#annabelle genovese

[codenamejunior-blog]

@mamagenovese

Election day, lunchtime

This election garden party was a private event held behind high iron gates at the house of a long-time Kowalski supporter. It was never in the news, nor had anyone been invited who wasn't a trusted friend or colleague. Roses weaved along trellises over the punch table, a tall white tent flapped lightly in the breeze, and the people glittered.

Waiters weaved among the guests. Harry mimicked them, the quiet voices, the way they held themselves aloof from the guests. He was hired help here, too. The camera in his hands was not his, not did he expect to leave the party without it. He took a shot here and there, focusing on the people, the beautiful house, the facade of wealth and happiness.

He should have been at the court house, watching the rally unfold, but the opportunity had been too good to miss. The pay was peanuts, but in an event like this, who knew who could show up? In a sense it was merely widening his parameter. And he had struck gold.

He put his borrowed camera away in its bag and let it hang by his side as he approached her, a confident swagger in his step and an Arkansas twang on his tongue as he called out to her. "Mrs Genovese?" He swept up a glass of water from the table and offered it to her with a playful smile, a repeat of their first meeting. "Remember me, ma'am?"

[francesca-veronica]

Artistic Cv

COMMERCIAL

• Campaign “LuceBeauty” di Alessia Marcuzzi (2020)

• Commercial Poste Italiane (2019)

• Commercial Nivea (2019), Bruno Aveillan director

• Commercial Bauli (2019)

• Commercial Carrillo (2018) • Commercial Chicco Urban (2018), Francesco Glavina director • Commercial Tomato+ (2018), Francesco Glavina director • Commercial Pintinox (2018), Francesco Glavina director

• Commercial Unicusano, (2017), Daniel Bedusa director • Commercial Biopietra (2017), Francesco Glavina director

• Unipol Assurance (2017) • Commercial Enel (2017), James Brown director • Commercial Estatè (2016), Federico Fei director

• Commercial Feezy, (2016), Daniel Bedusa director • Commercial Proraso, (2016), Luca Lucini director • Commercial Ballarò, (2009), Luca Miniero e Paolo Genovese director

ADVERTISING // PHOTOSHOOTING

•           Picture story, Grand Hotel Magazine, march issue (2019)

•           Catalogue Lane Fortyfive Rome (2019)

•           Catalogue Trompé, Rome (2019)

•           Editorial for Stalker Magazine (2019)

•           ADV “ENI”  (2019)

•           Catalogue “RK New York”  (2018)

•           Editorial for Stalker Magazine (2018)

•           ADV“Unicredit” (Italian Policy Assurance) (2018)

•           ADV "Palladium" (2018), Festival Romaeuropa 

•           Editorial "Annabel", Albania/Macedonia/Kossovo (Nov, 2018)

•           ADV “Telecom Impresa Semplice” (2018)

•           Personal Exhibition "Raped by the fairy tale", Roma (2017)

•           ADV "Banca Intesa"  (2017)

•           Cover book "Gabbiano Rosso" (2017), Marco Caputi -Rome

•           Cover book “Practycal Photography” (Jan 2017), UK

•           Cover book "Feminine Look" (2017), Maris Ojasuu, (Estonia)

•           Cover Book "Infinitivement plus"n(2017), Anne-Lise Grobéty (Lausanne)

•           Catalogue/Testimonial “Allevénue” Rome-Paris a/i 2017

•           Catalogue/Testimonial “Allevénue”, Rome-Paris a/i 2017

•           Catalogue  “Nadia Mari Collezioni” Rome p/e 2017

•           ADV “Tocco Magico” hair and stylist (2017), New York/Rome

•           ADV “Kemon”, hair and stylist (2017)

•           ADV “Trilab” (2016) Italy/Zagabria

•           Catalogue for the Denim “Care Label”, (2016)

•           ADV “Venus extentions” (2016)

•           ADV and catalogue for “Simas spa” (2016)

•           Calendar for ABA, against anorexia and bulimia, (2016)

