you think got in trouble for that? Not you. And then you go behind our friend’s back and try to make him jealous. You didn’t even get anything out of it!”
“He wasn’t the only one we were trying to make jealous!” Adam blurts out, eyes widening as if he didn’t mean to announce that.
You don’t stop to think of the implications, your anger flaring again. “Right, because that makes it much, much better.”
“Well, I already apologized!”
“I know.”
“So, I’m forgiven?” he asks, hopeful.
“No,” you reply firmly.
“Cut me some slack here!” he begs.
“I have been. For a long time,” you respond, your patience wearing thin.
“I even got you flowers! I never get any bitch flowers!”
Your eye twitches. “Try again.”
He takes a deep breath, realizing his mistake. “I never get anyone flowers. I promise, I’m really trying here.”
“Trying what? Because you’re certainly not trying to apologize. You’re just saying the words.”
He groans, exasperated. “I’m trying to confess to you, alright! I’d like to take you out, but I can’t do that if you’re mad at me!”
You stare at him, the anger quickly being replaced by a deep sense of disappointment. “…so you’re only apologizing so I’ll go out with you.” It’s not a question.
Adam is silent, the guilt evident in his eyes. He opens his mouth to speak, but no words come out. He realizes how hollow his apology now sounds.
You sigh, continuing. “Listen, Adam, you’re a dick. But you can be real sweet when you try. Being around you can be a whole lot of fun, when you’re not being a little shit. I like you a lot too, Adam.”
He perks up, hope lighting up his eyes.
“—but I can’t go out with you.”
His face falls, the hope extinguished as quickly as it appeared. “Why not?”
“You’re not boyfriend material. You’re real rough around the edges.”
He looks desperate, pleading almost. “You can help with that!”
"Adam, I'm not going to fix you. You need to fix yourself before we even consider going out. And that starts with a proper apology. A meaningful one, not just because you want me to forgive you."
For once, he shuts up and nods. "Okay. I'm sorry."
"Nice try. I'll give you some time," you reply firmly, holding your ground.
Adam looks at you, seeming to understand the gravity of what you're asking for. He nods again, more earnestly this time. "I'll do better. I promise."
You give him a small, cautious smile. "I hope so, Adam."
With that, you turn and walk away, leaving him to contemplate his actions and words. It's a step forward, albeit a small one, and you're hopeful that he'll take the time to reflect and make the changes necessary. For now, you're content to wait and see what happens next.
The next day at rehearsal, when you walk in, Adam waves at you from a distance. You appreciate the space he's giving you; being around him still leaves your head spinning. The rehearsal proceeds smoothly, with everyone focused on their roles and scenes.
As you go through the routines and lines, you find yourself immersed in the production, trying to put the recent events with Adam aside. Your performance is your focus now, and you're determined to give it your best despite the distractions.
During breaks, you catch glimpses of Adam occasionally glancing your way, but he doesn't approach you. Part of you wonders if he's taking your words to heart and giving you the space you need. It's a relief in some ways, but also leaves you with a lingering sense of uncertainty about where things stand between you.
It’s finally sitzprobe time, which means it’s the first time the cast gets to sing along with the band, and not just Adam’s accompaniment. Usually, you’d be a bit nervous about rehearsing with Adam, but he’s been surprisingly respectful with your distance.
That, you’re incredibly grateful for, as opening night looming closer and closer, you haven’t had time to think about romance or drama or whatever. Your free time has been spent going over lines, rehearsing your music, and stressing over this show. Basically, your life is now revolving around your production of Little Shop.
You wouldn’t have it any other way.
You were all herded into the music room, music stands holding binders– or for the less prepared, loose papers. The actors were pushed to the back of the area to make room for the band’s equipment.
You flip through your binder, mentally going over your music in your head. The sitzprobe was to start in a few minutes, so you were making sure to have everything down. Since you were just singing along with the band, you didn’t need to worry about lines or blocking– just your music.
As the band fine-tunes their equipment, the room is filled with a low hum of anticipation. Adam, with his guitar perched on his thigh, looks focused as he adjusts his amp chord. The heat and the crowded space have left a sheen of sweat on his forehead, causing his messy hair to stick to his skin. You catch yourself biting your lip at the sight, your mind momentarily drifting despite your best efforts to stay focused on the rehearsal.
When he meets your eye– because of course he would– you almost look away. But you don’t. Instead, you hold his gaze, feeling bold. He stares back. From your side, you hear Quinn call your name.
“Do you have a spare pencil?”
You look over to see Quinn’s backpack completely turned inside out in search of a pencil. You laugh before handing him one of your extras. You nod at his quick and embarrassed “thanks” before looking back to adam–
–Who is still watching you.
You feel yourself blushing under his warm gaze, your cheeks tinged with a faint pink hue. Despite your shyness, you manage to muster a timid smile. His response is a surprisingly sweet smile that melts your nerves and sends a flutter through your heart.
This time, it's he who breaks the gaze, turning away to start tuning his guitar. Each testing strum reverberates loudly through his amp, filling the room with its vibrant sound. With every chord he adjusts, you feel yourself grow more and more hot under the collar.
So he looks sexy playing guitar– go fuck yourself!
When it’s time for the sitzprobe to actually start, you almost miss your cue, too distracted watching Adam. He’s completely focused on his guitar, and you’re completely focused on him. Can you blame yourself, though?
Eventually, it's your turn to sing, and you hear the familiar notes creeping in. Taking a deep breath, you belt out the song with all your heart. A smile spreads across your face as you feel the electric guitar blending beautifully with your voice.
Before you knew it, tech week had sneaked up on you. With opening night just around the corner, the days leading up to it were a whirlwind of adding the finishing touches—adjusting lights, fine-tuning sound levels, and perfecting costumes down to every last detail.
Today's agenda had been slated for running through lighting cues and honing the synchronization between your voice and the Audrey II puppet; You were eager to finally meet the puppeteer who would bring your character to life. However, upon meeting her, despite her incredible talents, it didn’t seem like she wanted to be there very much. Or maybe that was just her serious RBF. So instead, you spent your breaks avoiding her.
Since today was focused solely on lights, the band wasn't called in. Despite your best efforts to downplay it, you couldn't shake the disappointment that settled in. After the last sitzprobe, you had been eagerly anticipating another chance to watch Adam shred his guitar. The thought of his skilled fingers dancing over the strings made your mouth water.
Not that you’d admit it, though.
After checking in with the stage manager to confirm your attendance, you heaved your monster-sized duffel bag towards the dressing room. The door protested with a loud squeal as you pushed it open, prompting a wince from you. However, your expression quickly turned into a wide grin when you realized you had the dressing room all to yourself for now. It was a rare moment of tranquility before the whirlwind of preparations began—a brief calm before the storm of tech week.
As you approach your designated spot at the mirrors, you're taken aback by what you find. Sitting neatly on your seat is a fresh bottle of water and a thermos. Intrigued and slightly skeptical, you twist open the thermos lid and bring it close to your nose, taking a cautious sniff. A smile spreads across your face when you recognize the familiar scent of throat coat tea. Score!
You hesitate, momentarily questioning if you should be tampering with these items, worried they might have been placed at your station by mistake. Yet, your curiosity gets the better of you when you notice a card tucked behind the water bottle. With cautious fingers, you pick it up, finding your name neatly written on the back. Perplexed, you carefully tear open the envelope and pull out the card.
"Break a leg. Or whatever the fuck you say. This isn't an apology. Not yet. You deserve something better than a card."
You notice a few lines that have been crossed out, suggesting some hesitation or revision. But at the end, it's signed with a heart—
"Adam"
Giddy butterflies fluttered in your stomach, and this time, instead of brushing them aside, you allowed yourself to revel in the sensation of hope and happiness. It felt absolutely wonderful.
You opened the thermos once more, letting the comforting scent of throat coat tea waft out, and took your first sip. The warm, soothing liquid eased your nerves as you continued to prepare for rehearsal. You carried the thermos with you out onto the stage, still taking generous sips. .
Mid-sip, you choke slightly as your eyes meet Adam's in the audience. There's a moment of surprise, followed by a rush of warmth when you see the pleased—no, relieved—expression on his face as he notices you enjoying his gift. With the hopeful butterflies still fluttering in your stomach, you can't help but smile and wave in his direction, a silent acknowledgment of gratitude.
He blinks in surprise before a warm smile spreads across his face, and he waves back. It becomes clear that seeing you enjoy his gesture was his sole purpose for being here today. With a practiced casualness, he slips his hands into his pockets and begins to make his way towards the exit. For once, you’re the one watching him go.
You totally look at his butt while he walks.
The past two days of tech week had been long and grueling, each hour stretching into what felt like an eternity. Yet, somehow, you managed to push through, thanks in large part to an alarming abundance of energy drinks. Who could blame you, though? The relentless schedule demanded it.
You'd developed a strategic habit of stashing energy drinks in every conceivable spot—your bag, your dorm room, and especially your dressing room. This way, no matter where you were, a quick jolt of caffeine was always within arm's reach.
Today, as you arrived at rehearsal, you polished off yet another can and felt the familiar pang of needing a refill. Without a second thought, you made a beeline for the dressing room, determined to grab another energy drink before diving back into the demanding pace of tech week.
Now that the lights and sounds had been meticulously carved out, the band was invited back today to perform with everyone. You had already run through the show once, which meant it was now time for a break before notes and then another run-through.
You felt a wave of relief wash over you at the thought of a second run-through. The first one hadn't been your best, and you couldn’t help but replay every minor mistake in your mind. Although you knew you were your own harshest critic, you couldn't shake the desire for perfection. This show was important to you, and you desperately needed it to go well.
You finally reached the dressing room door, grateful for a moment of solitude. Everyone else was taking their water break and snacking in the lobby, leaving you the dressing room all to yourself, which you always appreciated. The quiet space provided a welcome respite from the chaos outside.
Plopping yourself down in your seat, you rummaged through your belongings in search of another energy drink. When your fingers finally closed around the familiar can (thank god), you quickly pushed on the tab to open it, savoring the crisp sound of the release. Without hesitation, you took a big gulp, feeling the rush of caffeine invigorate your senses.
Suddenly, as you were wiping your mouth on your shirt sleeve, a knock echoed through the dressing room door. Rolling your eyes, you assumed it was someone from the neighboring dressing room, probably looking for more hairspray or some other last-minute item.
However, what greeted you when you swung open the door was entirely unexpected. Instead of a fellow cast member, you found yourself face-to-face with a gigantic piece of poster paper. It took a moment for your eyes to adjust and process the sight in front of you.
"Pretend it's your director," the poster read in bold, messy letters.
"Um," you muttered, looking around in confusion. "I'm the only one in here..."
Before you could make sense of it, Adam's head popped up from behind the poster board. Of course—it had to be him. He looked absolutely giddy, a mischievous grin spreading across his face as he took in your bewildered expression.
“At least pretend,” he playfully pouts, his eyes twinkling. It's surprising to see him in such a good mood.
“Okay, okay,” you relent, laughing. You can’t help but join in on his contagious amusement.
He flips the poster.
“With any luck, by next year,” it reads.
He flips it again.
“I’ll be going out with one of these people.”
The next flip reveals a collage of different models and celebrities. Despite yourself, you can't help but burst into laughter.
“Are you stealing this from Love, Actually?” you ask, grinning.
“Shhh, don’t spoil the surprise,” he replies, putting a finger to his lips dramatically.
“But for now, let me say,”
“Without hope or agenda”
“Just because its tech week—”
“(And at tech week you tell the truth)”
“…I’m sorry”
You raise your eyebrows in surprise, setting aside the signs to focus fully on him. His playful demeanor has shifted subtly, revealing a softer, more vulnerable side. His gaze meets yours, and you notice a hint of bashfulness in his expression. His Adam’s apple bobs noticeably as he swallows, the tension palpable in the quiet moment between you.
“I’m sorry,” he begins, taking a deep breath before the words tumble out in a rush. “I’m sorry I messed with your puppet, and I’m also sorry I flirted with Sadai. You made this whole point about how it upset Quinn. You didn’t say it, but I knew it upset you, too.”
He pauses, searching your face for your reaction. When you nod encouragingly, he continues, his voice earnest.
“It’s… why I did it. I hoped you would have confessed to me. But instead it hurt you. And so then I messed with your puppet because I’d rather you be mad than sad, but you still were and I was a dick. I’m really, really sorry. I’ll even get on my knees. I—”
"Adam," you interrupt softly.
