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minhosimthings · 6 months ago

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Lucifer|| Prolouge

Synopsis: After you found your husband cheating on you, you found a different kind of comfort in his devilishly handsome colleagues.

Pairings: detective 02z × fem!reader

Warnings: angst, fluff, suggestive, minors please do not interact, catcalling, mention of alcohol, reader is cheated on by Heeseung, cheating (which I do not condone in real life)

A/N: Prologue for my 02z short series everyone! I abandoned everything else after Enha dropped Memorabilia just to write this BECAUSE I CAN. I will try to put out the oneshots as early as possible and I hope all of you will enjoy it! Au revoir!

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Crystalline tears filled your eyes as you walked under the dark azure sky. Your feet ached, your heart thumped hard against its prison and your mind spun and yet you kept walking. Walking somewhere, you didn't even bother to understand.

Adjusting your skirt, and moving your scarf down to reveal your bloodied lips from having bitten them too much, you tried to recall what had happened today that made you so miserable. Was it the broken coffee machine, or was it the recent murders in the newspaper? Or was it a person? Perhaps it was the latter.

Heeseung.

You loved Lee Heeseung. With all of your soul and all of your heart you loved him all the way through the bright Mays and the chilly Decembers. You loved him in a way only the setting sun could love the ocean, the way its rays danced with the water so gracefully.

And yet you caught him in your own bedroom, strong sinews of muscles handling another girl's lusty bones, as she merged her body with someone you thought belonged to you.

His apologies went deaf to your ears, you spent an hour or so packing up all your things and driving out the house without a second thought. You didn't even realise how much time you spent screaming your head off at him, trying hard to stop your tears from escaping their barrier as you shoved each and every gift he ever gave you into his arms and asked him to burn them to the ground. And yet you didn't know how to cope without them either.

Your mother never taught you how to handle grief without alcohol and your father's blood always seeped through your mouth in words of fire and fury everytime something went wrong. It was no wonder you had found comfort in Heeseung, a man who could handle all of your pain and all of your anger.

You had trusted him with your life, marrying him happily to escape your childhood home and entrusting in him your most beloved secrets, your love and dedication and your virginity as well. You thought that had been enough, staying home whilst Heeseung worked his ass off at the police station to provide you with everything you could ask for and more.

And when he came home, you were his toy, a plaything for him to release his stress on and yet you didn't budge. Why should you? When you were recieving all the pleasure you could ever want and giving all the pleasure back to your husband. Nevertheless, you stared at your empty ring finger now, hands shivering in the cold as you scolded yourself on not wearing mittens. Heeseung used to scold you too.

Lee Heeseung. What would you have done to absolutely irradicate Lee Heeseung?

You had parked your car at the nearby park where you knew it'd be safe, and had gone for a walk. Thoughts rushed to your mind. You had known about Heeseung's affair for some time now, but you wanted to catch him in the act, to prove to the world, to yourself, that your melancholic delusion could be justified. Here you were now, dragging your feet across the cemented pavement, knowing there's only one other place you could go to. The darkness was a bad place for a woman to be, at 10 pm but you didn't give a single fuck about anything as your prosaic body tried to get itself up. You swore you could have heard voices behind you.

"Hey, hey you!" You heard a voice shout behind you, "What's a pretty lady doin' in a place like this?"

You gulped in fear as your feet sped up. Stupid stupid girl, you thought to yourself, should have stayed in the goddamned car!

"Hey you ignorin' me?" The voice shouted again, and you could hear the gruff footsteps which followed you, getting closer by the moment, "Stop fucking runnin' away from me!"

Your heart pumped blood faster as you picked up your skirt and ran, at the fastest speed you could. This wouldn't have happened if Heeseung was here!, you thought, and though a part of your brain tried to scold you about still thinking about him, at the moment all you were focused on was getting somewhere safe.

The man's drunken voice could still be hear by your ears, and his harsh footsteps told you he was running behind you, chasing you as if you were a wild mongrel to be caught and leashed.

Only one place. Only one place you could go now.

Turning swift on your feet, you ran down the wide lane filled with shops on one side and the empty road on the other, being careful not to crash into the glowing streetlights, as your destination came into your visage.

The police station. Where you knew, your last hope would be standing.

|•|•|•|•|•|•|•|•|•|•|

"Got the Samson case solved yet?" Sunghoon yawned and stretched his limbs above his head, like a prosaic cat, "Man I could do with a drink right now."

"It's 10 pm." Jake checked his pocketwatch, running his hand through his hair as he always did, "What bar is going to be open at this time?"

"Hey, should we steal Jay's stash?" Sunghoon glanced, with mischievous eyes at Jake, who mirrored an equally mischief filled smile back.

"Don't even think about touching my bourbon." A dark haired man, with eyes as black as kohl, walked in, equally black gloves decorating his hands, "Unless you want to be stuck on traffic duty all week."

"Who pissed in your cereal today?" Sunghoon snickered, leaning back in his chair, a crack of his bone could be heard as he lazily stretched, "Let me guess, Heeseung?"

"Is it about his wife again?" Jake groaned, hair tangled in his hand again, "Jay, just leave it man, they'll sort it out."

"Sort it out?" Jay looked at the long haired man with a quizzical look, "What kind of a man cheats on a beautiful woman and brags about it?"

"Most of them." Sunghoon broke out into his drawer, hands reaching for a eloquent wooden pipe, which he lit and transferred to his mouth, sighing out the smoke as he relaxed into his chair, "You're too righteous to understand that, Jongsoeng."

Jay wrinkled his nose, as Sunghoon blew a puff of cigarette smoke into the air. Settling into his own chair, Jay's eyes flickered towards Heeseung's desk, where files lay messily scattered. A solitary photo frame brightened up the lonely atmosphere of the desk. Lee Y/N, Jay thought, his wife, not yours.

"Jay, come on, stop sulking over your little crush," Jake scoffed, his hands busy with a sleek, brownish-yellow bottle in his hand, "Just have a drink and get your mind off it."

"First of all, how did you get into my bourbon cabinet." Jay snatched the glass from Jake's hand, and toyed with it protectively, "Second of all, I can't just get my mind of it. I mean, come on," He extended his glass out to Jake who poured the elysian liquid into Jay's glass, "Who the fuck would have the gall to cheat on such a pretty woman who loves him to bits?"

"Look, you like her right? And don't say no, we all know it Jongsoeng." Sunghoon leaned forward in his chair, "So when she finds out about everything, just offer to take her home and, you know, let her sob into your arms and then take her into your bedroom and-"

"Since when did you start reading romance?" Jake chuckled, pressing a glass of bourbon to his lips.

"Since lover boy here started crushing on..what's her name? Y/N wasn't it?" Sunghoon laughed, taking another piquant drag of his pipe, "I get it, she is really pretty."

'Really pretty' was one way to describe you, Jay thought, smiling into his glass of bourbon. Every inch of you called out to him, beckoned him closer and closer to your poisonous radius. It wasn't that he didn't try to fight it, lusting after another's wife, but it was that he found that hidden sadness in your eyes heartbreaking everytime he looked into them.

"Want to head home, fellas?" Jake briskly sat up straight in his chair, "Or are either of you going to stop at a brothel?"

"Don't have time for that." Sunghoon chuckled darkly, putting out his pipe, "Plus I've got a-"

Bang!

The door of the quite airy police station burst open with a loud bang, and it seemed as if a hurricane in the guise of a panicked woman had swept in, alarming the three detectives. The sudden action caused them to act on their reflexes, pulling out their revolvers faster than their eyes could comprehend the sight in fron them. Jake's eyes seemed to work the quickest.

"Ma'am? Are you alright?" Jake called out, signalling the other two to lower their weapons. He stepped forward and turned a switch on, which caused the entire room to light up in bright light, contrasting to the soft yellow light that earlier shone from the desk lamps.

Jay's senses had seemed to ding up after the initial shock of the entire thing, as he walked forward with careful steps towards you, as Jake and Sunghoon whispered to each other, making out why you were here. Your eyes took a moment to register the man in front of you.

Jay Park, you thought, a man who was perfection incarnated.

"Y/N," Jay spoke softly, careful not to frighten you, "What are you doing here? Are you alright?" He looked you up and down to check for any disfigurements.

"I-" you spoke, your throat tightening by the moment, "Heeseung—he" you couldn't speak any more as his name uttered out your mouth. Bursting into tears, you buried your face in your hands as you felt your cheeks burn up with embarrassment. You really weren't crying in front of your (ex) husband's colleagues, men who you barely knew, apart from the usual condolences.

You felt warm, strong muscles pull you into their hold. It felt like a cozy cocoon, scented with the fragrance of pine and paper.

"Calm down, doll," Jay whispered into your ear, his hot breath fanning your neck, "take a breath for me."

Jay coached you through breathing in and out, which restored some of your consciousness. You had nearly been on the verge of fainting, with how much you had ran.

"Can I—May I sit down for a moment?" You asked, weary of the other two men's eyes watching you, "Please."

"Of course." Jay said, supporting your figure with his sinews as he led you over to his cubicle. You could see the other two hastily clearing out messy piles of papers. The shorter one, you assumed was Jake, from his drooped posture and lion-like hair. The taller one then, had to be Sunghoon, with porcelain skin and an ice cold gaze.

"Did-did you walk all the way from your house?" Jake questioned, offering you a seat, which you gratefully collapsed into.

"No, just the park nearby." You shot him a small smile through your croaky voice, which he returned, "My car's still parked there though. I drove from" you stopped in your words uncertain to say his name, "-from Heeseung's house."

You felt the tension in the room as you said those words. Heeseung's house, you thought, it had been home once. You felt Jay shift his position in the chair next to you, and Sunghoon transfer his weight to one foot, whilst leaning on the desk.

"If you want us to go beat him up, we'll gladly do it." Sunghoon offered, making you chuckle and shake your head.

"No it's fine, I mean she wasn't that pretty anyway, he's bound to lose interest in her some day or the other." You smiled, to no one but yourself. Humour had never been your strong suit.

"Aww man I really wanted to beat him up." Sunghoon feigned defeat, "Asshole deserves it for how much paperwork he gave me."

"That's the only reason you want to beat him up?" You raised a brow at the light skinned man, who raised one back.

"And for betraying a pretty lady of course." He winked at you, making you internally roll your eyes.

"Would-would you like some bourbon?" Jake awkwardly offered you a glass. You could see the embarrassment in his eyes the moment he asked the question, "Or water if you want-"

"I'll take the bourbon." You grabbed the glass from Jake, who, with his shocked eyes poured you a glass, which you downed immediately without flinching in front of the three startled detectives, "Can I have another?"

"Can we have some too?" Sunghoon smirked at you, grabbing his own glass and beckoning Jake to pour him a shot. Jay, admitting defeat, had grabbed a glass too, filled with the bubbly alcohol.

"Well," Sunghoon raised his glass in a toast, "to Heeseung hopefully getting bored of the other woman."

"Peculiar toast, Detective Park." You laughed, "I like it."

The moments that followed still felt like a fever dream to you. You had sat in a building, alone with three handsome men, talking down right shit about your husband, whilst drinking more bourbon than you ever had and although you had already defeated Jake in drinking (almost) half a pint, you still wanted more. This definetly was not on your itinerary for the evening, but did you care at this point? Absolutely not.

"Ugh fuck." You swore under your breath. You probably shouldn't have drank that much, but in all honestly, it would have helped to relieve some of the painful memories of the night.

"Woah steady there." Jay looked at you cautiously as you stirred in your chair. Jake was on the verge of passing out, having even taking his glasses off, while Sunghoon and Jay, who hadn't drank as much, looked as calm as the winds.

"You know what?" You started, not knowing the words coming out of your drunken mouth anymore, "Fuck Lee Heeseung, fuck that man." A sudden maniacal giggle from your mouth seemed to have amused Sunghoon.

"Fuck in what terms, Mrs Lee?" He asked, trying to hide his cunning smirk, whilst ignoring Jay's warning glares.

"Mrs Lee?" You questioned, feeling your senses come back, though you were still tipsy, "Who's Mrs Lee? Not me, no sir-ee." You laughed, "If I had the chance to chop off that asshole's dick right now, I would."

"But you wouldn't allow us to beat him up? Strange." Sunghoon whistled out in his usual cocky tone.

"It's getting late." Jay checked the grand clock in the corner of the room, his eyes wavered over the dried tears on your face, it was alarming to him how much a mere glass of bourbon had managed to get you giggling like a cuckoo, "Y/N I can drop you-"

"I'd rather fuck all of you in one night rather than see that idiot's face again." You chuckled again, this time, saying the sentence with full seriousness. Did you really mean it?, perhaps not, as you would have thought later on. But were you up for having sex with three extremely attractive men who happened to be the best friends of your ex-husband? That, was a definite yes.

"Oh really?" Sunghoon placed his forearms on the desk in front of him, leaning in closer to your face. Jay's hand clutched harder against the edge of the desk. "And what if I say yes to that proposal?"

"What are you implying, Detective Park?" You looked into his dark, devilish eyes, "That you'd have sex with someone pathetic enough to get cheated on?"

"Don't say that, you're not pathetic." Jay's eyes softened as he looked at you, but you merely scoffed, turning your face instead to look at Sunghoon, who was evidently smirking. You caught Jake's widened eyes from the corner of your eye, listening intently.

"How about this-" Sunghoon started, folding his arms, "You get a night of good sex, I get a night of good sex, you and I both get to rub that in Heeseung's face, and then we have breakfast in France."

"Are you married Detective Park?" You quizzed him with an amused face, his offer seemed at the very least, interesting to you.

"Not yet, no. I'm still young aren't I?", Sunghoon's mouth stretched like a cat's into a lazy smile, "Why do you ask? Are you....perhaps intrigued by my offer?"

There was something ironic about that sentence "I'm still young" that struck a chord within you, you were the same age as him and yet you were sitting there talking about your husband.

"Intrigued is one way to put it." You smiled back, hoping you looked anything like a vixen, matching the bastardous fox like energy of Sunghoon's, "But don't you think it's greedy of you, Detective Park? To want me all to yourself?"

"And what do you mean by that, Miss Y/N?" Jake smiled in his boyish manner, "Is Sunghoon here not enough for you?"

"I'm just saying." You held up your hands in mock defence, "wouldn't you both like to get a taste too?"

You glanced at Jay in the corner, who you had expected to be shaking his head in disapproval. But to your utter surprise, he had one of his gloves hands stroking his chin as if in deep thought. His eyes were dark even in the fluorescent light of the room, deep pools of cataclysmic waters floating around in his pupils. He looked vaguely interested.

"So just to recap," Jake started, clearing his throat, such that his Adam's apple was clearly visible, "You want us to bed you, so as to make your ex husband, our colleague and friend, someone's whose wife we definetly should not be sleeping with, jealous?"

"That's the blueprint." You said in a sweet honeyed voice, "How exactly you make him know that I'm not his anymore, you figure that out. If I even so as look at that man's face again, I will jump off a cliff."

"But the question is-" you put on a proud smile, eyes darting from one man to the next, "Who's going first?"

"Shouldn't you decide that sweetheart?" Jay's deep voice came like a rumble through the ground during an earthquake, slightly startling you. He hadn't said anything in the past few minutes, his sudden break of silence alarmed you.

"Alright then." You chuckled, not daring to meet Jay's eyes, you knew you'd melt as soon as you saw them, "How about the person who suggested this?" You turned your face towards a smirking Sunghoon, with his head held high like a peacock's, "Detective Park?"

"Shall I go with the lady's word boys?" Sunghoon asked Jake, who nodded his head, taking his glasses off the desk and outting them on again. The effect it had in him was quite handsome, according to you.

"Should we make a pact then?" Jake asked cheekily, glancing around for a piece of paper, finally picking one up from underneath the mountain of files lying on the wisened wood. Putting it down on the paper, he scribbled something down quickly, showing it off proudly to the others. You let out a laugh when you saw what he wrote.

"'The make Heeseung jealous organisation'?" You laughed, "I can't tell if you're serious or not."

"I'm dead serious." Jake looked at you with glossy eyes, he always was a funny one, you recalled, "Come on everyone, I need signatures."

He's serious about this, you thought, amused at Jake's comedic demeanor. You swiftly pressed the black ink to the paper, leaving off a flashy signature to decorate it. Jay signed off last, with an impeccable font.

Words couldn't have described that very evening. No sentence that could come out of your mouth could have ever even begun to explain to a complete stranger about how you had ended up in Sunghoon's car, driving to his house in silence. Shrugging off the moral doubts in the corner of your brain, you stared out the window into a dewy night.

Relax, you thought to yourself, there wasn't anything wrong with what you were doing.

Was there?

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drdemonprince · 3 months ago

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I grew up with abstinence-only sex education, and it did a real number on me. But I’ve shaken off enough of my old cultural programming to realize that the transmission of bacteria and viruses is a thing that sometimes just happens when animals come together, no matter how stringently we might try to prevent it.

I have gotten urinary tract infections when a stray microbe found its way into my urethra after sex. Lube and bodily fluids have disturbed my vagina’s pH and caused a yeast infection many times. So has wearing a bathing suit for too long without drying it, yet another “risk” worth the pleasures of swimming along the sea wall.

Once or twice I’ve had an outbreak of cold sores, just like 80% of humans. If I’m like most people, I probably caught oral herpes when I was very young, sharing a sippy cup or rolling around at a sleepover.

None of this makes me disgusting, irresponsible, evil, or dangerous to others. It just makes me a living creature that exists in close contact with other creatures. I believe I have a responsibility to get tested regularly, to alert people who have been close to me when I get sick, and to use preventative measures like condoms, PreP, vaccines, toys, and masks to prevent the spread of infections as best I can. But I never imagine I can lead a life without risk — or that such a life would even be desirable.

There is no such thing as completely “safe” sex. A friend of mine can’t use condoms because they give her bacterial vaginosis. She chooses instead to fuck raw and take PreP and get anything else she catches treated. A guy I know who masks and tests religiously caught COVID while fisting someone (with a gloved hand!) at an air-filtered party. HPV is so prevalent that most sexual wellness clinics don’t bother testing for it, and can’t do much for a patient if they do have it. Our bodies are teeming at all times with various endemic viruses and microbes that we will never have the power to purge.

Then there are the possible costs of not having sex — vaginal atrophy, pelvic floor weakening, reduced access to endorphins, loneliness, touch starvation, the despair of harboring dreams that one never dares try. I can’t decide for anyone else which dangers loom the largest, but for me a gonorrhea shot is a fair trade for the hours of leg-cramping, bed-staining, hypno-kinky sex that led to it. There’s no guarantee that the next time I have sex it will be anywhere near as much fun, but the potential keeps me throwing the dice.

I hear quite frequently from sexually inexperienced Autistic people who crave an intimate connection, but desperately wish to remain responsible and “safe.” They want there to be a set of iron-tight rules they can follow that will guarantee they remain a virtuous person who never hurts anyone’s feelings, and never catches any sexually transmitted infection.