MOVIE

• "Da qui se ne vanno tutti", Manuel Montanari director • Musical "Evolution" , Pierpaolo Zampini director- Taranto Film Commission

• Role in“Marshal Mishake”, Giorgia Farina director • Role in “Welcome to the South” , Luca Miniero director • Role in "Bombolone" , Lorenzo Berti director • Role in “Quando si diventa grandi”, Massimo Bonetti director • Role in "In fondo alle scale", Andrea di Iorio director • Role in “Red Zone”, Giorgia Farina Director

MUSIC VIDEO

• "Amongster", Polica, (UK), Roberto Cinardi director • "Secret of my life", East 17, Roberto Cinardi director • “ Un grande sole”, Giuliano Palma & The Bluebeaters feat.Samuel Subsonica , Cosimo Alemà director • “ Canzone del dove”, Stardog, Francesco Collinelli director

• “ Dare un senso a questa neve”, Federico Nascimbeni, Maurizio Barili director

[mamagenovese-blog]

Pillow Talk | Anna and Lucca

@thekingpxn

For a change, it wasn’t yet another uneventful day. She might not be this years hostess for the party, but that didn’t mean he Genovese residence could afford to be anything but perfectly polished. The general feeling of uselessness overcame her so much that she even helped sweeping the floors and was more than surprise to learn that the deed possessed a rather soothing quality. Huh. Perhaps she could do it more often, so long as no one really saw her do it. The elections were fast approaching, just a few hours’ sleep to go, before she would have to rush to take her place and put on a doll face, being both the Genovese and the DuBois the world already knew her to be.

After a long shower, Annabelle put on her underwear and wrapped herself in a bubblegum pink bathrobe, her hair tied up in a careless bun. She meandered her way down the dimly lit corridor, slipping into her daughter’s room, only to find her fast asleep. She lingered in the shadow for a moment, looking at her dearest Lizzie, before planting a quick, soft kiss to the girl’s forehead and slipping quietly out of the room, leaving the door ajar behind herself. She lingered there, her eyes squinting as she made her way towards the bedroom she’s shared with her husband, realising she’s been stalling a little too much at her daughter’s door.

Anna sighed, bracing herself to enter the bedroom, and exhaled in slight relief as she peeked inside, noticing her husband was still absent. That was nothing new, really. They rarely went to bed at the same time, and even when they did, they rarely did anything except for rolling on opposite sides and grunting a ‘goodnight’, after a few irrelevant questions. Annabelle sat down on the bed, opening the lid of her body lotion and rolling the sleeves of the bathrobe, as she began rubbing the cream into her left arm.  She was halfway through her right leg, when the door opened and her husband strode in.

Anna briefly lifted her eyes up to meet his, her usual, welcoming smile tugging at her lips. “Good evening.”

[ourceasingvoice]

Free Like Tonight Lyrics

The Arsonists

we don‘t have the ghost of a chance and no hope that we make it through alive you see we ain‘t praying but fighting for just one spark to light the one thing we still got we sold our future just so we could get back at them and reclaim our past you see we ain‘t praying but fighting for just one spark to light the one thing we still got we hold up our torches and start to sing this is not the beginning of the end this is is, my darling, the bitterest end this is not the beginning nor the beginning of the end this is is, my darling, the bitterest end look into the flames and you will see just the same dreary bleakness as we do eternally come on and look into the flames and you will see just the same dreary bleakness as we do in anybody

Gone

you forgot where it began but I will show you how it ends you forgot where it began but trust me I will show you how it ends and once you know the end you cannot just pretend that what was gone was already gone ’cause this is it you forgot where, how and when but it’s like the fall of man one could say that it began with just one wrong you can’t amend and once you know the end you cannot just pretend that what was gone was already gone and this is it and we can‘t take back all the things we‘ve said ’cause what is done is done you can’t know what courage is unless you’ve felt discouraged too I thought this whole thing through and couldn’t find a way so this is me losing heart again and once you know the end we cannot just pretend that what was gone was already gone and this is it this truly is it and we can‘t take back all the things we‘ve said ’cause what is done is done and we can‘t, we won‘t take back all the things we said cause what is done and what is gone is gone no, we can‘t, we won‘t take back all the things we said and just like that, just like that, you‘re gone

