#because i have so many fucking books to read

[shinkei-shinto]

Let's see if I can add MORE confusion in with my previous close reading of every single book in the series so that I could write my own Redwall novel!*

I see that you OP have heard of The Cookbook but for everybeast else: there's a cookbook! Most of the recipes are extremely simplistic but we'll get to why I think that is in a second.

WRT dairy: they make mention of "greensap milk" and I don't think any of their cheese comes without nuts. In ahhhh the one with the badger and his hawk, they talk more deeply about how cheeses are made (after you have the cheese) including wrapping them in nettles. So I Guess So since it apparently acts Just Like Dairy Cheese.

Yes! We are! Society doesn't exist yet! If you look at the books in chronological order, they move from using spears and sharpened stakes to swords and daggers and simple bows, and - in the last couple of books - crossbows. There's only one smithy and it's made in a dormant/dead volcano. They're literally just not that advanced at this point (although who knows where this would have gone if Jacques had been able to continue!) In earlier books, he refers to various tribes of species all living together in groups, such as squirrels in bands of trees, or the molehill of the Longladle family. Actually circling back to this there *is* one society that sort of rises up as a "city" -- in the Rogue Crew. There's a group of peaceable beasts who all live (mixed!) together in an enclosed sort of fort. It's one of the only other mixed-species places that exist, besides the Abbey and technically Salamandastron. (does Martin's temporary home have other species? I can't remember.) So this is also why I think recipes are a little simplistic. While they have so many vegetables (and don't UTILIZE THEM why are potatoes ONLY USED IN DEEPER'N'EVER PIE!? HUH??!) I think we're given to assume those are local and grown in their own ground, and they don't. have. spices/trade/etc yet.

*I* think the only idea of 'currency' is 'the currency of goodbeasts to do slave labor'. I think this one I would lean more heavily into "he was telling these stories to children" as an excuse; kids don't want to hear about money and capitalism they want to hear about pirates and heroes. But I also find this aspect of society confusing so I was mostly glad we didn't have to deal with money.

There's a bread dimension. That's my only excuse. As far as we know, the Abbey is very large - the front gates are tall enough to admit a full sized ship on wheels (a casualty of one mast) which is able to roll fully into the Abbey, hit a tree, and stop, without ever coming within weapons range of the front doors. We know there are lawns on either side of this path, a graveyard, a small-to-medium-sized spring-fed-lake, and a generous orchard. I assume Jacques was modeling this after abbeys in Europe/England, which I don't know jack and shit about, but that they did live there year round. shrug? I will note that there is a scene in a book (no I don't remember which one) where a gardener explains to a peer that 'we don't plant or harvest it all at once because then we'd have a bumper crop of parsley and what use is that? by planting some seedlings now, some later, we will have parsley throughout the season instead' so he was thinking about it, at least, even if it doesn't quite work out to reality terms. but there's just a fucking bread dimension, there just has to be, there's not enough room to grow the plants needed nor mills to grind them nor processing or ever making or even mention of flour. I GUESS we could talk about nutflour and other flour-like-flowers which the mice would have access to but BREAD DIMENSION. This was my one concession in my writing, I gave myself an out here because it drove me NUTS.

I don't think Jacques ever thought about this. We get ONE instance of a mouse adopting a. rat? what the hell is he. I think he wasn't the same species, I don't remember that one well, but there's him and Tagg, and that's "otter adopted by vermin" which isn't quite this either. I think this is probably another "kids story concession" which isn't an answer I like to give but it's the best I've got.

ha! ha! he actually retconned this! if you read Redwall the first book, he makes mention of several species (beaver? horse) which are WIPED FROM EXISTENCE in the rest of the series. There is a cart drawn by a horse which makes it seem like the mice and rats are living in a world with humans & human-sized equipment but that is RETCONNED. I do think the trees vary in size because we have various scenes of "two maidens bound hand-to-hand around a tree to keep them confined for the night" and "tied all [4-6?] of the vermin together with their belts, around a tree" in various locations in Mossflower and its environs. I don't? think? we ever hear of trees large enough to be giants to mice like they would in our reality. an addendum to this: I have never bloody been able to figure out the size of the fish. shrimps are the size of shrimp to us because otters eventually 'Skipper popped one in his mouth' in the kitchens which gives us an idea of how large they are to otters, at least. but fish??? ha. HA! we have the feast-day fish catching where multiple beasts are needed to reel in a huge trout or carp. we have pike, which are enormous man-eaters (mice-eaters?) but can also be beat to shit by a big otter and his rudder (Lord Brocktree iirc) and there is one kept as a tame uh, "pet", by an otter tribe. there is ALSO the wolf question. Gods know I don't remember which one this is but there's a book where a ... big fox? i think he is? is up far north, and he finds a dead wolf? and takes its skull and pelt and puts knives in for the claws? or some such. so we DO have extra-large-predators like wolves and wolverine, but then when we get. to the wildcats. oh the wildcats. they drive me NUTS. by rights they should be as big as badgers? when Martin fights Verdauga it feels like Martin is half the size of the cat? but then in every other way the cats seem to be as big as otters! or hares! uugghhh. BIRDS TOO birds are WILDLY inconsistent in size, I don't know how a mouse helps an osprey re-set his wing nor how a mousebabe rides on a flying eagle's head without disappearing.

do I have any burning questions still. hmm. OH I want to know what they make! their clothing! out of!!! WHAT IS IT. I also want answers about the far west, the scorpion??? and lizards??? as well as what the other side of the continent towards the east looks like, because in Martin's history we get to visit that coast AND we learn of several locations (TM) like Noonvale, which are never referred to again.

which BLOWS MY MIND because he made Brockhall + Castle Kotir literally affect the landscape temporally throughout his books. Brockhall is discovered and rediscovered and lost again and again, and Kotir eventually rises from the dead to menace the Abbey wall because fucking Germaine built a wall over the top of it when it sank into a mire. MA'AM. Even when we get to Doomwyte, the cavern they are in is a cavern mentioned in earlier texts! this is not our first interaction with the deep deep fissure in the earth that emits green gas!!!

oh and The Tapestry. I have so many questions about the tapestry. canonically the image of Martin was sewn by his (mother? wife? someone) and preserved through many things to eventually be set as the 'cornerstone' for the tapestry. And it "depicts vermin fleeing from him in all directions" and his "calm easy face" which seems to smile at Redwallers etc etc. but then. the SWORD. sometimes it it set next to the tapestry which to me makes sense; held vertically along the side it is accessible to many but not to babes. I don't think it is ever placed below the tapestry. but it IS placed ABOVE and there is a part where a goodbeast does acrobatic parkour to SNATCH IT FROM THE NAILS and I want to know HOW??? how big is the tapestry. how did you get that. is it landscape or portrait. what. WHAT. also where did the shield go! where did the sheath go! those were so important aaagaggghhhhhh.