I understand why they want someone to impose order onto an unpredictable, terrifying world. But I can’t give that certainty to them, nor can anyone. All I can suggest is that they be honest with themselves about what they want, inform themselves of the costs and benefits to pursuing their desires, and then venture forward — proudly welcoming the correct risks into their life, rather than trying to avoid any risks at all.

Life is nothing but a negotiation of risk. If a person has gender dysphoria and they want to combat it, they must risk a transition they could one day regret. If an abolitionist wants to take a stand against the police state, they must plan for the possibility of arrest or political repression. When we open our hearts to love, we expose ourselves to grief — our partners will keep changing and growing, sometimes away from us. Each step that we take forward in life closes off potential paths. There is no avoiding this.

Instead of chasing after the false promise of “safety,” trying to remain completely insulated from harm and challenge forever, we must get better at admitting risk into our lives.

I wrote about all about the messy business of risk mitigation, and how the pursuit of perfect safety is used to justify isolation, theft of bodily autonomy, and political repression. It's free to read (or have narrated to you by the app!) at drdevonprice.substack.com

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mononijikayu · 24 days ago

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to you 2,000... or... 20,000 years from now… — ryomen sukuna.

As they stand to leave, his gaze drifts to one of his portraits—a work that captures a moment from another time, another life. In it, the King of Curses sits beside his beloved concubine, her expression full of light and laughter, radiant in a way that suggests an unbreakable bond. Ryomen Sukuna pauses, his hand still entwined with hers, and a rare, gentle smile crosses his face. Looking at the painting, he lets himself hope, just a little. Perhaps, even in a world he once saw as cold and unyielding, there are threads of something beautiful woven into his story. Perhaps, even for someone like him, there could be a happy ending, one he’d never dared to imagine. He leans down and whispers softly, almost as if confessing a secret. “I like to think they found each other again, you know? That somehow… this time, they got to be happy.”

GENRE: alternate universe - reincarnation;

WARNING/S: post canon, future timeline, fluff, possible romance, getting together, mild angst, reincarnation, conflicted feelings, hurt/comfort, dreams and nightmares, distress, grief, feelings, physical touch, character death, moving on, flashback, humor, no curse future au, pining, light-hearted, happy ending, depiction of the future, depiction of reincarnation, depiction of letting go, depiction of flashback, depiction of getting together, depiction of depiction of character death, depiction of distress, depiction of grief, mention of character death, mention of the past, mention of letting go, mention of grief, reincarnated! sukuna, reincarnated concubine! reader;

WORDS: 15k words.

NOTE: this concludes the final part of the main story of the other woman. i'm genuinely grateful for you love and attention towards my story. this was never supposed to be a series, it was supposed to be a one off fic. but because of your love for concubine reader, i was inspired to bring more to her life.

as i promised, this is a happy ending. well, the happy end that i think would suit the story. of course, this is not the end of concubine reader's story. there will be drabbles of sukuna and concubine reader's life that i never managed to put out.

if you have any suggestion or questions about the story, you can drop some words down in the inbox!!! i'm very happy when you ask questions about the story or have suggestions of what you wanna see next!!! please do so everyone!!!

i hope you look forward to them!!! thank you for reading, thank you for your support and love. i'll continue to write for you all!!! i love you <3

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HE DOESN’T KNOW HOW HE’LL GET THROUGH THIS. He’d never felt like this before. What do his other artist friends call it? Oh, that’s right. A slump. An artist’s slump. Yeah, that’s what it’s called. He’s never had that before.

But why should he? Ryomen Sukuna was a protege. He was a stellar artist with a golden hand, one who never stops. The one who works as though he’s running out of time. It’s him.

And yet, at that moment, he wasn’t.

Ryomen Sukuna had a problem.

He was stumped from hell and back.

And he doesn’t understand why.

A loud exhale releases from his mouth as he looks up at all the drying canvas in front of him in the various easels. They’re all beautiful, don’t get him wrong. But they’re all the same.

And that bothers Ryomen Sukuna as he purses his lips in a flat line. His own studio has become a homage to these paintings and sketches as of late. There was nothing else coming out of him. Nothing else was occupying his mind.

In the maze of half-finished canvases and dried paint of his studio, there were only those same eyes staring at him. He could feel it even now under the dim lighting casting long, wavering shadows across each and every tender gaze.

He couldn’t stand up anymore. He’s exhausted. He’s been up since god knows when. Everywhere there was paint. His hands are stained, his shirt splattered with colors that have long since dulled. It’s been weeks.

He doesn't know how to deal with this. How could he, when she finds him in every moment? How easy it was to be that way. He’s stopped keeping track of time, because time means nothing when all he can see, all he can paint, is her.

As of late, it was this that haunted him. It was the same as always. It was this woman with those kind eyes looking back at him. That same tender smile greeting him. That same beauty yearning towards him. Everything about the woman’s face consumes him. Everything that she is continues to follow him like a ghost, over and over.

He can’t even pinpoint when it started. It just started happening out of nowhere. At one point there were normal dreams and soon enough, there were something else.

And as time passed by, there was nothing else left but her. Her beautiful smiling face looking at him. Every single time, she never fails to be warm towards him. As though she could feel him, as though she could see him.

She’s become more than a fixation; she’s an infection, seeping into every corner of his mind, haunting the hours he’s awake as much as those precious few where he drifts into a broken sleep.

She first appeared in his dreams like a fleeting whisper, but her image has grown, intensifying with each passing night, filling his dreams with a crescendo of color and dread. And over and over, it was repeating.

Like a piano key stuck on the board, playing over and over that same repetitive note. And yet, it was still lovely. It was still tender. And then suddenly, it wasn’t. That was the worst part of it all, he thinks. He captures the beauty of her and then suddenly, it just disappears. It goes. Almost like smoke.

The dream is always the same every night. At first it was terrifying to him. He’d never seen anything like her before. He’d never seen what happened to her before, not to anyone. Not ever. But with her, it repeats.

That nightmare continues over and over again. And he hated it. He hated how he has memorized it. He has hated how it was all he could see over and over again. He hated how this was the fate that such a beautiful, kind woman had to meet.

That beautiful lady, she would stand there and smile at him. Often, she stands at the edge of a crumbling cliff, the ocean roiling and dark beneath her, waves crashing against jagged rocks far below.

She turns, her eyes fixed on him, lips curling into a smile that might be tender, might be mocking, it shifts each time, eluding any attempt to decipher it.

She extends a hand, beckoning, imploring him to come closer. His heart races, his feet propel him forward, but just as he reaches for her, she slips, and he’s left grasping at nothing but empty air.

Again and again, he tries to save her. Again and again, she falls.

The dream wakes him in a cold sweat, heart pounding, breath shallow. He stumbles to his studio, and without thinking, he begins to paint. Her face materializes with each stroke, her eyes holding secrets he can’t unlock.

Her smile flickering with a mystery that tightens his chest. He paints her until his fingers go numb, until his eyes blur from exhaustion. He paints her even when he’s on the verge of madness. And he hates it—hates her—but he’s powerless to stop.

The people around him have noticed the shift, though they don’t understand it. They speak of his new works with reverence, captivated by the haunting beauty of the unknown woman he’s made famous.

But they don’t see the toll she takes on him. They don’t see the shadow of sleeplessness etched into his face, the dark circles under his eyes, the wild desperation lurking just beneath his cool exterior.

Every time he tries to paint something else. Absolutely anything else, it does not work. Not anymore. He would feel his hands freeze, his mind goes blank, and all he can see is her smile.

She’s everywhere, a ghost in his waking hours, her gaze piercing through every wall he builds to keep her out. The thrill of creation is gone; all that remains is the raw compulsion to recreate her face, an act that feels more like exorcism than art.

Ryomen Sukuna slumps back into his chair, eyes trained on the painting before him, hands limp and smeared with shades of red and soft violet. Her face, the delicate arch of her brows, the smirk teasing at her lips. All of it stares back at him, alive, taunting.

It’s as though she’s watching him, laughing softly at his obsession, fully aware of the hold she has over him. The painted eyes seem to flicker, and in his exhaustion, Sukuna wonders if he’s the one painting her, or if she’s the one reaching through the canvas, carving her image into his mind with a precision that leaves him helpless.

“Damn it. This is so annoying.” he mutters, his voice echoing hollowly in the quiet room. He reaches for his brush, the movement automatic, but his hand falters, dropping it back onto the table as he releases a frustrated sigh.

The curse feels weak, a pitiful attempt to regain some control, but he knows it’s useless. She’s an endless riddle, one he’s compelled to solve yet doomed to never fully understand.

No matter how many times he paints her, he can’t capture her—not completely. The harder he tries, the more elusive she becomes, as though she’s slipping through his fingers, mocking his every attempt.

He sits there, shoulders slouched, the steady tick of the clock filling the empty space around him. Hours blur into each other, and yet he can’t bring himself to look away, his gaze locked on her face, that faint smile hinting at secrets she will never share.

And then, just as the clock strikes midnight, he hears it. That tender voice giving him grief. That warm voice turning him cold. That voice echoed that whisper, soft as a breeze, calling his name.

“My lord…..my lord Sukuna.”

He closes his eyes, the sound reverberating through him, familiar and yet so distant. She’s there, in his mind, like an echo carried across lifetimes, the warmth of her voice stirring something deep inside.

He knows it’s a dream, an illusion conjured by his own obsession, but he doesn’t care. For a brief moment, he lets himself lean into it, lets her voice wash over him like a balm.

“My lord, my beloved lord Sukuna…” Her voice is softer this time, coaxing, filled with a strange tenderness that he’s certain only exists in his imagination. He can almost feel her fingers trailing along his cheek, the faintest touch, leaving warmth in their wake.

“What do you want from me?” he murmurs, his voice a weary plea, barely audible, as if afraid to break the fragile spell she’s cast over him. “You’re there every night, haunting me, making me see you even when I close my eyes. But what do you want?”

In his mind, her laughter echoes, soft and familiar, as if she’s toying with him. “You know what I want, my lord Sukuna. You’ve always known.”

He clenches his fists, frustration simmering beneath his skin. “Then tell me, damn it. Tell me what I need to do to set you free.”

“Set me free?” she repeats, and there’s a hint of amusement in her voice, as if the very idea amuses her. “Oh, my lord Sukuna… it’s not me who needs freeing.”

His breath hitches, her words cutting through him like a blade. The realization settles over him like a heavy weight, and he knows, somewhere in the back of his mind, that she’s right.

She isn’t the one trapped here—he is. Bound by his own memories, his own regrets, unable to let go of the past that has woven her image into every part of him.

He opens his eyes, staring at the canvas again, her face seeming to shift. It was almost ever so easy for her to taunt him like that, to tease him. Everything about her gave him that feeling that overwhelms him. Feelings that he's never felt in his entire life.

He could feel her eyes glinting with a knowing look that sends a shiver down his spine. He reaches for the brush, hand trembling as he adds another stroke, trying to bring her into focus, to finally capture the essence of her that has haunted him. But no matter what he does, he can’t reach her, can’t grasp the fleeting vision that seems to dance just beyond his reach.

“I’ll keep painting you. I swear.” he whispers, his voice raw, laced with something close to desperation. “Every night, every dream, until you’re satisfied. Until you let me go.”

But he knows, even as the words leave his lips, that she won’t; she’ll never truly leave. She’ll linger there, a silent muse, a relentless force guiding his hand, embedding herself deeper with every brushstroke.

And he, trapped in this beautiful, maddening cycle, will keep painting her face, night after night, each canvas only revealing a fragment of her and yet never enough.

The clock ticks on, marking the hours that slip away in her wake, but he’s long since stopped noticing. She’s there, in every line, every shadow, every flicker of light on the canvas.

She’s his prison, his muse, his madness—and he knows, even as he tries to break free, that he wouldn’t have it any other way.

══════════════════

BY THIS POINT, HE WOULD HAVE BEEN FINISHED WITH HIS COLLECTION. Usually, Ryomen Sukuna finishes his pieces weeks ahead, leaving everyone else; especially Gojo Satoru—scrambling to catch up. Well, perhaps because he usually doesn’t work until he stops messing about.

Still, the rivalry is a running joke among their peers. Gojo Satoru would tease him endlessly, his voice loud and mocking. “The world might as well end if you didn’t finish first, Ryomen Sukuna. I’d have to check if hell froze over.”

Gojo Satoru would say with that infuriating grin, and Sukuna would just roll his scarlet eyes, barely dignifying it with a response. He didn’t need to—he’d simply outdo him, his work claiming the prime spot at the National Gallery, cycle after cycle. That’s just how it works for them.

But now, as the days tick by and his canvas remains trapped in this maddening loop, the weight of that old joke feels heavier. Maybe it would be better if the world did end, he muses grimly, his frustration boiling under the surface. Each day that he fails to paint anything else, fails to break free from this woman’s image—drains him.

Every line, every shadow, every detail is etched with painstaking care, and yet each piece feels incomplete. He lets out a heavy sigh, his eyes narrowing as he looks once more at the canvas, the same haunting face staring back.

Another artist would leave the piece for a day, perhaps even a week, and come back with fresh eyes. But not Sukuna. He’s stubborn, relentless. Yet this time, it feels as though he’s been bested, and that thought is infuriating.

A soft knock sounds at the studio door, but he doesn’t respond. The door creaks open, and he doesn’t need to look up to know who it is—he can practically feel Gojo Satoru’s grin from across the room. This was a rare visit from his rival and somewhat friend. But, he already regrets giving him his address.

“Not done yet?” Gojo drawls, strolling in with a lazy confidence, hands shoved into his pockets. “Well, this must be it—the end of the world. Should I start making apocalypse preparations?”

“Leave, Satoru.” Sukuna mutters, his voice a low growl. But Gojo just chuckles, unperturbed.

“Can’t. I live wayyyyyy tooo far. Besides, I came all this way to see the fall of the great Ryomen Sukuna. And boy, is it a sight.” Gojo steps closer, his gaze shifting to the canvas. “Her again, huh? Your mystery woman? I thought you were done with her!”

Sukuna’s jaw tightens. “Say another word, and you’ll be painting with your own blood.”

Gojo just laughs, crossing his arms as he leans back against the wall. “Fine, fine. But it’s… interesting, don’t you think? You, stuck on the same image, over and over. And all of this because of one woman.”

Sukuna can feel his patience fraying, each word from Gojo Satoru like sandpaper on a wound that refuses to heal. But Gojo doesn’t stop, his tone shifting from mocking to genuinely curious. It’s already giving him a headache.

“So, bestie……” he says, a glint in his bright blue eyes. “Who is she? A muse? Some long-lost love? Because whatever it is, you’re about to drive yourself mad over her.”

“She’s nothing.” Sukuna says sharply, but the words lack conviction. He doesn’t want to dive into it. Especially for Gojo Satoru. He’d only try to make it all a joke and laugh about it. “Just a woman. Just a damn face that refuses to disappear.”

Gojo Satoru couldn’t help but arch an eyebrow. “Nothing? Could’ve fooled me, seeing as she’s all you’ve painted for weeks. Either she’s ‘just a woman,’ or she’s haunting you.”

Sukuna clenches his fists, his voice dropping to a murmur. “I can’t… get her out of my head, no matter how many times I try. It’s like she’s taunting me. Every stroke feels like a chase, and I can’t catch her.”

For once, Gojo’s grin fades, a shadow of understanding passing over his face. “So that’s it, huh? You’ve finally found a challenge you can’t conquer. Even after all these years.”

Sukuna scowls, eyes narrowing. “It’s not a challenge. It’s… more than that.” His voice trails off as he glances at the painting, his expression a mixture of longing and frustration.

“Then stop,” Gojo says bluntly. “If she’s driving you insane, stop trying to capture her. Paint something else. Anything else. Get back to your work, to the craft that’s kept you sane all this time.”

But Sukuna only shakes his head, his gaze fixed on the canvas. “It’s not that simple, Satoru. I can’t stop. I need to understand… Why is she here? Why does she keep coming back to me?”

Gojo sighs, running a hand through his bright snow colored hair, clearly torn between amusement and pity. “Well, I can’t say I envy you. But maybe you should try looking beyond the canvas, for once.”

Sukuna scoffs, though a hint of doubt creeps into his expression. “You think there’s anything outside this room that could give me answers?”

Gojo shrugs. “Who knows? Sometimes the answers we need are the ones we’re not looking for. But if this is what’s keeping you chained…” he nods towards the door, his voice lowering, “then maybe it’s time to find out why.”

Ryomen Sukuna says nothing, his gaze flicking between Gojo and the woman’s face on the canvas. And as Gojo slips out the door with a knowing smile, Sukuna feels the weight of his words lingering, as if daring him to break free of the chains he’s crafted for himself.

Gojo Satoru stayed in his studio for a while; the entire time his head hurt. But he couldn’t help admitting that his frustration was put on hold and that he was grateful for it. Annoying as he was, it was better than suffering what he had been suffering with the woman that haunts him.

But when Gojo Satoru leaves, he finds himself unable to leave either. From the night before, he hadn’t really found himself to sleep. But if he was still being honest, he really doesn’t think he made any progress from the ones he had already made that he feels happy about.

Well, except perhaps three more additions to his deluded dreams of this woman. He couldn’t stop with that. That was not something he could enjoy. It didn’t look good. He didn’t think it was the best he had ever done. He looks at his canvas again and squints his eyes. It was as though he was hoping that he had painted something else. But he knew he hadn’t. There was no need to double check.

Okay, well, he should be more honest — it’s four now. This is the fourth one. The fourth one for a while and it’s only past lunch time the next day. Wait, is it really lunch time? He looked around again and saw his clock. His mouth agape in shock. It’s already been a whole day? It’s already the blue hour? What the actual fuck is going on?

He groans as he puts down his paintbrush and covers his face with his hands. A loud groan echoes against his skin, reflecting that bitterness he feels. He was going mad, he’s genuinely sure that he’s really going mad. This time for real. The world is ending and he’s going mad.

Once more, Ryomen Sukuna sits slumped in his studio chair, the dim, cold light from the nearby cityscape casting a pallor over his face. How can this be possible? He's rubbing his temples, staring at yet another drying and yet truly unfinished portrait of her when a familiar voice cuts through his brooding. Ryomen Sukuna turned his back and turned it back once more, just as quickly.

Fuck, its Uraume.

Shit, shit. Is it already that time?

He hasn’t messaged them for two days.

How the fuck is he going to survive—

“Sukuna–san, you have the exhibition in two weeks, you know that!” Uraume reminds him, waking over with their tone both gentle and insistent. They’re standing at the edge of the cluttered studio, arms crossed, their eyes flicking between Sukuna and the growing stack of canvases lining the walls. “Everyone’s expecting new work, Sukuna–san. You can’t just say you aren’t producing anything when this is—”

He cuts them off with a frustrated wave of his hand, as if trying to dismiss both them and the exhibition out of his mind. “I know, I know, Uraume–san. You already know that I know. Don’t you think I know? I just…… What’s the point of even going here? It’s not…it’s not finished—nothing is complete.”

