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diloph · 5 years ago

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Pardon me, but it seemed from some of your posts on KOTM that you didn't like Mark Russell that much. I know he was a cliche everyman type, but what exactly made him any worse than others in these movies?

I apologise if this isn’t my most coherent answer. I’m a little bit stressed at the moment, trying to finish the next chapter of IIID and create relevant, if poorly assembled memes before the Invader Zim movie is released.

To be honest, some of it is a bit tongue-in cheek. Making fun of the most visible character in the film, considering that he hates Godzilla with a burning passion, is just a little bit of fun. It’s like how I refer to Rick Stanton with disdain sheerly because he’s somewhat based on Rick Sanchez, who I don’t dislike either.

The film isn’t about Mark: King of the Fathers anyway, so if I completely despised him, I could just zone out during his scenes, or skip them when the DVD comes out.

But… some of it wasn’t so jokey. He’s still an okayish protagonist, I’ve got nothing against the actor himself and his acting is fine. Still, Mark was loud, abrasive and hated Godzilla; you know, things that grate on my nerves when it comes to a 2+ hour Godzilla movie and that made the character… trying.

We’ve had them before, but Godzilla was generally more villainous and obviously, we feel sympathy and camaraderie with him as the title character and we are here to see him do cool things. Having a human protagonist who hates our cool monster protagonist makes sense in universe, but ultimately, it’s not what we’re here for. We can tune that out.

As for what makes me dislike Mark… for starters, he’s kind of a prick. I once saw somebody describe him as the type of guy who thinks that if he speaks loudly enough, shouts enough, he’ll get his way. I can’t say I blame them, in that first meeting with MONARCH, he’s downright hostile.

He’s also, for whatever reason, the guy that everybody turns to in the crisis. He might have a background in bioacoustics like his ex-wife and animal behaviour besides, but apparently nobody else at MONARCH is capable of doing things without the express instructions or approval of everyman Indiana Jones. Military procedures, common sense, the desperate plan to revive Godzilla; everybody seems to defer to him really quickly.

It took me out of the movie. I understand that he’s meant to be our relatable protagonist, but it’s a little bit jarring and it happens multiple times. Mark is either issuing instructions or is along where he shouldn’t be, given control of a situation where by all rights he shouldn’t have any other than spur of the moment hero stuff.

It’s like he believes that nobody has any common sense and frustratingly, a couple of times the narrative agrees with him or at least proves his actions right. For example, when Colonel Foster tries to brief MONARCH on the actions of Jonah and the terrorists, he shoots down her theory and proceeds to go on a rant as to why we should Destroy All Monsters.

He’s right, as Jonah wants to free King Ghidorah, but he has this frustrating “protagonist only” habit of noticing threads that other characters really should (nobody seems to notice that the Titans are attacking capital cities or at least very densely populated areas until he points it out), then speaks about it like it’s the most obvious thing in the world.

Which when MONARCH is meant to be staffed with scientists of multiple disciplines veers back into the incredulous. I can suspend disbelief when it comes to giant monsters, I don’t excuse people not seeing what’s in front of them.

And as for the moments where he really shouldn’t be issuing instructions, take a look at when Rodan is freed by Emma Russell. Serizawa instantly defers to him (I think that Mark might have been his senior before he left MONARCH and BOY do I want to talk about that plan later on) to cook up a plan instead of… himself (Director of MONARCH, or at least I assume so) or again, Foster, who controls the planes and men he wants to send at the giant pterodactyl that just shrugged off a molten lava flow.

Given his characterisation as an angry, driven father who is desperately looking out for his family after being bereaved by monsters and is butting heads with the scientists at MONARCH, I think it was an attempt by Legendary to recreate Joe Brody. Bryan Cranston’s character in the previous film was killed off too early and was featured in a lot of the trailers, giving a wonderful performance. When he died to be replaced by his son, Ford, it caused a backlash as a result.

Mark being that angry, snarky character definitely shares some similarities. But while Joe was a crusader for the truth and more than a little bit obsessive, he was trying to pierce the veil as to why his wife died, without realising that it drove his son away from him. He was trying to reveal this great coverup to the world and spent the rest of his life doing so with such conviction that he appeared crazy.

Mark… doesn’t have this driving force. He lives in a post-San Francisco universe. Monsters Exist and everybody knows it.

Now, that’s not to say he doesn’t have reasons for acting as he did. He lost his son and has driven a wedge in between his family via his drinking problem (but let’s face it, compared to unleashing the Titans by starting off with Space Dragon Satan, he’s taken it comparatively well) but he acts as if he’s the only person who has ever lost something to Godzilla and the rest of the monsters.

