#baahubali collection

[richdadpoor]

Gadar 2 Becomes Fastest To Mint Rs 450 Crore, Leaves Pathaan And Baahubali 2 Behind

Gadar 2 features Sunny Deol and Ameesha Patel. Gadar 2, after its two-week run, minted more than Rs 440 crore and passed the collections of KG: Chapter 2. Sunny Deol’s Gadar 2 is on a spree to break one record after another. Today marks the movie’s 17th day run in the theatres and is even now gaining appreciation from the whole industry as well as critics. The movie has created a frenzy at the…

[suchananewsblog]

Pathaan advance booking: Shah Rukh Khan's film to earn Rs 300 crore worldwide in its opening weekend - Times of India

The advance booking for Shah Rukh Khan starrer Pathaan has registered mammoth numbers in pre-sales. The Siddharth Anand directorial has already sold more than 1 lakh tickets across all the major cinema chains. While the advance bookings is at the highest on day 1, the ticket sales for the second day are likely to close at around 2 lakh. As per the reports, the film has already sold tickets worth…

[nidhi-writes]

CHAPTER - I | BEAST OUT OF HIM

MASTERLIST

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The camp was alive with anticipation. Fires crackled, weapons were sharpened, and the warriors of Mahishmati prepared for the impending battle. The truth of Shivudu's lineage had sent shockwaves through the camp—he was Mahendra Baahubali, the true heir to the throne. For Shiya, this revelation had filled her with pride and determination. She had always known there was something special about her brother, but the weight of his destiny had taken even her by surprise.

Shiya, Sanga's daughter, was no trained warrior, but she was determined to stand with her brother and fight for the freedom of their people. She worked in silence, sharpening her arrows with precision. Her thoughts were a whirlwind of emotions—loyalty, fear, and the burning need for justice. When she finished, she grabbed a jug and headed to the river to collect water for the journey.

The cool night air brushed against her skin, but it did little to calm her nerves. She was almost at the riverbank when something struck her from behind. Pain exploded in her head, and she crumpled to the ground, her vision darkening as she slipped into unconsciousness.

Shiya awoke in a cold, dark cell. The stone floor was damp beneath her, and a faint light filtered through a small barred window high above. She pushed herself up, wincing at the throbbing pain in her head. Panic set in as she realized her bow and arrows were gone, leaving her defenceless.

Her heart raced as she tried to piece together what had happened. She remembered the river, the sudden blow… and then nothing. Who had attacked her? Where was she?

Heavy footsteps echoed down the corridor outside her cell, each step sending a jolt of fear through her. The door creaked open, and a figure stepped inside, casting a long shadow in the dim light.

He was tall and broad-shouldered, his presence commanding and intimidating. Shiya squinted, trying to make out his features. Something about the way he held himself, the way the shadows played over his face, made her breath hitch. He seemed older, much older—perhaps even older than her father—but there was a dark, unsettling magnetism about him.

“Who are you?” she demanded, forcing her voice to remain steady.

The man chuckled, a deep, resonant sound that sent a shiver down her spine. “You don’t know who I am?” he asked a hint of amusement in his voice. “How intriguing. It’s been a long time since someone didn’t recognize me.”

Shiya frowned, confusion warring with the unease she felt. Something about his voice, his presence, made her pulse quicken in a way she didn’t want to acknowledge. She pushed the feeling aside, cursing herself for such thoughts. This man was her captor, a cruel figure in the shadows.

“I don’t care who you are,” she retorted, though her voice wavered slightly. “Let me go!”

He stepped closer, and Shiya instinctively backed away until her back pressed against the cold stone wall. Now that he was closer, she could see the hard lines of his face, the dark eyes that bore into her with unsettling intensity. His presence filled the small cell, suffocating and overwhelming.

“You should care,” he said, his voice dropping to a low, almost intimate whisper. “I am Bhallaladeva, the king of Mahishmati.”

Shiya’s breath caught in her throat. He is the one she heard from Kattappa, the tyrant who had brought Mahishmati to its knees, the one who killed Amerandra Baahubali, her brother's father. But standing so close to him, she couldn’t help but notice his sheer power. His broad shoulders and the dark, almost predatory glint in his eyes made her feel small and vulnerable in a way she had never felt before.

The thought sent a flush of heat through her, and she cursed herself silently. How could she feel anything but hatred for this man? How could she let herself be affected by him in any way?

“A true King would never have to announce himself as a King. And the one who does cannot be one. You are nothing but a cruel man who has brought so much pain to my people,” she managed to say, trying to focus on her anger, on the injustice that had been done.

Bhallaladeva’s smirk deepened, but there was something else in his gaze now—something almost like curiosity. “Your people?” he echoed mockingly. “You’re just a villager. You have no claim to Mahishmati.”

Shiya’s heart pounded in her chest, but she met his gaze with all the defiance she could muster. “My brother, Shivudu, has a claim. And I will fight for him, for our people.”