He flinches, expecting a different reaction—perhaps yelling, tears, or a freak-out. What he doesn’t expect is for you to lean in and give him a gentle peck on the cheek.
Adam blinks in surprise, his eyes widening as he processes the unexpected gesture. His cheeks flush slightly, and for a moment, he's at a loss for words.
“I forgive you,” you say softly, leaning back into your own space.
His mouth opens and closes like a fish gasping for air, before a dopey smile spreads across his face, lighting up his features.
“I still feel like I need to make it up to you,” he admits, his voice tinged with relief and happiness, as if he's floating on cloud nine.
“You will,” you reply with a knowing smile.
“I will,” he agrees, a look of determination settling in his eyes as he finally comes back down to earth. He smiles at you, then places his hands on your shoulders with a resolute expression.“This doesn’t mean we’re going out yet, though. I need to sweep you off your feet.”
You can’t help but laugh at his declaration. “Is that so?”
“Absolutely,” he replies, his eyes twinkling with a mix of seriousness and playfulness. “You deserve the best, and I’m going to prove that I can give it to you.”
Touched by his sincerity, you nod. “Alright, Adam. I’m looking forward to it.”
He nods, then raps his fist on the door frame. “Welp, looks like we better get back to rehearsal…”
You hum in agreement. “Yep…”
A moment of stillness hangs between you before you grab him by his shirt collar and tug him forward. He grins the whole way, eyes sparkling with anticipation. You plant a kiss on his mouth, and he smiles through it, pressing his lips firmly against yours. The kiss is brief but charged, lasting only a second before you both pull away.
“Well!” you bring your hands together in a loud clap, bashfully embarrassing his eyes. “Gotta go!”
The next day, after a long rehearsal, you start packing up to head to dinner. As you're in the middle of a conversation with one of your castmates, your phone buzzes with a notification. You pick it up from the dressing room table, pausing mid-sentence to glance at the screen.
You tilt your head in confusion as you see that the notification is from a random number.
UNKNOWN
You hesitantly click on the attachment, and a video begins to play on your phone screen.
The video is of your song "Feed Me." You watch in awe as the puppet comes to life, synchronized perfectly with your voice. This is the first time you've seen yourself perform as Audrey II, and you find yourself captivated by the seamless blend of your vocals and the puppeteer's movements.
Surprisingly, you’re impressed with your own performance. Your voice sounds powerful and emotive, carrying the song with confidence and flair. Watching the puppet and hearing your own vocals, you realize just how much you've accomplished. A sense of pride washes over you, mixed with a touch of disbelief.
The video is taken from the pit of the stage, where the band is located. You notice the phone recording is propped up on what you assume is a music stand, angled perfectly to capture the stage. A hint of suspicion about who took the video begins to form in your mind.
Your suspicions are confirmed when, after the song ends, you hear an enthusiastic whoop and holler from behind the phone. A drumstick suddenly appears, swinging into view, and you hear Adam curse loudly, likely having been smacked with the stick. The unexpected moment makes you giggle; the scene is endearing and somewhat cute.
When you click out of the video, your phone buzzes again.
UNKNOWN You were super good. -your secret admirer
You can't help but smile as you type back.
YOU Adam
A moment later, your phone buzzes again with a quick response.
UNKNOWN Dammit.
You quickly add his number to your contacts, labeling it with a fond smile. As you finish, you glance up and catch sight of yourself in the dressing room mirror. The realization that you're grinning from ear to ear makes you blush. Your cheeks warm, and you can’t help but laugh softly at yourself.
ADAM Wanna sit next to each other at dinner I won’t bite And I know you won’t either ;]
YOU Are you gonna flirt with Sadai again
ADAM Okay so apparently you /will/ bite. And no I will not.
YOU Then yes
ADAM Ok I’m boutta leave I’ll save you a seat
Just as you're about to put your phone away, another notification pops up. You open it to find a selfie of Adam, flashing a peace sign with a goofy grin. The only caption reads, “Am I kawaii?”
You laugh but decide not to respond, clicking your phone off with a shake of your head.
Determined to get to the restaurant, you gather all your belongings and throw them into your duffel bag. Slinging it over your shoulder, you take one last glance around the dressing room, feeling a mix of excitement and satisfaction.
As you step out into the bustling hallway, you feel lighter, a spring in your step as you head towards the exit.
With your head down, still thinking about Adam’s ridiculous text, you almost run face-first into Quinn. He steps back just in time, and based on his expectant expression, you already know what he's going to ask.
“Yes, I can give you a ride.”
He cheekily smiles, his eyes lighting up. “Sick.”
You both walk to your car in silence. Once inside, you unlock it and slide into the driver’s seat. As you click your seatbelt in place and adjust the rearview mirror, Quinn awkwardly coughs, breaking the quiet.
“So,” he starts, his voice a bit uneven, as if he’s unsure. “You and Adam.”
“Me and Adam?” you prompt, glancing over at him.
“Are y’all… a thing now?” he asks, his curiosity evident.
You awkwardly shrug as you turn on the car ignition and begin to back out of your parking spot. Technically, you aren't lying. Adam hasn’t asked you out yet, but you did kiss—it's like some sort of limbo.
“Are you just going to look past his dick actions?” Quinn asks, his tone a mix of concern and curiosity.
“He apologized. Like, actually. It was this whole thing,” you explain, trying to convey the sincerity of Adam’s apology.
“Oh,” Quinn replies, looking down, his fingers fidgeting with the hem of his shirt.
You get on the road and steal a quick glance at Quinn. He’s anxiously bouncing his knees, his shoulders as taut as a rubber band.
“So, you and Sadai.”
“Me and Sadai,” he echoes, his voice carrying a hint of tension.
You roll to a stop at a red light, keeping your eyes forward as you attempt to carefully breach the topic. He hasn’t stopped bouncing his legs.
“Have y’all talked after that night?” you ask gently.
“No,” he replies, his tone clipped and filled with frustration.
You click your tongue thoughtfully. “Maybe you should.”
“Yeah, maybe…”
You can’t take it anymore. The words burst out of you before you can stop them. “Sadai and Adam only flirted to make us jealous!”
Quinn’s legs stop bouncing, and he perks up, suddenly full of energy. “I knew it!” he exclaims, a triumphant look on his face.
You laugh, relieved to have finally admitted that information. But then you pause, realizing something. “What do you mean you knew it? And you didn’t tell me?”
“Well, you didn’t tell me!��� Quinn laughs.
“Touché…”
“But yeah, no!” He sits back in his chair, a smug look on his face. “I totally knew it! They kept looking at us!”
You frown, trying to remember. “They did?”
“Yes! And when we left, Jared said they just... stopped talking to each other entirely!”
You groan, facepalming. “Oh my god.”
Eventually, you both pull into the parking lot of the restaurant. You park your car and step out, Quinn following suit.
“Uh, hey guys.”
You turn to see Sadai perched on the sidewalk, standing up and brushing off any dirt as she sees you. Her expression is tentative, eyes flicking nervously between you and Quinn.
You glance between Sadai and Quinn, noticing the tension in the air. Quinn’s eyes are locked on Sadai, a mix of emotions playing across his face. Just as he moves to open your car door, clearly trying to escape the situation, you quickly press the lock button.
He tugs at the car door handle, but the door remains firmly shut. His frustration becomes apparent as he glares at you, a mixture of betrayal and disbelief on his face. His eyes dart between you and Sadai, his shoulders slumping in resignation.
You stand firm, meeting his gaze with a resolute expression. “Adam’s waiting for me. Don’t take too long,” you say, your tone carrying a hint of finality.
With that, you turn on your heel and walk towards the restaurant entrance, trying to ignore the uneasy feeling in your stomach. You can feel Quinn’s eyes boring into your back as you move away, his disapproval palpable even from behind. You almost falter, a pang of guilt hitting you for leaving him to face this conversation alone. But you remind yourself that sometimes, facing uncomfortable truths is necessary for growth and resolution.
You push open the restaurant door and step inside, the lively hum of conversation and clinking cutlery greeting you warmly. Your eyes scan the room, quickly locating your table. A wave of relief washes over you as you spot Adam among your friends, seated comfortably towards the middle of the group.
You wave hi to everyone, your smile widening when you see the empty seat next to Adam. You make your way over, feeling a mix of excitement and relief.
“Hey, dickwad!” you call out playfully.
Adam’s head snaps up at the sound of your voice. His face lights up instantly, his smile spreading from ear to ear. The sight makes your heart flutter, just a little, as you approach him.
“Hey, bitch!” he responds with equal enthusiasm, waving you over. “I saved you a seat!”
He pats the seat next to him, and you slide in with a smile. As soon as you’re settled, Adam wraps an arm around your shoulders, giving you a playful half-hug. The gesture feels warm and comforting, a stark contrast to the awkwardness you left behind outside.
“How’d you like the video?” he asks, his voice light and full of enthusiasm. “Aren’t you just the best?”
You feel your cheeks warm under his praise, and you duck your head slightly, a shy smile tugging at your lips. “My favorite part was when you got hit with the drumstick,” you admit, your eyes twinkling with amusement.
Adam dramatically groans, pulling his arm away and releasing you. “I really thought I cut that part out…” he says, pretending to be exasperated.
You laugh, the sound genuine and joyful, and it feels good to let go of the day’s stress. Reaching for the menu, you start browsing through the options, feeling the familiar sense of comfort and relaxation settle over you as the conversation flows around the table.
As time passes, you find yourself genuinely enjoying dinner. The food is delicious, and the atmosphere is lively and warm. Adam is surprisingly attentive throughout the meal, making a point to include you in all his conversations. He listens intently to your stories and takes an active interest in the topics you bring up. His easygoing nature and the way he makes you feel heard only add to the evening’s enjoyment.
Despite the pleasant distraction, your mind occasionally drifts to the Quinn-and-Sadai-shaped hole in the group dynamic. They’ve been outside talking for what feels like forever, even after your food arrived. The minutes tick by, and you start to wonder what’s going on.
Just as you’re nearing the end of your meal, you catch sight of them finally making their way inside. Your gaze naturally shifts towards the entrance, and your eyes widen in surprise when you see them walking hand in hand.
Your jaw drops in surprise as you watch Quinn and Sadai approach the table, their hands intertwined. You glance over at Adam, who is mid-bite into a juicy rib, his mouth full and his eyebrows raised in curiosity.
You nudge his attention towards Quinn and Sadai. Adam’s eyes follow your gesture, and as he takes in the sight of them holding hands, his face lights up with genuine excitement and happiness.
“They’re holding hands!” you exclaim, unable to keep the delight out of your voice.
Quinn and Sadai settle into the only available spots— a table a few feet away from you. Without a second thought, you peel yourself off your seat, nearly bumping into other diners as you practically race to Quinn.
As you approach, you come up behind him and place your hands firmly on his shoulders. The sudden contact startles him, and he turns his head slightly, looking up at you with a mix of surprise and confusion.
You lean in slightly, a mischievous grin playing on your lips. “Hey,” you say softly. “I need to use the restroom. Care to accompany me?” You tighten your grip on Quinn’s shoulders just enough to make it clear that this is not up for debate.
Quinn chokes, his eyes widening in surprise. “Y-yeah. That’s all good. Let me just…”
He stumbles slightly as he stands up, clearly flustered. Your hands fall away from his shoulders, and he avoids making eye contact as you start walking toward the bathroom. You let him be, content to lead the way
You’re seriously getting deja vu from the last cast dinner.
Quinn, trying to maintain a nonchalant demeanor, shrugs casually. However, a telltale smile tugs at the corners of his lips, betraying his genuine happiness. “We talked,” he says simply, though the glimmer in his eyes suggests there’s more to the story.
You place your hands on your hips, trying to hide your impatience. “You have to give me the details! Now!”
Quinn chuckles, shaking his head. “There’s too many details to go over right now. I’ll just call you tonight and fill you in.”
You sigh dramatically but can’t help but smile at the thought of hearing all the juicy details later. “Okay, okay fine,” you concede. “I wasn’t kidding about needing to pee, though. Wait here for me, okay?”
After you finish up in the restroom, you and Quinn walk back towards your respective tables. As you reach his table, you pause for a moment and give him a quick, affectionate ruffle of his hair. The gesture is filled with genuine excitement and happiness for him.
“You really deserve good things,” you say warmly, your voice brimming with sincerity. “I’m so glad you and Sadai worked things out.”
