#bhojpuri news in hindi

[reallyironcreator]

Watch it:

[jeevanjali]

Shri Chhath Mata Chalisa: कबहुँ ना छूटी छठि मइया, हमनी से बरत तोहार आप भी करें छठ माता चालीसा का पाठShri Chhath Mata Chalisa: जो भी भक्त छठ माता चालीसा का पाठ करते हैं उन्हें जीवन में कभी असफलता का सामना नहीं करना पड़ता है।

[daily-quiz-join]

सांसद राजीव प्रताप रूडी ने भोजपुरी में शपथ नहीं ले पाने पर अफसोस जताया

नयी दिल्ली। बिहार के सारण से भारतीय जनता पार्टी (भाजपा) के सांसद राजीव प्रताप रूडी ने सोमवार को लोकसभा में शपथ लेने से पहले इ�� बात पर अफसोस जताया कि नियमों के चलते वह भोजपुरी में शपथ नहीं ले सकते। लोकसभा में सोमवार को उस समय भाषाई विविधता की झलक देखने को मिली, जब अनेक नवनिर्वाचित सांसदों ने हिंदी के साथ-साथ संस्कृत, डोगरी, बांग्ला, असमिया, तेलुगू, मलयालम, उड़िया तथा कुछ अन्य भारतीय भाषाओं में शपथ…

[mayapurimagazine]

Subhash Chandra Tiwari Death: भोजपुरी डायरेक्टर Subhash Chandra Tiwari का होटल में मिला शव, जानें इसके पीछे का पूरा सच

[newswatchindia]

The RRR movie has been in constant discussion since its release and after winning the Oscar, it again made headlines. Meanwhile, a sad news is coming, Irish, who played the role of Villain in SS Rajamouli's blockbuster film 'RRR'. Actor Ray Stevenson has passed away at the age of 58. However, the reason behind the death of the actor is yet to be known.

[journalistdharm]

आज काफी दिनों बाद बिहार शरीफ नगर विधायक डॉक्टर सुनील सर से मुलाकात हुई और कई अहम मुद्दों पर चर्चा हुई साथ ही फिल्म के क्षेत्र से जुड़े कलाकारों के लिए भी अपने बातों को रखा तथा ऑल इंडियन सीनियर वर्कर्�� एसोसिएशन के विषय में जानकारी प्रदान किया । आपका धर्म प्रकाश रुद्र बिहार/झारखंड राज्य प्रभारी ( AICWA ) #biharsharif #Nalanda #film #FilmIndustry #bhojpuri #hindi #instagram #instapost #virales #trend #patna #news https://www.instagram.com/p/CofRM-LpH0h/?igshid=NGJjMDIxMWI=

[englishsikhohindimain]

Happy New Year Wishes For Love in English, Hindi & Bhojpuri | Love को Ne...

[thesupercoolchronicles]

Happy New Year, Everyone!!🥳🎉🎇Here's wishing you an awesomely rewarding 2025 filled with good health, happiness, peace, friendship, new adventures, big dreams, and accomplishments!

LANGUAGE TRANSLATION

AFRIKAANS gelukkige nuwejaar / voorspoedige nuwejaar

AKPOSSO ilufio ètussé

ALBANIAN Gëzuar vitin e ri

ALSATIAN e glëckliches nëies / güets nëies johr

ARABIC عام سعيد (aam saiid) / sana saiida

ARMENIAN shnorhavor nor tari

ATIKAMEKW amokitanone

AZERI yeni iliniz mübarək

BAMBARA aw ni san'kura / bonne année

BASAA mbuee

BASQUE urte berri on

BELARUSIAN З новым годам (Z novym hodam)

BENGALI subho nababarsho

BERBER asgwas amegas

BETI mbembe mbu

BHOJPURI nauka sal mubarak hoe

BOBO bonne année

BOSNIAN sretna nova godina

BRETON bloavezh mat / bloavez mad

BULGARIAN честита нова година (chestita nova godina)

BURMESE hnit thit ku mingalar pa

CANTONESE sun lin fi lok / kung hé fat tsoi

CATALAN bon any nou

CHINESE (MANDARIN) 新年快乐 (xin nian kuai le) / 新年好 (xin nian hao)

