#aw i love the bert and ernie scene
Explore tagged Tumblr posts
nnightskiess · 5 years ago
Text
Tumblr media Tumblr media Tumblr media
r e q u e s t: Hi !! I love your writing ❤️ I want to know if it’s possible for you to write something with Quinn fabray x reader ? They are together in quarantine in New York with Rachel, Kurt and Santana. Also Reader and Santana are best friends. Can you add humor and fluff please ? Thanks ☺️
Quinn and Y/N were walking hand in hand through the streets of New York. They had planned a little getaway together to the big city. It was mainly Quinn’s idea, she wanted to propose to her high school sweetheart— Y/N. But most of their trip, and thus Quinn’s plan, fell apart due to the rapid spread of the Covid virus. Their tickets for Broadway had been refunded. The cute tearoom where Quinn had planned to propose to the girl— and where the two women had shared their first kiss during Glee club’s Nationals in New York— was closed down due to the virus. Most of the things Quinn had planned out for the proposal got refunded, except for the hotel. Quinn decided that she’d postpone her proposal to another time. She didn’t want to propose to Y/N like this. She deserved a proper proposal, like the one Quinn had planned out in her head for years. Quinn tried not to let it get her down but she found it hard to lie to Y/N about the frown on her face. 
“I know it’s different.... but... I’m still glad we’re here.” Y/N brought their intertwined hands together and planted a kiss on Quinn’s knuckles. “New York always brings me back to high school.” 
“Remember when we broke the bed during our pillow fight? And, oh God, how Tana fell off it when you smacked her across the face?” Y/N shook her head in amusement, “But the thing I will never forget is when we shared our first kiss in that adorable tearoom near the hotel.”
Quinn gave her a distant smile. 
“And remember how panicked I was when Mr. Schuester walked by the window and I thought he had seen us out of the hotel room?”
Quinn hummed softly, rubbing her thumb across Y/N’s hand. She remembered every little detail about that morning, which made this all so much harder.
Y/N came to a halt and stood in front of Quinn, which caused the latter to bump into her. 
“Oh, baby-”
“Why are you so quiet? I don’t like it.” Y/N seemed genuinely worried. 
Quinn looked at the ground for a second and held her temple, trying to come up with a good enough lie. 
“I-” She looked back up at her girlfriend and her expression immediately softened. Whenever Y/N was worried— particularly about Quinn — her eyebrows would furrow and she’d pout her lips ever so slightly. 
Quinn sighed, “I’m just disappointed that we couldn’t visit it this time. I feel like a visit to New York is never complete without a high tea at our place.” Y/N smiled softly when Quinn grabbed her cheeks to comfort her.  
“You know what else makes our trip complete?”
Y/N grinned like an idiot, immediately knowing what she was hinting at. 
Quinn smiled, 
“Let’s go pick up our stuff from the hotel first and then drive there.”
✫彡
“Wait, let me scare her.” 
Quinn shook her head in amusement as her girlfriend plastered herself against the wall next to the front door of the apartment. Quinn knocked a few times before the door slid open. 
“Oh my God! Quinn! It’s so good to see you!” Kurt’s voice rang through the hallway. He quickly hugged her before calling Santana.
“Quinn’s here!” 
He turned back to the blond in front of him, “Are you alone?” Kurt was in disbelief, knowing very well that Quinn and her girlfriend were inseparable. Quinn quickly looked at Y/N through her peripheral and saw her nod her head.
“...I guess so-”
“Wait... you two are still together, right?” Concern filled Kurt’s voice, but before Quinn could reply, Santana appeared out of the bathroom.
“Ha! You bet they are.” She smirked at her friend, “Wait... where’s the fiancée?” 
Quinn’s eyes widened and she immediately faked a long, awkward laughter. “Good one, San.” 
Kurt looked between the two girls in confusion, and even Santana seemed lost. 
He let out an awkward chuckle. “Am I missing something?” 
Santana got the hint after Quinn shot her another look, “Oh- that’s just an inside joke of ours.” 
“Y/N! Oh my God!” Someone squealed.
The three turned around and saw Rachel stand in the hallway, two large bags in her hand. She had seen Y/N hide behind the wall when she walked up to their frontdoor.
“Damn it, Berry.” Y/N groaned. “You ruined my surprise.”
Santana snorted, “Well, I knew you were somewhere. Quinn gets rashes when you’re not within a radius of 16 feet.” She opened her arms wide when Y/N revealed herself. “C’mere, I missed you.”
The two best friends shared a sweet hug while Rachel clumsily carried her bags inside.
“What’s up with that?” Kurt turned to her.
“Oh- well, now that our shows are postponed to God-knows-when... I thought I’d bring the stuff from my dressing room back home.”
“Why’d you bring this coffee machine home? We already have one.”
“Yeah, but I don’t like that one.”
“Rachel! We have no more countertop space... or available plugs!” 
He gasped when he saw the brand, “These coffee pods are thirty dollars per package?!”
Santana rolled her eyes and walked Quinn and Y/N to the living room.
“So...while we let Bert and Ernie bicker... what’s up? No trouble in paradise?” She turned to the couple, hoping to cryptically find out why Quinn hadn’t proposed.
"I can’t believe you think we’d be able to part ways.” Y/N joked back and cuddled up against her girlfriend, who shook her head at Santana to let her know she’d tell her later.
“What do you girls want to drink? Or do you want some of Rachel’s exquisite coffee?” Kurt asked from the kitchen.
“Can I try a sip first?”
Quinn smiled at the childish antics of her girlfriend. Rachel gestured the girl to come over, which left the two ex-cheerios alone to talk.
Santana leaned in closer so that no one would hear,
“What happened?! Did you freak out at the last minute? Tell me you didn’t...”
Quinn sighed and rubbed her temples, “No, my whole proposal fell into pieces thanks to this freaking virus.”
“People are dying, Q.”
She sighed, “Gah, I know. It’s just- I’ve had this all planned out in my head for years. This was how it was supposed to go. And now everything is ruined.”
Santana gave her a sympathetic smile and squeezed her knee. “And there’s no alternative that you’d like?”
Quinn shrugged and shook her head softly.
“Well, if I may speak freely... we’re the only people who know Y/N in and out... which means that we also both know that she wouldn’t care if you went on one knee in a clown suit or if you wrote your big question in the sky with a plane...” Santana looked back to see if they were paying attention to their hushed conversation, but Y/N was sitting on the counter, her feed dangling while she took gentle sips of the expensive coffee. A small smile appeared on both girl’s faces. 
“The only thing she cares for is that you are the one to ask her.” 
Quinn’s eyes were filled with tears as she came to the realisation. 
“Thanks, Santana.”
“Anytime.” 
The two hugged until they heard Y/N run up to them.
“I want in!”
✫彡
A few hours had passed and all five of them were sprawled about the couch, their take-away food on the coffee table. Y/N’s head rested against Quinn’s chest while her legs were put on Santana’s lap. Quinn mindlessly played with the strands of Y/N’s hair.
It had become a tradition for them to watch ‘Breakfast at Tiffany’s’ every time they visited their friends in New York.
“This scene breaks my heart every damn time.” Y/N mumbled and threw a napkin at the TV when Holly left the cat on the curb in the rain. 
“She goes back for him later, though.” Kurt spoke.
“I don’t care. Damage is done.”
‘People do fall in love, people do belong to each other. Because that’s the only chance anybody has for real happiness.’ Paul, one of the characters spoke.
Quinn put her head against Y/N’s at hearing that. She was filled with so much joy at having this wonderful girl in her arms.
“I’ve been carrying this thing around for months,” Paul grabbed a wedding ring box out of his coat which caused Quinn’s mind to wander off. Even though she had seen this movie a dozen times, she was still surprised to be reminded of her ruined proposal. 
