I don't care what people say about Super, but the episode where Goku finds out about Vegeta being trained by Whis, and him wanting to come along is so funny.
Like first of all, Chichi barricading herself in a room with Videl and Pan. The others calling Goku and Goten, plus Krillin, for some reasons, and Goku going "there's nothing I can do", then when Chichi lets Bulma in and she starts talking about Vegeta having left home for months now to be trained by Whis Goku just fucking destroys the wall, apparently there was something he could do lmao.
Then, the hilarity of Goku just jumping out of nowhere to ask Bulma if Whis is here, and Bulma gets so mad she gives him a fucking phone.
Gohan figuring out that Goku wanted to train, the scene of Gohan trying to stop Chichi, while flying, not even Saiyan strength can stop her, she was literally the one taking Gohan.
Goten being like, "Come on, mom, training makes dad happy, so I think he should go," and Gohan being like, "If dad trains the earth will be safer in case someone stronger than the latest villain shows up, also I will not have to get in the fight if dad is the one getting stronger", and then just when Goku goes with Whis Chichi just becomes very chill and says "well he's going to come back when he will miss my cooking I guess".
Like I don't know that is fucking funny bye, at the end of the day it doesn't actually bother them that much
15 notes
·
View notes
May I ask about your Jason Todd idea? <3
Hm, okay so. How to lay this out sensitively since I know it might be a tad controversial...
Prefacing by saying I'm not an expert on the minutias of Jason characterization. I like him when he appears, I think the battle for the cowl/Morrison era and some parts of modern era for him are Weird and Bad, but I'm not Jason scholar (for that I'd say maybe check out @/tumblingxelian and their great video essays), I'm just trying to think of what might be an interesting step forward for him.
First, the canon facts
Jason got lobotomized and has panic disorder on steroids. By the end of Gotham War (specifically when Jason was. Flying the batplane into the asteroid. God I can't believe that's the plot) he was finding it in himself to power through said panics
In Joker: The Man Who Stopped Laughing #12, the joker gives Jason a "low dose" of joker venom, which has an ambiguous effect on Jason, allowing him to power through the fear (which joker explicitly states is still very much present, just not physically debilitating, like when Jason couldn't run over in either Catwoman #57 or #58, the one with the kid in the building) even though he'd been able to do that sans venom over in Gotham War, like I previously stated.
The effect of said joker venom seems to be lingering for now, minus the creepy grin side effect it gave Jason over in that man who stopped laughing issue, as seen in the latest batman issue (number is escaping me rn, #147??). He still has the stutter which is a shorthand for fear, he's drawn with fearful expressions by Jorge Jimenez, but he says that he's "working through it" thanks to the chemicals
This is both super interesting and kind of maddening as it doesn't completely remove the consequences of what happened in Gotham War, but is trying to sweep them under the rug and get back to business as usual. I, however, propose making said consequences front and center like a fashionable urn on a mantle piece:
Since it's never stated how exactly the joker venom works, and I think the current answer is "it works how the story needs it to" I've decided that because it's a low dose, it eventually wears off. And when it wears off, Jason's back to square one in terms of mental state. Ergo, if Jason doesn't want to live the rest of his life as quaking shivering husk of his former self...he's going to need more.
(read more for the meat of things)
So, Jason self medicates for a condition given to him by the father he has endlessly complicated feelings towards with a cure invented by a man who represents everything he hates in the world who once tried to take everything from him.
Which, insert poetic cinema gif here, I'm quite proud of myself for that one.
Anyway, there's a lot of directions you could take this. Personally I think it'd be interesting to explore Jason trying to get back into the drug trade like he did in UTRH (FULL TRANSPARENCY I HAVEN'T READ THE FULL COMIC, I KNOW BROADSTROKES BUT IM NOT GONNA TRY AND MAKE PARALLELS) as he tries to use the resources (production plants and other drug runners who can hook him up with samples of joker toxin/similar stuff you can probably find around Gotham) to manufacture his own cure that means never having to go back to the joker again. Maybe he ambushes a joker toxin chemical production plant to get his own supply, and then Jason uses this as his foothold back into that world.
This isn't necessarily me saying we should regress Jason alll the way back to UTRH, that was before his anti-hero era and I'm not willing to fully shoot him back into the past. I just think that's not how you tell good stories in a medium like comics. But it'd inherently be a little different just bc he's doing it for different, slightly more self motivated (depending on your take on villain Jason) reasons and the people around him would have a different reaction to it.
Anyway, all sorts of problems can arise! Depending on how you wanna characterize Jason (wayward son who longs to be back in the fold or black sheep who doesn't play by daddy's rules, etc) he can either a) try and hide this criminal enterprise from his giant family full of nosy detectives (good idea there jay) OR do it out in the open, trying to justify himself but still putting himself on the opposite side of the family again (not the law bc that boy hasn't been on the 'right' side of it since he died)
There's also the fact that Jason now needs to take something 24/7 in order to live his life. He essentially can't be without it, he's dependent on it, in fact he'd get sick without it despite any adverse effects it may have on him (which are guaranteed, I mean. No clinical trials)
I imagine it'd be easy to become addicted to it in some way.
And uh. This is the part where it works slightly better as a fanfic pitch than an actual comic pitch. Because as much as I think it'd be such an interesting beat for Jason's character considering his fraught history with addiction and drugs (looks away from that one urban legends story where he suggests terrorising addicts to get to the suppliers and bruce lectures him. The easiest way to make Mr "we don't sell drugs to children" sympathetic and you beefed it)
I also fully recognise that this is a sensitive topic that DC doesn't have the best track record with (although addicts aren't a monolith and feel a number of ways about addictions portrayals in comics) and that there's probably some pitfalls inherent in the premise, namely bc of Jason's background as an impoverished kid and his grey morality, and how those play into stereotypes of addicts. Addiction is already such a misunderstood and stigmatized condition that I imagine playing with it with an antihero might be enough to turn some people off. Addiction is not a moral failing and I'd hate to write it as a moral failing of Jason akin to his willingness to kill, etc.
