#anyways thats all 8 girls story and it was actually a pretty engaging read but the ending was so abrupt

[masterhandss]

Personally I don't see what you see in Geordo. He seems like such a scumbag to me and is the least likable charater in the whole series. He is always trying to get her alone to push her into things of a sexual/ more romantic nature without taking how she really feels into consideration. Like he "really wants her" and thats enough for him without caring what she really wants. Honestly he is the borderline non-con villian in my mind.

I mean, it's okay if you feel like that. To each their own.

Hmmm when I think about Geordo being sexually aggressive towards Katarina, I only really just think of the anime. The manga is a much more moe-fied and toned down version of the novels, and the novels does an okay job at balancing his desires for Katarina in all aspects. I'm not saying he doesn't have that trait in the other two mediums, I just think that they aren't as intense as the anime, so as someone who consumes all three versions I just tilt my head and go "huh." Of course I'm sure there are people who read the manga and novels that still feel uncomfortable about his behavior and that's valid too.

-> light novel spoilers ahead <-

tldr, there is a lot more going on to him than just someone who offers sweet words and questionable invitations to Katarina's ears, this may not be noticeable or acceptable to some people but we get to know more about how he thinks whenever the novels puts us in his point of view. You're free to dislike him as much as you want, but I like him & don't see him as a scumbag; and here's why:

I at least find it okay that Geordo is very serious about his pursuits for her because he is aware that she is dense and will not get it until you spell it in the sky. Everyone is just walking eggshells around Katarina hoping that the girl would just develop feelings for one of them to win the harem olympics. He knows that being dealt with a good card isn't enough, so he's actively taking action in order to win her heart. I mean I don't always agree with his methods either, like the "fait accompli" line or constantly inviting her to his room alone, but really, how much of that is something he really means to do vs how much of that is his excessive flirting + our minds assuming that he really means to claim her in that way?

Lines like that are really popular with japanese fans because it makes Geordo look "sexy" and "forward", which they enjoy in their fictional stories. He knows that his position gives him an advantage so he'll try to play his cards right and use it to increase his chances in victory.

It actually reminds me of a scene from the Hamefura StoryMe game, (don't really know how canon it is but I remember the JP ver. was advertised by @/hamhura) where Geordo indirectly asked Katarina how to woo a girl he really likes, and Katarina thinking he was referring to Maria, gives all the things he usually does in order to win her heart (visit her home, give her gift, dance with her in parties, be really forward about your feelings etc). I'm not saying Katarina approves of the ways Geordo attempts to win her heart, but there's some hilarity in knowing that Geordo already had and is constantly trying all the known ways to win over a girl in the world from a young age, and still has nothing to show for it. Like no awareness, much less any *feelings* lmao. So trying to make it obvious that he is interested in her romantically and sexually seems like the next logical step to him. I mean if you go by Geordo's logic and considering the time period this takes place in, he's pretty confident that he can get Katarina to love him back and they are engaged anyways so in his head he's in safe waters to attempt to make teases about such advancements if it gives him the smallest chance that Katarina would become at least aware of him through it.

Of course I know that stuff like that won't fly here in the real world, but maybe that's why I'm so lenient personally when it comes to his (debatably) sexual teases and advances, because it's a fictional story for a japanese audience. Doesn't mean I would approve any advances like that if it happens to me, it's just that it's hard to take his actions seriously when Katarina or the story doesn't take them seriously. Like, the girl would be pushed down to a bed by RufuSora and gives her a hickey and she still thinks the man is out for her blood.

He wouldn't even be entirely wrong, knowing the identities of the characters who Katarina knows has romantic interest in her in the novels, actions does speak louder than words when it comes to her. Like I said, whether or not Geordo really means what he says when the story teases the readers with sexual implications in his words and action depends on the reader in my opinion. They are there, I wont pretend they don't but I'd argue about the level of intent depending on what scene you're talking about.

The only scenes on the top of my head where he is very abrasive towards Katarina is the "fait accompli" scene, the Book scene form the anime (S1 EP8), saying he wants to lock her in his room (LN6) and the multiple times Geordo had invited her in his room at night alone (LN6 and LN8, i think).

I've already explained why I am okay with both Keith and Geordo's Book scenes from episode 8 of the first season because they are accurate representations of an exaggerated and unhinged versions of their desires towards Katarina so I won't bore you with those details again.

He mentioned in Volume 6 that he wants to lock Katarina in his room forever and keep her light to himself, which alarmed a few people when the book came out, but he said that in a moment where he feels super grateful and loving towards her because she knew how tired he was despite his fake face and without even saying anything. It was a moment where he felt so infatuated towards her that he wished the moment where he gets to rest in her arms would last forever, thus he made such a comment. I make it sound more dramatic than it was in Volume 6, it was just a quick comment honestly lmao.

For people who don't read the novels, that last part looks very sus and raises a few red flags I know, but to be fair we can't definitively say what his intentions are because Katarina never commits to those visits. Katarina has actually become wary of those invitations, because Keith and Mary have warned her that Geordo's intentions are sexual, but I'm not really trusting the word of the two people who are most distrustful and antagonistic to Geordo. They could be right, of course, but who can really say? We assume that they are correct because they care about Katarina and are wary of Geordo, but hamefura('s novels) is full of unreliable narrators anyways, it's not like Keith or Mary would consider the possibility of it being anything else because when it comes to the third prince they always fear the worst case scenario.