Free Like Tonight

why can‘t we always feel free like tonight no doubt in your eyes and peace on my mind why can‘t we always be brave like tonight we‘ve got no time for goodbyes to what‘s left behind let us forget what we‘ve done so we can deny what we‘ve become ’cause this is forever and this is eternal and shouldn‘t we always be bold like that night and follow our hearts and do, do what is right now let us forget all that we‘ve done so we can deny what we‘ve become again this is forever this is eternal

New York in the Rain

isn‘t it beautiful, new york in the rain? you‘re dancing with strangers and their heartbreak runs through your veins here we are, you and me and the panic of a city full of cowards and thieves and hopeless romantics ain‘t it tragic we are lost in the rain I sense danger in the ghost of your smile pretending that there‘s just the world I‘ve seen through your eyes don‘t you love new york in the rain? you‘re siding with strangers and yet they cannot soften your pain here we are, you and me and the panic of a city full of cowards and thieves and hopeless romantics and ain‘t it tragic we are lost in the rain and raindrops of sorrow turn to blood in our veins

Annabelle

she cried for something that could never thrive and she screamed for help at the top of her lungs she‘s got her father‘s love for veracity but she is such easy prey for liars like me oh annabelle how do you sleep and what‘s worth your pain when you know that no one dies well? she‘s got her mother‘s eyes of misery oh but for me, it‘s so easy to lose myself in them oh annabelle you stole my kisses and begged for more i cried and trembled with blood on my hands oh annabelle

Monochrome

the streets are still wet and traffic lights flicker but never turn but there‘s no reason yet to take off and never come back i‘ll see you soon i said and i hoped I would the golden glare of headlight in the signs along the road from home memories of you that show the way the golden glare of headlight in the signs along the road from home memories of you that lead away this town‘s deserted, depressing and desolate the air is thicker than i thought it could be ain‘t that a reason to set out and never return again to set out and never come back again i‘ll see you soon, i said and i hoped i would i hoped i could return i‘ll see you soon, i said and i knew i lied and i knew i lied to a memory of you i‘ll see you soon, i said the golden glare of headlight in the signs along the road from home memories of you that show the way the golden glare of headlight in the signs along the road from home a kaleidoscope in monochrome

Times of Regret

i always said i wanted it all now all i want is the curtain to fall i really thought that one day I could go back in time and kill the thought of your hand in mine in times like these you cannot seem to get ahead by looking back and i don‘t think i should but trust me, i will try again i always said i wanted it all now all i want is the curtain to fall so i don‘t need to act like i could go back in time and kill the thought of your hand in mine in times like these you cannot seem to get ahead by looking back and i don‘t think i should but trust me, i will try again

Genovese Syndrome

you‘d fallen asleep guess it was around 4 and i watched the sun rise through the rear-view mirror we had escaped the night and the ghosts of our past a few miles ahead there was an exit, at last but on the side of the road the blackness arose i saw two men hanging and a third who now knows: the innocent bystanders who abetted the crime we had escaped the night and the ghosts of our past a few miles ahead there was an exit, at last

Delusion of Love

could this really be the end of it all or is it just a herald of what‘s still to come crossed too many lines i shouldn‘t have crossed ain‘t there a way to undo the wrong i have done your eyes, they‘re giving away all the lies and deceit but i, i am so lost in them, i can‘t really tell crossed too many lines you shouldn‘t have crossed and there is no way to undo the wrong that you‘ve done your eyes, they‘re giving away all the lies and deceit but i, i am so lost in them, i can‘t even tell

do you need me more than i need you or do i need you more than you need me why do i need this more than anything else? your eyes, they‘re giving away all the lies and deceit but i, i am so lost in them, i can‘t even tell

