#because this place is one big pile of lose 😂
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katsukikitten ¡ 2 years ago
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Kitten what is a typical date with Izuku like for you? An all day affair? Small moments? Grandiose gestures? Quiet quality time?
I think Izuku would make dates all day affairs. In his defense he doesn't mean to but I believe he never has a lot of time because of hero work.
Although he learned the hard way to MAKE time for me.
No grandiose gestures, I'm not a big fan because to me your every day actions speak so much louder.
He'll gently wake me up (way too early for my taste) because he's so excited to show me his plans for us for the day. He's been up for hours, his usual run and work out completed and now he just needs to be with me. Carrying me wherever I want until I'm fully awake.
We eat all our meals out for the day 😂 breakfast at our fav place before he takes me to the book store where I can get all that he can carry (he says himself cause he's got bigger hands and obvi can carry a lot) he pouts when I only get one or two books. Giving me reassurance that he wants to spend money on me and that I deserve to get what I want. Gets blushy when I put his hero plush in his arms, gets jealous when I put any other hero plush onto the pile.
"You should get Kaachan instead." Dead ass will put the Red Riot or Shouto plush away and pick up Dynamight 😂
"I thought it was whatever I want!" I'd pout and this is the few times he tells me no, well technically he doesn't tell me he just puts that plush back and gets Suki 😂
Then we'd see some movies and he'd get the BUTTERIEST popcorn for me sneaking in m&M's even tho he can totally afford the five dollars at the cinema. We watch a couple of Ghibli films. Kiki's delivery service always makes him cry when she loses her powers and can no longer hear Jiji. He also really enjoys princess mononoke!
Then some light shopping before dinner, I like to take the time he's with me to have him pick out our friends birthday presents! Ex if we went this month we'd be getting Suki and Tenkoyo something (LEMME LIVE MY DELUSIONS THAT HES GOT A GOOD CHILDHOOD OKAY HES A HERO NOW😭)
If anyone lets their eyes linger on me too long he gives them a polite smile but when they see his eyes they get this shiver that runs down their spine and they simply fuck off somewhere else in a hurry.
I think Izuku is big on touch and gift giving/acts of service. He constantly needs to be holding hands (similar to someone else 👀) likes how I often hold just his forefingers because my hands are smaller. Still gets blushy no matter how long we've been together when I whisper filth into his ear at dinner
To end the date we get little cakes and eat them at home before he asks to wear matching PJs to bed 🥺
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lamentationsofalonelypotato ¡ 4 months ago
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@zepskies
It’s here!! Not gonna lie I watched the Frontierland episode last night in preparation 😂 And I am so ready to lose myself in Western Dean Winchester. Not to mention ready to rekindle my childhood love of Spirit lol.
The proud tilt of the woman’s chin is her only answer to Dean’s question. Her gaze drags down his form with disdain, like he’s the savage. His mouth twitches mirthlessly. 
Oh goodness the enemies to lovers is bubbling under the surface and I am already naming Dean and Mila's children.
This chapter really is one of the best scenes in Spirit, not to mention one of my favorite songs in that movie. "Get Off My Back" is legendary.
“Oh, don’t tell me you here for him,” Dean says with a chuckle. "That thing’s a little too much for you, sweetheart.” That earns her attention, steely and unimpressed. “He is too much for you,” she says. Her voice is smooth, and would even be pleasant, if not for the circumstances. “He is one of ours. You will never break him.”
I love her already. I mean I loved her from the moment that I found out she broke that jerk's nose, but a strong defiant woman. Yes ma'am here for Mila 1000000%.
Dean doesn’t allow himself to outwardly react, but inside, his spine tightens as he fights his instincts.
He's already feeling!😏 And I really loved that he fought the smile when she spat in the Colonel's face. Because Dean is already smitten with this woman.
Dean remains quiet, ignoring yet another uneasy twinge in his gut. He didn’t join the army to fight the Indians. He doesn’t always understand their way of doing things, but he understands why they fight—to protect their land, and to protect their own. It’s the same reason Dean fights, when he has to.
I really love this part, when Dean can sympathize with Mila and her people and why they continue to fight. It also really brings together the "realism" in this story. Especially with the "He doesn't always understand their way of doing things..." A lot of people fear what they don't understand and for Dean to have a more "open" outlook even being surrounded by people who don't is refreshing. And now Mila gets to show her all the wonderful things about her and her tribe! He's different and I love him.