Quinn's face lights up with a grateful smile, and he nods appreciatively. “Thanks for everything. I’ll fill you in on all the details tonight.”
You give him a final encouraging nod before turning back towards your table.
You slide back into your seat next to Adam, and immediately notice his subtle attempts to inch closer to you. His movements are slow and deliberate, as though he’s trying to discreetly close the gap between you without drawing too much attention.
For the fun of it—and maybe because you actually enjoy the closeness—you let him continue his subtle advances. You shift just a bit, allowing him to inch closer. His arm brushes against yours, and you can feel the warmth of his body next to yours.
Adam seems to sense your willingness and takes the opportunity to move a bit closer. His shoulder lightly brushes against yours, and he offers a soft, satisfied smile, clearly pleased with the closeness.
As you settle back into your seat, you feel Adam’s mouth come close to your ear. His breath tickles your skin as he murmurs, “Wanna get out of here?”
You turn your head slightly, catching the playful glint in his eyes, and nudge him away with a light shove. “I need to pay, dipshit,” you reply with a teasing edge to your voice.
Adam’s face lights up with a smirk, clearly pleased with his little revelation. “Oh, I already took care of it,” he says, his tone almost smug. He reaches over and gently brushes a stray strand of hair behind your ear, his touch tender and reassuring.
You blink in surprise, your eyes widening. “What??”
He chuckles softly, his smile widening at your reaction. “Yep. I’ve got it covered, baby. It was getting late, and you need to rest up for tech week.”
You let Adam guide you out of the restaurant, feeling a mix of excitement and contentment. As you walk towards the exit, you turn back to give a cheerful wave to the rest of your castmates, your smile wide and genuine. “Goodbye, everyone!” you call out, your voice full of warmth.
Your thoughts briefly drift to Quinn, who are likely only now getting their food. You’re confident that he’ll be just fine to ride home with Sadai.
As you approach your car, Adam walks beside you, his hand still gently holding yours. When you reach the driver’s side, he steps back to let you unlock the door. You’re pleasantly surprised by his gentlemanly gesture as he opens it for you with a wide grin.
You look up at him, your eyebrows raised in playful suspicion. “Did you make me leave early just so you could have a kiss?” you ask, your tone light but teasing.
Adam’s grin widens, and he gives a mock sheepish shrug. “Ya caught me,”
You roll your eyes with a playful sigh, feeling the warmth of the moment. Gently, you cup Adam’s face in your hands, and he melts into your touch, his expression softening into a dopey smile. His eyes flutter closed, and he purses his lips expectantly. You meet him halfway, leaning in for a kiss.
The kiss is sweet and brief, lasting only a second, but it’s filled with an undeniable connection. You’re pleasantly surprised when he doesn’t try to sneak in any tongue action; instead, he keeps it tender and simple. When you pull away, he surprises you again by planting a quick kiss on your forehead, his touch light and affectionate.
Before you can react, Adam’s hand gives your backside a playful smack, and he bursts into laughter. “Adam!” you gasp, your face flushing with a mix of shock and amusement.
He chuckles heartily, his eyes sparkling with mischief, and begins to sprint away towards his car. You watch him run, laughing at the impish grin on his face as he disappears into the distance
What a guy.
You’re sprawled out on your stomach, idly kicking your legs in the air, when you hear a knock on your dorm room door. Assuming it’s your roommate who’s forgotten their card key yet again, you roll off your bed with a sigh and pad over to the door, swinging it open without a second thought.
“Heeeeyyyyyy bitch,” a familiar voice greets you.
Your eyes widen in surprise as you take in the sight of Adam leaning casually against the door frame. In one hand, he’s holding a loaf of bread, and in the other, a steaming cup of what you assume is coffee.
“Why are you here?” you ask, the surprise evident in your voice. “How are you here?”
“Remember that one time I walked you home? Yep. Took a picture of your room number so I’d never forget.”
You feel a mix of emotions—both a little creeped out by the fact that he remembered your room number like that, and oddly flattered by his dedication.
“So,” you say, tapping on the doorframe. “what’re you doing here?”
Adam’s grin broadens. “I was thinking about taking a walk around campus. Care to join me?”
You glance down at the loaf of bread in his hand, then back up at him. “Do you need to put that down or...?”
“Nah.” Adam slaps the loaf lightly, careful not to crush it. “This big guy will be joining us.”
“Um, okay.” You smile, amused and curious. “Why?”
Adam tugs at his collar, a bit sheepishly. “I was hoping to take you to the lake down by the library. Maybe feed the baby ducks.”
You can’t help but melt a little. “Aww, cute!” you say, and Adam ducks his head, a blush creeping up his cheeks.
“Let me go change out of my nasty pajamas,” you add, stepping back into your room.
“Aw, but I like the bed head,” he teases, reaching out to ruffle your hair. You push him off, swatting him playfully until he steps out into the hall.
“Give me a minute,” you call out as you close the door. You quickly change into something more suitable for a walk around campus, then open the door to find Adam engrossed in his phone. When he notices you, he clicks it off and smiles, eyes lighting up.
“Here.” He shoves the hot drink towards you. Confused, you glance up at him through your lashes. He quickly explains, “I bought you an herbal tea. Figured it’d help for tech week.”
Your eyebrows quirk up in surprise, and a slight blush fills your cheeks at the thoughtfulness of it all. “Aw, Adam, you didn’t have to.”
“I know. Just wanted to.” He shrugs, but there’s a genuine warmth in his eyes.
You two had walked the expanse of the campus, mindlessly chatting. It was surprisingly pleasant, and you found yourself enjoying the conversation as you sipped on your tea. It was a bit bitter, but you appreciated the gesture, knowing it would help during tech week. When you finished, you quickly tossed the empty cup in the nearest trash.
Adam was just as bold and brash as ever, but as you looked past his jokes and playful banter, you noticed the subtle signs of his nervousness. The way he kept squeezing the loaf of bread, squishing the slices between his fingers, was almost too endearing. For someone who usually plays it so cool, seeing him so anxious about something as simple as feeding ducks made him seem more genuine.
You couldn't help but smile, appreciating this different side of him. It was clear he was trying hard to make the day special for you, and his nervousness only made the gesture more touching.
You eventually find yourself at the library’s lake, the peaceful setting a perfect backdrop for your outing. The ducks are a welcome distraction, and you both sit shoulder-to-shoulder, enjoying the serene atmosphere. The sun casts a warm glow over the water, and you can’t help but feel content.
You’re deep in conversation about the oddest things when you spot the baby ducks. Your excitement bubbles up, and you grab Adam’s arm, pointing towards the tiny, fluffy creatures. He turns to look and immediately lights up, a soft smile spreading across his face. He places his hand over yours, giving it a gentle squeeze before reaching into the loaf of bread he brought.
You both begin tearing off small pieces of bread and tossing them into the water. The ducks quickly flock to the crumbs, their tiny beaks pecking eagerly. You take turns feeding them, each small piece met with a flurry of happy quacks and paddling.
As one particularly brave baby duck waddles up almost to your feet, you struggle to contain a squeal of delight. The sheer cuteness of the moment makes your heart flutter. Adam chuckles beside you, clearly amused by your reaction.
That doesnt last long, however.
You hear a dramatic gasp of offense before some short, blond twink comes angrily waddling towards you both. Adam, upon spotting him, immediately glowers.
“Um, hey..?” You greet, unsure of the appropriate response.
The blond ignores you in favor of pointing a sharp finger towards the loaf in your hands.
“Is that bread?” He asks, incredulous.
“Yes?”
He furrows his brows and puffs out his chest. “And you’re feeding it to the ducks?”
You look to Adam for reassurance, however he’s too busy glaring daggers at the short man. “…yes?”
The man lets out an ignified squawk. “You can’t do that! You’ll fill them up with nutrition-less food, and then they won’t have an appetite for their actual diet! Are you insane?”
You sheepishly tug the loaf of bread behind your back, hiding it from the man. “Sorry.”
He goes to say something else, before finally noticing Adam next to you. His eyes dart between you both before coming to some sort of conclusion. His once offended face splits into a smug grin. You don’t like how he’s looking at you.
And apparently neither does Adam, because he’s maneuvering you to stand up. Before he gets a chance to turn you around, the man grabs your hand and starts shaking it.
“How rude of Adam to not introduce us! The name’s Lucius, but you can call me Lulu.” The man, Lucius, purrs.
You wrinkle your nose. “You want me to call you lulu?”
Adam forces his way between you both, managing to make Lucius let go of you. You’re thankful for him not to be touching you anymore. “Alright, cunt, leave them alone. You’ve already taken two, that should be enough.”
You’re somewhat offended to be reduced to some number, but your confusion stops you. Whatever dick measuring contest the two of them are holding right now, you want no part of it. “Adam, relax. He’s just upset about the bread.”
“Like hell he is! That’s how he gets you!
“Gets me to do what?”
You look between Lucius, who’s smirking and whistling like he’s in a cartoon, and Adam, who’s staring at the ground with a deep scowl. You feel like you’re missing something big, like there’s an inside joke you’re not a part of. The situation is honestly frustrating.
“Gets me to do what?!” You repeat.
Lucius ignores your question. “You know, you’re rather pretty, aren’t you?”
. “Don’t.” Adam says.
Lucius goes for a more personal approach, reaching out to brush a strand of hair from your face. You instinctively dodge his hand, but he doesn’t seem deterred. Instead, he rakes his fingers down past your head, his touch lingering as he toys with your shirt collar. His eyes glint with mischief as he leans in closer. “What’s a pretty thing like you doing slumping around a tool like Adam?”
“Lucius…”. Adam warns.
“Better to run while you still can.” Lucius laughs. You don’t think it’s very funny. “No one ever stays with him for too long, and it’s better to not find out why. “
Adam’s shoulders slump as his anger melts into hurt. He grumbles something under his breath before turning on his heel and marching off, leaving you standing there with Lucius. You watch him walk away, feeling a pang of disappointment at his sudden departure.
Lucius catches your gaze, his eyes filled with what seems like pity, and it makes you bristle. How dare he assume he knows more about your relationship with Adam than you do? The audacity of this man, who’s clearly intruding on your time together, is infuriating.
Before you have a chance to voice your frustration, Lucius’s lips curl into a reassuring smile. But something about it is far from comforting. The smile exposes unnaturally sharp teeth, making you feel even more uneasy.
You nervously flash him an almost-smile before scurrying off to join Adam. He seems honest-to-god surprised you chose him over that other guy, which is sort of rude, but you try to look past it. “What’s up with you?”
“Nothing.” He grunts.
“Okayyy…? Then where are we going? I thought we were getting lunch.”
It looks like it hurts him to say whatever’s next. “No. I’m taking you home.”
“Why? I thought we were going on a date?”
“Because.” He swallowed hard. “The date was ruined.”
You raise an eyebrow, taking a second. You know not to take it to heart— poor dude’s ego was just watered down right in front of him. So you choose a different approach. “Ruined?”
Adam, still sulking, nods his head. “Ruined.”
“Do you think it was ruined?”
“No, but you do.”
You scrunch your face up. “I do? Since when?”
Adam finally looks up from the floor and into your eyes. He’s a bit more energetic than before. “Since Lulu came in and ruined it?”
“First off, don’t call him that. Second off, he was just some crazy twink! What, did you think I was gonna run off with him into the night just because he gave me a compliment?”
“The others did.”
Okay, now you really are confused. “The others?”
Adam rolls his eyes, but not at you. He huffs and sits down on the nearest bench, encouraging you to follow. When you do, he grabs the bread from you, opens it, and starts absentmindedly chewing on a slice.
“I used to have two girlfriends. Not at the same time, though. That’d be way too much drama to deal with.”
Nice to know that that’s where he draws the line…
“But Lucifer—“
“Lucifer?” You balk.
He rolls his eyes and corrects himself. “Lucius set sights on both of them. When I wasn’t looking, he went behind my back and swept them off their feet. Both of them!!! Both of them chose him over me! So excuse me for getting upset when I thought you would too!”
A pang of sympathy plays at your heart, and it takes everything in you to not pull him into a tight hug and never let go. Sure, Adam’s a jerk. A cocky, jerky, dickhole. But he’s been sweet to you. And funny. And thoughtful.
“Well I’m not like your other two girlfriends, am I?” You carefully say.
Adam looks at you with a confused expression, not exactly sure on where you’re going with this. “…no.”
“Then Adam,” you reach for him and feel awful when he flinches away. However, you keep going and manage to pet his hair. “Why would I run away? I want you, plain and simple. I’m still waiting for you to ask me out, ya know.”
