#because the whole impaling thing fits ed's vibe

[somepsychopomp]

Winged!Ed AU ft. Hohenheim (Pt.1)

rotating an idea for an FMA(B) AU in my mind where Ed has wings that are typically folded tight against his back and hidden by his red coat. He's basically born a chimera and chooses to hide his status to avoid obvious questions and suspicions.

But I want to lay down the background details, starting here:

Xerxesians, being prodigious alchemists, would of course have dabbled in chimeras and were the first to produce "successful" chimeras- similar to Greed's crew where they pass pretty much entirely for human. Most of their test subjects would have been servants, slaves, poor folk trading their bodies for coin, etc.

that's how we get Hohenheim- or 23, the twenty-third in a long line of chimerical experiments. He himself wasn't fused with an animal, but his mother or father was. 23, in turn, was actually born with a set of wings.

(Hohenheim being born a chimera is important to note bc it means his master not only made a series of healthy chimera, but ones that could reproduce! unfounded at the time)

Hohenheim was born w/ the wings of a lesser kestrel. I chose this bird more because it fits Ed more than Ho, but I just liked a few key details about it!

The lesser kestrel occupies a territory from Germany across the Middle East all the way to East Asia, which isn't super important given that FMA is set in a fictional world but loosely speaking, it's feasible that a Xerxesian alchemist could get his hands on one for human experimentation purposes.

I like the faintly red-brown coloration the males have on the back of their wings in combination w/ that black- very Ed.

They do well in grasslands/agricultural fields but are also adaptable to urban environments & co-existing with humans.

They are birds of prey!

however, they're quite diminutive birds of prey- meaning they're small and arguably very cute. (They're like 10-13 inches in length and notably smaller than Common Kestrels & other birds of prey)

Hohenheim's wings are proportional to his body tho, giving him the ability to fly.

As a slave, his physical fitness was well tested. He can fly and glide with great agility, but he was never allowed to go far because his master always kept him tethered to prevent his escape. Hohenheim also has a trail of feathers going down his spine but interestingly enough, he lacks a kestrel tail. He supposes that's not surprising, he lacks talons or a beak or eyesight far beyond that of a human. But perhaps he carries the genes for a tail. (Foreshadowing)

As an adult post-fall of Xerxes, Hohenheim found himself lost and shell shocked.

For many years, he contemplated cutting off his wings so he could better blend in with humans. But as a living Philosopher's Stone, he felt like it would be pointless endeavor and instead learned to hide them with a long coat.

Most of his canon story is basically the same until he meets Trisha.

When he fell in love with Trisha, Hohenheim knew full well that as a born and fertile chimera himself, it's fully possible their children will be born like him. He wasn't certain how great of a chance it was, it could be a recessive trait with no hope of ever resurfacing down his family line, or it could be a guarantee.

Hohenheim first has to reveal his wings to Trisha.

Even though he fully expected her to reject him at that point, understandably so, she instead accepted Hohenheim for who and what he was. She understood the possible consequences of their relationship and was completely willing to raise a potentially chimera child, together.

cue their first son.

To be safe, they have a home brith without a doctor or midwife, relying instead on Hohenheim's knowledge of alkahestry and human anatomy to tend to and heal Trisha.

And at the end of it, Edward Elric is born with wings. His were characteristic of baby kestrels, puffy and white and lacking the coloration or streamlined appearance that Hohenheim had as an adult.

Turning Edward over to properly examine his body, Hoheheim is horrified to see a small, tiny tuft of a tail protruding from Edward's lower back.

Dear god, his child was even more of a chimera than him! It's devastating to think of, until...

Hohenheim and all his souls cry at the sight of Trisha cooing at Edward as if he were a normal child, kissing his forehead and soothing his chip-like cries. She loves him. She loves their child, even if he was like Hohenheim. So brave, so loving, his Trisha.

But it also terrifies Hohenheim. He knew Trisha wanted at least two children, partly so they could help on their small family farm and partly so that the children could keep each other company.

