#austin theory icons

[heart4reigns]

DRAGGED, roman reigns.

warnings: curse words, kayfabe, bitch (y/n) alert!!

tags: austin theory trying to flirt, kissing, paul heyman being annoying, just pure agony between these two losers, pet names

summary: it's not an act, she's just a bitch

TURNING heel was definitely a career-defining moment for you. it was easier for you to be portrayed as the 'bad guy' in this industry. it made people think that you are, in fact, a bitch in real life–which was true. that helped people stray away from you. you were untouchable. no one dared to cross your path. people backstage remembered the 'austin theory' incident.

he thought you were only unapproachable on stage, but you were still the same after the camera stopped rolling. the male-wrestler decided it was a good idea to ask for your phone number and flirted a bit with you, in front of the crew, of course. things took a turn when you didn't say anything and just walked away. to say the least after that day, you were the talk of the town and no one bothered you.

after showing your face on tv, you went backstage in a hurrying matter–wanting to go home as fast as you could. you thanked god that the hallway to the parking lot was empty–so you thought–as you spotted a certain man in a suit. it was none other than paul heyman. of course he was there, he was everywhere.

you hated the entire bloodline (with an exception of solo and the twins) which leaves only paul and roman. they were insufferable. "hey, new girl." he greeted you. "what do you want?" your tone was cold. "you did great out there, you have so much potential." you only nodded in response. "is that all?" his eyes widened in surprise.

paul confirmed it himself that the rumors were true, you were hard to crack. "i'm interested in your future, you know, the draft is happening in a few days. you heard about it?" "yeah, and?" you knew he was a higher up in the board, but you couldn't careless. you were tired and you wanted to go home. "'if that's all, i'll be going home." without waiting for his answer, you went outside.

after hearing your footsteps fade away, paul immediately pulled out his phone and made the call. "hello, yes, you'd love her."

the next following days were somehow boring; you couldn't careless about the draft happening, you knew you were always going to be with the blue brand.

to say the least, the backstage was crowded with people. you passed crews doing their own job, like usual. wardrobe passed the iconic blue shirt that they were bringing back since the 2000s. "now we have to wear this thing again?" you raised an eyebrow at the staff. "y- yes. the boss asked us to bring it back." you sighed in agony. "okay." was all that came out of your mouth.

you sat at the very back, not wanting to gain attention from anyone. but like a diamond in a sea of blood, you stood out. one by one, the stars entered the room, you spotted your coworkers, only nodding at them when they greeted you. and there he was.

the undisputed wwe universal champion, roman reigns. you've never interacted with him or even spared a glance at him. he had this aura that you hated. he was just as dominant as you were. people were intimidated by his position and the power he had. he just had to sit right next to you.

he was alone. what a rare sight. the twins were two rows in front of you. so it was quite strange for the tribal chief himself to not sit in front, gaining everyone's attention. but then again, you couldn't careless. you could feel his eyes on you. "what do you want?" you asked, each word laced with ice. he didn't respond. "then stop staring at me, we're rolling in 5."

the draft started and everyone got into character. not you though, you were still the same. you saw triple h, speaking to the microphone. "this first pick, goes to smackdown, and they select... all four drafted as one. paul heyman, solo sikoa, the undisputed wwe universal champion, roman reigns. and the lone wolf, (y/n) (l/n). the bloodline!" the camera panned to the two of you as you heard people in the room gasping. "what the f–"

and things went downhill after that.

the cameras stopped rolling and you didn't know what to do. your entire career path was a mess. no one said anything to you about being drafted with the bloodline. the last thing you remembered before you were dragged into a meeting room was that smug look plastered on roman's face. as soon as the door closed, leaving 6 people–including you, alone, hell broke loose. "what the fuck is this about?" you raised your voice.

"listen, (y/n)." paul was the first one to speak up. "no, you listen to me you little shit. i was doing fine alone, now i am dragged into this bullshit family drama without me knowing? what the fuck happened to diplomacy?" you furrowed your eyebrows. solo, jey, and jimmy were speechless. people would kill to be in the bloodline. "you just had to drag me into this mess that i don't want. i would prefer to be drafted to raw for fuck's sake."

"leave." a word came out of roman's mouth, instructing the other 5 to leave the room and they did. this was the very first time you were left alone with the tribal chief himself. the room was quiet, tension so thick, you could cut it with a knife. "if you think i am scared of you, you're wrong." you barked at him. "calm down, babygirl." the black-haired man chuckled. "do not fucking call me babygirl, i have a name."

you didn't know what was going on in the minds of the creative board, but you didn't like it. "if you stop being a hot-headed babygirl, we can talk terms." he said. "then fucking explain it! i was doing so good alone, roman. i don't even know you." you continued. "it was my idea to include you in the bloodline." he paused for a second to stare at you.

"paul saw your potential and i watched your match against bayley. this entire lone wolf act, you fit right in." "well, it's not an act. i work alone." you glared at him, trying to fight back. "fuck you, i don't want to see you." he leaned in closer and grabbed your chin. "babygirl," roman paused for a second, not breaking eye-contact. "i'm not going anywhere." oh it was so on for the two of you.

the first match was in 2 weeks. it was already stressful enough for you to train with the bloodline. you arrived at their usual gym, still pissed off by the fact that you weren't going to train alone. "hey, (y/n)!" jimmy greeted you with a smile. you nodded in response and went straight to the ring.

roman was standing there with a clipboard in his hands, scribbling something down. "you're late." he said, not looking at you. "blame my uber." paul entered the ring with the twins and solo. "so i just got word from creatives that they're going to push the two of you," paul paused for a second to point at you and roman. "into a tag team."

just when you thought things couldn't get worse than before, it did. "you gotta be shitting me." you cursed out. the smug look came back once again. "they're putting you up in a match with sami and kevin." the four wrestlers chuckled. "this is so funny." jey chuckled. "oh they're going to love it." paul added.

the training started and surprisingly, the chemistry between roman and you were unmatchable. you never doubted him and his strength and the same goes to him. "punch him as the last move." you suggested, scribbling down some additional notes. "and you'll flip owens over the ropes." he knew exactly what you were thinking about. "right." then again, you were kind of surprised how well the two of you were in-sync.

training ended, leaving only you and roman in the gym. the others left as they didn't have anything to do. you hated the fact that the two of you were a match. "you did great, babygirl." he said, taking off his gloves. "call me 'babygirl' one more time and i'll knock you out without any hesitation." you stared at him. roman chuckled darkly. that was kinda hot, you thought. "i'm leaving."

"no, you're going to eat with me." "and what if i say no?" you raised an eyebrow. "i'm going to kiss you on live television." this man was getting on your nerves. "if you do that, i'm actually going to fucking kill you." and there you were, in his car, eating your feelings away. you hated this. you hated the fact that you were under his control.

you didn't want him to actually kiss you on live television, it could damage your cold image. "are you always this hard to deal with, sweetheart?" he asked you, taking a bite of him fries. "are you always this fucking annoying to women?" "only to you, baby." you groaned in frustration. "why do you work alone?" questions kept coming from him. "because i don't like people."