Before she could make herself feel miserable about it again, Rachel’s phone rang. She quickly excused herself but motioned for them to not pause the movie. 
Rachel walked to the living area after a few minutes, her expression tense and filled with worry.
“Guys...”
Kurt paused the movie as the girls turned to Rachel.
“We might have a tiny problem...Well... a big one, actually.”
Everyone got the memo that it was something serious and they sat up.
“One of the ensemble members has been tested positive for the virus... which means that everyone— crew and cast — needs to go into quarantine at home... and that includes everyone they have been in contact with... so that would mean that we have to stay inside for the next two weeks too...”
The bunch on the couch took a moment to take the news in until Santana shot up, 
“I am not going to spend two weeks, non-stop, in here! I already go insane with too much of you as it is. I usually can deal with curtains as walls, your stubble in the sink or your god-awful annoying vocal exercises when I’m trying to sleep but that’s because I get home from work, eat and head straight to bed. But I will literally kill someone if I have to go through that all day long. I was supposed to see Brittany this weekend but hey, thanks a lot, Berry.”
“This is hardly Rachel’s fault. It’s the responsible and safe thing to do. You wouldn’t want Brittany to get it, right?”
Santana avoided eye-contact, but it was clear that she agreed with what Kurt said. 
“Wow, I feel so unwanted right now.” Y/N mumbled out, slightly joking. “You get to spend your quarantine with us!”
Santana gave her a tight-lipped, apologetic smile, “I know, that’s the only good thing about this.”
Rachel saw the gloomy looks on everyone’s face. “They won’t tell us who it is for privacy reasons, but I usually don’t hang out with the ensemble anyway so I hope I’m safe. I’m so sorry, you guys.”
Kurt stood up with a sigh, “I guess I’ll go find the spare mattress then. You two can take my bed.” He was about to walk off but pointed a finger at Quinn and Y/N. “No sex... in my bed.”
Quinn pursed her lips, not that happy with Kurt’s rule.
“You were the leader of the celibacy club, you can last two weeks without sex. Besides, there are no walls so I will know when you break my rule.”
“Like that’s ever stopped you and Blaine before.” Santana rolled her eyes. “But great. We’ll have five, sexually frustrated people cooped up together in a tiny apartment with no walls for privacy, no natural light and no entertainment. Someone’s definitely going to get murdered... by me.” She added.
“My vote’s on Rachel...” Y/N mumbled out. Santana stuck out her hand behind her back for Y/N to high five.
“I’m just glad we decided to check out of our hotel this morning and bring our stuff to you guys... because no matter how much I love you all, I am not going to wear any of your spare panties.” Quinn stood up to go and help Kurt.
“You could just go commando.” Y/N shrugged, “I wouldn’t mind.” 
Quinn sent her a teasing look and winked.
“I would say get a room but yeah, we don’t have any...so...” Rachel shrugged. 
“I can’t believe we’re going to have to do this.” Santana sighed and walked off to her part of the apartment. 
“Hey- but, look at it this way. We’ll have two weeks of non-stop karaoke, binge-watching and eating junk food. Doesn’t that sound great?” Rachel tried again but no one replied.
 ✫彡
One week done, one week to go. 
For Quinn and Y/N, this week had consisted of a lot of cuddling and making out in bed, watching silly movies and cooking with whatever they could find in the pantry.
Santana had surprisingly been on her best behaviour, though they let her be whenever she had a ‘don’t-talk-to-me’ look on her face. Y/N suspected that Brittany had probably told her to be nice and to make the best out of it, but she also liked to think that it was because of her presence. She hadn’t been able to visit her best friend often now that they lived so far away. But it was like old times whenever they saw each other again. However, Quinn had caught herself feeling jealous that the two women had spent that much time together. But her jealousy washed away when she saw the best friends joke or laugh like they used to when they were still 16 year olds. It warmed her heart.
Kurt blended in perfectly and knew exactly when to give someone space or when to approach them. He and Quinn made sure there was food on the table and he had ordered a lot of, mostly useless, stuff online to try and keep everyone entertained. The twister game had been everyone’s favourite so far. And the effort he put into his bingo night was even too wholesome for Santana to make a comment about it, no matter how bad she wanted to after getting a rubber duck as present when she won.
Rachel did her best to help wherever she could and she was, surprisingly, a lot of fun to have around when things got boring. Though, yes, the daily vocal exercises got a bit out of hand when she woke them up belting high notes at 7.30. Santana was close to killing her had it not been for Quinn and Y/N holding her back. Santana wasn’t intimidating at all with her bed head, tangled up hair and red PJs and Y/N couldn’t help but laugh.
Quinn had been over the moon, so to say. She got to spend two whole weeks with the love of her life. Yes, they lived together but that was different. Now, there was no schedule or work to interrupt them or cloud their minds. It was just them, enjoying being in each other’s arms. For a lot of couples the lockdown and quarantine would probably be make or break, but Quinn hadn’t been worried about a negative outcome at all. When you’ve been together for that long, and been through hell and back, you know you will persevere together. The company of Kurt and Rachel was fun, and it was certainly good to have Santana around again but Quinn couldn’t help but wish it had just been Y/N and herself in quarantine. If that had been the case, she knew they wouldn’t just spend their days only cuddling in bed.
Y/N was the only one that was visibly annoyed and on edge. She would roll her eyes or sigh in annoyance if things went wrong or if someone said something she didn’t like. Quinn had caught her staring out of the window, to which Y/N explained that she hoped if she looked hard and long enough she might see the dragon that would save her. She wasn’t used to sit around and do nothing and was bored out of her mind.
Quinn and Y/N were lying in Kurt’s bed with their legs tangled together. Quinn held her girl close to her chest. She squeezed her and inhaled the scent of her freshly washed hair. The window was slightly open, causing a chill breeze to slightly move the curtains.
“Now I’m sure of it...” Y/N started, getting Quinn’s attention, “I’m never going to commit a felony.”
Quinn let out a breathy chuckle, “Were you questioning it before?”
“I can’t imagine being stuck like this for years.”
“Well, you still have access to the internet, great food, your friends...and your wonderful girlfriend.” 
Y/N looked up at Quinn and grinned. She grabbed the girl’s cheek as she kissed her. 
“Can’t believe I’m about to say this but I’m actually really thankful we got stuck in quarantine.”
Y/N subtly arched a questioning eyebrow.
“It made me realise two things— too much of Rachel Berry will be the end of me-” Y/N let out a breathy chuckle at that, “-and...” 
Quinn stared into her girlfriend’s eyes, was she really going to do this now? Yes. Yes, she definitely was. This was the-
“Oh my God!” Kurt’s exciting squeal filled the apartment, startling both girls. They heard Santana shush him and it suddenly got very quiet. Too quiet... 
Y/N tiptoed out of the bed in her PJ’s and fluffy socks and opened the curtain to see Santana and Kurt staring directly at her. She had clearly caught them with something, but with what? Quinn appeared behind Y/N and noticed the jacket that Santana was trying to hide behind their backs.
Kurt noticed she was doing a poor job at it and snatched the jacket out of Santana’s hands to hold it up to his face, admiring it like it was a newborn baby. “Oh my, it’s so pretty! Where did you buy this?” 
Quinn quickly glanced at Y/N, who didn’t seem to notice what was happening. “Guys,” She groaned, “I thought something happened, you interrupted my peace.” She walked back, irritated, and closed the curtain in a swift motion. 
“Why were you snooping in my stuff?!” Quinn hissed and plucked her jacket out of his hands.
“Um, excuse me? When where you going to tell me that you plan on proposing to her!?” Kurt whispered, enthusiasm clear in his voice. 
Quinn didn’t reply and instead searched the pockets. “Where is it?”
