Tumgik
#because this fandom is known to be hostile and quite actually assholes to people who like steve and nancy's relationship
harrington-love · 1 year
Text
Steve and Nancy's story is complex and beautiful...and not everyone will understand it.
I pity the people who cannot, or refuse, to see the beauty in Steve and Nancy’s story. A story about how trauma impacts your relationships and the way in which you cope with traumatic events. A story about how in the beginning, these two teenagers were not compatible but attempted to make their relationship work, only for the shame, guilt, and blame to take over and rupture the relationship. A story about how it is crucial to acknowledge and understand your partner's pain, and be their support, their rock, their shoulder to cry on.
It is a story about a teenage boy’s fall from popularity, and finding his true self as a friend, a protector, a lover. A story about a teenage girl working to make something of herself, to establish an identity that is purely hers. A story about a teenage boy who works to rectify his past mistakes, and learns to give himself grace for being a human. A story about a girl being true to herself, trusting her gut, and believing in her capabilities without bending to everyone else's expectations of who she should be. A story about a boy who's love for a girl was so strong that it helped him change into a person she could trust and depend on. A story of a girl who sees this boy in a new light, and thinks maybe, just maybe, he can offer her a future of partnership, adventure, and love.
It is a story about how these two teenagers have worked to grow and heal (and how they will continue to grow and heal), and are in a better place now where they can be what the other needs in time. A story about a second chance at love, now that they are both in a better place to love the other. They're not perfect. They never were. Healing and growth are not linear. They will always have their faults, their flaws, and like everyone else, they'll hit rough patches along the way. The difference between Steve and Nancy then and Steve and Nancy now is how they handle the hard times, together. How they face them, together.
And the audience can see how Steve has changed, from a boy who was apprehensive of Nancy's drive to get justice for Barb, to a man who trusted her investigative instincts, offered to join her on her exploration, and told her to be careful. From a teenager who utilized avoidance as a coping mechanism, whose "go with the flow" attitude was a mask to hide his pain, to a man who confidently told Nancy that she is what he's always wanted. There was no avoidance. No shame. No fear. There was simply a boy, who has changed, telling the girl he loves that she is it for him.
And the audience can see how Nancy has changed, too, from a girl who pushed a boy away because his presence was a painful reminder of what, rather who she lost, to a woman who is slowly, slowly, learning that this boy is good, and he is safe. She welcomes him back into her life with ease. From a girl who held this boy at gunpoint because she did not want him involved, to a woman who includes him, and trusts him when he volunteers himself in the face of danger, and defends him because he is someone worth defending.
To truly understand Steve and Nancy's story, you have to be willing to see their growth. You have to be willing to acknowledge change and believe characters can and do change. You have to accept that they did change. And therein lies the problem. Many, many people are purposely choosing to ignore their growth, because it does not fit their version of what they want or think should happen. Many people do not trust or believe that these characters know what they want, or know what's best for them. You have to be able to see and accept who they are now, as opposed to who they once were. How their views have changed. Their morals. Their personalities. Their wants, needs, hopes, and dreams. If you're still holding onto who Steve and Nancy were in the earlier seasons, then you are closing yourself off to any potential understanding of who they are now. If you are intentionally misconstruing what these characters say to fit your own narrative, then you are choosing to believe you know these characters better than they know themselves. If you are perfectly content with misunderstanding their relationship and refusing to acknowledge their growth, then you will miss out on not only a delicate and beautiful relationship, but also a lesson: Second chances happen. And sometimes, people do find their way back to each other.
I don't know what season five will bring. I don’t know if we’ll get a happy ending to their story.
But I do know one thing. I pity the people who willfully choose to ignore a beautiful story about two people finding their way back to each other. That is real life. That is love. It's not always simple or easy. Second chances happen every single day. And how beautiful it is for us to witness the rekindling of two ex-lovers. That is Steve and Nancy's story.
