#and this has happened before so if anyone tries to comment 'but hades didn't want Thanatos' im deleting and blocking you

[lady-of-the-spirit]

I'm never going to not be furious about Lore Olympus having a whole mini arc dedicated to Demeter questioning her parenting and apologizing to Persephone and trying to work through her generational trauma, while Hades neglects Thanatos his entire life, humiliates and bullies him several times as an adult, and the way that is dealt with is one chapter of Hades saying "my dad sucked so I didn't even try to be a parent" and not even apologizing, while Thanatos has to apologize to Hades and tells him "you weren't as bad as you could have been, i made things difficult for you as a kid and at least you were there" and that's it.

[gamerbearmira]

This is a 2nd idea to the original one I hade and I just want to know which one people would be interested in-

what if Agustin's and Felix's parents + family were Monster Hybrids? Like they are a little bit of a ghost, witch, vampire, werewolf, etc. They are like this because of an old ritual that happened before Austin's and Felix's great great great great great grandparents were born(they are still alive and healthy by the way). The ritual was for protecting the family from evil people and monsters alike.

So yes they are both hybrids they never told anyone about it because it was an obvious rule as to why you shouldn't. When Mirabel's ceremony failed Agustin kind of figured out why but not completely he was just speculating. he was happy when his first two daughters didn't end up hybrids but with Mirabel, he already knew. He sensed it.

(from 5 years old to 9 years old)

After her ceremony is when the signs started showing up. Young Hybrids are very hard to tame especially when they are having emotional problems. She would become snippy, depressed, anxious, antisocial, and just really really angry.

(9 years old)

She didn't like this side of herself so she would try to be as nice as she could be but the bullying of the townspeople made that hard. Whenever she would defend herself and snap back the villagers would play the victim and tell Alma that they were only trying to be nice and she was being disrespectful.

Who would blame her though, she just went through something terrible. So Agustin didn't make too big of an assumption because this behavior was expected after her ceremony. But one day Alma got tired of Mirabel's "disrespectfulness" and decided to scold her for it. Isabela was making mean comments to her when no one was around and Mira was tired of it.

She snapped back at Isabela saying all true but hurtful things that stung. It turned into a heated argument in the middle of town. Alma was close by and ordered them to go back home where she would settle this. That didn't end well because Mirabel was already having a tough day as it is.

Once Alma got back home she immediately took Isabela's side. she kept accusing Mirabel of being disrespectful and rude to everyone and the family and that it has to stop. Mirabel tried to defend herself but Alma wasn't hearing it. Alma took Mirabel up to her room and made casita lock her door, she wasn't allowed to come out until she said so.

Mira was pissed and her hybrid came out. She ripped, smashed, and tore everything up in her room that could be destroyed. her angry screams were heard through casita and then she let out a final cry. This cry was heard throughout the Encanto, Agustin recognizes this cry and runs to Casita.

He rips the door off its hinges and he sees the damage. Mirabel was sitting on her bed(what's left of it) crying until her papa came in. He looked at her and saw it. Her eyes were red, her claws were long and sharp, and pointy ears. Agustin knew it was time to go, He heard the family already coming up to the house so they didn't really have much time to pack. There wasn't really much to pack for Mirabel anyway she ripped up every piece of clothing she had.

So he picked his daughter up and turned toward the doorway. There standing in front of him was Bruno. Bruno heard Mira's sobs and screams and he figured she might have needed a hug. Boy was he shocked when he saw the looks of her room.

It was an awkward moment but Agustin heard Julieta entering the house and calling for him in worry. Agustin thought to himself, this would be so hard to explain and even harder to explain to Alma. she would probably call them monsters.

So Agustin walked over to the window and jumped out with Mirabel, he left her on the ground and went back for Bruno.

"you have two options, 1: stay here or 2: come with us"

Living in the walls wasn't a good living arrangement so he decided to go with them. It was a funny sight to see, Agustin grabbed and tossed Bruno over his shoulder and leaped out of the window.

And they were gone...

Agustin's family was happy to see him, His parents were really happy that they finally get to meet their Neita and their... grandson-in-law?

Felix already knew why they were gone but he was sad that he couldn't tell everyone else why. His son Camilo was more hurt than anyone else because why did Tio Agustin take Mirabel away? His hybrid signs started showing up because of the anger and sadness so Felix had an idea. He asked if Agustin could come back and get Camilo because there was no way he could explain to his wife and Alma what was happening to him.

He knew Dolores would hear Felix giving Camilo to Agustin so he tried to explain much as he could to her with physical evidence that he was a hybrid, she was scared at first but she knew she could trust her papa. She promised not to say anything about it and she kept her word.

Pepa she was um...She was shall I say...devasted? no that's not the right word...hurricane Katrina? yes, that's the word. That's the only thing that could describe her emotions but she had to keep them intact so she doesn't hurt her baby or have a flood sweep away the Encanto. (She was 8 months pregnant at the time)

Here's the inspiration for the au they are so adorable.