Okay that's it I think I'm done. I hope any of this was useful or amusing, or better yet caused more chaos and questions 👍

^* I did in fact write most of this, 50k/100k words over two NaNos, but I could never get anyone to fucking read it or give me any feedback, despite handing out the first fifteen chapters to like seven people, so I lost steam. So if you're reading this and going "wow! I sure would like to read even more Redwall content and I would LOVE to get into in-depth discussions of shit in a fanbook, this sounds like a great way to build community," HI PICK ME.

hobbies include: close reading the Redwall series to answer my most burning questions. such as:

- can I replicate any of these delicious-sounding foodstuffs and would they in fact be delicious if I was able to

- corollary to the above: are we just supposed to read “oat cream” and “nut cheese” every time we see the words “cream” and “cheese”? I think so. bc if not, what tha hell are their livestock animals

- what is Society like? I don’t think we ever see a Mouse City or even Mouse Town though we do see castles and obviously an abbey. are we supposed to believe that most creatures are either in wandering bands or these societies based around a single structure (castle/abbey?)

- they appear to have an idea of what currency is (the bad guys always want treasure — maybe just to have, not to sell? but less ambiguous is some dialogue I just read, “acorn for your thoughts?” “you can have them for free”) but again, we never see anyone using money or making goods for the market. is this after the fall of Mouse Capitalism? are the bad guys (the idea of rat pirates gives me a headache, vis a vis the political/economic systems needed to power piracy) raiding preindustrial mouse societies for treasure/meat?

- corollary to the above: the abbey creatures have oats and wheat but we don’t see anybody farming or trading for farm goods on a large enough scale. is the abbey “orchard” really a like an indigenous forest farm of mixed foodstuffs? is that possible if you live in the same place the whole year or only if you travel each season? I have to do some googling

- both the lack of mixed-species families and the idea of mixed-species families give me a headache. has a squirrel never fallen for a handsome otter? what is the culture shock like if you marry into a subterranean mole family?

- this is the least “important” question but this read through I’ve been desperately trying to figure out What Size Everything Else Is. i’ve come to the conclusion that everything other than animals are at mouse scale, given that they can make seaworthy vessels their own size (a mouse sized vessel with real-world-sized waves seems impossible) and pick and eat apples and plums. but so far it seems like they’ve avoided mentioning how tall trees are — like a person compared to a tree or a mouse compared to a tree?

[centrally-unplanned]

I really enjoyed this video by Angela Collier as someone who is of the "Feynman Bros" generation without being a member of the thing itself. I was of course part of the "XKCD science nerd culture" of the 2000's where he was a valorized figure, but never read any of his books, and generally just wasn't a science person in general so the whole vibe didn't appeal. I certainly noticed the 2010's culture shift where people - rightly so in my opinion - noticed that many of his "anecdotes" were casually misogynistic or harassing. I know both sides of the track here decently well without having any stake in it.

So it was quite shocking to me to learn - spoilers - that Feynman never wrote a single book. Every one of those texts with his name splashed on it is by someone else, and sometimes with quite minimal involvement by him! He had this weird coterie of fans who just loved his stuff so much they collected his anecdotes, recorded lectures, and so on, and made books out of them, often well after the fact. And of course at certain point "cashing in" on the brand took over.

Which leads, inexorably, to the fact that it is a little difficult to glimpse the "real" Feynman, because half of the published stuff is just made up. Surely You're Joking is the exaggerated stories of a 50 year old man trying to impress a 20-something dude with how cool he is, telling tales decades after they happened. I had never read the book, so hearing direct quotes from it of Feynman "pretending to speak a language he didn't and being So Clever he tricked his audience" are just...obviously not true? What the fuck are you talking about??? The best part for me is that the book, of stories from the life of a physicist, never involves...other physicists. It is always random people at a bar or hotel. Because, you know, they can't contradict them? The one time he did name someone, Murray Gell-Mann, in a story, Murray objected on the grounds that it was false and they were forced to change it! You had one job and you fucked it up, person-who-isn't -Feynman-pretending-to-be-Feynman-while-writing-the-book.

This is very much a video in my wheelhouse of cultural history - Feynman is just a guy. His brand, like all brands, is manufactured, and so there is a story behind how it was manufactured & why. I think I can see Feynman's rise as part of the general rise of "nerd culture" that accelerated in the 1980's, and the very deep need to both be "pure" nerdy (something finally dropped in the late 2000's) but also cool, to fight back on the rep. A womanizing scientist deeply appealed at that time, one who can Have It All. The idea of being the Smartest Guy In The Room was admirable, not insufferable. Then times changed, and the whole edifice can be a bit cringe. With, of course, a real person behind it all that one has to sift through to see.

Also, you do sometimes look at the past and go "man, people really did act differently back then". And that is true! But part of that story is that people just felt way more comfortable bullshitting you about it. Makes it a bit hard to say how things really were.

[oacest]

Hi I would like to delve deeper into the oasis lore and was wondering if you have any book recs ?

I read that the supersonic book (containing all the interviews from the doc) is quiet extensive, and obvi from the sources themselves, but maybe you have other Recs that you found interesting?

we were delighted to get this ask, bc yes yes YES we DO have loads of opinions on the oasis books! Be aware that most of these cover sort of the same time period (my spirit mourns for an in-depth book dealing with the mid-to-late aughts). Presumably every publishing house in the UK circa 1996 was offering book deals to randos if they heard the name "Oasis", but these are the best ones (there are, if you can believe it, many more):

The Supersonic interviews are a definite rec -- they're exhaustive, cover way more than the doc suggests, and feature a lot more voices too. The editing job is astounding. Definitely be aware while reading that the interviews were conducted in 2015; with Oasis especially, facts and feelings change depending on time, mood, the wind, whether one is hungover, etc

Brothers from childhood to Oasis by Paul Gallagher. If one never reads any other book on Oasis, they should read this. In fact, no one is permitted to have an opinion on Noel or Liam without having read it. Paul has his blindspots, as one would expect with any sibling, but he also ofc knows his brothers and what makes them tick in a way no one else on the planet does, so!