I also really liked the background you gave him. His father being in the army and that being the reason why Dean joined, and I can just imagine young Dean and young Sam riding horses and breaking them out on their family farm.
Okay also the fact that Mila calls Dean "Green Eyes" had me literally screaming lol. I was like, "girl I see you and I respect you for noticing how beautiful that man's eyes are."
Suddenly, the man’s body is ripped away from her. Mila loses her footing and falls to the dusty ground, sliding against the wooden beam she’s tied to. The wind is knocked out of her, but when she raises her head, she watches with wide eyes as the Green Eyed One beats the other man into the dirt. It doesn’t take much, just a few well-placed fists.
Let's go PROTECTIVE DEAN ALERT!
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I hope Roman falls off a watchtower and into a giant pile of poop (the size of the ones in Jurassic Park) and then dies. I mean he doesn't... because Dean destroys that man. BUT I hope that they shoveled his body away with the same shovel they use for all the horse poop. It's what the people want lol 😂
Then, he turns to her. His gaze softens somewhat, but it’s still unreadable. He crouches down in front of her, resting his arms on his thighs. Mila’s gaze briefly falls to his hands. They’re calloused, the hands of a laboring man. He carries himself like a warrior.
The descriptions of his hands made me hyperventilate. 😳 I am telling you the trope of a big strong man who has done terrible things with his hands and then is nothing, but gentle with his significant other WIPES ME OUT. Oh stars, I can't take it 😭
The Lakota woman laughs. Dean hears it and his head swivels toward her. She bites her lip, but she knows she’s been caught. Despite his injured pride, Dean’s lips curve with a smirk. Just gonna laugh at me, huh?
It's true love and now I'm scared of what's gonna happen to them.
He runs to the stables where he finds Baby waiting for him. Her black coat ripples as she stamps impatiently. “Come on, sweetheart,” he beckons. He leads the mare out of the stable, and after grabbing a coil of rope from the supply bench, he mounts her smoothly. With a subtle kick of his heel, she picks up speed to follow the mustang and his rider.
YOU TURNED BABY INTO A HORSE?! MASTERFUL! GENIUS! Oh my word I was not expecting that, but it made me so happy you have no idea lol.
Again, so happy Roman is gone. Man is a whole problem and Dean is a problem solver lmao 😂
Oh this chapter was absolutely wonderful and it was everything that I expected and SO SO MUCH MORE friend!❤️ Western Dean is quickly infiltrating my subconscious and someone is gonna have to raise Freud from the dead to work this one out for sure. I mean Freud's already gonna have to talk to me about Spirit, but that horse had an energy, it was voiced by Matt Damon, I was young and impressionable, and I can't be held responsible lmao lol😅 (catching myself in 4k)
I can't wait for the next chapter!!😊
The Honorable Choice - Part 1
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Pairing: Dean Winchester x OFC 
Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.
AN: I got inspired after a recent rewatch of Spirit: The Stallion of the Cimarron (literally a perfect movie), as well as having Yellowstone in the back of my brain. I thought this idea might be a good fit for this @jacklesversebingo prompt.
Disclaimer: I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.
Jacklesverse Bingo24 Prompt: Western AU
Song Inspo: The Spirit Soundtrack
Word Count: 4.6K
Tags/Warnings: 18+ only to be safe. Racism/racial slurs, attempted sexual assault (not successful), protective Dean, angst, some violence and some action.
🐎 Series Masterlist || Bingo Masterlist
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Part 1: Pride & Prejudice
June 1872
Dean hears some of his men shouting, along with the telltale cracking of bone that would make a less seasoned soldier wince. He spares a look to Benny, his Lieutenant, and sets down his glass of whiskey.
Dean’s path takes him brusquely out of his office and toward the stables. He grabs his gun and his hat on the way there, setting the latter on his head.
Is it too much to ask for one night where he can drink in peace?
Dean comes to find a young woman being detained by two of his men, Kline and Novak. Roman sports a bloody nose and his eye is already beginning to swell. The woman fights against their hold.
Even under the pale moonlight, Dean notes the way she’s dressed: a deer skin dress cinched at the waist, over thin pants and shoes. He surveys her tan skin, her black hair that blends into the night, twisted into a long braid, and the anger in her dark eyes.
“What have we got here?” Dean says. He stows his gun in its holster as he approaches her, resting his hands at his belt.