“Here,” Santana gave her the jewellery box. “It fell out when Kurt was organising the coat rack.”
“Why haven’t you done it yet?”
“I had everything planned but the virus ruined it. It was suppose to happen the day we came here, but our favourite tearoom was shut down and so were all the other activities I had planned.” She sighed, “I was about to do it just now, in the heat of the moment, but then you two interrupted that. Whatever. I’m glad I didn’t. She deserved better than that.”
Santana crossed her arms, not happy with the fact that Quinn had apparently totally forgotten what the two of them had talked about a week prior.
“Damn, I wish you would’ve done it just now. That would mean the end of wicked witch Y/N.” Rachel joined their conversation. “Oh, so you can make fun of me but not the other way around? It was just a joke.” She added and raised her arms when she saw the looks Quinn and Santana were giving her.
“Okay, I know everyone’s feeling a bit irritated, but it’s just one more-”
The bell rang. 
“Don’t tell me you bought us all matching boho outfits for your Mamma Mia night. I’m not wearing it.” Santana crossed her arms.
“I didn’t order anything?”
Y/N appeared again and opened the door.
“Thank you so much. Here, keep this.”
She closed it, walked over to the kitchen table and went to put everything down, completely ignoring the rest. She noticed the silence and turned around.
“Oh- Don’t worry, I ordered for everyone.” 
Quinn eyed the table and recognised the familiar logo on the napkins. 
“Baby-”
“I felt so bad that we couldn’t go to our place this time. So when I found out that they started doing deliveries this week, I knew I wanted to order their high tea menu. I got the one we usually get... to make you feel better...”
Quinn wrapped her arms around the girl’s waist from behind and put her chin on her shoulder. Y/N leaned into her touch.
“This is the sweetest thing ever. I love you.”
Y/N kissed Quinn’s forehead and sat down, immediately grabbing a brownie.
“You need to wife her up, fast.” Santana whispered into Quinn’s ear when she walked by.
And she would, when the moment was right.
✫彡
Kurt was watching a movie with Blaine through face time, Rachel was practicing some lines and Santana was face timing Brittany. Quinn and Y/N had promised to do the dishes, but Quinn ushered the girl to take a nap on the couch when she saw how tired her girl looked. 
Quinn took quick glances towards the living room every few seconds and saw that Y/N had finally fallen asleep on the couch. With a faint smile on her face, she grabbed a blanket and tucked Y/N in. One of Rachel’s dvd’s, The Sound of Music, was still playing in the background. She slowly took the remote out of Y/N’s hands and turned it off.
“You’re the best and most precious thing in my life. I love you.” She bent down and caressed her cheek.
She widened her eyes when an idea suddenly struck her mind. 
✫彡
“What do we sing?”
“No... no singing proposal. Y/N would hate that.”
“I loved it.” Kurt shrugged.
“So, then what’s the plan?”
“Listen up...”
✫彡
Their quarantine was over and no one had gotten sick. No one from Rachel’s crew or cast had gotten it either. Brittany and Blaine came over as soon as they could. They were over the moon to hear about Quinn wanting to propose and agreed to help. 
“Love, what are you doing?” 
Y/N sat on her suitcase, desperately trying to get it closed.
“I thought I had gained weight, not my clothes.” She grunted, “If we want to get home before the dark we should drive off by-”
“Actually... I had something planned before we go home.”
“Oh?”
“Is it okay if we leave as soon as you can? Bring a jacket, I don’t want you to get cold.”
Quinn left Y/N to get ready and anxiously walked into the kitchen where the rest were whispering words of encouragement to her. Quinn knew how much they had loved each other for the past years, but something inside her was still very insecure if Y/N would say yes to her question... to her. What would she do with herself if Y/N didn’t accept her ring?
“She’s going to love it.” Santana hugged her tight but quickly let go when Y/N opened the curtain.
“Why are you all looking at me?”
“Because you look lovely.” Quinn grabbed her hand. They all sent her thumbs up as she took one last glance over her shoulder. 
✫彡
Y/N was eating a pretzel that Quinn had bought her in the park. The two were walking in a comfortable silence. Quinn glanced to the girl beside her, hoping that Y/N would catch on on what was happening soon. 
They had walked almost the very same route that they walked on that morning in New York many, many years ago. Their end stop would be at the edge of the park, where Santana and Brittany were now probably busy setting their high tea up.
“Why are pretzels so much better in New York?”
“Eh, I don’t know. I’m not really a pretzel girl.”
The park was normally crowded with locals and tourists, but they had barely seen a handful of people so far. 
“Wasn’t this where we sat with the kids from Glee?”
Quinn smiled softly.
Finally.
“Yeah, it is, actually.”
“Oh- Well, everything from that trip is very blurry in my mind, except for our first kiss, of course. I can even still tell you the colour of your coat.”
Quinn gave her a playful smile and grabbed Y/N’s hand. “Which was?”
“Red.” She booped her nose with the end of her pretzel, earning a giggle from Quinn.
She grinned softly, “Remember that snow globe I bought for you? With New York’s skyline?”
Y/N gasped, “I loved that thing.” 
The two laughed, remembering that Y/N had dropped it when they rushed to cross the street only half an hour after buying it.
“Then you bought me a couple others throughout the years but none of them have ever been able to have the same value to me. Sorry not sorry.” 
Quinn smiled to herself, hoping she was about to change that in a few minutes. She saw Santana and Brittany sitting on the grass in the distance and guided Y/N to the two. They left without saying a word, but not before giving the two enthusiastic but knowing smiles. Santana wiggled her eyebrows but Britt pulled her away.
“I am so confused right now.” Y/N hesitantly sat down on the blanket. “Why were they here?”
“I asked them to help me set up this little picnic so it could be a surprise. I know you ordered the high tea last week but I wanted to end our trip off like this, with just us. Also, we’ve spent the last two weeks in NYC without even a day outside. I didn’t want to leave before we went somewhere. I hope you like it.”
“Like it? I can never get enough of their cheesecake bites.” 
Quinn smiled nervously, trying to hide how stressed she felt. She poured the juice in their glasses and fed Y/N a bite of a scone with butter and peach marmalade.
“How does that taste?”
Y/N threw her head back and groaned. “I’m going to miss their food.” 
Quinn barely replied, too focused on how she was going to bring it up. Backing out now felt like a good way to calm her nerves but she knew she shouldn’t. Not only because Santana would kill her if she did, but also because there would never be a more perfect moment than now.
“Quinn?”
“Uh-Yeah, love?”
“What is this?” Y/N repeated. 
Quinn’s eyes widened when she saw the wrapped up package Y/N had grabbed out of the basket. 
“Oh- I... that...-” She sighed, “Screw it.” She went to sit on her knees and ushered Y/N to open it.
“For me?”
Quinn nodded, a big smile on her face.
“Quinnie... you-”
“Open it, my love.”
Y/N removed the wrapping paper and gasped when she saw what it was. It was a handmade snow globe, made in a mason jar. The New York skyline was glued to the bottom of it with a laminated picture of the two of them that they took during their first visit to New York. (Thank God Kurt was into a crafty phase during the second week of quarantine).
“I’m not the best at crafts but I just thought-”
“I love it.” Y/N beamed from ear to ear and her smile only widened when the snow inside of it fell onto the skyline.
“This is the most thoughtful gift someone has ever given me.”
“I’m glad you love it.” Quinn grabbed Y/N’s hand and softly moved it around so that the bottom of the snow globe was now facing up. Y/N furrowed her eyebrows until she realised what was scribbled down onto a piece of paper at the bottom. Quinn put the snow globe down and grabbed both of Y/N’s hands in her own, brushing her thumbs against the girl’s knuckles.