Bhallaladeva’s expression darkened, the amusement vanishing from his eyes. But she noticed a flicker of something else—was it a surprise? Intrigue? “Your brother is nothing,” he hissed, leaning in closer. “He may have the blood of Baahubali, but he will fall like the rest, Like his own bloody father, by my own hands.”

Shiya’s breath quickened as he drew nearer, his presence suffocating, yet… Something in his nearness made her heart race for reasons she didn’t want to admit. She shook her head, cursing herself for feeling anything other than hatred. This was Bhallaladeva, the man who had caused so much suffering, and she couldn’t allow herself to feel anything but hatred.

“We’ll see,” she whispered, her voice filled with resolve.

Bhallaladeva studied her for a long moment, his gaze searching her face. His expression was unreadable, but his eyes held a darkness that sent another shiver through her. His eyes turned to her lips, her plump and round lips inviting him, and his body sure did react to the cute little bird before him. He smirked at her.

“You’re brave,” he said finally, almost as if he were admitting it begrudgingly. “But bravery won’t save you.”

With that, he turned and left, the door slamming shut behind him, leaving Shiya alone once more in the darkness. She was shaken, not just by the encounter but by her reactions. How could she have let herself be affected by him, even for a moment? She clenched her fists, forcing the unwelcome feelings aside.

She had to escape, warn her brother, and fight for their people. The shadow of Bhallaladeva loomed large, but Shiya vowed that she would not let it consume her. She would stand strong for Shivudu, Sanga, and Mahishmati.

And no matter what, she would never forget the kind of man Bhallaladeva was, or so that she promised herself.

***

Bhallaladeva sat on his throne, the weight of the crown heavy on his brow. Mahishmati had stood unchallenged for years, its power unrivalled, its king unbowed. He was waiting for his son Bhadra to return with that wretch Devasena, who got away with the help of some foolish boy. 

One of his most loyal guards, Nandha, entered the throne room with sadness looming in his eyes. Bowing deeply, he awaited Bhallaladeva's acknowledgement before speaking.

"My King," Nandha began, his voice laced with sadness, "We have sad news: our Prince Bhadra has been beheaded" hearing this news, Bhallaldeva stood up with anger evident in his eyes.

"What are you saying? Who did it?" He is ready to have his way with the one who caused him and his son pain." Nandha explained everything that happened, bringing Bhallaldeva to his knees, and his father beside him was also angry about the news. But before Bhallaldeva ordered anything, Nandha interrupted as he revealed, "But we have captured something invaluable that will ensure our victory without a single drop of blood being shed."

Bhallaladeva's eyebrow arched in interest. The guard's confidence was intriguing. "Show me this prize you speak of," he commanded, rising from his throne. He wanted to see for himself what Nandha believed could be so valuable.

The guard led him through the palace's winding corridors and down into the cold, damp dungeons, where the crown's most dangerous enemies were kept. As they approached a particular cell, Nandha gestured towards it, his eyes gleaming with satisfaction.

Inside, Bhallaladeva saw a young woman, no more than twenty years old, sprawled on the floor, her long hair fanned out around her like a dark halo. Despite the cell's dirt and grime, her youth and beauty were undeniable. Her face was peaceful in unconsciousness, but there was an undeniable strength in her features that caught his attention.

A smirk curled at the corner of Bhallaladeva’s lips as he turned to Nandha. "Explain."

Nandha straightened, eager to please. "My King, this girl is the sister of Shivudu—the very man who beheaded your son Bhadra. I overheard Kattappa's revelations to this boy—Shivudu is no other than Mahendra Baahubali, the son of your greatest enemy, Amarendra Baahubali."

Bhallaladeva’s eyes darkened with fury at the mention of Shivudu’s name. The wound of losing his son Bhadra was still fresh, and now, to learn that the one who killed him was Amarendra’s spawn filled him with a burning rage.

Nandha continued, sensing his master’s anger. "This girl was with the rebels, preparing to march against you. I seized the opportunity and captured her, knowing she would be the perfect leverage. With her in our grasp, Mahendra Baahubali will surrender without a fight."

Bhallaladeva’s lips twisted into a cruel smile. "You have done well, Nandha. Very well, indeed. Guard the gates, close off the kingdom. No one enters or leaves without my command. Let them come, let them try to breach Mahishmati. They will find nothing but death and despair."

Nandha bowed deeply, his chest swelling with pride at the king’s praise. "It shall be done, my King."

As Nandha left to carry out his orders, Bhallaladeva remained, his eyes fixed on the girl in the cell. The thought of using her as a pawn in his game brought him grim satisfaction. But something more about her stirred an emotion he couldn’t quite place.

Hours passed, and word reached Bhallaladeva that the girl was beginning to wake. He wasted no time returning to the dungeons, eager to see how this little bird would react when she realized who held her captive.

As he entered the cell, he saw her stirring, her eyes fluttering open. She pushed herself up slowly, disoriented, and Bhallaladeva watched with a dark, silent amusement as she took in her surroundings.

