#and then this kid shows up out of nowhere like 'hi! i'm your new agent!! :D'
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been chatting with a friend who's playing through PN2 again and i want it to be known i will not hear anyone say a WORD about Hollis giving Raz a hard time at the beginning of the game. if anything she is OUTSTANDINGLY accommodating to this random ten-year-old who wandered in unattended off the plane in the middle of an extremely tense situation
#psychonauts#psychonauts 2#like come on look at it from her perspective. she's stressed and overworked#her boss (who she's covering for) has just been brought in practically comatose#and she's just been informed there might be a mole in their spy organisation. which is kind of a big deal#and then this kid shows up out of nowhere like 'hi! i'm your new agent!! :D'#honestly she has every right to tell him to take a hike lol#but she doesn't! she sees his enthusiasm and commitment and decides to hear him out and get him a place in the intern program#even at her worst and most stressed she's someone who wants to /nurture/ that enthusiasm and that talent#and i think that's really important to understanding her character#she's great. she's a great person and a great teacher and everyone should appreciate her. the psychonauts don't deserve her
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A Very Sneezy Adventure
BUCKY BARNES X READER
summary: enemies to lovers in a domestic fluff setting?? yes.
The Winter Soldier saves the day, as well as two dozen kids! Some say even Starveil was spotted in the fight against the horrific minotaur.
"Fuck off!" you yelled at the TV screen, then turned it off.
You looked around the room in distaste. Your clothes were everywhere, there was an unnatural stench in the air, and your cat was nowhere in sight.
Turns out, being a witch didn't give you an upper hand when you were sick.
You laid back on your couch, the news reporter's words echoing in your ears. Being "spotted" in a fight against the villain that you were literally assigned to take down, only to have the spotlight taken away by your rival Bucky freakin' Barnes, did not feel good.
You knew the fight went down bad because you were sick, but you still pushed too hard. Hard enough for the Winter Soldier to come in from whatever the fuck he was previously occupied in and save your ass.
Did you atleast say thank you? No. You had barged off before he could even come over to your side.
As these thoughts trailed on, there was a knock at your door. You stood up groggily and went over to open it.
Bucky stood on the other side and you wondered if your sick brain had somehow conjured him up by fantasizing too much about punching his lights out.
"Hi?" he asked, making you slightly jump.
"Not a hallucination then." You remarked, sighing.
"Not last I checked," he smiled slightly. Smile? Was Bucky Barnes showing you pity?
"I brought you something," he continued, pulling his hand up to show a package. You didn't even need to ask him to know what it was. This was definitely pity with a capital P.
"What do you want?" you asked, sounding just as rude as you could be.
"Well, can't I come in? Things didn't go as planned back in 6th Avenue—"
"Look, if you came here to gloat, I'm not in the mood. I might magically make your mouth disappear."
"Threats already? I didn't even walk in the door." He smirked, holding up his hands in mock surrender. "Look, I’m not here to fight—" He glanced around your disheveled living room. "Though it seems like you've been doing a good enough job of that with yourself."
You scoffed. "Let me guess. You want me to get on my knees and say thank you?"
Utter bafflement crossed his features as well as a tint of red that wasn't there before. "I mean… it wasn’t your best moment," he said, his tone uncertain, "but that’s not why I’m here. Stark sent me."
Tony Stark doesn't excuse mistakes. Happy's voice rang through your ears. He's a big risk taker but if the risk doesn't pay off, you're toast.
Great, been an avenger for two months and I'm already sacked.
"Come on in," you mumbled, stepping aside. He made no remark about the mess, but sat in the couch as awkwardly as he could.
"What did he want?" you asked, dreading what was coming.
"Answers," he said with a shrug. "He wanted to know how you were stumped against the very type of demons that you specialize to know about. Asked me if you even know mythical creatures or were those just lies."
You gasped.
"That's not the end — he thought you might even be a double-agent."
Your gasp came shrill this time. "Double agent for who? Medusa? Does he think there's a secret lair of mythical unicorns planning to overtake New York?"
"If there is, he certainly thought you had the brains to be its head, so I would take it as a compliment."
You were openly glaring when you sat opposite him. "Well, I wouldn't. Greek gods have Olympus. I doubt they'd want the trash can that is New York."
He smirked. "That sounds like what I said."
"You stuck up for me?"