“I must admit that I thought what I’m about to say a million times over for the past days and I imagined what I would say to you in this moment for years—but truth be told, I kind of forgot all of that because of the nerves,” Quinn let out a chuckle, “To be honest, I have always known that you were the only girl I wanted to be with in this life. I don’t know what it was, but we’ve just had this instant gravitation towards each other. I know I wasn’t always the kindest to you in the beginning yet you still helped me through everything. The pregnancy, the accident... Now I can say all this cheesy shit about how you and I bring the best out of each other and how much love we have for one another but I think I don’t need to say that. We both know how much our relationship means to us. New York has always been a special place to me since it reminds me of why and how we fell in love. Which is why I wanted to do this here. This is were it all began. Now, I had everything planned months ago but... the situation changed and well... yeah. I had to adjust. At first, I wanted to postpone it all. Until I realised that I couldn’t wait any longer. Y/N, you are my everything. I want to be by your side until eternity. I want to be your person for as long as I can. I want to love and care for you for as long as you want me to.” 
She let out a shaky breath.
“So I guess...what I’m trying to say here is...” She grabbed the box out of her pocket, opened it and presented it to Y/N. “Would you like to marry me?”
Y/N looked at the box in shock, she hadn’t made eye contact with Quinn ever since she had presented her with the ring in her hand. 
The silence lasted only for a few seconds but it felt like minutes to Quinn, who slowly lowered her hands. 
Y/N suddenly let out a sob, then another. She jumped onto Quinn and wrapped her arms around her neck.
“Yes.” She said through her sobs. Quinn let out a gasp of relief and squeezed the girl in her arms, letting her own tears fall freely now. 
“Oh-” Y/N groaned and let go of her embrace. “I stepped into the scones...” She pouted and looked at her marmalade stained knee. Quinn laughed through her tears, realising this was exactly why she had asked this girl to marry her.
Y/N forgot it immediately the moment she locked eyes with her fiancée. She held her tight and kissed her like she never had before. 
They let go like two love-sick puppies when they heard all of their friends approach. The newly engaged couple was radiating.
“I love you, so much.”
494 notes · View notes
koganphrancis · 5 years ago
Text
Ernie & Bert Are Planning A Wedding
OR: My thoughts on Episode 11
Everything just hurts.  Let me start with the “previously on” segment.  Yeah, we finally get an Ian/Mickey intro, but it’s just like so many of the other intros-random characters outside yelling at viewers.  Since there’s been little to none intimacy for this couple this season we couldn’t have caught them in bed?  Or in mid-kiss?  Nope.  Ian can be drinking yet another beer tho.  Pretty sure those meds we saw when Sandy grabbed Mickey’s dick all those episodes ago now was Mickey’s gerd medication.  Ian’s clearly not being written as taking medication at all (yet again).  
But as usual, I digress.  The show starts with a somewhat cute reminder of how the Gallavich house is within running distance of the (now torn down in real life, RIP) Milkovich house.  Unfortunately it’s Terry who reminds us.  Ian’s watching Terry screaming up at the house while Mickey’s...off doing something without Ian.  Seriously, whatever the opposite of “joined at the hip” is, that’s what these epic soulmates are this season :( 
Anyway, Mickey walks downstairs and Ian unhelpfully informs him, “Your dad’s here.”  Mickey says yeah and goes out to see Terry.  Ian gives one more peek thru the curtain but must decide that Mickey’s in no danger, since next we see him, Ian’s sitting in the kitchen casually chatting with Lip about something that’ll never happen (Lip moving to Wisconsin).
Outside, Mickey and Terry draw guns on each other while Terry’s just now (?) trying to figure out where Mickey went “wrong” and turned out gay.  Um, I know Terry’s been busy with prison and running his illegal enterprises (whatever they might be), but he’s just now trying to catch up on what he learned literally years ago when he walked in on Ian and Mickey having sex?  
Tumblr media
(Gif credit: jackorowan)
The scene at least gives us an iconic Mickey line, “I definitely love one,” but is it too little too late?  It’s enough to send Terry on his way for now, after one last threat.  Mickey calmly goes back inside, says “mornin’” to Ian and Lip, and starts to make himself a bowl of cereal.  I list all that out to stress how non-stressed he seems.  Ian says, “So, how’s your dad?”, and just like the, “Hi, Mr. Milkovich” and “Was Mickey adopted?” conversation Ian had with Terry in S9, so far everything is being written to show how this is just normal family life when it comes to Terry.  But by the next scene the show will want us to buy that something entirely different is going on and I just don’t understand why they can’t find a narrative and stick to it.  In the days since the episode aired, I’ve read so many head canon posts about how understandable it was for Mickey to flip out after seeing Terry, and how that brought all Mickey’s past trauma to the surface and of course it turned him into a groomzilla, but I just can’t agree that that’s what the show either set out to do or accomplished.  Mickey’s been working for Terry, he’s been around him-it’s one of the few things about Mickey’s life the show has shown us since he’s been out of prison.  Everyone in Terry’s world that they’ve shown is perfectly comfortable talking about the fact that yes, some people are in fact gay.  Terry’s peers in prison, Terry’s own relatives-why suddenly in Episode 11 is this “a thing”?  
Anyway, the scene continues after Mickey quips that he doesn’t think Terry will be his best man.  Liam joins the scene and there’s very cute, well executed banter where Ian, Lip, and Mickey tell him they can each forge Frank’s signature.  It’s a tantalizing glimpse of what the season could’ve been if these guys were allowed to all be in scenes together.  
Mainly thanks to Myles’ AV Club review, I know that for whatever reason, the show decided to do a one month time jump between the engagement episode and this one.  WTF?  It doesn’t even make sense-it means somewhere that woman holding Frank captive was feeding him and clothing and bathing him?  That Liam hasn’t been to school in a month because Frank hasn’t been around to sign him in?  As if that wouldn’t have had CPS showing up at the Gallagher house (that has to be red flagged in the system by now)?  Debbie being toyed with by that mother and daughter has been going on for weeks at this point?  The only thing the time jump did that I care about was rob us of seeing Mickey and Ian telling people they were engaged.  We deserved a little scene of Ian and Lip talking about it at least-give Lip the opportunity to ask Ian what changed his mind about marriage and give the audience the opportunity to hear some sort of explanation.  “I heard some guy I know Mickey didn’t care about putting him down and I just knew then and there I had to marry him,” doesn’t quite cut it.  
But so much for what should have been.  In the next scene, Mickey slaps down a pile of wedding magazines and drops the news on Ian (as he hands him a beer) that they’re going to have a “wedding wedding”.  Mickey needs a headcount for the reception venue-clearly money is no problem, so working for Terry all those intervening weeks must’ve been lucrative.  
In a rare instance of the show actually cluing us in on someone’s thought process, Mickey says flat out that he now wants a “real” wedding because his fuckhead dad threatened to murder him-again-cuz he’s gay.  So, see?  AGAIN.  What’s different this time?  It’s like the show NEEDS there to be a reason, a mitigating circumstance, for two men to want to get married.  They can’t just let Mickey and Ian have the natural progression of their relationship leading to a lifetime together.  It’s so offensive.  And again, for viewers that have been invested in this relationship for so long, it just hurts.  Mickey’s doing this as a big FU to his father rather than as a big ILY to Ian.  That’s OOC for sure-Mickey’s always put loving Ian first in his life.  
In planning the wedding, Noel does get some great moments.  Talking about the “little shits that light the candles”, and his choice of wedding song, and confronting the homophobic old bitch at the florist.  And the literal scenery chewing he does at the wedding chairs rental place was, I’m sure, quite fun for Noel as an actor.  BUT-the only moment we get where Ian seems on board/with Mickey in any of it is at the florist before the bitch sets Mickey off.  Otherwise Ian’s like a casual bystander in all this-and that’s just not in character either.  Why can’t they both be into making these decisions?  Why, even if Ian truly couldn’t give a shit about seeing Mickey happy about these little details-why can’t they at least be affectionate with each other?  I don’t expect Schitt’s Creek level adoring looks, but I do expect Gallavich level.  Ian used to look at Mickey with awe even when Mickey was being his Mickey-est.  Why aren’t they allowed to show that anymore?  