Oasis: what's the story? by Ian Robertson. This one is somewhat controversial; the author was a bodyguard/security coordinator for Oasis and people understandably have opinions on that. Imo he's a good enough writer that he has a very clear authorial voice and perspective, which makes any worry about being fed lies moot so long as one has a brain. I appreciate he also takes some artistic risks in this book. Also, regardless of his flaws as a man or employee lol, he has a keen, at times painfully empathetic read on Liam specifically. iirc he was the only person who wrote about Oasis in those early years who had a front row seat to Liam's voice/throat problems, which lends a somewhat Cassandraic air to the whole book.......

Getting high: the adventures of Oasis by Paolo Hewitt. Oh, Paolo. What can we say. You have to read this one because it covers so much ground, just be aware it's badly written and the author is quite biased towards Noel. (I say this as a Noelist myself)

Was There Then: A Photographic Journey by Jill Furmanovsky. This is a photography book (and a fucking beautiful one) but it also has a TON of text background. Critically, it offers a perspective on the band/brothers missing from all the rest in this list -- that is, the view and impressions of two women who worked closely with the band (Jill herself and Daniela Soave, a music journalist)

Oasis, definitely by Tim Abbot. This one had a lot of personality and abbot was a creation guy so he knew the band pretty well.

Take Me There: Oasis' Story by Paul Mathur. Mathur was a Melody Maker journalist who followed them around in the early years. He had a pretty fair take on them.

The Truth: my life as Oasis's drummer by Tony McCarroll. So, obviously Tony hates Noel, like. A lot. You have to approach this book like you're giving a hostile witness a cross examination lol but THAT SAID, he does cover stuff missing from other books like pre-deal Oasis.

[vintagepresley]

I’m almost done with it. I’ll be honest.. I only read this book because Cooper Koch loves this book and way how beautiful it is and he may be playing Jude if they actually decide to make a movie about it which I heard is possibly happening. So I’m like hmmm he keeps talking about this book and the cover caught my eye. I did a little research on it and saw a lot… ALOT of people hated it. But I just took that as people on TikTok being dramatic as always.

This book is so traumatic, tragic, painful, sad and had my emotions everywhere. I’ve never cried so much reading a book. Then I decided to see what everyone thought of it on TikTok and just doing research. I’m seeing everyone call it trauma porn and all these other things. I’ll be honest. Would I classify this book as beautiful? No. Do I understand why people describe it that way? Definitely. But it’s not beautiful to me. It’s just heartbreaking. It’s a wonderfully written book and the story and how it’s told is phenomenal. But it’s so tragic that I can’t define it as beautiful. I haven’t been able to stop thinking about it or the characters. Thinking about it makes me cry.

But I don’t hate it? I think the reason why is because there are so many people out there going through what Jude had experienced and what he was experiencing with the aftermath of those things in his adulthood. Now I’m not saying these exact scenarios are happening to people. But these things do happen. The child prostitution, the child sexual abuse, physical abuse. Rape. How people deal with it, I feel sometimes is similar to how Jude was dealing with it. Refusing to see a therapist, the cutting, thinking he’s not good enough or doesn’t deserve love because he thinks he’s disgusting or that people think he is. Not being able to open up because of the fear of people seeing you differently. His difficulties with sex and his relationships with the people around him. All of that I think is what made me emotional because all I could think about is the people out there who are or who have been through this. Then myself being a victim of sexual abuse.

I think that’s what made it hard for me to hate it. Because once I saw everyone hating it.. I’m like why? This is stuff that’s happening to people. Stuff that people are dealing with and we don’t even know it because some people are afraid to talk about it. But that doesn’t mean I don’t understand why people DO hate it. It’s fucking wild to write as a book. Like who the fuck thinks of shit like this??? I also don’t agree with the authors opinions about how someone as traumatized as Jude should kill themselves and how she doesn’t really believe in therapy. That I think is the most ridiculous thing I heard. Therapy works if you allow it to work and you allow yourself to be open and vulnerable. Suicide doesn’t need to be the answer and a lot of times therapy has saved someone’s life. So the author I don’t really like. Cause girl what… I also don’t agree with this becoming a movie. No one wants to see this on film, it’s hard enough reading about it. I love Cooper Koch and I think he’d make a great Jude especially after seeing him as Erik Menendez. But I don’t want a movie about this book. WE DONT NEED THAT.

[deesseshesca]

PAC : Am I the only 'main character' they’re vibing with ? (18+)

Honestly ... idk.

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Pile 1

They are flamboyant individual . Babe they are not playing with you. They are not taking ‘’no’’ as an answer. Yes, they have a lot of options but all they see is you. You have no idea how tunnel vision they are about you. Is borderline obsessive.  Now the question is are they going to keep that energy when they have you ?

Am I the only 'main character' they’re vibing with ?

Yes. 

What’s the potential for drama vs. chill in this connection?

Drama 

Run. I know that type too well. They are going to do everything right until… they know they bag you. The fact that you are untouchable is actually what’s making them crazy. I feel like that person has a lot of experience. They fucked with a lot of people from all age range. Then there’s you. Mission impossible. I feel like y’all have a good relationship with dad, if not your dad card gets swiped. Y’all may have nobody in your DM. Nobody ever came your way to deal with you. You are sitting down looking at yourself  knowing you are not the problem. Face cards never decline, body is tea, nails stay done, you do your own hair. Especially the one that is dying their hair after a mental breakdown. You slay each color each time. It doesn't matter if you start the process at 2 am on a whim. You also do your own lashes or is a lash tech. Y’all also may be bald. Or you know  damn well that pussy is the goat. Even if you are a virgin. You know your cookie would have these man hooks like is coke. The second that someone is going to have a taste of it … they are going to lose their mind. You, them and I know you were never the problem. That’s why people keep saying they are intimidated by you because you look like you won’t take bullshit, you have your own motion and your money is long … so what’s up. Their dick in their pants … girl ! Anyway the only reason they want you is to prove to their lame friend group that they got an insane game. They are going to cheat on you, play in your face and make you feel so bad whenever you would want to discuss your feelings. You are too pretty for that mess … NEXT, THANK YOU !

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PILE 2

Am I the only 'main character' they’re vibing with ?

Yes.

What’s the potential for drama vs. chill in this connection?

Drama.