"but you'll like me soon." like hell i would, you thought. sure he was handsome, everyone wanted to be with him, but his ego was triple the size of his achievements. “you know, you were once a men’s locker room topic.” you furrowed your eyebrows. “what does that supposed to mean?” you took a sip of your drink. “the guys had a bet on who could have your number first. i didn’t participate because it was pretty dumb.” roman chuckled at the memory.

“i’m not something to bet on.” you defended yourself. “i know, that’s why i told them to call it off. but some of them, not naming any names, didn’t listen.” you had flashbacks of the austin theory incident. “god, people are so fucking dumb sometimes.” it was the first time that he heard you laugh. “sorry, i just hate it when people think that they can easily break me by flirting with me and all. it doesn’t work like that for me.”

“so what works for you?” he asked. “nothing works for me, i’m here to get paid. not flirt with people and be a trophy that men can just carry around.” your answer made his eyes softer than before. “don’t fucking cry on me now, big boy. i don’t need empathy.” you barked. still, the toughest one out there, he thought. “anyways, paul asked about what do you wanna do to gain attention for our match?” he stirred the conversation to work stuff.

“i don’t know, don’t need anything, people will either boo at me or they’ll praise the ground i walk on. what do you wanna do?” you returned the question. “let me kiss you.” that sentence made you choke on air. “be fucking for real, roman.” you stared at him. “i’m serious, babygirl. imagine the views, the engagements, the talk. you said you wanted a great match? i’ll give you a great match.” you were not going to kiss this hot man for the sake of views. “not going to fucking happen.” “trust me, i’m a good kisser. and i know you’re attracted to me.”

the booking decision went viral on social media. it was shocking news to everyone. you grew okay to working with the bloodline, you were able to tolerate all their antics including roman’s flirty nature. d-day came and you were ecstatic for it.

the locker room was filled with excitement. "LET'S GO, LET'S GOOOOO!" the twins were pumping with adrenaline. "WE'RE GOING TO EAT SHIT UP TODAY!" jey said. "jesus, calm down would you?" you rolled your eyes at him. "NO I CANNOT CALM DOWN, THIS IS D-DAY!" he was bumping his chest with sami. the locker room's excitement quickly died down as one of the staffs called in for you and roman.

the choreography worked out well for the 4 of you. countless practices and you were ready to go. "let's go." roman said, dragging you out to the hallway. "i can walk on my own, big dog." he smirked. "not in my world." roman was practically holding your hand. "it's good for the act." he assured you. what act? you just want to get it with me, you thought.

"for the first time ever, the undisputed wwe universal champion and the lone wolf in a tag team match against sami zayn and kevin owens, this is history!" the announcer yelled. walking down to the ring was painful for you as roman kept holding your hand. you kept a straight face along the way, hoping that he would drop your hand soon, but he didn't.

the match started and it was going well, until kevin accidentally tripped and landed on you. you clenched your teeth in pain. this is why you didn't like working with people. you pulled through and there was only one move left. roman's eyes was filled with concern but you gave him a quick nod and flipped kevin over the ropes. "and your here are your winners for the tag team match, the undisputed wwe universal champion, roman reigns and the lone wolf, (y/n) (l/n)!" he looked at you with a huge smirk plastered on his face.

oh shit, you thought. he was going to do it. "you are not going to kiss me!" you shook your head in panic.

there you were, standing still, while he kissed your lips. the entire crowd went wild. you know what? fuck it, for the views, you thought. you responded to the kiss and left him in shock. "what? cat got your tongue?" you lifted his hand up, acknowledging your victories. "i'm going to give you hell for this." you mouthed at him. "look at them, the lovebirds! that should be their tag team name!”

the locker room atmosphere was unbeatable. everyone was praising you for your moves. "(y/n), that was amazing!" kevin greeted you with a smile. "i'm sorry i kinda botched the last move, i wasn't very careful." he apologized. "yeah, we're good. although it hurts like a bitch but that's life." kevin still felt bad. "dude, chill. now go away and get some rest." you assured him that you were going to be okay.

roman came back to the locker room, after being the last one to exit the ring. that was a long ass outro, you thought. "babygirl, you did so good." a shiver ran down your spine. "of course i did." you took off your gloves. "you're a good wrestler and an even better kisser." your cheeks flushed. "why the fuck did you do that?" "because i wanted to."

"you could've just asked." you were challenging him. "so, can i get a kiss now?" he raised an eyebrow. "no." you barked at him. "i always get what i want." the cocky tone made you agitate. "you know what? fuck it." you stood up from your seat and leaned closer to him. it caught him off-guard as you placed your lips on his. the locker room cheered as they saw you provoking the tribal chief himself. "you got what you wanted, now i want something in return. i want you to take me on a proper date so you can get a proper kiss."

[sasheneskywalker]

books and articles about about comics, superheroes, dc and batman

books Ahrens, J., & Meteling, A. (Eds.). (2010). Comics and the City: Urban Space in Print, Picture and Sequence. A&C Black.

Bongco, M. (2014). Reading comics: Language, culture, and the concept of the superhero in comic books. Routledge.

Brode, D. (Ed.). (2022). The DC Comics Universe: Critical Essays. McFarland.

Brooker, W. (2013). Batman unmasked: Analyzing a cultural icon. Bloomsbury Publishing USA.

Burke, L., Gordon, I., & Ndalianis, A. (Eds.). (2020). The superhero symbol: media, culture, and politics. Rutgers University Press.

Dittmer, J., & Bos, D. (2019). Popular culture, geopolitics, and identity. Rowman & Littlefield.

DiPaolo, M. (2014). War, politics and superheroes: Ethics and propaganda in comics and film. McFarland.

Dyer, B. (Ed.). (2009). Supervillains and Philosophy: sometimes, evil is its own reward (Vol. 42). Open Court Publishing.

Geaman, K. L. (Ed.). (2015). Dick Grayson, boy wonder: Scholars and creators on 75 years of Robin, Nightwing and Batman. McFarland.

Giddens, T. (Ed.). (2015). Graphic justice: Intersections of comics and law. Routledge.

Heer, J., & Worcester, K. (Eds.). (2009). A comics studies reader. Univ. Press of Mississippi.

Irwin, W. (2009). Batman and philosophy: The dark knight of the soul. John Wiley & Sons.

Langley, T. (2022). Batman and psychology: A dark and stormy knight. Turner Publishing Company.

McKittrick, C. (2015). Fan phenomena: Batman, edited by Liam Burke.

Ndalianis, A. (Ed.). (2009). The contemporary comic book superhero (Vol. 19). Routledge.

O'Connor, L. R. (2021). Robin and the Making of American Adolescence. Rutgers University Press.

O'Neil, D., & Wilson, L. (Eds.). (2008). Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City. BenBella Books.

Packer, S., & Fredrick, D. R. (Eds.). (2020). Welcome to Arkham Asylum: Essays on Psychiatry and the Gotham City Institution. McFarland.