But with all that said, I think that stereotypes are primarily harmful because of their shallowness. They inhibit understanding of groups labeled "other" by presenting them in simplistic ways that don't portray richness or complexity. And I think a truly good red hood comic could give both sympathy and complexity to Jason, even as an addict. If anything, Jason is a popular character (mostly) and there could be something nice about seeing a main character go through what you're going through, gritty details and all. YMMV (can we bring that back btw?) and it depends on execution. There's a lot of ways it could go wrong, but seeing as it just lives as a hypothetical rn, I think there's also a lot of ways it could go. I mean, not right, it's a downer story beat for Jason but it's mostly meant to be interesting and a vehicle for more stories as Jason navigates it, ya know?
Anyway, I have a lot of spiels littered in my notes app and discord DMs that elaborate on all this (how this could work as act 1 in a broader Jason story where his little operation goes to shit and he has to hit the road (jack) and maybe do some character development for better or worse. I'm a sucker and wanna say better- not squeaky clean better but. Yknow, finding himself to an extent. I recognise I'm a sap and a fool tho. Or how a new outlaws team could factor into either of those eras (since I do like Jason with an outlaws team. It gives him an excuse to exercise his compelling relationships and dynamics with other characters without having to constantly tip-toe around the elephant in the room whenever he's with the batfamily all the time. He just needs a good lineup) but that's all for another time
... though without elaborating on the vision in my head it kind of just sounds like my pitch is "Jason gets addicted to his hyper-anxiety medication" BUT I SWEAR ITS MORE THAN THAT.
It's like. If Jason has struggled as a character (and this is very subjective on my part so feel free to disagree) because he has compelling relationships with all of the batfamily, but also has compelling grey morality that makes it hard to capitalize on those relationships, without the conflict always coming to "Jason stop killing!" "Nuh uh!" OR just being ignored, and the main way writers have addressed this is via reboots instead of arcs...
Then giving Jason and the bats:
real, legitimate and fresh reason for jay to be mad at Bruce (taking their relationship of love with very little understanding to it's most dramatic conclusion)
give the family a real reason to want to bring him back into the fold (feel bad about the lobotomy and it would be pretty immoral to let Jason waste away slowly and painfully because of something Bruce did)
capitalize on all the ways Jason is sympathetic (bc the addiction is a natural lead into his backstory, which is one of his most sympathetic elements)
And the ways in which he's very out of step with the bats post-resurrection (I'd be mad asf too if i came back to life just for my dad to a) not avenge me and b) LOBOTOMIZE ME meanwhile the cunt ass clown giving me my meds is just lurking out there).
Idk it's not a sophisticated pitch as of this moment but I think a real chef (writer) could cook something w/ this
10 notes
·
View notes
man I dated once asked "why do you think about being a woman so much?" as in why do I constantly think about sexism. I mean, I don't know. it's not like I want to be reminded. I've told men, specifically, at the beginning of relationships, I don't like to be reminded I'm a woman. and they're always sort of confused but still kind of get what I mean. like I don't want to be treated as delicate and demure. but somehow it always comes back into the equation. men want to dominate me in bed, hold me down, call me good girl. I tell a man who unprompted calls me daddy's girl in bed that it's a major turn-off for me; he still says it from time to time. we break up. this man had told me he's enlightened in feminist terms; he grew up with sisters yadda yadda. I doubted it from the get-go, but remained optimistic. a man I dated tells me he likes skinny women (like me). I have a little bit of a babyface. people often mistake me for someone younger. he insists that this is not part of the appeal, while being 7 years my senior. "how old did you think I was when you started hitting on me?" I ask him. he doesn't have an answer. why do you think about being a woman, and I'm trying to shop for clothes but struggle to find a shirt that's not too low-cut or too sheer. my brother complains during a family dinner that women's soccer is too boring. I look up scenes for the movie "into the wild" because my parents are watching it. there's a scene where the main character refuses a girl's advances because she's 16. most men in the comments are calling him stupid; saying they would have had sex with her anyway. I like em skinny like that, a man says. a shame kristen stewart had to go gay and shave her head. what a waste. we're only valuable if we cater to men's pleasure, I suppose.
why do you think about being a woman so much? a man cooks dinner for us at his place and says, you know, I'm not the kind of man who wants women to cook dinner for him all the time, and I say, congrats on having moved beyond the 19-fuckin-50s. we break up. I make a mental note to start lifting, become muscular. cut my hair really short. I like my long hair, though. and yet I can only think of how men like it. how cutting it would free me of so many unwanted sexual advances. I think of men pulling women's hair in porn; men trying to replicate that in their sex lives. men replicating a lot of things they see in porn. porn being overarchingly violent and degrading towards women, and what that means for women's sex lives. how come you think about being a woman all the time, as men stare at me on the street and in bars. a man I date tells me, every man in the bar was looking at you. undressing you with their eyes, as if it's supposed to be a compliment, and clearly more to stroke his own ego. I tell him this makes me uncomfortable, and he shrugs and says sorry, but it's true. I wonder why he is so comfortable reminding me that to most men I'm an object, delights in it even. why do you think about being a woman so much? I think of telling men that I'm kind of not entirely a woman, but this means jack shit to them, who are happy as long as I look the part. anyway I think I'm gonna stop dating men for awhile
6 notes
·
View notes