131 notes · View notes
Text
Personal headcanon/rant: of magical prowess and bashing
You know all these fanfics where you have Super!Harry with a bunch of superpowers or Hermione creating spells that Merlin himself wouldn’t be able to dream about? And how, oddly, Ron is pretty much always left out of the loop when it comes to the Powerful!fanfic bunch, because people would rather have a spoiled brat of a Death Eater or an asshole teacher be übermensch?
We know Snape is a good duelist and has “created” spells (unless he simply dug them out of a library somewhere), but he’s got twenty years of experience along with some skirmishes he must have gone through with his fellow DEs. We know Hermione’s good at spellcasting but that she also studies heavily, and that she has trouble with spells that are not entirely theoretical (the Patronus). Harry doesn’t study as much as Hermione does and is not that great at magic; the only spells he can to cast without any problem are the Patronus, Expelliarmus and Stupefy. As for Malfoy… He does Serpensortia once and then we never see him fight again because he’s a big coward. No super-strong magic here.
So why am I complaining about stupid fanfiction that makes characters who have no superior magical prowess whatsoever into the new Merlins of the world?
First, because they always leave Ron out.
Second, because if there’s one wizard in the Potterverse, apart from Voldemort and Dumbledore, who deserves to be given attention about his magic powers, it’s Ron.
Windschild8178 (some of you Ron-lovers might recognize them as the author of the excellent fanfic Stay Standing on FFN) is writing a few Ron-centric stories right now and has written an extremely good author’s note on their story The Boogeyman, a rant about all of the hidden potential Ron’s character presents, and how it gets ignored by pretty much all the HP fandom. I recommend you read it because it’s pretty much as if they took the very soul of Ron-lovers and put it into words.
And now, on to my own, much bigger, much less organized personal rant.
I’ve always had the feeling that Ron was the most magically gifted/powerful of the trio. His so-called “averageness” is very much a lie. His magic is fuelled by his emotions and as such becomes even stronger. This headcanon of mine is founded in several actual canon happenings that we can observe throughout the series (in the books only. Come on, dearest Stevie giving credit to Ron? Now there’s a laugh).
Not only does Ron react very strongly to external magic (the Veelas, Crouch Jr’s Imperius Curse leaves him skipping steps for more than twenty minutes after he’s been freed from it, he notices the locket’s “pulse” whereas Harry only vaguely feels it, he has the very correct feeling that Voldy’s name shouldn’t be said out loud), he also demonstrates great abilities when he gets serious. … and when he doesn’t, as well.
I mean, the class genius masters Wingardium Leviosa and makes her feather levitate 20 inches. Great, fine. Four hours later, the the kid who couldn’t do just that casts Wingardium Leviosa and makes a shit heavy club outright fly 12 feet off the ground!! And nobody thinks that this is slightly impressive?! Hermione states “Ron knocked it out with its own club” and no teacher raises an eyebrow? It’s like Ron is actively ignored by pretty much everyone besides Harry and Hermione.
Second year, Hermione herself tells us that the slug-belching charm is a spell that’s hard to cast, and it’s even worse with a broken wand. Guess who casts it, NONVERBALLY, with a broken wand? Ronniekins, that’s who! Percy was barely learning how to cast nonverbal spells at the time! Oh, oh, and you know what’s even more impressive? Ron’s wand was broken, but it wasn’t even his own wand! It was Charlie’s! Ollivander tells us that a good wizard can do magic with anyone’s wand but it’s easier with their own wand. Basically: holy shit, Ron!
Ron’s crazy magic settles down a bit during PoA and GoF, or at least I can’t remember any instance where JKR describes something unexpected happening concerning him.
However, we then have OoTP, and this time our beloved redhead’s quite in shape. For example, during his Charms O.W.L., it’s said that he transformed a plate into a toadstool/mushroom without knowing how he did it. A wooden plate… into a toadstool… a toadstool, which can actually be considered as… food.