"I was surprised to be helpful too, don't worry."
"What 'help' did you do if he didn't believe it?"
"Who said he didn't?"
You opened your arms and waved around as if it was obvious. "You wouldn't be here if he did."
"Oh." Realization dawned on his face. "No, no, he did believe me. I came here on my own accord."
"No, you said you're here because of him."
"Well, I am. He sent his wishes too. Said flowers would reach you in two business days."
You blinked. "Flowers?"
"I told him you were sick."
"How the fuck did you know I was sick— I'm not—!" you paused to sneeze. He raised an eyebrow. "Alright it's obvious now, but how did you know in the fight? Don't tell me you're that observant over my health."
"I'm not. It felt like you were staring down the minotaur for no reason instead of using your powers. I figured you were fighting back a sneeze." He laughed. You turned red, easily embarrassed.
"Great, I'm a joke among you guys now." You stood up, sighing. "If that's all, I'll show you to the door. Leave the mask at the table."
"What mask?"
You frowned. "The mask I lost at the fight, which is clearly in that package right now."
"Y/N," he began slowly. "Have you lost your mind? This is chicken soup."
There was a pause.
Only then did it occur to you that he came in to check in on you. To see if you were okay. And he bought chicken soup. You blinked three times before replying.
"I — thank you," you resigned, not wanting to be surprised more. You sat back down.
"Do you have bowls?" he asked, looking at the unfinished plates of chips in front of the TV. "Preferably clean ones?"
"It's in the kitchen," you waved to your left door.
"I'll get them," he said, standing up before you could.
A wave of headache hit you before you could even assess if this "niceness" was all a plan to secretly kill you inside your house. But before you could ponder on it properly, you had fallen asleep.
You woke up an hour later to a clean room and the smell of chicken soup. Plus a very comfortable Bucky Barnes in the midst of it all.
You realized you could get used to having someone to help.
"Why're you smiling at me?" he asked, looking up from his bowl. You immediately rearranged your face to a scowl.
"You used the fancy china! Stop snooping through my cupboards, you creep!"
"I was just trying to help—"
"Well, THANK YOU!" you said, just as angrily as before.
Bucky shrugged, then went back to watching TV. He was used to your mood swings. You got up, hoping the flutter in your stomach was just a side effect of being ill.
THE END
commissions | KOFI
#bucky barnes x reader#bucky barnes x you#bucky barnes x y/n#fluff#bucky barns fanfiction#bucky barnes#imagines#astoria writes#sebastian stan#enemies to lovers
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"What the hell??" Roman Redcliff said as his archnemisis, Warlock collapsed in his arms. As the Super Villain the Inventor, this was fairly conveint for him. The one most likely to stop his new army of robot dogs had just collasped in his arms. This was different however... Warlock had a very particular look about her when she was on patrol, a clingy black piece, glowing butterfly wings, an abhorrent amount of glitter, this was not the case here. She wore civilian clothes, seemingly for somee sort of club event, and barely tied on the black mask to cover her eyes. He pulled her in with a sigh, he had no ill intentions tonight. Audrey awoke foggily, before she regained her senses and shot up. A blanket fell from her, as she was sitting on a couch in a modest single story house. The front for The Inventor's lair. Her mind was hazy, and movements slowed. Whatever those guys spiked her with really did a number on her.
"I was waiting till you were awake to offer this. I took the liberty of doing a blood check and was able to find to find a reversing agent." The Inventor, without costume or anything stood beside her, only a coffee table between them. He set a coffee mug with what appeared to be coffee in it, and set down two white pills.
"Trust me or don't, but you're safe here. You know my defense systems, be quick on your way out. You can sleep in Janet's room if you want, my weekend isn't for another week." He moves off into the kitchen, leaving Audrey in a stunned silence. She decided that it couldn't be any worse than whatever she already had in her and took the pills. The coffee was milky and sweet, too sweet for her liking as she made a face. The pills took imeadiate affect and with a sharp inhale, she felt the fog leave her mind and her reactions returned to their normal powered speed. "Cast: Change!" She said as her civilian clothes shimmered away to her hero uniform. She made her way into the kitchen, unsure of how to face her enemy.
Roman locked eyes with Warlock as she glared at him.
"Seriously? I help you out and you're gonna try your hero schtick now?" He spoke with a deadpan as he scrubbed some dried food off a plate.