Despite everything, he bashfully smiles and looks away. “Yeah, alright. I get it.”
“Do you?”
He looks to you, really looks. And finally— “I do.”
You both stare at each other for a second. You’ve never seen this side of Adam before— vulnerable and open. It’s addicting, and you want more of it. You want to know him inside and out. Before you can think of the overwhelming ache in your bones, you’re standing again and brushing off your clothes.
“Alright, Adam, baby.” Your voice is still soft with emotion. You reach towards him and smile when he grabs ahold of your hand with no hesitation. “Let’s keep walking.”
You pull Adam up, and he follows your lead with ease. As he stands, he doesn’t let go of your hand, holding on tightly. His face is a mixture of emotions—pinched tight with tension and his eyes a bit glossy, but he’s still smiling. It’s a vulnerable sight, and your heart aches for him.
“Are you okay?” you ask softly, concerned.
Adam brings his free hand up, roughly wiping at his face as if trying to clear away the emotions that are threatening to spill over. “Yeah. Yeah, I just… I don’t know. I kind of expected you to run away after all that. I’m just relieved.”
Seeing his struggle, you squeeze his hand reassuringly. The touch is gentle but firm, a silent promise that you’re here for him. He squeezes back, and you both stand there for a moment, connected by this simple but meaningful gesture.
The air between you feels lighter, filled with an unspoken understanding. You take a deep breath, feeling the weight of the day’s emotions start to lift. With a comforting smile, you nod toward the path. “…wanna go get food?”
He laughs. “Fuuuuck yes.”
Rehearsal later that day was so incredibly hectic, you didn’t get a chance to utter even a word to adam. Your time was spent polishing the show, as you opened tomorrow. The thought alone filled your stomach with dread and excitement.
However, after your songs and scenes, Adam did let out a few cheers. Of course, that led to him getting reprimanded while the director sat you down and gave you notes. You tried to get a peek at him, but he was too far and you were too busy jotting down your notes. Once he was done getting scolded from the conductor, he walked back down to the pit near where you were sat. He caught your eye and, despite having been dug into moments prior, brightly smiled at you. Your heart ached.
Eventually, rehearsal was called to an end. You were grateful that class had gotten canceled tomorrow, as you are quite literally dead on your feet. When you feel a pair of hands land on your shoulders, you jump a few feet in the air. You spin to see Adam, who had grabbed your bag before you could. He slung it over his shoulder, juggling his own guitar case, and held out his hand.
You took it, pressing yourself into his side. Normally you most likely wouldn't have done this, but you’re so exhausted so you lean your weight into him. He laughs and removes his hand from yours, instead wrapping it around your shoulders to pull you in. Together, he silently walks you to your dorm.
The velvet curtains closed with a final, satisfying thud, and the applause roared through the theater like a crashing wave. After rushing onstage for your bow, you stood center stage, chest heaving with exhilaration and relief. You had done it. The months of rehearsals, the late nights, and the countless hours of self-doubt had all led to this moment.
You could see the faces of the audience, all beaming with appreciation and admiration. But there was only one face you sought out among the crowd. You felt a rush of warmth, knowing Adam had seen you at your best.
As the house lights came up, you made her way backstage, your fellow cast members congratulating each other with hugs and high-fives. You accepted their praise graciously, but your mind was elsewhere.
You knew you had one more performance to deliver tonight.
Finally, the stage manager gave you a nod. It was time to greet the audience in the lobby. You took a deep breath and stepped out, your heart racing in anticipation. The crowd gathered, forming a semi-circle around the cast. Autographs were signed, selfies were taken, and congratulations were exchanged.
And then, there he was. Adam stood at the edge of the crowd, waiting patiently. As their eyes met, your heart skipped a beat. You excused herself from a conversation with an enthusiastic parent and made your way over to him.
"Hey, superstar," Adam greeted with that charming grin that always made your knees feel a little wobbly.
"Hey yourself," you replied, feeling a blush creep up your cheeks. "What did you think?"
He grabbed both your hands, bringing them up to his mouth to press a gentle kiss. “You were awesome, really. I loved having you sing along with my guitar.”
You giggled, eyes sparkling. “Yeah?”
“Yeah.” His smile was genuine, the corners of his eyes crinkling. You batted your hands away from him, relishing in his sickly sweet corniness.
“Oh?”
“I know people typically get flowers, but they die really quickly, so I thought, ‘Hey! Why not make something!’ So I did, but it honestly didn’t turn out very well, so—”
“Adam. Just show me, baby,” you interrupted gently.
He bashfully smiled and dug into his pockets, pulling out a pair of car keys. You balked, eyes wide.
“You got me a fucking car?”
“No!” he laughed, shaking his head. “It’s in my car.”
With that, you both head outside, Adam's hand resting on the small of your back, guiding you gently through the cool evening air. The sky is painted with the soft hues of twilight, casting a romantic glow over everything. When you reach his car, he glances at you with a mix of excitement and nervousness before popping the trunk. He steps in front of you, effectively blocking your view, heightening the anticipation.
You hear the rustling of items being moved around, and your curiosity piques. Finally, Adam turns around, cradling a large, beautifully arranged gift basket. The basket is wrapped in shimmering cellophane and tied with a big, bright bow. Inside, it’s filled to the brim with your favorite candies and your go-to drinks, each item thoughtfully chosen. Nestled among the treats are several gift cards to your favorite stores and cafes.
Your mouth drops open in surprise, and you quickly cover it with your hand, eyes widening in delight and disbelief. Adam, nervously waiting for your response, shifts from foot to foot
You lurch forward, grabbing the basket from him and carefully placing it back into his trunk. With a burst of impulsive energy, you grab him by his collar and pull him down into a passionate kiss. His lips are warm and soft against yours, and the world around you fades away, leaving just the two of you in this perfect moment.
When you finally pull away, breathless and with your heart racing, you can’t help but blurt out–
“I want you to be my boyfriend.”
Adam’s eyes widen in surprise before his mouth curls into a dopey, joyous smile. “For real??” he asks, his voice full of hopeful excitement.
“For real,” you affirm, your own smile spreading wider.
He pumps his fist in a triumphant gesture.
29 notes · View notes
lackadaisicallizard · 1 year ago
Text
Monologues
James didn’t choose to do Drama.
He got put into it because he missed the deadline for subject selection and so he basically treats it as an excuse to muck around and mess with the props he’s been told time and time again to leave alone.
So actually, he spends a large majority of his time not in Drama class, but standing outside it because “if you aren’t going to respect the space then you won’t be in it.”
James doesn’t see the problem in his actions. What’s the point in doing Drama if he can’t have any fun?
That question results in a stern glare from his teacher. Apparently James’ commitment to the character born from the clown mask he found in the costume cupboard ‘wasn’t appropriate for their unit on post-war German theatre’ and had ‘ruined the entire exercise’.
The lesson following that one starts with a serious talk from his teacher about being on his best behaviour because they are being joined by the Drama class from the year below for a workshop with an industry professional and it is not an excuse for him to ‘act the clown’.
“I thought you liked my performance yesterday, Miss.”
“Do you want to spend the lesson in the front office?”
“Not particularly.”
“Then pack it in.”
And while he tells his teacher that he will sit quietly and pay attention, not one person in the room believes him, including James himself. He is not at all invested in the workshop because he is not at all invested in the subject.
“Is anyone feeling brave enough to have a go at the monologue we just broke down?” The guy running the workshop asks about twenty minutes in. James is on his third and final warning.
“No.” James knows who his teacher’s comment is directed at even without her having to look at him. He settles back down in his chair with a huff.
There’s silence from the room as they wait for an alternative volunteer. Eventually a voice speaks up. “I’ll do it.”
James watches as a figure stands up and makes his way to the front.
Regulus Black.
He had no idea that Sirius’ brother was in this class, had no idea that he had any interest in Drama, even, and James doesn’t at all know what to expect from the boy who was similar and yet vastly different from his best friend.
And then he begins.
“That day we walked right through town. Past the donut shop, past the miniature gold course, past the Chevron station. And he opened the bottle up and offered it to me.”
And James watches.
Oh, he watches.
“We walked until we drank the whole thing dry. And we never said a word the whole time.”
Regulus doesn’t rush the words. He takes his time, like he knows every person in that room will hang on to every single one.
He’s right.
“We walked right up to the front porch and he rang the bell and I remember getting real nervous because I wasn’t expecting to visit anybody.”
His tone is natural and his facial expressions soft. James’ mind captures each one as he talks, Regulus’ eyes flickering from one person to the next, like he’s having a conversation.
It’s beautiful. He’s beautiful.
“And then through the doorway, behind them both, I see this girl.”
His eyes still. They happen to be on James. James is fairly sure this is the longest he’s ever gone without talking. His teacher must be very suspicious.
Regulus pauses. “She just appears. She’s just standing there, staring at me and we can’t take our eyes off each other.”
James knows the feeling.
“It was like we knew each other from somewhere but we couldn’t place where. But the second we saw each other, that very second, we knew we’d never stop being in love.”
The final word falls into the silence of the room. A pin drop could be heard.
And just like that James is invested in Drama. He finally sees the purpose.
It’s for moments like this.
And for the moment that he fell in love.
131 notes · View notes
hadsephone · 1 year ago
Note
Could you elaborate more on "Amber shaped Persephone as much as Anais and Rachel did"? Like did she actually have say in things like lyric changes or staging or is it more about her actual legacy and how long she was in the role for?
The second one! to my knowledge she didn't have any direct say in the actual book/script, but ever since they started workshopping the show it was Amber's personality, acting, singing, etc that helped to shape Persephone. She's a very unique and one-of-a-kind performer and her specific mannerisms are what made Persephone, Persephone. Like, I don't really know how to describe it, but if you've seen her in other shows or at solo concerts you can definitely see a very strong overlap between "Amber characteristics" and "Persephone characteristics" and how Ambersephone was a perfect mix of acting as a character while also using her own mannerisms.
Amber was in the show for six years, across four different productions, and that's not even counting workshops. Theatre critics and fans genuinely viewed "Amber Gray" and "Persephone Hadestown" as synonymous in a lot of ways.
Many of the replacements have done a fantastic job at continuing on Amber's legacy while still putting their own unique twist on the role, and that's amazing! Amber is not an easy person to follow and I really do love most of her replacements. I love how they honor Amber's legacy while putting their own spin on the character.
Also there's just so many aspects of Persephone's character that are just...Black culture. For example, her dance in Way Down Hadestown is a jazz funeral. And tbh it's really offensive to have white actors in that role doing the same thing. If Amber had never played Persephone, Persephone would be a completely different character.
Persephone was exclusively a Black/mixed-Black role for almost 5 years.
(As a white fan, I'm not going to comment on non-Black POC playing the role. I ADORE Maria-Christina Oliveras and Shea Renne, who both are Asian-American, and I am not going to comment on whether or not it's 'okay' for mixed Pinoy actresses to play a Black-coded role, because while I do think Persephone should ideally be Black, I'm not going to advocate AGAINST Filipina leads. White Persephone is a million times more offensive than nonBlack-POC Persephone ever will be. That being said, since I've acknowledged that Way Down is a jazz funeral, I do wish that Shea and Maria had had the chance to honor Filipino culture in their portrayal, in the same way that every other Persephone honors Black culture.)
Basically: Amber Gray and Amber Gray's specific portrayal of Persephone is literally what built Persephone. Especially from a racial aspect, there's so many parts of Persephone's character that you literally cannot separate from African-American culture and casting white people as Persephone is so disrespectful to Amber's - a biracial black woman's - legacy in the show. Also, if Amber had actual say in Persephone's lines, I can guarantee the Chant II verse would never have been cut.
84 notes · View notes
shinysparklesapphires · 10 days ago
Text
Showtime precure!
🎀: @baileypie-writes @harufallinwonderland
Chapter 10: Inspection day!
Tumblr media
“Gotta clean gotta clean gotta clean!”
Reel was running all over the theater classroom with a spray bottle in his hand, fervently spraying and scrubbing every surface he could get his hands on, as if he was trying to prevent a virus outbreak.
“Reel? What’s wrong?” Lucia yawned.
“No time!” He pushed a mop into her hands, “mop the floor like you life depends on it!” He went back to scrubbing the tables and cabinets like he had been possessed by something.
“What’s wrong with you?” Lucia asked, her face looking mildly scared and concerned at the same time.