HOLY SHIT RON JUST BROKE GAMP’S LAW OF ELEMENTAL TRANSFIGURATION.
Yeah yeah it was a throwaway joke and JKR created Gamp’s Law in the seventh book so she could justify why the trio was able to starve during the Camping Trip Of Pointlessness™, but she should have known better, or actually establish Gamp’s Law earlier on in the series (after all, they turn pincushions into headgehogs at some point in the earlier years, who’s to say you can’t eat a hedgehog?). And some people might say “but nooo its not food if its a poisoned toadstoool ron is not good at megic bcuz hurmion is bettur, ur full of lies” well guess what, in order to be poisoned you actually have to eat, meaning chew, swallow and digest - or rather fail to digest - the poisonous thing. BAM. IT’S CANON. RON BROKE GAMP’S LAW OF ELEMENTAL TRANSFIGURATION. (And JKR has the freaking gall to give him the same results as Harry only slightly less better. Can you feel her prejudice against her own character?) And that’s not all he does in fifth year!
At the Department of Mysteries, Luna tells us that she, Ron and Ginny fled from four Death Eaters that followed them into a room full of planets. Four Death Eaters. One breaks Ginny’s ankle and Luna blasts him with Pluto. Then they collect Ron, who got cursed by “them” and is acting all loopy and run back to Harry. … what about the three Death Eaters unaccounted for in the planet room? Well apparently Ron fought all three of them, got cursed by at least two, and still won, considering no DEs are chasing after Luna and her group. All hail the King.
In HBP, finally, we’ve got that time where Ron broke up with Lavender and was feeling so guilty, he was simply waving his wand around and… and it starts snowing. INSIDE HOGWARTS. He’s making it snow. INSIDE HOGWARTS. No incantation, no spell, nothing, just “I feel like I’m a coldhearted bastard” and suddenly it’s snowing INSIDE HOGWARTS.
And of course we can’t forget how Voldemort casts a Silencing Spell over the people of Hogwarts, holding his Elder Wand, saying Harry died like an idiot, only for Ronald Weasley, official best friend and badass extraordinaire, to scream AT VOLDEMORT “HE BEAT YOU!” and the charm, the super-powerful, cast-by-Voldemort-and-the-Elder-Wand Charm BREAKS. He wasn’t even using a wand, he wasn’t even saying an incantation, Ronald Weasley, through the simple power of his rage and grief, freaking breaks a silencing charm made by VOLDE-FREAKING-MORT AKA THE GUY THAT COULD HOLD HIS OWN AGAINST DUMBLEDORE.
So that’s well and good but if Ron was so talented, why didn’t he put his magical power to a use, the Ron-lover asks curiously and the Ron-basher sneers contemptuously?
The answer’s simple: 1) blame JKR for getting prejudiced against her own character as she was writing her series; 2) his perpetual negative billions self-esteem that could have been solved had any of his friends bothered paying a little attention to him.
One of the reasons why I’m so hostile to Ron-bashing is because these people look down at someone who already considers himself to be less than worthless… and then they proceed to dig him even deeper. That’s manipulative, abusive, borderline psychopathic behaviour. They do exactly what Draco Malfoy does with Weasley is our King in the first place: they kick people when they’re already down. They act like Snape acted towards Neville Longbottom (you know, the kid whose biggest fear would have been Bellatrix Lestrange had she not been hijacked by a teacher who delighted in belittling him and tormenting him?).
Ron’s the kind of person who needs reassurance to function. He needs affection and nice things said about him. Some people might think it’s pathetic but we all know better. Who doesn’t like to have nice things said about them, and to them? Wanting to be praised, to be appreciated, to be told he’s doing things right for a change, that was everything Ron Weasley needed to blossom, and that’s everything he’s denied for the whole freaking series.