If you think about it, Geordo is probably aware that winning her over with a "fait accompli" won't work at all because it'll put him in a position that will make other people push him for the throne (which he doesn't want) or could ruin his reputation in high society if Katarina or her family react to it negatively. I'm not Geordo though, so I can't really say if he even have such fears and doubts in the first place, that's just my assessment based on the obstacles he has. On the outside he is really sure of himself and confident (which he arguably deserves) and on the inside he is very careful and insecure when it comes to Katarina.

Also like, spoilers but for someone who is very forward when it comes to his physical advances, Geordo is super weak when he is in the receiving end of those touches. He gets super embarrassed and easily flustered when its Katarina who is touching him, as if implying that to some extent that he's all just talk lmao.

I don't really agree that Geordo doesn't care about what Katarina feels at all, in fact his inner dilemma in the novels is that he doesn't know what to do because in every step he takes he might do something that could ruin his image in Katarina's eyes, be it pursuing or abandoning the throne or looking like a monster in front of her. He even halts his plans to make advances towards her during the Keith Kidnapping Arc, but threw it away because he knows how much finding Keith means to Katarina. He puts what Katarina want and doesn't want as his priority, so when what she feels is unclear that's when he acts on his own intuition. The only reason Geordo feels so confident to advance towards her sexually is because Katarina never rejected him before (because she doesn't know what they mean, and all of this is for the sake of simply making her aware in the first place)

I'm not trying to make anyone think that one has to read all the books in order to understand him, I think the manga does okay at conveying his feelings too. The anime really prioritizes on making him look "sexy" for the japanese female audience, so anything he does is sprinkled with spice whether we like it or not.

I'm sorry if it seems like I'm overanalyzing all his actions just to justify them, everyone has the right to be uncomfortable with his advances if it seems too much for you. It's just that his actions, while over the top and unnecessary, are done to please the type of audience that hamefura caters to, and it's hard to take him completely seriously when the story doesn't either in my opinion. Doesn't mean he's right or that any of it is okay, but it's his method of trying to put a dent on Katarina's bakashield. When you're in a race versus your friends who Katarina all loves equally, he's gonna use whatever card he can get in order to win.

I like Geordo; I like how much of his feelings for Katarina forces him to reexamine himself and realize that he isn't a perfect prince at all, that he has lots of problems and flaws that he needs to work out in order to be someone worthy of her. I like the way he falls more and more in love with her in every interaction they have because he finally gets to have a genuinely and caring interaction with someone. I like how Geordo wants to do better and be better for Katarina and the people around him, and he wants to be able to thank Katarina directly for that through being able to show his love. I like that despite how much of a chad he acts in front of her, he's a blushing mess at the thought of Katarina returning his feelings. I find it funny when his "sexual advances" fails and gets thwarted because he's trying them on the densest person and most protected lady to ever live. I like how Geordo is so head-over-heals in love with her and how much comfort and warmth she brings to him by simply being her caring and bubbly self.

I guess it's just a matter of different perspectives. If you find him unlikeable or a villain, then you do you. I try to explain why I personally excuse his actions, but I know it wont fly with everyone. We all see each character differently and absorb the material in different ways. In fact it's probably a bad idea for me to defend him with material that isn't the anime nor manga yet lmao. I mean I'm not that much of a fan of Mary anymore, and I'm kinda scared and wary of her, but I know people don't see her the way I do and I'm okay with that.

Maybe its just me, who is the kind of person who just goes with the flow and doesn't think too hard because it's all fiction anyways

It's hard to tell all this from simply watching the anime, so I laid all my feelings down in hopes that someone out there would understand why I like him so much.

Thank you for the ask, you can ask more questions or call me out if I said anything insensitive or wrong, I know a lot of this is me overanalyzing things which might look like I'm jus stretching. As someone who is aware of the things to come in Hamefura X, I can say that I am both excited and nervous as to how everyone will react for the direction of Geordo's character.

[evotter]

jan, march, sept + one of your choice, love. have a great day, u icon

thank u kyra i adore u

january: what was the first fic you posted this year?

the first fic i posted this year TECHNICALLY was the epilogue of a different path. the first standalone was chewbacca (aka my introduction to the jily world once again and i have such a soft spot for it)

march: do you listen to music whilst writing? 

yes! pretty much always; if it’s not music, it’s a TV show.

september: share a comment or review which still warms your heart?

quite literally anything you’ve left on any of my fics BUT there are a few that i hold dear to my heart. i’ll post them under the cut cause they are LONG :’)

ancient: the first fic you ever posted online?

hahahaaaaaaa. it was my own version of rick riordan’s the son of neptune before the actual book was published. it was on ff.net, and the first chapter got 7 reviews, and i felt so good about myself after that lmfao. who knew i’d still be writing 8 years later?

ask me questions!