I will say, I did love the stargazer lily thing-altho it’s all the more frustrating to realize this week’s writer must’ve watched at least the fan compilation video of Gallavich to know that detail was a very sweet throw back-why couldn’t they also write some kisses and hand holding in too?  But anyway, “Beyond Blue” and Mickey looking touched when Ian said he liked the blue ones-we needed a lot more moments like that this season.  Why everything’s getting crammed into these final, rushed episodes is beyond me.  
Now I have to bitch again about what was wrong with the florist scene.  Yes, I’m sure there are plenty of people like that woman in the world.  But there are also plenty who don’t oppose same sex marriage.  Why is it always such a big deal on Shameless?  Either everything’s gay or nothing is.  They’ve given us an entire squad of fire fighters who are gay.  Debbie clearly can’t walk five feet in any direction since the show decided she was gay without her finding a woman DTF her.  Ian had-what was the ridiculous number?-7 million Instagram followers when he was Gay Jesus.  So ONE homophobic old lady in a flower shop means disaster?  Ian knows how to look shit up on his phone, he proved that looking for wedding statistics.  You mean to tell me he doesn’t know how to check Yelp reviews to somehow find a gay-friendly florist in a city the size of Chicago?  
Mickey did get a couple of funny lines in that scene (killed me when he called her Grandma), but, again the show is throwing too much in the blender.  Is the scene supposed to be that funny?  If Mickey is dealing with past trauma, this is just adding to it.  And Ian, who is supposed to know Mickey better than anyone (including the viewer) isn’t acting worried about him, he’s acting like he’s being dragged all these places against his will.  So where’s the comedy in that?
Next there’s a scene of Mickey walking down the sidewalk and glorious natural light, looking like he’s glowing.  It immediately gets ruined by Ian stopping in front of a store window full of bride mannequins and looking at them and then after Mickey, with the visual implication strongly suggesting that Mickey’s the “woman” in their relationship which is so outdated in 2020 that the show and the network should have to pay a fine.  
Then we get the chairs meltdown, which gives us the truest line, “Why does everything always have to SUCK?”  You’re singing our song, Mickey.  Then the show proves that point for the millionth time by having Mickey call the chairs guy the R word-twice. 
In the next scene, Mickey’s called in the always reliable important character of Mand..um, Sandy because Ian’s of no use to him.  WTF?  Mickey is still talking up grandiose wedding plans and Ian’s still trying to figure it all out.  He tries to ask, “This is still about Terry, right?  You don’t give a shit about weddings...” Mickey interrupts him to ask where his ring is.  Ian has to stop and think and realizes he must’ve left it on the sink.  He runs off before Mickey can tear him a new one.  Mickey throws his pen down and says to Sandy, “I can’t even.”  Sandy replies, “I can see why you called,” but on Twitter fans have pointed out her lips appear to be saying, “Is he even into this at all?”  WHICH IS ANOTHER THING.  After all Ian’s marriage issues, why is Mickey bulldozing ahead and not noticing what Ian seems to be feeling AT ALL.  (Which appears to be that he’s once again regretting this whole marriage thing.)  Why does the show make the two of them so blind to each other’s feelings now?  WHY?  Now that Lip’s living in the RV, do they even share a room anymore?  They act like they never, ever talk now.  There is such a disconnect hanging over the short time they are shown together in every episode.  Not to mention they’ve been desexualized to the point of being a couple of Ken dolls.  John Wells must be so thrilled he doesn’t have to sit thru dailies of them physically touching anymore.  I’m willing to believe he hired someone to Jeff Giloolly Cam’s leg so he could have Mickey and Ian get engaged and married without any love scenes at this point.
In the last scene, Ian and Mickey are at The Alibi and Ian’s (having a beer) making one last attempt to simplify the wedding.  After another “it depends who’s the bride and who’s the groom” eye-rolling moment, Ian asks, “Can’t we just be Ian and Mickey?”  I guess not, when it comes to this show.  In the past Ian would’ve loved Mickey’s tension away for him-letting Mickey find his release in multiple orgasms, not in wedding planning.  Now all he can do is hire some guy with a guitar to show up at the bar and sing Mickey’s wedding song-and “sing” is a very generous term here.  Props to the show for not having an amazing singer just show up out of the blue, but, for the love of my bleeding ears, couldn’t they have found less of a screecher?  
Mickey is, at first, freaked out by this guitar playing weirdo coming near his booth, but when he recognizes the song he asks, “How the fuck did you know that?”  The guitarist replies, “Little bird told me” indicating Ian, and then unfortunately goes back to the song and soon finds himself way out of his range.  Mickey gives Ian a soft look, Ian gives Mickey one of the smiles he only ever has for Mickey, and Silver Tree becomes JW’s favorite director ever by not even letting us see them holding each other’s hands-that’s below the camera line.  For all we can prove, maybe Ian and Mickey were just reaching for the salt shaker at the same time.  Personally, I would’ve ended the episode with Ian and Mickey metaphorically and literally getting on the same page-they go back to the house, their double bed is covered in Mickey’s wedding magazines and color swatches and seating charts and whatever other wedding prep detritus.  Ian, seeing it all laid out like that says softly, “Are you really doing all this for Terry?” and Mickey says, “Course not, it’s all for us.  We deserve it.”  Then they flop down on the bed together and get to kissing, right on top of it all.  
But no, can’t have them intimate or even on the same side of a booth.  So, you’d think that happy-ish ending we did get means Mickey’s out of his Terry-induced panic, but scenes and stills for the season finale will disabuse you of that hope.  
My final thought is: I’m wondering how much, if any, of these wedding details we’ll see.  The show is too cheap now to spend money on a church wedding with those gorgeous stargazer lilies and the little shits that light the candles.  Plus why would you have Living On A Prayer sung again when you used it in this episode?  Will one of them-or both of them-walk down an aisle?  They’ve already got their rings and have been wearing them-I don’t see them wearing multiple rings each.  If the show had any guts at all, it’d have them exchange cock rings at the ceremony ;P  Will we even get to see the wedding part or will they go straight to some sort of brawl/reception?  And, sadly, I’ve felt from the first time I saw pictures of them driving off in the Mercedes that we’re not going to see them get to consummate the marriage.  I hope I’m wrong about all of it, but I won’t be surprised to be let down utterly-either by what they don’t or what they do show :(  See ya on the other side!
15 notes · View notes
beatlejuice64 · 6 years ago
Text
Destiel: Season 5 - A catalog of Supernatural episodes
A catalog of each episode in Supernatural that features scenes related to Destiel. This includes scenes between Dean and Castiel, scenes with other characters that address their relationship with each other, and scenes that allude to Dean’s bisexuality.
Season 5 Summary Analysis:
Castiel is frustrated that his rebellion against heaven to help Dean ended in failure. He spends time with Dean while Sam is away and they become close friends. Cas develops a strong respect and affinity for Dean, and he resents that Dean gives in to his fate after trying so hard to help prevent it from happening. Cas takes Dean’s resignation as a personal slight and acts like a spurned lover. Throughout the season, Dean exhibits slightly homophobic behavior, especially with regard to Cas. 
My interpretation: Cas has developed unrequited romantic feelings for Dean. Dean cannot reciprocate because he’s still closeted about his bisexuality, and he’s hyper focused on saving the world, not on his personal happiness.