Pearson, R., & Uricchio, W. (Eds.). (2023). The many lives of the Batman: Critical approaches to a superhero and his media. Taylor & Francis.

Pearson, R., Uricchio, W., & Brooker, W. (Eds.). (2017). Many more lives of The Batman. Bloomsbury Publishing.

Picariello, D. K. (Ed.). (2019). Politics in Gotham: the Batman universe and political thought. Springer.

Pustz, M. (Ed.). (2012). Comic books and American cultural history: An anthology. Bloomsbury Publishing USA.

Romagnoli, A. S., & Pagnucci, G. S. (2013). Enter the superheroes: American values, culture, and the canon of superhero literature. Scarecrow Press.

Smith, M. J., & Duncan, R. (Eds.). (2012). Critical approaches to comics: Theories and methods. Routledge.

Smith, M. J., Brown, M., & Duncan, R. (Eds.). (2019). More critical approaches to comics: theories and methods. Routledge.

Weiner, R. G. (Ed.). (2009). Captain America and the struggle of the superhero: Critical essays. McFarland.

Weldon, G. (2017). The caped crusade: Batman and the rise of nerd culture. Simon and Schuster.

White, M. D. (2019). Batman and ethics. John Wiley & Sons.

Worcester, K., Heer, J., & Hatfield, C. (Eds.). (2013). The Superhero Reader. University Press of Mississippi.

articles Authers, B. (2012). What Had Been Many Became One: Continuity, the Common Law, and Crisis on Infinite Earths. Law Text Culture, 16, i.

Austin, S. (2015). Batman's female foes: the gender war in Gotham City. Journal of Popular Culture (Boston), 48(2), 285-295.

Avery, C. (2023). Paternalism, performative masculinity and the post-9/11 cowboy in Christopher Nolan’s Dark Knight trilogy. The Australasian Journal of Popular Culture, 12(1), 65-81.

Bainbridge, J. (2007). “This is the Authority. This Planet is Under Our Protection”—An Exegesis of Superheroes' Interrogations of Law. Law, Culture and the Humanities, 3(3), 455-476.

Best, M. (2005). Domesticity, homosociality, and male power in superhero comics of the 1950s. Iowa Journal of Cultural Studies, 6(1).

Brienza, C. (2010). Producing comics culture: a sociological approach to the study of comics. Journal of Graphic Novels and Comics, 1(2), 105-119.

Camp, L. D. (2017). ‘Time to ride the monster train’: multiplicity, the Midnighter and the threat to hegemonic superhero masculinity. Journal of Graphic Novels and Comics, 8(5), 464-479.

Camp, L. D. (2018). "Be of Knightly Countenance": Masculine Violence and Managing Affect in Late Medieval Alliterative Poetry and Batman: Under The Red Hood (Doctoral dissertation, University of South Carolina).

Cocca, C. (2014). Negotiating the third wave of feminism in Wonder Woman. PS: Political Science & Politics, 47(1), 98-103.

Coogan, P. (2018). Wonder Woman: superheroine, not superhero. Journal of Graphic Novels and Comics, 9(6), 566-580.

Cohn, N., Hacımusaoğlu, I., & Klomberg, B. (2023). The framing of subjectivity: Point-of-view in a cross-cultural analysis of comics. Journal of Graphic Novels and Comics, 14(3), 336-350.

Costello, M. J., & Worcester, K. (2014). The politics of the superhero: Introduction. PS: Political Science & Politics, 47(1), 85-89.

Crutcher, P. A. (2011). Complexity in the comic and graphic novel medium: Inquiry through bestselling Batman stories. The Journal of Popular Culture, 44(1), 53-72.

Curtis, N. (2013). Superheroes and the contradiction of sovereignty. Journal of Graphic Novels and Comics, 4(2), 209-222.

Fennell, J. (2012). The aesthetics of supervillainy. Law Text Culture, 16, i.

Giddens, T. (2015). Natural law and vengeance: Jurisprudence on the streets of Gotham. International Journal for the Semiotics of Law-Revue internationale de Sémiotique juridique, 28(4), 765-785.

Guynes, S. (2019). Worlds Will Live, Worlds Will Die: Crisis on Infinite Earths and the Anxieties and Calamities of the Comic-Book Event. Inks: The Journal of the Comics Studies Society, 3(2), 171-190.

Hall, K. J., & Lucal, B. (1999). Tapping into parallel universes: Using superhero comic books in sociology courses. Teaching sociology, 27(1), 60-66.

Hatchell, R. (2023). ‘We prefer protégé’: The temporal function of sidekicks in Young Justice and Titans. The Australasian Journal of Popular Culture, 12(1), 83-97.

Jeong, S. H. (2020). Sovereign Agents of Mythical and (Pseudo-) Divine Violence. Walter Benjamin and Global Biopolitical Cinema. The Philosophical Journal of Conflict and Violence, 4(2), 81-98.

Jimenez, P. (2021). Wonder Woman, Feminist Icon? Queer Icon? No, Love Icon. In Wonder Woman (pp. 23-36). Routledge.

Lang, R. (1990). Batman and Robin: A family romance. American imago, 47(3/4), 293-319.

Petrovic, P. (2016). Queer resistance, gender performance, and ‘coming out’of the panel borders in Greg Rucka and JH Williams III’s Batwoman: Elegy. In Superheroes and Identities (pp. 221-230). Routledge.

Philips, M. (2022). Violence in the American imaginary: Gender, race, and the politics of superheroes. American Political Science Review, 116(2), 470-483.

Pitkethly, C. (2016). The pursuit of identity in the face of paradox: indeterminacy, structure and repetition in Superman, Batman and Wonder Woman. In Superheroes and Identities (pp. 87-94). Routledge.

Powell, T. (2023). ‘You’re a refugee, are you not?’‘Extraordinary bodies’, monstrous outsiders and US refugee policies in superhero comics. The Australasian Journal of Popular Culture, 12(1), 9-20.

Romero, L. G., & Dahlman, I. (2012). Justice framed: Law in comics and graphic novels. Law Text Culture, 16, vii.

Schott, G. (2010). From fan appropriation to industry re-appropriation: the sexual identity of comic superheroes. Journal of Graphic Novels and Comics, 1(1), 17-29.

Sereni, E. (2020). "When I'm Bad, I'm Better": from early Villainesses to contemporary antiheroines in superhero comics.

Sharp, C. (2012). 'Riddle me this…? 'would the world need superheroes if the law could actually deliver justice'?. Law Text Culture, 16, 353-378.

Shyminsky, N. (2011). ‘‘Gay’’ Sidekicks: Queer Anxiety and the Narrative Straightening of the Superhero. Men and Masculinities, 14(3), 288-308.

Valentine, G. (2021). Empire of a wicked woman: Catwoman, royalty, and the making of a comics icon. In Wonder Woman (pp. 93-112). Routledge.

Weston, G. (2013). Superheroes and comic-book vigilantes versus real-life vigilantes: an anthropological answer to the Kick-Ass paradox. Journal of Graphic Novels and Comics, 4(2), 223-234.