When she finally looked up and met his gaze, he saw the confusion in her eyes, the way she didn’t immediately recognize him. That made him pause, an unfamiliar feeling creeping over him—was it... shyness? He dismissed it quickly, but not before the thought had planted in his mind.

“Who are you?” she asked, her voice steady despite the fear he knew she must be feeling.

Bhallaladeva chuckled, the sound reverberating through the small cell. “You don’t know who I am?” he replied, stepping closer, towering over her. “How intriguing. It’s been a long time since someone didn’t recognize me.”

She frowned, a flicker of defiance in her gaze that only intrigued him more. He had expected terror and submission, but this girl… was different. There was strength in her that drew him in despite the circumstances. He could feel his heartbeat quicken—a sensation he hadn’t felt in a long time.

“Let me go!” she demanded, though he could hear the tremor in her voice.

He leaned in, his eyes locking with hers, his voice dropping to a low whisper. “You should care who I am,” he said, a sinister edge to his tone. “I am Bhallaladeva, the king of Mahishmati.”

He watched as her eyes widened in realization, fear finally creeping into her expression. But along with that fear, there was something else—something in how she looked at him that made his chest tighten. Was it… attraction? The idea was absurd, yet he couldn’t deny how his blood heated under her gaze.

Despite himself, Bhallaladeva felt a flicker of something he hadn’t felt in years—an awareness of his power, not just as a ruler, but as a man. The thought made him smirk, but it also unsettled him. This girl was his prisoner, a tool to be used against his enemies. He couldn’t afford to be distracted by anything else.

But as he turned to leave, he couldn’t shake the feeling that she was different from anyone he had ever encountered. She wasn’t just a pawn but a challenge he couldn’t wait to unravel.

For now, he would let her stew in her fear and uncertainty. But soon, he would return. And when he did, he would ensure that she understood exactly who held her life—and her brother's fate—in his hands.

Bhallaladeva left the cell, his mind racing with thoughts of the battle ahead and of the girl who had, for a fleeting moment, made him feel something other than the cold, unyielding rage that had defined him for so long. But whatever that feeling was, it would not deter him from his purpose.

Mahendra Baahubali would come for his sister. And when he did, Bhallaladeva would be ready.

The sun hung low in the sky as Mahendra Baahubali, Devasena, Kattappa, Avantika, and their loyal followers marched towards Mahishmati. Devasena carried the severed head of Bhadra, her face set in grim determination. The image of vengeance incarnate, she was ready to end the tyranny of Bhallaladeva once and for all. Mahendra, walking beside her, was the very image of his father, Amarendra Baahubali, the legendary warrior who had once protected these lands.

As they approached the gates of Mahishmati, Mahendra’s likeness to his father was undeniable—his strength, resolve, and gait mirrored the great Amarendra. Bhallaladeva, watching from the high walls of his palace, felt a shiver of unease. It was as if a ghost from his past was marching towards him, ready to exact retribution.

But that moment of unease quickly faded as Bhallaladeva’s lips curled into a dark, twisted smile. He had a card to play, one that would shatter the resolve of this army of rebels. He turned to his guard, his voice a low, commanding growl. “Bring the little bird here.”

A short while later, the heavy iron doors of the palace creaked open, and Shiya was dragged out, her hands and feet bound in heavy chains. Her once vibrant eyes now reflected fear and defiance as she was forced to the front of the balcony where Bhallaladeva stood. He reached out, gripping her long, dark hair, and yanked her forward, ensuring she was visible to those below.

The rebels came to an abrupt halt. Their eyes widened as they recognized Shiya, Mahendra Baahubali's sister, bound and at the mercy of their enemy. Devasena’s heart clenched, her warrior’s facade faltering momentarily as she saw the young woman in such a vulnerable state. Mahendra’s hands curled into fists, his anger seething beneath his calm exterior.

Bhallaladeva’s smirk widened as he leaned down, his face close to Shiya’s. The scent of her hair filled his senses, and he revelled in the power he held over her—and, by extension, over the army below. He nuzzled his nose against her hair, feeling the involuntary shiver that ran through her body. Despite her defiance, he could sense her fear and something else—something she was desperately trying to suppress.

Shiya cursed herself inwardly for the way her body reacted to his touch. This man was a monster, cruel and ruthless, and yet his proximity ignited a confusing mix of emotions within her. She bit her lip to stifle a gasp as his teeth grazed the delicate skin near her ear. Bhallaladeva smiled wickedly, his dark eyes gleaming with satisfaction.

"Take another step," Bhallaladeva’s voice boomed across the battlefield, "and you’ll be collecting your precious Shiya’s lifeless body." He tightened his grip on her hair, pulling her head back slightly to expose her neck, a silent threat that chilled the blood of those watching.

The rebels stood frozen, their plan in tatters. Mahendra and Kattappa exchanged glances, the need for a new strategy clear. They couldn’t risk Shiya’s life, not when she was so vulnerable. This wasn’t just a battle of swords and strength—it was a battle of wills, and Bhallaladeva was forcing their hand.