Even when that happens to characters in the film, Mark still acts like that and it doesn’t make him look like the grim, determined hero, it just makes him look like an obnoxious dick. It isn’t his way of coping with the trauma of loss, he just… does it.

Part of me does get why he’s annoyed and angry with MONARCH’s attitude towards the Titans. He’s correct that they’ve been keeping secrets, dangerous ones at that, but equally the kaiju are living things. They’re dangerous and unpredictable, yes, but MONARCH have been taking precautions; killswitches are present in even the supposedly benevolent Titan’s chambers like Mothra and as far as they know, all of the Titans bar Godzilla are dormant and those that aren’t are kept in check by him. Had the Ghidorah Crisis never arose, we may never have seen any other Titans for the rest of human history.

But he treats everybody around him like an idiot with little to no prompting. Mark is brought on as a consultant and he then proceeds to dominate the scene, either through his decisions in universe or the part written for him out of it. He gets the last word, the last say on a plan or a witty remark or whatever.

And some of that costs lives. Actually, no, a LOT of it costs lives.

So, to start off, when the operation in Antarctica goes tits up, Mark grabs a handgun and goes into Outpost 32 by himself (though what he and the central nervous system of MONARCH were doing on the ground and not supervising from the Argo remains to be seen, but I digress). He stops Jonah and the terrorists on the walkway… screwing up Foster’s attempt to take down Jonah, forcing her to snipe his henchman in order to save Mark’s life.

This leads to King Ghidorah waking up. Not going to extend him a great deal of blame for this one, as with a sniper present, Emma or Madison would have been forced (or “forced” in the former’s case) to retrieve the detonator and the Six-Eyed, Six-Horned, Flying-Golden-People-Eater would have gotten loose regardless. Hell, I spotted clues that he was gearing up to wake up without Emma Russell’s help.

In a narrative sense, its his character that also sets up Vivienne Graham’s death. If he hadn’t been stuck in the tangle of wires and metal aboard the Osprey, she would never have needed to stay behind to help and subsequently got singled out by King Ghidorah.

I’d definitely agree that this is more of a personal thing on my part, as I’d wanted to see more of Vivienne’s character thanks to her actress’, Sally Hawkins’ work in The Shape Of Water and that in the previous film. But in a way, he is still sort of responsible for her being written out and replaced with the vastly less interesting replacement characters of Rick and Mor- erm, Sam.

That said, I know that Ghidorah is 100% to blame in universe. He killed her because he was a bastard and I wanted to him to be a bastard, so the monkey’s paw curled a finger there, so that’s egg on my face. It certainly did wonders for establishing him as a monstrous villain who we love to hate.

I’m not wholly unsympathetic to Mark. Like I said before, the pain of loss over the 2014 attacks hurt him badly and the film doesn’t shy away from this. Mark’s descent into alcoholism is noted by both himself and his family as a rough time for all involved, part of the reason he left MONARCH in the first place. Having his daughter and ex-wife seemingly kidnapped by dangerous ecoterrorists who plan to unleash giant monsters to mass-cull humanity also wears his patience thin, as you might expect it.

But he keeps this… horrible attitude throughout the movie. The world is literally going to shit, another monster is about to be unleashed and he asks if MONARCH have had enough common sense to evacuate the town of Isla Del Mara and if Rodan has had a cutesy name all picked out from mythology for him ahead of time.

Fuck me, if I was Serizawa, having just lost my protégé and quite a few well-meaning soldiers who were trying to rescue somebody who turned out to be a massive ecoterrorist nutjob, I would have floored him. There is a time and a place for snarky comments and it is not after at least twenty people you worked with are dead and BILLIONS MORE MAY FOLLOW.

But now, one of the points that really got me disliking Mark Russell follows here. The scenes that start at Isla Del Mara and the luring of Rodan to King Ghidorah, all the way up until the detonation of the Oxygen Destroyer.

Rodan emerges from the volcano and asides from spreading his wings and roaring, doesn’t do much. He spots the incoming Argo and its entourage and narrows his eyes. Uh oh! Surely, at this point, the dastardly destruction god would leap from his perch in an attempt to chase this challenger from his territory?

Um… no. No, actually, he stays put.

Now, I get that Rodan might not have stayed that way for very long. From the ensuing chase scene, I can gather that the Monsterverse’s version of Rodan is a bit of a dick, but he still didn’t start the fight.

Instead, what happens is that Serizawa asks Mark what they should do and Mark comes up with the plan to get Rodan to fight King Ghidorah in the hopes that one will kill the other and that would at least solve one of their problems.

Sound in theory, yes, but it is not sound in execution. At all.

So, that little town that Mark kicked up quite a fuss about? As you might have noticed, it’s lying between Rodan and the Argo and is part of the reason that the big ol’ bird should be lured away, to complete the evacuation.