First idea-

This idea was where monster hybrids(MH) or vampires adopted the madrigal kids. So like one day maybe after Antonio is born they leave. They get really far out into the jungle until they realize they don't know where their supposed to be going.

A MH or Vampire women (Aliana) finds the kids out all alone and offers them a place to stay in her house with the rest of her family. I'll mention that she's freakishly tall(like Mademe Demitrescu) and she had her fangs showing so the kids felt as if they couldn't say no. Isabela and Luisa didn't have their gifts so they couldn't defend themselves at all.

After a the kids get to know the women and her family they get more comfortable and happy with them.





Me personally???? I prefer the first one. Make more sense in my opinion, very cash money. Have to see the family throwing shade on Miravel, that's cold <//33 also I hope???? Felix at least visits so he can see Camilo (and Mirabel and Agustin). My boy coming in clutch and doing what he had to do, with Felix and Dolores coming in as well, we love it ❗❗❗

Fun fact I still can't pronounce Demitrescu

[freakingbellam]

Timeless (HP & HOO crossover x reader)

Synopsis: What would you say if I told you that Hogwarts and Camp Half-Blood are not so far apart? Yeah, Gale and Y/n would also say this is crazy. But these two girls are about to discover that even though they are far apart, the magic that surrounds them is the same. After all, what do a time travel, a fearful prophecy and a Titan about to resurrect, have in common? Certainly more than you can imagine.

Paring: Apollo x reader

Warnings: None, I guess.

Reader: Percy's step sister! reader

Word count: 1.7k

A / N: escreve o que quiser (notas da autora)

September 2010, New York - USA

Y/n would be lying if she said she didn’t cry like a baby when she saw Argo II return to Camp Half-Blood. She had been forbidden to help in the battle against the giants, but she was nevertheless not full at Camp. After the near invasion of Camp Jupiter and Reyna's visit, things got messed up there.

But the best part of the return of the other demigods was seeing Percy again. He looked extremely exhausted, but happy to be back in one piece. Y/n hugged him for so long that Percy almost fell asleep in her arms.

The boy was welcomed with all the frenzy he deserved, entitled to a hearty banquet and a visit from his father, along with a very tearful Sally and a relieved Paul.

Tyson had been absolutely thrilled to see his older brother talking to his friends by the fire, which glowed high and yellow, mirroring the emotion of the half-bloods.

Despite being as happy as the others, and maybe even more so, Y/n retired a little earlier that night. She didn't walk long before her absence was noticed.

‘Mingling with the shadows? I thought this was my own thing.” The girl smiled at Nico di Angelo, who walked over to her with his hands in the pockets of his aviator jacket, which was still too big for him.

“I'm going to sleep, Nico.” She explained, continuing her way to Cabin 3. “It was a day full of emotions, I'm tired.”

Nico nodded, walking beside her. Y/n always found it fun to be the same size as Nico, but now she realized that he was a few inches taller than she was.

“Are you okay?” she asked, bringing up the subject.

“I think so.” Nico replied, looking surprised by his own conclusion. “Maybe things get better for me from now on.”

“I'm sure it will.” Y/n opened an encouraging smile. Because he was the son of Hades, Nico suffered more than all the other demigods, which worried the girl. She hadn't seen him since the war of the Titans, but she talked to Percy during her mission and discovered things she didn't want to discover.

She looked at Nico. For the first time in his life, his face looked serene, as if his problems were gone. Y/n realized that it would be better not to go into details about the problems he went through. She did not want to end his joy.

“Di Angelo!” someone called, running up to them. Y/n turned to find Will Solace smiling like a ray of sunshine. “Hi Y/n!”

“Will.” She smiled. When looking at Nico, she noticed a pink tint on his cheeks and held her laugh. “Can you take care of Nico for me? I need to go to sleep but he doesn't want to leave.”

Will smiled, realizing what she meant. Nico looked at her with anger and indignation, but he didn't seem against the idea.

“Certainly.” The blonde took a step forward. “Have a good night!”

“You too.” She raised an eyebrow at Nico and walked back to her cabin.

She was still smiling when she passed Hecate's cabin, which looked darker than ever. Her smile wilted. She had always been a little afraid of the goddess's children since she found herself a half-blood and moved to camp. But that night, something seemed comforting in the hideous darkness of the cabin. Unable to contain the impulse that occurred to her, Y/n went up on the porch and went through the open door. None of the goddess's children were there, they were probably still at the stake celebrating, they always loved a good party.

Y/n didn't know exactly what she expected to find inside, but she certainly wasn't ready for what she saw. She had never entered the cabin since she had never been invited and it didn't feel right to enter without an invitation like she did now. But what she found was an absolute void. No bunk beds, bathroom, closet or chest. Nothing for the basic comfort of teenagers. All that was inside was a torch on the floor with a brown leather-bound notebook beside it.

“Take it” A whisper said, and Y/n knelt down to better analyze the notebook.

“Who...?” She started the question, but knew at the time that she had no need to finish it. Hecate was there. “Are you hiding in the shadows?”