Everything We’ll Ever Be

all my life i was led to believe the past is what has been when in reality it‘s everything we‘ll ever be there‘s no end to what was and whatever will be what‘s left of you when you give everything do you still believe you can be anything there‘s no end to who we were and whoever we can be and everything we will be we were led to believe the past is all that we had when in reality it‘s everything there will ever be what‘s left of you when you give everything do you still believe you can be anything there‘s no end to who we were and whoever we can be and everything we will be what‘s left of you when you give everything that you are why believe you could be anything that you want there‘s no end to who we were and whoever we can be there‘s no change in who we were and whoever we can be and everything we will be we‘ll be we‘ll be

Countings

different places same issues and everything i was different places same issues hell, i miss you could it be that you are everything i‘m not dear distress how long has it been since we spoke last yes, it‘s hard it‘s intense to go on when it feels like we are breaking apart could it be that you are everything i‘m not could it be that we are breaking apart are we breaking apart? are we breaking apart? are we breaking...

[valorppromo-blog]

"War does not determine who is right -- only who is left."

Annabelle Genovese is the matriarh of the Genovese family and is coming soon.

V.A.L.O.R. is a literate RPG about the operatives and the people they protect set in late-60s New York City at the height of the Cold War.

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[reviewsandtings]

Plays I have seen in 2018

Tonight, I will see my final show of 2018 so it seems an opportune moment to reflect on my year in theatre. It feels especially fitting that the show is Lynette Linton’s Donmar Warehouse production of Sweat by Lynn Nottage. Among the eighty-six shows I have seen (some of them more than once), I am especially pleased to have seen so many plays written by black women, so many black women in lead roles, and so many black women directing shows; and not just in studio spaces - but on main stages, too. The complete list of every show I saw is below, with links to the ones I reviewed. I was given a lot of complimentary tickets, so I have also noted which shows I paid for and which shows were free to attend. In 2018, I made a new year’s resolution to see more theatre not in London - I make the same resolve for 2019. Here are some of the not-London shows I am looking forward to next year: 

Our Lady of Kibeho - Royal & Derngate

The Princess and the Hustler - Bristol Old Vic

Concubine - Birmingham Rep

Blue/Orange - Birmingham Rep

random - Leeds Playhouse

Two Trains Running - Royal and Derngate

One Night in Miami - HOME Manchester

p.s. follow me on twitter @reviewsandtings for more theatre related musings.

Heretic Voices - a night of new writing Dean McBride Dir. Roy Alexander Weise A Hundred Words for Snow Dir. Max Gill Woman Caught Unaware Dir. Jessica Edwards Arcola Theatre £

Belleville Donmar Warehouse Dir. Michael Longhurst £ Brothers Size Young Vic Dir. Bijan Sheibani £

Amadeus National Theatre Dir. Michael Longhurst £ Black Men Walking Royal Court Dir. Dawn Walton £ The Duchess of Malfi Swan Theatre, Stratford Upon Avon Dir. Maria Aberg £ Hamilton Victoria Palace Theatre Dir. Thomas Kail £ Nine Night National Theatre (Dorfman) Dir. Roy Alexander Weise £

Macbeth National Theatre (Olivier) Dir. Rufus Norris £

Lights Go Out Ovalhouse Dir. Makkala McPherson £ So Many Reasons Ovalhouse Dir. Zoe Lafferty £ Caroline, or Change Hampstead Theatre Dir. Michael Longhurst

Hamlet Hackney Empire Dir. Simon Godwin £ Br’er Cotton Theatre 503 Dir. Roy Alexander Weise £ Circle Mirror Transformation HOME, Manchester Dir. Bijan Sheibani £ The Internet Was Made for Adults The Vaults Dir. Anna Girvan £ The Blind Truth Lyric Hammersmith Dir. Annie Mwapulo £ Stains Lyric Hammersmith Dir. Kwame Asiedu £ The Divide The Old Vic Dir. Annabel Bolton Julie National Theatre (Lyttelton) Dir. Carrie Cracknell £ The Cherry Orchard Royal Exchange Manchester Dir. Michael Boyd £ Misty Bush Theatre Dir. Omar Elerian £