"you're... Doing dishes?" The hero asked confused by the casualness of her rival.
"Yeah? You don't?" He said before continuing his work.
"But you're the inventor?"
"So why'd you show up to my house, Warlock? No friends? Family? Seriously??" He glared at her now, turning fully to scold her. "I mean fuck, who'd you go out with, your buddies? Why not crash on their front lawn."
"I got kicked out... I can barely afford the motel I'm staying at... I'm trying to get an apartment but it's hard..." The hero tried to keep her composure but couldn't the the tears soaking into her mask. "My friends were all tied to my school and job and I lost both... I just... I had nowhere else to go and I had found your base awhile back and when those guys tried to grab me... I just wanted to get a drink okay? I felt so alone..." She had devolved into full sobbing.
"Take your mask off kid, you're safe. Don't mess up your costume like this come on." He crouched low, as she had fallen to her knees. She didn't move, and he gently lent forward and slowly undid the mask. Without looking her in the face, the Inventor placed the mask on the table before returning to his work.
"What showed up tonight wasn't the hero Warlock. I'm just a civilian helping a scared kid okay? You don't gotta be anything more than that. Go to bed, I'll see what we can do about your living situation. Then when you're good and ready, I'm going to use an army of robot dogs to kill you and take over the city. Deal?"
She stared dumbly at him, he still had not looked at her, hadn't seen her face and promised to keep her safe. She just nodded before slowly wandering back to his young daughter's room. She collasped onto the pink bed, the weight of everything falling from her as she fell asleep.
The glass shattered under Roman's grip. He knew it wasn't his boys, he went through a rigorous vetting process to keep those crimes out of his organization. He was gonna find who did this, it wouldn't even take much time.
In a flash or sickly blue lightning, Roman was gone and the Inventor sped through the city on the hunt.
Being evil is one thing, but there are some lines you never even attempt to cross.
You, a supervillain, answer a knock at your door, only to find your superhero nemesis shivering, bleeding, scared, and slightly dazed (as if drugged). They appear to have been assaulted. The hero mumbles “…didn’t know where else to go…” before collapsing into your arms.
#writeblr#writers#writers on tumblr#writing prompts#fuck it I'll try this#I love the “I'm evil but I'm not an asshole” types so much#Inventor is my speedster villain from city of heroes#city of heroes#fuck I miss that game#writing inspiration#fanfiction#superhero#should i make more?#Let me know if you guys want more of this superhero stuff
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not a secret anymore
natasha romanoff x fem!teen!reader
summary: nat reveals a secret to the public when your class takes a learning journey to the tower.
requested: yes
warnings: might come off as half assed writing because this probably is one of my worst works i'm so sorry 😭😭
word count: 1681
notes: i'm so sorry i haven't been writing much, i've recently just gotten extremely busy so i had no time to sit down and write (this one was literally written between all the short breaks i had 😫) and i have a few requests piling up so i hope you guys can understand if they come later <3
"hi, y/n!" ally, an agent, greeted you as you, along with your classmates, walked through the east wing hallway of the tower. your classmates—except for peter, ned and mj— turned to look at you with confused looks.
your class was having a learning journey at the avengers tower and you had contemplated on calling in sick to avoid people who worked in the tower acknowledging you around your classmates.
you were actually an avenger—yeah, crazy—, having been rescued during one of the many avengers' hostage rescue missions few years ago. you were able to single-handedly take down a few of your captors, hence why the team took interest in you then.
now, though you had been trained enough, they decided to keep you a secret in order to protect you. lord knows how many people would try hurt you if they ever found out the avengers had a new, teenage recruit. peter was technically still safe as his alter-ego is masked so you had no choice but to only go on missions that weren't in the public eye.
you also lived in the tower so the agents and staff were undoubtedly familiar with you, some even friends with you, just like ally, who had just passed by with a wave of her hand at you before turning the corner.
"did that lady just acknowledge you?" an annoying voice spoke from beside you in a mocking tone. you gulped, not wanting to respond to flash's irrelevant question.