There was a harsh laugh, but Y/n couldn't tell where it came from. It was as if the goddess moved in every particle of air around her.

“I heard that Poseidon's children were mocking, but seeing that feat face to face is much more fun. Ares definitely didn't say enough about it.”

“I don't think he has any reason to boast about it.” She commented, but her body was tense. Something about the goddess made her feel that bad things would happen any second.

“Take the notebook.” She asked, seeming to feel the girl's tension. “Take it and bring my girl back.”

“What does that mean?” Y/n asked, but never got an answer.

After several minutes, she finally let herself be overcome by curiosity, put the notebook under her arm and ran out of the cabin.

Y/n spent a few days without touching the notebook, which was comfortably resting on the small table in her cabin. Percy asked several times what the notebook was and why Y/n didn't move it, but the girl always answered the same thing. "It's just a silly notebook." She was afraid to open it and end up triggering something she couldn't control.

Percy and the others had just returned from a massacre battle with irreparable losses, she didn't want to leave anyone alarmed by something as stupid as a leather notebook.

Y/n tried to distract herself. She would swim in the lake, duel with Percy in the arena, ask Tyson to teach her something in the forges, help Chiron with pending camp, talk about the biggest zucchinis with Rachel, encourage Annabeth to talk nonstop about architecture, sometimes make her repeat everything he had said in Greek, but nothing seemed to get her thoughts out of the notebook. Instead of being distracted, she got some scars from the duels, burns from the forges and throbbing ears, but nothing erased the notebook.

Tired of trying, Y/n returned to the cabin and spent several minutes looking at the problem. She would get up a few times, making a move to pick it up, but soon she would go back to sitting on bed. When she finally thought she would be brave enough to end the trip, someone knocked on the door.

Changing her course, Y/n opened the door to the blond, smug figure.

Y/n and Apollo had spent a lot of time together a few months before, not that any of them had a chance to do the opposite. He had helped her save the Camp when everyone seemed too busy saving the world. Now she was no longer able to get rid of the sun god, who suddenly appeared in her cabin. At least now he had learned to knock on the door before entering.

“Good afternoon, beautiful lady.” He smiled, breaking into the cottage before Y/n had a chance to expel him. “What do you do locked in that cabin?”

“Apollo, seriously, now is not the best time.”

“Every hour is the best time for Apollo!” He smiled at her and Y/n found herself unable to say no to him. The god had that effect on her, but she couldn't explain why. She just went back to bed and sighed.

“What happened, Sunshine?” he asked, now more serious.

Y/n pointed to the notebook, like a child pointing out the bully who was mistreating her. Pausing to think, it was almost the same.

Apollo's gaze followed Y/n 's finger until it stopped at the Hecate symbol on the cover of the notebook, and he froze.

“What's it?”

“That notebook.” He got up and picked up it, playing with it in his hands. “I saw Hecate with another of his once many years ago. I asked her what they were, but she cast a spell on me that prevented me from speaking for two months. Where did you find it?”

“I found him at her cabin.” The girl admitted, unable to lie to the closest friend she had at the camp until that moment. “I heard Hecate ask me to take him away. I didn't understand what she expects me to do.”

“Write.” He suggested, after long minutes of silence.

“I’m sorry?” Y/n looked at him, confused. “What if something bad happens, Apollo? I don't know if I want to find out.”

The god smiled gently, taking the book to the girl and handing it over, along with a blue ballpoint pen. Y/n hesitated for a few seconds before picking up the pen and opening the notebook. But she didn't do much more than that, as the words “Owned by G. J. W.” they magically appeared on the first leaf, in a strange black ink.

Y/n looked at Apollo for help, but he just shrugged and encouraged her to write something below. "G. J. W.? This notebook is mine, and my name has none of those letters!”

Before she had a chance to tell Apollo how ridiculous it was, the notebook replied.

G: "Who are you?"

Y: “Y/n Y/l/n, are you?”

G: "Gale Wright"

Y: “How the hell am I talking to you through my notebook? Where you are from?"

G: “England. I'm a student at the Hogwarts School of Witchcraft and Wizardry, how about you? What school of magic do you belong to? ”

Y: "I'm not going to any magic school, I'm from New York, there's no such thing here!"

G: "I thought the United States school of magic was Ilvermorny"

Y: "I am not a witch!"

G: "Oh by Merlin, are you a muggle?"

Y: "Look, I may not be a witch but you don't have to curse me!"

G: “Muggle is a term for non-wizards ... But if you are not a witch, how can you talk to me? This notebook is bewitched, only those who have contact with magic could see it ”

Y: "I didn't know that the notebook was enchanted until now ... I didn't even know about the existence of a school of magic, wizards, yes, now schools? No, things are very different here"

G: "Different how?"

Y: "I am a camper at Camp Half-Blood"

G: "And what would that be?"

Y: "Well, a camp for demigods, of course!"

Y/n waited, but nothing else happened. She looked up at Apollo, who looked as upset as she was.