Dance Nation Playwrights Horizons, New York Dir. Lee Sunday Evans £ Cinderella Theatre XIV, New York Dir. Austin McCormick £ Mlima’s Tale Public Theatre, NewYork Dir. Jo Bonney £ The Fall Southwark Playhouse Dir. Matt Harrison Why is the Sky Blue? Southwark Playhouse Dir. Abbey Wright The Jumper Factory HMP Wandsworth Dir. Justin Audibert FREE

Red Wyndham’s Theatre Dir. Michael Grandage Schism Park Theatre Dir. Lily Mcleish Nightfall The Bridge Dir. Laurie Samson random/generations Minerva Theatre, Chichester Dir. Tinuke Craig £ Year of the Rooster Monk Pleasance Theatre Dir. Nathalie Adlam Leave Taking Bush Theatre Dir. Madani Younis £ Sancho: An Act of Remembrance Wilton’s Music Hall Dir. Simon Godwin An Octoroon National Theatre (Dorfman) Dir. Ned Bennett Shebeen Theatre Royal Stratford East Dir. Matthew Xia A Night at the Musicals Soho Theatre Dir. Le Gateau Chocolate/Jonny Woo Sea Wall Old Vic Theatre Dir. George Perrin Uprising - a night of new writing Orange Tree Theatre Dir. Roy Alexander Weise £ The Play About My Dad Jermyn Street Theatre Dir. Stella Powell-Jones POT  Ovalhouse Dir. Sophie Moniram The Jungle Playhouse Theatre Dir. Stephen Daldry and Justin Martin SS Mendi: Dancing the Death Drill NST, Southampton Dir. Mark Dornford-May Fun Home Young Vic Theatre Dir. Sam Gold Allelujah Bridge Theatre Dir. Nicholas Hytner The Secret Lives of Baba Segi’s Wives Arcola Theatre Dir. Femi Olufowoju £ Hoard Bush Theatre Dir. Tinuke Craig £ Diamond Bush Theatre Dir. Jane Moriarty £ Genesis Inc Hampstead Theatre Dir. Laurie Sansom £ Aristocrats Donmar Warehouse Dir. Lyndsey Turner Papa Don’t Preach That Little Car on Drury Lane FREE

Emilia Shakespeare’s Globe Theatre Dir. Nicole Charles £ Things of Dry Hours Young Vic (Clare) Dir. Debbie Hannan Run It Back Hackney Showrooms Dir. Coral Messam £ An Adventure Bush Theatre Dir. Madani Younis Women in Power NST City, Southampton Dir. Blanche McIntyre The Prisoner National Theatre (Dorfman) Dir. Peter Brook and The Fishermen Arcola Theatre Dir. Jack McNamara £ The Other Place Park Theatre Dir. Claire van Kampen Poet in da Corner Royal Court Dir. Ola Ince Dance Nation Almeida Theatre Dir. Bijan Sheibani £

Bullet Hole Park Theatre Dir. Lara Genovese ear for eye Royal Court Dir. debbie tucker green £ Dust Playhouse Theatre Dir. Sara Joyce £ The Ball Tristan Bates Theatre Dir. Garan Abel Unokan £ Love Thy Fro Theatre Peckham Dir. Malachi Green and Ronald Nsubuga The Wolves Theatre Royal Stratford East Dir. Ellen McDougall £ Sweet Like Chocolate Boy Studio Jack Theatre Dir. Tristan Fynn-Aiduenu The Hoes Hampstead Theatre Dir. Lakesha Arie-Angelo £ Misty West End (understudy run) Trafalgar Studios Dir. Omar Elerian £ A Small Place Gate Theatre Dir. Anna Himali Howard The Dark Ovalhouse Dir. Roy Alexander Weise £ Twelfth Night Young Vic Theatre Dir. Kwame Kwei-Armah and Oskar Eustis £ Porgy and Bess ENO Dir. James Robinson Rockets and Blue Lights (Alfred Fagon Award rehearsed reading) Dorfman Theatre Dir. Nicole Charles All We Ever Wanted Was Everything Bush Theatre Dir. Paul Smith £ The Funeral Director Southwark Playhouse Dir. Hannah Hauer-King £ Hole Royal Court Dir. Abby Greenland and Helen Goalen Dr Faustus Sam Wanamaker Playhouse Dir. Paulette Randall Aladdin Broadway Theatre Catford Dir. Richard Cheshire The Worst Witch Royal & Derngate Dir. Theresa Heskins The Convert Young Vic Theatre Dir. Ola Ince Sweat Donmar Warehouse Dir. Lynette Linton