Satisfied with their hesitation, Bhallaladeva pushed Shiya back towards the palace's interior. His hand found its way to her neck, his grip firm as he forced her to follow him inside. Shiya stumbled slightly, her heart pounding with fear and confusion. Her mind raced, searching for a way to escape and warn her brother, but Bhallaladeva’s hold was relentless.

As they disappeared from view, Bhallaladeva’s mind buzzed with the thrill of his victory. The look of terror in the eyes of his enemies was intoxicating, but the woman at his side—this unexpected and intriguing little bird—added a new dimension to his triumph.

Mahendra and the others watched helplessly as the palace doors closed behind them. The sight of Shiya in chains, at the mercy of Bhallaladeva, left a bitter taste in their mouths. They couldn’t afford to lose her but couldn’t rush in blindly.

"We need a new plan," Kattappa murmured, his voice heavy with the weight of their situation.

Mahendra nodded, his mind already racing through possibilities. They had come so far, but now faced a ruthless and cunning enemy. Bhallaladeva had shown them that this battle would not be won by strength alone.

But one thing was sure—Mahendra would not rest until his sister was safe and Bhallaladeva’s reign of terror was ended. No matter the cost.

***

Inside the palace, Bhallaladeva led Shiya deeper into the labyrinth of halls, his grip never loosening. Shiya’s heart pounded as she tried to steel herself against her overwhelming situation. She couldn’t afford to show weakness—not to him or the man who held her fate.

But as she walked, she could feel the weight of his gaze on her, how his presence filled the space around her, and it took everything to keep her composure.

Bhallaladeva’s mind was already working on how to use this situation to his advantage. The little bird at his side was more than just a captive—she was a weapon he intended to wield with precision. And perhaps, along the way, he would find out just how much power he held over her.

For now, though, he would savour the victory he had already claimed. The rebels were at his mercy, and with Shiya as his leverage, Mahishmati would remain unchallenged, its throne unshaken.

But in the back of his mind, the image of Mahendra Baahubali haunted him—a reminder that the ghost of Amarendra was still alive, and this war was far from over.

And as for Shiya, he couldn’t help but wonder—how long before she would break under the weight of his will? Or perhaps, just perhaps, would she be the one to challenge him in ways he had never anticipated?

Only time will tell.

***

After being pulled away from the balcony where Bhallaladeva had held her in his grip, Shiya was led back into the palace. But instead of returning to the cold, dark cell she had been thrown into earlier, she was taken to a lavish chamber. The sudden change in her surroundings caught her off guard—how could her circumstances shift so drastically in such a short period?

The chamber was adorned with luxurious silks and rich items, starkly contrasting to the grim cell she had been kept before. Before she could process the situation, an elderly woman with a kind smile entered the room.

"I am Bangara Amma," the woman introduced herself, her voice soft and soothing. "I’ve been instructed to take care of you."

Shiya narrowed her eyes, suspicion immediately rising. How could one man, Bhallaladeva, be so mercurial? One moment, he was a predator, lurking too close, making her feel things she loathed herself for, and the next, he seemed to want to treat her like some cherished possession.

Bangara Amma guided her to the bathhouse connected to the chamber. Shiya reluctantly followed, her mind racing with thoughts of escape. As she was bathed and dressed in luxurious silks that clung to her skin, she couldn’t shake the feeling of being a prisoner in golden chains. The richness of the attire did nothing to ease her discomfort; it only heightened her awareness of the strange, twisted game Bhallaladeva was playing.

Left alone in the chamber again, Shiya immediately began searching for a way out. The walls were thick, the windows high and unyielding, but as she scanned the floor, something caught her eye—a sharp nail, probably left behind by accident. She quickly grabbed it and hid it in her hair, a reassuring weapon in the face of her helplessness.

She moved to the balcony, briefly considering the idea of escaping by climbing down. But the height was dizzying, and she realized with a sinking feeling that it was impossible—there was no way to scale down with just a saree. Before she could think of another plan, footsteps echoed through the chamber. She stiffened, knowing exactly who it was.

She faced the outside, trying to ignore the growing tension in her body as Bhallaladeva’s presence loomed behind her. She could feel the heat of his body even before he spoke.

"Not planning to jump, are we?" Bhallaladeva’s voice was laced with amusement as he chuckled softly.

Shiya kept her eyes fixed on the view, determined not to give him the satisfaction of seeing her fear. "What if I did?" she replied, her voice steady despite the turmoil inside her.

Bhallaladeva laughed, a deep, resonant sound that sent a shiver down her spine. He stepped closer until she could feel his breath on her neck, the proximity suffocating and intoxicating all at once. He was so close that the warmth of his body seemed to seep into hers, a sensation that made her knees weak. To her shame, a faint moan escaped her lips, but thankfully, it was too soft for him to hear.

"Well, we wouldn’t want anything to happen to my little bird, now would we?" he whispered, his lips brushing the shell of her ear, his voice sending a jolt through her entire being. Her cheeks flushed a deep red as she swallowed hard to maintain her composure.