“That’s not what you’re supposed to be telling me—”

“I know, I know.” His voice trails off, heavy with exhaustion. He looks at the half-finished canvas before him, her familiar eyes staring back, mocking him. “Look, I need time. Okay? Just a little more time to get over it. I promise. It will be done soon.”

Uraume steps carefully, sidestepping the mess of brushes, scattered paint, and half-finished canvases that litter the studio floor. Their usual calm is tinged with a hint of bewilderment, their brows furrowing as they glance over at Ryomen Sukuna, who sits slouched in his chair, staring blankly at the portrait before him.

This is the first time they’ve seen him like this—so unfocused, so… lost. It’s unnerving. For as long as they’ve known him, Sukuna was always in control, his power and his confidence absolute. Nothing stumped him; nothing could shake him from his single-minded determination.

And yet, here he is, surrounded by portraits of a woman they’ve never met, trapped in a spiral of obsession that they don’t understand.

“Get over what, exactly?” Uraume asks, a soft but firm edge to their voice, breaking the silence that has grown heavy in the room. “The exhibition is practically sold out already. You are the star of this show—you know that.”

They hesitate, crossing their arms as they study his profile. “If you let yourself slip now, you’re going to lose everything. They expect something… groundbreaking, something other than…”

Their voice trails off as they catch sight of another painting, and then another; all of them of her. Each one shows a different expression, a different tilt of her head, a different light in her eyes, but always the same haunting face. Uraume’s gaze lingers on the latest painting, her smirk, subtle yet all-consuming, as if she’s daring anyone who looks at her to understand.

They shake their heads slowly, exhaling in frustration. “This obsession of yours…” They struggle for the right words, their gaze hardening as they glance back at him. “I don’t understand it. Who is she? And why are you letting her control you like this?”

Sukuna looks up, his expression weary, but there’s a flicker of something dangerous in his eyes, a glint that only appears when he’s truly challenged. “You wouldn’t understand, Uraume–san.” he mutters, his voice low, almost as if he’s talking to himself. “No one would. Not unless you felt what she did to me.”

Uraume raises a brow, taken aback. This isn’t like him—this vulnerability, this almost painful honesty. They’ve seen Sukuna bring cities to their knees, watched him command fear and respect with the simplest look, but now? Now, he looks more like a man haunted than a man in control.

“Then tell me, Sukuna–san.” Uraume says, their voice softening slightly, more curious than before. “What is it about her? Why does she matter so much?”

He leans back, a bitter smile crossing his lips. “It’s like… no matter how many times I paint her, she’s always out of reach, Uraume–san.” he says, his eyes flicking to the painting in front of him, the smirk that never changes. “Every stroke, every color—it’s as if she’s taunting me, daring me to try again, knowing I’ll never capture her.”

There’s a pause, the weight of his words settling between them, thick and tangible. Uraume takes a step back, their expression wavering. They’re used to seeing Sukuna drive toward a goal with relentless force, breaking anything that stands in his way. But this? This is something else. Something they can’t touch.

“Is she worth all this?” Uraume asks, more gently than they intended. “Worth losing your edge, your control?” They gesture to the canvases around them. “If she’s haunting you this much, perhaps it’s time to let her go.”

A dark laugh escapes Sukuna, low and humorless. “Let her go?” he repeats, his gaze still fixed on the painting. “I’ve tried, Uraume–san. But she’s there, every time I close my eyes. And I can’t…” He stops himself, the words caught in his throat. “She won’t let me go.”

Uraume watches him, feeling a pang of something they can’t quite name—pity, perhaps, or fear for what this fixation could mean for him. They take a step forward, daring to place a hand on his shoulder.

“You’re stronger than this, Sukuna–san.” they say softly, but firmly. “Whatever hold she has over you, it doesn’t control you. You’re the one in charge here, remember?”

For a moment, Sukuna seems to consider their words, a flicker of clarity in his eyes. But then he glances back at the canvas, at her knowing smile, and his face hardens, as if he’s resigned to the fact that he’s already lost.

“I thought so too, Uraume–san.” he murmurs, barely loud enough for Uraume to hear. “But I’m beginning to wonder… maybe she’s the one painting me.”

Uraume watches him in silence, feeling the cold truth of his words settle between them. They realize, in that moment, that they may be witnessing the unraveling of the man they thought was unbreakable. And for the first time, they wonder if he can even escape from the shadows of his own creation.

Sukuna follows their gaze, feeling a surge of irritation and helplessness. “It’s not that simple, Uraume–san. God, it’s just….” he mutters, running a hand through his messy fuschia hair, which is starting to look as unruly as he feels.

“She’s—she’s everywhere to me. And maybe that’s why she’s always here. Every time I try to start something else, there she is. Like a bad dream I can’t wake up from.”

He glances at Uraume, searching their face for some flicker of understanding. “Don’t you get it? I need to work through this. You can’t just snap your fingers and make it go away. If I had magic, it would have been fine, but I just….”

“Then maybe make her part of it.” Uraume replies, unphased by his frustration. “People will want to see this obsession—whatever it is. But they won’t be satisfied with half-finished canvases of the same face over and over.”

He stands up abruptly, pacing, as if movement will shake off the weight pressing down on him. “It’s not an obsession,” he says, though the words sound hollow, even to him. “I just need… time. To figure this out. To move past her.”

Uraume watches him with a calm patience that only irritates him further. “You’ve had time, Sukuna-san. And every day, I’ve watched you do nothing but chase shadows.” They gesture to the rows of unfinished canvases, the dozens of faces that all share her haunting expression.

“Maybe you don’t need to get past her. Maybe you need to go deeper, to figure out what she’s trying to tell you.”

Sukuna clenches his jaw, feeling the heat rise in his chest. He hates that Uraume, of all people, might be right. But how could he go deeper when she’s already consuming him? They should know that this is not what he needs right now. He needs support about this trying situation. He needs kindness about this. He needs—

He turns his eyes slightly and soon enough, they land on the first portrait he’s drawn of her. It was rough around the edges, it was true. But he was trying really hard to capture what he had found in her. He thought he would never see her again. That first time, it was all too interesting. Because he thought he would never see her again. And her smile would have been everything even that one time.

That once would have been enough, it would have fulfilled him whole enough. That one portrait, that first one — it would have been enough for Ryomen Sukuna to feel like someone was always going to look at him kindly.

That someone would always look at him with such tender eyes. He purses his lips in a line. Here she was. Once again, staring into his soul. Frozen in time. Looking towards him as though he was the world. As though life can only be known through looking at him. He gulped.

“I’ll figure it out, don’t worry.” he says finally, forcing his voice to steady. “Just… let me handle it my way.”

Uraume sighs, a long, exasperated sound. “Fine. But remember, Sukuna–san, time waits for no one. Especially not for you.”

And with that, they turn, leaving him alone once more in his dimly lit prison, with nothing but her face and the ticking of the clock to keep him company. Ryomen Sukuna could not move anymore for a while. He couldn’t. Not when you were looking at him like that.

The echoes of the night pangs into the slumber of the bright starry sky, and the silence in Ryomen Sukuna’s studio is absolute, broken only by the occasional soft creak of his chair or the quiet scratch of his brush against the canvas. And he despises it. Usually, he would be happy about that. It helps him focus on his work.

Yet, he’s almost afraid to move or make more noise or appease the silence with his enjoyment. Ryomen Sukuna was afraid that if he does, he’ll break the spell that’s settled over him, the fragile connection that’s come alive between him and her.

This ghostly woman, this chasing woman who has rooted herself so deeply in his psyche. He knows she’s not real, and yet every inch of him feels as if she’s in the room with him, closer than a shadow, more vivid than any memory.

The woman on the canvas feels different this time. He’s pushed past the limits of his frustration and reached a depth of expression that feels raw, unnerving. Her face, no longer a series of lifeless shapes and colors, seems to breathe on the canvas.

Her smile is softer now, her eyes almost… knowing. But the knowing isn’t comforting; it unsettles him, strikes some primal nerve deep inside. He steps back, shaking his head as if to clear it, to dispel the irrational thought that she’s looking back at him with intent, with purpose.

But even standing back, even half-closing his eyes, he can’t unsee her. She seems more real than ever before, like he’s peeled away another layer, only to find her hiding deeper within. He feels his heart beat faster, a slow wave of dread creeping into his veins. How can a face he created himself feel so alive? So sentient?

He backs away from the canvas, his hands covered in paint, feeling a chill settle over him. He’s been pushing himself to exhaustion these past few weeks, painting her in every possible way, but this—this feels different, like he’s crossed an invisible line. For the first time, the compulsion to paint her is laced with fear.

Still, he can’t look away. Her presence fills the room, and he feels the weight of it like a physical force. His eyes roam over her face: the faint shadows around her eyes, the suggestion of pain hidden in the tilt of her lips, the look of sorrow mingling with defiance. Each detail tells a story he’s not sure he wants to know, yet he’s desperate to understand it.

Uraume’s words echo in his mind again: Maybe you don’t need to get past her. Maybe you need to go deeper, to figure out what she’s trying to tell you.

He shudders, the thought reverberating through him. What if this woman, this apparition, isn’t just an accident of his imagination? What if she’s here for a reason, some purpose he’s been too afraid to uncover?

He recalls the dreams—the cliff, the ocean raging below, the way she extends her hand to him with that haunting smile, beckoning him forward only to disappear again and again. It’s always the same. He can’t save her, but he can’t let her go.

He’s always believed that his art comes from somewhere deep within him, from emotions he doesn’t fully understand, from memories he can’t articulate. But this feels different to him. He had never dealt with this before.

It was almost as if it’s coming from outside of him, as though she’s reaching through the boundary of his mind, using his hands as a conduit. He lets out a shaky breath, clutching the paint-stained edge of his workbench. Is this woman, this image, an echo from his past? A ghost? Or something darker, something he’s unlocked without meaning to?

The thought stirs something in him, a strange, unexplainable pull to keep going, to lose himself in this process of bringing her fully to life. He walks back to the canvas, hand trembling as he picks up his brush once more.

This time, he paints her hand, reaching out, as if extending toward him. The fingers are delicate, almost ghostly, and he layers shadows beneath them, giving them depth, weight. He works until the details blur, until his vision is smeared with exhaustion.

He steps back again, chest tight. Her hand stretches toward him now, inviting him, her fingers just a breath away. The air in the room feels thick, electric, as if she’s drawing him closer, beckoning him to cross some unseen line. He reaches out instinctively, the tips of his fingers barely brushing the canvas.

In that instant, a shiver courses through him, the chill going bone-deep. He feels his hand pull back, but it’s as if something is holding it there, holding him in place. His heart races. He hears the ticking of the clock, each tick louder, more insistent. The woman on the canvas seems closer now, her eyes sharper, more alive, her expression shifting as though she’s on the edge of speaking.

He tears his hand away, stumbling backward, the sudden movement jarring him back to himself. His studio comes into focus, the familiar mess of paint and brushes scattered around, the quiet hum of the city outside. But she’s still there, her face on the canvas, watching him with that faint, knowing smile.

His heart still pounding, he grabs his coat and stumbles out of the studio, leaving her behind, feeling her gaze burning into his back even as he shuts the door. The air outside is cold, crisp, and he gulps it down, trying to shake off the feeling that he’s walked out of a nightmare he can’t wake from.

But even as he steps into the city streets, even as the lights and the noise surround him, he can still see her in his mind, as clearly as if she were standing beside him.

And he knows, with a strange certainty, that no matter how far he runs, she’ll be waiting for him, waiting in the studio, in his dreams, until he finally dares to confront whatever truth she holds.

══════════════════

HE REALLY CAN’T HELP IT. Ryomen Sukuna’s heart hammers in his chest, louder than the muffled hum of voices in the museum, louder than the memories raging through his mind. He stands frozen, his scarlet eyes locked onto her.

This was the woman from his dreams, the face he painted until his hands went numb, until his sanity frayed. The woman he has known is like the back of his hand. She’s here, in the flesh, not on a canvas or a hazy memory, but real, close enough to reach out and touch. And yet, at this moment, she feels farther away than ever.

The woman doesn’t notice him. Of course she wouldn’t have. Why would she? He doesn’t expect her to know what he’s feeling now. She’s oblivious to the storm her presence has unleashed in his chest, the way his pulse spikes as he watches her, every nerve in his body caught between reaching for her and running away.

She’s gazing intently at the displays, her head tilting thoughtfully as she studies each artifact, and with each subtle movement, she reminds him achingly of her—of the woman he’d known in that past life, his concubine, the one he’d lost so long ago. She has that same air of quiet intensity, that gentle focus, the same soft curiosity he remembers.

And then she steps closer to the display holding the hairpin. That hairpin—the one he’d given to his concubine as a symbol of the promise he couldn’t keep, the one she had treasured even on the darkest nights, when the weight of their hidden love had pressed heavy upon them both. The hairpin he’d clasped in her hair before she was taken from him.

The sight of it had been a punch to the gut even before he saw her. But now, watching this woman—a stranger, yet painfully familiar—reach out as though to touch the glass, Sukuna feels something crack open inside him, a wound he’d buried lifetimes ago tearing fresh and raw.

She lifts her hand, her fingers hovering near the glass, her eyes lingering on the hairpin with a look he recognizes—sadness, longing, nostalgia she can’t possibly understand.

Her face is calm, her expression serene, but he knows that look, knows that feeling. Does she feel it too? Does she feel the echo of something lost, something distant yet so deeply embedded in her soul?

His own hand trembles at his side. He wants to go to her, to pull her aside, to demand to know if she remembers, if somewhere in her heart she feels that same aching void he’s carried for centuries. But the reality sinks in, cold and unyielding: to her, he’s a stranger.

She has no idea who he is. She doesn’t remember their stolen moments under moonlight, their whispered vows, the quiet, forbidden love that had bound them tighter than any promise. She doesn’t remember his face, doesn’t know the agony he’s endured, living each lifetime haunted by her ghost, painting her face in the desperate hope it might bring her back.

And yet, the hairpin calls to her. He watches her, rooted to the spot, as she studies it with a reverence she can’t name, can’t explain, an inexplicable connection to something lost to time. He can almost see the weight of her past life hovering over her like a shadow she doesn’t even know is there.

Sukuna’s fingers twitch, aching to touch her, to break this unbearable silence and tell her everything: that he’s waited lifetimes for her, that he’s dreamed of her every night, that every stroke of his brush was a desperate attempt to remember her, to reach her, to feel even an echo of what they once had. But how could he explain that? How could he unload centuries of grief, of longing, on her shoulders, when she doesn’t even know his name?

She turns, moving slowly to the next display. But for a single heartbeat, her gaze drifts in his direction. Their eyes meet, and in that split second, the air thickens, everything around him falling away. Her eyes—those same eyes, dark and deep, full of questions and secrets—fix on him, and he feels the weight of their shared history settle like a heavy cloak over them both.

He watches as something flickers in her gaze, an almost imperceptible flash of recognition. She blinks, and it’s gone, but he clings to it, desperate. Did she feel it, even if only for a moment? Did she feel the weight of a life before, a life they shared, a love they lost?

But she turns away, her brows furrowing slightly, as if shaking off a strange thought, and the moment shatters, leaving him stranded in a sea of regret and unspoken words. She disappears around the corner, her silhouette swallowed by the shadows of the exhibit.

A bitter pang cuts through him, deeper than anything he’s felt in centuries. She’s here, alive, within his reach, and yet she’s still lost to him. He’s still haunted by the echo of her smile, the shadow of her memory, the woman he could never save.

Slowly, Ryomen Sukuna forces himself to step away, his gaze lingering on the hairpin. He clenches his fists, feeling the familiar sting of regret, of promises broken, of lives tangled and torn apart.

He’d thought he was prepared to face her, though he could handle the pain that would come with seeing her again. But the reality is raw and relentless, tearing open old wounds he thought were healed.

In that moment, he was the only one who knew the truth: he’ll always be trapped in this cycle, drawn to her only to watch her slip away. No matter how many times he finds her, she’ll always be just out of reach, a dream he can never wake from.

Ryomen Sukuna’s heart nearly stops when he feels a soft hand on his arm, drawing him back to the present. His present. In front of this woman, this woman who haunted him with everything and anything in him.

“Are you… okay?” the woman asks, her voice gentle, her eyes warm with concern.

He’s stunned, his breath catching as he looks down at her, the stranger with the face he’s known all too well, the stranger who feels like a ghost comes to life. But he forces himself to gather his thoughts, to act like this is a normal interaction with a stranger, even though every nerve in his body feels charged with recognition.

“Ah… yes, I’m….I’m good.” he finally says, his voice rough but steady. “I just find the gallery… interesting.” The words feel absurdly inadequate, but it’s the only thing he can manage.

A small smile breaks over her lips, and the sight of it sends a sharp pang through him. It’s so familiar, so achingly familiar, that he has to clench his fists to keep himself grounded. She glances around the exhibit, her expression softening with a hint of pride.

“I’m glad you’re enjoying it, stranger.” she says. “It was… hard to tell the story. To do it justice, I mean.” Her gaze returns to his, warm and inviting. “I’m a Mikoto, by the way. A descendant of Hiromi.”

He feels his heart stop at the name, and it takes him a beat to respond. “Ryomen… Ryomen Sukuna, that’s my name.” he says, his voice catching slightly as he introduces himself.

He could only watch as her eyes widened in surprise, and she studied him, the weight of recognition glinting faintly in her gaze, though she didn't seem to realize its true depth. She probably did not expect him to have that name, that exact name, also.

“A descendant of Hiromi, too?” she asks with a soft laugh, her expression open, friendly. When he doesn’t answer, she shakes her head with a lighthearted smile. “It’s okay. The family’s too big for everyone to know where they come from anyway.”

He nods stiffly, a bit overwhelmed, struggling to keep his composure as memories flicker before him. There’s so much he wants to say, so much he aches to tell her, but he swallows it all down, letting the silence sit between them, as heavy as it is fragile.

Then, gathering his nerve, he glances at her. “Can I… can I ask you something about the exhibit? About Ryomen Sukuna?”

She tilts her head, curious. “Of course, you can.” she says. “But fair warning—it’s going to be a long story. A sad story.”

He meets her gaze, and in that moment, he sees a flicker of recognition in her eyes, something deep and familiar that calls to him. He nods. “That’s okay.” he says softly. “I think I need to hear it.”

She studies him a moment, as if trying to understand his need to know. Judging from her own reaction, it's a difficult story to even try and tell. But he was curious. Perhaps for the first time in his life, he wanted to know so badly.

He wanted to know more than anything how these two people lived. How she lived, that woman in his dreams — the woman right in front of him. He looks at her tenderly, curiously. And she nods, a quiet understanding in her expression.

“Ryomen Sukuna… and his concubine. Their stories are really not easy. Nor is her own. His concubine’s story is difficult. She led a long, sad life. They were together for a long time, longer than Sukuna and Hiromi were wed.” Her eyes lowered, the sight gleaming with sorrow as she touched the glass, trying to reach for the hairpin.