5.01 Sympathy for the Devil 
Dean is bummed to find out Cas was killed by an archangel: “Cas, you stupid bastard.” 
Cas comes back and saves Sam and Dean from Zachariah, marking their ribs so that they’re hidden from angels. Dean is pleasantly surprised to see Cas again.
5.02 Good God, Y’all! 
Cas is back with renewed vigor because he feels like God is on his side. Cas is frustrated that Dean failed to stop Sam from raising Lucifer: “I killed two angels this week, my brothers. I’m hunted. I rebelled, and I did it—ALL of it—for you. And you failed. You and your brother destroyed the world, and I lost everything for nothing. So keep your opinions to yourself.” 
Dean lets Cas borrow his necklace to find God.
5.03 Free to Be You and Me 
Cas comes to Dean for help to find Raphael. They seem much closer than they were before, but there is some tension between them (possibly sexual?): “Cas, we’ve talked about this. Personal space.” 
Cas resents Dean’s thanklessness: “I need your help because you are the only one who’ll help me.” 
When Cas and Dean go visit the sheriff’s office, Dean fixes Castiel’s tie for him. Cas learns people skills from Dean as they’re on the case. 
Dean takes Cas to a brothel: “There are two things that I know for certain: One, Bert and Ernie are gay. Two, you are not gonna die a virgin, not on my watch.” 
Cas is very uncomfortable in the brothel and accidentally upsets a hooker. When they leave, Dean is cracking up: “It’s been a long time since I’ve laughed that hard. It’s been more than a long time—years.” 
Cas is upset to learn from Rafael that God’s not around. He also takes a page from Dean’s book and dishes some trash talk: “Today you’re MY little bitch.” 
Dean consoles Cas: “There were times when I was looking for my dad when all logic said that he was dead. But I knew in my heart that he was still alive. Who cares what some ninja turtle says, Cas. What do you believe?” 
Cas makes sure Dean is ok before leaving. Dean appreciates having someone to connect with other than his brother: “I’ve had more fun with you in the past 24 hours than I’ve had with Sam in years, and you’re not that much fun.”��
5.04 The End 
Castiel waits four hours by the side of a road so Dean can sleep: “I’ll just... wait here, then.” 
Zachariah sends Dean 5 years into a dystopian future where Dean never said yes to Michael. Future Dean is a hardened soldier. Future Cas is a hippie sex guru. The two appear to have a history of closeness: “I thought you’d gotten over trying to label me.” 
Future Cas laughs at past Dean’s sarcasm: “What? I like past you.” 
Future Cas seems to butt heads with future Dean but goes along with his plans anyway (possible because they have built up trust over time). 
Past Dean calls out future Dean for lying to his people and singles out Cas: “You mean you’re gonna feed your friends into a meat grinder? Cas, too?” 
Back in the past, the waiting Cas grabs Dean right before Zachariah can get him. Dean is glad to see him: “Don’t ever change.”
5.06 I Believe the Children Are Our Future 
Cas wants to kill the antichrist, Jesse, but Sam and Dean want to help him. Cas tries to kill Jesse and gets turned into a plastic toy. Dean asks Jesse to return him to normal: “Truth is, he’s kind of a buddie of mine. Is there any way you could turn him back? He’s a good guy. He was just confused.”
5.08 Changing Channels 
Dean fanboys over Dr. Sexy, MD. He seems to have a crush on Dr. Sexy, even moreso than Dr. Piccolo or Dr. Wang. He knows everything about the character, including what kind of shoes he wears: “I swore part of what makes Dr. Sexy sexy, is the fact that he wears cowboy boots, not tennis shoes.” 
Dean forces Gabriel to release Cas: “Cas, are you ok?”
5.11 Sam, Interrupted 
Dean talks with a therapist (who is actually in his head) and we find out he’s never been in a long-term relationship (more than 2 months).
5.13 The Song Remains the Same 
Cas meets with Anna on behalf of the Winchesters to protect them from her. Cas regrets turning her in. Anna comments on his determination to protect the Winchesters: “You’ve changed.” “Maybe too late, but I have.” 
Cas sends the Winchesters back in time at great personal risk to himself. 
Dean demonstrates faith in Cas: “He’ll wake up. He’s, you know, tough for a little nerdy dude with wings.”
5.14 My Bloody Valentine 
Dean is “not feeling it this year” for picking up a girl on Valentine’s Day, and Sam is concerned: “It’s when a dog doesn’t eat. That’s when you know something’s really wrong.” 
Dean calls Cas and they just stand there staring at each other for a minute. 
The naked Cupid makes Dean feel uncomfortable, but he can’t stop checking him out. 
Famine causes Cas to start eating burgers and Sam to crave demon blood. Dean is amused by Cas’s hamburger eating and calls him the hamburglar. Cas comments on Dean’s lack of hunger: “You’re saying you’re just well-adjusted?” “God no. I’m just well-fed.” 
Famine doesn’t affect Dean because he’s given up on life and feels dead inside. Cas tries to comfort Dean when they lock Sam in Bobby’s panic room for detox: “You know, it’s not him in there, not really.” 
5.16 Dark Side of the Moon 
Sam and Dean are killed and sent to heaven. Cas guides them to Joshua, and he is extra touchy when talking to Dean. 
Cas is upset to learn that God has left and returns Dean’s necklace. Dean throws the necklace away because he‘s lost faith in his brother.
5.17 99 Problems 
Cas shows up drunk because he’s despondent about God’s absence. Dean gives Cas some pain pills for his hangover, and he commiserates with Cas: “I’ve been there. I’m a big expert on deadbeat dads, so yeah, I get it. I know how you feel.” “How do you manage it?” “On a good day you get to kill the Whore [of Babylon].” 
5.18 Point of No Return 
Dean decides to say yes to Michael, but Sam and Cas stop him. Cas is pissed off that Dean would do this and keeps glaring at him: “Maybe they wrongly assumed Dean would be brave enough to withstand them.” “Alright, you know what? Blow me, Cas.” 
Cas brings Adam to Bobby’s, and they stick Dean in the panic room. Dean seems surprised at how angry Cas is and taunts him with a wink: “Cas, not for nothin’, but the last person who looked at me like that, I got laid.”
Dean says he’s tired and doesn’t believe in Sam. When Cas goes to talk to him, Dean blows him away with the blood sigil and escapes. When Cas finds Dean, he beats him up in an alley: “I rebelled for this? So that you could surrender to them? I gave everything for you, and this is what you give to me?” 
Dean taunts Cas to kill him, but Cas doesn’t. When Dean comes to, he’s still irreverent: “Word to the wise, don’t piss off the nerd angels.”
Sam tells Dean he believes in him. Cas continues to verbally burn Dean, and Dean looks visibly taken aback by it: “You’re gonna take on 5 angels?” “Yes.” “Isn’t that suicide?” “Maybe it is, but then I won’t have to watch you fail. Sorry, Dean. I don’t have the same faith in you that Sam does.” 
Cas carves a sigil into his chest to help Sam and Dean save Adam. Dean ends up not saying yes because he didn’t want to let Sam down.
5.21 Two Minutes to Midnight 
Cas apologizes to Dean for being so hard on him: “You are not the burnt and broken shell of a man that I believed you to be.” 
Cas saves the Winchesters from Pestilence, despite having lost his powers. Cas is super bummed that most of his powers are gone, but he believes in the Winchesters: “You and Dean have a habit of exceeding my expectations. He resisted Michael. Maybe you could resist Lucifer.”
5.22 Swan Song 
Cas falls asleep in the back seat and Dean comments: “Aw, ain’t he a little angel.” 
After Lucifer gets away, Cas and Bobby are fatalistic and Dean refuses to accept it. When Dean heads for the cemetery, Cas is concerned: “I just want you to understand. The only thing that you’re gonna see out there is Michael killing your brother.” “Well then I ain’t gonna let him die alone.” 