“Dammit girl just clean!” He yelled.
“Ok, ok, jeez!”
Tumblr media
“Ughhhhhh!” Dominique was by a lake kicking a rock.
“I’m so bored! There’s nothing to do here at all!” She ran her fingers through her hair. It was a nice day out, but she didn’t care. She had already done everything she thought would cure her boredom, to no avail. She just kept kicking the rock.
“Man even this is boring!”
She picked up the rock and threw it at a family of geese waddling by.
“ACK!” the goose screamed and started running at her.
“Shit!” Dominique started running, trying to escape the infuriated creature.
“Man chill you dumbass bird!”
It flew at her and started tugging at her skirt.
“Motherfucker let go!” She yanked at her skirt, tearing it and leaving the bird running off with a piece of her dress.
“I hope you choke on that!” She yelled.
Tumblr media
“Lucia keep mopping!”
“I can’t! If this floor were any shinier it would literally be blinding!”
“I don’t care, KEEP CLEANING!”
“Yessir…” Lucia reluctantly kept mopping.
“Uh Reel-?”
“Amber start organizing the materials closet over there alphabetically!”
“What but I just-“
“DO IT! LUCIA DID I TELL YOU TO STOP MOPPING?!”
“I’m sorryyyyyyyy” Lucia looked like she was in the verge of tears, Lyna was silently helping Amber organize everything.
“Reel?”
“Everything has to be perfect!” Reel straightened his glasses.
“Uh Reel?”
“REEL!”
“WHAT?!” He turned over to Lyna.
“What are you freaking out over?!”
“The teacher inspection is today! They’re sending in one if the counselors to assess whether or not I’m a good enough teacher, which means I have to-” he gulped, “do my job…”
“Ohhhhhhhhh”
“Everything has to be perfect!” He snapped.
“Reel calm down-“ Amber comforted him.
THUD!
“Reel?!”
“I think he passed out..”
All three girls just stared at him for a bit until-
“Um excuse me, is this the theater classroom?”
Reel shot up, startling Lucia.
“Yes that’s us!” He laughed nervously.
“And you are?” He held out his hand,
“Octavia Auclair, I’m here to-“ she blushed, “I’m here to perform your inspection..”
She didn’t look at all what the girls imagined. From the way Reel was reacting they expected a strict, no nonsense older woman. Instead, Ms. Auclair looked so..fragile. She had long black hair, that was tied in a long ponytail, and a lanky figure. In her hand was a clipboard of what was presumably the assessment test. She looked so tired too, like she didn’t want to be there either.
“So, what exactly are you all working on?” She asked.
“Well right now we were-WOAH!” Lucia slipped on the wet floor, falling flat on her face. Lyna rushed to help her up. Amber stifled a laugh. Reel looked like he was about to pass out again.
“Well Ms, we were getting ready to start auditions for our play that I wrote myself!” Amber boasted, “Lyna’s working on prop design, and Lucia’s the casting director! There’s also another girl named Violet in the dance course that helps out from time to time as well!”
“Oh I just visited the dance course! The coach was super nice!” Ms. Auclair beamed.
“Oh was she now….” Reel clenched his teeth.
“What was that?”
“Nothing! I was just saying how grateful I am for the dance coach to allow her students to come and participate in theatre arts! Haha! Now, let me show you to the workshop!” He placed a hand on her back to lead her out the door, the girls quickly followed behind.
Tumblr media
“Here it is! As you can see all our tools are up to code and perfectly safe for students to use!”
“Except Lucia..” Amber muttered. Lucia elbowed her.
“Now, there were two workshops in the academy,” Reel thought, “One smaller one for small things such as props and minor set pieces, and the bigger one located in its own separate building for any of the larger pieces needed, and where extra materials are stored. It had been unused for quite some time due to the fact that 3 people in total signed up for the theatre course and everyone else decided they would rather join dance instead because who the hell cares about theater anyway ri-“
“Alright I think I’ve seen enough Mr. Rilu. Thank you for your time.”
“ACK! ACK!”
“GET BACK HERE YOU FUCKASS BIRD I SWEAR IM GONNA COOK AND EAT YOU FOR DINNER!”
Dominique came running after the goose that was still holding the ripped part of her skirt.
“Dominique!” All four of the theatre members gasped.
“Huh? You four! And…who’s that…?”
Ms Auclair looked worried. “Um…are you a student here?”
She scoffed, “Hell no! Who cares about this bum ass school?!” She caught the goose in her hands, then looked at Auclair. Then at Reel and the girls. Then back at the goose. Then she smiled. She curled her finger and a purple coin flew out of Auclair’s chest and into her hand. Auclair collapsed, and Lyna caught her before her body hit the ground. Dominique held the coin in her palm and looked back at the goose.
“Consider this payback birdie…”
“Facade! Wreak your havoc!” She held up the coin and a black shadow surrounded the goose.
“SAWWWWWW!”
Reel looked back, “Girls!”
“Right!” They nodded.
“Precure, Rollback! Lights! Camera! Action!”
“Hup!” Wright jumped over the monster trying to pin it down, while Set helped by tying it up.
“SAWWW!” The monster flapped its wings, sending both girls flying, which ended up getting Set stuck in a tree.
“Wright! A little help here?”
“Yeah one second! Showtime! Finish it off!” Wright pulled at Set’s arms, trying to help her out.
“Showtime!”
“Showtime?”
Tumblr media
Why can’t I move??? My body feels like it’s freezing up. But why? I’ve fought Facades before why should this be any different?? Is it because of that dream I had?? That can’t be it..it was just a dream..I can’t- “AUGHHH!” my head hurt so much, why?? I feel like someone just shot a needle through my brain. It hurts…I need to get up. I need to fight..I need to-
“Action Grande…..Jete!”
Huh?? That’s Action’s voice….when did she get here…I feel like I’m gonna throw up…
“Lucia!” I woke up to Violet’s voice. I’m back in the classroom.
“Are you okay?? You just passed out in the middle of the battle!”
Lyna put her palm on my forehead, “are you sure you’re not still sick?”
I nudged her hand away, “Yeah I’m fine don’t worry….”
That’s a lie. I don’t think I’ve ever felt worse in my entire life. I wanna go home. I want the day to end.
Tumblr media
“Dominique what the fuck is that thing.”
Dominique held up the goose from earlier. It now had a black star on its forehead to match the others and the scrap of fabric it had torn off had become a bow tie for it.
“He’s kinda growing on me actually. Think I’ll name him-“
“We’re not keeping that nasty thing Dominique!” Lacey snapped
“We keep you around.”
“Name him Nosferatu.” Nicolette bent down to pat his head.
“Nicolette not you too!”
“Sorry Lacey, majority rules, we’re keeping him!” Dominique sneered.
9 notes · View notes
evolvingsidekick · 1 year ago
Text
BD - winners where are they now (incomplete)
I think someone requested this somewhere
Most females and recent males because there are just too many to do rn
At companies:
Miriam Gittens (s2013): Gibney Company
Alyssa Allen (s2014): Ballets Jazz Montreal
Brianne Sellars (s2014): Dallas Black Dance Theatre
Ashley Green (s2015): Alvin Ailey American dance Theater
Payton Johnson (j2012, t2015, s2017): L.A. Dance Project
Vivian Ruiz (s2019): Ballet BC
Kelis Robinson (t2018, s2020): The Batsheva Dance Company; The Juilliard School
Kiarra Waidelich (m2016, j2018, t2020): Royal Flux Company
Quinn Starner (t2017): New York City Ballet Corps de Ballet
Emma Sutherland (j2014, t2016): MashUp Contemporary Dance Co.
Sarah Pippin (t2011): Ballet BC
Timmy Blankenship (s2017): Sydney Dance Company; choreographer
Brady Farrar (m2014, j2017, t2021): ABT Junior Company
Easton Magliarditi (t2020): Royal Flux Company
Graham Feeny (t2015): Artistic associate at Gibney Company
Logan Hernandez (t2015): Göteborgs Operans Danskompani
Zenon Zubyk (t2013): Nederlands Dans Theater
Jonathan Wade (j2011, s2016): Rambert Dance Company
Wyeth Walker (s2017): Rubberband Dance Company
Faculty/teacher/choreography:
Lucy Vallely (t2015, s2018): Broadway Dance Center, freelance choreographer
Jayci Kalb ( j2011, t2014, s2016): The Dance Centre; Radio City Clara 2010
Taylor Sieve (s2016): Jump Dance Convention
Jenna Johnson (s2012): DWTS pro, 24 Seven Dance Convention
Jazzmin James (t2012, s2015): faculty several intensives
Jaycee Wilkins (j2015): Club Dance Studio
Sophia Lucia (j2014): Dancelab OC
Brynn Rumfallo (m2014): Strive Dance Workshop (own project)
Talia Seitel (m2012): Project 21 (part-time)
Lex Ishimoto (t2014, s2016): Jump Dance Convention
at University/college:
Ellie Wagner (s2019): Ohio State University Dance Team
Ella Horan (s2021): USC Kaufman
Kayla Mak (m2014, s2021): The Juilliard School; Radio City Clara 2014, 2015
Brianna Keingatti (s2022): The Juilliard School
Julia Lowe (s2023): USC Kaufman
Ava Wagner (j2018): University of Minnesota Dance Team
Avery Gay (m2015, j2017): University of Arizona School of Dance
Leara Stanley (m2011): Duke University
Sam Fine (s2023): USC Kaufman; Young Arts 2022
Seth Gibson: The Juilliard School
Alex Shulman (s2022): New York University Tisch Dance
Joziah German (m2014, t2018, s2020): The Juilliard School
Joey Gertin (t2018): The Juilliard School
Professional dancer/choreographer:
Simrin Player (t2014, s2017): The Voice, Missy Elliot, Justin Bieber, RBD
Jaxon Williard (s2021): Rihanna, Madonna, Lil Nas X
D'Angelo Castro (j2012, t2016, s2019): DWTS troupe
Findlay Mcconnell (t2017, s2019): Tate McRace
Christian Smith (s2018): Tate McRae, NBC's Saved by the Bell
Keanu Uchida (s2014): Dancer the Musical; also a big advocate for protecting dancers and calling out inappropriate behaviour
Eric Schloesser (s2014): Lady Gaga, Katy Perry, Dua Lipa, Billie Eilish, J Balvin; choreographer, creative director, designer; Dana Foglia Dance Company
Other/a combo of things:
Bianca Melchior (s2011): actor, dancer, singer; Nick Jonas, Alessia Cara, own music; faculty at On The Floor dance competition
Tate McRae (m2013, j2015, t2018): singer/songwriter
Bostyn Brown (j2016, t2019): Professional assistant at DanceOne
Megan Goldstein (t2017); dancer, photographer
Christina Ricucci (t2013): actor, musician, dancer
Bella Klassen (j2017): The Space, vlogger
Kalani Hilliker (j2013): influencer, teaching at several places (Danceplex, MBA)
Elliana Walmsley (m2018): influencer, DWTS Junior, Radio City Clara 2019
Diana Pombo (m2016): singer/songwriter, dancer, actor; Young Arts voice 2023+2024
Morgan Higgins (t2016, s2018): dancer, aerialist
Zelig Williams (s2013):dancer/actor: MJ the Musical, Hamilton
Daniel Gaymon (s2011): dancer/actor; Broadway (Cats, The Lion King); Hamilton national tour, La La Land
Ricky Ubeda (t2011, s2012): choreographer, actor; Steven Spielberg's West Side Story
Michael Hall (s2015): Saturday Night Fever the Musical, tv dancer in Cairo, Egypt; teacher
Julian Elia (t2014): Steven Spielberg's Westside Story, working on the development of a new Broadway musical
Sage Rosen (t2016): influencer; DWTS Junior
Ryan Maw (j2015, t2017): choreographer, dancer, actor: High School Musical: The Musical - The Series
Holden Maples (j2016, t2019): dancer, teacher, choreographer
Competing/not graduated honorable mentions:
Cameron Voorhees (m2018, j2021, t2023): Evolve Dance Complex; starting career as a teacher/choreographer
Crystal Huang (m2019, j2021, t2023): The Rock Center for Dance, Bayer Ballet Academy; Prix De Lausanne 2024, Young Arts 2024, Radio City Clara 2021
Hailey Bills (m2017, t2022): Center Stage Performing Arts Studio, DWTS Junior
Brightyn Brems (m2017): DWTS Junior
Avery Hall (t2022): Danceology; Young Arts 2023
Savannah Kristich (t2021): The Rock Center For Dance; Twyla Now
Savannah Manzel (m2020): Larkin Dance Studio, Radio City Clara 2023
Kya Massimino (m2021): Radio City Clara 2023
Ian Stegeman (m2019, j2021, t2023): Woodbury Dance Center, Young Arts 2024
49 notes · View notes
avengerscompound · 1 year ago
Text
The Interview - Chapter 5
Tumblr media
The Interview - A Captain America Fanfic
Masterlist PREVIOUS //
Rating:  E
Warnings:  nothing really
Pairing: Steve Rogers x OFC Melody Danes
Word Count:   2040
Summary:  Melody Danes gets the break of a lifetime when as a lowly intern, she’s assigned to write a profile piece on Captain America.  Steve Rogers is a hard man not to fall for and as she and Melody get closer and Melody’s career takes off, jealousy leads to sabotage, and the potential to bring her whole world crashing down.