All he has to go off of is the fact that his one and only child was very visibly a chimera. Ed will always be lesser than those around him- he will always have to hide his true self. But Trisha loved him and still wanted another child with her whole heart.

So they have Alphonse. And to Hohenheim's amazement, their second child has no visible chimera traits whatsoever! He's for all intents and purposes, human! He's human, and beautiful.

And perhaps, perhaps, just perhaps...even if Hohenheim does his best to treat both his boys equally, there's just the tiniest part of him that wants to recoil at the sight of Ed in the bathtub, flapping his wings and sending up bubbles. He's arguably slow to help Trisha bind Ed's wings before he goes out to play with Winry so they aren't seen, as well as when Trisha fits Ed with some kind of outer garment like a loose sweater or coat to hide the shape of his wings. He's possibly, if one looked close enough, a tad bit reluctant to groom Ed's wings. To gently pinch his pin feathers to release them (new feathers are encased in a white sheath as they grow out to protect them before they're fully developed), or combing his feathers or anything else.

The only thing Hohenheim does persistently and with excruciating effort/attention is when he clips Edward's flight & tail feathers so that even if he tried, he couldn't fly. It's honestly better if Edward never, ever learns how to fly and never develops the desire to. Far less a chance of someone ever uncovering his condition.

Hohenheim and Trisha have the same argument many times over the course of the first few years of the boys' lives. Hohenheim, as Ed's father, wants to take responsibility for his son's unfortunate condition by severing Ed's wings and tail before he's old enough to really remember them and the procedure.

Trisha, in contrast, argues that Edward's extra extremities are perfectly healthy limbs, even if his wing muscles are underdeveloped, and that it would be a tragedy to cut out such an integral part of himself.

[themildestofwriters]

Writing Ask Game

Thanks to the magnificent @gottaenjoythelittlethingzz​ for tagging me in this wonderful little tag.

I don’t think I’m going to choose one WIP rather just the universe itself – The Divine Intervention universe. By that, I mean I’ll be doing it for these two novels I’m working on: Divine Intervention or: What Comes After Immortality? & The Trials and Tribulations of a Virgin Goddess.

1. Describe the plot in one sentence.

Divine Intervention or: What Comes After Immortality? 

A goddess and a girl meet at a bus stop and while things are a bit awkward at first, they soon begin hitting it off and begin regular correspondence, however, there’s something more lurking under the surface that neither of them wish to peruse and that one thing is forgiveness and love respectively.

The Trials and Tribulations of a Virgin Goddess

Sex and Babette go together as well as water and oil, yet it was not always this way and in this story she decides to heal herself, to improve herself, and to choose love over her almost selfish desire to dwell on the past and wallow in a pit of guilt and suffering.

2. Pick one sight, smell, sound, feel, and taste to describe the aesthetic of your novel.

Divine Intervention or: What Comes After Immortality?

Flashes of blood, death and gore in the small hours of the night. The smell of petrichor as rain descends. The sound of deathly silence. The feel of soft arms holding you tightly. The metallic taste of blackened blood coughed from the lungs.

The Trials and Tribulations of a Virgin Goddess

Bodies intertwined in a lover’s embrace. The smell of lust in the air. The sound of ceaseless screaming. The feel of suffocating pain and smooth stone. The bittersweet taste of lip balm.

3. Which 3+ songs would make up a playlist for the novel?

Because I’m not very knowledgeable on music myself, this list is filled only with songs I have on my phone.

Divine Intervention or: What Comes After Immortality?

“Viva La Vida” by Coldplay; “Accidentally In Love” by Counting Crows; “Superman (It’s Not Easy)” by Five for Fighting; “Stressed Out” by Twenty-One Pilots; “Perfect” by Ed Sheeran

The Trials and Tribulations of a Virgin Goddess

“Somewhere Over The Rainbow” by Israel Kamakawiwo'ole; “All of Me” by John Legend; “Let Her Go” by Passenger; “Like A Virgin” by Madonna; “A Thousand Years” by Christina Perri

4. What’s the time period and location in which the novel takes place.

Both books take place in the modern era and mostly in Salisbury/Adelaide, South Australia. WCAI? takes place in 2016 and TTVG takes place in 2017. However, at least specifically in TTVG, it does take place in other countries with Babette visiting Japan, America and perhaps even England as either a part of her job (Street Performer) or as the plot demands.