Whaley, D. E. (2011). Black cat got your tongue?: Catwoman, blackness, and the alchemy of postracialism. Journal of Graphic Novels and Comics, 2(1), 3-23.

Wolf-Meyer, M. J. (2006). Batman and Robin in the nude, or class and its exceptions. Extrapolation (pre-2012), 47(2), 187.

York, C. (2000). All in the Family: Homophobia and Batman Comics in the 1950s. International Journal of Comic Art, 2(2), 100-110.

[power-chords]

i waiting for heat 2 confirmed with adam and oscar

As thrilled as I would be to see Oscar Isaac in the role of Vincent Hanna, I think he's engaged with other projects that conflict with the general timetable. Adam Driver is clearly Mann's top choice for Neil McCauley and I would put money on Austin Butler for Chris Shiherlis at this point.

I am desperately curious as to who is on Mann's list of potential candidates for Vincent Hanna. Heat faced off two legendary New Hollywood icons with complementary careers, at that point both securely “canonized” and in middle age, and so the narrative functions at that postmodern, meta-mythological level. Adam Driver’s connotative figuration in the industry thus makes him an ideal choice for the role of Neil, and I personally would guess this is a much more important criterion for Mann himself than any sort of immediate visual resemblance to De Niro (which I’ve seen some people gripe about on Twitter). That is, the most important quality for any actor who is going to play Neil – secondary only to competence, to be sure – is his ability to embody a certain respected, authoritative presence that resounds between text and intertext.

My theory is that the role of Vincent will go one of two ways. Option 1: Mann has an analogous up-and-coming “Pacino Presence” in mind, and wants a leading man with the right cultural credentials to continue the symbolic subtext put forth by the original story (Oscar Isaac would fit beautifully here, I admit).

Option 2: He will go with a “nobody” (or a “relative nobody,” like a working actor known primarily for his TV or stage roles), thereby advancing the subversive relationship the novel has with the film. To the extent that Heat 2 invites a kind of Fishian operation on the text vis-à-vis Paradise Lost/Surprised By Sin, Vincent very easily transforms into a metaphorical stand-in for us, the audience members, the reader-detectives charged with (re-)interpreting meaning and authorial intention by way of perceptual clues left at the cinematic crime scene. The book explicitly introduces this possibility in a way that the film does not, so it would be interesting to see if he goes with it. With that in mind, as I’ve mentioned before, I hope he’s got somebody like Michael Zegen in the running...

[lindszeppelin]

Theory:

Austin is mostly unaware of the current K press/drag race photos but if he is aware of them, it’s a relief simply because he didn’t have to live pap them.

The illusion continues and his obligation is fulfilled without any new sweat or tears.

Also — and this is a comment on an historical event, not a theory — in one of the Dune promo videos, the question is “What is your pet peeve” and he was thinking and didn’t immediately answer. Meanwhile, I was shouting “PAPARAZZI! PAPARAZZI!” at my phone. 😂

true indeed, those pics were taken last year anyway so it doesn't bother me. it's just more and more glaringly obvious that the PR machine continues to turn.

lol it would have been iconic if he said the paps, but being rude to waiters is totally an austin answer

[yachaer]

Tag game: tag 9 people you’d like to get to know better.

Got tagged by @hajielu and @ourdragonsarebetter

Last song: I was listening to some iconic songs from the early 2000's when "C'est une belle journée" by Mylène Farmer popped out on my queue. Don't judge me.

Currently watching: The Boys. I've watched the first season so far, which is incredible so far (and insanely violent). I hope not to be disappointed by the fllowing ones.

Three ships: Ow, tough question. I'd say Bagginshield, Yeehan and Handers (on par with Shadowgast). Because I love dark brooding men and whoever take a shine to them.

Favorite color: Green! And also red.

Currently consuming: Goat milk yoghurt. Delightful.

First ship: Zelda/Link, in theory. But my first true ship was actually Bagginshield.

Relationship status: I have a wonderfully sweet and adorable boyfriend. I'm a happy man.

Last film: Austin Powers, international man of mystery. With my boyfriend, who had never seen this delightfully dumb movie.

Currently working: on several secret projects. Shhhhh...

tagging @scienceoftheidiot @dragonsingondolin @puukkolesbo @thehoveringbrain

[septembersghost]

It's interesting how two of your current music interests could partially relate to two of the past icons you admire. Their brands rose quickly due to the modern "social" media of their times. The men had issues with management & overwhelming schedules with touring, recording, interviews, etc. The ladies dealt with their industry's contract conflicts & "romantic" links with men with high public profiles. At least the ones today- that followed, were able to learn & take a less tragic path.

what if i told you none of it was accidental.

so i have this theory or personally held belief system or whatever else we might want to call it that the art (and it's music particularly for me, always) and artists meant to be with us find us when they're supposed to and when we're most receptive to what we need from them, be that comfort, understanding, catharsis, happiness, or just a reason to hold on. i also tend to believe that the things we love most or are drawn to have connections on connections that are exactly why they resonate and speak to us, which of course will be different for everyone, but this is like a cosmic thread to me. it's been essentially spiritual for as long as i can remember. and music was with me before i was born, as my mom likes to say i kicked her to the beat of it (hence austin speaking about that in the recent interview i cited makes me emotional!). i've also long been drawn to particular types of people (usually with very clear sensitivity and kindness, passionate and thoughtful, often multifaceted and flawed within that because it's interesting to me how that can speak to both painful struggle and the ability to soar, and i want to lend grace to that humanity). if they're tragic, some of that attachment comes from a longing to make things better for them that can't be fulfilled, so i just...love them really fiercely and hope it makes up for it a little, and i try to take courage in all the radiance and strength they did possess while they were here. add overidentification with various issues and it makes for a potent emotion. if they're alive at the same time as me, then i root for their triumphs and get joy in being able to take part in what they create as they hopefully keep thriving. the similarities you mention, and many more too, feel crucial rather than coincidental. their music/words and the way they touch my spirit was meant to find me. it's all kindred flames lighting other flames. i carry that as little beacons of light and love in my heart. maybe i’ll never be able to do what i hope to, but at least i have hope. if i wasn’t tough i wouldn’t be here; if i wasn’t gentle i wouldn’t deserve to be here. spinnin' out waiting for you, to pull me in. isn't it just so pretty to think that all along there was some invisible string?

[kicksaddictny]

Saucony x Jae Tips "To Do List Collection

Saucony, the renowned global performance and lifestyle running brand, has officially revealed the release of its latest collaboration with Bronx native Jae Tips. The highly anticipated "To-Do List" Collection will be available worldwide on Saucony.com starting September 20.

This marks the third collaboration between Saucony and Jae Tips, and it promises to deliver fresh designs with meaningful inspiration. The collection includes two bold colorways of the Saucony ProGrid Omni 9 and, for the first time, two kids' versions of the iconic Shadow 6000. A devoted father, Jae Tips drew inspiration from his own children, who are featured in the campaign, emphasizing how creativity, goal-setting, and self-expression can begin at a young age—just as they did for him.