"hey, loser, i'm talking to you," he nudged your arm with his elbow and you held the urge to grab it and flip his whole body upside down. it's not like you couldn't—you had the skills, obviously— but it's the fact that you didn't want to get in trouble for that.
you ended up keeping quiet, like you always did whenever the boy taunted you. peter taught you to do just that. if it were up to you, flash's stupid face wouldn't even dare to show itself in front of you anymore.
speaking of peter, he was nowhere to be seen by now. you internally rolled your eyes. it had only been two minutes and they were already gone. peter was probably showing them around the place. you had no idea how your teacher didn't notice the three of them missing from your group. you were so going to kill them for ditching you and leaving you alone when they knew they were your only friends. they were also the reason why flash still had his head to this day because they'd stop you from doing anything rash. now you weren't sure if flash would be safe from your fury.
"you probably work here as a cleaner on the weekends or something, huh? that's the only way people here would know you," flash jeered. you let out a breath, trying to control your anger towards the boy.
you rolled your eyes, opting to deliberately ignore his insults and walk away instead, hoping you'll bump into those three idiots of friends of yours.
"did you just ignore me?" flash asked incredulously, as if it was a crime to ignore his annoying ass. he pulled you back by your back collar, effectively halting you in your spot.
by instinct, you grabbed his hand that was on your collar, twisting it and turning his whole body around, pinning him against the wall with his twisted arm pressed against his back. it happened in just two seconds which totally caught flash off guard, the boy groaning in pain as he begged you to let him free.
you could hear a series of gasps from all around you and you internally groaned. this is why you always ignored flash's taunting. you didn't want to attract attention to yourself and have people wonder how you could defend yourself so well. but flash just had to provoke you. especially here, out of all places.
"what's going on here?" you heard a familiar voice ask and you sighed.
"oh my gosh! it's the black widow!"
"miss romanoff!"
"oh my gosh, i'm gonna need to get a picture for my mum later, she's gonna freak out!"
you stepped away from flash, releasing him as he dramatically kept rubbing at his arm. as if you even put that much pressure. flash smirked, seeing this as a chance to complain about you to an official avenger.
"this girl right here," flash points an accusing finger at you with a glare, like he wasn't just practically begging for his life twenty seconds ago. "attacked me."
you rolled your eyes, unamused. "i hardly attacked him." you told nat. the woman turned to you, an eyebrow raised as she gave you a knowing look. "this...?" she trailed off and you nodded, knowing what she was insinuating. you'd told her about flash one too many times for her not to immediately figure out who he is from a crowd of students.
"flash thompson. heard a lot about you," she turned to the boy. flash's face lit up, thinking he must've made a name for himself or something that even the black widow knew him. little did he know he did, but not for good reasons.
"i would prefer if you stop messing with y/n/n." nat gave him a sharp look and that grin was immediately wiped off his face. "i– y/n/n?" he stuttered, confused that the natasha romanoff is calling you by a nickname.
"you do know she can kick your ass if she wanted to, right? she's been silent all this while because she didn't want to hurt you but you just never seem to learn, huh?" nat took slow, calculated steps towards him until she was towering over him.
"she doesn't need anyone to protect her because she's fully capable of that but i'm just here to warn you, kid, that she, is not to be meddled with. i'm saying this for your own good, flash thompson. she's capable of much worse than whatever she just did to you. so if i hear you messing around with her or any of her friends," she pauses before continuing with a whisper. "i'll close one eye on whatever she wants to do with you."
you wished you could've taken a picture of the dead scared look on flash's face; it was priceless. you turned to nat once she stepped away from him and she put an arm around your shoulder, leading you both away from the watching crowd.
"i–i'm sorry, miss romanoff," you could hear one of your teachers say and nat stopped, effectively stopping you too as she had you in her hold. "but miss y/l/n is on a learning journey with us and she'll miss the tour of the tower if she leaves with you. we'll be discussing a lot regarding this trip in class and she won't understand what we talk about if she misses this tour. i hope you understand." he spoke nervously.
"with all due respect, y/n's seen the whole tower already," she smiles at him but you could tell it was fake. "even the avengers' residential floors which are closed to the public and most employees of the tower."
your teacher looked at her wide-eyed, mouth open but nothing coming out. nat smiles a fake one once again. "now if you'll excuse us, the both of us have avenger duties to attend to."
gasps could be heard all around you and in the midst of it all, your best friends came back and you made eye contact with them, all of them having the same shocked look on their face.
"avenger duties?! nat, what are you doing?!" you whisper-yelled at the woman who seemed to be enjoying the reactions of your classmates and teachers.