“She was devoted to him, in all the ways that one could describe devotion. And yet….she suffered under him… Quite a lot, if we’re to be honest. She gave him a son and she lost him and his indifference at times, it broke her.” She hesitates, glancing at him before continuing. “Though in his own way, he loved her. But well, was it enough? We cannot truly tell. From what we know from Ryomen Chiharu, she died without knowing. But perhaps, those are claims.”

The words pierce him like a knife. Hearing it from her lips, from her gentle voice, makes it all feel too real. The bitterness, the heartbreak, the weight of it all surges within him, yet he can’t look away from her. Is that what she has had to live through all that time? Was it only the heartbreak she had lived through? In that past life, in her past life — was it just grief born out of more, one after the other? Is that why she kept falling to her death? Suffering in all that pain?

“If he had loved her then….” Sukuna could feel some sense of anger bubble through him. “Why is it not ever clear, his feelings? If you love someone, you….you tell them! You make them know when they’re alive. Not when they’re gone! What kind of man is he? Is he even a man at that point? That’s cruel….That’s…..”

In that moment, her eyes turned wide as she gazed at him. She had seen people get angry on behalf of the long suffering concubine of the King of Curses. That was normal, to feel anguish on her behalf. And yet, this mayhaps is the first time he’s ever seen someone so infuriated. And aggrieved. And bitter. Truly, in the sense of the word. Her heart felt warm about that.

She smiles softly at him and places her hand on his own. “You know….he still did care. Even if he was a terrible man. In some ways.”

“Even then—”

“Come with me, stranger!” she says, her voice soft as she takes his hand, her touch sending an electric shock through him. She leads him to a long table draped in dark fabric, a single scroll lying open at the center. It was a magnificent piece of work.

In the middle was her, that concubine. With her elegant features and her bright eyed gaze, her tender smile that could bring life to a mundane world. The colors illuminated her with such ethereality that one couldn’t even understand. It would have taken much too much time to do this in their lifetime, during the Heian Era.

And yet, it was so carefully made, carefully thought of. So full of devotion to her, details that one couldn’t even find in any other portraiture in that time. Sukuna could only watch as her fingers glide along its edge with a reverence that pulls him in, as though she’s sharing a secret between them. Her smile grows wider.

“This is painted and written by Sukuna himself, mayhaps, a few years before she passed.” she whispers, her eyes shining as she looks at him. “We don’t know, if he had painted and made this in secret. Or if she had known and seen it. But….it was to her… a message. From him to her.”

The scroll is faded, ink blurred by age but unmistakable. And as Sukuna reads it, he feels his breath leave him, his pulse racing as he takes in the words he never thought he’d see again. In ancient script, barely visible, are the words he remembers writing so many lifetimes ago, a promise that felt foolish and desperate even as he wrote it:

“To you, my little one, from a thousand years to another twenty thousand years from now, you who will continue to be dear to me.”

His vision blurs, and he forces himself to swallow down the ache rising in his chest. How is that man ever so contradictory? How could he cause her hurt and then do…do something like this? How can one ever make amends, or show love, knowing they had caused grief and pain and suffering?

He purses his lips, his face echoing in conflict. He could feel his hand tighten in a fist. The woman he saw in his dreams, and the woman he sees before him now. How they both suffered to get to this point.

That smile a thousand years ago, so gentle and yet….so pained. And now, so beautiful and serene, happy. Truly so happy. He couldn’t help but be so overwhelmed by emotion. By all of this. She looks up at him, her face soft with empathy and warmth, her hand still resting lightly on his arm.

“What kind of person do you think could write something like that?” she asks gently, studying his reaction.

He swallows, searching for the right words, his voice barely a whisper. “Someone who knew… he’d never find peace without her.” he says, almost to himself, his gaze lingering on the scroll. “Someone… who wanted more time.”

Her eyes meet his, something unspoken passing between them, a quiet understanding that hangs thick in the air. She doesn’t say anything, but her expression shifts, her gaze softening, as if she’s sensing something she can’t quite place, something from another life pressing against the present.

In that moment, he knows he can’t tell her, can’t burden her with the weight of it all. This life may not hold the memory, the pain, the love he’d lost, but here she stands, still at his side. The universe, fate, something unknown has brought them here, and for now, in this fragile moment, it’s enough.

Sukuna’s mind swirls, each beat of his heart drumming louder against the silence that now surrounds them. The faint traces of this man’s ancient words—his promise, his plea—are scrawled on the scroll, untouched by time.

The weight of it feels unbearable, as if this fragile piece of paper holds not just a message from the past but the entirety of his soul. He risks a glance at her, the woman with his concubine’s face, her warmth, her spirit.

She’s watching him with an intensity that pulls him back from his reverie. “I wonder if he ever found her, if he was ever reborn and given new life.” she murmurs, more to herself than to him. “If… across all that time, they somehow managed to find each other again. And are more truthful to each other. I always thought that, even when I was a child. I hoped and prayed that they found happiness together in a new life.”

Her words send a chill down his spine. He wants to tell her they did, that he’s standing here, right now, because of her. But he knows he can’t—no matter how much his heart aches to reach out, to let her in on the truth he’s carried alone for so long. The curse of knowing, of remembering, is his burden alone.

Instead, he lets his fingers drift across the edge of the scroll, keeping his gaze lowered. “Maybe he never stopped searching. Even if he is reborn. Maybe if he doesn’t remember it all. He should find her and make amends.” he says softly. “Maybe that’s why his name and his memory linger even now. So that she’ll notice. And…maybe they’ll live the way you want them to.”

She tilts her head, considering him, her smile touched with the slightest hint of sadness. “That’s a beautiful thought. Almost… almost as if he’s still out there, waiting. Even if he had to endure every lifetime alone.”

Sukuna swallows, struggling to keep his composure. “Sometimes, we don’t have a choice, about it all.” he says, his voice low. “We’re bound by memories we can’t remember, by the promises our futures will have to remake, even if we have to carry them alone.”

She studies him for a moment, her expression thoughtful, as if she’s trying to glimpse the truth beneath his words. “That sounds like something he would have said, perhaps….perhaps to her.” she murmurs, almost to herself.

The weight of her gaze feels like a hand pressing against his heart, pulling him toward her, tethering him in a way that feels more ancient than memory. But she turns her attention back to the scroll, breaking the spell, and a soft smile touches her lips as she reads the words he once wrote.

“You know,” she says after a pause, “my family used to tell stories about Sukuna. He’s more of a legend now than a real person, but there are so many conflicting tales. Some say he was ruthless, others say he was capable of great kindness. I’ve always been fascinated by that contradiction.” She glances up at him, eyes alight with curiosity. “What do you think? Was he a monster… or was he something more?”

Sukuna’s breath catches at the question, the answer sitting like a stone in his throat. How can he possibly explain that the truth was more complicated than either legend or history could capture? That he was both and neither, a man torn by his own humanity and haunted by a love he couldn’t protect?

“It’s hard to say what he was.” he answers carefully. “Maybe he was both. A monster to some, but to others… he was someone who gave everything he had. No one is….no one is truly a villain, after all.”

She nods slowly, seemingly satisfied with his answer. “I like that answer.” she says quietly. “I think we all have pieces of light and shadow inside us. Maybe he was just… someone trying to find a balance, even if he had caused so much hurt. Even if he had failed.”

The irony cuts deep, the tragic poetry of her words like salt in an old wound. Her voice is gentle, but there’s a conviction in her tone that makes his chest tighten. If she knew the truth—if she knew what he’d lost, the sacrifices he’d made—would she still look at him this way, with this soft reverence and understanding?

Lost in thought, he hardly notices her reaching for his hand. Her fingers wrap around his, warm and grounding, and he’s stunned by the simple, natural ease of her touch, as though they’ve done this a thousand times before. Her hand fits perfectly in his, and for the first time in centuries, a glimmer of hope stirs within him.

“Come with me again, stranger.” she says, leading him past the scroll and into a smaller room at the end of the hall. “There’s something else I want you to see.”

They walk in silence, and he lets her guide him, his heart racing, wondering if perhaps, just maybe, she’s starting to feel the pull too—the invisible thread binding them across lifetimes. She stops in front of a display case holding a small, intricately carved pendant, its silver chain gleaming under the soft lights.

“This pendant, it was passed down to Ryomen Chiharu, after a few years.” she says, gazing at it with a fondness that surprises him. “It belonged to her. His concubine. One of the only things she kept close to her heart.”

Sukuna stares at it, his mind reeling. The pendant was once his gift to her, that King of Curses—a token, a promise of protection. Seeing it now, preserved and cared for, feels surreal, a whisper of the life they once shared. He doesn’t trust himself to speak, his voice thick with emotion he’s barely keeping in check.

He wondered, maybe if it was the right time, the right place. If he hadn’t been so enthralled with another — maybe it would have been a match that would have ended with less pain and more joy. Perhaps if the King of Curses had found himself able to move forward, he would have been happier. Maybe his concubine would have been happier.

But that was a thousand years ago. And humanity keeps making that same mistake. Little by little, you could find people repeating it over and over again. That makes Sukuna so bitter and sad, grievous and angry all at once. How could fate be so twisted? How could fate seem so indifferent to it all? How could…how could fate not stop such suffering of people who wish to be happy?

“I always thought it was sad, you know?” she continued, her tone soft. “She must have known he’d never be hers completely. But she still kept this close to her heart. Thinking of him. It’s like she never stopped hoping.”

Sukuna’s throat tightens, the weight of her words pressing into the raw ache within him. “Hope….hope is fragile.” he echoes, his voice hollow. “It can be a painful thing to carry, especially when there’s no chance of seeing it fulfilled.”

Her gaze turns up to him, searching, as though she can sense the depth of his grief but can’t name its source. “Maybe.” she says, her voice a whisper. “But sometimes… hope is all we have.”

He looks away, afraid she’ll see the truth in his eyes. He wonders if she understands, if somewhere deep down, a part of her remembers. But even if she doesn’t, he can feel her empathy, her gentle warmth reaching out to him, soothing his restless spirit.

She squeezes his hand, her touch gentle and grounding. “Thank you,” she says, smiling softly. “For listening to her story with me. I know it’s heavy, but… it’s part of our legacy, isn’t it?”

He nods, his heart raw and open, feeling the weight of the centuries fall away, even if just for this fleeting moment. It’s not enough—not enough to heal the wounds, to bring back what they’d lost—but for the first time, he feels something close to peace.

And in that silence, in her quiet smile, he dares to hope that maybe, just maybe, there will be a way to find and know each other again. She was right there. He likes to think she is. Right in front of him. There was hope, somehow.

That she would be happy. That maybe, just maybe – he could see her smile so beautifully again. A smile that would reach all the way to her eyes and warm her face and towards the reach of all the heavens.

Sukuna stands there, his fingers still brushing the edge of the glass case, the pendant gleaming faintly beneath his touch. He feels an unfamiliar warmth stirring within him, a strange, hesitant urge for something… more, something real and tangible. He looks down at her, her expression still soft with that quiet empathy that unsettles him as much as it comforts him.

Before he can second-guess himself, he clears his throat, casting a sidelong glance her way. “Would you, uh… would you like to grab a coffee sometime?” he asks, a bit gruffly, as if trying to sound casual. “Maybe you could help me with some ideas for my art. I’m….an artist by the way. ”

The question hangs in the air between them, and for a moment, he feels exposed in a way he hasn’t in centuries, like he’s offering a piece of himself he’s long since hidden. He braces himself for rejection, for her to smile politely and turn him down.

Sukuna watches her smile, a genuine, radiant expression that spreads across her face like dawn breaking over a darkened sky. It’s infectious, igniting something deep within him, as though it was a feeling that has lain dormant for centuries beneath layers of pain and regret.

Everything in him felt warm inside. Everything in him grasped to life, hoping that she could nourish it to last forever. Her acceptance feels like a lifeline thrown into the stormy sea of his existence, and he clings to it with a desperation he can’t quite articulate.

“Tomorrow sounds perfect, stranger.” she says, her voice a gentle balm against the jagged edges of his heart. “Oh, I should stop calling you that, shouldn’t I? My apologies, Sukuna–san. I wanted to tease you for a little more time.”

As she writes her number on a slip of paper, the world around them fades into a blur. The museum, the exhibits, the weight of history—all of it dissolves until it’s just the two of them, suspended in this fragile moment of connection.

He takes the paper from her, fingers brushing against hers for the briefest second. It sends an unexpected spark through him, and he’s momentarily lost in the warmth of her skin, the softness of her touch. He forces himself to pull away, catching her gaze again, wanting to savor the moment a little longer.

“What do you like to drink?” he asks, trying to keep the conversation going, to stretch this fleeting connection into something more tangible.

“Coffee, mostly. I love a good espresso.” she replies, her eyes shining with enthusiasm. “But I’m always open to trying new things. I’m sure the cafe will have new wonders. How about you?”

He nods, remembering the countless cups of coffee he’d consumed over the years, each one a bitter reminder of the countless sleepless nights spent alone. “I’m more of a dark roast person myself. Stronger the better.”

“Then I’ll make sure to introduce you to the best place in town. They have the most incredible brews, fit for a long suffering artist.” she says with a playful grin, and for the first time, he can’t help but smile back. It’s a small, simple thing, but it feels monumental, like a bridge forming over a chasm he thought would always divide him.

“Great….I uh….” he replies, his voice a little steadier. “I look forward to it.”

They linger for a moment, both seeming to hesitate, caught in a bubble of anticipation and something deeper that he can’t quite name. He’s never been one for lighthearted interactions, especially when it comes to connections. Yet here he is, standing before a woman who feels like a piece of his lost history, someone he feels inexplicably drawn to.

With one last lingering look, she steps back, her smile still warming the air between them. “See you soon, then, Sukuna–san.” she says, her voice light yet meaningful.

“Yeah….. I’ll see you soon.” he echoes, his heart pounding in his chest as he watches her walk away, the soft sway of her figure leaving him breathless.

As he turns to leave the gallery, the weight of the memories of a thousand years presses less heavily on him. He had left behind Sukuna's world, and birthed a new. He hopes he can. He wants to. He wants to make that woman happy. She deserves to. She deserves to be happy, in the way he couldn’t do it. He promises himself that.

For the first time, he feels a flicker of inspiration reigniting in his chest, like a spark that’s been waiting for just the right moment to burst into flame. The idea of coffee, of sharing thoughts and laughter, of discussing art with someone who understands the nuances of his legacy—it excites him in a way he hadn’t felt in what seems like an eternity. It excites him to burn with joy.

The streets outside are bathed in the warm glow of the setting sun, the colors alive and vibrant, reminding him of the canvases he has yet to fill. He can almost picture it now, a new piece forming in his mind—a swirling mix of shadows and light, of loss and hope, reflecting everything that has led him to this moment.

In the days and nights that follow, he begins to sketch again. The woman’s face, a beautiful blend of familiarity and freshness, dominates the canvas, layered with strokes of longing and the bittersweet pang of memory. He paints her laughter, the way her eyes sparkled with enthusiasm, and the gentle warmth that radiated from her smile.

Every brushstroke feels like a conversation, a way to weave their stories together—a blend of art, history, and the unspoken connection that binds them. The artist’s block that had once felt insurmountable begins to crumble, each session at the easel pulling him deeper into his thoughts and feelings, and farther from the suffocating grasp of despair.

He dreams of their meeting, the way her presence felt like coming home, and as their coffee date approaches, he finds himself wrapped in a mix of excitement and nerves. What would they talk about? What would she think of his art?

That evening, as he stands in front of the mirror, he catches a glimpse of himself—disheveled fuschia colored hair, weary bright scarlet eyes; but beneath it all, there’s a glimmer of something he hasn’t seen in ages: hope. A hope for the future. A hope for a new world, a new life. One that will echo years and years from now about joy.

Tomorrow, he tells himself as he brushes down his shirt, it will be different.

Tomorrow, he’ll make her the happiest person in the world.

Tomorrow, he’ll hope that she will never have any more days to frown.

When the sun rises, he feels it all too well. There was a flutter of anticipation in his chest as he prepared to meet her. Each step feels lighter, each moment filled with possibility. The thought of sharing coffee and stories—his past entwined with hers—ignites a spark of creativity he hadn’t realized he’d been missing.

As he enters the café, the aroma of freshly brewed coffee envelops him, and he scans the room, searching for her familiar face. When he spots her, seated at a cozy corner table, her hair cascading softly around her shoulders, he feels a rush of warmth.

Her smile brightens the space around them, and as their eyes meet, he knows he’s ready to embrace whatever this connection holds. It’s a chance to delve deeper into their stories, to explore the tangled threads of fate that brought them together.

“Hey!” she says, her voice lighting up the air between them as he approaches. “I’m so glad you made it.”

“Wouldn’t miss it for the world.” he replies, the weight of the past lifting as he takes a seat across from her. “So, what’s first on the menu?”

As you sit together, enveloped in the warmth of shared memories and laughter, Sukuna leans forward, his gaze both intense and gentle. The edges of his usually guarded expression soften, and the small lines near his eyes deepen with a smile that’s almost boyish.

“You know," Sukuna says, his voice low and thoughtful, “I have to say this to you… but… I never thought I’d find someone who could understand me like this. The things I’ve seen—it’s hard to explain to people who haven’t lived through the same nightmares."

He glances down at his coffee, a faint smirk on his lips. “But with you, it doesn’t feel like explaining. It’s like I’m just… remembering with someone else who was there too. This feels so natural. Between you and I.”

She smiles, feeling a warmth blossom within her. “It’s strange, isn’t it? I mean, if someone had told me even a month ago that I’d be here with you, talking like this…” She trails off, laughing softly, feeling a little lost for words. “I would’ve thought they were crazy. But here we are.”

Sukuna chuckles, the sound surprisingly warm, free of his usual biting edge. “Crazy doesn’t even begin to cover it.” He pauses, his gaze meeting hers, searching as if he’s trying to decipher something hidden. “It feels like I know you… not just from now, but from a long time ago. Almost like I was meant to find you.”

His words send a shiver through her, a feeling both comforting and unsettling in its intensity. She nods slowly, letting the feeling settle within her. “I know what you mean,” she whispers, her voice barely above a breath. “It’s like we’re picking up where we left off… wherever that was.”

He takes a sip of his coffee, his gaze never leaving hers. “Every lifetime,” he murmurs, as if saying it to himself. “Every single one, I think I’d find you.” His hand drifts across the table, his fingers brushing hers in a tentative, almost reverent way. “And every time, I’d be the luckiest man alive.”

She looks down at his hand, his touch grounding her. “Do you believe in that, then? In soulmates? Lifetimes together?”

He smiles, almost a little sadly, as if unsure of his own answer. “Maybe I never did before… but with you, I can’t help but think maybe I was wrong.”

A comfortable silence settles between them, the words hanging like a delicate thread binding them together. After a while, he speaks again, his voice barely more than a whisper. “You… you make me see things differently, you know that? I just met you, but I just… I think it’s meant to be.”