OKAY so i have 3 top favorites:

from a different path:

okay so i had seen this in someone else’s bookmarks the other day, thought it was an interesting concept—especially since i too love slytherin!percy and strongly subscribe to ofswordsandpens’ headcanons about it—but didn’t give it another thought until i was listening to a video about the cursed child and went: wait, there’s a percabeth hogwarts au that i saw somewhere. and immediately i hunted this down and i’m just in awe? i tore through it. belatedly, i realized that i made a mistake: i didn’t write down my thoughts as i was reading, which is definitely a disservice to you. however, here are a generalized list of things that i loved.

first of all, with hogwarts au’s, there are three main aspects that i look for: plot, characterization, and quality of writing. normally, fics of this size lack one or more of these key factors, but i was astonished to find that the plot is tremendously tight and intriguing (my lip bled from biting it so much because i’ve been stressed to the max), you write these characters with such distinct voices i can easily picture them saying everything—except, of course, now in a little british accent��and your writing flows so well, it feels almost like i’m reading an actual harry potter book, just with percy and co. you also do a masterful job of weaving together aspects of the pjo universe with the established canon of hp.

and there are so many specific things that i love. primarily, the way you write the relationships in this story; not just concerning percabeth (though i will get to that in a minute), but also with each of the interactions between all of the characters. i applaud you for how you handled luke/annabeth and rachel/percy, and the friendship among them all is just incredibly well done. i especially love how well you wrote connor and zoë and just, a lot of characters that i don’t often think about when i think of pjo. grover and percy’s friendship especially is heartbreaking, i just. he’s so protective because he loves his friends and holy fuck i also love how you wrote grover in this. but i just adored how you wrote annabeth/percy—the love between them, both platonic in its early stages and the romantic all throughout, was doubly apparent. i ached when they kissed each other’s cheeks, and i inwardly cheered when she kissed him in the locker room. there was just such a natural progression, to me, of their relationship. and man did i dig it. i’m excited (and maybe a little scared) to see where you take their relationship in the future.

boy, this is getting long. sorry. but some more just little quick things: loved the b99 reference, with both of their competitive natures playing out in a similar way to jake and amy’s. i kind of want to go back and see if i can find any other references that i missed because i was just too engaged in the story to catch them. also, zoë’s death killed me all over again, thanks for that. i like how you’re working the kronos plot in, and i can’t wait to see how the Final Battle plays out. what else? oh! professor hestia? beautiful. eventual maybe professor percy? outstanding. percy kissing the top of annabeth’s head? breathtaking. rachel being a quidditch commentator? earth shattering. (truly i cackled when i saw that.) mrs. o’leary being a cat? incredible. how you incorporated percy’s water powers? stunning.

ooh, this exchange was beautiful and had me cackling it was so in-character:

“None of us are dying.” Connor clarifies. “Not you, not me, not Annie, not the rest of us.”

“I might have to dispute that.” Annabeth says, from Percy’s other side. “Call me ‘Annie’ one more time, Stoll, and I’ll kill you myself.”

Connor only grins at her. “Sorry, love. No more ‘Annie’. Can I call you Beth?”

“No.”

“Anna?”

“No.”

okay, so i just finished chapter nine and i am blown away. sorry for how long this comment was, but a fic of this magnitude truly warrants it. i can’t wait to see what happens next.

i leave you with just two words: “holy shit.”

from a different path: 

god, oh my god, am i the only dumb bitch who didn’t get what the prophecy was??

anyway, i stumbled on this fic last year, patiently waiting for its completion, and now that i’ve rediscovered it, i’m so glad i finished it all in one go! i couldn’t imagine the tension of waiting for the next chapter, especially since the tension is so well-crafted!! i hardly noticed the tonal shift even as the story got darker and darker as it led up to the war, and in that way i was reminded of how extremely similar it felt to reading the hp books for the first time! you nailed percy very well i might say, and the awkward-yet-caring relationship he has with his dad. i daresay you gave connor and zoe more characterization than rick riordan himself, and the percabeth you wrote is perfect to the nth degree. i appreciate that you didnt bother with all the love triangle and unrequited feelings nonsense as well.

but i have to say, even as i cried at sally and paul’s wedding, or at dionysus’ quiet mourning for castor, what really struck with me most was the way you handled silena. for that, i have no words. that was a job extremely well done. thank you so much for blessing us with this fic.

from chewbacca (a comment from u!): 

A girl in a bright yellow hooded raincoat stumbles into the cafe on one of the slowest nights James has ever seen. Her coat is dripping all over the floor he’d just cleaned (but it’s fine) and when he leans over the counter he sees that her boots match the coat.

First of all!!! Thats the best opening line in the world and nobody can convince me otherwise. I want to become a publisher just so that if you ever write a book, I’d be able to publish it. ( like omg, what an honor??? )

She looks like sunshine, standing there with the amount of yellow in her wardrobe. Briefly, James wonders if that’s her favorite color. It’s got to be.

Im going to quote this whole fic but I really love these lines? Like, you have this distinct style of writiting that I aim to acheive and you’re literally such a rolemodel!!! These are my favorite kind of fics to read. Funny story but I was going through a ‘no thanks Jily’ mood (  a horror, i know !! ) but your fics are just,,,,exceptions? You could write about trash and I’d love it and ask for you to sign me up.