Is giving baby mama/daddy drama. The person you are dealing with is in love with you. They care for you, they show in  multiple ways. They keep texting you throughout the day. Always checking on you and the baby. Go to every appointment and even make sure you have more than enough money for the baby. They don’t just cover for the diapers, school books or clothes. They are paying for your hair, nails, clothes, food, and trip. Ask and they trick. They also like to spend time with you on a date without the kid. They love coming home and cuddling with you in front of a movie or one of your reality tv shows. They love touching you and making love to you. I feel like you want more. You want to be nastier. You want a pile 3 experience.  Your partner can’t see you under that light. Something about you being the mother of their kids now so everything changes. Back then y'all used to get down. You were doing splits on the dick, you were riding from the side, you were vocal because the speed they used to go was animalistic. The issue is he would give you  his left kidney but can’t be faithful for nothing. Not even God can come and ask that from him. They are out here clubbing and you are waking up lonely with a ‘’hey girly’’ text. You lost count of how many ‘’hey girly’’ texts you had. You stay with them because they are so loving and treat you like a princess. They are an amazing parent and you guys are a good team together but the cheating is insane. 

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PILE 3

Am I the only 'main character' they’re vibing with ?

No. 

What’s the potential for drama vs. chill in this connection?

Chill.

You know they are not only dealing with you and you don’t give a fuck. You are only there for the dick/pussy. They way they fuck is too good. You: I know ! Just  an insider; your boo thing is also dealing with his girl bff (yes… is time to have a gc meeting). Anyway you try all your sexual fantasies with them. Y’all love to use toys. He also buys you lingerie for some he also buys your weed or edibles. They will do what’s necessary to be in that wap and they quickly understand that you get nicer when you have a gift in your hand. They love to have their dick/strap come in and out of you. They love to have their fingers in your hole. Them: Is tight. Me: .. Sir/Miss please can I finish this reading in peace? You are the best they ever had. They love your face when you orgasm, they love to keep their face close to yours. They love swallowing your moans and kissing you. They love any position where they can hold you close. On the other hand, you prefer riding them, doing splits, teasing, giggling. You just like to feel and look like a pornstar that’s it. Y’all may film your experience and you act like is your personal Onlyfan. Ok Pile 2 gets nasty with it. Last insider: they would cuff you if you looked and acted like their bff because they are in love with your punani. I don’t even think you ever consider being with them. Just letting you know. So you don’t get dickmitize. 

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PILE 4 

Am I the only 'main character' they’re vibing with ?

Yes. 

What’s the potential for drama vs. chill in this connection?

Drama.

Pile 4 not y’all being the drama. Nah, zion do it, zion, zion. Out here looking around. Give your 4 walls a break and focus on me. (Not me rizzing up on the ipod (plz tell me you got that niche reference … anyway)). Your person is going through it. First you guys are recently single and you were in a confusing/toxic relationship. They were out here judging your body all the damn time. Telling you were too fat or saying they could not last long in bed because you were not pretty enough. Whole time they look like a drawing inspired by someone's drunk memory. The worst is y’all are gorgeous and you big tits are always sitting pretty. You have an hourglass figure and it is not about being slim or thick. Is about having a proportionate silhouette. Hair goals :  long and healthy have never been dyed. Y’all may have lip filler and is because of your ex but I think y’all recently took the filler out. Side note, y’all may look tall in your picture but you are actually very short.  Anyway your older brother bff is doing their best to keep their hands to themself. They have been crushing on you forever and everyone knows it except the brother and you. Like even the parents can sense a vibe. You love teasing them, maybe you guys started texting like y’all use too and there’s a lot of sexual double meaning. A lot of sexual tension between y'all. They are calling you little names and they claim they care for you. Have real feelings but you won’t allow yourself to fall for it. Because of your past and the fact that this is your brother bff… hello ! Stop giving them the fuck me eyes in family  settings. They already told you that but babe frl. Because next time they will pin you to a wall… I'm not joking. Relationship or not. You guys lowkey sext each other and you are always the instigator. You:want to see my new bras. Since they can’t resist … they expect just a picture of underwear nah is my girl milker in a beautiful colorful lace. Bye ! When they are drunk they love to text you and call you to sing their love to you . Everytime the next morning they come back nervous, hoping they did not  scare you off. Anyway Pile 4, I’m not the one to advocate for man peace but please put that man out of his misery. 

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[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[hikaruchen]

Reading this blog and procrastinating what I should’ve been doing at the moment, but it’s super helpful if you want to know more about the Anglo-Saxon and Viking material culture but don’t want to be bored to hell. All articles are done by an archaeologist specializing in mortuary archaeology, and he has already written several ones about burials and pagan practices during that time through the lens of The Last Kingdom. I’ve linked one of his posts before on ao3 when discussing about the historical accuracy of Alfred’s tomb effigy in the show under the pic Prayer from the Pagan, but didn’t really had the time to check others out. I just did it and find his other articles are actually super interesting to read as well.

For instance, back when I post this pic in January I said the colour palette was inspired by the Alfred jewel, but I completely forgot that it actually appeared in the show (2x04) where Alfred handed it to Æthelwold and said “Take this. It is a symbol of my kingship. Bear it with authority.”, which might be partially true but is hilarious if you give it another thought.

Because, why, in God’s name, would Alfred hand an ARTEFACT version of the piece he commissioned himself to his nephew? As Prof. Williams already stated (in this post), the Alfred jewel has long been assumed to be the handle part of a pointer stick for following words when reading a book, and if you look at the artefact itself it is quite clear that there’s a part that’s been missing as well. The reason why scholars think it has something to do with Alfred is because:

1) It’s written. The text on the frame literally says that “ÆLFRED MEC HEHT GEWYRCAN”, which means “Alfred ordered me made”. The more detailed explanation below (with the help of beloved wikitionary since I don’t understand Old English at all)

ÆLFRED (subject) Alfred, obviously MEC (object) me; accusative of iċ (I), but in the West Saxon dialect it’s actually an uncommon version of iċ’s accusative and is more often seen in the Anglian dialect. The frequently-used version for West Saxons is mē HEHT (verb) ordered; third-singular past tense for hātan (to call; to order etc.), often followed with infinitive verbs, cognate with heißen in German GEWYRCAN (verb) to make; I honestly don’t know if “to make” and “to be made” is just the same word in OE help And since the word order in OE is random as hell thanks to the case system (much like German which I eventually gave up learning because I don’t have a brain big enough for that. IT MAKES NO SENSE TO A NATIVE MANDARIN SPEAKER THANK YOU), it is eventually translated into “Alfred ordered me to be made”.