Mark’s brilliant plan has the jets surrounding the Argo to blast Rodan and 180 the superplane in order to get him to chase… without factoring in THE TOWN BETWEEN THEM AT ALL.

I get King Ghidorah was closing in. I get that Rodan is a wild, unpredictable animal who could go off the chain at any moment. But there was absolutely no time to get the ARGO to move a little ways around the island before beginning the attack? At worst, Rodan would make a dive for them anyway, but that’s what the jets are sent in to distract him are for. To grab his attention and then lure him to the Argo, which would then take him to Tricephalopathic Terror Town anyway.

As a result, Rodan utterly OBLITERATES Isla Del Mara simply by passing over it and so many of the people they were trying to evacuate die a horribly pointless death. It never once passes his mind (or let’s not beat him down solely) or that of anybody aboard the Argo that a creature with wings that size that can fly would generate an unbelievable amount of force simply by flapping once to create lift? He’s also dripping lava, so even if the hurricane level winds that follow him weren’t an issue, having something with that amount of residual molten rock passing overhead doesn’t seem like a healthy thing to expose Isla Del Mara to.

Further dislike ensues when one of the miraculously surviving Ospreys issues a mayday during the Rodan/Ghidorah fight and the cargo doors are jammed. Mark the Hero leaps up with gritted teeth and desire to get things done, asking the way to the hangar. After all, he’s had miraculous problem solving abilities so far, why not?

“Which way to the hangar?” he asks.

Sam, a character who I’m even less fond of, stands up and offers to show him the way. Fairly brave, considering that the Argo is rattling like a leaf in a thunderstorm as two daikaiju battle nearby. I found the character annoying and sort of… pointless, but I admire that bit of bravery.

“Anybody else?” Mark asks, making a face.

Dude. The man just offered to help you and people need that help. Get off your high horse, swallow your pride and just go without comment. God knows how many people your stupid plan just got killed.

The two run to the hangar and a crewman explains the door is jammed. Mark decides to drop a hanging Osprey onto the doors to get them off… without suggesting it to the crewman. He just fucking goes for the buttons, expecting his usual “my plan will work” attitude to succeed.

At last, one of Mark’s harebrained schemes is met with reasonable resistance for the first time and the crewman attempts to wrestle him off, before Mark Is Proven Right Again. But even suggesting it, getting a refusal and then doing it is more heroic than just going for the damn buttons like a lunatic.

He would have looked damn stupid if the weight of the Osprey wasn’t enough to open the doors and it instead just blocked them. The falling aircraft also almost hits the airborne one with its civilian payload as it also wasn’t warned, so again, he took an unnecessary risk that came off lucky because he couldn’t find the time to say “I have an idea”.

To round out the trifecta of what makes me dislike Mark in these scenes is what happens when the rest of the scene plays out:

Gravity Beams spew from Ghidorah’s mouth and blast Rodan into the ocean, defeated. Not satisfied with just this victory, the Golden Demise locks his terrible gaze on the Argo and with a sickening, gleeful cackle, closes in on the plane and its freshly arrived civilians.

All are stunned into a horrified silence. Even Mark, who has been having Unreasonable Protagonist Luck up until this point, bricks it.

“Oh, God.” he pleads.

God answers and he erupts from the ocean.

With a deafening roar, the mighty form of Godzilla slams into King Ghidorah with the force of a collapsing mountain. His dynamic, mid-air leap is enough to drag the foul hydra into the depths of the ocean and Godzilla proceeds to hold him there.

Ghidorah attempts to resurface and fly away, or at least lash out at the Argo in spite, but there Godzilla is again, yanking the head back underwater, biting and rolling like some mountainous crocodile, pinning the alien dragon under his weight.

Unbeknownst to our hero (Godzilla, obviously), the military has deployed the terrible Oxygen Destroyer in an attempt to Destroy All Monsters, giving only a cursory warning to the Argo to get out of there and fast. Mark makes his way onto the bridge and is informed of the decision.

“But he… he just saved us!” says Mark.

No, wait, he didn’t say that. Hold on…

“They… they didn’t even let us get clear?” says Mark.

Uh, no, sorry, trying again.

“Well, it’s not the worst idea.” he says.

FFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFFUCK. YOU.

I get that you’re mad with Godzilla. I get that as the title character with a long history, we root for the kaiju more than anybody else. I get that he took your son from you, but twice… TWICE NOW, he has saved you and the people around you with PERFECTLY TIMED ENTRANCES. Even if it was just a coincidence, I’d be at least slightly more forgiving of the lion that killed my brother by accident if it jumped in front of a tiger that was slaughtering people left and right before it leapt at me.