 “Say it again, but convincingly this time.”

ooof this dialogue??? let me breathe

This is the longest he’s stood still since he started working. It’s actually a miracle.

and the funniest person award goes to YOU. also, the most talented and cutest but thats neither here nor there.

james taking care of fleamont, switching off the lights gives me just a nice and realistic vibe? its so simple but i love how you added it.

honestly at this point, ive been sucked again by the fanfic. it feels less like a fic and more like a masterpiece that belongs in a museum but anyway.

“James is supposed to be helping.

James is on his phone.”

ugh i love ur mind. im rereading and its so nice and lovely. even if its like 1am and im exhausted, this fic is sustaining me.

“Do it off the clock, would you?”

PEAK HUMOR

have i mentioned how much i love that scene with euphemia? she seems like such a lovely mom. i love ur euphemia the most. and ahh, both of them just rushing to the hospital ? another 100% good scene.

“Euphemia smiles too, but looks at Fleamont rather than at her son. “Yes,” she says. “It really does.””

fic? or shakspeare? HMMM

A girl in a bright yellow hooded raincoat stumbles into the cafe on one of the slowest nights James has ever seen // “Get fucked.”

the fic!! has made a circle!!! i love how it begins and ends along the same lines. I really want to know how??? are you so talented im in love.

i just really love this fic, okay? i love how james is just the kindest, lily is allowed to have feelings, its just so soft and warm. and it makes someone feel loved, want love anyway.

the dynamic between the characters are just so real and great and im astounded, in short.

your sirius is everything. so many fics potray him as a dick??? which is first of all #rude and also, not at all true. you made me love these characters even more so i sincerely hope you never stop writing.

you’re such a beautiful writer and the way you string words together is just poetic and gorgeous and all the other good adjectives you can think of. i read your spiderman x reader too and i was a goner for you. EVERYTHING YOU WRITE IS SO GOOD. i read it so long ago but i can vividly remember peter whipping the mask off and she just going wtf stop on the window ledge. what im trying to say is that you leave this lasting impression on people that make them remember random scenes and words / prose long after they’ve read it which is a remarkable feat, i believe.

and im so sorry im not on tumblr rn bc i cannot keep recing this fic but i have told my friends about your writing and they loved it too. you’ve got like a million fans. when i do get back from my hiatus, im going to keep recing your fics and people will cry because their universe will shift thanks to the newfound joy of your presence in their life.

lastly, im more of a dog person and that, more than anything, should tell you how much i love this fic. i love u. and basee on your writing, i want to hug you, be your best friend and make you cookies bc again

WOW

[momestuck]

Epilogues: Meat ch 1-8 [Epilogue 1]

I’m eating so you get one more of these before I try to salvage a bit of work from today.

We’ve read through the whole of the ‘Candy’ branch of the story. It went places! Spoilers for it below.

Somehow Jane turned into a fascist dictator, Karkat became a heroic resistance leader, a whole lot of ships were made and broken, Dirk killed himself but somehow it was fake (???), John went through multiple existential crises and a failed marriage, Jade destroyed Dave and Karkat’s relationship but ultimately got with Dave, Gamzee was brought back to perform a ‘redemption arc’ and was generally awful but ultimately ended up getting sexually assaulted and then murdered by Vriska, let’s not forget that the cast had three entire fucking babies and one of them ran into her own namesake... and Obama was there. And that’s not even covering all of it...

But that was all in a universe that was ‘inconsequential’; it was in a bubble disconnected from ‘canon’, spread out on the event horizon.

Now we wind the clock back, and consider what happens if John chooses on that day to go forth, recruit a group of other selves from elsewhere in Paradox Space, and fight Lord English, as ‘canon’ dictates he eventually must...

Chapter 1

This one is in second person, and features narrative prompts, which was also true of the first chapter of Candy.

This time, John eats the meat in a really gross way, manages to not puke everywhere, says awkward goodbyes, writes a bunch of letters, and fucks off back into Canon(TM).

Not a lot to say about that! P much what we expected. Wonder where he’s gonna end up?

Chapter 2

I pretty much expected them to dive straight into Canon, but no, in fact similar plots as the first one seem to be abrew. We meet Dave and Karkat - no Jade here, this time - as Dave breaks the news of Jane’s presidential bid.

So, Dave proposes, Karkat should run against her. Which was a possibility floated in the other story... it does feel rather like, at this point, whatever V said, I might have read them in the wrong order.

Dave brings up Obama as a reason he’d want to see a good president - Obama who, in Dave’s timeline, got killed by meteors before he could ‘fix the economy’. Which I guess makes his appearance in the other branch a little less of a non-sequitur, though still fucking weird don’t get me wrong!

DAVE: or maybe not... maybe there was like an escape hatch in the white house that led to his own secret presidential session of sburb

DAVE: what if hes just chillin there now

KARKAT: DAVE, I THINK WE’VE COVERED YOUR “OBAMA’S SECRET SESSION OF SBURB” THEORY WELL ENOUGH ALREADY.