2) It was discovered in Somerset and has been dated to the late 9th century, and we all know what Somerset meant to Alfred

3) Alfred did say he would send a copy of his translation of Gregory the Great’s Pastoral Care to every episcopal see in his kingdom in the preface to it, with the book accompanied “an æstel of 50 mancuses”. Mancus was a term to denote a gold coin or a unit for coins worth about a month’s wage for a skilled worker, such as a craftsman or a soldier. Whatever that æstel is it must be worth hell LOTS of money

But honestly while I do think this interpretation sounds very much plausible I’m thinking about other possibilities as well - how many Alfreds exactly existed during his time? We know that Æthel in OE means noble, so people bearing this prefix in their names were usually royal members or at least aristocrats, but what about Alfred? Was Alfred a popular name? Or was it unique enough that he could just go by this name without mentioning his title at all? Imagine if it were an Æthelred who made this, who the hell would know which one of these it was referring to, Æthelred the King, Æthelred the Ealdorman, Æthelred Ealhswith’s father, or even Æthelred the fucking Archbishop??? And yeah, I know Alfred was the king ™ here and there isn’t really much space left on the frame after all, but surely it wouldn’t cost a bone to add a cyning behind his name, right?

Sadly, as it was in the pre-Domesday-Book era, I can’t find the statistics of Anglo-Saxon names at that time (but keep in mind that there were at least 19 Alfreds worthy enough to be mentioned in Domesday Book even after the conquest. I don’t know if this says anything at all but I do want to mention it) What I’m trying to say is while it is highly highly highly likely (and I do believe and want to believe in this theory!), we cannot be one hundred percent certain that this jewel was really from the Alfred we’re talking about. And even if it was, it apparently wouldn’t be carried around by Alfred like THAT. Because that would be like, “Bear this with authority! Even though the symbol of my kingship is broken!”, said Alfred to a king wannabe. Lol.

The other thing I want to mention is this post about the show’s use of Fuller brooch, the one Alfred wore in S2 when he was in his war gear.

First of all, it is indeed dated to late 9th century and is assumed by scholars to be made by metalworkers of Alfred’s court. Everything is fine except I don’t think you would want to wear jewelry that luxurious to war…but then there’s this thing:

MEET GIANT FULLERS!

Well, can’t blame them since I am basically doing the same thing with my drawings (i.e. using patterns on jewelry and illustrations from manuscripts for embroidery design). But it’s worth noting that designs that are suitable for one art form doesn’t mean they can be applied to another well, and that’s why I claim my art is inspired by Anglo-Saxon art but NOT historical accurate for the Anglo-Saxon period. The reason I still do this and think it is understandable for TLK crew to do so is because we simply don’t have that many resources to reference from when it comes to this time period, and fabrics and wooden buildings are just extremely hard to preserve by nature. Instead of screwing up the design on your own, it just has more fun to add real historical elements into your work. Look at those easter eggs!

Ok, that’s it. I hope you enjoy my long rant and have a good read from Prof. Williams’s works!

[avoicebehindthestars]

Why 90 minutes are not enough

As a hyperfixated fan, I will never believe 90 minutes will do Good Omens 3 justice.

The Second Coming storyline was intended as something of similar complexity to the Armageddon - and that took 5 hour-long episodes to tell. People who claim that many good films only take 90 minutes should consider that those production were always intended to last 90 minutes - that's the way they were plotted. Frankly, I can't think of a single satisfactory book-to-screen adaptation that would fit into this time restriction. Other STP books adaptations (Colour of Magic, Hogfather, Going Postal) are over 3hr long each. Stardust is over 2hr, and has a much simpler plot.

Added to that is the entire Aziracrow storyline that - let's be fair - is the main thing we all want to see done well. I'm afraid I'm not in the "just kiss and fuck off to South Downs" camp. That ending never held much meaning for me, because we all know how it ends. What I cared for was the path there - healing the heartbreak, becoming an "us". A simple apology dance, or "whatever let's just stop the world from ending" won't cut it. They're lovestory has so far been told through the fluffy, casual, seemingly unimportant details. The kiss isn't evidence of their love. It's the "don't go unscrewing the cap", "three tones of voice", "our car/our bookshop", it's the way Aziraphale's hand remains upright when Crowley's almost wraps over it, or how Crowley gives up the whole argument the moment he learns Aziraphale might be in danger. And through the flashbacks and minisodes now almost certainly lost.

And then there's the whole intellectual side of Good Omens. The show is often praised for being a wonderful queer representation, but not enough is said about it being autistic representation. Most ethereal and occult characters on GO are autistic-coded, but contrary to such productions as House MD, Sherlock, or Atypical, the plot doesn't revolve around them being ND. Instead, we, the neurodivergent recognise ourselves in tiny details - when Shax suddenly asks about hot water, when Muriel doesn't realise the Metatron has just offended them. But that isn't all. We, the ND people are drawn to the whole meta side of the show. The tarot card parallels, the mirror structure, the bloody camera filters! We are treated while being represented - this show is about us and for us. Have you read any of the mindblowing metas on tumblr…? Many people say that Good Omens is full of fillers that are easily omitted, but those parts are simply the ones whose significance the less invested audience didn't recognise.

Nothing of that will be left in 90 minutes. It can be a pleasant experience, an entertaining narrative of stopping the end of the world with, hopefully, a few sweet moments stolen away by Aziraphale and Crowley. And that's all. No nuance or riddles to be tracked over the next years, no grandeur of an epic story told with patience and no compromise. No narrative legacy to leave a mark in contemporary storytelling, the way season 1 did. No satisfying return on everything season 2 discreetly hinted (and how ridiculous that what was basically a backdoor prologue to the final arc will now be 3 times longer than the story itself!). And, above all, no carefully planned and slowly delivered healing.

Just. A 1.5h fantasy comedy to consume on a winter evening before moving on when they're gone forever.

[mixupmycota]

I think also though like most things with this fucking guy it's got a flipside to it because he's never just one thing as much as he wants too be

I think he's genuinely lonely. I think, while it's still more about him than Cole, he does have genuine concern that if Cole stays in the state he is when it gets to the breaking point, he will be exploited, bound, and similarly achingly lonely - outcast to both spirit and mortal. Something something metaphor for neurodivergence in a writing team that has a lot of neurodiverse voices and in a franchise that is obsessed with masks and masking, literal and otherwise, and that keeps building in lore around the exploitation and abuse of neurodiverse populations, including and especially in institutionalized settings.

Thinking about how the original mortal Cole, in one banter, is revealed to have been made Tranquil and the hell he went through while in one such setting. I think Solas genuinely worries about that being Cole's fate! There is compassion in Solas, there is tenderness in him, but he is very selective where he allows it to show and he does like fifteen cognitive backflips to avoid extending it to himself, which further entrenches his patterns of self-isolation and reinforces that he IS alone, that he WILL die alone, that nobody can truly relate to him.

