#anyway. Just Some Nightblogging; happy 2 entertain non-ad-hominem discussion but also this isn't‚ like‚ a polished position paper
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aeide-thea · 1 year ago
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thinking abt like. there's so much fiction out there that makes me feel bad! sometimes really deeply bad! and like, in many many cases i could present a whole argument abt how it makes me feel bad bc it's pressing on bruises inflicted by some systemic prejudice that has deeply wounded my psyche—and that argument would be true!—and still i don't want that fiction erased from existence, or modified to suit my taste, or anything else that enacts my will on it, rather than the artist's and the artist's alone; i don't even want the artist erasing it because my argument ultimately convinces them it's Bad! produce a revised edition of it, fine; stick an asterisk or other warning on it, fine; but i still want the original to be available somewhere, because i don't want to be responsible for blotting creation out of existence. even when it's a creation i hate, i don't think that should be my place (or indeed anyone's).
mind you, i absolutely do want to feel that i've got somewhere i can analyze/vent about fiction like that, and people who will take my analysis/venting both seriously and sympathetically;
and i want fiction to exist that doesn't make me feel bad;
and i definitely shouldn't have to put up with discussions around fiction in which fellow discussants further express a prejudice towards me, or justify it, or whatever;
but it just seems so obvious to me that a world where framing yr discomfort with a work of fiction in sufficiently sympathetic (victimized) terms leads to its deletion [not that i think this is what all leftists who complain abt offensive fiction are looking to have happen! but i do get the impression that at least some of them might be?] is a frightening world—
a world where, to choose a sufficiently sympathetic (victimized) example, authors who have themselves been harmed by prejudice become unable to explore the workings of that prejudice in their fiction, unless they're doing it in a way that's unambiguously, didactically condemnatory—isabel fall is the obvious example here, but i'm thinking also of all the women and transmasc authors who write fic that, quite frankly, eroticizes misogyny and abuse of power, and how sometimes i think stories like that are hot and sometimes i don't feel particularly strongly about them one way or the other and sometimes they leave me furious or fucked up or both! but like. even when i hate it, even when it offends me not as a matter of abstract principle or allyship but right in my own personal gut—i still do feel that people have to be allowed to write, and to publish, fiction that strikes me personally as being in bad taste!
because the minute you let anyone's taste dictate what's allowable to express, even if it's leftist taste, you're going down a bad road; it's like saying monarchy can be a good system as long as the monarch is a good person. no! because (a) no system that relies on good actors to be good is a good system; and also because (b) no one who's happy to have power over others is actually a good person! [that's an awfully strong statement and i'm open to the idea that it may have some asterisks, but like. as a general rule: cincinnatus or bust.]
and similarly i feel like. if you personally want not just to critique other people's fiction—valid and good and i do it all the time—but to crush it out of existence because it expresses an ideology you may not (i may not!) like? i don't trust you. i think you're trying to substitute pain for principles, and like. i have huge sympathy for pain! i live with a lot of my own! but pain doesn't actually, in itself, necessarily constitute good moral guidance—it can lead you towards valuable sensitivity that helps people we should care about, but it can also lead you towards impatient reactivity that harms people we should care about; and ultimately it's thinking abt our pain, imo, not the pain itself, that steers us towards the former outcome and away from the latter.
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