CORNISH bledhen nowedh da

CORSICAN pace è salute

CROATIAN sretna nova godina

CZECH šťastný nový rok

DANISH godt nytår

DARI sale naw tabrik

DUALA mbu mwa bwam

DUTCH gelukkig nieuwjaar

ENGLISH happy new year

ESPERANTO feliĉan novan jaron

ESTONIAN head uut aastat

EWE eƒé bé dzogbenyui nami

EWONDO mbembe mbu

FANG bamba mbou

FAROESE gott nýggjár

FINNISH onnellista uutta vuotta

FLEMISH gelukkig nieuwjaar

FON coudo we yoyo

FRENCH bonne année

FRISIAN lokkich neijier

FRIULAN bon an

FULA dioul mo wouri

GALICIAN feliz ano novo

GEORGIAN გილოცავთ ახალ წელს (gilocavt akhal tsels)

GERMAN Frohes neues Jahr / prosit Neujahr

GREEK Καλή Χρονιά (kali chronia / kali xronia) / Ευτυχισμένος ο Καινούριος Χρόνος (eutichismenos o kainourgios chronos)

GUJARATI sal mubarak / nootan varshabhinandan

GUARANÍ rogüerohory año nuévo-re

HAITIAN CREOLE bònn ané

HAOUSSA barka da sabuwar shekara

HAWAIIAN hauoli makahiki hou

HEBREW שנה טובה (shana tova)

HERERO ombura ombe ombua

HINDI nav varsh ki subhkamna

HMONG nyob zoo xyoo tshiab

HUNGARIAN boldog új évet

ICELANDIC gleðilegt nýtt ár

IGBO obi anuri nke afor ohuru

INDONESIAN selamat tahun baru

IRISH GAELIC ath bhliain faoi mhaise

ITALIAN felice anno nuovo / buon anno

JAVANESE sugeng warsa enggal

JAPANESE あけまして　おめでとう　ございます (akemashite omedetô gozaimasu)

KABYLIAN aseggas ameggaz

KANNADA hosa varshada shubhaashayagalu

KASHMIRI nav reh mubarakh

KAZAKH zhana zhiliniz kutti bolsin

KHMER sur sdei chhnam thmei

KIEMBU ngethi cya mwaka mweru

KINYARWANDA umwaka mwiza

KIRUNDI umwaka mwiza

KOREAN 새해 복 많이 받으세요 (seh heh bok mani bat uh seyo)

KURDE sala we ya nû pîroz be

KWANGALI mvhura zompe zongwa

LAO sabai di pi mai

LATIN felix sit annus novus

LATVIAN laimīgu Jauno gadu

LIGURIAN bón ànno nêuvo

LINGALA bonana / mbúla ya sika elámu na tombelí yɔ̌

LITHUANIAN laimingų Naujųjų Metų

LOW SAXON gelükkig nyjaar

LUGANDA omwaka omulungi

LUXEMBOURGEOIS e gudd neit Joër

MACEDONIAN Среќна Нова Година (srekna nova godina)

MALAGASY arahaba tratry ny taona

MALAY selamat tahun baru

MALAYALAM nava varsha ashamshagal

MALTESE is-sena t-tajba

MANGAREVAN kia porotu te ano ou

MAORI kia hari te tau hou

MARATHI navin varshaachya hardik shubbheccha

MARQUISIAN kaoha nui tenei ehua hou

MOHAWK ose:rase

MONGOLIAN Шинэ жилийн баярын мэнд хvргэе (shine jiliin bayariin mend hurgeye)

MORÉ wênd na kô-d yuum-songo

NDEBELE umyaka omucha omuhle

NGOMBALE ngeu' shwi pong mbeo paghe

NORMAN boune anna / jostouse anna

NORWEGIAN godt nyttår

OCCITAN bon annada

ORIYA subha nababarsa / naba barsara hardika abhinandan

OURDOU naya sar Mubarak

PALAUAN ungil beches er rak

PAPIAMENTU bon anja / felis anja nobo

PASHTO nawe kaalmo mobarak sha

PERSIAN سال نو مبارک (sâle no mobârak)

POLISH szczęśliwego nowego roku

PORTUGUESE feliz ano novo

PUNJABI ਨਵੇਂ ਸਾਲ ਦੀਆਂ ਵਧਾਈਆਂ (nave saal deeyan vadhaiyaan)

ROMANCHE bun di bun onn

ROMANI baxtalo nevo bersh

ROMANIAN un an nou fericit / la mulţi ani

RUSSIAN С Новым Годом (S novim godom)