There’s a vulnerability in his eyes, one she’d never expected to see. “Like maybe life doesn’t have to be as lonely as I thought it was. Or maybe, it just doesn’t matter, as long as I’m here… with you.”

Her heart aches at his words, sensing the pain he’s carried and the hope he’s now daring to hold onto. She laces her fingers with his, giving a gentle squeeze. “You don’t have to do it alone anymore, Sukuna-san,” she says softly. “Not as long as we have this. As long as we have each other. Maybe… maybe we’ll find something more to life together.”

He closes his eyes for a moment, exhaling a breath he didn’t know he was holding. When he opens them again, there’s something raw, something almost fragile in his gaze. “I’m… I’m honored,” he whispers gently, a small smile forming on his face. “If that means I’ll be able to live by your side in this life.”

She blushes, feeling the depth of his sincerity. “I’m just as grateful, you know?”

“Thank you.” he says, the words rough, yet sincere. “Thank you for seeing me.”

“You never have to say thank you to me.” She whispered back to him, smiling even wider. “Or say sorry. Okay?”

“Okay.” He smiles back at her, almost contagiously.

“So, do you….do you wanna watch a movie with me?”

“I’d be honored.”

In that moment, it feels as though nothing else exists—just her and him, caught in the quiet gravity of each other’s presence.

As the sun sets outside, casting a warm glow over their table, Ryomen Sukuna feels a flicker of something he thought long extinguished.

And as long as she’s beside him, he knows he’ll be right there with her, finding a new meaning to every breath and every heartbeat, perhaps better than he’d ever dreamed.

After that day, Ryomen Sukuna stopped having those nightmares about that long suffering concubine.

Instead, he started to dream of a tall man and that long suffering concubine, walking away from him — smiling. Together.

══════════════════

HE WAS LUCKY HE MADE IT. He hadn’t slept much, but it was all worth it. He liked to think that he made his best gallery presentation yet. He knew she liked it just as much as he did. And that had made him even more happy.

He wasn’t the best of storytellers, he knew that much. Writing was more or less something else to him. But, art like this? He could do it. And so, as he promised, he would make happiness appear on his canvas. He would make that concubine happy again.

As the evening progresses, the atmosphere in the gallery transforms, infused with a blend of excitement and reverence. Guests drift in and out, their whispers and laughter weaving a tapestry of shared appreciation for Sukuna's work.

The vibrant energy of the space pulses with life, but at its core lies a poignant sense of introspection; a collective acknowledgment of the stories each painting holds.

Sukuna stands near the centerpiece, his gaze lingering on the depiction of himself and his concubine, locked in an eternal moment of tenderness. The hues swirl together, capturing not just their faces but the very essence of their souls; a connection that feels almost palpable. Each brushstroke is infused with the weight of longing and regret, but now, standing beside his companion, he recognizes a glimmer of hope amid the sorrow.

As the crowd ebbs and flows, Sukuna finds solace in watching her interact with the guests, her warmth radiating in waves. She engages effortlessly, sharing her thoughts on the art, her enthusiasm infectious.

He catches snippets of their conversations, her laughter ringing out like music, and he can’t help but smile at the ease with which she navigates the social landscape. It’s a stark contrast to his own guarded demeanor, and yet, her presence encourages him to lower his defenses, to engage in this world he once viewed from the shadows.

With each passing moment, Sukuna feels a shift within himself. The uncertainty that had plagued him for so long begins to dissolve, replaced by an exhilarating sense of possibility. As the crowd gradually dwindles, he glances at the painting again, his heart swelling with emotion. It’s more than just an image; it’s a testament to love that transcends time, a narrative that binds past and present.

Suddenly, he turns to find her standing close, her expression reflecting a mixture of admiration and something deeper. “You’ve poured so much of yourself into this, Sukuna.” she says softly, her eyes shimmering with sincerity. “It’s not just about the concubine; it’s about you, too. You’ve laid bare your soul.”

The intensity of her gaze sends a shiver down his spine, and he swallows hard, feeling exposed yet liberated. “I wanted to capture the essence of what we had… to honor her, in my own little ways.” he replies, his voice low and steady. “But I realize now it’s also about my journey. This is as much about my pain as it is about her love.”

She nods, her understanding palpable, and in that moment, he feels a deep connection; there was an unspoken bond that links them through shared experiences and emotions.

The weight of his past no longer feels like a burden; instead, it becomes a source of strength, a wellspring of creativity he can draw from as he embraces this new chapter in his life.

“I think you’ve done an incredible job of that, you know?” she says, her voice softening. “You’ve shown that even in our darkest moments, love remains a guiding light. It’s beautiful.”

Sukuna’s heart races at her words, and he feels a warmth blooming in his chest—a mixture of gratitude and affection. “Thank you, really.” he replies, his voice sincere. “It means a lot to hear that from you. You’ve been… a source of inspiration for me.”

Her smile deepens, and there’s a spark of something electric in the air, a subtle shift that sends his pulse racing. “I’m glad I could be here for you, you know?” she says, her voice barely above a whisper. “It’s a privilege to witness your journey, to see you reclaim a sad story to a happy one.”

He looks at her, the soft glow of the gallery lights illuminating her features, and he feels a wave of emotion wash over him. For so long, he had been shackled by the weight of his past, haunted by the ghost of his concubine and the mistakes that had led to their separation. But here, in this moment, standing with her amidst the beauty of his creations, he feels the chains loosening.

“Will you stay a little longer?” he asks, almost hesitantly, fearing her response. “I’d like to talk more… about the paintings, about everything.”

Her eyes light up, and the warmth in her smile reassures him. “I’d love that.” she replies, and they find a quieter corner of the gallery, away from the remnants of the evening’s festivities.

As they settle into a cozy nook, surrounded by the lingering essence of art and history, Sukuna feels a sense of calm wash over him. The world outside fades, leaving only the two of them and the unspoken connection that has blossomed between them.

“What do you see in these paintings?” he asks, eager to hear her perspective.

She leans forward, her gaze thoughtful. “I see love, loss, and resilience. Each piece speaks of a journey, a struggle to find beauty amidst pain. But what resonates most is the longing—the desire to reconnect with something that was lost. It’s powerful.”

He nods, her words echoing his own feelings, and as they discuss each painting in turn, he feels an exhilarating rush of creativity and clarity. The art becomes a conduit for their emotions, a way to explore the complexities of their shared experiences.

They dive deep into conversation, their voices low and intimate, each word exchanged drawing them closer together. She shares her own stories of loss and heartache, of moments when she thought she’d never find her way again. It’s a cathartic exchange, and he listens intently, captivated by her honesty and the strength she exudes.

With each revelation, Sukuna feels the walls that the King of Curses had built around himself begin to crumble. He shares his own struggles, the weight of his legacy, and the guilt that had shadowed him for centuries.

And perhaps, redemption may soon come for him in love. In this safe space, he finds himself opening up that man, that myth, that curse, in ways he never thought possible, unearthing emotions he had long buried.

The night wears on, and as the last of the guests trickle out, the gallery transforms into a cocoon of intimacy. It’s just him and her, surrounded by the echoes of their stories, and for the first time in ages, he feels a sense of belonging—a connection that transcends time and pain.

“I never thought I could feel this way again.” he admits, his voice thick with emotion. “After everything I’ve lived through… I thought I’d lost the ability to truly connect with anyone.”

She reaches out, her hand brushing against his in a gentle, reassuring gesture. “You haven’t lost that ability, Sukuna. You’ve just been waiting for the right moment, the right person….the right time.” she says, her gaze steady and filled with warmth. “I’m here now, and I want to be part of your journey.”

The sincerity in her words washes over him, and in that moment, he knows he’s found something rare—a connection that has the potential to redefine his understanding of love, art, and the future. The vulnerability he feels is both terrifying and exhilarating, but he knows he’s ready to embrace it.

As the last notes of music drift into silence and the soft, warm lights dim, the two of them sit close, hands intertwined, surrounded by the vibrant, intimate world he has created.

Each painting on the wall, each sculpture in the dim light feels like a memory brought to life, and she feels him relax beside her, the weight of his past somehow easing with each quiet heartbeat.

His thumb gently strokes her hand, and in that small, tender motion, she feels him say more than words ever could. With her here, in this sanctuary he’s built out of his own creativity and passion, he’s no longer the solitary figure haunted by shadows. He’s simply a man who has finally, against all odds, found someone who can see past his darkness and anchor him in light.

Ryomen Sukuna pauses, his hand still entwined with hers, and a rare, gentle smile crosses his face.

Looking at the painting, he lets himself hope, just a little. Perhaps, even in a world he once saw as cold and unyielding, there are threads of something beautiful woven into his story. Perhaps, even for someone like him, there could be a happy ending, one he’d never dared to imagine.

He leans down and whispers softly, almost as if confessing a secret. “I like to think they found each other again, you know? That somehow… this time, they got to be happy.”

She squeezes his hand, her eyes shining with warmth and understanding. “I like to think that too.” she replies gently, her voice full of affection.

They walk out together, the cool night air surrounding them as they leave his art behind. And as he catches her smile, he feels his heart swell with gratitude and a strange sense of peace.

For once, he isn’t looking back, haunted by the ghosts of what once was. Instead, he’s looking forward—toward a future that, with her beside him, feels so much brighter than he ever thought possible.

In his heart, he offers a silent prayer, hoping that they’ll continue to find each other, in this life and in all the ones to come. And as they disappear into the night, hands intertwined, this Ryomen Sukuna hopes that the King of Curses finally allows himself to believe that, this time, happiness might be his after all.

══════════════════

THERE WOULD BE NO MEMORY OF THIS WHEN HE’S REBORN. Ryomen Sukuna knows that much. That is the will of the unknown, of the gods unseen and unheard. He does not care much about the propriety of the accuracy. Why should it matter what their name is? He was dead, why should he care?

In the stillness of the afterlife, everything feels suspended, timeless. Everything was not what he had expected. Long ago, he had resigned himself to the thought that a final death would lead to the depths of burning inferno. And yet, it was not. He was stuck in a journey, a journey that continuously repeats over and over again.

He does not know what those gods intended with that. What was the purpose designed by the gods? What was the purpose of this journey? He had asked himself that for hundreds of years, walking and walking like the pilgrim he was and yet without end in sight. There was no road that was left to find a stop.

Perhaps, that is until now.

Ryomen Sukuna was the first to notice.

There was a wide shoji that appeared before them.

Ryomen Hiromi was quite unsure about what that was all about. But when she stepped right in front of it, the field protecting it had barred her from even touching it. She pursed her lips in a flat line. This door was not one for her to enter.

And she probably had already known that. Looking at him with those knowing purple eyes, she knew that it was not for her. It was for him. The gods had sent him a path, and it was not to be with her. It was a road for him to take, a road that was for him. Only him.

He took a short step towards it and allowed his hands to feel the space occupied by the massive wooden shoji. His touch could pierce its space. It was truly for him. There was no mistake in that. Uraume looked at him with a tense uncertainty. His most loyal Uraume is quite that timid child, still. Just as when Sukuna had met them years and years ago.

For a moment, it reminded him of Chizuru. That gentleness of that youth, that tenderness of youth. He could only see his little one. The little one that he misses most. His soul is already at peace, and perhaps Sukuna would never see him again.

He doesn’t deserve to. He wasn’t a good father to him. But moments like this, it gives him relief. Even if Chizuru didn’t need him anymore, then someone else did. And that someone still needed him. Even if he wasn’t the person suited to be needed.

Sukuna looked down at them, and then nodded reassuringly. Uraume reached forward and gasped. Their touch too pierced through its barrier. Of course, Sukuna thought to himself. Uraume tied their entire life to him.

They were one in the same. The loyal servant cannot live without the master. No, no. Sukuna corrects himself. There was always a need for someone. People will always need people.

He stands there idly as Ryomen Hiromi stood beside him, though keeping a distance. Everything around them had grown brighter. Brighter than before. All that surrounded them had been bathed in a soft, eternal light that neither burns nor fades.

This place, this moment, is for closure—a place where the bonds of the past can either linger or be released. A purgatory for souls, sinner or not. All souls look the same to the gods. Well, that’s what Hiromi had told him.

Sukuna’s gaze rests on Hiromi, taking in the warmth in her expression, the calmness in her presence. Even here, she glows with an inner light that he has always cherished. Serene as the moonlight, as mellow as the clouds.

There had always been a quiet grace that no one could replicate. He had known that in his long lifetime. And for as long as he had lived, he thought that his job had been to protect it. To protect her. No matter what, with everything in him — even if it often meant tearing down the world around him.

For a long while, they simply stand together, the weight of their shared history resting between them. A thousand years, feeling even more than that, reflected in the understanding that came in the silence. He had known her too well, she had known him too well.

There was nothing left between them. Only knowing. And perhaps, that’s why it wouldn’t have ever worked. He thinks about that. Knowing someone, even too well, will never truly be living a life with them.

There was too much he did not know about her life. There was much she did not know about his own. They had lived lives that grew out of their tender love. People who loved each other so much, that they risked everything in the world — finally became two boats in the night waiting for each other to pass.

Perhaps that’s all that there could be, he thinks about it now. No matter how much he loved her, no matter how much he still does love her — they were parallel lines. Right people, wrong place. Right place, wrong time.

That in itself was hard to admit, he knows that. He always has. But it was hard to say. It was hard to accept. Perhaps it always will be. Yet there is so much more beyond that grief of something already lost. Of life already lived and passed by. No matter how much he wants to follow Ryomen Hiromi with all the love in his heart, with all the devotion given from all his life, there will always be fate. And fate knows better than he.

As much as he tries, he was not a god.

He will never be one, he has tried to be.

He was just a sinner, a cruel cursed sinner.

Taking a deep breath, Sukuna speaks, his voice soft, yet resolute. "I can feel it, Hiromi." he says, looking down at his feet. “Somewhere out there……..I am soon to be reborn. Soon….I must enter this door.”

Ryomen Hiromi’s face softens, and a knowing smile tugs at her lips. She tilts her head, teasing, but with a hint of sadness that she can’t entirely hide. How could she? Ryomen Sukuna was her person. He was her family. Her dearest friend, her confidant. The man she loved, still does love. The love of her life.

But she knew that he was not yet ready. Perhaps he will never be ready to move forward like this. There was much tying him to the world of the living. To the earthly life. And she knew it wouldn't be her. It will never be her.

She could see it in the corner of his scarlet eyes. He too had lived a life. He had moved on. And he wants to see that loved one again. He wants to return. Even if he does not know it. He wants to see that smile on her face again.

"So, you’ll stop following me now, huh?"

He chuckles, the sound quiet, almost reverent, as he brings her hand to his chest. "I’ll love you most in the world, you know that.” he murmurs, each word weighed with truth. “You were the part of me that was good, Hiromi. Everything I am….was because of you.”

She looks at him, shaking her head. She remains smiling. “Endless flattery is not your style.”

His eyes warmed towards her. “It is not flattery if it's true. You know that most. I do not lie, not easily. Not without reason.”

“I know.” She huffs back in response, her eyes lowered to the floor. “I know you too well.”

“I need to go. You know that. There are still…..too much left undone. I have a lot to make amends for, things I must repair.” His voice grows steady, almost solemn. “I need to start with someone else I love. Someone who’s waiting, on the other side of the shore.”

Hiromi’s gaze flickers, her surprise shifting to understanding. There’s a light in her bright purple eyes, a pride that only deepens as she studies his face. For a moment, she wondered when he had grown up. When had he aged this well, lived this well. A part of her mourns the things they never saw. But she knew it was too late. He had someone else waiting to see those sides of him now.

“I always hoped you’d find something worth living for, beyond me. Beyond our clan. Beyond Jujutsu.” she says, her words carrying an emotion he hadn’t expected. She laughs. “You’ve done well, Sukuna. I know you would. And now you’re better at admitting your faults. You’ve….you’ve truly grown up! Father and uncle would be so glad to see it, don’t you think?”

The weight of her words settles deeply into him, her silent devotion across lifetimes coming into sharp focus. Ryomen Sukuna closes his eyes, feeling the immensity of all that they’ve shared, all that he’s never truly expressed.

“There’s still much for me to set right, Hiromi.” He looks at her, his expression softening as he finally speaks the words he’s never quite managed to say before. “But the love we shared… It's the best part of me. It’s the part of me I want to carry into the next life. Everything you taught me, it will be for the better.”

A soft laugh escapes her once more, and she shakes her head as if she’s hearing a promise she’s waited lifetimes for him to make. Her hand reaches up, gentle, almost motherly, as she brushes a stray hair back from his face. Leaning in, she presses a delicate kiss to his cheek.

“You don’t have to say anything else. I’ve always known you loved me.” She pulls back slightly, her hand lingering against his face. “I’ll always love you too, Sukuna. But we have different lives now. Paths that aren’t tied together anymore. No paths are bound, after all. Isn’t that what was taught?”

Her words are tender but firm, and he nods, finally accepting what she’s known all along. “I know.” he whispers, the smile on his face tinged with the bittersweet ache of goodbye. “But I think I’ll be alright, night flower. I’ve found something, someone… who I believe can make me better. She’s out there, waiting.”

For a moment, she could feel her heart shatter. In that moment, to remember what he had called her. With those words, with that tone of finality. With that tone of farewell. She could feel the warmth of water echo through her eyes. But she tries to make sure they do not pour. Those tears shouldn’t be poured. Not for him. He does not need it. She must send him happily. She must send him off with a smile. A good farewell.

Hiromi pulls away, her hand slipping from his, though her gaze remains fixed on him with a profound love and pride. Her bright eyes gleamed at him, even brighter than before. She smiles at him, though he could notice how tight it was. No matter how happy she is for him — she will mourn. She can’t help it.

“Then, I want you to find her, hm?” she says softly, the conviction in her voice like a benediction. “Find her and find your happiness, the kind that lasts. The kind that you finally deserve.”

He nods, and there’s a rare, open softness in his expression, a gratitude as deep as the ages they’ve spent together. He takes a good look at her, as though he was memorizing this moment. For as long as it still lasts, he wants to remember it. He wants to remember her, giving her blessing.

“Then, I’ll go, nightflower.” he says, his voice low and filled with purpose. “I’ll find her… and try to live the life I dreamed of with you.”

Hiromi smiles gently, and with one last lingering look, she turns to leave, pausing only to say. “Someday, I hope to meet her too—the one who brought you peace. Bring her back with you. So that I may thank her for taking care of you.”

He nodded at her. He takes a deep breath as he lowers his gaze and sees Uraume looking at him, as though asking for courage. Sukuna takes Uraume’s hand and tightly grips it, but is careful not to hurt them. A ghostly smile appears on his face, beaming it towards them.

Uraume could feel their eyes glisten as they felt the warmth of that smile. Uraume could feel warmth in them, tenderness — tenderness that molds their will to live with courage. Sukuna turns his head slightly, looking at Hiromi. His smile gets wider, and becomes more honest than before. She smiled at him, waving him off.