“School of Magic and Witchcraft of... Hogwarts?” She asked, hoping that Apollo would say something to her.

“I've heard of that school. Hecate loves to talk about how she has an entire chain of schools that teach children to do what she does. She is very proud of it.” He explained, taking the notebook from Y/n and examining the last conversation. “I just didn't think it was real at all. All the gods think it's Hecate's invention, but no one has ever tried to prove it.”

“Well, I think we just did that.” Y/n joked, but was far from feeling the fun of the situation, because, there in front of her, there was a problem. Perhaps a much bigger problem than she imagined.

[c-is-for-circinate]

I'd love to hear more of your thoughts about why P5R didn't quite land for you. I had the same reaction to it, but I've never quite been able to properly articulate why the last section fell so flat.

God okay so I've tried several times to answer this, and it seems like the answer is 'I still have way too many feelings, personally, to say this in anything less than thirty pages and fifteen hours of work', because Persona 5 the original is a game I loved a lot and care about a great deal. And most of the reasons I disliked Royal feel, in my head, like a list of ways it broke some of the things I liked best about P5--which means explaining them feels like I need to explain everything I loved about the original game, which is a book in itself, complete with referents to P3, P4, Jungian psychology, the Joseph Campbell mytharc, and fuck all even knows what. And that is too much.

But today I realized that I could instead describe it from an angle of, Persona 5 Strikers succeeds really well at doing the thing I think Royal was trying to do but failed at. And that I think I can talk about in a reasonable amount of wordspace, hopefully, behind this cut because I have at least one friend who hasn't played Royal yet.

Note for reblogs/comments: I HAVE NOT FINISHED STRIKERS YET. I got through the jail that pretended to be the final jail and have not yet gone into the obviously inevitable 'ohshit wait, you mean there's something more than simple human machinations behind all of this?' dungeon. (I got stuck on a really frustrating side quest, put the game down, and then dived into Hades to avoid throwing the Switch across the room for a while--and anyone around this blog lately knows how THAT'S been going.) Please no spoilers past Okinawa!

So, one of the many, many things I really appreciated about Persona 5 was its straightforward and unashamed attitude towards abusers and their acts of violence. Because, while yes P5 is a story about the use of power and control to make others suffer, it fundamentally isn't about those abusers themselves. It's about their victims, those that survive their crimes. And this shows up repeatedly over the course of the game.

We do not give a shit why Kamoshida wanted to beat and rape his students. We really don't. Kamoshida does not deserve our attention one moment longer than it takes to make him stop. Because, ultimately, that's the goal of P5, start to end. We don't know for sure if what we're doing is fair, if it's justice, if it's questionable. What we know is that people are being hurt, badly, actively, right now this second. What we know is that victims are suffering. What we know is that we, personally, us-the-protag and us the Phantom Thieves at large, are in danger. And in those circumstances, we don't care about the abuser's side any more. We don't. We don't have the space or time or capacity to care, because that is not the point.

The point is to help the weak. To save the people who need saving, right here and now. To give others the courage to stand up on their own behalf. We're not even out to change society, not really--that's a byproduct. We are reactions. We are triage. We are important.

There's something so empowering and validating about that as a theme, y'know? In a media landscape so full of "sympathetic villains", the idea that, you know, maybe sometimes you don't have to break yourself to show compassion that might possibly heal the bad guy--that sometimes you can just make the bad guy stop hurting people--feels both refreshing and satisfying. I really appreciate it as a message! I liked it a lot!

And yes, there's nuance to that theme, and the game is not without compassion. We save Futaba, because 'make the bad guy stop hurting people', in that case, means 'make this person stop hurting herself'. We give Sae a path forwards, help her fix her own heart. Yet it's worth pointing out that in both of those cases, while we were very glad to do those things, to save those people, we also went into both of those palaces for extremely practical reasons to begin with. We needed Futaba's help. We needed Sae's help. The fact that we chose to talk Sae into a change of heart rather than simply stealing her treasure, while ultimately a very good thing for her, was absolutely a practical choice predicated on the need for her palace to still exist to save our life. And yes, we wanted to save her, for Makoto's sake--yes, we wanted desperately to save Futaba. But Sae and Futaba let themselves be helped, too, and that doesn't change the overarching themes of the story itself.

Akechi (and to some extent Okumura) would not let himself be helped. Akechi's another interesting nuance to this theme, because of all our villains, we do learn the most about what drove him to the cruelties and crimes he's committed. He's at that intersection of victim and villain, and we want to help him, as a victim--but we also know that stopping him as a villain is more important. We'd like to save him from himself if we could, because we save people from their sources of trauma, it's what we do. We regret being unable to do so. But in the end, what matters to the story is not that Akechi refused to be saved--it's that Shido and Yaldabaoth need to be stopped, for the sakes of everyone else they're hurting now and may continue to hurt in the future.

