#auloes

[starrspice]

So i got ahold of the game Hades and IT got ahold of me and I'm using that obsession to fuel my Muse AU

The story is basically the same except Sun and Moon are new Muses, with Y/N being their first Human they have to inspire

Eclipse is the head Muse and worries over Sun and Moon constantly (for good reason) and pops in often to see their progress

Sun is high strung and desperate to prove their worth as muses, while Moon is a bit too lax and content to continue being the court musician rather than dealing with mortals which makes it all the worse when things become an absolute mess

[sad4ppleart]

artfight attack on @lopertinger Spamhard and @dravatti

[jadeseadragon]

Ancient Greek pottery showing figures playing the auloi. The aulos (plural auloi) [Roman tibia, plural tibiae] is a double or single reed wind instrument, played in pairs, that "sounded more like the modern oboe than the modern flute." [source]

"Perhaps the most commonly played instrument in Greek music, the aulos was played in festivals, processions of births and deaths, athletic games ... It was associated with the god Dionysos and often played at private drinking parties." [source]

"Made from cane, boxwood, bone, ivory, or occasionally metals such as bronze and copper, the circular pipe (bombyke) was fitted with one, two or three bulbous mouthpieces which gave the instrument a different pitch." [source]

"The earliest surviving examples of auloi have been found at Koilada, Thessaly and date from the Neolithic period (c. 5000 BCE). These instruments are carved from bone and have five holes, irregularly placed down their length." [source]

[alatismeni-theitsa]

Ancient Greek and Roman music Masterpost

As our national epic, the Odyssey, did I'll start from the middle. Please listen to the sound of medieval Greek music and then come back. It's an exercise, I command you!

Middle Ages Greek music is speculated to be "slowed down ancient Greek music"! 😁 So, take notes on that!

Christodoulos Halaris - Anthology of Byzantine Secular Music

(Christodoulos Halaris was a prominent Greek composer, researcher, and musicologist. He focused on secular Byzantine and traditional music, incorporating his extensive research into a solid and singular musical language.)

After your warm-up (and perhaps some confusion) let's get into what you came here to see.

What Ancient Greek and Roman Music Sounded Like - A Beginner's Introduction

Α fantastic introduction by a composer, musician, and researcher who calls himself:

OKAY, OKAY, HE IS FARYA FARAJI, YOU GOT ME.

So, this is going to be another excellent video where he spits facts. He gives a great impression of how ancient Greek and Roman music sounded like.

And no, they didn't sound like the watered-down (north)-eurocentric "ancient Greek music" on youtube videos you find. (who's surprised at this point, after all this Northwestern appropriation) Unless they are made by Farya Faraji because… the man knows his shit (and our shit 😂)

By the way, I called it "watered down", not because I believe western music is lame, but because the performers apply western rules to ancient Greek music, stripping it of all the Heterophonic complexity.

In the video above, you'll learn how the lyre should actually be played!!! And what instruments have been in continuous use in Greece for more than 2.000 years! And see all the ways our ancient and traditional music is more complex than Western music - such as Western music can be more complex than ours in other ways! (as also stated in the video)

And before you ask: Why does ancient Greek and Byzantine/traditional Greek music sound Oriental? Well, that's just your ear and biases and Hollywood stereotypes, my dear friend. See, these sounds are not (just) Oriental! They are originally Greek, too!

Many tunes and the way of singing the West associates today with the Middle East came from the Greek world (where these tunes are still in use, mind you) or other Mediterranean countries. That's not to say that Middle Eastern nations didn't have these scales and twirls for a long time - because they did. That's their ancient music, too.

Please see the video below to make more sense of my ramblings:

The Greco-Roman Influence on Middle-Eastern Music

All of Farya's videos have their sources in the description so make sure to check them out!

Now you can better enjoy the Epitaph of Sekeilos you heard in the first Middle Ages video! You can also listen to another great version by Farya, where he uses the above ancient Greek principles he mentioned in his video. That's why his version actually feels fun to listen to, thank god! (Of course Chalaris also orchestrates the Epitaoh in an excellent way)

Personal commentary: I am happy to share Farya's work online because he put into words why reconstructions of ancient Greek music online don't sound Greek at all. Greeks have a hard time relating to it because... that's not our folk music. They sound boring like Chopin playing piano when he was 3 years old. (But by now you know why! 😉)

Of course, ancient and traditional Greek music are not identical and no one expects them to be. But given our history, our music history, and cultural evolution, we know the sounds of our music - as all people can identify the music of their land and area. I am glad my gut feeling was right and the music wasn't actually that simple. With the complexity of our ancient chants and the plethora of instruments we had in antiquity, there was no excuse for our ancient melodies to be that simple.