Do you know what Weasley is our King is? If you’ve seen only the movies then no you don’t, and then you have no right to bash Ron. Because this song, this anthem to Ron’s glory used to be a song used to humiliate him so much, he wouldn’t be able to play Quidditch.
Picture it. Draco Malfoy. Sitting down at a table. Thinking “how can I make Ron’s self-esteem take such a nose-dive he’ll be literally paralyzed and unable to play?”. Picture Draco Malfoy actively looking for Ron’s greatest insecurities and fears of inadequacy. Picture Draco Malfoy writing a song about them and teaching it to every Slytherin in the school.
And then try to sell me Draco Malfoy the redeemed little angel, The Boy Who Made The Wrong Choice(s). See me spit right in your face because I refuse to praise an arrogant, bigoted, spiteful little bully, and you should too. He’s not so bad anymore, yes. But do you even begin to understand how Ron must have felt during this school year? How he was probably flushing in humiliation any time he saw something related to Quidditch? How he would have blamed himself for Harry and his brothers’ ban from Quidditch because he thought it was his fault for letting Malfoy get to him? How Harry never, not even once, tries to reassure him? Hermione might try but what does Hermione know about Quidditch? Ron being utterly alone and ashamed and filled with self-loathing? Hm? How’s that for sweet little Draco Malfoy who’s never been bullied and tormented by anyone, ever?
Draco wasn’t irredeemable when he joined the Death Eaters. He was irredeemable as soon as he opened his mouth to say that all Weasleys had red hair, freckles and more children than they could afford. Because while JKR “loathes a traitor”, I loath a bully. I’ve been bullied. I’ve seen people shipping characters with their bullies. I’ve seen people call such relationships as being those of “star-crossed lovers”. I’ve hated these with all my soul. Because being bullied is not romantic, nor is it cool or cute. It’s freaking awful, it’ll make you miserable, cause you to lose your friends, turn your life into a living hell.
Weasley is our King is a metaphor for harrassment and school bullying. It’s basically what a (blessedly) few teenagers have to go through during their school years. Do you know what usually happens to these teenagers? Suicide.
And the worst part? JKR herself partakes in it. JKR herself bullies her character. Do you know what happens after the triumphant reprise of Weasley is our King is sung for the very first time, when Ron saves all these goals, when he shows how incredible he can be, how good he is despite all the mockeries he’s had to endure during all of his fifth year that we didn’t see because it was All About Harry™ as usual? After Ron has finally triumphed and “proved” he was good enough to the entire school?
She has him bump his head on the door’s lintel.
Because being humiliated for an entire school year then proving your abusers they’re wrong without being ridiculed isn’t allowed when your author is named J.K. Rowling and you’re Ron Weasley.
I went on several topics there; Ron’s obvious magical prowess, how he could have used said magical prowess had JKR not restrained him with extra-heavy plot chains, and the disgusting prejudice there is against a kind-hearted character who happens to have a few faults while the bigoted bully next door gets a get-out-of-jail-free card, all by the will of an author who apparently had a nice long discussion with Steve Kloves in-between PoA and GoF to prepare the first movie adaptation of Harry Potter… and we all know how this ends.
That was my little… *looks at slider* … enormous rant on Ron, magic, and bullying. Hope I didn’t bore you that much. Cheers, Ron-lovers!
2K notes · View notes
Text
Responses- The Marvel of Trelsi (Part VIII)
By BoltonEvans post here. 
Believe me, I’m in the same boat as far as my OTP goes. While there is a bit more of a variety of fanfiction to explore, the majority of it is grossly out of character (self-loathing homophobic asshole Troy, and Ryan with Sharpay’s personality who refers to Troy as “Bolton” are everywhere), and resort to using extreme traumatic scenarios, such as rape, for cheap drama.
I used to be in another fandom where the homosexual ships involved exploitation of rape as a plot device, which is quite frankly disgraceful. As for Troy being “homophobic”... Is that why he decided to make friends with the most flamboyantly gay... Oh, never mind. I truly believe so many fans were watching a different film altogether. 