So the Obama chapter was all payoff for a very long term brick joke? This is not the revelation I expected to be having in Meat.

Anyway, Dave basically explains how scary it is to have the human government in charge of troll reproduction, echoing Karkat’s words back at him. Apparently the way the whole weird eugenic system got put in place was that, before Kanaya arrived with the Mother Grub, the government reproduced trolls exclusively ectobiologically.

The other issue is... The Economy. We get a little note that, indeed, this is an alchemy-based post-scarcity economy:

DAVE: ok if shit goes sideways i guess we arent gonna see like raggedy turtles and pauper chess men standing in bread lines or anything

DAVE: thats just the nature of alchemy-based post-scarcity economies the depressions tend to be pretty mild

DAVE: but it will still be bad

DAVE: a healthy economy is fuckin IMPORTANT

DAVE: if for no other reason than it protects the societal context for what it means to be fucking rich, like us

So uh what do they spend money on... I guess there’s services, those can’t be alchemised (except for the fact that ludicrously advanced robotics exists?). someone actually has to work the alchemizer...

Anyway most of this chapter is... electoral strategy.

DAVE: consorts overwhelm the other kingdoms in sheer numbers but due to unscrupulous gerrymandering, all kinds of fucked up voter suppression policies and some electoral “counterbalancing” measures to account for their ridiculous population growth rate their voting power per capita is kind of pathetic

DAVE: also its hard to drive turnout

DAVE: this may come as a shock but legions of easily distracted low information amphibians primarily concerned with eating bugs and farming god damned mushrooms arent the most politically motivated demographic

The chapter ends with Dirk calling Dave... to... cut off his head. Yeah. That joke again.

OK, this sure is a direction. Welcome to Homestuck Electoralism Edition I guess. They probably won’t have quite as many kids?

Chapter 3

John apparently has a specific list of retcon interventions, apopros of Rose. The first is to appear on the battleship during the three year journey in the non-canon, pre-retcon timeline, open a fridge containing Aradia and Gamzee (god I’ve forgotten so much), and take the ring that Aradia is holding (which ring is that again?). Then, John decides to shove Gamzee back in the fridge.

> Do everyone a favor and put an end to his preposterous narrative relevance.

You wisely decide that this clown will lend nothing valuable to the narrative whatsoever if he is allowed to remain outside of your childhood refrigerator. You put both hands on his chest and shove him into the fridge where he belongs. He goes easily, issuing only a pair of weak honks in protest. You slam the fridge shut and resolve to never think about Gamzee Makara again.

So... we’re going with that, huh.

I’ve said enough about the Gamzee Issue already perhaps. But I guess I thought they were going to do more than to bring Gamzee back mostly to mock the idea of ‘redemption arcs’, and ‘punish’ him some more for being a bad character.

Chapter 4

John interrupts two other retcon-Johns, one trying to cancel out the other, a Dave, and a grimbark Jade during some of the shit that happened when Jade got mind controlled or whatever... it’s been a long time...

Dave’s the first recruit, along with Jade. John gives him a rather half-assed explanation about why, after several years of ‘boring adult lives’, they need to go and fight Lord English now.

Chapter 5

Back to the real story: Dave and Karkat’s electoral bid.

Dirk has apparently been... playing the heel in televised rap battles to Jake’s face so that Jake’s endorsement of Jane’s political candidacy would be more effective. Yeah.

Also he disagrees with Dave on fiscal policy. The cad.

He has a rather weird conversation of alternately discouraging and encouraging Dave and Karkat’s opposition. Then, to round out the chapter, V and Cephied deliver... an entire stanza of Jake’s rap. Oh boy.

At the end, Dirk... tranquilizes Jake (????????) to take another call from Rose.

This is the ‘real’, ‘canon’ storyline now? Oh Homestuck.

Chapter 6

John’s assembled a group of god tier kids in his back garden. The alpha and beta kids are present, but there are no trolls.

There’s a rather uncomfortable moment (for the reader, as well as John) when young Roxy hits on adult John.

You weren’t prepared to get passively hit on by the Definitely Not Legal version of a girl you used to have a crush on at the age she was when you first met her, only a few hours after you watched the Actually Legal version of her engage in passionate hand-holding with her possibly aromantic skeleton alien monster girlfriend.

‘Legal’, really!

Anyway, John feels rather strained watching this rather rushed rehash of the reunion scenes from the original comic. He wonders about the ethics of all this...

You wonder. Do you see these teen versions of your friends as “real”? Are you treating them, at Rose’s behest, as simple puppets? Doing your part to insist they fill friend-shaped recesses in an essential plan to stabilize all else that can be considered important, a distinction no longer applying to them? Do you care at all about whatever fate it may be that you are sentencing these children to? Are you becoming as complicit in the fatalistic evils of Paradox Space as Lord English himself? Are you becoming a monster, John Egbert?

foooof i mean he’s not wrong! let’s call them the ‘child soldiers’ from here on out...

Chapter 7

Time to catch up with Rose. We finally learn what’s wrong with her: she’s ‘ascending’, taking on the full burden of the ‘ultimate self’.