Tumblr media
Chapter 5
The excitement was thick in the air as Melody and Bobbi rode the elevator up to the party deck of the Avengers Tower.  Bobbi looked gorgeous in a black lace cocktail dress and knee-high boots with the buckles she’d picked up from the thrift store.  Melody wore a dark blue satin jumpsuit with slits up the legs that had black a lace strip both at the slits and along the armholes.  She’d paired it with a pair of sandals and her favorite jewelry and she was feeling good about herself.
It was both thrilling and nerve-wracking thinking she would see not just Steve Rogers, but all the Avengers in party mode.  What eclipsed all of those feelings was her excitement and nerves about getting to socialize with Steve outside of the confines of interviewing him.
The elevator doors slid open to a room that resembled a cross between a bar and a nightclub.  The doors opened into a large open area with a bar to the left and a pool table to the right.  There were angular gray couches set up in squares up the floor and a set of stairs that led up to the huge windows that looked out over the city.  More couches were set up at the raised platform.  There were three more sections above with a floating staircase on each side leading to the balconies.  Each staircase ran beside a sloped window that let her see the room beyond, most of which looked down at workshops and hangers for the jets.  Below her feet were rugs sitting on thick glass or black marble tiles that ran in patterns.  Through the glass, she could see the Quinjets and rows of Iron Legion.  There were people everywhere, most of whom she didn’t recognize, but she did spot Natasha Romanoff and Tony Stark at the bar and Thor was up on the raised platform holding the attention of a whole group of people.
“Oh my god,” Bobbi exclaimed as she walked into the room.  “This is unreal!  I'm in a room with an actual god!”
Melody scanned the room looking for Steve, but he spotted her first and waved to her from the other side of the room.
“If you want some time alone with the good captain, just give me a signal.  I don’t know, tug on your earring or something,” Bobbi said, as the two women approached him.
 “I’m not going to abandon you in a party where you don’t know anyone,” Melody argued, nudging her.
“Don’t you worry about me,” Bobbi assured her.  “I make friends everywhere I go.”
Melody wanted to argue with her more, but she had already reached Steve.  He was standing with two easily recognizable people.  On his left was Sam Wilson, dressed in black jeans and a black jacket of a deep red button-up shirt, and on his right was James Barnes dressed from the neck down in black.
Steve kissed her cheek in greeting.  “You made it.”
“Are you kidding?” she said.  “How could I miss a genuine Tony Stark party?”
Steve chuckled.  “I’d give anything to be allowed to miss one,” he joked.  “These are my friends, Sam and Bucky,” he added, gesturing to his friends.  “Sam, Bucky, this is Melody the woman from the DB that’s been interviewing me.”
“It’s a real pleasure to meet you,” she said, shaking their hands and gesturing to Bobbi.  “This is my cousin, Bobbi.  We live together on the Upper West Side.”
“And what do you do, Bobbi?” Sam asked.
“I’m an actor.  And I also bartend on the side,” she answered.
“Would you have been in anything I might have seen?” Sam asked.
“That depends,” Bobbi answered.  “Have you ever been to the Vampire Dinner Theatre in the East Village?”
“I haven't,” Sam said.  “But maybe I should.”
“It's a lot of fun,” Bobbi said.  “Come sometime.”
Sam laughed and nodded.  “So, can we get you ladies a drink?”
They followed the men down to the bar where Tony Stark was making drinks and Natasha Romanoff sat on a bar stool with her legs crossed beside a dark-haired woman in a black pantsuit.  She looked stunning in a slinky black dress with a shrug over her shoulders that looked like she’d draped herself in a spider web, while Tony wore a black three-piece suit with a red tie.  He’d taken the jacket off and it was hanging at the end of the bar.  Tony’s sleeves were rolled up as he shook a drink in a shaker.
“Cap! Is this the journalist?” Tony said, sidling up toward Melody.
“It is,” Steve said.  “Melody, this is Tony.”
Tony leaned over toward Melody.  “Well, if you want the dirt, let me know.  I have loads of stories.” 
“No, forget him, if you want stories, I’m your guy,” Sam argued.
Bucky just cleared his throat and looked at both men with his eyebrows raised.
Steve held up his hands. “Hey now, no one needs a source close to Captain Rogers' claim by line.  Dial it back.”
“Mmm… We’ll see,” Tony said and poured an almost ink-black cocktail into a martini glass.  He grabbed a cocktail pick and speared two blackberries and a raspberry onto it in sequence and dropped it into the glass before sliding it over to Natasha.
“So what can I make you ladies?” Tony asked.
“What was that one?” Melody asked, gesturing to Natasha’s drink.
“It’s something I made up.  I call it the Black Widow Martini.  Mostly vodka with a little Chambord and Blue Curaçao,” Tony explained.
“That sounds good,” Melody said.  “I’ll have that.”
“And you?” Tony asked Bobbi as he began to mix the new drink.
“Me?” Bobbi said, her eyes locked onto Natasha as Natasha took a sip of her drink. “I’d like a red Russian.”
Natasha stifled her laughter.  “Well, aren't I popular tonight?”
“Like you don’t know,” the woman next to her teased.
The drink Tony made was a little sweet, a little tart, and very, very strong.  Melody wasn’t sure if it would be better to nurse it and keep her wits about her, or to drink it quickly to let down her barriers.
When Bobbi had hers, Sam put his hand on her back. “How about a game of pool?  We can get our asses handed to us by Clint.”
“Yeah, that’s a great idea,” Bobbi said, giving Melody a very over-the-top and significant look as she let Sam and Bucky lead her away.  The fact that Steve’s friends were trying to leave Melody alone with Steve was both a little exciting and a lot terrifying.
She turned to look at Steve.  A pink flush had colored the back of his neck and he scratched his fingers through his hair.  “I might have been talking about you a lot,” he admitted.
“Me?” she said.  “Really?”
“Yes, you,” Steve chuckled.  “I’ve really been enjoying the time we spend together.  I know you’re just trying to put me at ease so I open up more, but I can usually tell when someone is trying to manipulate me.”
His admission made her heart flutter and her stomach flip.  It was exciting and scary and amazing.  The feeling was mutual, though she didn’t know what that meant right now.  The ethics about dating someone she was writing an article about were hazy at best and while she didn’t think she’d get fired for it, there was the possibility it could happen.  “I’m not trying to manipulate you,” she assured him.  “I mean, yeah, I want you to open up for the article, but I do actually like you.  And it’s not exactly a hard-hitting piece I’m doing.”
“Well, I am glad I wasn’t wrong about that at least,” Steve said.
“Unless I’m manipulating you right now?” she teased and took a sip of her drink.
He laughed. “God, don’t make me doubt myself more than I already am.”  He shook his head and offered her his arm.  “How about I show you around a little?”
“Sounds good,” she agreed and hooked her arm around his elbow.
He led her up the stairs to the second floor.  “This room is such a strange shape because the hanger for the jets, and Tony’s Iron Legion are kept below it.  As are parts of Tony’s labs.  He’s staggered this space above it to give it more room but make this space more interesting than just a large mostly empty room.  “If you look over this side you can see all the past iterations of his suits on display.”
Melody looked down into the space below to row after row of Iron Man armor that seemed to just go down forever.  As impressive as it was, she was still distracted by Steve’s admission and whether there was something that could be done about it.
“He has a lot of suits,” she said.
“You should see his closet,” Steve replied.  It made her snort and the journalist in her wanted to get to the bottom of that little statement.  She looked up at him and he returned her gaze with a soft smile.
“Hey, are you okay?” Steve asked.
“It’s just that I do really like you too,” she said.  “I went shopping today with my cousin to try and buy the perfect outfit because I wanted you to see me as a person you could be attracted to and not just the person asking hundreds of super personal questions.”
Steve reached out and took her hand, with a huge grin on his face.  “Well you didn’t need to dress up to do that,” he said.  “Though you do look stunning.”
“Thank you.  We got the jumpsuit at a thrift store and spent the afternoon tailoring it in and adding the lace,” she said. 
“Wow,” Steve said, clearly impressed.  “That was a lot of effort.”  He lifted her hand above her head, and she did a spin for him.  “Are you sure tailoring isn’t your calling?”
She laughed.  “It’s Bobbi more than me.  She’s so tall and she has such distinctive taste that she got really good at thrifting and tailoring.  But then when we moved to New York and started living paycheck to paycheck we started thrifting together and she helped me hone my skills.”
“That’s impressive.  I haven’t sewn anything in a long time, but back in the day Bucky and I would at the very least patch our clothes.  Sometimes we’d make things from scratch.  We had so little money when we lived together I slept on the floor of his bedroom,” Steve shared.
She made another mental note for her column.  “I’m practically doing that now.  We have a one-bedroom place.  Bobbi has the bedroom and I have this little sectioned-off area in the living room.”
“Well here I was thinking that I wouldn’t meet anyone with a shared life experience,” Steve said.
“Plus an artist and a writer,” she added.
He chuckled.  “Exactly.  It’s like it’s meant to be.”
She sighed and shook her head, moving her hand to his chest.  “I want this,” she said.  “I do.  But - this is my big break.  I need to make sure I don’t do anything to fuck this up.  And this could be a conflict of interest.”  She hated herself a little for saying the words but she knew they needed to be said.
Steve frowned and bowed his head.  “Right.  Yeah.  You’re right.”
“But,” she continued.  “What if we put a pin in it until after it’s published?  If you still like me after you see what I’ve written about you.  We’ll go out.”
Steve smiled and nodded, squeezing her hand.  “It’s a deal,” he agreed.  He looked out at the party below and his stance changed.  He stood straighter and with his chest out.  It was like he’d decided not to dwell on it.  “How about we go join our friends for pool?”
She nodded and wrapped her arm around his again.  “Thanks, Steve,” she said.
He smiled at her with real affection and for a brief moment, she completely lost herself in the soft blue of his eyes.  She steeled herself.  Article first.  Then, if he let her, she’d willingly let herself fall for Steve Rogers.
Tumblr media
// NEXT
33 notes · View notes
galadhir · 7 months ago
Text
Went to my first hafla yesterday. I'd booked myself into a sword dance workshop during the day and then was planning to take part in a choreography put on by my fellow learners of my belly dance school during the evening show.
So I turned up in gym clothes, with a bag full of black-and-gold outfit for the dance to Ghib An Anynayya fully intent on doing an hour and a half workshop, going home for a rest, and then performing my first ever public dance since starting bellydance for the first time about six months ago.
But then the sword dance workshop went on two and a half hours and assumed that you would get up and show what you had learned for the second dance of the public performances in the theatre. And I had loved doing the sword dance so much I was like 'why not!'
"Everyone in black and silver please!" comes the call, so I rush home at half five (it takes half an hour to drive home) ; frantically look for anything black and silver; don't have anything because I haven't been dancing long enough to have a stash; find a grey shrug and cut up the charcoal lining material I have left over from making my winter coat; devour a fried egg and put the chips in a pot so I can eat them on the journey back, and am back in time to get in the line up to go on at 7pm.
Today I'm wrecked, but it was worth it.
Tumblr media
11 notes · View notes
kalijhomentethi · 1 month ago
Text
another take on the timeline after arcane was made canon:
what if... arcane ends during/before the second noxian invasion of ionia? i thought about this because:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
1.1. there were hints of jhin throughout the season, such as a mask in alternate ekko's workshop that kind of resembled jhin's mask (episode 7), plus the same theatre and piano in awaken being showed briefly with notes of the same song being played when it popped up (episode 8), and the cargo cannon in piltover being shot the fourth and final time by the person that played the piano (episode 9). if jhin has already been freed from ionia and has already been doing Jhin Things around the time arcane occurs, then the first noxian invasion of ionia has already happened.