The thing is, there's space and maybe even a need for a corollary discussion of those places where victim and villain intersect. It's an interesting, pertinent, and related topic. Strikers made an entire video game about it, a really good video game. It's centered in the idea that, yes, these people need to be stopped, and we will make stopping them our priority--but they're not going after us, and that gives us some space to sympathize. Even for Konoe, who specifically targets the Phantom Thieves--compare him to Shido, who actively destroyed the lives of both Joker and Futaba, who ordered Haru's father's death, who's the entire reason the team is still dealing with the trauma of Akechi's everything. Of course the game can be sympathetic to Konoe where it can't with Shido. There's enough distance to do that.

But right--Strikers is a separate game. It's a separate conversation. It's, "last time, we talked about that, so now let's take it one step further." And that's good writing. (It's something Persona has done before, too, also really well! Persona 3 is about terrible, occasionally-suicidal depression and grief. P4 is about how you can still be hurting and need some help and therapy even if things seem ok. Related ideas, but separate conversations that need to be separate in order to be respectful and do justice to either one. P5, as a follow-up to P4, is a conversation about how, ok, changing yourself is great and all, but sometimes the problem is other people so how do you deal with that? Again, still related! Still pertinent! Still alluded to in P4, with Adachi's whole thing--but it wasn't the time or place to base a quarter of the game around it.)

So one of Royal's biggest issues, to me, is that it tries to tack on this whole new angle for discussion onto a game that was originally about something else.

Adding Maruki's palace--adding it at the end, which by narrative laws suggests that it's the true point that everything else should be building up to--suddenly adds in about a hundred new dimensions at once. It wants us to engage with "what in this abuser/manipulator's life led him to act this way?" for basically the first time all game (we'll get to Akechi later). It wants us to engage with, "if the manipulator has a really good reason or good intentions, does that mean we should forgive them?" It requires us to reflect on, "what is the difference between control and cruelty?" It asks, "okay, but if people could be controlled into being happy, would that be okay?" (Which, based on the game so far, is actually a wild out-there hypothetical! Literally not a single thing we've seen in the game suggests that could ever happen. Even the people who think being controlled is safer and easier are miserable under it. Control that's able to lead to actual happiness is completely out of left field in the context of everything we've encountered all game so far.)

That's too much! We don't have time to unpack all that! We only have an eighth of the game left! Not to mention we are also being asked to bring back questions we put to bed much earlier in the game about the morality of our own actions, in a wholely unsatisfying way. Maruki attempts to justify his mass brainwashing because "it's the same as what you're doing", and we know it isn't, but the game didn't need Maruki calling it out in order for us to get that. We already faced that question when we started changing hearts, and again several times throughout the game, and again when we found our targets in Yaldabaoth's cells. The fact that we change hearts does not mean we think "changing hearts is fine and kind and should be done to everyone, actually." Changing hearts has been firmly established in this game as an act of violence, acceptable only because it prevents further systemic violence against innocents that we must prevent. The moral question has never once been about whether it's ok to change the hearts of the innocent, only about how far it's ethical to go against individuals who are actively hurting other people. Saying "you punched that guy to keep him from shooting a child, so punching people is good and I will save the world by punching everyone!" is confusing! and weird! and not actually at all helpful to the question of, how much violence is it acceptable to use to protect others! So presenting the question that way just falls really flat.

(And right, I love Strikers, because Strikers has time to unpack all that. Strikers can give us a main bad guy who wants to control the whole world for everybody's own good, because Strikers has earned that thematic climax. It has given us sympathetic bad guys who started out wanting to control the world to protect themselves and ended up going too far. It's given us Mariko Hyodo, who wanted to control the world to protect other people and went too far. It's given us a long-running thread about police, the desire to serve, and the abuse of power that can lead to. And since we are actively trying to care for the people whose hearts we're changing in Strikers, we can open the door to questions about using changes-of-heart and that level of control to make other people happy. We can even get a satisfying conclusion out of that discussion, because we have space to characterize the difference--Konoe thinks that changing peoples' hearts means confining them, but the Phantom Thieves think it means setting them free. We have seen enough sympathetic villains that we as an audience have had the space to figure out how we feel about that, and to understand the game's perspective of "stop them AND save them, if we can possibly do both." And that message STILL rests firmly on Persona 5's message of "it is Good to do what you have to do to stop an abuser so long as you don't catch innocent people in your crossfire.")

It's worth noting that the general problem of 'asking way too many new questions and then not answering them' also applies to how Royal treats its characters, too. P5 did have unanswered questions left at the end! The biggest one, and we all knew this, was Akechi, and what actually happened to him, and how we should feel about him, and how he felt about us. That was ripe for exploring in our bonus semester, and to Royal's credit they did in fact try to bring it up, but by god did they fuck up doing it.