The same is also happening to Dirk, but he is somehow more resilient to it. So that’s what Obama did to Dave, huh.

Also this puts the prompt ‘Dirk: Ascend’ before his suicide in a rather different light.

The pieces are thus falling into place: this is why Dirk was building a Rosebot. Quite possibly the Dirk and Rose who were flying away from Earth C in the Candy timeline actually entered it out of this timeline, which would explain how Dirk was alive.

Chapter 8

Time to see the full events of Caliborn’s ‘Masterpiece’.

This is all Caliborn dropping an extremely corny buildup:

CALIBORN: BUT NOW. THE TIME HAS COME.

CALIBORN: FOR EVERYONE TO SHUT UP ABOUT HOW GREAT MY MASTERPIECE WAS.

CALIBORN: AND THE TIME IS NOW AT HAND...

His laughter turns into a low, cracked gurgle. It spikes towards you in waves, distorts and pitches low. He is beyond pleased with himself, and with the line he is about to deliver.

CALIBORN: FOR YOU ALL TO *BECOME* MY MASTERPIECE!

We need more organs to give that the proper level of scare chord...

End of Epilogue 1

Well that explained at least some of the wild horseshit we experienced in Candy, I guess.

So somehow this is all according to keikaku, which is to say Dirk’s design - he fancies himself as an engineer, putting each piece in its proper place. Rose isn’t entirely in on it, but she will be. We still don’t know why Dirk’s doing this, why he needs Jane to be president, why he’s ultimately going to need a new SBurb session...

As for themes and stuff... this just felt like ‘setting the board’. Rather hastily, even though it’s a full eight chapters. Compared to the emotional heft of some of the stuff that happened in Candy, anyway... this is all plot.

[rhinointherain]

26-8-2020

the high hasn’t really hit me yet (its been a few minutes so yeah kind of weird, longer than usual probably, but also not that weird for me bc both i and a***** have noticed that it takes a lot longer for weed to affect me than it does for the average person, i think it is starting to kick in anyway), but i wanted to say first of all that earlier today even though i hadnt smoked at all i noticed myself having some thoughts on the similar type of abstract ideas that i get while high and thinking I should journal them, i didnt because i’m starting to come down firmer on the decision that i will only make any of these types of entries after having smoked at least once that “day” (as in since waking up in the morning, not like a 24 hour period), considering i did smoke twice yesterday and not being a very little physically active person it might have to do with thc still being in my body, but it also might be that doing these journal entries has made me more eager and better equipped to engage with those abstract ideas which i think is cool (although it is important to ask the question of whether it actually has made any tangible difference in how and why i interact with those ideas or whether i just want there to be one), but it also might be that i was reading that terence mckenna book

((actually it was all three of these reasons and also the infinite reaches of every other infinite reason that put me in this specific “multiverse”/version of existence, those three were just the main ones i at first subconsciously perceived to be important enough to type and then after typing them consciously evaluated to be important enough that i would not delete them and instead elaborate on them further. but i feel like I’ve discussed this enough by now that this is readily apparent)

what were those abstract thoughts i wanted to write down is another question because when i decided not to write them down i thought ok well then ill be sure to remember what they were and pick up my phone and write all this immediately after i smoke but the problem is that it takes a little while to type it all up and i forgot them before i had finished writing all that introduction

i should explain better the path that my thoughts have been taking from my mind to their final written form so far in these journal entries but first i want to talk about something else

which is that

(include something explaining why you feel the need to inject these sad excuses of teenage tumblr poetry in between the actual interesting shit you usually like to focus on in these entries)

okay do i still want to write about what i was about to say? also maybe it would be more productive to wait until sober to explain the processes in which these entries are formatted

yeah i do bc one of the reasons i do these lame ones is that they can act for me as a healthy emotional release okay so anyway i wanna be, and this is coming straight from the pathos slash animalistic sensory-propelled part of my brain not anywhere near the rational thought-propelled one, i right now wanna be like a a girl in a movie or story about some like lame emo dude who smokes cigarettes and the movie is just a bunch of slow panning over like a rainy city and theres shoegaze in the background (im thinking about like lost in translation or something BUT EXCEPT the dude isnt bill murray the dudes like a young guy who only someone like me would find attractive (but there are a lot of people like me) who like reads proust or some shit i dont know) and MANIC PIXIE DREAM GIRL fuck that’s what i’m trying to say i didn’t actually need to type all this shit i just forgot that that term existed for a sec well anyway yeah thats what i want to be, seeing as this concept and the importance of attaining it as a woman has been drilled into my head by media which my brain had been heavily impressed with during its most impressionable ages (that being my adolescence), where and how did that impression happen ie was it absorbed into the deep subconscious reaches and now resides with the animal/sensory part of my brain who has classed the desire to fulfill this idealized image as a sensory/survival need, or does it come in from the opposite side and instead its like a desire that comes from higher conscious and or subconscious cognitive understanding formed from the human brains complex analysis of every input it gets through the web of social norms and evaluations and memories and everything that makes up what the brain understands everything to be. how are the two even different. they arent because nothing is different everything is just one infinity inside of itself and i write this same thought down a lot because of its essentiality but i havent been conveying it in a well thought out enough way for sober me to fully grasp its importance. eventually i should dedicate more effort to this particular idea but thats a big undertaking and i have been too lazy to attempt it so far