“I caught her breaking into the stables, Captain,” Roman says. He prods with a hiss at his busted nose while trying to stem the bleeding. That’s going to be a bad break.
She remains tight lipped, stubborn. 
“Probably doesn’t even understand English. Savage bitch,” he says. Dean shoots him an impassive look to cover up his annoyance.
“Put a cork in it, Roman,” he orders. Then, he focuses back on her. “You’re a Lakota, aren’t you?”
Aside from their main mission here in the Dakota Territory, the Colonel has been fixed on fighting back against the Lakota Indians, especially after they sabotaged the supply line last month.
The proud tilt of the woman’s chin is her only answer to Dean’s question. Her gaze drags down his form with disdain, like he’s the savage. His mouth twitches mirthlessly. 
“The Lakota rear up their own horses pretty damn well. Why would you want to steal one of ours?” he asks.
She glances away from him, first at her feet, then over at the camp’s latest ���guest.” Dean, Benny, and a few of his men wrangled up a horse a few days ago. He’s a beautiful Kiger mustang with a nasty mean streak. He barely got through a trim this afternoon, and almost took a chunk out of Rufus when he tried to brand the horse.
The Colonel ordered them to tie the horse up to a post just outside the corral—no food or water for three days. He’d turned to Dean with a firm set to his face and issued a single order.
“Break him.”
Now, Dean catches the furtive look the Lakota woman gives the horse, who flicks his tail. The animal stares right at her, as if into her eyes.
“Oh, don’t tell me you here for him,” Dean says with a chuckle. “That thing’s a little too much for you, sweetheart.”
That earns her attention, steely and unimpressed.
“He is too much for you,” she says. Her voice is smooth, and would even be pleasant, if not for the circumstances. “He is one of ours. You will never break him.”
Dean's eyes widen a fraction. He glances back at the mustang.
So that's why she's here, he thinks. She's trying to mount a rescue. Dean feels a twinge deep inside, but he can't allow himself to care about that. They've collected a strong horse that will be a good support for their objectives here, once he's broken.
“Ah, well see,” Dean says, tipping his Stetson up to meet her gaze. “That’s kind of our specialty.”
“Sir, should we take her to the stockade?” Novak asks. He seems reluctant to do so to a woman, even an Indian, but he’s always been good at following orders.
Dean opens his mouth to reply, but another voice cuts him off. Colonel Asmodeus Sanderson steps out and takes a look at their captive.
“Not the stockade,” he says, with that Southern drawl that betrays his Kentucky roots. “Not yet.”
He approaches her with a slow, calculated gait. His hands gather behind his back. Dean gives her credit for looking Sanderson in the eye. She seems rightly wary, but not afraid.
“We won’t hurt you. I give you my word,” the Colonel says, “if you’ll lead us to your people’s camp.”
He takes a hold of her chin, turning her face this way and that, like he’s examining a dirty animal, and all that he’ll have to do to make it clean. She spits in his face.
Dean bites the inside of his lip against a smile. She’s got as much fight in her as the mustang. However, he has to school his face back into stoicism when Sanderson rears back in anger.
The harsh smack rings out in the clearing, along with the woman’s cry. Dean doesn’t allow himself to outwardly react, but inside, his spine tightens as he fights his instincts.
Only Kline and Novak’s hold on her arms keeps her upright. She pants for breath, but again, she meets the Colonel with a face that doesn’t give away anything, despite the reddening mark on her cheek.
“The post,” he barks. “Three days. No food or water.”
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Dean is kept busy by his duties. He makes sure the camp is running in order, accepting shipments of supplies and ammunition, among other things. Cas Novak is in charge of the stables, caring for the horses and putting them through their training. Jack Kline is young and strong and a good assistant, along with others in his unit.
Right now, Dean and Benny are going over the plans with Colonel Sanderson for continuing construction on the railroad, from here to the Black Hills. It’s a path that cuts straight through Sioux territory—the bands of Dakota and Lakota Indians that occupy the land.
“The natives are fightin’ us tooth and nail,” Sanderson says. “But maybe our guest will be able to help us…negotiate.”
Dean remains quiet, ignoring yet another uneasy twinge in his gut. He didn’t join the army to fight the Indians. He doesn’t always understand their way of doing things, but he understands why they fight—to protect their land, and to protect their own. It’s the same reason Dean fights, when he has to.