SAMOAN ia manuia le tausaga fou

SAMI buorre ådåjahke

SANGO nzoni fini ngou

SARDINIAN bonu annu nou

SCOTTISH GAELIC bliadhna mhath ur

SERBIAN Срећна Нова година (Srećna Nova godina)

SHIMAORE mwaha mwema

SHONA goredzva rakanaka

SINDHI nain saal joon wadhayoon

SINHALESE ශුභ අළුත් අවුරුද්දක් වේවා (shubha aluth awuruddak weiwa)

SLOVAK šťastný nový rok

SLOVENIAN srečno novo leto

SOBOTA dobir leto

SOMALI sanad wanagsan

SPANISH feliz año nuevo

SRANAN wan bun nyun yari

SWAHILI mwaka mzuri / heri ya mwaka mpya

SWEDISH gott nytt år

SWISS-GERMAN es guets Nöis

TAGALOG manigong bagong taon

TAHITIAN ia orana i te matahiti api

TAMAZIGHT assugas amegaz

TAMIL இனிய புத்தாண்டு நல்வாழ்த்துக்கள் (iniya puthandu nal Vazhthukkal)

TATAR yaña yıl belän

TELUGU నూతన సంవత్శర శుభాకాంక్షలు (nuthana samvathsara subhakankshalu)

THAI สวัสดีปีใหม่ (sawatdii pimaï)

TIBETAN tashi delek / losar tashi delek

TIGRE sanat farah wa khare

TSHILUBA tshidimu tshilenga

TSWANA itumelele ngwaga o mosha

TULU posa varshada shubashaya

TURKISH yeni yılınız kutlu olsun

TWENTS gluk in'n tuk

UDMURT Vyľ Aren

UKRAINIAN Щасливого Нового Року / З Новим роком (z novym rokom)

URDU naya sal mubarak

UZBEK yangi yilingiz qutlug' bo'lsin

VIETNAMESE Chúc Mừng Nǎm Mới / Cung Chúc Tân Niên / Cung Chúc Tân Xuân

WALOON ene boune anéye, ene boune sintéye

WALOON ("betchfessîs" spelling) bone annéye / bone annéye èt bone santéye

WELSH blwyddyn newydd dda

WEST INDIAN CREOLE bon lanné

WOLOF dewenati

XHOSA nyak'omtsha

YIDDISH a gut yohr

YORUBA eku odun / eku odun tun tun / eku iyedun

ZERMA barka'n da djiri tagio

ZULU unyaka omusha omuhle

[reallyironcreator]

Watch Now: http://surl.li/uhoydw

[beatverse1]

Strategies for Success: Learning from Top Indian Musicians

In the ever-evolving landscape of the Indian music industry, certain artists have not only emerged as icons but have also paved the way for others with their innovative strategies and resilient career moves. By examining the careers of Jaspinder Narula, Mano, Kalpana Patowary, Vijay Yesudas, and Naresh Iyer, we can glean a multitude of approaches that lead to success in this competitive field.

Building a Unique Brand Identity

Each of these artists has a unique voice and style, which they have meticulously crafted over years. For instance, Jaspinder Narula’s ability to infuse traditional Punjabi music with contemporary beats has made her a beloved figure in Bollywood. This blending of styles has not only broadened her appeal but also set her apart from her contemporaries.

Diversification of Skills

Mano’s journey in the Tamil and Telugu music scenes exemplifies the power of versatility. Not just a singer, Mano has worked as a voice actor, producer, and music director, showcasing that diversifying one’s skill set can significantly enhance career longevity and relevance in the music industry.

Leveraging Regional Popularity

Kalpana Patowary has leveraged her expertise in folk and traditional music to carve a niche in the Bhojpuri music industry before transitioning to mainstream Hindi music. Her strategic embrace of regional languages has endeared her to a broad audience base, demonstrating the effectiveness of connecting deeply with specific demographic segments.

Strategic Collaborations

Vijay Yesudas has not shied away from collaborations that have propelled his visibility across various music platforms. Collaborating with other artists not only diversifies one’s musical portfolio but also taps into the fan bases of those artists, effectively multiplying reach.

Constant Innovation

Naresh Iyer’s journey underscores the importance of constant innovation. By continuously experimenting with different musical styles and embracing new technologies and platforms, Naresh has kept his music fresh and relevant, attracting younger audiences continually.