1.2. jhin's obsession with perfection == viktor's vision of humanity. the person who played the piano was touched by the puppets and has seen what jayce/viktor saw. the arcane puppets also looked kind of similar to his mask. plus, the theme of puppets and performances.
2. should the second invasion be happening already, then it makes sense that the demon raven appeared at the end of the show because swain wanted to check up on things in piltover. with the black rose already having made their presence known there, it would make sense for another member of the trifarix to keep an eye on the city + noxus wants all nations under one banner anyway so.
3. speaking of the trifarix, it was presumably leblanc that enchanted riven's blade, mentioned as a pale sorceress in the court. the runes of riven's blade match the runes that belonged to ambessa's right hand man.
Tumblr media Tumblr media Tumblr media
problems with picking up from second invasion:
i used jhin as the main indicator of the timeline, who was only hinted in arcane. plus, riot can easily retcon when jhin gets freed from ionia.
jhin as an enforcer? outside of his performances, he was able to evade capture and escape from the kinkou easily, and being an enforcer seems to be such a bold job. but that may also be what enables him to hide right under people's noses.
the "pale sorceress" could also be anyone. in riven's lore, it was boram darkwill as the general and not yet swain, but we know the black rose will reach anyone and anything.
what if arcane ends and we get the first invasion?
in swain's story, the demon raven appeared to him even before he got a demon arm. the raven appearing at the end of arcane could be prior to him becoming a general still.
jhin is still locked up in ionia.
problem with both takes:
what about singed? a zaunite alchemist plays a big role in the noxian invasion due to chemical warfare and leads to riven's biggest lore point. however, singed has already achieved his goal of bringing orianna back alive-ish and ambessa is dead, who had him swear his loyalty to her and her only. what are the chances singed would come to noxus when his daughter is already alive-ish, the supposed reason for his experiments?
however x2, arcane has already opened the noxians' eyes to what zaun is capable of. ambessa wasn't afraid to make deals with zaunites to cause a scene at a funeral, but she initially wanted to find scientists from piltover. i'm sure noxus can find another mad scientist from zaun if singed's story ends with arcane s2.
tl;dr: i'm still convinced it's one of the noxian invasions of ionia that we will get in the next league series.
4 notes · View notes
droughtofapathy · 1 day ago
Text
"Welcome to the Theatre": Diary of a Broadway Baby
Chaplin Entertainment Showcase
January 12, 2025 | The Iridium | Evening | Showcase | 2H
Tumblr media
Technically, this was a night meant to show off various clients to people who book gigs around the country. Roughly twenty minutes per act to drum up interest in concert appearances, etc. I was there for Judy Kuhn, and her alone made it a great time. The night started off strong with Americana Women, a four-person group that played a little country and folk, and they were excellent. Talented women all around, and I do love a fiddler. High energy, great way to start off the evening. Judy then came out in a black bustier that suited her so well. I was front and center and very much not looking respectfully. I'm done being coy about it. I am looking at these old women with so much lust.
Joshua Henry, great voice. Seems like a charismatic guy. I wouldn't sit for an entire concert. And from there it was just a downward spiral. The next group certainly had talent, but if you're going to sing "Glitter and Be Gay" in a little venue like this, put the damn microphone away, why are you hitting that note into it? It's shrill and piercing and an automatic way for me to hate you. After that act, (and because the night started late and each set seemed to be more and more delayed) most of the club packed up and headed out. I have a rule about never leaving early, so I got to sit through the concluding act. Some guy I've never heard of who seemed a little too cocksure of himself and thought the best showcase for his act would be to sing a whole lot of over orchestrated Christmas music. The whole set. In the middle of January. Not a great way to sell yourself. And why are you talking about your famous workshopped show that you're getting big hype for without mentioning the name once?
I should have just left after Judy.
Verdict: Well...I'm Glad I Saw It
A Note on Ratings
2 notes · View notes
envihellbender · 10 months ago
Note
Stranger!Michael
Michael hadn’t really chosen the Stranger, nor was it something he’d been thrown into. It was more something that happened. He wanted to not be known, he wanted Gertrude and Elias to fear him instead of bully and torment him. The scariest thing to him were the dark shapes that hounded his sleep, large thin, pointed figures that creeped into his nightmares, so that was what he became. With a little help, he supposed, from Gregor Orsinov… but mostly he just showed him how to make his own shadows. Had his appearance changed? Well, sort of. He wasn’t a mannequin, he hadn’t been skinned, Gregor saw his potential far more than any of his dolls. His face had changed, his smile seemed more painted on than anything else. It moved, he could close his lips and move his teeth, but if you touched them it felt the same as his nose and cheeks. He also had wire strings that grew from his fingers that attached themselves to his creations before breaking off. He could pull at them and control them if he desired but to begin with they fell off like an umbilical cord.
Michael didn’t choose what they looked like, he created them with an intention and then the thoughts brought them to life. His latest was similar to ones he had done before, not that that was a problem. He stepped back from his creation and watched it. It was a black, angular thing almost as if it was made from drainpipes. Its arms had more corners than they should have, those appendages were the important ones. Michael created them to be able to detach so that they can hide and climb and slither until they catch their prey. The name that had been given to them was the Not Them which didn’t quite make sense to Michael, because they were all something. Someone. They just weren’t the someone that people wanted, that’s the thing people didn’t understand about the Stranger, Michael thought. No one was ever no one, they were lost, distant, displaced, replaced… But even then people were people.
Besides, they did all have their own personalities, the one Michael had created was quite mischievous and cheeky, its limbs were tangled up but it would sort that out itself. Not names, though. The Stranger didn’t have names, if they did they wouldn’t be strangers now, would they? This one he hadn’t decided where to send yet. The last one had ended up working in the Archive, which whilst fun wasn’t necessary any more. It would result rather tragically, so he had to think of another place to send this one. Maybe after playing with it for a while he’d just send it to make its own way in the world. They were much less likely to get hurt that way.
His workshop was in the tunnels beneath the Institute, where the prison used to be, but his direct points of power were connected to the theatres of London which he could easily move between. He moved some of the pieces from his favourites into his workshop - a few masks, some metres of curtain, all to bring that power here. He enjoyed it when there were circuses and street performers, little bursts of the Stranger scattered all over, slowly feeding him whether people realised it or not.
7 notes · View notes
madamlaydebug · 6 months ago
Text
Tumblr media
An Actor with a Cause
Daniel Lebern “Danny” Glover is an African American actor, film director and political activist. Glover is well known for his roles as Detective Sergeant Roger Murtaugh in the Lethal Weapon film series and Mr. Albert Johnson in The Color Purple. A versatile actor on screen, stage and television, Danny Glover has also become known for his community activism and philanthropic work. In March 1998 he was appointed a United Nations goodwill ambassador. For more than 30 years, Glover has been trying to make a biopic about Toussaint Louverture, who led a successful rebellion in the 18th century.
Glover was born on July 22, 1946 in San Francisco, California, to Carrie (Hunley) and James Glover. His parents were postal workers, active in the National Association for the Advancement of Colored People (NAACP). He attended George Washington High School in San Francisco, and the San Francisco State University (SFSU) in the late 1960s, without graduating. SFSU later awarded him an honorary degree. While attending SFSU, Glover was a member of the Black Students Union, which, along with the Third World Liberation Front and the American Federation of Teachers, collaborated in a five-month student-led strike to establish a Department of Black Studies. The strike was the longest student walkout in U.S. history. It helped create not only the first Department of Black Studies but also the first School of Ethnic Studies in the United States.
Glover trained at the Black Actors’ Workshop of the American Conservatory Theater. He made his Broadway debut in Athol Fugard’s production Master Harold…and the Boys, which led to his first leading role in the 1984 film Places in the Heart, which was nominated for the Best Picture Oscar. The following year, Glover starred in two more Best Picture nominees: Peter Weir’s Witnessand Steven Spielberg’s The Color Purple. In 1987, Glover partnered with Mel Gibson in the first Lethal Weaponfilm and went on to star in three hugely successfulLethal Weapon sequels.
In 1994 he made his directorial debut with the Showtime channel short film Override. Also in 1994, Glover and actor Ben Guillory formed the Robey Theatre Company in Los Angeles, focusing on theatre by and about Black people. During his career, he has made several cameos, appearing, for example, in the Michael Jackson video “Liberian Girl” of 1987. Glover earned top billing for the first time in Predator 2, the sequel to the sci-fi action film Predator. That same year he starred in Charles Burnett’s To Sleep with Anger, for which which he executive produced and for which he won an Independent Spirit Award for Best Actor. On the small screen, Glover won an Image Award and a Cable ACE Award and earned an Emmy nomination for his performance in the title role of the HBO movie Mandela. He has also received Emmy nominations for his work in the acclaimed miniseries Lonesome Dove and the telefilm Freedom Song. As a director, he earned a Daytime Emmy nomination for Showtime’s Just a Dream.
Glover has had a variety of film, stage, and television roles, but as also gained respect for his wide-reaching community activism and philanthropic efforts, with a particular emphasis on advocacy for economic justice, and access to health care and education programs in the United States and Africa. For these efforts, Glover received a 2006 DGA Honor. Internationally, Glover has served as a Goodwill Ambassador for the United Nations Development Program from 1998-2004, focusing on issues of poverty, disease, and economic development in Africa, Latin America, and the Caribbean, and serves as UNICEF Ambassador.
In 2005, Glover co-founded Louverture Films dedicated to the development and production of films of historical relevance, social purpose, commercial value and artistic integrity. For more than 30 years, Glover has been trying to make a film biography of Toussaint Louverture for his directorial debut. According to Glover, the film lacked ‘whyte heroes’, and hence whyte producers refuse to financially support the project unless the lead is surrounded by fictionalized historically inaccurate whyte heroes. In May 2006, the film had included cast members Wesley Snipes, Angela Bassett, Don Cheadle, Jonathan Rhys Meyers, Chiwetel Ejiofor, Roger Guenveur Smith, Mos Def, Isaach de Bankolé, and Richard Bohringer. Production, estimated to cost $30 million, was planned to begin in Poland, filming from late 2006 into early 2007. In May 2007, President of Venezuela Hugo Chávez contributed $18 million to fund the production of Toussaint for Glover, who is a prominent U.S. supporter of Chávez. The contribution annoyed some Venezuelan filmmakers, who said the money could have funded other homegrown films and that Glover’s film was not even about Venezuela. In April 2008, the Venezuelan National Assembly authorized an additional $9,840,505 for Glover’s film, which is still in planning.
On April 6, 2009, Glover was given a chieftaincy title in Imo State, Nigeria. Glover was given the title Enyioma of Nkwerre, which means A Good Friend in the language of the Igbo people of Eastern Nigeria.
3 notes · View notes
ggjunkie · 7 months ago
Text
Adam One-shot sneak peak
Musical Theatre! Au
College! Au
Words: 1,755
You straighten out your clothes, fingers brushing off invisible lint as you take a deep breath, the excitement bubbling just beneath your composed exterior. The echoing sounds of chatter and nervous footsteps fill the audition room lobby, where a group of hopefuls wait for their names to be called. It's finally musical season at your university, and you’ve jumped on the train with unrestrained enthusiasm.
This semester’s show is Little Shop of Horrors, a classic choice that feels like putting on a comfortable pair of favorite shoes—familiar, yet thrilling. Though it's a basic pick, you definitely aren’t complaining; this is your chance to shine. For weeks, you’ve been meticulously preparing, working with your private vocal coach and acting coach, honing every note and every gesture for this audition.
As a musical theatre major, a spot in the chorus is practically a given, but you’re not one to settle for just that. No, no, no. You have bigger ambitions. Your eyes are set on Audrey II, the mysterious talking, and singing plant. It's a role that demands charisma, vocal prowess, and a certain je ne sais quoi that you’re confident you possess. Or at least you really, really hope so.
Of course, you also understand you aren’t guaranteed a role! It’s really no biggie, you’re just excited.
Although theatre wasn’t always your passion, taking the class in middle school had spurred something in you. Since then, you’ve worked hard at your craft. And it’s definitely paid off! You managed to make it into multiple audition-based schools. At the memory, you pat yourself on the back.
Middle school was where it all began. You still remember the thrill of your first performance, the way the stage lights felt warm and comforting, and the applause that followed. It ignited a spark in you, a passion that has only grown stronger with time.