Even worse, I’m the only person still actively writing for my ship, these days, with the very rare exception cropping up and taking me by surprise every couple of months, or so. It’s a very sad state of affairs.
Sad, indeed. They have far more in common: 1)- A love of the Performing Arts and corresponding commitment, 2)- Strong work ethic, 3)- Kindness, generosity and thoughtfulness, 4)- Humour. The honest viewer doesn’t need to ship them to see this. Gabriella by comparison only meets ONE of the above criteria-- being a hard worker, and that only relates to her academic pursuits. When it comes to Troy or Ryan’s hard work, she’s happy to flush that down the toilet when it doesn’t suit her. (She’s also happy to play the two against each other to get emotional revenge, which is obnoxious). 
A few more notes/additions, because I’m both obnoxious, and incorrigible:
- My Tryan bias results in my perspective of Troy seeking Sharpay out and agreeing to perform with her and save her “sinking ship” of a talent show only if she also allows the Wildcats to perform, revolving around Ryan persuading him to do so. Troy was hellbent on dropping out of the show and resuming kitchen duty as a show of solidarity with his friends. It was only because of Ryan that he ultimately changed his mind. So, even though Troy absolutely does uphold his commitments (he is a textbook people pleaser, after all), I view that instance as the one exception where Troy had to be talked into keeping a promise. Thankfully, it was by someone who was actually looking out for him, for once.
That’s a good point. Thanks for pointing this out. 
- One minor correction: Gabriella transfers to East High after the new year begins. In the American school system, this would be the start of the second semester, or halfway through the school year, and it’s questionable just when, exactly, she and Troy began officially dating after the events of the first film. In all likeliness, she and Troy dated for about half of their junior year, broke up several weeks into summer vacation, got back together (after Troy was willing to throw an opportunity for a scholarship out the window because of Gabriella’s reaction to him prioritizing his future over giving her a summer worthy of remembering), managed to stay together for most of senior year, then broke up, again, when Gabriella unceremoniously and callously dumped Troy over the phone a week before the year was out.
Correction noted, thanks. 
“When Troy tries to show her a golf course in HSM II, she tells him “I don’t play golf”, which is harmless enough. But given that she should have known by then that her boyfriend was on the school’s Golf Team, it would have reflected better on their relationship had Gabriella taken an interest in his golfing, whether she liked it or not. Particularly since Gabriella was later bitter that Troy didn’t ask HER opinion on the much-derided “Italian golf shoes”. If she doesn’t play golf, why does she care?"
This is a brilliant point, even though I believe that Gabriella telling Troy that she doesn’t play golf when he was obviously setting up a date (since he’s the sole half of the relationship tasked with planning every single date they go on), was rude. I’m assuming that Gabriella, contrary to what sense and logic would dictate, doesn’t take any real interest in Troy’s golfing because it was nothing more than a plot point for the sake of the narrative in the second movie, and never comes up, again, afterward. Her general apathy toward him is also a factor, though, of course.
I also want to add that, as far as their lack of a “common thread” goes;
-Gabriella seems unable to commiserate with Troy’s financial woes, and, indeed, never expresses a single concern about how she’s going to afford her own college tuition- another disparity.  
Oh, this is a VERY good point. Thanks for noting this one. Contrary to what popular romances like to claim, financial disparities can often harm a relationship, with the lesser fortunate partner feeling inadequate (particularly if they are a man) and yet steadfastly refusing any financial assistance. In Troy’s case, he never envies Gabriella’s financial position or asks for anything from her (although she bums freebies off him ALL the time), and expects to resolve all his financial issues himself through hard work and personal responsibility. This is one of the things I really like about him. However, his flaw of worrying so much also comes to light, which is where, as you say, Gabriella comforting him at the very least would have helped somewhat. Of course, what she ACTUALLY says is that they should “focus on right now”-- in other words, herself. 