Engaging with Fans

Engagement with fans has taken a front seat with the advent of social media. These artists have used platforms like Instagram, Twitter, and YouTube to maintain a direct line of communication with their fans, share behind-the-scenes content, and build a community around their music. This ongoing engagement has not only sustained interest in their careers but also built a loyal fanbase that supports all their musical endeavors.

Adapting to Digital Changes

In the digital era, adaptability is key. These musicians have adeptly navigated the shift from traditional record sales to streaming platforms, utilizing digital marketing strategies to maximize their online presence and ensure their music reaches a global audience.

Conclusion

The paths of Jaspinder Narula, Mano, Kalpana Patowary, Vijay Yesudas, and Naresh Iyer offer invaluable lessons on resilience, adaptability, and strategic innovation. By studying their strategies, upcoming musicians can gain insights into creating a sustainable and successful career in the challenging yet rewarding world of music.

[musicindustry123]

Regional Music Availability on JioSaavn vs Spotify: Which Has More?

India's diverse musical heritage and language variety make regional music an essential aspect of music streaming services. For many users, the choice of a streaming platform often hinges on its ability to offer a vast selection of regional songs, from Tamil and Telugu hits to Punjabi beats and Marathi folk music. JioSaavn and Spotify, two leading streaming platforms in India, recognize the importance of regional music in appealing to a broader audience, but they each bring different strengths to the table. This article dives into the "JioSaavn vs Spotify" debate, focusing specifically on which platform best caters to India’s regional music audience and helps listeners connect with local artists and songs.

1. Regional Music Catalog: JioSaavn’s Focus vs. Spotify’s Expansion

JioSaavn has established itself as a regional music powerhouse. As a homegrown streaming platform with deep roots in the Indian music industry, JioSaavn has formed partnerships with multiple regional labels and artists, creating an extensive library of songs in various Indian languages. Its catalog covers a range of languages, including Hindi, Tamil, Telugu, Punjabi, Kannada, Bengali, Gujarati, Marathi, Malayalam, and Bhojpuri, catering to listeners across India.

Spotify entered the Indian market in 2019 and initially focused on international and Bollywood content. However, in recent years, Spotify has recognized the value of regional music in India and has made significant investments in expanding its catalog to include regional tracks. Today, it offers a diverse library with songs in languages such as Hindi, Punjabi, Tamil, and Telugu, though it still lacks some of the depth in regional music that JioSaavn provides.

2. Curation of Regional Playlists

Both platforms understand that playlists are powerful tools for music discovery, and they have developed various curated playlists to enhance the user experience. JioSaavn has an extensive selection of regional playlists, many of which are updated regularly to reflect the latest hits. It provides genre-based playlists within each language category, such as Tamil Love Songs, Punjabi Beats, Telugu Blockbusters, and Bengali Classics, ensuring that users can easily find music that suits their mood and preferences.

Spotify has also increased its focus on regional playlists in recent years, but it takes a different approach to curation. Spotify’s playlists like “Desi Hits,” “Top Hits Tamil,” and “Punjabi 101” combine both mainstream Bollywood hits and regional tracks, making it easy for listeners to discover songs in multiple languages without having to search by language alone. Additionally, Spotify’s personalized playlists, such as “Daily Mix” and “Discover Weekly,” often include regional tracks for users who show an interest in Indian music. While Spotify’s approach to regional music curation is broader, JioSaavn’s playlist structure is more targeted, catering directly to each language and genre within the Indian music scene.

3. Regional Language Integration and User Experience

JioSaavn’s focus on regional music extends beyond its catalog, as the app itself is designed with an Indian audience in mind. Its user interface (UI) highlights popular regional genres and languages on the home screen, allowing users to jump directly into their preferred regional language categories. This is especially helpful for older users or those new to digital music platforms who may find language-specific navigation essential.

Spotify, being an international app, has a more generalized approach in its interface. However, it has started to cater to Indian audiences by offering language options and regional playlists prominently on the app’s homepage. In recent updates, Spotify has also introduced a Hindi language interface, which allows users to navigate the app in Hindi. While Spotify’s interface may lack the cultural specificity found in JioSaavn, it is still accessible for users looking for regional music, especially if they are familiar with the app’s navigation.