"There's been a lot of excitement around the 'To-Do List' collection since Jae teased it at Paris Fashion Week in June," said Russ Pope, Saucony’s Senior Brand Marketing Manager. "Jae Tips is a key part of the Saucony family, and his energy, shared values, and design vision are invaluable to the brand. We're thrilled to be launching this collection globally."

The "To-Do List" Collection is deeply inspired by the Bronx lifestyle, reflecting the daily grind and hustle with sneakers built for comfort and style. Packaged in a custom Jae Tips-designed box, the collection showcases Jae’s signature love for color theory, with each sneaker featuring a vibrant palette, custom sock liners, graphic heel prints, and distinctive tongue badging.

"I'm excited to continue my creative journey with Saucony and bring these new designs to life," said Jae Tips. "In a fast-paced city like New York, where there's always a to-do list waiting, a comfortable pair of shoes is essential. The ProGrid Omni 9 and Shadow 6000s were the perfect canvas for my vision, and I can't wait for fans to experience them."

This release follows an impressive year for both Jae Tips and Saucony. The duo took home the FNAA Collaboration of the Year and Collaborator of the Year awards from Nice Kicks in 2023. Continuing their tradition of connecting with fans, Saucony and Jae Tips will be hosting several in-store events across the U.S., where sneakerheads can meet Jae Tips and purchase the ProGrid Omni 9 "To-Do List" before the global release.

The event stops include Likelihood in Seattle on September 13, DVSN West in Denver on September 15, and Kicking It in Austin on September 20.

Mark your calendars for September 20 and visit Saucony.com to shop the collection and experience the vibrant and inspiring designs from the "To-Do List" Collection.

[pagebypagereviews]

Discover the Top 10 Essential Books Every Designer Must Read For graphic designers, illustrators, and design enthusiasts, the quest for inspiration and mastery of craft is never-ending. Whether you’re a seasoned professional or a budding creative, incorporating the right books into your repertoire can catalyze your journey towards design excellence. These essential reads not only offer deep insights into creative processes but also fuel the imaginative fire necessary to thrive in the fast-paced design world. Today, we're delving into the heart of design literature to identify ten must-read books that are guaranteed to elevate your skills, expand your understanding of art and design, and ignite boundless creativity. In an era where visual communication reigns supreme, the importance of understanding graphic design fundamentals cannot be overstated. These books address common challenges designers face, such as overcoming creative blocks, mastering the principles of design, and staying ahead in a constantly evolving industry. By tackling these pivotal issues, they provide solutions that range from practical tips and methodologies to profound philosophical perspectives on design. Ready to revolutionize your creative toolkit? Let’s explore the books that promise to transform your approach to design and propel your creative endeavors to new heights. 10 Essential Books for Designers Plot Design books often center around the exploration of visual elements and their impact on communication. From the journey through basic principles of color theory, typography, and layout, to advanced concepts in user experience and interactive design, these books unravel the narrative of design evolution. The underlying plot weaves together historical context, theoretical frameworks, and practical applications, providing a comprehensive storyline that underscores the connection between aesthetics and functionality. For example, "Thinking with Type" by Ellen Lupton delves into the plot of typography history, encompassing the transformation from traditional typesetting to modern digital typography. The book unfolds the narrative of how typographic principles shape the readability and visual coherence of content, illustrating key moments of innovation in design. Characters The "characters" in design books are the influential designers, typographers, and artists whose work and contributions form the backbone of the field. Figures like Paul Rand, Massimo Vignelli, and David Carson emerge as protagonists, whose design philosophies and iconic creations have left a lasting impact. These individuals are often portrayed through biographical sketches, interviews, and case studies that highlight their creative processes and the challenges they overcame. In "The Design of Everyday Things" by Don Norman, the characters include both the designers of everyday objects and the end-users who interact with these designs. Norman brings to life the personas of designers who strive to create intuitive and usable products while also portraying the frustrations and triumphs of users navigating poorly designed interfaces. Writing Style The writing style in design books varies from analytical and academic to conversational and anecdotal. Authors like Steven Heller and Jessica Helfand adopt a scholarly tone, presenting well-researched arguments supported by historical references and visual examples. Their meticulous approach ensures a deep understanding of the subject matter, making these books suitable for both academic study and professional reference. On the other hand, books like "Steal Like an Artist" by Austin Kleon employ a more accessible and engaging writing style. Kleon's conversational tone and use of personal anecdotes make complex design concepts more relatable, encouraging readers to embrace creativity and find inspiration in the world around them. This approach democratizes design knowledge, making it more approachable for beginners and seasoned professionals alike.

Setting Design books often take readers through diverse settings, from bustling urban environments to tranquil studio spaces. These settings provide a contextual backdrop that enhances the understanding of design principles. Books like "Grid Systems in Graphic Design" by Josef Müller-Brockmann transport readers to the structured world of Swiss design, where the minimalist aesthetic and grid-based layouts prevail. Meanwhile, "Creative Workshop: 80 Challenges to Sharpen Your Design Skills" by David Sherwin sets the stage within the dynamic and deadline-driven environment of a design studio. The book's exercises mimic real-world challenges faced by designers, fostering a setting where readers can practice and hone their skills in a realistic context. The varied settings in these books serve to illustrate the multifaceted nature of the design field, spanning different cultures, industries, and mediums. Unique Aspects One unique aspect of design books is their visual richness, often incorporating high-quality images, diagrams, and illustrations to complement the textual content. This blend of visual and verbal information aligns with the core principles of design, creating an immersive learning experience. Books like "Logo Modernism" by Jens Müller and R. Roger Remington showcase an extensive collection of logos, offering readers a visual journey through the evolution of logo design across different eras and styles. Another distinctive feature is the focus on process-oriented learning. Many design books, such as "Show Your Work!" by Austin Kleon, emphasize the importance of documenting and sharing one's creative process. This transparency fosters a culture of collaboration and continuous improvement within the design community. By providing insights into the iterative nature of design work, these books help readers understand that successful designs are often the result of experimentation, feedback, and refinement. Design Books Design books serve as invaluable resources for both novice and experienced designers, offering a wealth of knowledge on various aspects of design theory and practice. Titles like "Design is a Job" by Mike Monteiro provide practical advice on the business side of design, addressing topics such as client relationships, contracts, and ethical considerations. This pragmatic approach helps designers navigate the often complex and challenging landscape of the design industry. In contrast, books like "Designing Design" by Kenya Hara explore the philosophical dimensions of design, encouraging readers to contemplate the deeper meaning and cultural significance of their work. By blending practical guidance with philosophical insights, these books equip designers with the tools and perspectives needed to create meaningful and impactful designs. Graphic Design Graphic design books often delve into the foundational principles and techniques that underpin effective visual communication. Titles like "The Elements of Graphic Design" by Alex W. White offer comprehensive overviews of essential concepts such as balance, contrast, rhythm, and proportion. These principles are illustrated with a plethora of visual examples, demonstrating their application in real-world design projects. Moreover, graphic design books frequently highlight the importance of understanding and mastering typography. Works like "Typography Sketchbooks" by Steven Heller and Lita Talarico provide a glimpse into the typographic explorations of contemporary designers. By showcasing a diverse range of styles and approaches, these books inspire readers to experiment with type and push the boundaries of conventional design. Design Inspiration Books that focus on design inspiration often encourage readers to explore diverse sources and perspectives. "The Art of Looking Sideways" by Alan Fletcher, for example, is a treasure trove of visual and textual stimuli designed to spark creativity. Fletcher's eclectic collection of images, quotes, and observations invites readers to see the world through a designer's lens and find inspiration in the everyday.