In high school, you faced more challenges. The competition was fierce, and the stakes were higher, but you rose to the occasion. You worked tirelessly, attending acting workshops, vocal lessons, and dance classes. You balanced your schoolwork with your theatrical pursuits, often sacrificing sleep and social activities to chase your dreams.
When it came time to apply for colleges, you aimed high, auditioning for some of the best programs in the country. The acceptance letters that followed were proof of your hard work and dedication. You had made it into multiple audition-based schools, each one a testament to your talent and perseverance.
Now, standing here, you can't help but feel a swell of pride. You've come a long way from that middle school elective. You've faced rejections and setbacks, but you've also experienced triumphs and growth. Every step of the journey has been worth it, and you're excited for what lies ahead.
Eventually, you finally hear your name called, pulling you out of your thoughts. You smile at the runner, a freshman eager to get their required hours in, and hand them your resume. They take it gratefully, glancing over the neatly printed sheet as they lead you into the audition room. It’s a black box theater, a square room with black walls and flooring. The stark simplicity of the space serves as a blank canvas, allowing the directors to transform it into whatever they need, just as they have for these auditions.
Their table is set up near the back, papers and coffee cups scattered across its surface, giving them a perfect vantage point to observe and take notes without being overheard. They chat quietly among themselves, their voices a low murmur that blends into the background hum of the building. You can feel their eyes on you as you step into the room, the anticipation almost tangible in the air.
Near the door, a piano sits, and at the bench is what you can guess to be your accompanist—a tall, chubby brunette with a messy sort of look about him. He’s honestly kind of cute, but you can’t afford to focus on that right now. You have an audition to nail.
You greet the directors with a confident smile and a nod, then march over to the piano. Handing the accompanist your binder, you ensure it’s open to the marked sheet music. Like a seasoned performer, you’ve already highlighted the 32-bar cut of your song, clearly indicating where he should start and stop.
As he scans the music, you take a moment to explain your plan. You point out the precise places where you’ll be taking breaths and describe the tempo you have in mind. He listens attentively, nodding along as you speak, his fingers instinctively moving over the keys as if mentally rehearsing the piece.
You glance over at the directors, expecting them to be ready, but they’re still shuffling papers and folders on their desk, likely comparing notes from previous auditions. A flicker of impatience might cross another's face, but not yours. Instead, you smile, savoring the rush of adrenaline that auditions always bring.
The anticipation heightens the moment, and you use the extra time to center yourself even more. You roll your shoulders, subtly release the tension in your hands, and take another calming breath. The hum of quiet activity behind the directors' table, the muted clink of pens and rustle of paper, only amplifies your focus.
"So, got any plans after this?"
You frown, snapping back to the present as you turn to the accompanist. "Excuse me?"
He smirks, leaning in slightly. "I can take you out on the town, show you a real good time. My roommate is even out for the night, if you know what I mean." He wiggles his eyebrows suggestively.
You scrunch your nose, not appreciating the distraction from your audition. You need to get in the zone and focus, but he’s throwing you off. You can entertain the idea after the audition, not during. However, at your reaction, he takes it as a no and furrows his brows. He starts to say something, probably something rude, before you walk off.
You head to the tape marking your spot on the floor, feeling the familiar buzz of excitement mingled with nerves. The directors stare at you blankly, their faces giving nothing away, but you know better than to let it get to you. This is your moment.
Taking a deep breath, you slate in, introducing yourself with a clear, confident voice
“I’ll be performing the song ‘Jenny’s Blues’ from ‘It Shoulda Been You,’ and a monologue from ‘Confrontation’ by Kelly Powell.” You smile before dipping your head, breathing in, and starting your piece. Your voice is strong, resonant, effortlessly sliding into the comfortable range of the song. Each note is delivered with precision, every word infused with emotion. You make sure to breathe deeply, expanding your diaphragm to support your powerful vocals.
However, halfway through your audition cut, you hear the piano falter and fumble, the notes coming out jumbled. You pause for a split second, a flicker of concern passing through your mind, but you quickly regain your focus. Mistakes happen, and you're determined not to let it throw you off. You press on, maintaining your composure and delivering a flawless performance despite the hiccup.
As you reach the climax of the song, you hold out your money note, pouring every ounce of emotion into it. The accompanist manages to catch up, albeit a little off rhythm, but you don’t let it deter you. With a final flourish, you finish the song.
You manage a quick glance at the accompanist before looking back– but wait, hold on. You look back again. That fucker has a smug smirk plastered across his face. His eyes twinkle with amusement, and suddenly it all clicks into place: He tried to mess you up on purpose because you ‘rejected’ him. Any chance you had with him suddenly goes straight down the drain, and now you're fuming.
You grit your teeth, trying to tamp down the surge of anger that threatens to consume you. How dare he sabotage your audition like that? But you refuse to let his petty actions derail your performance. Instead, you channel that newfound adrenaline, that simmering rage, into your audition.
With renewed determination, you throw yourself into the monologue, each word dripping with raw emotion. Your voice crackles with intensity as you inhabit the character, every gesture charged with conviction. The room seems to pulse with energy, your presence commanding attention as you deliver a performance that's nothing short of electrifying.
Well, not like you’d think as much.
You perform your piece, and as you finish, you try not to beat yourself up about it. It was… okay. A little frustrating, perhaps, because you ran more on muscle memory and pettiness than actually existing in the moment, but the dedication and hard work you had put into it still shone through. You remind yourself that perfection is an elusive goal, and what truly matters is the passion and effort you poured into your performance.
As for the song, you try not to dwell on it too much. Otherwise, you know you’ll get stuck in your perfectionist head, picking apart every single detail until it drives you mad. Instead, you choose to focus on the positives, reminding yourself of the moments where you truly connected with the material and let your talent shine through.
You take a deep breath, feeling a sense of relief wash over you now that the audition is over. Whatever the outcome, you gave it your all, and that’s something to be proud of.
You thank the directors, offering them a quick but polite goodbye, and head over to the piano to retrieve your binder. The pianist smirks, a mischievous glint in his eyes as he hands you the binder. But as you reach out to take it, he doesn’t let go. You tug gently, expecting him to release it, but his grip remains firm.
Your frustration mounts as you give the binder another tug, but still, he refuses to hand it over. With a growing sense of annoyance, you pull harder, and finally, he lets go. But instead of handing it to you properly, he lets it slip from his fingers, and it drops unceremoniously to the floor with a thud.
This bitch.
Instead of giving him the satisfaction of seeing you lose your cool, you bend down gracefully, feeling his eyes linger on your rear, and pick up the binder. Straightening up with a sense of quiet determination, you shoot him a subtle, sour look, and exit through the door.
24 notes · View notes
lboogie1906 · 5 months ago
Text
Tumblr media
The Negro Ensemble Company was founded in New York City, under the direction of actor Robert Hooks, actor, playwright, and director Douglas Turner Ward, and producer, and director Gerald Krone. NEC was criticized for its integrated administration (Krone was white), its grant from the Ford Foundation, its location in Greenwich Village, and its first season’s bill.
The genesis of the NEC can be traced to 1965 with the production of two one-act plays by Douglas Turner Ward, Happy Ending and Day of Absence, both satires.
The success of the plays prompted the New York Times to ask Ward to write an article on the Afro-Americans in the theatre titled “American Theatre: For Whites Only?” In the article published on August 14, 1966, Ward stressed the need for an established Black theatre by African American playwrights with an unfettered, imaginative Negro angle of vision. He targeted Blacks as the primary audience, but he wanted to attract an informed white audience that shared common experiences to readily understand, and debate the playwrights’ explorations. Ward’s Times article attracted the attention of W. McNeil Lowrey at the Ford Foundation which asked him to apply for a grant for such a theatre. The Ford Foundation awarded Ward a $434,000 grant to establish the NEC. Teaming with Robert Hooks, who brought to the NEC his three-year-old Group Theater Workshop, they made the St. Marks’ Playhouse, the permanent home of NEC since it had been the site of Ward’s successful playwriting debut. A defined policy established the company as a Black-oriented, Black-controlled theatre of high professional standards with an extensive training program in all facets of theatre, from acting to backstage crafts.
The NEC launched or boosted the careers of numerous African American actors including Moses Gunn, Francis Foster, Adolph Caesar, Denise Nicholas, Roxie Roker, Esther Rolle, Rosalind Cash, David Downing, Judyann Elder, Arthur French, Hattie Winston, Clarice Taylor, Allie Woods, and Ron O’Neal. Others who performed with NEC included Stephanie Mills, Cleavon Little, Richard Roundtree, Lauren Jones, and Roscoe Lee Browne. #africanhistory365 #africanexcellence
2 notes · View notes
meraki-yao · 8 months ago
Text
Rent the musical viewing thoughts list
(this is entirely out of order)
Two people in the cast led the musical theatre workshop I attended in March: one was Maureen, I previously saw her as Veronica in a 2022 production of Heathers the musical; one was supposed to be Joanne but fractured their leg, so instead they were ensemble and the soloist for Seasons of Love
The production company is "Hong Kong Singers" so everyone had a strong, really good voice, but the choreography was a bit lacking
I mouthed along to most of the songs because I know the show lmao
And for that very reason, I could tell when they made a mistake: Colins missed his "getting dizzy" line in Rent, and Mark fucking lost it and gave up during his solo part of La Vi Bohme
Cried during Another Day
Cried during Will I
Full on UGLY SOBBED the moment Angel died, all through I'll cover you reprise, to the point the person sitting next to me handed me a tissue, I couldn't fucking breathe
Colin's kissed Angel on his temple during Without I I BROKE
When they were leaving the stage after curtain call, Colin's picked up Angel and spun him around, it was the cutest shit
I always skip Over the Moon when I watch a production on YouTube or listen to the album because it makes me cringe: this is the first time I didn't, and laughed by fucking ass off instead
Every fucking body mooed along
Stand outs in the main cast: Colins, Mimi, Maureen, Joanne, Benny (holy shit the voice of whoever played Benny, so smooth and powerful)
Stand outs in the ensemble: Joanne's dad, Mark's Mom/Homeless Woman, Alexis Darling (is that her name? The buzzline woman)
Everyone with a solo in the cast speaks/sings English in an American/International accent, and then the drug dealer opens his mouth to sing and it's such a heavy Hong Kong accent lmao everyone laughed
Colins and Angel had the best chemistry out of the couples
Roger had a great voice but his acting was... Like, he was more like a sad teenager than a person who hates the whole world and themselves
I was squealing internally and squirming in my seat when the beginning notes of I'll Cover You started playing, so far it's my favourite musical love duet
Angel was holding an umbrella during I'll Cover You and I was wondering what was that for, but then when they kissed at the end of the song, they opened the umbrella and covered their faces with it: it was a rainbow umbrella. It was a gay umbrella.
Roger and Mimi, Angel and Colins smooched during Curtin Call, everybody awed
Angel looked like Sharpy Evans during Happy New Year
The sorrow on Colins face during I'll Cover You reprise further broke me
The last thing Angel did before leaving the stage was wrap his arms around Colins and rest his head on his shoulder, I sobbed even more
I'd say the vast majority of the cast were non Chinese; no one in the main cast was Chinese: Benny was Black, the lesbians were both White, Mark, Mimi, Angel and Collins are ethically Filipino. The programme doesn't state Roger's nationality but his surname isn't a Chinese one. Theatre really is one of the most diversed and accepting communities here. But it also says a lot a out the locals attitude on musical theatre/contemporary theatre here.
Btw here's the QR code to the programme which has a details introduction to every cast member
Tumblr media
All in all although I went alone, I'm kinda glad that I went alone so I could fully immerse myself into the show! It was a great performance and probably the closest we'll ever get to anything like Broadway over here
3 notes · View notes
muspeccoll · 1 year ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
As we kick off Mizzou's 184th academic year, we're looking back on classes of the past with photos from University Archives. From top to bottom:
Dr. Allen's class, n.d. University Archives Collection C:0/47/1
Registration, 1931, complete with a freshman-beanie-wearing student. University Archives Collection C:1/141/6
International Student Orientation, 1966. Missouri alumnus, volume 056, number 01 (1966 October)
An exercise in Clyde Ruffin's Black Theatre Workshop, 1982. Missouri alumnus, volume 070, number 02 (1982 January-February)
Have a great semester, Tigers! We can't wait to see all you achieve.
11 notes · View notes