#because I think the show is intentionally hiding Kant and Style's colors

[respectthepetty]

Hello! Your color analysis for THK is as always super interesting :D

I wanted to ask if you have seen the spoiler-y scene shots from Dunk's freshly released Fast Love MV and if so, what do you think about the color choices there? 👀

I'm going to keep it real with you. The only thing I noticed in that video was Fadel being my dream emo boy.

And Joong looking like a whole snack in that food cart.

Because I am a Jaidee fan first, and a human second!

But in this show, I only feel secure that Bison is a Red Rascal regardless of what his favorite color is, so I feel like the video confirmed it.

And Fadel is a Black Brooder even when he begins to lighten up.

I have never felt confident that either Style nor Kant are Blue Boys, so the video didn't help ease my confusion.

I have felt that Kant is more green or yellow instead of blue.

But I just don't know because, strangely, in a show about two undercover hitmen, the liars are the normal guys; therefore, I feel like the colors are hidden too.

So should Style be a Red Rascal with his bestie brother-in-law too?

I don't know! I just know that he allows Black Brooder Fadel to open up and be lighter.

So did the video give me answers? No! But it gave me more JoongDunk, so my heart is happy either way!

[respectthepetty]

The Heart Killers' Colors ? - Ep. 2

I only have two episodes to go off of, but I'm still trying to see the colors in The Heart Killers, and even though I'm confident that Fadel is a Black Brooder, the others are up in the air.

I still feel secure that Bison is a Red Rascal (warm), but I think he intentionally hid it this episode.

Bison was blue most of this episode around Kant.

And he just kept getting lighter.

But @visualtaehyun mentioned that when they first met, Kant stated that Bison needed to let him be in control, so I think Bison is faking a color and a personality because even though he wears blue, the red is still there, right at his core.

And once Kant participates in the dancing competition solely because Bison tells him to, the red is back.

In The Taming of the Shrew, Bianca (Bison's character) is not the titular "shrew" to be tamed; therefore, she is never tamed. In fact, Bianca becomes more assertive and manipulative throughout the story.

Because Lucentio is whipped.

So we know who is really in control and pulling the strings in every version of this story. It's the Red Rascal.

So now on to Kant, who is supposedly a (Dark) Blue Boy.

The blue would make sense because being whipped implies an extreme level of loyalty, but much like Bison, I think Kant is intentionally hiding it.

The entire plot is based on Kant trying to swindle his way to freedom via exposing Bison and Fadel with any means possible, so of course he wouldn't show his real color.

But, once again, IF Kant's real color is dark blue, it's interesting where and when his and Bison's color emerge.

Kant was dark blue in the first episode before he entered this deal for his freedom.

And he was feeling Bison's red.

So Kant, in his true color (IF it's his true color) likes Bison's assertiveness and aggressiveness.

Even if he doesn't realize it, the (dark) Blue Boy is following the Red Rascal's lead.

Which leads to Kant's wild friend who wears wild (printed) clothes.

Style is supposed to be a (light) Blue Boy.

Which means, just like Kant, he would be loyal and committed (to the bit).

But I initially thought Style was flesh/skin, which might seem odd since that's not a color, but I think it is very important.

The reason I'm confident Fadel is a Black Brooder is because he always wears black and he is hellbent on keeping his secrets, which the black color symbolizes.

So I don't think Director Jojo just wants to show Dunk's body (which I wouldn't fault him if he did because . . . well, Dunk's fine). I think Style, with his crop tops and eagerness to take off his clothes at any given moment, represents openness and vulnerability, which are two things Fadel struggles with.

And this is also why I think this is an intentional choice by Cinematographer Rath to light each scene as it was: the sauna is warm with Style baring himself for Fadel and exposing all his perfections (and flaws) transitions to the locker room being dark so Fadel can sneak up on Style and threaten him about his secret.

And it all ends with Fadel, in his darkness, turning to the warmth.

The light he faces has no shade. It is merely a fully exposed light bulb.

So Fadel, the "shrew" in this story, doesn't need to be tamed as much as he needs to be exposed, but not in a negative sense.

He needs to be allowed to be vulnerable. He needs to be able to lay himself bare. He needs to be free from his secrets.

But the problem is Fadel, just like his brother, would never willingly give up the control. But unlike Bison, Fadel's control is over himself, not others. Bison told Kant that where Bison is laid-back, Fadel is high-strung, so he would never allow himself to be vulnerable. He would never openly lay himself bare. Because unlike careless Bison, he would never expose himself. Much like when Style fixed Fadel's Jeep, Fadel was upset that Style fixed other issues. He didn't like Style looking where he wasn't supposed to. He didn't like Style changing things he wasn't aware needed to be changed. He didn't want Style looking deeper.

Which is why Style has to annoy him. Regardless of Style's color, he is a mechanic whose job is to look under the hood to see the problems and get dirty in the process, so he is the perfect man for this job. He would never know the real Fadel because Fadel would never allow that.

So Style has to get under Fadel's skin to see the real him.