Whenever Gabriella pulls attention away from his relatable issues and back to her own First World Problems, I tend to think this would have the psychological effect of making Troy feel as though he were complaining too much, if that makes sense? Because he always invests SO much in alleviating Gabriella’s worries whilst sidelining his own. So he would be internalizing a LOT of anxiety, which is extremely unhealthy. In conjunction with the fact that Gabriella makes him feel and look like a toddler in their relationship, his financial woes would make him feel even more inadequate for her as a partner. When his truck breaks down whilst he takes her home, he looks embarrassed, even though the reason is perfectly normal: he needs a new fuel pump. But it’s almost as though he anticipates her mockery, which makes me think that she regularly mocks him when things go wrong-- even if those things went wrong due to circumstances beyond his control. And let’s not forget the fact that he feels so obliged to impress Gabriella by spending his own limited resources on her, even though she can clearly afford to not only provide for herself, but also do nice things for him. What was stopping Gabriella from buying herself a pizza and inviting Troy round for once? Why couldn’t she pay for dinner and a movie sometimes? Why couldn’t she use her mother’s car or help buy her own, since she clearly has the money? Why, as you have already said, could she not help Troy out with his truck woes? (As I’ve said, I’m almost POSITIVE that she would have gotten irritated with him on the ride back from California, because his truck is unreliable. She has no concern for anything that troubles him. I bet she didn’t help pay for petrol, either). He eventually spends/borrows money to attend Berkeley for reasons beyond my humble comprehension. 
It’s very unhealthy and Gabriella’s lack of sympathy makes it even worse. 
-Gabriella’s bedroom decor, behavior, and wardrobe choices suggest a childlike innocence to her personality, and she talks about wanting things to be "like Kindergarten”, but, as you mentioned, she pokes fun at Troy for holding onto boyhood playthings. Watch her face when Troy takes Robo-Rob from her, worrying that she’ll break the toy robot.
That doesn’t strike me as the face of a girl who finds her boyfriend’s dorkiness and sentimentality for an aspect of his childhood endearing. That’s the face you pull when a person says or does something crazy and you’re trying to wrap your head around it.
You seem to have all the right gifs! Christ. There’s rarely ever any genuine affection in her eyes when she’s around Troy, as I will discuss later. Maybe in HSM I with the rooftop scene, we saw some genuine affection as she was opening up to Troy. That vanished not long later after the webcam stunt, in which her expression was NOT hurt/disappointed, but cold and almost hostile. (Maybe she didn’t want to appear weak or hurt by his words, given that she DID shed tears earlier). And yes, the hypocrisy is staggering in the way she treats Troy’s childhood interests. 
-Troy knows his future is coming at him full steam ahead, and even though he has no idea what he wants to do, after high school, and is “being pulled in a hundred different directions”, he acknowledges, “We’re going to graduate. That’s going to happen. Nothing is going to slow down”… while Gabriella laments, right in front of him, life not grinding to a standstill, just for her, so she never has to leave East High. This suggests not just a disparity in priorities, but in maturity levels, as well; something that would have caused an eventual rift between a real life couple that nothing could have patched up.
Absolutely. 
Imagine, years down the road- if they managed to stay together- Troy fretting over steadily accumulating bills and taxes while Gabriella rolls her eyes and tells him to just push for a promotion at work. Then, imagine Gabriella finding out that the electric bill hasn’t been paid and their electricity is about to be shut off. Do you think she’d take a stressed out Troy aside and promise to find a way to get them out of this rut, or angrily confront him and demand to know why the bill hasn’t been paid and if he wants them out on the street?
Shaking with laughter! :D Please God, let it not get this far! 
Imagine how Gabriella would respond if Troy sustained an injury, in college, that ruined his shot at a career in professional basketball, or if he got laid off from his job. Do you really think she’d stay by his side and try to work things out? Or, do you think Troy would come home to find the engagement ring he put his entire salary toward, sitting on the kitchen table beside a note from Gabriella explaining that she “can’t do this, anymore”?