[autumncrowcus]

Athena’s role as a ‘musician’ is, for example, recorded by Diodorus and, probably, by an unfortunately fragmentary late Attic inscription, which records a dedication to ‘Athena Mousikê’. Furthermore, as Pindar stresses, Athena is the genius of the aulos who tried to imitate by the aulos’ sound the noisy chorus made by Euryalus and Stheno when Perseus decapitated their sister Medusa. Thus the first sound of the flute relates to the sinister threnody of the Gorgons. However, rather than just being a noise, the sound is initially supposed to be a melody, a harmony, according to Pindar, of the multicephalus nome … Within this range of evidence Athena not only invents the instrument, but also takes it upon herself to create a musical composition which suits its specific sound. The composition is therefore an imitation, a mimesis, in this case of a goos, a lamentation.

“Athena Salpinx and the Ethics of Music,” by Anastasia Serghidou; collected in Athena in the Classical World

[finelythreadedsky]

very strange when the chorus of ajax curses the man who invented war by saying "he did not allot to me... the sweet sound of the aulos" (1199-1204). they are singing this choral ode to the accompaniment of the aulos.

[minonextdoor]

[pitasaint]

THE ALOE VERA

[lesbianlanval]

regarding last reblog, the plot of my novel that I’m never writing is what if a nasty little goth girl was a serving maid in 10th century Constantinople

[ramenwithbroccoli]

why is polish wikipedia genuinely so much better than the english one

[bocadosdefilosofia]

«Como no sabía absolutamente nada sobre la forma de cultivar los viñedos y los árboles, al ver casualmente a un vecino que estaba cortando las zarzas que habían crecido a lo alto y a lo largo, podando los fresnos casi hasta el extremo de la copa, arrancando de las raíces de las cepas los brotes de las vides que se habían desplegado por el suelo y cortando los renuevos alargados y derechos de los árboles frutales y de los olivos, se acercó y le pregunto por qué hacia una tala tan grande de madera y ramas. El vecino le respondió: ‘Para que el campo quede desbrozado y limpio y sean mas fértiles los árboles y las vides que hay en el’. El tracio le da las gracias al vecino y se aleja contento, como si hubiera aprendido el arte de la agricultura. Aquel hombre desdichadamente ignorante coge entonces un hacha y una hoz y tala todas sus vides y sus olivos, corta las esplendidas copas de los árboles y los ubérrimos sarmientos de las parras y arranca todos los planteles y brotes, que prometían una gran producción de frutos y cosechas, junto con las zarzas y abrojos, para limpiar el campo, pagando un triste precio por su temerario aprendizaje y actuando de modo erróneo por fiarse de una imitación equivocada. De igual modo —concluyó Herodes—, esos defensores de la impasibilidad, que quieren parecer tranquilos, serenos e imperturbables, al carecer de deseos, no experimentan dolor alguno, no se irritan, no se alegran y, una vez cercenados todos los impulsos vehementes del espíritu, envejecen en la indolencia de una vida inactiva y como enervada.»

Aulo Gelio: Noches áticas, II, Libro XIX. Universidad de León, págs. 247-248.  León, 2006

TGO

@bocadosdefilosofia

@dies-irae-1

[jadeseadragon]

Carly Elizabeth Schmitt @tinyalgae

[petersmusicspot]

I don’t know this site yet so forgive me if tumblr etiquette isn’t right.

Does anyone on here play a recreation of the Ancient Greek aulos? I just ordered a set and want to learn more while waiting for them

[quarklynx]

You learn something new every day! Like apparently, the sound of two clarinets makes a passable substitute for the ancient Greek Aulos

[iamlisteningto]

Lukas De Clerck’s The Telescopic Aulos Of Atlas

[elegiaalasestrellas]

Fragmento extraído del libro I, capítulo ii: «De cómo el brillante Herodes Ático cita, a propósito de un joven altivo y jactancioso que pretendía ser filósofo, un pasaje en que el estoico Epicteto distingue jocosamente el verdadero estoico de la multitud de desvergonzados habladores que se dicen estoicos».