Which I think is a reason he wipes Cole's memories. Per the wiki:

"(Solas speaking through Cole) I'm sorry, Cole, but with your gift, I fear you might see the path that I must now walk in solitude forever. This fate is mine alone. Indeed, I would not wish it on an enemy, much less someone that I once cared for. Though you reach out in compassion, I must now insist that you forget. (Cole now speaks) I'm... what were we talking about? I'm ready to help people when you are."

Triggered when approaching Cole at Skyhold after the end of the game."

I think this also is not about Cole, not really, not totally. I believe he believes what he is saying here, his own justification for taking Cole's memory away. But he can't imagine another path that Cole might take. He can only operate on the assumption that Cole will follow in his footsteps.

"that i once cared for"

This guy is doing his best to sever his earthly and otherwise attachments as much as possible so he can remain in his state of cultivated solitude, which he hates, that makes him miserable, that he is TERRIFIED of because if anyone walks with him it might happen again. He might falter, and consider changing his mind. The allure of setting down the burden he has taken on, of just living as himself, is overwhelming and horrifyingly terrible to him, I think.

His gift for snatching defeat from the jaws of victory on this is truly impressive. I am shaking him back and forth while he's all limp at maximum speed, because unlike many people in Thedas, Solas has people actively reaching for him. Actively trying to help him.

He is alone because he decides to be. He decides to be because he feels like it's dangerous if he isn't. It's dangerous if he isn't, because it would mean he isn't alone. If he isn't alone, that means he can stop. If he stops, it was all for nothing.

Which, on that. God sorry for the massive off the cuff post added on here I'm very self-conscious and feel free to ignore me but.

The emotional journey Solas goes through in the like 0.5 seconds after he turns around and sees Varric there before he shuts the fuck down is really compelling to me to think about in the context of all of this, and also in the context of the mythic, cyclic narrative of his own life and trauma and atrocities that the confrontation is re-enacting.

Varric is there. Who calls him Chuckles. Varric, who no matter how Cole's quest goes ultimately, had a major impact on that spirit of Compassion, challenged Cole to consider new ways of thinking.

I think a lot at the moment about how Solas read Varric's books - seemingly repeatedly and somewhat obsessively considering he takes at least one with him in Trespasser.

Cole talks about Varric's writing gathering the attention of spirits, about it making things real. I think about Solas telling Varric that "this story does not end with my downfall."

In saying that it's like he's asserting his own reality again in the same way he seems too in the conversations in Inquisition about Cole. He shuts down the possibility of this being anything other than a confrontation, a threat, when he speaks the words "my downfall".

Referring back to another banter with Cole:

"Cole: How do you make them calm?

Varric: Who, Kid?

Cole: Everyone. You talk and the fear fades, slipping to sleep. Not always happy, but not angry.

Varric: Most people are like cats. They either puff up to look dangerous or they crouch down and hope you don't see them. You show them you're not a victim or threat, and they're in your lap and purring before you know it.

Cole: Cats swat my feet even when no one can see me.

Varric: That explains a lot."

Solas has to do this, because otherwise he knows full well that Varric could have an effect on him, because he's done it before. But he can't permit that, because of all of the above. He literally twists the narrative when he says that, and brings it into alignment with his own belief of how the world should be.

Which is making me think things about the Fade but I won't add that onto this post which is already too much as it is.

SORRY I TALKED SO MUCH I DONT EVEN KNOW IF THIS IS COHERENT but i've been turning all of this over a lot today. Solas is consistently inconsistent in a way I find extremely compelling to chew on.

Does anyone ever think how in Inquisition Solas was probably, to some extent, envious of Cole’s journey from a spirit to a person? Of how that would explain why he was holding so viciously to his approach against Varric’s?

Because Cole wants to be a person. By contrast to Solas, no one begged Cole to leave his spirit nature behind against his own wishes;

Cole didn’t kill/mutilate anyone to gain a corporeal form either. More like he took on and continued a life that had already ended.

Does anyone ever think that Solas is unable to accept that Cole can become a person because that would mean he’d also have to confront the fact that his own actions (him and ‘his people’ gaining a body at the expense of Titans) were unjustifiable anymore?

Because... there could be another way, that’s not his, and because he could be wrong. I bet that would terrify any ancient being who’s been struggling with doing the right thing for centuries.

Or who knows, maybe I’m just rambling. Something, something I think we need to talk more about the implications of Cole becoming a person and Varric’s role in it. That quest certainly lands so differently after Veilguard.

[ecofear]

hi you're The rogue trader mutual to me so if it's not too much work could you tell me a bit about it :) i'm interested in trying it out and i did read the wikipedia article but i would like to hear something less formal

of course no pressure if you don't have time or energy for it

TAKES A DEEP BREATH

let me set up warhammer 40k a little bit.

this is a very rich with lore universe, it is full of things to consume and learn about, every warhammer 40k fan has their favourite things about it, and there's so many sub-communities based on these things. people who love the imperium, tech-priest fans, necron fans, all sorts, all in their little bubbles. it's fascinating! there's also multiple points in history people can fixate on! i know some people who only care about the emperor's sons (known as the primarchs) and the lorea and stories around them!

to give a very tldr rundown... warhammer 40k is a post apocalyptic world, long after humanity had left terra to explore the galaxy.

to start: people started to be born as psychic mutants, and that's how we got the first navigators, which allowed humanity to explore further than ever before, along with the creation of the warp-drive. this is when the imperium was first created. humanity thrived for a long time, but over time, psykers started to be born, think of them as humans who could use a form of magic. unfortunately, psykers are at risk of being possessed by daemons, or opening portals to allow daemons in, which caused the downfall of humanity.

and then, the emperor of humanity, started a great crusade, in simple terms, to save humanity. he formed the pact with mars' tech-priests to use their technology, and created the primarchs (his sons, which are just genetic clones of himself) as well as the space marine legions... thus the imperiums expansion began. and the start of the horus heresy... which is chronicled in like one of the longest book series ever... just consider it the imperium (humanity) waging war after war after war trying to expand and grow and save themselves, and losing, and winning, and dying, and... yeah. eventually this ends but - humanity stagnates, is probably the best way i can put it.