5. Is this a standalone or a part in a series?

Well…

6. Are there any former titles you’ve considered but discarded?

For WCAI? I only had Divine Interruption and for TTVG there was “Babette Visits A Sex Shop” “Babette Visits An Adult Shop” and The Weird and Wonderful Sexual Awakening of Babette Mewlyn.

7. What’s the first line of your novel?

I have a tendency to only have a single line to begin a book.

Divine Intervention or: What Comes After Immortality?

“The sky was a dark crimson haze.”

or

“It was supposed to be a bright and sunny Saturday morning in suburban Adelaide.”

The Trials and Tribulations of a Virgin Goddess

“We had planned this for nearly an entire week now and today was the day.”

8. What’s a dialogue you’re particularly proud of?

“ “心配しないで,” she said, a devilish smirk twisting onto her lips. “少なくとも 見る かわいく 、ジョセフィーン様.” “ – Divine Intervention or: What Comes After Immortality? Chapter 2(draft)

If you’ve got a problem with my Japanese, please tell me because I’m winging it on Google Translate and outdated information.

“ “It—it hurts.” It took all my power to just say that and once I did, I was hit by a new wave of grief—of agony—of heart-rending guilt. ” – The Trials and Tribulations of Babette Melwyn Chapter 3(draft)

9. Which line from the novel most represents it as a whole?

“It—it hurts.”

10. Who are your character faceclaims?

Babette… well, I’m tossing up between these girls: Jaimie Alexander; Abbey Lee Kershaw; Amanda Seyfried; Astrid Berges-Frisbey; Zoey Deutch; and Willa Holland.

For Josephine, she’s a bit difficult to find a face claim for. If you’d like to help, that would be appreciated but so far, I’ve not found anything that fits her yet.

11. Sort your characters into Harry Potter houses!

Babette Melwyn – Slytherin

Josephine Williams – Hufflepuff

Henrietta Phillips – Ravenclaw

Maria Camhain-Schmidt – Gryffindor

Kurt Schmidt – Gryffindor

Flynn Camhain-Schmidt – Hufflepuff

Adrien Williams – Hufflepuff

Samuel Meric – Gryffindor

Sofía Meric – Hufflepuff

Harrison Williams – Ravenclaw

Alyssa Williams – Gryffindor

Samantha Bailey – Ravenclaw

12. Which character’s name do you like the most?

Respectfully, I love them all, specifically the girl’s names. Henrietta, Josephine, Babette, Alyssa, Maria, Sofía.

13. Describe each character’s daily outfit.

Babette Melwyn; Babette’s daily outfit could be summarised as well cared for rags with a history with radioactivity. By this I mean, Babette hasn’t changed out of the dress she wore when a group of revolutionaries decided to nuke her. While incredibly old, magic makes a great cleaner and preserver for the cloth and during the course of this novel, she’s usually seen wearing it often. It’s a plain black form fitting V-neck dress with long sleeves that reach up to her hands. The skirt used to be long and flowing, but since being nuked, it’s much shorter, ending around her calves—jagged and looking like some kind of tattered flower blooming from her waist down.

Aside from the dress, she wears leather strapped calf-high sandals and her ruby necklace—her ruby necklace is a constant with every single last outfit she wears.

After settling down on Earth, she finds herself wearing other bits and pieces. She feels comfortable outside her tattered remains and has a small wardrobe filled with a verity of clothing. Her aesthetic could best be described as gothic and Victorian gothic. Expect lots of lacy black dresses of varying lengths along with several sundresses and perhaps a few gowns. Hats are usually wide-brimmed and floppy, and she will not wear heels.