4. Collaborations with Regional Artists and Exclusive Releases

JioSaavn’s position as an Indian platform gives it an advantage when collaborating with regional artists. Through partnerships with Indian labels and emerging talent, JioSaavn regularly features exclusive releases, new albums, and regional hits. Many up-and-coming Indian artists launch their music on JioSaavn first, and the platform often promotes these artists through exclusive playlists and recommendations. This gives users the opportunity to discover the latest regional hits before they are available on other platforms.

Spotify, though relatively new to India, has made strides in supporting regional artists. With initiatives like Spotify RADAR, which highlights emerging talent worldwide, and the creation of playlists such as “Radar India,” the platform is making efforts to promote Indian artists. However, Spotify’s emphasis is often on more mainstream and international-friendly regional tracks, which can sometimes limit its offerings compared to JioSaavn’s expansive catalog of local talent and exclusives.

5. User Perception and Regional Popularity

The popularity of JioSaavn and Spotify within the regional music space varies across India. For listeners who prioritize a more India-centric experience, JioSaavn is frequently the preferred choice, largely due to its strong association with Indian music and greater language-specific content. Many Indian users report that they find JioSaavn better suited to their music needs, particularly for language-dedicated playlists and artist recommendations.

Spotify has a reputation for its algorithm-driven recommendations and playlist curation, which some users find beneficial when exploring both regional and international music. While Spotify may not have the same level of regional integration as JioSaavn, its personalized playlists offer users a good mix of Bollywood, regional, and Western hits based on their listening history, which many listeners enjoy for its diverse appeal.

6. Comparing Offline Mode and Accessibility for Regional Music

For many listeners in India, offline mode is crucial to enjoy music without interruption in areas with poor connectivity. Both JioSaavn and Spotify offer offline downloads to premium users, allowing users to save songs, playlists, and albums for offline listening. In JioSaavn, offline access includes all regional music content, and users can download songs in high quality without limitations. This feature is especially useful for rural users or those with limited data access who prioritize regional music.

Spotify also provides offline access to its entire catalog, including regional songs. However, the quality of regional content might vary, as some regional tracks are not available in high-definition audio. Despite this, Spotify’s offline functionality is smooth and easy to use, making it a strong competitor in the offline accessibility space. For listeners specifically focused on regional music, JioSaavn’s broad catalog and data-efficient offline downloads make it a more convenient choice.

7. Algorithm-Driven Regional Music Recommendations

Spotify is known for its algorithm-driven recommendations, which include personalized playlists like “Discover Weekly” and “Daily Mix.” These playlists adapt to the user’s music preferences, so users who frequently listen to regional music will likely see a good mix of their preferred regional tracks alongside popular global hits. Spotify’s data-driven recommendations are a highlight for users who appreciate a mix of curated and algorithmically recommended songs.

JioSaavn also offers music recommendations, but its focus is more on curating playlists than relying solely on algorithms. While JioSaavn does suggest songs based on user history, it emphasizes regional playlists curated by experts, making it more suitable for users who prefer handpicked music over algorithm-driven playlists. This curated approach aligns with JioSaavn’s commitment to promoting Indian and regional music while meeting local tastes.

Conclusion In the “JioSaavn vs Spotify” debate around regional music, each platform offers unique advantages. JioSaavn’s regional music focus, language-specific playlists, and strong partnerships with local artists make it a prime choice for Indian listeners who want easy access to a wide array of regional music. Spotify, with its international influence and innovative algorithm-driven playlists, brings a different appeal, offering regional music along with a rich catalog of global songs. For users who prioritize regional music and cultural relevance, JioSaavn is an excellent choice, while Spotify remains a strong option for those who enjoy a mix of local and international hits. Ultimately, the best choice between JioSaavn and Spotify will depend on individual music preferences and how strongly users value regional language diversity in their streaming experience.

[thesavalavada]

IMPERIAL HINDI DIVAS DAY: As the Akhand Bharat Empire gears to celebrate the National Language while it cuts funding for all classical languages except Sanskrit, all regions of the Great Bharat Empire are required to mandatorily only speak in the Brahmanical tongue that was cut off from Hindustani to further Indian Hindu Nationalism. This comes as the Federated Republic Of Southern India resists the attempts of linguistic imperialism driven by the Hindu Nationalist BJP, as can be seen in their recent attempt at renaming Port Blair of Andaman and Nicobar Islands as Sri Sri something something instead of asking indigenous tribal people what they would like their places to be called. This familiar Aryan tradition of invading, invalidating and forcing imposition is nothing new and has already seen the decimation of the Congress party from Tamil Nadu when it tried to impose Hindi leading to intense Anti-Hindi agitations in 1965. All this for a language created barely a century ago to standardise the diverse linguistic traditions of Northern India which inturn has led to the decline of languages like Awadhi, Maithili and Bhojpuri.