Additionally, books like "Creative Confidence" by Tom Kelley and David Kelley emphasize the importance of cultivating a mindset that embraces experimentation and risk-taking. Through a blend of personal anecdotes, case studies, and practical exercises, the authors demonstrate how harnessing one's creative potential can lead to innovative and impactful design solutions. Creative Design Creative design books often emphasize the fusion of artistry and functionality, encouraging designers to push the boundaries of conventional thinking. In "Made You Look" by Stefan Sagmeister, readers are offered an inside look at Sagmeister's unconventional and often provocative design projects. The book highlights the importance of embracing one's unique creative voice and challenging the status quo. Furthermore, books like "Change by Design" by Tim Brown advocate for the application of design thinking to solve complex problems. Brown's insights into the human-centered design process illustrate how creativity and innovation can drive transformative change in various industries, from healthcare to education. By highlighting the intersection of creativity and problem-solving, these books inspire designers to approach their work with a holistic and user-centric mindset. Art and Design Books that explore the intersection of art and design often celebrate the collaborative and interdisciplinary nature of the creative process. "Interaction of Color" by Josef Albers, for example, is a seminal work that delves into the complexities of color theory and its application in both art and design. Through a series of exercises and visual experiments, Albers demonstrates the profound impact of color interactions on perception and communication. Similarly, "Art as Experience" by John Dewey explores the philosophical underpinnings of art and design, emphasizing the experiential and interpretive aspects of creative work. Dewey's exploration of the aesthetic experience encourages designers to consider the emotional and sensory dimensions of their work, fostering a deeper connection between the creator and the audience. Design Books Design books offer a wealth of well-organized knowledge, often curated by experts, which can significantly enrich a designer's skill set and conceptual understanding. They provide a deep dive into design principles, history, and case studies, making them invaluable for structured learning. However, they also come with limitations such as high costs, risk of becoming outdated quickly, and often require a significant time investment to extract all the knowledge they contain. Graphic Design Graphic design enhances user experience by making information visually appealing and easier to comprehend, thereby increasing engagement. Effective graphic design can differentiate a product or service, fostering brand loyalty. On the downside, poor graphic design can cause confusion, reduce usability, and negatively impact user perception. The dependence on constantly evolving software tools can also pose a challenge for staying updated with the latest trends and technologies. Design Inspiration Seeking design inspiration can boost creativity and innovation, helping designers break out of conventional thinking and come up with unique solutions. It can serve as a valuable motivational tool and provide new perspectives. However, over-reliance on inspiration sources can sometimes lead to imitation rather than originality, and constantly searching for inspiration can be time-consuming, delaying actual productivity. Creative Design Creative design can drastically improve user satisfaction by delivering unique and engaging experiences. It aligns form with function, ensuring that aesthetics complement usability. When creativity is harnessed correctly, it can set a product apart in a crowded market. Nonetheless, excessive focus on creativity can lead to overcomplicated designs that sacrifice usability, making it crucial to find a balance between creativity and functionality.

Art and Design Art and design can elevate a project by infusing it with cultural and emotional resonance, enhancing its overall impact. They can humanize technology, creating more relatable and engaging user experiences. However, integrating art and design requires a deep understanding of both disciplines, and a failure to achieve synergy may result in designs that are either aesthetically pleasing but impractical, or functional but soulless. Additionally, the subjective nature of art can lead to varying user interpretations and reactions. FAQ Design Books What are some essential design books for beginners? For beginners, "The Elements of Graphic Design" by Alex W. White, "Thinking with Type" by Ellen Lupton, and "Graphic Design: The New Basics" by Ellen Lupton and Jennifer Cole Phillips are excellent starting points. How can design books help improve my skills? Design books offer insights from experienced designers, showcase case studies, and provide theoretical knowledge and practical tips to hone your design skills. They can serve as references and sources of inspiration. Are digital design books effective compared to physical ones? Yes, digital design books can be just as effective as physical ones. They often include interactive elements, such as videos and links to resources, which can enhance the learning experience. However, it comes down to personal preference. Graphic Design What software is commonly used in graphic design? Common graphic design software includes Adobe Creative Suite (Photoshop, Illustrator, InDesign), CorelDRAW, Sketch, and Affinity Designer. These tools offer a wide range of functionalities for various design needs. What skills are necessary for a career in graphic design? Important skills include creativity, proficiency in design software, understanding of typography, color theory, and layout principles, as well as good communication and problem-solving skills. How can I create a strong portfolio as a graphic designer? A strong portfolio showcases a variety of your best work, demonstrates your range of skills, and highlights your unique style. Include case studies, process work, and project descriptions to provide context. Design Inspiration Where can I find design inspiration? You can find design inspiration on platforms like Behance, Dribbble, Pinterest, and Instagram, as well as design blogs, magazines, and design-related events or conferences. How can I overcome creative block as a designer? Take breaks, seek inspiration from unrelated fields, try new techniques or tools, collaborate with others, and keep a sketchbook to jot down spontaneous ideas. Are there any exercises to boost creativity? Yes, there are several exercises such as brainstorming sessions, mind mapping, creating mood boards, and practicing daily drawing or design challenges to stimulate creativity. Creative Design What is the difference between creative design and graphic design? Creative design is a broad term that encompasses various forms of visual creation, including graphic design, web design, product design, and more. Graphic design specifically focuses on visual communication through typography, imagery, and layout. How do I stay updated with the latest design trends? Stay updated by following design blogs, websites, and social media channels, attending industry conferences and webinars, and joining design communities or networks. What are some common design principles I should follow? Key design principles include balance, contrast, emphasis, movement, proportion, alignment, and unity. These principles help create visually appealing and effective designs. Art and Design How can I integrate art into my design work? Integrate art into your design by exploring artistic techniques like drawing, painting, and collage. Experiment with different styles, and use artistic elements to add a unique touch to your designs. What are some famous art movements that influence design? Art movements such as Bauhaus, Art Nouveau, Dadaism,