He joined the army because…well, it felt like the right thing to do at the time. His father had been a Cavalry Major, and he’d died an honorable death, now about a decade past.
Has it really been ten years? Christ.
Dean wipes his brow. Even with the windows open, the office is humid and smells like ass. He glances outside, where both the mustang and the woman are tied to their posts under a sweltering sun at high noon.
Not for the first time, Dean wonders what his dad would think of him now. 
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After the meeting, Dean and Benny fall into step together to inspect the camp. The summer sun shines hot on their blue uniforms, and occasionally they raise their hats to mop the sweat from their brows.
Things are running as usual, but many of the men’s eyes occasionally turn to the posts. Dean’s attention wanders there too without him realizing, catching on the woman’s dark hair. It shines even blacker in the sunlight, like a raven’s wing. He knows the shade because his dad used to have a feather kept in his journal, like a bookmark.
“You okay, brother?” Benny asks. Dean realizes what he’s doing, and his attention returns to the task at hand. Get it together.
Always forward, never backward.
“Just fine,” Dean replies. Benny gives him a knowing look.
“A bit unsavory, ain’t it?” he says. “Keeping her chained up without even a lick of water.”
“The Indians are getting smarter, bolder. They’re ambushing our men, going after our supply lines, and now, stealing our horses,” Dean says. “This is strategy.”
Benny shrugs slightly, making a sound of agreement. Dean hesitates, his gloved fingers flexing against his sides.
“If she was a man, you guys wouldn’t give a shit about putting a bullet through her head,” Dean says.
Benny’s gaze shifts downward. He doesn’t reply, but he concedes the point all the same.
They continue their route, and Dean keeps the rest of the conversation on the work at hand.
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Mila has gone far longer without drink, but the sun is particularly unforgiving today. She’s prayed and prayed for even one cloud to glide overhead and shield her for a while. It’s not much better for her companion. He paces in place, occasionally tugging his head against the rope that binds him to his post.
She makes a clicking sound at the horse, getting his attention. She calls him by his name, and his ears flicker in her direction. He offers her a short whinny in response.
“I see you, Mato. I am with you,” she says in her native tongue. She hopes the sound of her voice will soothe him. He looks tired and hungry, but his eyes flick hard and untrusting on any man who comes near him. His spirit isn’t broken.
“Hey! Shut the hell up over there,” Roman shouts at her from where he and Cas are taking a short lunch break. Cas gives him a certain look, crossed mostly with annoyance.
Mila resists the urge to roll her eyes. Instead, she closes them and tilts her face back to the sun. In a way, it feels cleansing. Maybe it can wash away the stench of the White Men’s hands on her body, manhandling her, checking her for weapons.
She spends the rest of the day watching the camp. One of their leaders, the Green Eyed One, called this a fort. It does look fortified, with tall walls made of thick wood constructed to form a cage—whether to keep others out, or to keep the men and horses in.
She identifies the Colonel as their chief, of a kind. Green Eyes is second in command, followed by the Bearded One with a strange voice. Even the scruffy Blue Eyed One has some authority, mostly over the Child Faced One. There are too many others to rank them all, but she knows the Loud Mouthed One is arrogant, even after she broke his nose. The way he carries himself, he clearly thinks he has more power than he actually has.
In her mind, Mila conjures up different plans of escape. All of them fall short in some way. The men didn’t find all of her weapons; a small knife is hidden deep in her boot. She could saw at her binds within an hour, but even with Mato to carry her out and away, the problem is escaping this camp without alerting the men. Without getting shot.
She has three days to think.
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That night, the moon refuses to give her clarity. Her stomach is too empty, her throat too dry, her tongue thick in her mouth. Her attention shifts in and out of consciousness, until the sound of boots crunching in the dirt trills unease down her spine. More alert, she sits up straighter.
The Loud Mouthed One. The one they call Roman comes to taunt her, offering her water, then drinking for himself instead. He comes closer to examine her. He has a small bind over his broken nose.
“You know, you’re a pretty one,” he says, taking another cold sip as his gaze drags over her form. “For a wild thing.”
His face nears hers, clean shaven, though his thin smile reminds her of a rattlesnake. Dread and repulsion churn at odds in her stomach as she realizes what he's really here for. It doesn't matter if he truly wants her, or just wants to pay her back for his face. Either way, he means to take her here in the dirt.