the game rogue trader is theorised to take place around 999.M41. this means it takes place in... warhammer 40,000! the horus heresy takes place in 30,000... but i think it's important just just set up that beginning part. humanity is fucked, lets put it this way. everything that happened has let humanity to be terrified of power. they cling to the emperor, cling to the past they've lost, much of their history, their knowledge, completely gone. but they are so afraid of things getting like they were, of someone gaining so much power like horus had, that they just.. can't allow themselves to advance again. to the point people who think about that or suggest it are called heretics and killed. to say the imperium isn't perfect as it is now is heresy - but without advancement.. humanity is going to die. they have stagnated and eventually they won't be able to continue - but they are so proud, they can't admit it, or see it.

warhammer 40k is a depressing series of watching humanity suffer, and not taking any chances to change it. they just keep trying to expand. to take over planets and systems. to control everything. they see every other alien species are wrong, villainous, antagonists, that must be put down. even pyskers are treated horribly, despite the fact that their own emperor they love so much, is a psyker.

in rogue trader, you play as a character chosen by the emperor to expand into systems much further out than the imperium has, lawless, dangerous... your job is to bring them under heel. to rule, absolutely. while also squabbling with other rogue traders in the same system who also want it - because personal power is just as important. rogue trader is a game where you literally don't deal with money mechanics because you have more wealth than you could possibly know. you have at least 25,000 people living on your ship, some who have never left it, generations of their families born upon your ship, with you as their almighty ruler.

it's a game where you can be the best ruler to your people you can be, either by following the imperium's law absolutely, or by actually doing the right thing - which is against the law, btw. you could even listen to the whispers of chaos in your ear, be a psyker who plays a little too closely to the edge, risking daemons and god knows what else. you are forced to make hard choices. you have weight on your shoulders that risks crushing you. are you going to lead your people to glory? are you going to protect them, and try to save them? are you going to lead them straight into the maw of a god who will consume them whole? rogue trader is a fun roleplaying game. warhammer 40k is a fun roleplaying tabletop game. being lawful good is being just another sheep in the imperium whos going to watch it sail to its death with a salute, being a bad character is actually wanting the best for people - for treating alien races with respect and not killing them on sight, and being evil is like becoming the chosen prophet of a god who wants to ascend you to their right hand like a bride...

and that's before we even consider the absolutely insane dynamics with your companions. your senechal who is so deathly loyal to you he will focus you into the maws of chaos? your psyker diviner who just wants to be loved and appreciated - and how terribly you can twist her in this desire? a sister of battle who finds a sick gratification in killing - but she's killing for her god, so it's completely just, of course. how about a tech-priest who borders on the heretical with such a tight rope that pushing him over the edge is too easy - as if he was already there to begin with? or a space marine - a wolf - who is exactly like what you'd expect a space marine to be. we even have some hidden companions... one of which who is so fascinating to me, a priest, a prophet, a chaos space marine....

and how genuinely interesting the romances are. do you want a classic period drama romance where you woo a noble lady who blushes if you hold her hand and thinks kissing it is too forward? do you want to melt the ice man who has so much trauma and you swear you can fix him? do you wanna seduce a woman by gifting her an entire planet while she broadcasts your sex across your entire ship so all 25,000+ people hear it? do you want to slaughter your own people for sexual gratification and torture your loyal subjects while engaging in bdsm with an alien who can be your dom or your sub but god forbid you try to switch - which also has an ownership branding scene? how about a 'me and you against the world' soulmates type romance with an alien who sees you as a primative beast but your desire to understand her and her people softens her to you - and the furthest this romance can ever go is holding hands within your minds as you meditate together? or how about a death cult assassin whos been slaughtering your enemies who hide upon your ship right under your nose who very much wants to become your right hand like a devoted paladin-assassin of blood and murder?

ok i've typed so much i've made my arms sore but i genuinely could go on if not for this limitation..... i love rogue trader. i love it. i love it so much. i get so sad when i see roleplaying game enjoyers having no interest in picking it up. it's life changing. it's everything. it's a roleplaying game where you are beautifully rewarded for roleplaying. there's so much freedom. it's delicious to be evil, to manipulate and twist people to chaos. its maddening to try and follow the right path and be punished for it. and its gratifying to follow the emperors will.

[huginsmemory]

Said with love of course. Companion post to this.

[booksandpastries]

‼️SPOILER FOR THE SYNDICATOR‼️

This is just a rant because I’m so disappointed but here goes:

Just finished the last book of the series and I’m so disappointed actually. It feels like the author who wrote the first 5 books, especially Morana’s and Tristan’s is completely different from the one who wrote ‘The Syndicator’. I feel like it had unnecessary POVs, the whole syndicate started with Tristan, Morana, Dainn and Lyla, the four POVs would have been enough, with glimpses into the other characters (because their POVs were literally used to fill up the pages). I loved this series and I’m sad I read the last book, not because it’s over but because THIS is going to be my last memory of the world I’ve come to really enjoy.

People are annoyed over more of Lyla and Dainn chapters but I’m annoyed that everyone got more book time than Tristan and Morana (who literally started this off btw). Dainn did all the work with help from Morana and everyone was just existing on the side. Tristan was so out of character as well, I liked he was a bit less guarded after finding his sister, essentially implying his decade long search is over but that kind of wall doesn’t go up immediately, especially when the threat of the syndicate still loomed over them. He just went into the background. He also never noticed Morana’s pain when everyone noticed it, and we know how obsessed and in tune he’s been with her since they were fucking KIDS. How is this the same man who threatened her dad for calling her a whore?? And it’s funny because in the little time we see him in the books, he talks about how he’s so attuned to Morana’s body language but can’t notice her using her right side more or the pain? The lack of (there’s none btw) ‘I love you’ to Morana drove me crazy, especially when we see him say those words to Lyla, so you know he CAN say it, and we KNOW he’s himself the most around Morana. Everyone getting pregnant (Zephyr) was not my favorite bit either. Her dad being a part of the syndicate was so random and not explored, the fifth leader, the master and him being Dainn’s dad was also not explored and he suddenly died at the end too without a nice showdown was soo disappointing especially because throughout his POVs (yes, even he got more book time than Tristan motherfucking Caine) he’s talking about finally having a challenge and then boom, he’s dead. Boom, the book ends.

I have so many more thoughts but I’m just mainly pissed that Runyx did my favorite couple the DIRTIEST.

Just finished reading the darkverse series by Runyx (super late I KNOW!) (right on time for the syndicator, I KNOW!) and I just want to come out and say that I loveeeeee the series. There’s not a single character I hate, and there’s not a couple that’s boring, and can we talk about the female characters?? They’re all soo strong and their communication skills?? Oh my god.