Pop Art, and Minimalism have significantly influenced design, often inspiring the use of certain aesthetics, techniques, and philosophies. How important are critiques in the design process? Critiques are vital as they provide constructive feedback, offer new perspectives, and help identify strengths and areas for improvement. Engaging in critiques can significantly enhance the quality of your work. In conclusion, "10 Essential Books for Designers" stands as a valuable gateway to mastering the multifaceted world of design. Whether you're an aspiring graphic designer, an established creative, or simply looking for inspiration, this curated list serves as a comprehensive resource that caters to a wide range of design disciplines. The books highlighted offer more than just techniques; they delve deep into the philosophy and psychology of design, equipping readers with not only the how but the why behind successful design. This makes them an indispensable tool for those who seek to understand the underlying principles that make a piece of design resonate on both an aesthetic and functional level. From exploring the nuances of typography in "The Elements of Typographic Style" to understanding user experience through "Don’t Make Me Think," each book provides unique insights that are crucial for anyone aiming to make a mark in the design world. These books emphasize that good design is not just about how things look but also about how they work, making them extremely beneficial for those committed to creating user-centric designs. The list also underscores the importance of creativity and inspiration. Titles like "Steal Like an Artist" encourage readers to look beyond conventional sources and find inspiration in everyday life. This approach not only broadens one's creative horizon but also encourages innovative thinking—an essential skill in the ever-evolving field of design. Moreover, practical advice is amply provided across these selections. Books such as "Graphic Design, Referenced" and "The Design of Everyday Things" offer actionable insights, backed by real-world examples, making complex concepts accessible and applicable. These resources are perfect for both quick referencing and deep dives, equipping designers with the knowledge to tackle any project with confidence. Ultimately, "10 Essential Books for Designers" consolidates decades of expertise and wisdom into a single digestible collection, making it a treasure trove for anyone invested in the craft of design. Whether you're seeking to enhance your technical skills, broaden your creative outlook, or gain a deeper understanding of design principles, this compilation provides timeless knowledge that can transform your approach and elevate your work to new heights. Expand your design library with these classics, and you're setting yourself up for a future of inspired, insightful, and influential design work.

[biggoldbelt]

Kevin Owens battles Grayson Waller

Before he challenges Undisputed WWE Champion Cody Rhodes at WWE Bash in Berlin, Kevin Owens gets to prepare for The American Nightmare by taking on A-Town Down Under’s Grayson Waller. Austin Theory made this matchup, gaining some retribution after Waller made several matches for Theory and used him as a shield on numerous occasions. KO is undefeated against The Aussie Icon, a fact that Waller…

[dankusner]

Iconic ‘Austintatious’ mural became work of a lifetime

Kerry Awn knows they’ve said it before: “This will be the last time.”

But really, this time it has to be true.

He’s 74.

So is Tom Bauman, better known as tommy b. Rick Turner is 75.

The trio who created the “Austintatious” mural in 1973 as University of Texas art students in their early 20s, rendering weird hippie Austin in bright colors on the north outer wall of the University Co-op, never expected they would continue repairing this community treasure well into their 70s.

“We didn’t always realize it was a lifetime job,” Awn told me, breaking into a hearty laugh.

The artists are back this week – Awn from Alpine, Bauman from Driftwood and Turner from New York City – to repaint the central stretch of the iconic, fisheye-lens mural after a tagger scrawled 5-foot-tall letters across it last month.

The three artists had already made plans to be here in April to repair their other mural at the 23rd Street pedestrian mall, “Tejas,” which was vandalized in January. (April seemed a nicer month to be outside painting.)

Both murals were covered in an anti-graffiti coating called Vandl-Guard.

If someone spraypaints on top of that, a companion product called VandlClean can be applied to break down any paints sitting on top of the VandlGuard coating.

At least, that’s the theory.

Turner said the product worked pretty well in protecting the “Tejas” mural, though some touchups are needed.

But the damage to the “Austintatious” mural, which is decades older and painted on a fussier stucco wall, was extensive, requiring repainting of large areas from its depictions of the Texas Capitol to the former Gethsemane Lutheran Church (home to the Texas Historical Commission).

Much of the surreal, cloud-filled body of Stephen F. Austin must also be redone.

The artists, who last saw each other exactly a year ago for a party and official city proclamation celebrating the “Austintatious” mural’s 50th anniversary, picked up the conversation and their paintbrushes as if no time had passed.

I nodded toward a freshly painted green spot where a small figure had been.

“Who was that?” I asked. Awn shrugged. “Some street guy from 30 years ago.”

No one with the staying power to be included in the restoration.

Bauman, who earlier showed me his prized 2002 addition to the mural, an image of his son, Erick, as a 12-year-old Boy Scout on the Capitol steps, interjected: “We reserve the right to subtract as well.”

The mural started as a mirror of 1970s Austin counterculture, featuring figures such as musician Johnny Winter, comic book character Oat Willie and Roland DeNoie, the Salvation Sandwiches vendor who famously sparred with UT and city officials.

The mural reflected a time when that stretch of the Drag “was the center of the universe,” Awn said, alongside a thriving artists’ market and the church basement where the People’s Community Clinic (previously the People’s Free Clinic) got its start.

But the mural was no time capsule.

New figures were added with each restoration, including former Gov. Ann Richards and former U.S. Rep. Barbara Jordan (peering out windows in the Capitol), actor Matthew McConaughey (naked with a bongo drum), cartoon character Hank Hill (on his riding mower), and the late American-Statesman humor columnist John Kelso (in his typical tropical print shirt).

The mural changes, Bauman said, “because Austin changes.”

At the outset, none of the artists expected the mural to last this long.

They have lives and commitments elsewhere.

They’re proud of this mural, but they can’t tend to it each time a vandal strikes.

If this is a cherished Austin landmark – and there’s no doubt it is – then it needs greater community ownership.

Kelli Hanks, director of operations for the University Co-Op (which owns the wall and provides the paint for restorations), told me she’s brainstorming possible partnerships for UT art students or someone else to make any future repairs when needed.

Meanwhile, documentary filmmaker Mike Woolf launched a stunning interactive website last year (23rdstreetmural. com) to preserve some of the stories of characters in the mural. But there are more stories to tell, and sponsors are needed to underwrite that work. “These three guys are part of the reason (Austin) was cool in the first place,” Woolf told me Monday afternoon, as we watched Awn, Bauman and Turner bring the mural back to life, one brushstroke at a time. Though Turner lives the farthest away, he returns to Austin about once a year. He can tell the speed of change is accelerating. But when he visits, he stays on his sister’s 2.5-acre tract near Mueller in an Airstream trailer among a few older cottages that can accommodate all kinds of guests. Turner smiled. “It’s very much like old hippie Austin,” he said.

[highteach921]

SmackDown results, Mar. 8, 2024: Cody Rhodes and Seth “Freakin” Rollins accept The Rock and Roman Reigns’ huge WrestleMania tag team challenge!

The Viper and The Prizefighter teamed up to take on Logan Paul’s allies Grayson Waller and Austin Theory in a huge tag team showdown. Waller and Theory used their previous tag team experience to grind down KO, who was in desperate need to tag in Orton. Waller mocked The Viper by using his iconic Orton mat pound but Waller could not connect with the RKO on Owens.

Read More: https://tinyurl.com/msxscn7u

Watch Here: https://urlis.net/dp53ir2m

[wrestlingclubelite]

The Rock's Final Curtain Call: Retirement after one last epic match?