"Why do you care?" Shiya managed to ask, turning her head slightly to look at him, though she regretted it immediately. His gaze was intense, almost predatory, and yet there was something else—something that made her pulse race even faster.

Bhallaladeva smirked, clearly enjoying her defiance. Despite the tremor in her voice, he could see that she was trying to stand her ground. His little bird was brave, even in her fear.

Without warning, he reached out, his hand wrapping lightly around her throat. He pulled her back against him, her body now fully pressed against his. Shiya gasped at the contact, the heat of his body radiating through the thin fabric of her saree, making her breath hitch.

His fingers traced a slow, deliberate path from her throat to her lips, the touch sending a shockwave of unwanted desire through her. Shiya’s knuckles turned white as she gripped the railing, her body betraying her mind’s refusal to acknowledge his effect on her.

"I care for what is mine," Bhallaladeva whispered, his voice dark and possessive. "And my little bird, everything that ventures into my kingdom belongs to me. That includes you."

Just as he loomed above her, merely away from her lips as his breath covered her face, causing her to tremble inside, a part of her wanted his lips on her and wanted to taste him and have his way with her.

With that, he released her, stepping back as if nothing had happened. But Shiya was left trembling, her chest heaving as she struggled to catch her breath. Her mind was a whirl of confusion and fear, her innocence tarnished by the dangerous man who now claimed her as his own.

As Bhallaladeva left the chamber, Shiya collapsed against the balcony railing, her heart pounding. What had she become in this short span of time? A prisoner? A pawn? Or something more twisted—something she didn’t even want to think about?

But what scares her is that her body and mind are trying to betray herself and others to be with him and have what she craves. HIM

_______________________________________

taglist: @mahi-wayy @ahamasmiyodhah @whippersnappersbookworm  @harinishivaa  @willkatfanfromasia @thirst4light  @hollogramhallucination  @celestesinsight ​  @curiousgalacticsoul  @themorguepoet @tranquilsightseer @mayakimayahai @gloriouspurpose01 @jkdaddy01 @whyishekinda @salaarfanindia @aprofoundrickmaniac @toomanyfanficsbruh

[techqanswerdotin]

Rajamalai's RRR goes for a Golden Globe Award nomination!

Rajamalai’s RRR goes for a Golden Globe Award nomination!

Directed by SS Rajamouli, the film RRR has received a Golden Globe Award nomination. Director Rajamouli has directed quality films like Nan E, Baahubali, Baahubali 2. These films were critically and commercially successful. Baahubali 2 directed by him grossed Rs. 1800 crores collected. After Aamir Khan’s Dangal, Baahubali 2 is the second highest grossing film in India. Rajamouli, who gave a huge…

[bookwyrminspiration]

Greetings! Disjointed thoughts again: 1) There's going to be keeper graphic novel? That's so cool! 2) Your "nonsie" nicknames are really cute, and remind me of the "anonymous animal" thing on google docs ;) 3) I haven't listened to many of those musicals, so I'll give them a listen (hopefully)! I like a bunch of musicals but my comfort musical is Be More Chill. Also, I'd love to hear about your movie thoughts! I hope you're enjoying your day! - Amethyst

OKAY! Skipping over all that to get right to the movie thing because I simply must speak of it. The movies I was referring to were RRR and Baahubali 1 and 2 (3 isn't out yet). Each one is like 3 hours long ish but they're SO good. Such delightful cinema. They're incredibly dramatic (at least by my standards, which are unfortunately american), and some parts are incredibly unrealistic but takes itself so seriously and it's so entertaining. Not in like, this is a shitty movie that embraces that like velocipastor, but like it's a really well funded and produced movie that knows sometimes realism is a detriment to enjoyment so it throws it out.

It's been a while since i watched Baahubali so I couldn't really tell you the plot (I know I had a lot of fun with it though), but I can tell you RRR is about Indian revolution against british colonies. That. is such an understatement. It's also about these two men who are best friends but also enemies (but don't know they're enemies) overcoming that difference to unite and fuck over england. I don't want to spoil anything but it's SO good and has so much more going on than I can cover. Absolutely worth the 3 hours. There's also a full dance scene in there. And it's also nominated for an oscar for the dance scene song :)

If you don't have 6 hours to watch the baahubali's (skimmed the plot to refresh my memory, I think it's about a sibling rivalry for a kingdom but one of the two didn't know they were an heir, but is also insanely powerful and Good and Things), please find 3 hours to watch RRR you will not regret it it's so so good. I have been to the cinema once in the past three years and it was for this movie and I'd do it again.

Alright back to the rest of this ask. 1) yeah!! very exciting! this doesn't really do anything for me personally because I. am not really into graphic novels or visual media (I can't really picture things in my head), but it does give me something else keeper to add to my collection! 2) thank you! it's kinda become second nature at this point as just a thing that I do, but every so often I remember "huh, I deliberately chose to come up and use that". I didn't want to use the typical "nonnie/nonny" i'd seen, so I switched it up a little and now it's just part of my blog. And also part of some other people's blogs I think, sometimes I see other people say it.