Meanwhile the Central Govt uses funds for disabled kids in schools as blackmail to armtwist South Indian states to mandate the teaching of Hindi. All is safe in Bharat as the continued assertion of a single language spoken by just around 40% of the population is forced onto the rest which will definitely help in National Integration™. This is a developing story.

[lyricsolution-com]

Remember Salman Khan's Judwaa Co-star Rambha? Today, She Is Settled In Canada And Has Two Daughters, See Her Latest Pics | People News

New Delhi: Who all still remember superstar Salman Khan’s stunning South co-star Rambha from Judwaa (1997). The actress worked in several hit films in her career spanning almost two decades. She featured in over 100 films across eight languages, predominantly in Telugu and Tamil, in addition to Hindi, Kannada, and Malayalam, along with a few Bengali, Bhojpuri and English films. WHERE IS RAMBHA…

[influencermagazineuk]

Google Translate Expands Language Fluency with 110 New Additions, from Abkhaz to Zulu

Google Translate is expanding its language capabilities significantly, adding 110 new languages, including Manx, in its largest single expansion ever. This brings the total number of languages supported by the translation tool to 243, nearly doubling its previous count. The expansion is driven by PaLM 2, the latest iteration of Google's Pathways Language Model introduced in 2022 and enhanced with version 2 in May 2023. Google Translate has steadily broadened its language repertoire over the years. In 2008, for instance, it added Czech, a crucial addition for many, including this writer, who moved to a Czech-speaking region a decade ago. Recently, the focus has also extended to languages like Manx, spoken on the Isle of Man. This expansion, similar to a more modest increase of 24 languages in 2022, utilizes Google's Zero Shot machine translation method. Since 2016, Google Translate has employed neural network models for translation, with zero-resource training enabling the models to translate languages without exact one-to-one matching texts in the training database. This development highlights a practical application of large language models (LLMs), which some present as AI. LLMs operate on neural networks, and contrary to marketing claims about "AI accelerator chips," these are primarily specialized co-processors for faster tensor mathematics computations. Machine translation plays a crucial role in preserving and revitalizing minority languages. A notable example is Manx, which has seen a revival over the past few decades. The last native speaker, Edward "Ned" Maddrell, passed away in 1974. However, efforts to document the language through recordings and videos have preserved it. Today, there is a new generation of native Manx speakers, with children being raised by adults who learned the language as a second language. Additionally, the establishment of Bunscoill Ghaelgagh, a Manx language primary school, has further contributed to the language's resurgence. Google's recent addition of 110 languages, including Manx, marks its largest expansion ever of Google Translate. This brings the total number of languages supported by the translation tool to 243, nearly doubling its previous count. The expansion is powered by PaLM 2, the latest release of Google's Pathways Language Model introduced in 2022 and improved with version 2 in May 2023. Google Translate has been gradually expanding its language capabilities for years, a journey that began with the addition of languages like Czech back in 2008, catering to diverse linguistic needs worldwide. The comprehensive list of languages now supported by Google Translate includes Abkhaz, Acehnese, Acholi, Afar, Afrikaans, Albanian, Alur, Amharic, Arabic, Armenian, Assamese, Avar, Awadhi, Aymara, Azerbaijani, Balinese, Baluchi, Bambara, Baoulé, Bashkir, Basque, Batak Karo, Batak Simalungun, Batak Toba, Belarusian, Bemba, Bengali, Betawi, Bhojpuri, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cantonese, Catalan, Cebuano, Chamorro, Chechen, Chichewa, Chinese (Simplified), Chinese (Traditional), Chuukese, Chuvash, Corsican, Crimean Tatar, Croatian, Czech, Danish, Dari, Dhivehi, Dinka, Dogri, Dombe, Dutch, Dyula, Dzongkha, English, Esperanto, Estonian, Ewe, Faroese, Fijian, Filipino, Finnish, Fon, French, Frisian, Friulian, Fulani, Ga, Galician, Georgian, German, Greek, Guarani, Gujarati, Haitian Creole, Hakha Chin, Hausa, Hawaiian, Hebrew, Hiligaynon, Hindi, Hmong, Hungarian, Hunsrik, Iban, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican Patois, Japanese, Javanese, Jingpo, Kalaallisut, Kannada, Kanuri, Kapampangan, Kazakh, Khasi, Khmer, Kiga, Kikongo, Kinyarwanda, Kituba, Kokborok, Komi, Konkani, Korean, Krio, Kurdish (Kurmanji), Kurdish (Sorani), Kyrgyz, Lao, Latgalian, Latin, Latvian, Ligurian, Limburgish, Lingala, Lithuanian, Lombard, Luganda, Luo, Luxembourgish, Macedonian, Madurese, Maithili, Makassar, Malagasy, Malay, Malay (Jawi), Malayalam, Maltese, Mam, Manx, Maori, Marathi, Marshallese, Marwadi, Mauritian Creole, Meadow Mari, Meiteilon (Manipuri), Minang, Mizo, Mongolian, Myanmar (Burmese), Nahuatl (Eastern Huasteca), Ndau, Ndebele (South), Nepalbhasa (Newari), Nepali, NKo, Norwegian, Nuer, Occitan, Odia (Oriya), Oromo, Ossetian, Pangasinan, Papiamento, Pashto, Persian, Polish, Portuguese (Brazil), Portuguese (Portugal), Punjabi (Gurmukhi), Punjabi (Shahmukhi), Quechua, Q'eqchi', Romani, Romanian, Rundi, Russian, Sami (North), Samoan, Sango, Sanskrit, Santali, Scots Gaelic, Sepedi, Serbian, Sesotho, Seychellois Creole, Shan, Shona, Sicilian, Silesian, Sindhi, Sinhala, Slovak, Slovenian, Somali, Spanish, Sundanese, Susu, Swahili, Swati, Swedish, Tahitian, Tajik, Tamazight, Tamazight (Tifinagh), Tamil, Tatar, Telugu, Tetum, Thai, Tibetan, Tigrinya, Tiv, Tok Pisin, Tongan, Tsonga, Tswana, Tulu, Tumbuka, Turkish, Turkmen, Tuvan, Twi, Udmurt, Ukrainian, Urdu, Uyghur, Uzbek, Venda, Venetian, Vietnamese, Waray, Welsh, Wolof, Xhosa, Yakut, Yiddish, Yoruba, Yucatec Maya, Zapotec, and Zulu. 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International Conference of Indian Association for South Asian Studies on Subalterns in South Asia Held at KIIT