Josephine Williams; Josephine doesn’t have a daily outfit because she’s a normal person who doesn’t have a set outfit and often changes as the clothes she wore previously gets dirty. However, she has that kind of… art student vibe to her, befitting her artistic inclination, though she does were certain jewellery or outfits that have a certain Hellenic aesthetic. What you’ll mostly see her around in is either some kind of cardigan, perhaps a really large jumper while wearing a dress, whether short or long with some leggings underneath. She mixes it up, shirts and shorts, pants and with different colours as well. She keeps her options wide and varied but if you spent enough time with her and paid attention, you’d notice similarities.

Heels, like her girlfriend, is a no-no, but her outfits are certainly more colourful then Babette’s who prefers black and occasionally other colours.

14. Do any characters have distinctive birthmarks/scars?

Babette has a lot of scars but specifically there’s the scars across her heart—two, specifically, one on her back and on her chest, both from being impaled by a weapon that wiped out all life in a galaxy. It wasn’t fun getting that one.

Josephine once had a scar on her calf, but I think she might not have any major scars nor any tattoos—yet. I might give her a distinctive back tattoo that’s basically a string of astronomical symbols which relate to the Underworld in Greek Mythology.

15. Which character most fits a character trope?

I wouldn’t be able to say for sure but I’m sure that Babette and Josephine both fit into a character trope/archetype.

16. Which character is the best writer? Worst?

Babette, hands down. Babette’s not so good at writing songs and whatnot but she’s an academic and a Bard, having transcribed ancient texts, her own stories and a few she’s plagiarised from Earth because Earth Copyright doesn’t exist outside of Earth. Out of the main characters, I’d say that Josephine isn’t so good at the writing of things and prefers visual art. Like, she could write a story, but it’d read like a synopsis.

17. Which character is the best liar? Worst?

This entirely depends on when we take the characters. Before Babette was unceremoniously dethroned, she was a magnificent liar who would often use the skill in her youth on the run. However, at the same time, she’s spent literal aeons alone and her skills at lying have atrophied. She still does it, she’s just noticeably worse. I would say the worst liar would probably be Adrian because out of the children characters, he’s younger and got the biggest tells out of the lot of them. And yes, I have to pick children because everyone else are massive liars whether it’s lying to themselves, their parents, or others. In my experience, everyone lies at least once and their skill isn’t proportional to how much they

18. Which character swears the most? Least?

Henrietta swears like a fuckin’ sailor, Josephine can swear but only does it rarely—or at least where people can’t hear her.

19. Which character has the best handwriting? Worst?

Babette, again due to living for millions of years and the necessity she had to perfect her handwriting. So far, I’ve described her handwriting thusly:

‘…it was clear that it was one-hundred per cent handwritten, and it was a masterpiece. Each letter, each word was written in a way that made reading it clear and easy to read, but also incredibly pleasing to the eye. Cursive, almost like calligraphy but written in clear bull-point pen, as if someone managed to distil handwriting into an artform then decoded to perfect it because why not?’ – Divine Intervention or: What Comes After Immortality? Chapter 4(draft)

Unfortunately, she’s not so good at art unless it’s literally putting the image in her mind onto paper using magical means. Nevertheless, I could see her girlfriend asking Babette to do some calligraphy for her blog.

Flynn has the worst but honestly you can’t blame the kid… he’s a kid!

20. Which character is most like you? Least like you?

I’d probably have to say Babette, but it’s a close tie between her and Josephine because both of them contain facets of me but are also their own people with different desires and personalities.

Least like me are the other characters, pretty much. Henrietta, Maria, Kurt, Samuel, Sofía, Flynn, Harrison, Alyssa, I’m not really like these characters at all.

21. Which character would you most like to be?

Josephine. Hands down, Josephine. Listen, I like Babette and all and she’s an extension of myself in some ways, and, honestly, I’d feel a lot more comfortable in her skin then my own, but Josephine is just a quiet suburban girl with her own slice of the Earth doing her own thing. She’s an artist, she’s got a loving family, a healthy online presence, a healthy sleeping schedule, and… yeah.