[meumodapr-blog]

New Post has been published on https://meumoda.com/6-maneiras-criativas-de-usar-tendencia-floral-na-praia.html

6 maneiras criativas de usar tendência floral na praia

A mãe natureza nos inspira em tudo, incluindo moda. Mas em termos de ser pintado ou impresso em roupas, padrões florais foram vistos em quimonos japoneses por volta do ano 794 e em ricos veludos genoveses em 1400. No entanto, a tendência floral continua voltando porque sempre pensamos em uma flor como o símbolo de uma mulher que parece feminina e fresca. Se você está indo para a praia para aproveitar o sol, continue lendo para nossas 6 maneiras criativas de usar a tendência floral.

Vestidos de verão

Nada é mais romântico e feminino do que usar vestidos estampados florais em sua aparência de praia. Como a blogger de moda Jessica Stein, opte por um estilo arejado que pareça arejado e leve na praia em detrimento daqueles que combinam com a forma. Sinta-se livre para ir para o estilo backless, decote halter, vestidos de alta fenda, e os tubos que v��o manter a sua praia parece criativo ao mesmo tempo inspirado no verão.

Fato de banho e biquinis

Procurando formas criativas de parecer bonito nas águas? Opte por fatos de banho com estampas florais e biquínis que o manterão sedutor ao mesmo tempo sexy. Como a blogger de moda Kristina Bazan, você pode realmente optar por um bandeau estampado floral floral para adicionar algum volume em sua linha do busto, mantendo sua praia parece flirty. Impressões gráficas estão na moda hoje em dia, então pense em comprar um maiô com uma estampa floral ampliada como a blogger de moda Jennifer Selmanovic, para que você tenha uma aparência criativa e inspirada no verão na praia.

Coberturas de praia

Se você está procurando roupas de banho versáteis, como os pretos lisos ou simplesmente neon na cor sólida, use a tendência floral em seus encobrimentos de praia. Como a blogueira de moda Annabelle Fleur, você pode optar por um cover-up com gráficos florais que combinem com seus biquínis de cores vivas. Além disso, pense em suas blusas leves com estampas florais que também podem ser usadas nas ruas da praia, como uma capa que a blogueira de moda Veronica Popoiacu fez.

Macacão chique

Procurando por uma aparência de praia chique sem esforço? Resort para macacão de estampa floral que irá mantê-lo alegre e chique. Como a blogger de moda Jessica Stein, escolha um decote lisonjeiro em seus macacões para adicionar um pouco de sensualidade à sua figura. Geralmente, um estilo de decote em V ou wrap de macacão é universalmente lisonjeiro. Basta usar um colar delicado que irá adicionar um pouco de glamour à sua aparência da praia.

Tops De Crochê e Vestidos

Se você não é fã de cores brilhantes e estampas animadoras, basta optar por um top de crochê ou renda e vestidos com motivos florais para manter sua praia inspirada no verão. Seja um disfarce, um vestido ou um top de fazenda, o crochê adicionará uma vibração despreocupada à sua aparência de verão, ao mesmo tempo em que mantém você alegre e flirty.

Calções ou Calças

Além do encobrimento, você precisará de shorts e calças leves quando estiver longe das águas. Ir para uma impressão gráfica ou mesmo um bordado que irá adicionar um pouco de tempero para sua aparência da praia. De fato, a tendência floral é um dos looks mais estilosos e criativos para incorporar esta temporada em sua escapadela de verão.