Cas is inspired by Dean’s love for Sam and shows up to help: “Hey, assbutt!” 
After Sam jumps in the pit, Cas heals Dean and Dean says, “Cas, are you God?” “That’s a nice compliment, but no. Although I do believe he brought me back, new and improved.” 
Dean asks Cas what he’s gonna do now: “Return to heaven, I suppose. With Michael in the cage, I’m sure it’s total anarchy up there.” “So, what? You’re the new sheriff in town?” “I like that, yeah. I suppose I am.” “Wow. God gives you a brand new shiny set of wings and suddenly you’re his bitch again.” “I don’t know what God wants. I don’t know if he’ll even return. It just seems like the right thing to do.” “Well, if you do see him, tell him I’m coming for him next.” 
Dean is angry, but Cas tries to help him see the situation as a success and reminds him what it was all for: “He helped. Maybe even more than we realize.” “That’s easy for you to say—he brought you back. But what about Sam? What about me, huh? Where’s my grand prize? All I got is my brother in a hole.” “You got what you asked for, Dean. No paradise, no hell. Just more of the same. I mean it, Dean. What would you rather have? Peace or freedom?”
11 notes · View notes
shirtlesssammy · 7 years ago
Text
14x04 Bullet Point Rambles
We are appreciating all the little nods to Supernatural in this intro sequence. The trench coat! The flannel! The horror movies! The creepy cabins and killer trucks! The woman in flannel named Sam. THE WOMAN IN FLANNEL NAMED SAM.
(Guys we struggled afterward to find out the girl's name. Turns out it was Sam all along. Oh, man. Nice one, show.)
Oooo moving toys! This is so Toy Story-goes-darkside. I hope wonder if this guy is gonna get bludgeoned by that little action figure.
Oh my god Dean is hanging out in his room in his SOCKS watching movies and eating pizza. He's no longer able to relax in the Fortress of Deanitude! weeps forever
Also, Dean. Seriously. I feel that very hard.
Aw Sam shaved his face. “It's like a dolphin's belly,” Dean notes. (Dean Bean)
Sam reports that Dean hasn't left his room in a week. Oh bby. And his room is a MESS. Dean's in a bad place but at least he's consuming more than just alcohol.
Sam tells Dean about the case...and Panthro pulls Dean back in the game (while Sam smiles knowingly)
Yesss Dean asked for apple cider at Dirk's mom's house. I love you, fluffy Dean. Hey, who wants to write meta about Dean asking for treats from moms? (Wait, DOES he do this sometimes or did I just aggressively head-canon that?)
Dean's clearly wearing glasses because he's sporting a secret identity. Glasses are VERY important for secret identities
Sam doesn't like Halloween and we all want to know why! Dean notes that every day isn't like Halloween because they “don't eat that much candy.”
Whoa a chainsaw tries to take off Dean's head while he's investigating the house! I didn't expect that. So it's definitely haunted...
Stuart gets attacked and they head to the hospital. Sam gets to search the house for ghosties. This is gonna go greaaat. I hope they don't collect clowns.
There's a horror movie playing in the hospital hallway, which seems restful. Dean and Dirk, Stuart's friend, are totally into it. Dean is NERDING out with Dirk about horror. What a precious butterfly.
“Growing up, it's always nice to check out once in a while. I like to watch movies where I know the bad guy is gonna lose.” And there’s our THESIS STATEMENT for Dean tonight.
Aha! The store owner Jordan died, which explains why he was attacking Stuart the thief... The air in the comic store starts to freeze and Sam whips out his EMF detector and calls it a carbon monoxide detector. LOL.
“You are not from the insurance company, are you?” I always love the revelation moment
When Sam gets trapped and calls Dean, Dean is so stoked to learn that hatchet man is heading to the hospital. Aw Dean.
What we learn from Sam getting trapped in this comic book store is that it's where we'll wait out the zombie apocalypse.
In the hospital room, the ghost arrives. Lights flicker. Doors rattle. A chill descends... Dude STAY in the salt circle, come on man.
Dean grabs a fire hatchet to fight off the horror guy. Starring Dean Winchester in: The Hospital Hatchet Horror!
I like the twin chase scenes. The horror movie plays in the security guard office while a real horror movie plays on the security feed, showing Dirk getting chased by the hatchet man. (And I love the commentary earlier about the abandoned hospitals. It's so tongue-in-cheek I love it.)
Meanwhile Sam makes a bomb in a Scooby Doo lunchbox. Damn Sam. He blows the door down. Nice. “Where did you learn to do this?” “I had a messed up childhood.”
Yaaay we get a fake movie trailer for the horror movie! I can't wait for people to take it apart.
“In this dark quiet hospital they run. They can hide. But there's no escaping the hatchet man.”
Yes, Dean uses unconventional objects to fight the hatchet man in the morgue and I LOVE IT. Dean's such an inventive fighter.
The girl realizes the key chain might be what the former owner is attached to. The guy's got the jump on Dean, strangling him when Sam busts in and they burn the keychain. Boom. Ghost defeated.
“Is it really over? Just like that?” “Just like that...” Dean echoes in disbelief. Yeah...getting half strangled is easy.
On the drive home Dean thanks Sam for getting him out the door and getting him a “win.”
Sam tells him that he's got to stop hiding in his room. He assures him that nobody blames him for what happened with Michael. “I'm never gonna get over it,” Dean tells him. But he'll help out. “Alright, Chief?” Awwww Dean.
Dean tries to drill into Sam's hatred of Halloween. “Is it something Dad did?” he guesses. weeps quietly
Sam talks about Andrea Howell, a girl who invited him to a party. He was nervous and threw up in the apple bobbing bucket. Oooh those childhood scars stay with you for LIFE, right? (I love that it was a real, relatable childhood story that burned into Sam.) And Sam hid out in the woods until Dean went to get him. (Dean the responsible parent.)
Next year, they're doing Halloween right, with coordinating costumes. “Bert and Ernie? No, that's weird.” LOL
Back in the hospital....lights flicker. The guard finds the abandoned axes on the floor and a knife. He stumbles across the giant statue, which laughs menacingly.  Typical horror movie ending, teasing a sequel and telling us the evil's not so easily won.
And hey, guys! Nobody died. Now that IS a win.
54 notes · View notes
sweetwatersound-blog1 · 7 years ago
Text
Riverdale S2E7 Review
So sorry this is late. And for the length. And for the way I flip out near the end.
CHAPTER TWENTY: TALES FROM THE DARKSIDE
 Well, well. Look who’s trying something new. Riverdale experimented with tone and style in the seventh episode of this season. As a storyteller in my own right, I appreciate the effort for variety. Of course, there were things about it that worked for me and things that didn’t, but let’s get to that in a minute.
What exactly were we all watching Wednesday night? A young adult anthology penned by Stephen King? Or was the dark, tingling quality in the show’s atmosphere a byproduct of fanfiction fumed with Queen hits?
Huh, you say? Let’s break down that observation, in order.
 Bert and Ernie Archie and Jughead
Lawyers in general earn a mixed reputation for their practice. I grew up hearing of comparisons to sharks and parasites. But Penny Peabody has carved herself a special box of awfulness here. After all, every snake is a serpent but not all of Riverdale’s Serpents are snakes.
After Riverdale received a message from the Black Hood (his basic blah, “sin and die” stuff) the whole town reacts by…ahem, business as usual?
Betty, evidently distressed by her failure to keep Jughead’s drug-dealing English teacher alive, spent the night in her boyfriend’s arms. He did his best to console, and I could have gone for more than that, but then his phone sang the song of eternal damnation, and he had to run off to appease the Snakecharmer.