That dialogue... :D That is JUST what Gabriella would say. I’m laughing because of the sheer irony. We are told that this couple represent “Relationship Goals”... I just can’t! *wipes eyes*
Based on everything I’ve seen in canon, I heavily lean toward the latter.
The Wail Fest in HSM II epitomises Gabriella’s philosophy in a nutshell: “I gotta do what’s best for ME.” She really knows how to play the scorned lover in every one of her Wail Fests. What’s even more insulting in this song is when she sings, “You’ll be okay!” This is AFTER she: 1)- quit the job he secured on her behalf, 2)- mocked and derided him for his promotions, 3)- flirted with Ryan to manipulate his emotions, 4)- dumped him, 5)- and eventually rejected his necklace. She has some audacity! Every time she is about to drop kick him, she constantly makes the presumption that he will understand her behaviour: (HSM I)- “You’ve got your team, and I’ve got mine. It’s WHERE WE BELONG.”, (HSM II)- “I just don’t belong here, I HOPE YOU UNDERSTAND”, (HSM III)- “I can’t be a little adult right now, Troy. I’m hoping you’ll understand that.” It makes me sputter with rage. Meanwhile, when it comes to HER turn to show some understanding in the following situations: (HSM I)- When Troy is clearly being pressured to avoid the Musicals, (HSM II)- When Troy is under pressure from Sharpay’s harassment and his fast rise to fame, (HSM III)- When Troy is worried about his future--- hey, what do you know? Her “understanding” vanishes. It’s like she never heard of the word. 
*angry sigh*
I’ll discuss more of this in later posts. If you don’t mind, I’ll add some things you’ve said here. (Giving credit, obviously). 
Thanks for the responses! 
4 notes · View notes
ultramarinequeen · 6 years
Text
RULES: Choose any three fandoms (in random order) and answer the questions, then tag 10 people.  (if you don’t wish to see this post, please press j)
TAGGED BY: @hornyliverpudlianputz​ , my dearest monkee partner in crime. thank you and i havent done a personal post in like legitimately probably 3 years so lets go
Three fandoms:
* EUReKA
* The Monkees (what a shock)
* Dr. Who (very nearly picked the x files but lets roll w/ it)
(for the sake of simplicity i’ll be doing original runs only for that which applies.)
The first character you loved:
EUReKA - Nathan Stark. He wasn’t in the first episode and I still loved the show from the first viewing but. Definitely him. He’s still in like, my top three characters of all time.
The Monkees - Before I knew anything about the show, Mike was my favourite. I defaulted onto him when I started watching until Micky took over as my favourite.
Dr. Who - The Doctor. (What a shock) I started with the very first episode, An Unearthly Child, and he’s just such an interesting and charismatic character.
The character you never expected to love so much:
EUReKA - Taggart. He’s not my favourite character but I still really like him. He doesn’t do well to ingratiate himself in the first episode but once he’s not openly hostile to Jack and you learn more about him he became one I really enjoyed (and missed when he kind of got phased out)
The Monkees - Micky. He’s my favourite by a wide margin now, as anyone who knows me will tell you, but before I watched it (and even in the first few episodes) he was very under my radar. I’ve known vaguely about the Monkees my whole life but I had a very different idea of what they were compared to what they actually are just because of a lack of information, and I’d centred on Mike before I knew anything about any of them. Upon my first viewing Mike was still my favourite but Micky crept into my notice and I ended up falling in love with him.