She looks away, not wanting to let him see her fear, or the dread tightening her stomach, rising into her throat. He winds long fingers into her hair. At first the hold is gentle, deceptive. Then it's tight against her scalp. She hisses in pain when he tugs her head back and forces her to look at him. Her breathing quickens as she tries to pull away.
He draws in close to try and claim her in a kiss, but she head-butts him, hard.
He cries out and stumbles back, his flask falling to the ground.
He angrily grabs her and hauls her up to her feet. He pushes her hard against the post and unbuckles his belt, just to stuff it in her mouth. With his free hand, he begins to undo his pants.
She refuses to cry out, even though she spits out his belt and fights him, trying to kick out his knees.
Suddenly, the man’s body is ripped away from her. Mila loses her footing and falls to the dusty ground, sliding against the wooden beam she’s tied to. The wind is knocked out of her, but when she raises her head, she watches with wide eyes as the Green Eyed One beats the other man into the dirt. It doesn’t take much, just a few well-placed fists.
Roman lies there catching his breath, and he spits a wad of phlegm and blood. His left eye will match his nose, that’s for sure.
Green Eyes looks angry and disgusted. He huffs and puffs while staring down at his subordinate. He pushes back his short brown hair and points an ungloved hand at Roman.
“Get back to the goddamn barracks. You’re gonna be mucking out stalls until shit’s coming out of your ears,” he growls.
Roman doesn’t argue, though it’s obvious that he wants to. He just picks himself up, makes a show of straightening up his open uniform jacket while catching his breath. He walks past Green Eyes with a resentful, angry look. Green Eyes watches him until he disappears inside.
Then, he turns to her. His gaze softens somewhat, but it’s still unreadable. He crouches down in front of her, resting his arms on his thighs. Mila’s gaze briefly falls to his hands. They’re calloused, the hands of a laboring man. He carries himself like a warrior.
“Sorry about that,” he says.
It’s not what she expected. Mila eyes him warily when he moves closer. She presses her back against the post until it hurts her spine. He raises up his hands placatingly.
“I’m not gonna hurt you,” he says.
“That is what your Colonel said,” she says. Her voice cracks with dryness. “I didn’t believe him either.”
His lips flicker at a rueful smile. It wrinkles crow’s feet around his eyes, breaking his stony face.
“Fair enough.”
He reaches for his belt and retrieves a flask, similar to the one his subordinate carried. He extends it out to her.
“It’s water, unless you prefer whiskey. I know I do,” he says.
She raises a brow at him, but hearing the sloshing inside the flask, her thirst takes over her wariness, and even her pride. She tentatively leans forward. He brings it closer so she can press her lips to the opening. Despite his Colonel’s orders, he lets her drink as much water as she’s able. When she’s done, he pockets the flask and sighs, running a hand through his hair.
“What’s your name?” he asks.
That, she will not give him. Names are sacred to her people, and this man, while seeming to have a shred of honor, isn’t worthy.
“Don’t wanna even tell me your name?” he says. He nods slightly. “Okay, well, I’m Dean. Captain Winchester, to this band of delinquents.”
He gestures around the camp with a dismissive hand. Mila only watches him. She’s never seen a White act like this, breaking his leader’s rules, being…kind.
What a strange man.
But if he had any real convictions, he would untie her and let her go, along with Mato. She won’t hold her breath.
Dean’s brows raise up toward his hairline, and his full lips form a pout. Realizing he’s not going to get anything more from her, he lets out a tired huff and straightens up.
“Well, goodnight,” he says.
He finally leaves her alone, but she can’t help but follow the swaggering path of his bowed legs and heavy boots. They carry him away and back indoors.  
A strange man.
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By the morning of the third day, Dean is ready to do what he does best. Or at least, one thing he does best.
He’s no stranger to horses. He grew up on a farm in Lawrence, Kansas, where he and his brother would help take care of the animals. Dean was older, so he helped his father till the land and train the horses. Sometimes he and Sam would sneak off and race their favorite ones, until their mom called them back for dinner.
In fact, part of what earned Dean his rank in the U.S. Cavalry was how well he could command a horse. His own is resting in the stables.
Today, he’s getting in the ring with the mustang.
��Well, not right away. He lets a few of his guys go first to tire him out. Even after three days of no food or water, the horse is living up to his bad attitude. He bucks each of them off after just a few seconds in the corral. Dean can tell it’s becoming a kind of game for the horse. His dun-colored coat shines in the sun, his brown socked legs kicking up dust and manure as he brays angrily at whoever tries to mount him.