Akechi's probable death in the boiler room was absolutely the biggest dangling mystery of the game. It was an off-screen apparent death of a key antagonist, so all of the narrative rules we know suggested that he might still be alive and would probably come back if the story went on for long enough. So when Royal brings him back on Christmas Eve, hey, great! Question answered. Except that the situation is immediately too good to be true, and immediately leads to another mystery, which leads to a flat suspicion that something must be wrong. We spend several hours of gameplay getting sly hints that, oooh, maybe he's not really alive after all, before it's finally confirmed by Maruki: yup, he really died, if we end the illusion we'll kill him too. Okay, at least we know now. Akechi is alive right now and he's going to be dead if we do this, and that doesn't make a ton of sense because every other undead person disappeared when the person who wished for them realized they were fake but at this point we'll take it. So we take down Maruki, and okay, Akechi really is dead! Probably! We're fairly sure! Aside from our lingering doubts!

And then we catch a glimpse of maybe-probably-could be him through the train window, and I just want to throw something, because come on.

Look, it is just a fact of storytelling: the more times you make an audience ask 'wait, is this character dead or aren't they?', the less they will care, until three or four reversals later you will be hard pressed to find anybody who gives a shit. Royal does this like four different times, and every iteration comes with even less certainty than the last. By the end, we somehow know even less than we did when we started! Did Akechi survive the boiler room to begin with and Maruki just didn't know? Or was Maruki lying to try and manipulate us further? Or was he actually dead and then his strength of will when Maruki's reality dissolved was enough to let him survive after all? Is that even actually him out the train window?

Where is he going! What is he doing! How did any of this happen! What is going on! We all had these questions about Akechi at the end of the original P5, and the kicker is that Royal pretends like it's going to answer them only to go LOL JK NO. It's frustrating and it's dissatisfying and it annoys me.

The one Akechi question that Royal doesn't even bother to ask, though, let alone leave ambiguous, is how does the protagonist feel about him? The entire emotional weight of the third semester rests on the protagonist caring about Akechi, Sumire, and Maruki. Maruki's the person we're supposed to sympathize with even as we try to stop him. Sumire's the person we're trying to save from herself. And Akechi is our bait--is, we are told, the one thing our protagonist wished for enough to actualize it in this world himself. Akechi's the final lure to accept Maruki's deal. Akechi's survival is meant to be tempting.

For firm Akechi fans, this probably worked out fine--the game wanted to insist that the protagonist cared for Akechi the same way the player did. For those of us who're a little more ambivalent, though (or for the many and valid people who hated him), this is a super sour note. Look, one of the Persona series' strengths is the way it lets players choose to put their time and emotional investment into an array of different characters, so the main story still has weight even if there's a couple you don't care about that much. It has always done this. The one exception, from P3 all the way through P4 to here and now, is Nanako Dojima, and by god she earned that distinction. I have never met a person who played Persona 4 who didn't love Nanako. Nanako is a neglected six-year-old child who is brave and strong enough to take care of herself and all of the housework but who still tries not to cry when her dad abandons her again and lights up like the sun when we spare her even the tiniest bit of time and attention. It is impossible not to care for Nanako. Goro Akechi is not Nanako.

And yet third semester Royal doesn't make sense if your protagonist doesn't feel linked to Akechi. The one question, out of all the brand new questions Royal throws out there, that it decides to answer all by itself--and it's how you as a player and your protagonist ought to feel about an extremely complex and controversial character. What the fuck, Royal. What the fuck.

In conclusion, I'll leave you with this. I played the original Persona 5 in March and April of 2017, as an American, a few months after the 2016 election and into the term of our then president. It felt painfully timely. A quick calendar google early on indicated that the game's 20XX was almost certainly 2016, and the closer our plot got to the in-game November leadup to an election destined to be dominated by a foul and charming man full of corruption and buoyed up by his own cult of personality, the more I wanted to laugh/cry. It felt timely. It felt important. It felt right.

I went through Royal (in LP form on youtube, not having a platform to play it on) in summer of 2020, with a hook full of face masks by my front door and protests about racial tension and local policing that occasionally turned into not-quite-riots close enough to hear at night if I opened the windows of my apartment. The parts of the game that I remembered felt as prescient and meaningful as ever, if not even more so. The new parts felt baffling. Every single evil in the game felt utterly, painfully real, from the opening moments of police brutality to the idea of a country led by a guy who probably would use his secret illegitimate teenage son as a magical assassin if the opportunity presented itself and he thought he could get away with it. Yaldabaoth as the cumulative despair of an entire population who just wanted somebody to take over and make things be okay--yes, yes, god, in summer of 2020? With streets full of people refusing to wear masks and streets full of people desperate for change? Of course. Of course that holy grail of safety should be enticing. Of course it should be terrifying.

And then Maruki. Maruki, who was just so far outside the scope of anything I could relate to the rest of the game or my own life. Because every single other villain in the rest of Persona is real. From the petty pandering principal to the human-trafficking mob boss. The corrupt politicians and the manmade god of cultural desire for stability. And this game was trying to tell me that the very biggest threat of all of them, the thing that was worse than the collective force of all society agreeing to let this happen because succumbing was easier than fighting back--that the very biggest threat of all was that the world could be taken over by some random nobody's misguided attempts to help?