The Rock’s comeback in the previous month stirred considerable excitement within WWE and sparked discussions about a potential in-ring comeback for the legendary figure. During his SmackDown appearance, the Hollywood icon engaged in a verbal exchange with Austin Theory and executed the iconic People’s Elbow on the emerging superstar. Nevertheless, there remains optimism that the former WWE…

[theoryhairsalon]

Embrace a Stylish Transformation with a pixie haircut Austin at Theory Hair Salon

Are you ready to make a bold and stylish statement with your hairstyle? Look no further than Theory Hair Salon in Austin for the ultimate pixie haircut experience. In this article, we'll explore the allure of the pixie haircut and why Theory Hair Salon is the go-to destination for this chic and iconic look.

The Pixie Haircut: A Timeless Icon

The pixie haircut has long been celebrated as a symbol of confidence, individuality, and elegance. It's a style that transcends trends, making it a timeless choice for those seeking a fresh and liberating transformation.

Why Choose a Pixie Haircut?

Confidence Booster: A pixie haircut can be a powerful confidence booster. By framing your face and accentuating your features, it allows you to step into the spotlight and embrace your uniqueness.

Low Maintenance: Pixie haircuts are known for their low maintenance. They require minimal styling time, making them a practical choice for individuals with busy schedules.

Versatility: Despite its short length, the pixie haircut offers versatility in styling. Whether you prefer a sleek and sophisticated look or a more edgy and textured appearance, the pixie can be customized to match your personal style.

Why Choose Theory Hair Salon for a Pixie Haircut in Austin?

Expert Stylists: At Theory Hair Salon, our team of expert stylists specializes in creating flawless pixie haircuts. With years of experience and a passion for precision, they have honed their skills to deliver a pixie haircut that perfectly suits your face shape and individual style.

Personalized Consultations: Effective communication is at the heart of our services. Before we start cutting, our stylists will engage in a personalized consultation with you. We'll discuss your hairstyle goals, lifestyle, and preferences to ensure that your pixie haircut complements your unique personality.

Quality Products: We only use top-tier hair care products to maintain the health and integrity of your hair throughout the pixie haircut process. Our commitment to using premium products ensures that your pixie haircut remains vibrant and easy to manage.

Conclusion

If you're ready to embrace a stylish transformation with a pixie haircut Austin, Theory Hair Salon is your destination of choice. With our expert stylists, personalized consultations, and unwavering commitment to quality, we are dedicated to helping you achieve a stunning pixie haircut that enhances your beauty and boosts your confidence. Embrace the chic allure of a pixie haircut at Theory Hair Salon and step out with a renewed sense of style and self-assuredness.

[leagueofleaguesff]

Matt (as Stone Cold 🖕 💀 🍺)

🎶 Stone Cold iconic glass break 🎵

*Stone Cold enter the arena pissed off. The cameras follow him to the door of the locker room where he sees he lost and placed 6th*

▶️ Video for Stone Cold Response to 6th Place

*Austin then storms to the ring with various superstars are already in*

The Rock(Juan): Hey I beat you but at least you still in wildcard ranking and -

* Before The Rock could finish.....

Shane McMahon: Whoa you can't do that Steve! This is Vince last show as sole owner. Now with the WWE and UFC being bought-

*Before Shane could finish....

*Vince nudges Austin Theory to aid Shane. Theory obliged cautiously*

Theory:

*Before he could speak...

*Vince upset begins to botch the worst stunner in WWE history.... 😆

*Pat Macafee raises his hand to offer himself to be stunned.*

Stone Cold: Son, you are either stupid or crazy.

Crowd laughs 😃

Stone Cold: If you wanna see me stun this guy gimme a hell yeah

Crowd - HELL YEAH 🙌

Then....

Stone Cold: Hey Kev in the production truck, show me best stunner on the titantron. The one Vince took was the drizzling sh*ts.

Titantron:

Stone Cold celebrates with fans

That's all for this episode of NFL Smackdown! This was a slobber knocker of promos. We're signing off folks good night and (yells)

STONE COLD STONE COLD STONE COLD

Last Recaps ahead for the Yahoo Cash League so don't touch that dial 🔻read next post🔻🔻

[checkthreetimes]

𝗝𝗼𝗵𝗻𝗻𝘆 𝗛𝗮𝗿𝗱𝘄𝗶𝗰𝗸: 𝗧𝗵𝗲 𝗩𝗼𝗶𝗰𝗲 𝗢𝗳 𝗗𝗮𝗹𝗲 𝗚𝗿𝗶𝗯𝗯𝗹𝗲 𝗔𝗻𝗱 𝗔 𝗞𝗶𝗻𝗴 𝗢𝗳 𝗖𝗼𝗺𝗲𝗱𝘆

Johnny Hardwick was a comedian, voice actor, writer, and producer who was best known for his role as Dale Gribble, the paranoid and eccentric exterminator on the animated sitcom King of the Hill. He voiced the character for the entire 13-season run of the show, from 1997 to 2010, and also worked as a writer, story editor, and producer. He won an Emmy Award in 1999 for outstanding animated program and was nominated twice more.

Johnny was born in Houston, Texas, in 1958. He graduated from Texas Tech University with a degree in journalism and started his career as a stand-up comedian in Dallas and Austin. He was the first comic to appear on The Jon Stewart Show on MTV and was offered a sitcom deal by NBC, but it did not work out. He moved to Los Angeles and performed at The Improv, where he caught the attention of Greg Daniels, who was co-creating King of the Hill with Mike Judge.

Daniels hired Johnny as a writer for the show and also asked him to audition for the role of Dale Gribble, one of Hank Hill's best friends and neighbors. It was said that he based his voice on his father and his uncle, who were both from Texas. He also said he shared some traits with Dale, such as being a conspiracy theorist and a smoker. The animators reportedly drew Dale to look like him as well.

Dale Gribble was a fan-favorite character on King of the Hill, known for his hilarious and absurd theories about aliens, government plots, and his wife's affair with John Redcorn. He also had a passion for pest control and ran his own business called Dale's Dead Bug. He often clashed with Hank Hill, who was more rational and conservative, but they remained loyal friends.

Johnny said he loved working on King of the Hill because he did not have to wear makeup or memorize lines. He also enjoyed collaborating with the other writers and voice actors on the show, such as Kathy Najimy, Stephen Root, Pamela Adlon, and Lauren Tom. He said he felt like he was part of a family.

He continued to voice Dale in other media, such as video games and YouTube videos. He also appeared on reality shows such as Ace of Cakes and Boomer vs Zoomer. He was set to reprise his role in a revival of King of the Hill that was ordered by Hulu in January 2023.

He died at his home in Austin, The cause of his death is still unknown. He was pronounced dead at the scene and no foul play is suspected. His death was confirmed by the Austin medical examiner's office and reported by various news outlets. He is survived by his wife and two children.

Johnny Hardwick will be remembered by his fans and colleagues as a talented and funny person who brought joy to millions of people with his voice and humor. He was also praised for his contributions to King of the Hill, which is widely regarded as one of the best animated shows of all time. His voice gave life to one of the most iconic characters in animation history, and he will be truly missed.