Dean notices the Lakota woman watching with an amused smile on her face while she sits with her hands tied to her post. She’s enjoying the show, like she knew this would happen. It seems to give her energy every time another man is thrown off the horse and limps out of the ring.
Dean shakes his head. Pitiful.
He puts two gloved fingers to his mouth and whistles the entire clearing to attention. He saves Kline the chance to bruise his spine and pats him on the shoulder. Dean steps into the corral and positions himself into the stirrups, wrapping the reins around his hand. The horse is breathing hard, but he’s not done. He’s still got fight in him. Dean sees it in his brown eyes.
“All right, mustang. You’re big and bad. I get it,” Dean says lowly. “But I don’t scare easy. Gimme your best damn shot.”
Cas and Benny give him wary looks from where they stand outside the gate.
“Hold onto your hat, Cap,” Benny mutters.
Dean adjusts his hat and rests his gun on the post for safe keeping. He wants to feel as natural as possible, like it’s just him and this horse, out back in his family farm. He holds on tight to the reins. He’s fully prepared for how the mustang takes off at a galloping clip around the ring. He twists and bucks, but Dean claps his thighs tight and holds on for the ride.
The horse gets smarter.
He runs for the water trough just outside the ring. He slams Dean against the side of it once, twice—and manages to throw him off, with Dean landing right in the water trough.
He bursts out from the dirty water, sopping wet and spluttering in anger. He looks over at the horse trotting around, whinnying and tossing his head like he’s laughing. Dean can’t help it. His anger fades, and he smiles.
This guy’s got some brass balls, I’ll give him that.
The Lakota woman laughs. Dean hears it and his head swivels toward her. She bites her lip, but she knows she’s been caught. Despite his injured pride, Dean’s lips curve with a smirk. Just gonna laugh at me, huh?
“I see things are going well,” comes a familiar drawl.
Dean’s face falls as he looks up and finds Colonel Sanderson. Dean pulls himself out of the trough and tries to squeeze some water out of his uniform. He clears his throat.
“Well, uh, it’s going, sir. Just gonna take a little more time than I thought,” Dean says. He quickly reclaims his hat from the ring, giving the mustang a smart berth. After he climbs back out, he goes over to the post where he left his pistol.
“Hold him steady,” Sanderson barks out the order, but not at Dean. The other men wrangle the horse back into the pen, where Sanderson climbs up and mounts the horse himself.
To his credit, he stays on longer than even Dean thought he would. The mustang gallops and circles. He tries slamming Sanderson on the sides of the corral, tries bucking him and bucking him, but the man clings on, even when his hat falls into the dirt.
The horse is exhausted. He eventually stops in the middle of the ring, panting for breath, his legs shaking slightly. Dean straightens at attention.
So does the Lakota woman, he notices. She looks worried, her brows furrowing.
Sanderson swipes a hand over his graying hair and moustache to collect himself. He raises his head with an arrogant smile.
“You see, gentlemen. Any horse can be broken,” he says. He kicks the horse with his spur. “Move along, mustang.”
To everyone’s amazement, the horse obeys him. He moves forward at a slow clip. All the men applaud, even Dean, belatedly.
“There are those in Washington who believe the West will never be settled,” Sanderson continues. “The Northern Pacific Railroad will never breach Nebraska.”
His gaze draws over to the woman. Her eyes are filled with tears as she watches the Colonel makes his rounds.
“A hostile Lakota,” he says in derision, “will never submit to providence.”
She stares back at him with steel in her watery eyes.
Dean doesn’t realize his jaw is clenched tight until he feels the strain in his jaw. He forces himself to relax, with his hand on his dampened belt.
“And it’s that kind of small thinking that would say this horse would never be broken,” Sanderson says. “Discipline, time, and patience. That’s all you need to level a wild thing.”
Just then, the horse stops abruptly.
“Mustang?” Sanderson asks in warning.
Dean tenses. He knows what’s about to happen.
“Sir!” he calls out.
But it’s too late.
The stallion revs and charges, bucking even wilder than before. He swings his head and rears back high on his hind legs with a powerful bray. Sanderson yells in fear and strain, but he stays on the creature’s back.