3) Oh i've listened to Be More Chill! I haven't in a while, I must admit, but I listened to the typical new age musicals--Be More Chill, Dear Evan Hanson, Hamilton, Heathers. Oh! Speaking of Heathers, my favorite song from that musical is "I Say No", which isn't even on the main track; it's an addition to the world tour or something along those lines. But when I learned that I was so excited, like woah! There's this bomb song that just isn't on the main track??? WHY isn't it everywhere it's so good!

and thank you, I'm having a pretty good day! played some games (only today learned about the charms in omori), embroidered (ish) a little bunny on my shorts, didn't have to do any homework, stimmed to some songs, etc. Might bake something (apple muffins), unknown yet. I hope you're doing well and having a good whatever time it is where you are!

[news365timesindia]

[ad_1] What is the best way to determine how successful a film has been? This question has puzzled fans and analysts for decades. Some vouch for a film’s longevity and cultural impact, while others swear by box office collections. Even with the earnings, there is no one way. One school of thought is to see which film made more money, while the other argues for profitability. If taking the latter parameter, the most successful Indian film is one that had a 16-year-old in the lead and ended up making a 6000% profit. India’s most profitable film The 2017 Advait Chandan film Secret Superstar remains the most profitable Indian film production ever. The slice-of-life drama, produced by Aamir Khan, was made on a shoestring budget of ₹15 crore. It did great business upon its release in India, earning ₹64 crore net (and ₹90 crore gross) in the domestic market. Add to it the ₹65 crore the film earned overseas, and it was already a monumental success. But then Secret Superstar was released in China, and the floodgates opened. The film earned over $124 million in the country, taking the film’s overall global haul to over ₹900 crore. This meant that it was able to earn more than 60 times its original investment, breaking Jai Santoshi Maa’s record of 20 times by a huge margin. How Secret Superstar beat blockbusters There are varying reports of exactly how much Secret Superstar earned. Some sources claim that the film earned ₹966 crore worldwide, while others put it at a more conservative ₹905 crore. But even if one goes by the most conservative figure, Secret Superstar was able to out-earn massive films like Stree 2 ( ₹857 crore), PK ( ₹769 crore), Gadar 2 ( ₹691 crore), and Baahubali: The Beginning ( ₹617 crore). That Secret Superstar earned more than these films with a fraction of their budgets speaks volumes about its success. On top of that, the film did not have major star power. Aamir Khan had a cameo, but the film was largely centred on 16-year-old Zaira Wasim. Film analysts have attributed Secret Superstar’s massive success in China to Aamir and Zaira’s post-Dangal popularity in the country and the theme of teenage aspirations resonating with the audiences there. As of November 2024, Secret Superstar is the 10th highest-grossing Indian film ever. [ad_2] Source link

[news365times]

[ad_1] What is the best way to determine how successful a film has been? This question has puzzled fans and analysts for decades. Some vouch for a film’s longevity and cultural impact, while others swear by box office collections. Even with the earnings, there is no one way. One school of thought is to see which film made more money, while the other argues for profitability. If taking the latter parameter, the most successful Indian film is one that had a 16-year-old in the lead and ended up making a 6000% profit. India’s most profitable film The 2017 Advait Chandan film Secret Superstar remains the most profitable Indian film production ever. The slice-of-life drama, produced by Aamir Khan, was made on a shoestring budget of ₹15 crore. It did great business upon its release in India, earning ₹64 crore net (and ₹90 crore gross) in the domestic market. Add to it the ₹65 crore the film earned overseas, and it was already a monumental success. But then Secret Superstar was released in China, and the floodgates opened. The film earned over $124 million in the country, taking the film’s overall global haul to over ₹900 crore. This meant that it was able to earn more than 60 times its original investment, breaking Jai Santoshi Maa’s record of 20 times by a huge margin. How Secret Superstar beat blockbusters There are varying reports of exactly how much Secret Superstar earned. Some sources claim that the film earned ₹966 crore worldwide, while others put it at a more conservative ₹905 crore. But even if one goes by the most conservative figure, Secret Superstar was able to out-earn massive films like Stree 2 ( ₹857 crore), PK ( ₹769 crore), Gadar 2 ( ₹691 crore), and Baahubali: The Beginning ( ₹617 crore). That Secret Superstar earned more than these films with a fraction of their budgets speaks volumes about its success. On top of that, the film did not have major star power. Aamir Khan had a cameo, but the film was largely centred on 16-year-old Zaira Wasim. Film analysts have attributed Secret Superstar’s massive success in China to Aamir and Zaira’s post-Dangal popularity in the country and the theme of teenage aspirations resonating with the audiences there. As of November 2024, Secret Superstar is the 10th highest-grossing Indian film ever. [ad_2] Source link

[super-movies-funda]

top 10 indian movies box office collection

Here are the top 10 highest-grossing Indian movies based on worldwide box office collections (as of 2024):

Dangal (2016) - ₹2,024 crore, globally led by its massive success in China.