To tag some folks, I think I’ll tag: @randomestfandoms-ocs; @rose-writes-and-drinks-tea; @ariellaskylark; @focusdumbass; @i-tried-and-i-loose; @undinisms; @alixismad; @sweet-scribes; @sunlight-melodies and literally anyone else who wants to try it!

[somepsychopomp]

Pt 2 below the cut b/c I couldn't put it all in the above post

No one else in the family knows this, but Alphonse once stumbled upon one of the arguments over Ed's wings. He was almost 4 years old and it was right before Hohenheim had to leave. He and Ed were supposed to be playing outside (away from their parents debating in their bedroom), but Al came inside to use the bathroom. He heard his parents sounding angry and crept up the stairs. He didn't catch much, but was horrified to hear their dad refer to Ed with words like awful and pitiable and he'll have to spend the rest of his life with those wings! You know that, Trisha! Why consign him to that fate when we can fix him now? Just let me cut them off, my love. I'm begging you! I promise I'll make it as painless as possible, just let me-"

Al didn't understand everything that was said, but he heard enough. All he knew was that Daddy wanted to hurt his brother. (For Alphonse, his big brother's wings were normal. Ed always had them- what's wrong with them? Why did Daddy want to hurt Ed and cut them off? The idea makes Al run away and hide somewhere outside the house to cry- where Ed finds him and thinks Al is crying because he bruised his knee or something. "It's alright, Al. You're okay, see?" As Ed pulls his baby brother onto his feet. Alphonse hugs Ed and squeezes him tight enough to feel the skeletal structure of his wings, the plumage that was never allowed to see the sun, and wishes he could instead hug Ed's wings without anything to hide them.)

In the end, Trisha wins the argument. Hohenheim eventually has to leave anyway to find a way to stop Father & become mortal and blah blah blah. 

And Trisha dies. 

The only ones who she trusts to know about Ed's condition is Pinako, who she has to explain everything to (and by extension, Winry). And it's Trisha's dying wish for Pinako to hide Ed's wings but to still treat him as if he were any other boy. Pinako will have no issue honoring that final request. 

For Edward, even after his unexpected reunion with Hohenheim as a teenager, he will never know quite how far his father's love and concern for him went. How Hohenheim was willing to do anything for his child, even if it meant hurting him. 

((Edward wouldn't know until Pinako told him after his mother's death, that his wings weren't a freak of nature incident. He inherited them from his father, who himself never wanted to reveal his wings to anyone beyond Trisha.))

Winged!Ed AU ft. Hohenheim (Pt.1)

rotating an idea for an FMA(B) AU in my mind where Ed has wings that are typically folded tight against his back and hidden by his red coat. He's basically born a chimera and chooses to hide his status to avoid obvious questions and suspicions.

But I want to lay down the background details, starting here:

Xerxesians, being prodigious alchemists, would of course have dabbled in chimeras and were the first to produce "successful" chimeras- similar to Greed's crew where they pass pretty much entirely for human. Most of their test subjects would have been servants, slaves, poor folk trading their bodies for coin, etc.

that's how we get Hohenheim- or 23, the twenty-third in a long line of chimerical experiments. He himself wasn't fused with an animal, but his mother or father was. 23, in turn, was actually born with a set of wings.

(Hohenheim being born a chimera is important to note bc it means his master not only made a series of healthy chimera, but ones that could reproduce! unfounded at the time)

Hohenheim was born w/ the wings of a lesser kestrel. I chose this bird more because it fits Ed than Ho, but I just liked a few key details about it!

The lesser kestrel occupies a territory from Germany across the Middle East all the way to East Asia, which isn't super important given that FMA is set in a fictional world but loosely speaking, it's feasible that a Xerxesian alchemist could get his hands on one for human experimentation purposes.

I like the faintly red-brown coloration the males have on the back of their wings in combination w/ that black- very Ed.

They do well in grasslands/agricultural fields but are also adaptable to urban environments & co-existing with humans.