The horse’s angry eyes take on a darker shade of conviction. When all four of his hooves hit the ground, he finally bucks hard enough to get the Colonel off his back, though he still clings to the reins near the animal’s head. He comes face to face with the horse’s crazed eyes. His own are wide and full of terror.
Hot breath heats Sanderson’s face. Then the horse swings his head and tosses the man out of the ring. In the process, the horse falls on his side and shatters a section of the wooden beams that fenced him in.
While he shakes his head and gets his hooves under him, Dean and Benny help the Colonel up to his feet. His uniform is a wreck, and now, with a bruised body and likely a couple of broken ribs, the man is fuming.
Kline and Roman wrangle the horse’s reins and keep him more or less in place. The Colonel shoves Dean and Benny off of him. He reaches for his gun at his belt and aims it at the mustang. Dean goes rigid in shock, but he knows he can’t interfere. If he does, it could warrant some major discipline.
The Colonel pulls the hammer back on the revolver, but before he can pull the trigger, the sound of cutting rope and a feminine yell breaks the silence in the clearing. The Lakota woman pulls the Colonel’s arms down, and the gun goes off into the ground. Her elbow comes up quick to strike the man between the eyes. He careens back into Benny, who catches him.
Meanwhile, the woman swings up onto the mustang. She grabs a stronghold by the neck and barks something in her native language. It spurs the horse onward, and he breaks through the crowd of men at a gallop.
Dean watches with widening eyes and furrowing brows. “Shit!”
He runs to the stables where he finds Baby waiting for him. Her black coat ripples as she stamps impatiently.
“Come on, sweetheart,” he beckons. He leads the mare out of the stable, and after grabbing a coil of rope from the supply bench, he mounts her smoothly. With a subtle kick of his heel, she picks up speed to follow the mustang and his rider.
They’re already approaching the gate where the men are quickly trying to close it. There’s still a window of opportunity for escape, but not only is Dean on their heels, Roman also stands on a pile of crates filled with iron parts that are due to be shipped out in the morning for continued construction on the railroad. Roman holds a rifle. He trains his weapon on the woman, taking deadly aim.
Dean’s jaw clenches and his brows furrow. He knows then, in the breadth of a few seconds, that he has to make a choice. If he does nothing, both she and the horse are as good as dead.
Sam used to call him reckless, stubborn as the horses he spent long hours taming.
Right about now, his brother is probably right.
Dean reaches for his gun, aims, and shoots within the span of those seconds. Roman goes down before he even knows what hits him. His chest plumes with blood after he slides down the crates and flops heavy to the ground. His eyes stare unseeing at the crisp blue sky.
The mustang tears through the narrow opening in the gate, and Dean isn’t far behind. The woman is an excellent rider, far better than he expected her to be. She clings to the horse’s neck and mane, and she doesn’t even use the stirrups. She clings on when the horse leaps over rocks, and when she notices Dean tailing her, she urges the horse at an even faster gallop.
Dean’s face furrows with determination. Baby is built for speed too.
He gives her a little kick with his heel. “Come on, Baby. Go!”
He’s able to keep up with the mustang just a few yards behind, even when they reach rougher terrain, going further up and into a canyon. He follows them through every curve and dip, guiding his horse just as much as she's guiding him.
Dean takes his rope in hand and turns it above his head, but his attempt to lasso the mustang's neck fails; the woman saws straight through the rope with her knife.
"Damn it!" Dean mutters.
He's forced to let go of his frayed rope when he and Baby nearly careen off the edge of a cliff. His heart settles high in his throat as he grits his teeth, but he pulls back on the reins hard and leans in the opposite direction. Baby's able to bank left, saving them from a long way down to certain death.
They continue up the narrow path the mustang has trod ahead. It carves around and through the mountain.
Dean mentally grasps for a plan, aside from just keeping up. Without even a bit of rope, he doesn’t know how he’s going to slow the woman down without hurting her or the horse. He doesn’t want to have to use his gun.
Eventually, the canyon breaks into a patch of desert, and then, grassy plains and tall forest trees. The mustang begins to tire and slow to a stop. His rider murmurs soothing things to him, stroking his neck. She turns back to look at Dean over her shoulder in dismay. She knows she’s caught.
“All right, sweetheart. That’s enough,” Dean says.
He sidles up next to her and intends to grab the mustang’s reins.
That’s when her swift kick comes, dead in his forehead.