I can sit and rant about how wonderful the series is but there won’t be enough time in the world for it. May only disappointment with the series is that it’s not longer and it’s about to end 💔

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[fluideli123]

Sonadow Fic Rec

Okay, before you jump down to the masterpieces listed below, I just wanted to state this:

These authors have given this phenomenal content for free, baked with time and effort. I have never once ignored this, hence why I try and comment on each and every one of these fics. However, my energy and ability to be verbose differs day to day. Some of these fics I have not given proper comments for, despite this, I will be on it the moment I can be. In the time being, (once I am able to find my comments on each of these fics) I will be sharing my adoration for them further in other posts (and most likely link back to this one).

With that being said, please, PLEASE take your time to check each of these fics out. If they're not your cup of tea? Valid! But hands down I have never dedicated myself to making a fic rec like this until now. But I MUST share and spread these works, they are much too dear to me not to, and I mean that from the bottom of my heart.

(All fics are listed by order saved in my bookmarks, not in the order read)

tangled threads and bite-marked shoulders by @rubyiiiusions

Words: 32,287 | Series | Complete

Shadow hissed in pain. The laser had just grazed him, but it still stung, and he instinctively gripped the wound it left on his arm. “You dare-” He stopped. The laser hadn’t hit him. In fact, it had struck Sonic, right on his lower left arm. So why did his forearm feel like it just got shot? He whipped around, fear climbing up his throat, and he suddenly became hyper-aware of something new. It was like a sixth sense, feeling the confusion that emitted from Sonic’s fur in waves as if it was his own. “What did you do?!” Shadow snarled. or, eggman accidentally soulbinds shadow and sonic, and no one has any idea how to undo it.

Sleepwalking by Tirainy

Words: 22,117 | Complete

'There is a strong arm curled around his torso, the appendage keeping him close to its owner, whose warm breath is ghosting over the back of his neck. Sonic is sure he went to bed alone the previous night, but he isn't worried about the intruder. After all, this isn't the first time this has happened…'

Secret Admirer by @trenchcoat-gecko

Words: 24,313 | Complete

Sonic understood well what it meant to be loved. He was a world-famous hero, after all; his presence never went unnoticed. For the most part, he lavished in that attention, he soaked it in and encouraged it. But not romantic attention. So, when the blue blur found himself falling in love? Well, the prospect was rather daunting, no matter how easy Amy had made it out to be. So maybe, just maybe, he should just take the easy way out...

Rose Drops Series by @magicstormfrostfire

Words: 122,489 | Series | Complete

Love, Intuition, and a little bit of magic ensues as Amy sends Sonic and Shadow on an unforgettable adventure.

Wolfboy by @trenchcoat-gecko

Words: 73,856 | Complete

World-famous monster hunter Shadow the Hedgehog has a job to do. It doesn't take long for the one-shot wonder to realize that this job won't be as simple as he'd expected: a small town, rumors of a lone werewolf, and a handsome, green-eyed, chronically-injured casanova who manages to worm his way into Shadow's heart... What starts off as a simple job turns out to be something much more life-changing.

Blizzard Bedfellows by @magicstormfrostfire

Words: 21,294 | Complete

When a rare blizzard takes over the island, Sonic is on the run to make sure a certain angry loner is safe and sound. Y-you know, because...uh that's what heroes do.

We never met but can we have a cup of coffee or something? by @whitejungle

Words: 3,630 | Complete

It's been almost two months since Sonic lost someone he didn't even know, but he can't stop thinking about it.

Clean Slate by nottheweirdest

Words: 155,880 | Complete | Note: Squeal pending and I am cheering you on author!! Whatever you decide I am excited to support you!!

Shadow has lost himself before. He knows what it's like to straddle the line between reality and false memories, but this time, it’s Sonic whose memory has vanished. A premeditated set of circumstances and an accidental injury leave Sonic with no memory of who he is, his life, or more importantly, his painful history with Shadow. It’s up to Shadow to remind the hero who he is in the midst of a global outbreak. It’s a chance for redemption. It’s a chance to right the wrongs of the past. It’s a clean slate.

say i reckon (i love you, for a millisecond) by @redamancering

Words: 30,205 | Complete

There’s a hand on his shoulder, barely making contact. A red gauntlet glows around the wrist. Sonic blinks, the pain having evaporated so fast he feels almost weightless. “Shadow?” Shadow’s breathing heavily. “Problem.” The retrieval of the ancient tech Shadow (and Sonic, in tow) has been sent to uncover takes a turn for the worst. In this case, the “worst” means… becoming physically and inextricably linked to each other. For the foreseeable future. OR: Metaphysical handcuffs, and general gay buffoonery.

Judge my sins, not my feelings by yellothebeeloved

Words: 228,479 | Complete | Note: Possible one-shots pending from the author for the series, I am here to support you author!! What ever you decide I'm here for it!

Maybe he's not meant to touch. It's the newest excuse he thought of in hopes that he could prolong the game a little more; a careful ruse to enjoy the bittersweet torture of seeing the days pass them by, while he pretends he doesn't seek azure blue whenever he's restless. At first, all he wanted to do was watch: but now the desire to touch, to have, to affect is at a point where he's not sure whether reaching for Sonic would truly be fruitless. He wonders that especially when Sonic's eyes light up upon seeing him. When he corners Shadow, when he invades his space and he touches and takes and then excuses it by calling it a fight. Shadow truly wonders then: if only he was brave enough to reach out, what would his grip find? Loose stars or a battle-worn body? Standing up, he glances at Sonic again, whose eyes have now met his own. There's something heavy in the eye contact, something Shadow doesn't dare name. Neither of them say anything, and yet Sonic's eyes move away from him again, like they did. Shadow warps away, hiding from the stars once more.

Child of Prophecy by @trenchcoat-gecko

Words: 139,321 | Completed

On the night the Mobius Castle was ransacked, the Queen received a prophecy. “One of three will not cry; send him down the river, for you can only save your kingdom if he does not grow up royal.”

Coming Home by nottheweirdest

Words: 55,740 | Completed

Shadow's life has been full of mistakes, some worse than others, but admitting his unrequited feelings to Sonic tops the list. He's spent the better part of a decade ruminating on his regret and hiding from feelings he couldn't bear to face. He never thought he'd see Sonic again, and he told himself that was for the best. Until now. At the bequest of his former rival, and in an attempt to finally get closure, Shadow has returned to Central City. The reason? Sonic the Hedgehog is marrying Amy Rose. And Shadow is invited.

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

[the---hermit]

Not me adding annotations to a book to make it more accessible for my mom when she will read it