As he and Uraume walked towards the shoji, Ryomen Hiromi knew that she too has to move away. Ryomen Sukuna slowly watches her walk away into the path of light, alone, feeling the weight of a thousand lifetimes lifting from his shoulders. He could feel his breath hitch as he watches her walk away, perhaps for the final time, perhaps until they get reborn again.

If you were not waiting for him, if he had not met you, if he had not loved you — perhaps he would have turned away from these doors and moved towards the path of life and rejected rebirth. He would have let his soul rest in peace for all of time. But he knows that he was no longer that person anymore. He wanted to move forward. He wanted to break the cycle. He wanted to be with you.

Ryomen Sukuna is ready to face the world again, this time with a purpose that is as clear as the love he feels for the woman he will now seek. He must atone. He must live a new life. He must make you happy.

Both of you will be happy, he knows that. And as he steps forward, towards his own rebirth, he carries her blessings, his heart finally open to the happiness he had once believed was out of reach. He will live it now. He will atone, he will find redemption. He will make you happy.

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casscainmainly · 5 months ago

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My Top 10 Batgirl (2000) Moments

This is my list of top 10 Batgirl (2000) moments!! There were so many to choose from, but these are my personal favs :)). Counting down from 10 to my absolute favourite.

10. Volving

An absolute classic. Perfectly encapsulates what Cass does throughout the entire run, and more writers should play with Cass' use of language like this!

9. Beat Up Every Mob In Gotham

Perfect encapsulation of the early Barbara-Cass dynamic, and one of the funniest moments in the series. Just love the expressions and the way this shows so much of Cass' character.

8. Choosing to Write

The entirety of issue #2 builds up to this heart-wrenching moment. After delivering a dead man's final message to his wife, Cass sees the wife's reaction to the written message and decides to learn to write. A foundational moment for her character, and a nice motherly Babs scene too.

7. Alpha Redemption

Capping off issues 35 + 36, Batgirl unmasks herself to convince Alpha (an amnesiac villain) that he doesn't have to be defined by his past. Brilliantly displays her core belief that people can change, and the fact that her belief pays off makes this moment extremely moving.

6. For God's Sake

Possibly a controversial pick, but I really like this moment because it underscores some of the fundamental conflict between Babs and Cass. They love each other, but they don't always understand each other, particularly in regards to each other's disabilities. A painful moment that should have been explored more.

5. Fight For Your Life

My favourite Stephanie and Cass moment in this run. You can feel Cass' grief throughout this hallucination, but there's also so much hope and love (for Stephanie and for herself). It's an amazing conclusion to Cass' initial suicidal tendencies: instead of desiring death, she now actively fights to live.

4. Darknight Detectives

This interaction sums up a lot of Bruce and Cass' best moments. Cass' unwavering moral beliefs, Bruce's pride, their instinctive understanding of each other; they just get each other in a way few others do. I picked this one instead of the 'instinct/good answer' moment because it also marks Cass' development in her detective ability. From Moment 8 above to here, the confidence in her mental capacities has grown so much. She really volved!

3. Perfect For A Year

I mean of course this had to be here. These lines literally take up 90% of my brain space, it's an incredibly tense moment that illustrates Cass' desire to be perfect, her need to be useful and good. This issue is also just awesome.

2. You're... Not

Another absolute classic. Illustrates Cass' compassion and her belief that people aren't defined by their lineage, which is particularly personal to her, given her own dad. This struggle between good/bad, parent/child defines many of Cass' best stories.

1. Who Do You Think You Are? + Father's Day

What else would number 1 be?? Issue 33 is my favourite in the entire run, and the entire thing is stacked with moments that could fill up this list. I just love 'who do you think you are' because it's all of Cass' rage spilling out, and yet she still loves David Cain in her own complicated way (and he reciprocates, too). Then we have the ending, which is the BEST Bruce and Cass moment ever. The sparse, meaningful dialogue, the expressions, the reveal of the TITLE: comic book writing at its finest.

Honorary mention to the Shiva/Cass fight, which just narrowly missed out.

#cassandra cain #batman #batgirl #everyone should read batgirl (2000) right now #barbara gordon #stephanie brown #bruce wayne

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yanderetheumbrellaacademy · 4 months ago

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Please Love Me

Summary: Why don't you love him? He's just like your Ben. I mean how different can they really be? Pairings: Yandere! Sparrow! Ben Hargreeves x Fem! Umbrella! Reader TW: Angst

He groaned, turning away from you. He couldn't stand to look at you, because you gave him these feelings that he didn't like. He could feel his heart thump in his chest as you spoke to him. Your words didn't register in his mind. Instead he focused on the floor.

Why didn't you like him like you like the other Ben. You were just like the rest of your stupid fucking siblings... But he thought you were different. He thought you loved him. He thought you both shared something special, but he was clearly wrong.

"And he was-"

His eyes went back to you. You were talking about Ben- the other one. The one you liked better. He frowned, his eyes scrunching together. You were playing with his heart. You had to know that.

"Stop."

You looked at him, confused on why he told you to stop. You tilted your head, which just caused him to loudly groan before he stood up and walked away from you. You watched him, not understanding, but just decide to shrug it off. If he wanted to talk to you, he would come talk to you. You would just have to wait...

---

Ben stared at his ceiling. He could count each tile if he wanted. He knows he's counted them a million times. His mind went elsewhere, to a place he wish it hadn't. You.

He frowned, tossing over his pillow. He squeezed the fabric close to his face, hoping he could suffocate himself. Instead of death, his thoughts just got worse. It started off innocent, but slowly escalated, much to his dismay.

---

You hummed to yourself as you sipped on your drink. You were alone- no siblings, none of those Sparrows- just you. You smiled, leaning into your seat as you closed your eyes, hoping to go somewhere else in your mind, until a voice interrupted you.

"What are you doing?"

You sighed, opening your eyes to look at Ben, the other Ben. You didn't know why he was so obsessed with you, but he could never seem to leave you alone. It was like he needed you attention for some reason.

"Nothing."

"Good. I have a question."

You groaned under your breath, hoping this wasn't going where you thought it was going.

"Why don't you like me?"

And it was. You sighed, scooting over so he could sit next to you. "I do like you-"

"Not like him."

"You're not him."

"What do you mean? I'm literally him."

"No you're not." You look at him, "You'll never be him."

"Never?" He stands up, clearly pissed up. "I am him. I will always be him. He is me and I am him. You're just to caught in your own grief to see that you're getting a second chance. I love you."

"You? Love me?"

He blushes a bright red before shaking his head. "No, I said I hate you. I could never love something like you."

"I never asked you to." You roll your eyes as you go back to your drink. "And I never will."

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moondirti · 1 year ago

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animalic (3)

← chapter two // series masterlist

pairing: miguel o'hara x f!reader rating: mature word count: 2.2k summary: he's got a plan that neither of you like warnings: enemies to lovers, predator/prey dynamics, biting, bondage, temporary paralysis, concussions, miguel is not nice, no use of y/n notes: this was supposed to be longer but the cut off at the original point was super awkward. this chapter is super exciting for all you fang lovers out there

You really can’t catch a break.

The city bustles with a verve rivalling your own, a kaleidoscope of luminescence dancing upon the glass facades of its skyscrapers. Their spires pierce the ink-dark cloak of night, and if you weren’t so busy running for your life, you’d stop to admire the way their aviation obstruction lights mimic the stars back home.

(Everything has a trade off, you suppose. You remember what it was like as light pollution gave away to reveal the cosmos above, the beauty of it lost upon your own grief.)

Now, it’s fear – clinging like a shadowy spectre to your heels. The pavement is unforgiving beneath you, each step sending a jolt of energy through your bones. Despite it, you can’t go any faster. Sidewalks crowd with the humdrum of everyday life – people filtering out from work and bodegas, dressed in a slightly odd fashion, their clothes a reminder of your unfamiliar landscape. Car horns blend into one another, providing an unsteady tempo to the race of your heart.

It’s disorienting, all of it. Times like these, you wish you’d been given the opportunity to hone your abilities. Stamina, flexibility. Web shooters in particular would have proved handy in avoiding the bustle of the ground.

Of course, he has that advantage on you too.

You can’t see Miguel, but you sense his proximity. It prods you, nipping at your flesh in a constant assault, intensifying goosebumps and raising hairs. Your spider sense usually doesn’t last this long, solely serving as a warning for immediate danger. Yet that’s just what he is, immediate. Dangerous. Predatory eyes track your every move, sourced from all directions. He’s everywhere; atop buildings, within alleys. Neon signs morph into twisted apparitions; serrated talons, red skulls.

How did he track you down so fast?

The day pass?

You wonder if he’d brought back-up – whether there are other spider-heroes here who trust in his noble cause. Your anxiety triples, and passerby’s begin to warp too. Their hurried footsteps now strike discordant notes, amplifying your isolation. You think you see some tense their wrists, or unbutton their coats, ready to reveal their tailored suits and ensure the capture you’ve managed to evade thus far.

It’s luck. It’s only ever been luck, and that fact changes depending on who you ask. You’ve never outsmarted him, never disabled him. You just so happen to have the power of being a pain in his ass.

Something itches at you, though. A nagging sense of foreboding. His presence in the past has spurred chagrin, annoyance, and – admittedly – arousal. But the genuine terror that lights your nerves now is new. Perhaps because you understand him, are far more familiar with his pride than most. The logical part of you can predict that he won’t let you off so easily, not after your stunt with the kiss. You won’t – can’t – get away this time, even if it damn well nearly kills him.

Any hope you had of a bargain dissipates, rolling back from shore and into the depths of an elusive sea. You jerk the rubber band off your wrist, throwing it into some undisclosed corner.

In a then desperate bid to throw him off, your path loses cohesion. Like a leaf seized by a tempest, you turn based on split-second instinct, weaving through the labyrinth of New York’s grid. Your body sways in frenzy, bolstered by pure adrenaline, which works to dim everything else. Your ribs haven’t fully healed yet – they’d taken a pretty bad beating upon your last fight with Miguel – but you can barely feel the ache as you focus purely on the task at hand.

Your determination surges, recklessness taking hold of your rationale. Veering abruptly, you just about collide with the racing line of cars that flow at a green light. In fact, you think you do. Your skin prickles, and a taxi runs straight through you, blearing a loud honk all the while. Some vehicles break off, drifting around your form at the last minute. In your peripheral, you can see the glowing red of your pursuers web, stretched across the gap between two apartment complexes.

Chest tightening, your breathing loses depth at the sight, shallowing to leave room for the distress that torrents up your system. You clamber up on the hoods of parked cars, using a mast arm pole to propel yourself forward. It’s a fruitless effort. You know it’s too late – have known it since he walked into that convenience, prowling in search of one thing.

(A lion only catches its prey a quarter of the time. But that twenty-five percent?)

Your ankle is the first victim to his hardwearing web, wrapped in the silk and pulled out from underneath you. The back of your head smacks into the concrete below, a high pitched ring reverberating through your skull upon impact. The collision sends a shock wave of pain throughout your being, and in that harrowing moment, everything stutters to a crawl. Spots speckle behind your clenched eyelids, metallic warmth flooding your mouth.

Well, fuck.

To add insult to injury, your atoms rip apart and splice into one another, a consequence of your abandoned day pass. The glitch aggravates the headache that begins to pound at you. You’d allowed yourself to forget how bad it could be.

The willpower that had just played a forefront in your mind steadily starts to trickle out, absorbed by your humiliation and the ground below.

“You really gonna give up that easily?”

Yes.

You make a point to never lie to yourself. In truth, you won’t ever get enough of Miguel’s cadence. Deep and resonant – it smoulders with a charred ruggedness. Commanding attention, rumbling like distant thunder, an unmistakable authority woven into each word. Yet, even amidst the rough contours, there lingers a softness, a subtle grace that soothes the edges of his threats.

(Sharp claws, sharp teeth, sharp cheekbones. Soft voice.)

More webs bind you, erupting from an unclear point to circle your legs, chest, and secure your arms behind your back. You’re diminished to little more than an aggravated caterpillar, ensnared in a spider’s web. And, just as his little game of bondage draws to a close, said spider stalks within view, splitting through the crowd that quickly forms around the commotion.

With his mask on, he stands as completely impenetrable. You, on the other hand, try to reduce your quivering the best you can, afraid of relaying how truly pathetic you feel.

“Maybe I’m biding my time.” You bite back, calling on a complete bluff. “I’m sure you know how good I am at that?” It’s a low blow. Even if you could control when and where to phase out, you wouldn’t get very far before he catches up to you again.

But Miguel doesn’t waver in his closing in – not until he towers over you, looking down at your incapacitated state. Space buckles under the gravity of his existence; you, too, can feel yourself sinking, drawn in closer by the credence that bubbles off him in flares. You wish you had a cover – your pair of makeshift goggles, a face mask, anything that could elevate you to a degree relative to his. But you’re bare, figuratively naked, and you’ve never hated him more.

He lingers, assessing you, weighing his options. The moment he turns to survey the mass of people who look on inquisitively, you wiggle upward into a sitting position, then throw your head forwards, aiming for his crotch. His wrist gets in the way, though, blocking your pitiful attack on his only defenceless area. Your forehead cracks against his dimensional travel watch, shattering its screen.

“Tu puta madre!” Miguel hisses, snapping back to survey the gadget while you begin to slink away. He seems to have an eye on you, however, because you’re tugged back just as soon as you make the effort.

Like a naughty cat. You shift uncomfortably at the thought.

“Are you gonna spend all night deciding what to do with me, then? I have plans, even if you don’t.”

“Plans. I have plans alright.” The low timbre of his threat slices you where it hurts.

With a calculated flex of his shoulders, he crouches down, gathering the webs around your arms. They serve as leverage when he hauls you upward, exercising his muscles – of which you’d suspected had been padding up to this point – with one swift motion. The world upends on itself, nausea enveloping your senses with its oppressive weight. It allows space for little else; not the uncertainty, not the trepidation. You divert all your efforts on keeping your scarce lunch down, accepting the possibility of a concussion by product of his less-than-refined manhandling.

The journey to wherever he takes you is not at all long enough for you to recover. Before you know it, he’s busting through the creaky door of an empty storelot, carelessly tossing you to the floor. Your vision doubles.

Yeah. Definitely a concussion.

Like you could afford one right now.

“You’ll stay, and you’ll listen.” He points an accusatory finger.

“Sure. Until I’ve had enough, that is.”

“And where would you go, exactly?”

“Nice try, O’hara. Like I’d tell you,” Snickering, you let your head roll to face the ceiling. The action sends you back to earlier, to the robbery you’ve been seeking to suppress. How careless you’d been, letting your fortune to date trick you into thinking that any collateral was safe too. You’d killed that woman. You. “Maybe I’ll fall right through the floor. That way, you’ll never have to worry about seeing me again.”

The notion makes him pause mid-pace, hands on his hips, tilting his head to look at you with what you imagine is the most earnest glare. The air bobs, suspended in static tension, a crackling constant that only unravels once he seems to make up his mind.

Marching forward, he drags you along with him to a nearby wall, upon which he then pushes you upward until you have to look down to meet his eyeline. Your bound legs kick forward, but the struggle hardly affects him.

“I didn’t want to resort to this.”

You assume he means treating you like a toddler does its shiny new toy, hurling you across this playpen of a city. “You really didn’t have to, then.”

He stays quiet, fists clenching tighter around you.

“I suppose we’re past the courtesy of letting the other recover from the last fight before starting a new one? My forearm is still fucked, thanks to you. Maybe if you’d given it some time, I would’ve proved more of a challenge today.” Your words, whilst never your most steadfast allies, betray you in lieu of this restlessness, tumbling forth with unruly incoherence.

Miguel's mask pulls back, the nanotech collapsing to just above his adams apple. Your mouth moves faster.

“Okay, I get it. The fate of the multiverse and all that. I’ll listen, whatever you want, but at least try and make the lecture original.”

His hand cups your jaw, tightening around your chin to firmly guide it upwards. Your throat stretches taut at the motion, its smooth expanse spread across the wall – an evening repast for a party of one. The imagery breaks down an all too sobering realisation into fragments small enough for you to register. His talons rest against your cheek, bordering perilously close to your waterline.

Traces of that patchouli aftershave hit you. His skin looks especially bronzed in the dark, highlighted at the edges from the phosphorescence outside. His curls droop where they’re plastered to a sweat slicked hairline.

You can’t help it. Your gaze flickers down to those plush lips.

Fuck. Fuck. It’d felt so good to kiss them.

Please let this just be a kiss.

“O-Or go with the… the usual, y’know. I don’t–”

Miguel lunges, sinking his fangs into the fleshy sinew of your neck.

Christ.

Your jaw hangs open, but no breaths filter in. Shock wedges itself at the site of his bite, implacable, steadfast as a barrier between logic and uninhibited emotion. Your reasoning plays no part in this, provides absolutely no valuable contribution to the series of reactions you undergo.

It’s physical, first. The cold slither of paralytic venom distends through your nerves, neurotoxins striking their functions, rendering them useless beyond the point of sensation. Which, you’d say, is the cruellest part. Miguel’s poison doesn’t stop you from feeling anything; not the puncture, nor the burn. You can truly feel it, trekking its graceful path to all muscles in your body, taking hold of the tissue, suppressing their vitality. Your back arches, your body doing its very best to fight what it cannot prevent. It cracks up your bone, down your spine. Your toes unfurl, fingers loosening to hang lamely at your side.

And, when you lose all executive authority over yourself, you’re pulled in to centre on his mouth again. His canines slowly retract, tongue taking their place. It’s warm – so fucking warm – and dextrous, covertly lathering the blood that beads down your nape.

Your last proper breath is wasted on a whine; a loud, keening, absolutely wanton whine. After it, you can do nothing but hold your flat inhales to cycle in as much oxygen as possible – diaphragm weak, your resolve weaker.

Miguel draws away, letting you slump to the floor, heavy and just as useless as a sack of flour. He wipes the excess carmine from his chin, kneeling to regard your glassy eyed stare.

“Fall through now, and you’re as good as dead.”

(You might as well already be.)

chapter four →

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cassielovesdeadwizards · 6 months ago

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Mistletoe | R.Lupin x reader

| harrypotter x aunt!reader | remuslupin x fem!reader | golden trio era |

Synopsis: after the death of your brother, you take in your nephew as your own, shutting everyone else out in your grief. However, once you’re reunited with an old friend in Harry’s third year, old feelings start to come to the surface as you help each other through your grief.

WARNINGS: mentions of dea!h, mentions of grief. (In this story, let’s say Voldemorts curse bounced off Harry and killed moldy voldy for good, Harry has a normal childhood)

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

“Thank you, for standing with me.” You say, watching as the train leaves the station for the fourth time since your nephew had been accepted into Hogwarts. “It’s always so hard watching him go.”

“It’s no problem at all, you know that.” Remus told you, placing a tentative hand on your arm as you play with your hands worriedly.

It was the same overwhelming anxiety year after year, watching the only family you have left, the only part of James you have left, slip further and further away into the distance.