Penny, using Jughead’s concern for his father’s welfare in prison to her advantage, promised she can get FP out if Jughead did one little job for her.
Which led to him making a midnight drug run, with Archie as his co-pilot, his conscience torn between his determination to support Jughead and his passive desire to stop him.
Overall, the night was full-moon freak worthy. Jughead and Archie met a man on the road whose interest in the Black Hood suggests that the masked killer has been sending fan mail in the wrong direction. The boys also randomly encountered a set of deer, one bloody and the other bloody-dead. Poor Jug had so many jumpscares, I was surprised that it didn’t end with Archie checking him into a mental health clinic.
But they were in a hurry, after all, and like the song Headlong says
It ain’t no time to figure wrong from right, cause reason’s out the window, better hold on tight – you’re rushin’
  Josie
 Oh, good, a character who deserves more attention has finally got some! I always loved Josie’s friendship with Cheryl before, and now there are layers to go with that slice of cake. Granted, when you go a’ explorin’ the foundations of friendship, you might not always like what turns up from the dirt. But even if I don’t have quite the same love for Josie/Cheryl anymore, I am definitely more intrigued by them.
So, this is the (long overdue) spotlight on Josie McCoy. Pussycat by day, the next Whitney Houston by night. Might I add Ashleigh Murray’s pipes are fabulous, and I could fall asleep listening to Josie play the piano. No one knew she was composing alone except for her bff Cheryl, who is paying for studio time. Because the beginning of their story intersects with Jughead and Archie’s, we get the pleasure of hearing Cheryl snap at them as “Bert and Ernie” TWICE while chatting with Josie. Then Josie opened her locker to find a stuffed animal with a stalker-note attached. She rolled her eyes and tossed it, assuming it was from a secret admirer. Because it wasn’t like there was a Ra’s al Ghul wannabe ready to waste a town that day. At least Cheryl was wary, but her devotion to Josie seemed more intense here than it had been in previous episodes.
Then Josie encountered Chuck Clayton. Instead of skirt-chasing for the sake of humiliating his dates, Chuck goes to church. Chuck takes art classes. Chuck is ready to start going by Charles now.
There was in fact something softer about him in this episode, enough to leave both me and Josie hoping he’d changed. That dance between them at the diner was so cute.
But whether this was a one-shot tale or a to-be-continued setup, we’ll have to wait and see. Because while Josie did have a stalker in this episode, it wasn’t the Black Hood. It wasn’t Chuck.
Cheryl, you break my heart.
In honor of Josie’s rollercoaster of a trip, I give you The Invisible Man.
 When you hear a sound that you just can’t place, feel somethin’ move that you just can’t trace, when something sits on the end of your bed. Don’t turn around when you hear me tread/
I’m your meanest thought, I’m your darkest fear
But I’ll never get caught, you can’t shake me, shake me dear
 Veronica & Betty
 The last story goes back to what Betty did after saying goodbye to Jughead. While talking to him about the teacher murdered in Sheriff Keller’s station, a lightbulb sparked in her brain – who could find it easier to get into the cell than Keller himself? Not one of her better ideas, I feel, but she ran ahead with it. She told Veronica, who insisted the Sheriff was just exhibiting the signs of practicing infidelity. Still, the girls agreed for Kevin’s sake they would have to be careful. While Betty worked her Veronica Mars magic at the department, Veronica invited herself to a sleepover at Kevin’s house. Being the warm treasured heart he is, he taught her how to dominate his favorite fantasy board game. Taking a break, Veronica took a call from Betty. (virtually the only time I’ve ever been truly disappointed in my girl – more on that later.)
Betty learned from V that a bunch of doors were locked at the Keller house. She bobby-pinned them open until she found Sheriff Keller’s evidence office. Crime scene pictures here, letters from the Black Hood there. Betty was just picking up the black mask that Keller had confiscated from Archie earlier this season, when the Sheriff showed up.
However, when the scene bounced to Betty and her father sitting, facing Keller, he wasn’t enraged. He seemed quite understanding of her suspicions, and downright sad she had them. He promised her he wouldn’t tell Kevin, because she and his son were so important to one another, and knowledge of this incident would break his heart.
But for relentless Betty, it wasn’t over. She wanted to know where Keller was sneaking off to at night. Tailing him alongside a reluctant Veronica led them to a motel. Keller knocked on one of the doors, and out stepped Mayor McCoy – Josie’s mom – into his arms.
The girls swore a pact they’d never reveal the truth to Kevin. I felt like they also should have promised each other to never investigate with Veronica’s Cheat-Buster’s intuition. This was one secret that would have been better left uncovered.
 Because Kevin remarked upon “the pressure” his dad was facing so much, here’s Under Pressure.
Pressure pushing down on you, no man ask for
Under pressure that burns a building down
Splits a family in two
Puts people on the streets
  Odds and Ends
 These are a few of my other Darkside observations, pros and cons:
We had a break from Toni. Yes I know some still like her, and yes I know she’s not a bug mucking up Bughead’s windshield. For the record, though? I wanted to like Toni Topaz. Really. I was so hoping she’d be the Toni from my South Side Story fic. That Toni took a stand, had integrity, and had a kind-of-crush on Betty. She was interesting, and I was hoping Vanessa Morgan’s version would at least have some interesting lines. Sadly, something fell flat for me along the way, and with this absence I hope the writers have thought of a new way to make her more appealing as a person.
 Bert and Ernie. BERT AND ERNIE. Though I see Jughead as more the cynical-ish Bert, and Archie is more the rubber ducky type methinks. Still, never getting old.
 But unfortunately, I have some nitpicks now.
 Archie owes Jughead? You know, I’m not entirely certain Jughead would have won that race with the Ghoulies. And if it had been a clear loss...Jughead clearly needs glasses if he’s that shortsighted. Archie bailed him out of a high-risk situation. If it had been me in that fix I daresay I would be treating Archie Andrews to burgers and milkshakes for a month.
Even worse friends are the Pussycats. Setup or no, I just wanted someone to point out to High and Mighty Valerie that cutting Josie out for working on songs by herself when just a few months ago she was crushed for writing songs with Archie seems either very petty (if revenge) or hypocritical.
I hate to bring up hypocrisy now, but let’s examine Betty’s actions when her boyfriend’s father was under suspicion for murder. She. Would. Not. Have. It. Everyone, from Archie and Veronica to her own damn mother wanted her to look a bit more closely beyond Jughead’s words that FP was innocent.
Cut to today, when she doggedly pursued the father of one of her closest friends, and someone she’s been quite frankly more familiar with over the years than FP Jones, for his potential ability to walk into a jail cell and shoot someone. And for Veronica to remind Betty that investigating Kevin’s dad would hurt their friend, only for Betty to keep gunning for him like the Kellers meant so little to her.
*I’d like to think I know what this is about. Betty has been traumatized by the Black Hood. She’s so freaked Dark Betty has had to come out of the woodwork. Dark Betty is colder, a bit more obsessive than the Girl Next Door version. She’s probably determined not to rest until the culprit can’t hurt her or her friends anymore.
I see this possibility. Of course, I could be dead wrong.
 But now that I’ve mentioned the Black Hood, I’m going to say what I should have said the last time:
Where tf is the FBI?
I mean, there’s a psychopath in a mask that has declared war on an entire town. When he starts sending encrypted messages vowing to erase all sin from Riverdale, Jesus sorry but that’s when you send in the Feds.
 Riverdale has forty-eight hours to stop sinning or he’ll kill again. Doesn’t anyone take this threat seriously?
Obviously not, including the very people he’s threatening. WTF kind of a test is that anyways? A town without sin, wow, really? He might as well come for all of us.
Tumblr media
  With this theme song:  Innuendo
 show yourself, destroy our fears – release your masks
9 notes · View notes