No. Fuck no. I don't buy it. Because god, yes, I have seen the pain and damage done on a tiny and personal and very real level by the tight-fisted control of someone trying to help, it never looked like this. Not some ascended god of a bad therapist. All the threats to the world, and that's the one I'm supposed to take seriously? This one man is more of a threat than the fundamental human willingness to be controlled?

Sorry, but no. Not for me. Not in this game. Not in this real-life cyberpunk dystopian apocalypse.

[whack-ed]

TIMELESS (INTERACTIVE HP & HOO CROSSOVER)

Synopsis: Alex finds Hecate's notebook and discovers about the wizarding world and about Y/n.

Paring: In the beginning it's platonic!fred & george x reader, but I promise that in the end it is fred x reader.

Warnings: None, I guess.

Reader: Slytherin!Female

Word count: 1.9k

A/N: In this chapter, Y/n appears little, but it is extremely important.

September 2010, New York - USA

Alexa would be lying if she said she didn’t cry like a baby when she saw Argo II return to Camp Half-Blood. She had been forbidden to help in the battle against the giants, but she was nevertheless not full at Camp. After the near invasion of Camp Jupiter and Reyna's visit, things got messed up there.

But the best part of the return of the other demigods was seeing Percy again. He looked extremely exhausted, but happy to be back in one piece. Alex hugged him for so long that Percy almost fell asleep in her arms.

The boy was welcomed with all the frenzy he deserved, entitled to a hearty banquet and a visit from his father, along with a very tearful Sally and a relieved Paul. Tyson had been absolutely thrilled to see his older brother talking to his friends by the fire, which glowed high and yellow, mirroring the emotion of the half-bloods.

Despite being as happy as the others, and maybe even more so, Alex retired a little earlier that night. She didn't walk long before her absence was noticed.

‘Mingling with the shadows? I thought this was my own thing.” The girl smiled at Nico di Angelo, who walked over to her with his hands in the pockets of his aviator jacket, which was still too big for him.

“I'm going to sleep, Nico.” She explained, continuing her way to Cabin 3. “It was a day full of emotions, I'm tired.”

Nico nodded, walking beside her. Alex always found it fun to be the same size as Nico, but now she realized that he was a few inches taller than she was.

“Are you okay?” she asked, bringing up the subject.

“I think so.” Nico replied, looking surprised by his own conclusion. “Maybe things get better for me from now on.

“I'm sure it will.” Alexa opened an encouraging smile. Because he was the son of Hades, Nico suffered more than all the other demigods, which worried the girl. She hadn't seen him since the war of the Titans, but she talked to Percy during her mission and discovered things she didn't want to discover.

She looked at Nico. For the first time in his life, his face looked serene, as if his problems were gone. Alex realized that it would be better not to go into details about the problems he went through. She did not want to end his joy.

“Di Angelo!” someone called, running up to them. Alex turned to find Will Solace smiling like a ray of sunshine. “Hi Alex!”

“Will.” She smiled. When looking at Nico, she noticed a pink tint on his cheeks and held her laugh. “Can you take care of Nico for me? I need to go to sleep but he doesn't want to leave.”

Will smiled, realizing what she meant. Nico looked at her with anger and indignation, but he didn't seem against the idea.

“Certainly.” The blonde took a step forward. “Have a good night!”

“You too.” She raised an eyebrow at Nico and walked back to her cabin.

She was still smiling when she passed Hecate's cabin, which looked darker than ever. Her smile wilted. She had always been a little afraid of the goddess's children since she found herself a half-blood and moved to camp. But that night, something seemed comforting in the hideous darkness of the cabin. Unable to contain the impulse that occurred to her, Alexa went up on the porch and went through the open door. None of the goddess's children were there, they were probably still at the stake celebrating, they always loved a good party.

Alexa didn't know exactly what she expected to find inside, but she certainly wasn't ready for what she saw. She had never entered the cabin since she had never been invited and it didn't feel right to enter without an invitation like she did now. But what she found was an absolute void. No bunk beds, bathroom, closet or chest. Nothing for the basic comfort of teenagers. All that was inside was a torch on the floor with a brown leather-bound notebook beside it.

“Take it” A whisper said, and Alex knelt down to better analyze the notebook.

“Who...?” She started the question, but knew at the time that she had no need to finish it. Hecate was there. “Are you hiding in the shadows?”

There was a harsh laugh, but Alex couldn't tell where it came from. It was as if the goddess moved in every particle of air around her.

“I heard that Poseidon's children were mocking, but seeing that feat face to face is much more fun. Ares definitely didn't say enough about it.”

“I don't think he has any reason to boast about it.” She commented, but her body was tense. Something about the goddess made her feel that bad things would happen any second.

“Take the notebook.” She asked, seeming to feel the girl's tension. “Take it and bring my girl back.”

“What does that mean?” Alex asked, but never got an answer.

After several minutes, she finally let herself be overcome by curiosity, put the notebook under her arm and ran out of the cabin.

Alexa spent a few days without touching the notebook, which was comfortably resting on the small table in her cabin. Percy asked several times what the notebook was and why Alex didn't move it, but the girl always answered the same thing. "It's just a silly notebook." She was afraid to open it and end up triggering something she couldn't control.