You and your brother were inseparable, known quite rarely as James and y/n, but more commonly as the Potter Twins. It was a rare occurrence to see one of you without the other, especially at school.

You weren’t with him when he died. No, you were in your own house, washing dishes by hand, because you were to bored to do it by magic. You weren’t with him, but you felt it. Like a knife through the chest, you felt the part of your soul that belonged to him fracture into a million pieces. Your heart that matched his break and turn cold as the glass you held fell to the floor.

You knew part of yourself had died, but not which part.

Not until you reached the Potter’s house.

Not until you found yourself screaming until your throat was raw, begging your brother to wake up.

When you finally heard the crying of a baby over your own sobs, you knew you had to take him before Dumbledore got his hands on him, taking him away from you forever.

“Hello, little one, Auntie y/n’s going to keep you safe.” You whispered, your voice only a fracture of what it used to be.

You tried not to look towards the lifeless form of what used to be one of your greatest friends.

You raised Harry as if he was your own, teaching him everyday about the parents he lost, because you would be damned if James Potter would ever be forgotten.

“I know it’s not, but still, thank you.” You tell him, before turning your head to look into his kind eyes. “You can come over, if you like? Despite what Harry might have told you, I’m a good cook.”

“That would be nice.” Remus chucked, wrapping an arm around your shoulder.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

Sitting with Remus at your kitchen table, you started to realise just how much you had missed him.

“I let him keep the map, last year.” He told you, a small grin tugging at his lips as he sipped his tea.

“Remus Lupin, despite the years that have passed you still have some mischief in you.” You tease, sipping your own coffee.

“Well, once a marauder, always a marauder. Isn’t that what we all used to say?” He retorted, and you genuinely smile.

A rare sighting since the passing of your brother, a sight only Harry has known.

You reach over and take his calloused hand in yours, brushing your thumb over a scar that lay there.

“I’m so sorry that I pushed you away, I never meant-“

“No, no, none of that. I won’t have you apologising for the way you chose to grieve. You lost your brother, and took on the responsibility of raising his child all in a matter of hours. I wasn’t what you needed then, and I understood that completely.”

That’s something about Remus that you had always loved. No matter how wronged he was, he had always found it within himself to understand. No matter how much somebody hurt him, his empathy would always shine through.

“What about what you needed? You lost everybody, and I shut you out.” You said, your confession leaves with shame and regret. He held your hand tighter.

“What I needed was to know that you and Harry were safe. And I knew that. I managed my grief in my own ways, but I managed nonetheless.”

Something else about Remus that you loved, was the way he held eye contact when he spoke. As if people would stop hearing him if he looked away. His eyes held onto yours now, sending secret messages of reassurance that he can’t speak with words.

He smiled, picking up his tea once more to take a sip. You wondered if he had had somebody to hold all this time, if somebody had been there to hold his hand as his world fell apart around him.

As you look at him, you remember the small school crush you used to have on him while at Hogwarts. The way you used to purposely sit next to him in the great hall so he’d have to lean down to talk to you, since he was so tall.

“You know, I’m pretty sure I had a bit of a crush on you in school.” You say, smiling down at you drink. He scoffs in amusement.

“Me? Why on earth would you have a crush on me?” He said, as if the idea was absolutely preposterous.

“Because you were always so kind. No matter how angry you were, you never spoke to me with anything other than kindness. And you’re tall, Godric knows that makes any girl fold,” you laugh. “And I thought you were pretty.”

“Pretty?” He looks scared to ask, as if the answer would somehow sting.

“Yeah, I’ve always thought your beauty was more soft than other boys,” you look into his eyes, seeing the same boy you loved in your school years. “The other girls would always tell me how gorgeous Sirius was, and he was, but I was always too busy staring at you to notice.”

Maybe it was the fact that you finally had a soul your own age to talk to. Or maybe it was the familiarity of talking to an old friend, someone you once spent every waking moment with. But you told him everything, about how lonely you’ve been, about how awful you feel about hating Harry’s similarities to James, about how much you love Harry and how it hurts to not be by his side at all times.

You tell him everything.

And he listens to every word.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

Remus came over almost everyday until Harry was due to come home for Christmas.

He laughed with you, held you while you cried, and grieved with you. The way the two of you should have done all those years ago.

It felt as if the twelve years you were eleven years you were apart never happened.

“Auntie y/n! Over here!” Your nephew called, carrying his case for the holidays with him.

“Harry! Oh, I’ve missed you!” You say, placing your hands on his cheeks and kissing the crown of his head.

“It’s only been a couple of months.” He says, smiling at your antics,

“I know, I know, but you know I have no one to fret over while you’re away.”

Harry hugs you, the kind of hug he knows you need once you see him again.

Harry knows his Aunt struggles to be away from him, he also knows that she thinks he doesn’t know. But since a young age Harry has noticed the way he Aunt always hugs him tighter in the mornings, as if being away in her dreams was far too long, and how she always holds his hand while out and about, and how she sends weekly letter just to check he’s doing alright.

And he replies to every single one, because while others would see it as suffocating, Harry feels nothing to affection and gratitude towards his aunt, because he may be all she had, but she’s all he has in return. And if a letter a week soothes her mind, he has no quarrels in doing that.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

Harry was beyond happy that Remus would be spending Christmas with them. To him, Remus was an extension of his Father, one more person he could ask to tell him stories and memories of the man he never truly met.

You would always tell him anything he wanted to know, but deep down you knew that he knew it pained you. And so he doesn’t ask much of you, but you wish he did.

“Did he get into trouble at school? My dad?” He asked at the dinner table, casting looks toward Remus and you.

You let a laugh slip past your lips, and you hold your hand to your mouth.

“Harry, your father invented trouble.” Remus told him, smiling fondly at the memories.

“Oh, come one. You talk as if you weren’t a step behind him at all times! More often than not, if my brother was in trouble, so were we!” You laughed, for the first time remembering your brother with joy rather than grief.

“And you talk as if you weren’t the mastermind behind most of that mischief.” He says, casting you a look of teasing and humour.

You gasp in faux shock, clasping your chest and looking towards your nephew.

“Absolutely false, Harry. I was no trouble in school.”

Harry laughed then, “Professor McGonagall says otherwise.”

You stop and snap your attention to your Nephew as Remus laughs, no longer able to eat.

“What?” You say, a little panicked, mostly laughing.

Harry watches as his Aunt and who he now sees as an Uncle playfully bicker and argue about who was more trouble to who, and wonders when they’ll realise just how in love they are.

〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

You’re clearing the table after Christmas dinner, stacking plates into piles and wrapping left overs in foil. Harry had retreated to his room to tend to his new quidditch set before the traditional Christmas movie night before bed, and y/n took it as a great opportunity to clear up.

A hand touched the small of her back, moving her slightly to the left as he squeezed by, taking the plates from her hands.

“You don’t need to do that, I’ve got it.” He says softly, sending her a small wink before carrying them over to the sink.

“Let me do something then, because you did most of the cooking and now you won’t let me clean.” You complained, not a single trace of discontent in your voice.

He turns to you, humour in his eyes but a frown on his lips.

“And what if I want to do all of this, then what?”

“Then you’ll just have to deal with me helping.” You say, stepping closer. You’re standing in front of him now, holding a cup full of cutlery in one hand and a plate of leftovers in the other. “Mr Lupin, I believe you’re blocking my way to the fridge.”

“Oh am I? Thats a shame, I guess I’ll have to take these off your hands then.” He says, taking the plate and cutlery and placing them on the side.

You’re about to argue when he turns back to you, much closer than before. “Let me help you.”

“You’ve done more than enough.” You say in a small voice.

“And what if I want to do more?” His hand reaches up and places a strand of your dark hair behind your ear, but his hand doesn’t fall, it stays put against your cheek.

You look up to see a branch of mistletoe growing from your ceiling, right between the two of you.

His eyes never leave your face, more accurately your lips as your breathing gets heavier.

“Can I kiss you?” He asks, his voice so small you barely hear it. All you can do is nod as his other hand is placed ever so gently on your waist, pulling you in.

He places his lips on yours, and it’s the most gentle kiss, but you feel the weight of a thousand words that have never been said behind it, pushing him closer.

To Remus’ surprise, it was you who intensified the kiss, placing a hand behind his head and pushing further into him. When you broke apart to breathe, he placed his forehead onto yours and closed his eyes.

“I think I’ve loved you for a while now, Miss Potter.”

“I’ve loved you always, Mr Lupin.”

What neither of the two seemed to notice, was their nephew sitting at the top of his stairs tucking his wand back into his pocket, closing the book about growing magical plants with spells.

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bullet-prooflove · 5 hours ago

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Haunted: Leroy Jethro Gibbs x Reader (feat: Mike Franks)

Tagging: @kmc1989 @riley-kore @ilovemark1951 @love-affair-with-fandoms @mishkatelwarriorgoddess

Companion piece to:

The Ice Queen - Gibbs meets The Ice Queen for the first time.

Break The Ice - A act of decency helps Gibbs to break the ice.

Grave - You and Gibbs bump into each other in an unexpected place.

Safe - You and Gibbs work through your grief in different ways.

Check In - Gibbs checks in with you after the night before.

Wait It Out - You and Gibbs wait out a threat to your saftey.

All Dressed Up - You and Gibbs have a frank conversation about an office event.

Right Here - You come home to find Gibbs waiting for you on your doorstep.

Revelations - Gibbs is surprised to discover a connection between you and Mike Franks.

There are three cases that haunt Mike Franks.

The Gibbs case, the Larsen case and your sister’s case, the one that was never his to begin with. After all they don’t let special agents investigate the death of someone close to them, especially not the woman that was about to become your spouse.

It hadn’t stopped Mike from hounding the agents that were working the case, sifting through their files or surveying their interviews from the opposite side of the interrogation room window.

It had earned him a suspension, forced bereavement leave they called it.

He’d checked out for a while after that, booze, fights, the whole nine yards. You’d bailed him out more than a handful of times because you couldn’t let the man who had loved your sister throw away his life or his career.

He gets his shit together just in time for the funeral, then spirals again right after.

“She wouldn’t want this for you.” You tell him one night as the two of you sit in your living room trying to regroup. He’s clasping an ice pack to his knuckles from another fight and you’re stitching up the cut above his eye from some asshole’s class ring. “It’s time to put on your big boy pants and start doing the shit she fell in love with you for instead of this nonsense.”

“You don’t understand.” He finds himself saying, his voice raw as the thread tugs tightly, pulling the edges of the wound together. “It’s like I have all this rage, all this emotion but there’s no where for it to go, no one to blame…”

Because they haven’t found the man that brutalised Violet and that case, it just gets colder every day.

“And you Maeve, you just don’t seem to feel a damn thing.”

“That’s because I don’t.” You tell him frankly, sniping the tail off the stitches before sitting down on the coffee table so you can meet his gaze. “I’ve been empty ever since the day they’d found her dead.”

And that’s when he realises you’re depressed.

You’ve spent all this time looking out for him…

And he’s done jack shit for you.

He makes you a promise that night, while he’s sprawled out on your couch. He’ll do whatever he can to pull you out of this fog because he knows where that numbness leads.

You don’t have a gun so he guesses it’ll be slit wrists in a bathtub or a handful of pills down your throat. They’re usually ladies choice.

So he gets his shit together, goes back to work, starts making an effort. He makes sure to check in on you, get you out of the house, dinner, drinks, walks with Gary. You start to come back to the world again and so does he.

It’s when he starts to date again that things hit a speed bump. The moment you see him with another woman, it’s like a flip switches inside you because you realise Mike can just move on, find someone else to take up the position that Violet filled in his life but you can’t, you can’t replace your sister.

The fight you have that night, it’s the first time you’ve exhibited any emotion about Violet’s death. You scream, you shout, you throw crockery and Mike, he just takes it because this is what he’s been waiting for, the moment you admit to yourself that Violet’s gone, that she’s never coming back.

You get distant after that, colder. When he approaches you a few weeks later you make it clear that you don’t want anything to do with him. As far as you’re concerned any personal connection between the two of you died with your sister.

It wounds him in a way he doesn’t care to admit but he respects your wishes because he understands that this, this is how you move on.

Now he’s sitting in your office, on the opposite side of your desk because the probie, he’s been digging through your sister’s case and he thinks he’s found something, and Mike kinda thinks he has too. He just needs you to make sure.

“They never found her engagement ring.” Mike tells you, his elbows coming to rest upon your desk as he leans forward, his hands clasped together on top of the blue folder he’s placed there. “I was too fucked up to notice at the time. Is there any chance you have it?”

It’s a distinctive piece. An aquamarine stone set amongst a couple of diamonds in a silver band. It had cost him a couple of months salary but it had been worth it at the time because that gem, it had been the exact colour of Violet’s eyes.

“No.” You say softly, your eyebrows furrowing into a frown. “I thought you’d kept it afterwards as a keepsake.”

He sees the realisation hit you, about what must have happened to that ring. He knows it’s like a gut punch because that’s exactly the way that he felt when Gibbs asked him the question. The other man had spent hours trawling through those evidence logs trying to locate it. Mike has to give him his due diligence, he’s spotted something nobody else did, even though he wasn’t supposed to be working the case.

“You think that son of a bitch took it?” You ask him. There’s a dangerous lilt in your voice, one he recognises from the last time the two of you were in the same proximity.

“I do.” He says and he watches you literally bite your tongue in order to stop yourself from cursing out the assholes who clearly dropped the fucking ball with Violet’s case. They’ve moved on now, retired, he’d had Gibbs and Lala check in because he didn’t trust himself not to tear them a new one.

“What does that mean?” You ask him, agitated. “That she was a victim of a serial? Those guys like to take trophies right?”

“Actually, we’re thinking a little more close to home.” He says as he pushes the blue folder towards you with his fingertips. “I got Strickland to put together a profile. I wanted to see if it fit anyone from back then, someone that was in her life, maybe someone I didn’t know…”

There’s a reluctance in you, he sees it. The thing is this folder, it’s a grenade. It has the power to tear your whole life apart and you’re just getting back on your feet, you’re just starting to climb out of that hole you’ve been trapped in for so fucking long.

“I still dream about her Maeve,” He tells you with a tremor in his voice. “I’m with someone else, in love with her but Violet’s ghost, it still haunts me.”

Your hands are shaking when you open the folder, you swallow hard against the ache in your chest as you study the words written in Strickland’s neat scrawl. Age, behaviours, job description. It’s like you’re seeing him clear as day, leaping up at you from between the pages.

“Maeve…” Mike says as he studies the expression on your face. “Do you know him?”

There’s an agony in you, it’s excruciating because this son of a bitch, he still visits your sister’s grave. He puts white lilies against the headstone, every birthday and Christmas because they were friends, such good fucking friends.

“Yea.” You say, your voice devoid of emotion as your gaze sweeps up to meet Mike’s. “I fucking do.”

Love Gibbs? Don’t miss any of his stories by joining the taglist here.

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dragonmuse · 1 year ago

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Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

#our flag means death #ofmd #ofmd spoilers #the strangest message sent #and no idea if it was on purpose #I kind of think it wasn't somehow #but boy howedy did it come across

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thefirstlioveyou · 5 days ago

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Mike only fights back against bullies after they hurt someone he loves, but never for himself.

When he was tripped? When he was pressured to jump off a cliff? he just took it and never fought against it later. He never got back at them for it.

Mike's learned to take it, but he's ashamed of it. Watching back the clip where they trip him, you can notice Mike is trying not to cry. You can hear it in his voice with the way it cracks and shakes, and especially with the noise he makes at the end. He hides how they actually make him feel.

He tries to hide the real reason why he had a mark on a chin from el, afraid she'd think of him as a wastoid/loser. He just wanted one person - just one - to not think of him the way he thinks everyone else does - the way he thinks of himself.

He hides the reason for the bruise from the first girl that's ever shown interest in him. He doesn't tell his parents. (there is zero implication his parents are aware of the bullying until finally when his son is wanted by the whole town s4. karen is right there in front of him to see the scab but we never see acknowledgment from her). There's a good chance nobody but Dustin and El know about the whole cliff thing.

We are explicitly told how Will and El feel about the bullying and hate they've faced in their life, but not Mike. They are hiding him cause LOOK AT HOW HES OUT OF FOCUS IN BOTH OF THESE SCENES!! DURING THESE LINES!!!

MIKE UNDERSTANDS THEM. He knows where they're coming from!! why isn't he just saying that? pride. shame. fear. downplaying his emotions because his parents have taught him what he thinks/feels/does does not matter. not that they insult him.. they just ignore him or things that matter to him. that's enough to make a child feel insignificant.

buddy all you did was slightly open up about feeling not needed and insulted yourself in the process...

karen failing to call it by the actual name implies she doesn't remember details about him -- the things that matter to him. his correction implies it's important to him that she refers to it by its actual name, and this is most likely not the first time he corrects her by the way he says it casually.

the fact mike has zero reaction to any of this implies this is a normal thing for him to hear in his house (another instance in which he doesn't defend himself from insults, because he himself believes it)

His parents do not go to him. They do not intervene and rather wait for him to feel better on his own. Mind you this is a 12-14 year old boy. Why on earth is it all on him to manage alone???

"how is this bad?"

this plays exactly after we get a scene of Joyce not confronting Jonathan - her son - crying in his bedroom. Jonathan is parentified. He doesn't receive the same attention he needs as a child the way Will does because he needed to help provide. Although they're entirely different situations from each other (put down the fucking pitchforks), they both include a parent avoiding emotional connection with a child that's dealing with grief to let them take care of it by themselves. this is a clear parallel that's meant to be noticed.

they continue to just wait for mike to fix it all himself.

Mike feels worthless. He feels like a loser. He feels like he doesn't belong the same way El and Will do. He doesn't feel needed. But he's not gonna say it because he's learnt it doesn't matter. We have all the reasons to believe why he would feel that way.

Instead, during scenes where Will and El talk about bullying making them feel worthless, the director and cinematographer will simply just make sure he's in the background and out of focus, much like he his to his parents. Much like he is to the GA. Much like how it feels to suffer from depression.

#'youre just making things up!' hey heres an idea i just made up: me bashing your head with a microwave #mike wheeler #stranger things

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revelboo · 24 days ago

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revel i really love how everything you wrote is connected to eachother in some way its actually so satisfying to read from the very first post and read from there! feels like seeing the bigger picture!

I try to connect the IDW fics or TFP fics to each other when possible, because it makes it more fun for me. This one is a bit earlier than intended, but the reblog tags for the last Jazz bit were killing me 😭

Over It Now Pt 9

IDW Jazz x Reader

• Tracking your passage through the house, his optics follow as lights come on, go out until you reach your bedroom and then the house is dark and silent, leaving him with his thoughts. With his oldest and truest companion, self loathing. Your anger spreading like poison through him as he walks to sit under that ancient pin oak in your yard near your window, head tipped back to look at the hints of stars through the leaves and trying to remember before the war. Back when his smile hadn’t been just a convenient mask to hide behind, he’d been a musician. A singer. He’d been happy then, but it’s been a long time since he was that bot. Sometimes it feels like the memory of a ghost, a life that couldn’t possibly be his. Optics shuttering behind his visor, he tries to picture the street, busy with Cybertronians going about their day. The weight of an instrument in his hands, servos dancing over chords.