Baahubali 2: The Conclusion (2017) - ₹1,810 crore, a pan-Indian blockbuster.

RRR (2022) - ₹1,258 crore, gaining international acclaim and awards.

Kalki 2898 AD (2024) - ₹1,100 crore, a science fiction epic featuring Prabhas, Amitabh Bachchan, and Deepika Padukone​.

Pathaan (2023) - ₹1,050 crore, starring Shah Rukh Khan and part of the YRF Spy Universe.

KGF Chapter 2 (2022) - ₹1,200 crore, continuing its legacy from the first film.

Bajrangi Bhaijaan (2015) - ₹969 crore, a heartwarming tale with Salman Khan.

Secret Superstar (2017) - ₹966 crore, notable for its resonance in international markets.

PK (2014) - ₹854 crore, an Aamir Khan comedy-drama with a satirical edge.

2.0 (2018) - ₹800 crore, starring Rajinikanth and Akshay Kumar​.

DO You Know What is KVR?

These films showcase the diversity and global appeal of Indian cinema, ranging from action epics to emotional dramas. For more details, check resources like Box Office India or Wikipedia.

[ikno-io]

Discover the top 10 Tollywood box office collections, featuring hits like Baahubali, Sye Raa Narasimha Reddy, Saaho, and more, that set benchmarks in Indian cinema. read the full article: https://bit.ly/3ZJY1We #Tollywood #BoxOffice #Top10 #Baahubali #IndianCinema #TeluguFilms read more: tollywood box office collection top 10

[starbiopic]

Sandeep Vanga’s Next Film with Prabhas Set for a Massive Budget! More Than 'Animal' Hindi Collections

Prabhas fans are in for a treat once again, as the superstar’s upcoming film with director Sandeep Reddy Vanga is expected to have an enormous budget, even more than the Hindi box office collection of Vanga’s previous movie, Animal. Prabhas, known for his grand films like Baahubali, Salaar, and Kalki 2898 AD, is now gearing up for his next big project, Spirit, which is set to be another…

[thoughtsofakash]

Merchandising Magic: Turning Indian Films into Lifestyle Brands

Movie marketing strategies in India have evolved significantly, with merchandising playing a crucial role in extending the reach and impact of films beyond the box office. By transforming films into lifestyle brands, studios can create a lasting connection with audiences and generate additional revenue streams.

The Power of Merchandising

Merchandising involves creating and selling products inspired by a film, such as apparel, accessories, toys, home goods, and collectibles. When done effectively, merchandising can:

Extend the Film's Lifespan: Merchandising allows fans to continue engaging with a film long after it leaves theaters, fostering a sense of nostalgia and loyalty.

Generate Additional Revenue: Merchandising can be a significant source of income for studios, helping to offset production costs and increase overall profitability.

Strengthen Brand Loyalty: By offering products that resonate with fans, studios can build a stronger connection with their audience and encourage repeat business.

Expand the Film's Reach: Merchandising can introduce a film to a wider audience by making it accessible through retail channels and online platforms.

Successful Merchandising Strategies

Here are some effective strategies for turning Indian films into lifestyle brands:

Identify Iconic Elements: Look for elements within the film that can be easily translated into merchandise, such as characters, costumes, props, or catchphrases.

Create High-Quality Products: Ensure that the merchandise is well-made and appealing to fans. Poor-quality products can damage the film's brand.

Leverage Celebrity Endorsements: Collaborate with actors or actresses from the film to promote the merchandise and increase its appeal.

Target Specific Audiences: Tailor the merchandise to different demographics, such as children, teenagers, or adults.

Utilize Digital Platforms: Utilize social media and e-commerce platforms to reach a wider audience and facilitate online sales.

Case Studies

Several Indian films have successfully leveraged merchandising to create lasting lifestyle brands. For example, the superhero franchise "Baahubali" has a wide range of merchandise, including apparel, toys, and collectibles, that have resonated with fans worldwide.

Challenges and Considerations

While merchandising can be a lucrative venture, it's important to consider the following challenges:

Intellectual Property: Protecting intellectual property is crucial to prevent unauthorized merchandise from diluting the brand.

Market Saturation: Over-saturation of merchandise can lead to decreased demand and lower sales.

Changing Trends: Staying up-to-date with consumer trends is essential to ensure that the merchandise remains relevant and appealing.

By implementing effective merchandising strategies, Indian film studios can transform their films into enduring lifestyle brands, generating additional revenue and strengthening their connection with audiences.

[nationedition]

Top 10 Highest First Day Collection Movies in India: Box Office Blockbusters

In the Indian film industry, the first day box office collections often set the tone for a film’s success. High first-day earnings can indicate strong audience anticipation and interest. Here’s a look at the top 10 movies with the highest first-day collections in India, showcasing their impressive box office performances and the buzz they created upon release. “Baahubali 2: The Conclusion”…

[cinemapremi]

Salaar vs Dunki Box Office Battle: Salaar's Massive Opening Day, Is Dunki Left in the Dust?