Percy and the others had just returned from a massacre battle with irreparable losses, she didn't want to leave anyone alarmed by something as stupid as a leather notebook.

Alex tried to distract herself. She would swim in the lake, duel with Percy in the arena, ask Tyson to teach her something in the forges, help Chiron with pending camp, talk about the biggest zucchinis with Rachel, encourage Annabeth to talk nonstop about architecture, sometimes make her repeat everything he had said in Greek, but nothing seemed to get her thoughts out of the notebook. Instead of being distracted, she got some scars from the duels, burns from the forges and throbbing ears, but nothing erased the notebook.

Tired of trying, Alex returned to the cabin and spent several minutes looking at the problem. She would get up a few times, making a move to pick it up, but soon she would go back to sitting on bed. When she finally thought she would be brave enough to end the trip, someone knocked on the door.

Changing her course, Alex opened the door to the blond, smug figure.

Alexa and Apollo had spent a lot of time together a few months before, not that any of them had a chance to do the opposite. He had helped her save the Camp when everyone seemed too busy saving the world. Now she was no longer able to get rid of the sun god, who suddenly appeared in her cabin. At least now he had learned to knock on the door before entering.

“Good afternoon, beautiful lady.” He smiled, breaking into the cottage before Alex had a chance to expel him. “What do you do locked in that cabin?”

“Apollo, seriously, now is not the best time.”

“Every hour is the best time for Apollo!” He smiled at her and Alex found herself unable to say no to him. The god had that effect on her, but she couldn't explain why. She just went back to bed and sighed.

“What happened, Sunshine?” he asked, now more serious.

Alexa pointed to the notebook, like a child pointing out the bully who was mistreating her. Pausing to think, it was almost the same.

Apollo's gaze followed Alexa's finger until it stopped at the Hecate symbol on the cover of the notebook, and he froze.

“What's it?”

“That notebook.” He got up and picked up it, playing with it in his hands. “I saw Hecate with another of his once many years ago. I asked her what they were, but she cast a spell on me that prevented me from speaking for two months. Where did you find it?”

“I found him at her cabin.” The girl admitted, unable to lie to the closest friend she had at the camp until that moment. “I heard Hecate ask me to take him away. I didn't understand what she expects me to do.”

“Write.” He suggested, after long minutes of silence.

“I’m sorry?” Alex looked at him, confused. “What if something bad happens, Apollo? I don't know if I want to find out.”

The god smiled gently, taking the book to the girl and handing it over, along with a blue ballpoint pen. Alexa hesitated for a few seconds before picking up the pen and opening the notebook. But she didn't do much more than that, as the words “Owned by (your initials) ” they magically appeared on the first leaf, in a strange black ink.

Alex looked at Apollo for help, but he just shrugged and encouraged her to write something below. "(your initials)? This notebook is mine, and my name has none of those letters!”

Before she had a chance to tell Apollo how ridiculous it was, the notebook replied.

Y: "Who are you?"

A: “Alexa Pearson, you?”

Y: "Y/n Y/L/N"

A: “How the hell am I talking to you through my notebook? Where you are from?"

Y: “England. I'm a student at the Hogwarts School of Witchcraft and Wizardry, how about you? What school of magic do you belong to? ”

A: "I'm not going to any magic school, I'm from New York, there's no such thing here!"

Y: "I thought the United States school of magic was Ilvermorny"

A: "I am not a witch!"

Y: "Oh by Merlin, are you a muggle?"

A: "Look, I may not be a witch but you don't have to curse me!"

Y: “Muggle is a term for non-wizards ... But if you are not a witch, how can you talk to me? This notebook is bewitched, only those who have contact with magic could see it ”

A: "I didn't know that the notebook was enchanted until now ... I didn't even know about the existence of a school of magic, wizards, yes, now schools? No, things are very different here"

Y: "Different how?"

A: "I am a camper at Camp Half-Blood"

Y: "And what would that be?"

A: "A camp for demigods of course!"

Alexa waited, but nothing else happened. She looked up at Apollo, who looked as upset as she was.

“School of Magic and Witchcraft of... Hogwarts?” She asked, hoping that Apollo would say something to her.

“I've heard of that school. Hecate loves to talk about how she has an entire chain of schools that teach children to do what she does. She is very proud of it.” He explained, taking the notebook from Alex and examining the last conversation. “I just didn't think it was real at all. All the gods think it's Hecate's invention, but no one has ever tried to prove it.”

“Well, I think we just did that.” Alex joked, but was far from feeling the fun of the situation, because, there in front of her, there was a problem. Perhaps a much bigger problem than she imagined.

tagging mutuals: @nebulablakemurphy ​​ @jamilelucato ​​ @inglourious-imagines ​​​​ @clarissaxpearce ​​ @beiahadid ​ @idontknowwhatthisisfam ​ @kpopgirlbtssvt ​ @shinydragoness @snitches-at-dawn @freddieweasleyswife