Twice.

There’s not even a hesitant “oh, but he did help us”. Not even a shocked disbelief that the military has a weapon that they think will kill not just one, but two (because I’m willing to bet he thought Rodan was dead) Titans, much less them firing it without warning right on top of their position. Just a “well, fuck ‘em” shrug.

Godzilla nearly dies, Ghidorah seizes control of the Titans and sets about starting the apocalypse. Finally, Serizawa says what I’ve been thinking for quite a while and says “Well, it looks like you got your wish, Mark.” with a mixture of anger, sadness and disgust.

I could go on; the Titans are rampaging and Mark goes to leave Castle Bravo to strike out on his own and rescue Madison, despite the fact that he knows that Emma will probably try to keep her safe in whatever secure hidey hole she and the Kaiju Cultists have holed up in. In the novel, he’s outright going to steal one (also his first instinct when confronted by an alpha wolf in the novel, is to blow it away with a sidearm, before realising that’s absolutely callous and horrible and tries submissive behaviour tactics instead. So hey, Movie Mark is a slightly better person than Book Mark).

Mark suggests the nuke plan and goes down with Serizawa, Chen and Rick Sanch- Stanton. Everything goes sideways and he doesn’t even fucking blink when Serizawa decides that somebody’s gotta do it manually.

Back aboard the Argo? How does he break the news to Sam, the only member of the MONARCH team that wasn’t there? Shoving Serizawa’s notebook into his chest, saying that they better not screw this up and not even fucking pausing to tell him what happened.

Mark’s self-centred attitude keeps coming back and it gets people killed. My second time viewing this film, during the two confrontation scenes with Godzilla, I wasn’t getting the “There is a massive threat in my territory!” vibe from the King of the Monsters, I was getting a “Who the hell is this asshole and why does he hate me so much?” feeling from Our Glorious Boy.

It’s a recurring theme too. Mark experiences loss, but he feels as if his loss is the only one that matters. Both he and Emma do this to Madison and it makes me mad that in trying to cope with their own loss, they shunned the one remaining child they had left. By the time they realise that, the world is literally about to end and they’re still bickering at one another.

Don’t get me wrong. I’m very vocally critical of Mark and Emma’s treatment of Madison. Both she and Mark decide to put their own ways of coping with their son’s death (constructing a device to allow for the orchestration of mass human death and convincing oneself that it’s the correct course of action/drinking booze) above Madison’s own well being.

When the chips are down, of course, they care for her and ultimately risk their lives to save her, but… congratulations for the bare minimum parenting, guys? Physically, they want her out of harm, but mentally she should either fall into line with Emma’s thinking or be there for Mark.

Godzilla and Mothra feel more like her bloody parents in this film (Godzilla saving her life when she was facing down the literal fucking devil and Mothra’s gentle interaction at the temple and reviving her from death when she appeared to have died in the novel) than the other Russells do. Both fill the archetypes of “Father” (tough, stern, but ultimately your protector) and “Mother” (gentle, nurturing and wonderful) better than the people do.

…yeah, alright, that one is a stretch, but I had that idea a while ago and I wanted to put it to paper.

In short, I’m mad at Sad Mad Dad because his character shoves the waaaaaaaay more interesting, compelling and sympathetic characters of Serizawa, Graham and his own daughter (and the actual goddamned non-monster hero of the movie), Madison out of the way of main character-ness, just so we can have somebody who is about as pleasant to interact with as a cactus.

King of the Monsters is a film that has a lot of sacrifice in it, good and bad. Emma wants to sacrifice most of humanity to save the planet. Serizawa sacrifices himself to save Godzilla and thus, the planet. Mothra sacrifices her own life to save Godzilla from King Ghidorah and so does Emma, to save her family and as redemption for her sins.

Even Madison was also ready to at least risk her own life to distract the Titans and King Ghidorah if it would even slightly disrupt his efforts to conquer the planet. She goes against terrorists, her own mother and a demonic, nigh-omnipotent being of malicious intent and faces him down with a defiant roar of her own when it looks like the end.

But Mark doesn’t sacrifice. He wants his daughter back, but he never takes a hit. Other people die for him, as a result of him and he doesn’t even recognise it. The world is at stake and he keeps his focus on his own desires, ignorant to the people around him because only his loss matters.

He might not be the genocidal monster in the film that Emma was, that Jonah and of course, Ghidorah certainly were. But he has a very narrow and dispassionate world-view and outside of certain cartoons with comedic circumstances, I don’t care much for that at all.

TL;DR: Madison should have been the central protagonist, because I like her more.

#Godzilla #Godzilla: King of the Monsters #Mark Russell

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