#and then... Basil. who DOES see through Harry's bullshit. who believes he's better than he is (or at least than he pretends to be)

[cuddlytogas]

#wait #Jeremy Brett plays basil in a Dorian gray film??? (via)

yes! and he's very good!! in fact, I highly recommend the 1976 film for everyone (it's all on youtube!), and not just because of Brett! iirc it's a fairly faithful adaptation, which thankfully precedes the era of gritty remakes, and has an actually blond and sort of cherubic Dorian.

but most importantly, you need to watch it for this specific shot:

it's right near the end of the movie, after Basil's disappearance (read: murder by Dorian). Lord Henry sits in Basil's studio, the same place it all began, now emptied out. the camera pans slowly inward for a full 25 seconds, while Harry just sits there, completely motionless. it's this extraordinary moment of grief and stillness that he otherwise never displays.

the rest of the scene is all about highlighting Harry's folly: after all this time and change, he still talks in aesthetic riddles, still genuinely desires Dorian's beauty and youth, and all his wit has done nothing but alienate him. his wife is divorcing him, his best friend has disappeared, and this boy he once treated as a protege or experiment rejects him too. all that cruel wit, and in the end, he's just alone.

but in hindsight, it also puts so much perspective on his relationship with Basil! because he does care that he's gone! they were friends! and though the film doesn't lean into that angle, my god, just the prospect of it is so interesting!! (and was a huge inspiration when I wrote my own stage adaptation years ago lmao)

it just humanises Harry so much! all his flippancy and philosophy never prepared him for grief, but even he couldn't avoid it forever! and there's nothing to dissaude from treating his unlikely friendship with Basil as genuine - there are fairly obvious touches of it in the novel in Harry and Basil's interactions:

"You are an extraordinary fellow. You never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose."

"Conscience and cowardice are really the same things, Basil. Conscience is the trade-name of the firm. That is all." / "I don’t believe that, Harry, and I don’t believe you do either."

"You should have gone away when I asked you." / "I stayed when you asked me."

like, yes, you can treat those as just Basil being naive, or Harry flippant, but I think it's far more interesting to treat them as genuine. and that's there in that shot in the '76 version! those 25 seconds add so much to Harry's character, right at the close of the movie, and it's such a fantastic touch!

JEREMY BRETT as BASIL HALLWARD in THE PICTURE OF DORIAN GRAY (1976)