fuck like i just want the guy to be like standing by himself at the weird french new wave club or something thinking about how disconnected he is from society or whatever the fuck and then he sees me whos like 100 lbs and i have an unconventional haircut and either im like dancing uninhibitedly (representing the innocent and childlike perspective our jaded protagonist needs to offset his disillusionment with society) or im also standing all alone smoking a cig and maybe even reading like [first 20th century philosopher that comes up under suggested results when you type proust’s name into google] ha ha ha im so funny do you see what im doing here im deconstructing the stereotypical indie movie that people on the internet make fun of because genuinely liking it had become too mainstream im sure no one has ever thought of this before as a comedic bit anyway i had this whole other thing about it too like she goes in his car with him and they smoke and exchange like 4 sentences but u can still tell shes the perfect for him bc shes sexy and has pink hair or something i dont know anyway i was just thinking about how i wanna be that.

like wouldnt it be nice to not actually have any thoughts in your head your whole job is to be pretty but not know that youre pretty because apparently you dont fit the societal convention of beauty except you pretty much do in every way except that you like have green eyes instead of blue and you dont wear high heels or something and thats all you have to do you only exist to fulfill some dudes fantasy and if you fulfill that fantasy you’ve reached the ultimate purpose in life and don’t have to worry about accomplishing anything else or pleasing anyone else, maybe thats why some people become super religious because isn’t it pretty much the same exact concept like your ultimate goal is to become jesus’s manic pixie dream girl, or buddha’s maybe i don’t know i am embarrassingly uninformed about eastern religions

i’m already not really very high anymore that’s disappointing bc i finally actually took a bong rip by myself in what felt like the correct way to do it eg it didnt make me cough but i guess it wasn’t the correct way after all i guess me not coughing just meant i didnt get enough in my lungs godsh damn it

[viralhottopics]

A Definitive Ranking Of 2000s Rom Coms

Although people who peaked in high school like to act poetic about how great the 2000s were, they werent actually any better than the present day. I mean, it was a time when Britney Spears and Justin Timberlake wore matching denim outfits in public and nobody carted them off to an insane asylum.

But Im prepared to make a concession on two points: 1) At least we werent under the administration of a sentient slime mold wearing a bad wig. 2) The 2000s were a golden age for romantic comedies, mostly thanks to Judy Greers tireless efforts to play every heroines best friend. Plus, only like half the jokes were sexist, and there was about an 80% chance pre-pretentious Matthew McConaughey would show up.

Obviously, a betch has to be picky about her rom-comssome are shitty in a good way, but others are best avoided in case someone catches you watching them. To guide your Netflix viewings, here’s a totally objective list of 00s rom coms. If you disagree, which Im sure everyone will, please note that Im not actually forcing you to watch these movies; Im just saying that if you regularly watch any of the bottom five, you have terrible taste.

14.

is considered a modern classic by two groups of people. 1) men in their late 20s with a crush on Natalie Portman and a thriving quarter-life crisis and 2) 8th graders in 2004 under the assumption that any movie that features a Shins track in its soundtrack is automatically deep. To everyone else, its a film about self-absorbed white people whining about their lives until theyre magically fixed by the power of mixtapes. There are approximately a zillion issues with this film, beginning with Zach Braffs complete lack of expression and ending with the fact that you cant cure real depression by listening to The Shins, no matter how clearly superior the soundtrack is to anything else in this film. Worst of all, though, is the fact that Natalie Portman played a manic pixie dream girl so obnoxious I still dream about strangling her character sometimes. Padme deserves so much better.

13.

Im not saying romantic comedies have to make much sense, but s plot is mystifying. Matthew McConaugheys parents are tired of him living at home, so they call in a lady high class escort (Sarah Jessica Parker) whose job is literally seducing men into moving out of their parents basements and unceremoniously dumping them. Because that’s plausible, and not at all fucked up to force your son to fall in love with someone you’re paying. Ridiculous premise aside, you know a movie is terrible when famed nicegirl Zooey Deschanel is the best thing about it.

12. Monster-in-Law

In case you missed this one, and for your sake I hope you did, is about Jane Fonda inexplicably being terrible to Jennifer Lopez, who walks a lot of dogs and is engaged to Fondas son. That right there should tell you all you need to knowI cannot think of one movie that JLo was in that was anything above mild torture, and we’re supposed to root for her character why, exactly? If my son was engaged to a full-time dog walker you can best believe I’d do everything short of actual murder to put a stop to that bullshit.

11.

Im told some people love this movie, but Jesus fucking Christ, is it possible for the two main characters to be any more appalling? Here you have two assholes manipulating the shit out of each other and just generally acting psychotic, all to win a stupid bet with their friends. They really should call it “How To Act Like A Psychopath And Lose Your Dignity.”

10.