A two-day International Conference of the Indian Association for South Asian Studies (IASAS) on Subalterns in South Asia, organized jointly by the Centre for Alternative Studies in Social Sciences (CASSS), New Delhi, and KIIT-DU, was held on June 21–22, 2024. Prof. Alain Désoulières from Sorbonne Université, Paris, delivered the keynote address, in which he spoke about two subaltern classes, lascars and sipāhis, during the 18th Century Anglo-French war. Prof. Namhyun Kim, Associate Professor at Dongguk University WISE from South Korea, spoke about the importance of sustainable tourism and its relevance in modern times.

The first plenary session featured talks on the “Tour-Dour Model of South Korea and its Role in Developing the Subaltern Population Depending on Tourism as a Source of Income” by Prof. Namhyun Kim, and “Footprints Left by Subaltern Groups of the Maharashtra Salt Producing Community in the History of India” by Prof. Binda D. Paranjape, Dean and Faculty of Social Sciences, Banaras Hindu University. Dr. Deepanjali Mishra, Associate Professor at KIIT-DU and convener of the conference, chaired the session.

Prof. Puneet Yadav from University of Delhi delivered a talk on how the subalterns are reflected in Hindi movies and Prof. Indira Prasad, from Miranda House, University of Delhi spoke about Bhikari Thakur, popularly known as Shakespeare of Bhojpuri literature, at the Plenary Session-II on the second day of the conference. The session was chaired by Dr. Ashutosh Kumar.

During the valedictory session, Dr. Sudarshan Nanda, Prof. of Eminence & Research Chair at KIIT-DU, praised the paper presenters and organizers for the successful conduct of the conference. Dr. Shyam Sundar Behura, Additional Registrar at KIIT-DU, also spoke on the occasion. Dr. Ananya Mitra and Dr. Smrutirekha Mohanty, members of the organizing committee, conducted the feedback session at the end. The vote of thanks for the conference was proposed by Dr. Deepanjali Mishra and Dr. Ashutosh Kumar.