[ourceasingvoice]

Our Ceasing Voice - Free Like Tonight August 25 2017, CD / VINYL / DOWNLOAD

01 The Arsonists 02 Gone 03 Free Like Tonight 04 New York in the Rain 05 Annabelle 06 Monochrome 07 Times of Regret 08 Genovese Syndrome 09 Delusion of Love 10 Everything We'll Ever Be 11 Countings

[valorpg]

Activity Warning:

The following characters need to message the main or post in character within 24 hours or they will be reopened:

Annabelle Genovese

Lisabetta Genovese 

[valorpg]

>>file number: 562<<

Name: Lisabetta Genovese Codename: Twiggy Aliases: Audrey Charbonneau, Wendy Ballesteri Gender: Female Pronouns: She/Her Faceclaim: Kiernan Shipka Alternate Faceclaims: None, but open for suggestions!

history:

Date of Birth: November 10th, 1954  Place of Birth: New York City, New York Nationality: Italian-American Occupation: Student. Daughter of Lucca Genovese.

early life:

Lisabetta always knew she was different. She saw things in ways none of her peers could even begin to understand and could grasp concepts far beyond her years. While her apparent intelligence was no doubt striking, it was also incredibly isolating. Even as her parents enrolled her in the best private school money could buy, Lisabetta always felt very much alone.

A child who would much prefer reading to playing with dolls or tossing around a ball, her classmates would often tease her. Rather than let their cruel words affect her, Lisabetta used their taunts to fuel her internal fire and she began to build a burgeoning desire to be successful. Lisabetta’s competitive nature did little to earn her the friendship or admiration of her classmates, but rather enabled her to advance her schooling at a far quicker rate than what would typically be expected of a young girl in her position. 

As she grew older, Lisabetta found that if she couldn’t find kinship among her peers, she would find it within her family and became determined to do whatever it took to make her parents, especially her father, proud. In truth, Lisabetta was the perfect errands-girl for her father. Her youth and relative lack of exposure to the public eye allowed for the illusion that she was no more than a harmless, innocuous little girl, while in actuality the young woman was anything but. 

While Lisabetta has been taught to use her youth to her advantage, she cannot help but wish to be seen as more than a child. She understands her father wishes to protect her, but desires to be sent on missions of greater importance and earn the respect of the adults around her. Lisabetta is as fierce, determined, and independent as they come and when she sets her eyes on a goal, there is nothing that can stop her.

skill set:

Extremely skilled at concealing her emotions. People generally find Lisabetta unreadable unless she wants them to.

Moderate training in hand-to-hand combat.

Speed reader. Lisabetta is able to read 1000 words per minute.

Incredibly intelligent. Lisabetta’s IQ tested at 139 when she was last tested, falling one point short of genius.

current movements:

Last Seen: New York City, New York Report: Lisabetta was last spotted reading at a diner at 1:45 PM. She had an envelope with her. At 2:15 Frankie Russo, owner of Russo Records and suspected drug dealer, joined her. Lisabetta handed him the envelope and spoke to him for a moment. Russo left at 2:20, and Lisabetta resumed reading. That evening Russo turned himself into the police for possession of heroin, stating “they were going to get him if he didn’t stop.” Russo refused to explain who he meant.

known affiliates:

Annabelle Genovese: Lisabetta has always adored her mother and while they don’t always see eye to eye, at the end of the day, Lisabetta will heed her mother’s wishes. In her youth Lisabetta has a tendency to see her mother as intellectually inferior, causing waves between the two women, however, it’s something she seems to have outgrown as she’s learned to find great value in what her mother can teach her.

Lucca Genovese: Lisabetta’s father is her world. She wants nothing more than to earn his pride and craves his approval. She may not be the son her father always wanted but she’s determined to prove to him that she’s just as capable as any son, if not more. She especially loves the small missions her father sends her on as she finds it strengthens the bond between them.

Bonnie Smith: Lisabetta first met the woman when brokering a deal for one of her paintings. While initially writing the woman off as just another dealer, Lisabetta quickly realized the other woman saw for more than her youth- something Lisabetta had never encountered before.

>>THIS OPERATIVE IS CLOSED.<<