• Furious with Jazz and yourself, you lay there in the dark and stare at the ceiling. Wondering why you let him get under your skin when you know the likely outcome. If everything is a game to him, then getting close or allowing him close is only going to hurt you in the end. You know that. So why does that crooked little smile keep slipping into your head? You’re angriest because of how you’d felt when he’d held you like that, safe, precious, like you mattered and it hadn’t been real. Because you’re dumb enough to play right into his little game. At first, the sound is so low you almost miss it. Something aside from the hum of the ceiling fan. Singing, the sound so achingly lonely even as the words mean nothing to you. Sliding out of bed, you limp to the window and peek out through the blinds, spotting the glow of Jazz’s visor beneath the tree, his biolights faintly limning his frame. He’s making that bittersweet sound and even if you don’t understand the language, it’s so full of yearning that it hurts.

• It’s not the sort of songs he’d sang on the streets of Iacon or Praxus, something new. Pouring all the poison in him out into the quiet night, all the things he can’t say out loud. The hurt, the loneliness, and the need for someone to see him, to see past the shiny, smiling veneer and realize that no, he’s not okay. Hasn’t been for a long time. The song sinks its claws into him, a stream of longing and grief, every word a new chain pulling him down with their weight. Because no one really sees him. They never have. Their needs forging him into this so he can do what needs to be done. No matter the cost. A good little spy smiling instead of screaming. The touch of a little hand on his ped breaks him from the song, voice faltering. And you’re right there, head down. Crying as you lean on your crutches, crying for him because he can’t and no one else will.

• You can’t stop crying, because that song is a living thing twisting inside you, all sweetness and barbed wire. This is something real, not a lie and it hurts more than a song should. Then he’s leaning forward, a servo tipping your chin up and then sliding over your cheek. “Sorry, doll. Didn’t mean to wake you,” he says voice low, big hand outstretched like he wants to pick you up, pull you into him again. But hesitating. And you grab onto his servos, letting your crutches fall as he catches you, lifts you to cradle against him, big hands tucking your little frame against the warm mesh of his neck. “I’m sorry. I just don’t know how to do this anymore.” Pressing your face against him, you’re not sure what he means by that. Maybe not lying. Maybe being real. But maybe you can help him figure it out.

#transformers x reader #jazz x reader #idw jazz

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gardenschedule · 8 months ago

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just insane mclennon things

John playing his and Yoko's sex tape in a band meeting

As the meeting was drawing to a weary close, John, not this day with Yoko, who hadn’t seemed particularly connected with what was going on, said he wanted to play us a tape he and Yoko had made. He got up and put the cassette into the tape machine and stood beside it as we listened. The soft murmuring voices did not at first signal their purpose. It was a man and a woman but hard to hear, the microphone having been at a distance. I wondered if the lack of clarity was the point. Were we even meant to understand what was going on, was it a kind of artwork where we would not be able to put the voices into a context, and was context important? I felt perhaps this was something John and Yoko were examining. But then, after a few minutes, it became clear. John and Yoko were making love, with endearments, giggles, heavy breathing, both real and satirical, and the occasional more direct sounds of pleasure reaching for climax, all recorded by the faraway microphone. But there was something innocent about it too, as though they were engaged in a sweet serious game. John clicked the off button and turned again to look toward the table, his eyebrows quizzical above his round glasses, seemingly genuinely curious about what reaction his little tape would elicit. However often they’d shared small rooms in Hamburg, whatever they knew of each other’s love and sex lives, this tape seemed to have stopped the other three cold. Perhaps it touched a reserve of residual Northern reticence. After a palpable silence, Paul said, “Well, that’s an interesting one.” The others muttered something and the meeting was over. It occured to me as I was walking down the stairs that what we’d heard could have been an expression of 1960s freedom and openness but was it more likely that it was as if a gauntlet had been thrown down? “You need to understand that this is where she and I are now. I don’t want to hold your hand anymore.”

Paul putting beetles fucking on his album artwork

John hiring a pig and posing with it solely to mock Ram even though he was scared of it

At the end of the day a farmer delivered a huge hog to the mansion [Tittenhurst Park]. It was John’s notion to parody the album jacket photograph of Paul McCartney’s Ram, which showed Paul wrestling with a ram; John would wrestle with a pig. We all went outside and stared at the large surly animal. It was much bigger than any of us had expected. John circled the animal warily. He liked the idea, but he didn’t like the hog. Dan stood poised to snap the picture. “Climb on its back, John, and grab its ears,” he said. John looked doubtful. He stepped closer to the animal. It let out a shrill, strange, sound. John stepped back, but we all urged him on. “You can do it, John,” I said. John approached the animal once again. “I can’t hold the friggin’ pig for too long. You get one shot and one shot alone,” he told Dan.

Loving John: The Untold Story, May Pang

John & Yoko attempting to get revenge married in Paris 2 days after Paul & Linda

“On March 12, Paul married Linda Eastman at Marylebone Register Office in London, amid scenes of hysterical grief from his female fans. None of the other Beatles was present. The news reached John as he and Yoko were driving down to visit Aunt Mimi in Poole. Yoko’s divorce decree had become final a few weeks earlier, and, in a resurgence of Beatle copycat, John told her they, too, must get married as soon as possible”

Philip Norman, John Lennon: The life

We chose Gibraltar because it is quiet, British and friendly. We tried everywhere else first. I set out to get married on the car ferry and we would have arrived in France married, but they wouldn’t do it. We were no more successful with cruise ships. We tried embassies, but three weeks’ residence in Germany or two weeks’ in France were required.

John Lennon

SALEWICZ: Well, I always found it interesting the fact that he got – I mean, it seemed too much like coincidence to me, the fact that he got married a week or month after you. You know what I mean? PAUL: Yeah. I think we spurred each other into marriage. I mean, you know. They were very strong together, which left me out of the picture. So I got together with Linda and then we got strong with our own kind of thing. And I used to listen to a lot of what they said. I remember him saying to me, “You’ve got to work at marriage,” which is something I still remember as a bit of advice. I still remember that. Um… And then yeah, I think they were a little bit peeved that we got married first. Probably. In a little way, you know, just minor jealousies. And so they got married. I don’t know if that’s – I mean, who knows… [inaudible] making it up, anyway.

September, 1986 (MPL Communications, London): journalist Chris Salewicz

Their belief in telepathy & shared dreams

NEIL: I’d just rather not say anything. It’s one of those situations. PAUL: Yeah. [pause] Well, that’s – that’s the trouble you see, there, ‘cause that’s it. It’s like, with our – heightened awareness, the answer is not to say anything, you know. But it isn’t. ‘Cause I mean, we screw each other up totally if we don’t do that. ‘Cause we’re not ready for your heightened… vows of silence. [laughs; hapless] We’re really not! Like, we don’t know what the fuck each other’s talking about, when that – we all just sort of get— NEIL: I think it’s just between the four of you, that get it. That’s what I’d pretend. PAUL: Oh yeah, right, yeah. But you see, that’s it, that’s why John doesn’t say anything. ‘Cause he, you know, he just… There was something the other day, when I said, “Well, what do you think?” And he just stood there and didn’t say anything. And then – and I know exactly why, you know. I mean, I wouldn’t, if… [long pause] Somehow. You know, there’s nothing really much to be said about it. You just – we all just have to do it, and all that, instead of like talking about it. But – but if one of us is talking about it, it’s a drag if the other three aren’t. Because then it sort of throws you off. [inaudible; voice marking tape slate] I mean, we’ve just been talking about it now for a few years, you know. Like this…

From the Get Back sessions (13 January 1969).

HINDLE: What do you think about language? JOHN: I think it’s a bit crummy, you know? It is a drag form of communication, really. We’ll get – we’ll get telepathy. I believe that. HINDLE: You believe that? JOHN: Yeah, sure. Sure. Sure as anything I believe. It’s too… Because now we need it so much. [...] There are – there’s people everywhere of the same mind and it’s just… even amongst ourselves we can’t communicate. Which is the hard bit, you know. HINDLE: Yeah. JOHN: Amongst the people that sort of really agree. HINDLE: Just ’cause of words? JOHN: Just ’cause of words, and upbringing, and attitude, and how you express your… Well, it’s just some – you’ve got to find a mutual sort of language to express yourself, you know? And my language is that— HINDLE: Unless you fall in love it’s impossible to communicate like that. JOHN: I mean, I wasn’t in love last year, but I was communicating quite well with people. Not as well, or maybe not as powerfully. ’Cause now there’s two of us, doing that, brrmmm, whatever it is. Sending out a vibration or whatever. But before it was me and… or me and George, alright, or whatever it was; we weren’t in love, but. You know. There’s enough in you to shove it out. It is just that bit. If you – if somebody comes in a room and he’s uptight and that, he can make the whole room uptight.

John Lennon, interviewed by Maurice Hindle (December 1968).

PAUL: I remember when John and I were first hanging out together, I had a dream about digging in the garden with my hands. I’d dreamt that before but I’d never found anything other than an old tin can. But in this dream I found a gold coin. I kept digging and I found another. And another. The next day I told John about this amazing dream I’d had and he said, ‘That’s funny, I had the same dream’. So both of us had this dream of finding this treasure. And I suppose you could say it came true. I remember years later talking about it – ‘Remember that dream we had?’; ‘Yeah, that was far out’. So the message of that dream was: keep digging lads.

PAUL MCCARTNEY TO THE BIG ISSUE. FEBRUARY 2012.

John climbing the wall to Paul's house because Paul skipped a session for his & Linda's anniversary

(Not confirmed but supposedly)

Paul being utterly convinced that John can't be gay because he didn't try it on when they slept in the same bed

I mean, if John was–the trouble is, see, is he’s not here to fend for himself, and we can’t ask him, “‘Scuse me, John, are you–have you ever been gay?” I mean, he’s the kind— I remember people used to ask that. There were lots of people asking cheeky questions, and they were always saying, “Well, why–have you ever tried homosexuality, John?” You know, they always used to ask all that kind of stuff. I remember John saying to them, “No, I’ve never met a fella I fancy enough.” And that was his kind of opinion. You know, “I may go–I may be gay one day, if some fella really turns me on.” He was–he was that open about it. But as far as I was concerned, I slept in a million hotel rooms–as we all did–slept in a million places with John, and there was never any hint of it.

December 24th, 1983: interview with DJ Roger Scott

“And I say, if he’s homosexual, I thought he’d have made a pass at me in 20 years, darling.”

Paul McCartney talking about John Lennon.

“Brian Epstein, the Beatles’ manager, was a known homosexual. Epstein was always polite and charming. It has been insinuated that John was drawn to Epstein. I believe there was no such relationship between them. John was macho. But if John was a homosexual, it would have made no difference to me. I’ve asked Paul McCartney, who laughed and said: ‘Why not me? I’m handsome.’ Then he said: ‘I was holed up with John in hotel rooms everywhere. There was never a suggestion of anything like that.’ I believe him.”

Julia Baird, in Boston Globe: Lennon’s half-sister remembers… (2 October 1988).

“All I can ever say about it is that I slept with John a lot because you had to, you didn’t have more than one bed - and to my knowledge John was never gay.”

Paul McCartney, The Brian Epstein Story

And maybe he's right to be offended?

Did Lennon have sex with other men? “I think he had a desire to, but I think he was too inhibited,” says Ono. “No, not inhibited. He said, ‘I don’t mind if there’s an incredibly attractive guy.’ It’s very difficult: They would have to be not just physically attractive, but mentally very advanced too. And you can’t find people like that.” So did Lennon ever have sex with men? “No, I don’t think so,” says Ono. “The beginning of the year he was killed, he said to me, ‘I could have done it, but I can’t because I just never found somebody that was that attractive.’ Both John and I were into attractiveness—you know—beauty.”

Yoko Ono: I Still Fear John’s Killer by Tim Teeman for the Daily Beast (13 October 2015).

There was even some discussion, albeit not very serious, of whether he should stick to his own gender. “John said ‘It would hurt you like crazy if I made it with a girl. With a guy, maybe you wouldn’t be hurt, because that’s not competition. But I can’t make it with a guy because I love women too much, and I’d have to fall in love with the guy and I don’t think I can.’”

Yoko on her and John discussing the terms of an open marriage in 1973 (John Lennon: The Life)

On that note, Paul's obsession with sleeping in the same bed as John

Paul McCartney answers questions for Q magazine, 1998

John and I used to hitch-hike places together, it was something that we did together quite a lot; cementing our friendship, getting to know our feelings, our dreams, our ambitions together. It was a very wonderful period. I look back on it with great fondness. I particularly remember John and I would be squeezed in our little single bed, and Mike Robbins, who was a real nice guy, would come in late at night to say good night to us, switching off the lights as we were all going to bed.

Many Years From Now

John and I always liked wordplay. So, the phrase ‘She’s got a ticket to ride’ of course referred to riding on a bus or train, but – if you really want to know – it also referred to Ryde on the Isle of Wight, where my cousin Betty and her husband Mike were running a pub. That’s what they did; they ran pubs. He ended up as an entertainment manager at a Butlin’s holiday resort. Betty and Mike were very showbiz. It was great fun to visit them, so John and I hitchhiked down to Ryde, and when we wrote the song we were referring to the memory of this trip. It’s very cute now to think of me and John in a little single bed, top and tail, and Betty and Mike coming to tuck us in.

Paul McCartney, on ‘Ticket To Ride’. In The Lyrics (2021).

“John and I grew up like twins although he was a year and a half older than me. We grew up literally in the same bed because when we were on holiday, hitchhiking or whatever, we would share a bed. Or when we were writing songs as kids he’d be in my bedroom or I’d be in his. Or he’d be in my front parlour or I’d be in his, although his Aunt Mimi sometimes kicked us out into the vestibule!”

New Statesman, “Paul McCartney - Meet The Beatle,” September 26, 1997

“I wrote all those songs with him so…. what can I say to people?? We were kids! I mean… we slept together, topped and tailed in beds and hitch-hiking and stuff, so,…. I mean, we were just totally you know,….. mates.”

Paul McCartney

John taking matters into his own hand to start rumours about him and Paul

The consensus among John, Paul and Yoko that if J&P could have been together, they would have

“. . . I mean, I think really what it was, really all that happened was that John fell in love. With Yoko. And so, with such a powerful alliance like that, it was difficult for him to still be seeing me. It was as if I was another girlfriend, almost. Our relationship was a strong relationship. And if he was to start a new relationship, he had to put this other one away. And I understood that. I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, “Who’s this?” You can’t really do that. If I was a girl, maybe I could go out and… But you know I mean in this case I just sort of said, right – I mean, I didn’t say anything, but I could see that was the way it was going to go, and that Yoko would be very sort of powerful for him. So um, we all had to get out the way.”

Paul McCartney, interview with German tv program Exclusiv, April 1985.

JOHN: It’s a plus, it’s not a minus. The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists. [faltering] An artist – it’s more – it’s much better to be working with another artist of the same energy, and that’s why there’s always been Beatles or Marx Brothers or men, together. Because it’s alright for them to work together or whatever it is. It’s the same except that we sleep together, you know? I mean, not counting love and all the things on the side, just as a working relationship with her, it has all the benefits of working with another male artist and all the joint inspiration, and then we can hold hands too, right?

John Lennon, interview w/ Sandra Shevey. (Mid-June?, 1972)

Y: After the initial embarrassment, that how Paul is being very nice to me, he’s nice and a very, str- on the level, straight, sense, like wherever there’s something like happening at the Apple, he explains to me, as if I should know. And also whenever there’s something like they need a light man, or something like that he asks me if I know of anybody, things like that. And like I can see that he’s just now suddenly changing his attitude, like his being, he’s treating me with respect, not because it’s me, but because I belong to John. I hope that’s what it is because that would be nice. And I feel like he’s my younger brother or something like that. I’m sure that if he had been a woman or something, he would have been a great threat, because there’s something definitely very strong with me, John, and Paul.

Yoko Ono, Revolution Tape, June 4th 1968

"We thought we'd do a number of an old estranged fiancé of mine called Paul.""

youtube

As a second choice from the Lennon- McCartney songbook, Elton suggested 'I Saw Her Standing There'. This appealed to John for its antiquity, and because its lead vocal always was sung by Paul. (...) There was a whisper of Royal Variety Show mischief when he announced "a number by an old estranged fiancé of mine called Paul" - no one yet knowing the estranged fiancés were long reconciled.

John Lennon: The Life, Philip Norman

You know, John loved Paul. No doubt about it. I remember once he said to me, “I’m the only person who’s allowed to say things like that about Paul. I don’t like it when other people do.” He didn’t like if other people said nasty things about Paul. And he always referred to Paul as his estranged fiancé and things like that, like he did on that [live] record ‘I Saw Her Standing There’ with Elton in Madison Square Garden.

1990: Former Beatles publicist Tony King

Married couple signatures

(and the reverse of that postcard...)

John publicly predicting Paul & Linda's divorce

You were right about New York! I do love it; it's the ONLY PLACE TO BE. (Apart from anything else, they leave you alone too!) I see you prefer Scotland! (MM) -- I'll bet you your piece of Apple you'll be living in New York by 1974 (two years is the usual time it takes you right?)

John's letter to Paul in Melody Maker, 1971 Finally, about not telling anyone that I left the Beatles—PAUL and Klein both spent the day persuading me it was better not to say anything—asking me not to say anything because it would 'hurt the Beatles'—and 'let's just let it petre out'—remember? So get that into your petty little perversion of a mind, Mrs. McCartney—the cunts asked me to keep quiet about it. Of course, the money angle is important—to all of us—especially after all the petty shit that came from your insane family/in laws—and GOD HELP YOU OUT, PAUL—see you in two years—I reckon you'll be out then—inspite of it all, love to you both, from us two.

John's personal letter to Linda & Paul, 1971

JOHN: Oh, [Klein]’d love it if Paul would come back. I think he was hoping he would for years and years. He thought that if he did something, to show Paul that he could do it, Paul would come around. But no chance. I mean, I want him to come out of it, too, you know. He will one day. I give him five years, I’ve said that. In five years he’ll wake up. YOKO: And people don’t understand, you know. There’s so many groups that constantly announce they’re going to split, they’re going to split, and they can announce it every year, and it doesn’t mean they’re going to split. But people don’t understand what an extraordinary position the Beatles are in, you know. In every way. They’re in such an extraordinary position that they’re more insecure than other people. And so Klein thinks he’ll give Paul two years Linda-wise, you know. And John said, “No, Paul treasures things like children, things like that. It will be longer.” And of course, John was right.

John Lennon and Yoko Ono, interview w/ Peter McCabe and Robert Schonfeld. (September, 1971)

#the beatles #paul mccartney #john lennon #mclennon #only a tiny fraction of insane things #they have such chaotic lore

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