The clash of cinematic titans unfolds as Prabhas' much-anticipated "Salaar: Part-1 Ceasefire" goes head-to-head with Shah Rukh Khan's "Dunki." Let's delve into the box office battleground and predict the day-one showdown. Vin Diesel Faces Serious Sexual Battery Accusations: What You Need to Know Salaar Movie Review and Release LIVE Updates: Box Office Collection Expected To Cross Rs 50 crore on 1st Day! Dunki: Shah Rukh Khan’s New Movie Box Office Collection on Day 1

Salaar's Spectacle

Prabhas, the Baahubali sensation, unleashes "Salaar," a high-octane action thriller directed by Prashanth Neel, the mastermind behind "KGF 2." The film boasts a stellar cast, including Prithviraj Sukumaran and Shruti Haasan.

Dunki's Debut

Shah Rukh Khan, the king of Bollywood, counters with "Dunki," a Rajkumar Hirani venture. While Dunki received a promising start, it faces the formidable Salaar in the battle for box office supremacy.

Box Office Projections

Industry insiders predict Salaar to make a grand entrance, raking in a colossal Rs 95 crore on day one across languages. With its global appeal, Salaar aims for a Rs 150 crore worldwide gross, setting the stage for a triumphant 2023 opener. https://twitter.com/Box0fficeIndia/status/1736310237488153008

Advance Booking Feat

Salaar's strategic move secures a staggering Rs 48.94 crore in advance bookings, claiming the top spot for 2023's highest opening day advance booking (gross). The film's buzz surpasses rivals like Leo, Jawan, Animal, and Pathaan. https://twitter.com/hombalefilms/status/1737741868954423728

Dunki's Day One Dilemma

Shah Rukh Khan's Dunki, while enjoying a decent start, falls short of its predecessors in opening day collections. The mixed response positions Salaar to seize the spotlight in the wake of Dunki's debut.

North vs. South Dynamics

While Dunki initially dominates, Salaar's strong word-of-mouth could tilt the scales. Prabhas' massive north Indian fanbase promises Salaar a gradual rise, leveraging the film's quality and appeal.

Prithviraj's Optimism

Actor Prithviraj Sukumaran, optimistic about both films' success, emphasizes the festive spirit, celebrating two cinematic gems during the holiday season. Salaar and Dunki provide audiences with a cinematic feast to conclude 2023.

As the curtain rises on Salaar and Dunki, the box office spectacle promises riveting competition. Prabhas' Salaar aims for a triumphant return, while Shah Rukh Khan's Dunki navigates challenges. The audience is treated to a cinematic showdown, and both films eye blockbuster status.

Q1: How does Salaar's advance booking set it apart? Salaar's strategic advance booking surpasses all contenders in 2023, signaling a colossal opening day. Q2: Can Dunki recover from a lukewarm start? Dunki faces an uphill battle after a modest opening, challenging its long-term impact at the box office. Q3: Will Salaar's global appeal secure a blockbuster status? With a predicted Rs 150 crore global gross, Salaar aims to make a significant mark on the worldwide box office. Q4: How does Salaar leverage Prabhas' north Indian fanbase? Prabhas' massive following in the north positions Salaar for a gradual rise, capitalizing on word-of-mouth and quality content. Q5: What makes the Salaar vs. Dunki clash unique? The clash showcases the festive spirit, offering audiences a cinematic treat with two major releases to conclude 2023. Also checkout: Read the full article

[ikno-io]

Discover the top 10 highest first day collection movies in India, ranging from Baahubali 2 to Kabali. Learn how these films set new benchmarks in the Indian Cinema. read the full article: https://bit.ly/3N0hF8O #highest #first #day #collection #movies #India #Baahubali #Saaho #Thugs #Hindostan #Prem #Ratan #Dhan #Payo #War #Sultan #Happy #Bharat #2point0 #Kabali #boxoffice read more: top 10 highest first day collection movies in india

[hinahasan]

guys, let me tell you

the real story, what happened was when Baahubali 2 and KGF 2 fetched incredible amount at the BO these 3 munkies namely joker, adi/padi and hakla learned about the boxoffice history it pulled the carpet beneath their feet theyre shocked and were infinitely jealous as how can the south indian films fetch unbelievable collections while their films go as far as 300 max coz they always a had very…

[blogynews]

"Unveiling India's Blockbuster: Unprecedented Footfalls and Record-Breaking Revenue of 2023's #1 Film"

The following is a comprehensive compilation of the highest-grossing Indian movies based on their box office collections and the number of tickets sold, also known as footfalls. The ranking is primarily based on footfalls, with the gross collection in India also mentioned. 1. Hum Aapke Hain Kaun – Box Office Collection (India): 116.9 Crore – Footfalls/Tickets Sold: 7.4 Crore 2. Baahubali 2 – Box…