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AN: And here we go! 😅 Feels right that November is Native American Indian Heritage Month. 🫶🏽 For that reason especially I've done my best to do the Lakota people justice, even in this little series and complete work of fiction.
There's a lot packed in this first chapter, and yep, I did borrow a bit of scene from one of the best scenes in Spirit as an homage. From here on out, we're literally going off road...
Next Time:
Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and his hat off his head, not to mention the pain that rattles down his back.
“Son of a bitch,” he wheezes, while trying to get back up.
The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.
Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.
Dean has a problem.
Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock… 
COMING 11/10! (New chapters every Sunday.)
Or read Part 2 on Patreon now!
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Series Masterlist
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variousqueerthings ¡ 2 years ago
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I mean, you never like Frank true but damn that last scene at the end of season five really is something. Like for a singular moment I existed in a place where I just kinda felt bad for the guy. Love to hate all the rest of his crap though.
oh yeah totally -- I have a post I queued up which goes a little bit into this idea of him as someone who didn't need to stay like this, but when offered opportunities to examine himself, or to even just not do the lazy or racist or uncaring thing in a given situation, he just... doesn't.
and of course he wants to feel persecuted, he likes whining about how he's the victim in all this, and idk what that says in terms of inviting hawkeye (and trapper or bj) to continue messing with him, and the kind of dynamic this builds in which maybe they're all getting what they want out of it (and also the fantasy in his head that one day hawkeye will tell him that actually he was right all along, look I'm not saying that hawkeye's "you're so big and strong frank" is actually something frank wishes he'd say to him in full earnest, but... I mean.... I'm not NOT saying that, and a friendly reminder that in an earlier draft of george, frank was actually going to admit he'd been into a man when he was younger and there are definitely little smatterings of this concept still hanging about in the show)
anyway, his stagnancy and cowardice being the things that lose him what he really wanted is very very good. the later framing of his and margaret's relationship as two messed up people who gravitate towards each other, only for margaret to realise that she can be more than she's been forced to be by others, and especially, mainly, men who have power over her in some way (to the point that she seems to expect herself to be powerless, even though you can tell she's constantly carrying that tension of actually wishing she was in charge/had agency over her choices -- all coming to ahead in s8 of course) -- and honestly, margaret was always smarter and more emotionally aware than frank, she understood a lot better what she was trying to get out of that relationship and then she gradually realised that she would never get those things, and so when she had the chance to leave, she did
(here the obligatory addition that some of the things hawkeye and trapper pull on margaret are just sexist, and I like that -- while we do see them becoming more friendly esp starting in s3 -- there's some changing on their part that they have to do as well, and that that change goes on right through the show for hawkeye. but yeah, no wonder she's lonely)
and then frank's last shot in season 5. he is a victim, of precisely the belief-systems he's taken in to get ahead and used to hurt others (systems that easily turn around on him too, because after all, as much as he likes to pretend he doesn't know this, he is not the example of shining American Masculinity he worships, and you get the feeling he was probably the kid who picked on others so he wouldn't get picked on first), because they have made him a small, petty human being, who wasn't ever going to be good enough for a woman he genuinely loved... he is -- as dr freedman says about flagg one time -- just such a pile of fertilizer that it's hard to care 😂
and I really do want to write a reunion fic in which he gets invited by margaret and he thinks she's going to pick up where they left off, and louise discovers the invite and of course wants to come along -- and it turns out that margaret just wanted to be the bigger person and invited the whole of the 4077th (the ones who weren't rotated out after a couple of weeks/months or so), and louise puts together that margaret is the "houlihan" that frank once described as an old work horse and so couldn't possibly be having an affair with (but she always kind of knew -- not unlike margaret, louise hasn't been given many opportunities to spread her wings, but of course we hear from frank that while he's away she starts going on trips with her friends, getting into politics, wearing slacks...) and reveals that she's been cheating on frank since the war/around the time she was asking for a divorce that he talked her out of
I think public humiliation would be good for him, you know, I think hawkeye et al should definitely be there to see the whole thing going down, because louise makes it a public announcement while everyone is making toasts, I think it's free therapy for the whole rest of the 4077th gang -- life could be worse, at least none of us are this guy
(I think hawkeye might buy frank a couple of drinks even, can't kick the guy while he's down... in the morning though, wake him up with a trumpet close to his head)
and as always, all the kudos goes to larry linville for doing The Most and for having a truly unhinged giggle
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