They are birds of prey!

however, they're quite diminutive birds of prey- meaning they're small and arguably very cute. (They're like 10-13 inches in length and notably smaller than Common Kestrels & other birds of prey)

Hohenheim's wings are proportional to his body tho, giving him the ability to fly.

As a slave, his physical fitness was well tested. He can fly and glide with great agility, but he was never allowed to go far because his master always kept him tethered to prevent his escape. Hohenheim also has a trail of feathers going down his spine but interestingly enough, he lacks a kestrel tail. He supposes that's not surprising, he lacks talons or a beak or eyesight far beyond that of a human. But perhaps he carries the genes for a tail. (Foreshadowing)

As an adult post-fall of Xerxes, Hohenheim found himself lost and shell shocked.

For many years, he contemplated cutting off his wings so he could better blend in with humans. But as a living Philosopher's Stone, he felt like it would be pointless endeavor and instead learned to hide them with a long coat.

Most of his canon story is basically the same until he meets Trisha.

When he fell in love with Trisha, Hohenheim knew full well that as a born and fertile chimera himself, it's fully possible their children will be born like him. He wasn't certain how great of a chance it was, it could be a recessive trait with no hope of ever resurfacing down his family line, or it could be a guarantee.

Hohenheim first has to reveal his wings to Trisha.

Even though he fully expected her to reject him at that point, understandably so, she instead accepted Hohenheim for who and what he was. She understood the possible consequences of their relationship and was completely willing to raise a potentially chimera child, together.

cue their first son.

To be safe, they have a home brith without a doctor or midwife, relying instead on Hohenheim's knowledge of alkahestry and human anatomy to tend to and heal Trisha.

And at the end of it, Edward Elric is born with wings. His were characteristic of baby kestrels, puffy and white and lacking the coloration or streamlined appearance that Hohenheim had as an adult.

Turning Edward over to properly examine his body, Hoheheim is horrified to see a small, tiny tuft of a tail protruding from Edward's lower back.

Dear Truth, his child was even more of a chimera than him! It's devastating to think of, until...

Hohenheim and all his souls cry at the sight of Trisha cooing at Edward as if he were a normal child, kissing his forehead and soothing his chip-like cries. She loves him. She loves their child, even if he was like Hohenheim. So brave, so loving, his Trisha.

But it also terrifies Hohenheim. He knew Trisha wanted at least two children, partly so they could help on their small family farm and partly so that the children could keep each other company.

All he has to go off of is the fact that his one and only child was very visibly a chimera. Ed will always be lesser than those around him- he will always have to hide his true self. But Trisha loved him and still wanted another child with her whole heart.

So they have Alphonse. And to Hohenheim's amazement, their second child has no visible chimera traits whatsoever! He's for all intents and purposes, human! He's human, and beautiful.

And perhaps, perhaps, just perhaps...even if Hohenheim does his best to treat both his boys equally, there's just the tiniest part of him that wants to recoil at the sight of Ed in the bathtub, flapping his wings and sending up bubbles. He's arguably slow to help Trisha bind Ed's wings before he goes out to play with Winry so they aren't seen, as well as when Trisha fits Ed with some kind of outer garment like a loose sweater or coat to hide the shape of his wings. He's possibly, if one looked close enough, a tad bit reluctant to groom Ed's wings. To gently pinch his pin feathers to release them (new feathers are encased in a white sheath as they grow out to protect them before they're fully developed), or combing his feathers or anything else.

The only thing Hohenheim does persistently and with excruciating effort/attention is when he clips Edward's flight & tail feathers so that even if he tried, he couldn't fly. It's honestly better if Edward never, ever learns how to fly and never develops the desire to. Far less a chance of someone ever uncovering his condition.

Hohenheim and Trisha have the same argument many times over the course of the first few years of the boys' lives. Hohenheim, as Ed's father, wants to take responsibility for his son's unfortunate condition by severing Ed's wings and tail before he's old enough to really remember them and the procedure.

Trisha, in contrast, argues that Edward's extra extremities are perfectly healthy limbs, even if his wing muscles are underdeveloped, and that it would be a tragedy to cut out such an integral part of himself.