Dr. Who - There are a lot of characters this could apply to - Jamie McCrimmon and the Sixth Doctor, my favourite companion and incarnation, fall under this category - but the most unexpected one was definitely Kamelion. He’s an automaton who is in legitimately only two serials, the one he’s introduced in and the one he’s killed off in. They do very little with his character but something about him fascinates me, and now he’s in my top 3 companions. Don’t ask why I can’t even explain it
The character you relate to the most:
EUReKA - Nathan Stark. He’s more of an asshole than I am, but there are definite similarities, and as I discovered EUReKA while I was in middle school I probably grew to embody more of his character traits than I had originally because of how much I love him. He’s driven, snarky, sarcastic, intelligent, determined to find the answer/truth to things he cares about, and he obsesses over things that interest him. In some ways I’m more similar to Zane than Nathan, such as being lazy about things I don’t care about, but Nathan definitely wins out here.
The Monkees - As much as I’d like to say Micky, it’s deffo Mike. I’ve got that sarcastic, deadpan humour and a snark, and sometimes I have to restrain myself from making a joke that will definitely be read as being harsh. I’ve got a bit of a strong personality that leads my friends to default on me if they don’t want to make a decision, a cool head under pressure (he usually has the coolest, dependent on what’s funniest for a gag) and a few other related traits Mike has, too. I’ve got Micky’s propensity for schemes and plans and his (usually present) reliance on science, but Mike for sure.
Dr. Who - It’s a break between Romana I and Zoe. Zoe is very scientifically minded and can be quite stubborn and pushy about her way, which I definitely can be, but Romana I is like a more naive, haughty version of myself. If I was actually driven to get perfect scores and had a bigger ego, we’d be the same person.
The character you’d slap:
EUReKA - There are a few, but General Mansfield is up there. I know he’s just doing his job but like you gotta be an asshole about it? 
The Monkees - Captain Crocodile for singling out and then embarrassing Micky on the telly. Also Mr. Babbitt even though the guys kind of deserve him berating them about months-late rent
Dr. Who - That bitch Dastari from the Two Doctors for selling out and betraying not one but two incarnations of Dr. Who at once and in general being a spineless bastard
Three favorite characters (in order of preference):
EUReKA - Nathan Stark, Zane Donovan, and either Deputy Andy or Taggart
The Monkees - Micky, Mike, then Peter or Davy dependent on the episode
Dr. Who - I’ll split this into companions and then Doctors. For companions it’s Jamie McCrimmon, Romana I, and Kamelion, and for Doctors it’s Six, Two, and One
A character you liked at first, but don’t anymore:
EUReKA - Most of the characters I made my opinion pretty quickly after getting ample information on them. I guess the person who fits in here the best is Henry, as I liked him, then disliked him, and then grew to like him again. Henry’s a very complex character and it’s part of that which led to me liking him less - he starts out very friendly and funny but as terrible things happen to him he, understandably, gets withdrawn and less enjoyable. There’s more than a bit of a disconnect between how I would have handled things and how he handles things, and he does make a lot of mistakes - while that’s human, some of them just make him less likeable overall until he heals over the later seasons.
The Monkees - None of them fit into this category proper. The closest thing I can say is that Mike was my favourite first and was then overtaken by Micky, but he’s still my second favourite, and I love all the boys dearly. There aren’t really many recurring characters of note, and those that do exist did not undergo a change in my opinion of them.
Dr. Who - The Fifth Doctor. I still like him, I don’t hate any of the incarnations, but he was my second favourite for quite a time. I guess after watching enough of his serials I started to grow a bit weary of his demeanour? Or at the very least favour other incarnations. Still good though.
Three OTPs:
EUReKA - Uhhhhh probably Henry and Kim (if all that bullshit hadn’t happened), Jack and Allison, and like. Fargo and Claudia. It counts.
The Monkees - I don’t ship the guys with each other and don’t have any ships of them with others, really. Davy does enough of it to carry over to everyone, don’t you think? Or I could be a prick and say Micky is mine.
Dr. Who - Barbara and Ian, Ben and Polly, and either Tegan and Nyssa or One and Cameca
I tag @thekingsstudy​ and @codeobsidian​ cos idk a damn person on here
0 notes