Not gonna lie, I fucking adored when I was an impressionable preteen. It had time travel! Mark Ruffalo! A makeover scene! Years later, the movie is still fun to watch, even if it is way too obsessed with the 80s, but the jokes are more cute than funny. Also, why would anyone allow their 13-year-old child to go to a sleepover hosted by a 30-year-old? That is … questionable to say the least. Not to mention Jennifer Garner’s character does a reverse transformation from a betch into a nicegirl and dumps her hot pro bf in favor of her formerly fat friend. Blah blah, true love, I don’t give a fuck. Tenth.

9.

is close to being wrapped in cutesy narration, but it’s far superior. For one thing, it reintroduced the world to Joseph Gordon-Levitts dimples. For another, it manages to be a fairly realistic depiction of a shitty millennial relationship without being super fucking depressing. But thats also kind of the problemrom coms arent supposed to be realistic, theyre supposed to be clich and feel-good, and I don’t care what you say, Summer is a thot. I have literally stayed up at night mapping how she could have possibly met someone worthy of engagement a mere 118 days after she broke up with Tom, and only six days after attending a wedding as his guest (yes I did the mathI told you; this movie keeps me up at night). No matter how you slice it, she had to have cheated on somebody.

8.

Full disclosure: As a Southern betch, Im stoked that takes place right next door. (Dear Hollywood: An entire country exists between New York and LA.) But even though it features Patrick Dempsey as the other man, Josh Lucas with a dreamy Southern accent, and Reese Witherspoon, there are still some issues. Mainly, WTF WERE YOU THINKING, MELANIE? Did you really dump your future president fianc for your secret redneck husband just so “the first boy you kissed could also be your last”? I’ve heard of trying to keep your number down, but damn if this isn’t some delusional shit.

7.

Everyone on planet Earth can relate to having a batshit crazy family, and thats exactly what makes appealing. The two leads are fine, considering they’re not Kate Hudson or Matthew McConaughey, but the extended family is everyones favorite part of the movie. Honestly the most memorable moment to come out of this movie is the “put some Windex on it”pretty good deal for Windex, not so much for the people who actually starred in the movie. However, it does get points for the memorable line: “The man may be the head of the household, but the woman is the neck and she can turn the head any way she pleases.”

6.

The plot is pretty flimsy (a Canadian businesswoman has to marry her assistant to avoid deportation) but everyone loves a story where the couple starts out hating each other and eventually falls in love. The cast is what makes this movie pure rom com gold: Sandra Bullock, Ryan Reynolds, and Betty fucking White, who gifted us with the infamous Native American dance scene. Basically, it’s predictable but ridiculous, making it better than some of the other garbage movies on this list.

5.

Admittedly, is probably to blame for some of the chubby man-child/beautiful, svelte woman couplings we see in the media that give men unrealistic beauty expectations (of the types of women they can expect to date), otherwise known as The Beyonc/Jay Z Phenomenon. But whatevs. Its a good movie. Seth Rogen has that whole dad bod thing going onapparently a thing some people are intoand Katherine Heigl was at the top of her rom com game before she pissed off the entire cast of .is actually hilarious, which is enough to make up for the fact that Katherine Heigl appears in it.

4.

Even aside from my undeniable crush on youthful Sandra Bullock, is a quintessential early-2000s romantic comedy. Allow me to explain. 1) It stars an ambitious career woman who dont need no man. 2) But she kind of wants one anyway, and everyone realizes what a catch she is when she puts on lipstick and a dress. 3) Did I mention its plot is literally an extended makeover scene as Bullock goes from bad ass FBI agent to bad ass beauty pageant contestant? I rest my case. Add in some cute female friendships and a scene in which Bullock teaches us how to fend off an attacker, and its basically required viewing every year.

3.

You had to know was going to make the list despite this amazing take-down article of why it’s actually terrible. With approximately a bajillion storylines going on, its hard not to find one you like and get invested, and it doesnt hurt that the film features every well-known British actor under the sun. Im not sure how the movie manages to juggle all the different plots without being confusing and/or boring, but Im not gonna question it. However, this shit is TOO FUCKING LONG. If I have to pop an Adderall just to make it through a damn movie (which I do), you need to send your editors back to the drawing board.

2.

is the perfect example of a rom com thats super clich in theory, but in practice, its so fucking heartwarming it doesnt even matter (ugh). Katherine Heigl plays ultimate nicegirl Jane (in case the fact that her name is “Jane” wasn’t enough of a clue), whos been part of 27 weddings and miraculously hasnt gone broke from buying all the bridesmaid dresses. The dudes are pretty forgettable, but Janes psychotic sister and slutty best friend totally steal the spotlight, elevating the film to truly betchy heights.

P.S. For once, James Marsden plays the leading man, so his preternaturally perfect face gets more screen time, #bless.

1.

Bridget Joness Diary is the ultimate feel-good movie, as in its literally impossible to watch it without feeling your icy soul thaw ever so slightly at the end. The titular character starts out fat, single, and past the age of 30, so basically our worst nightmare. By the end, though, she manages to bang Hugh Grant and Colin Firth, land a better job, and become a self-described wanton sex goddess. If those arent your life goals, you clearly need to start your own self-help journey.

Read more: http://betches.co/2leb0vU

from A Definitive Ranking Of 2000s Rom Coms