"y/n!" peter ran over to you, your other friends following suit. "oh, um hi miss romanoff," he greets shyly. "thanks a lot, guys, look what happened." you spoke sarcastically, rolling your eyes at them. nat proceeded to drag you away from your friends and the last thing you saw was them mouthing apologies and you half-heartedly mouthing to them back that it was fine.
"relax, y/n/n, the public were about to find out soon anyways." nat said nonchalantly. "what?!" you exclaimed once you two were in a different hallway.
"yeah, you're gonna have press this weekend for this. we're gonna officially announce you to the world as an avenger." she once again says nonchalantly, as if this wasn't the first time you were hearing this. "wait, wait, wait, seriously?" you asked in disbelief. no one had told you anything.
"yeah, i—ohh yeah, you don't know yet," nat remembers and you give her an unimpressed look. she wasn't usually this dumb; she only showed this side of her to you. "sorry, i uh, yeah.. i was supposed to come get you for this. meeting with fury and the rest, yknow?" she tells you and you nodded slowly, taking in the information.
"but tell me it didn't feel good that you got to do that to flash," the woman states excitedly and you playfully rolled your eyes at her. "you got to do something. i'm practically an empty threat to him," you stated matter-of-factly.
"not after this weekend you're not. he'll be afraid of you after. that's what you get for being a smelly bully." you couldn't help the little smile on your face. she really sounded like a child right now and it was adorable.
"alright, natty, whatever you say. let's go before fury releases his fury." you look at her hopefully, waiting for her to laugh at your joke which she responded with an unimpressed look. that of course didn't work as you two burst out laughing looking at each other's faces.
you walked alongside her, the woman resting an arm around your shoulder. you smiled up at her as she talked about her day.
god, you couldn't wait to be able to finally walk out in public with these people you considered family.
taglist <3
@amourtentiaa @rqmanoff @abitofeverythinggg @andreasworlsboring101 @cay-writes-fan-fiction514 @teenwonder @sevenmorningstars @fleurlovesbucky @marauvdersfate
#marvel x teen!reader#avengers x reader#avengers x teen!reader#natasha romanoff x teen!reader#avengers#avenger!reader#mcu x teen!reader#mcu x reader#avengers x avenger!reader#natasha romanoff x avenger!reader#peter parker x reader
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Nowhere near as exciting as your ex-agent Dabi and Mafia family Tomura idea, but what about a bakery AU starring:
Kurogiri, as the owner who hires people shunned and maligned for their quirks to give them a sense of belonging and worth
Tenko, as the anxious, angry young man forced by his dad to find a job or be kicked out onto the street
Touya, as the lead baker with mysterious burn scars who teaches Tenko the trade while teasing/challenging him constantly
Toga, as the energetic pastry chef who loves her crushes, blood, and the art of food in that order
Spinner, as the barista who no longer hides his mutation quirk and is fiercely protective of his friends
Magne, as the manager who's more like a big sister to the staff than their supervisor
Twice, as the prep cook with a sad past but hopes for the future
Mustard, as the high school student working the counter part time and always coming up with "experiments" when no one's watching him
Atsuhiro Sako, as the supply salesman with a flair for the dramatic
Plus, Moonfish, Muscular, UA kids/teachers, and others appearing as customers
Basically, Tenko applies for a job as an assistant baker because 1. It's at night so he won't have to deal with people, 2. It doesn't require any previous experience, and 3. His dad threatened to kick him out of the house if he doesn't "stop wasting his life on video games and either get a job or go to school". He nervously shows up for the interview and is surprised at how kind both Kurogiri and Magne are to him despite his awkwardness, scars/skin, and his quirk. In this AU, people with quirks considered "potentially villainous" are closely monitored and treated as if they're destined to become criminals (a lot like the reactions to Shinsō's quirk). His father often brings up how Tenko accidentally killed the family dog when his quirk activated for the first time at the age of four or five. Years of mental and emotional abuse like this reinforces the idea that his son must have been born bad and any attempts at striving for something will end in failure.
To Tenko's pleasant surprise he gets hired. His first night on the job starts with Kurogiri teaching him how to mix dough and put it through a machine that turns it into bagels. (BTW, I work as a baker at a bagel shop, which is how this silly idea came about.) Tenko tells himself it's just like playing a video game, and quickly starts getting the hang of things.
Then he meets Touya, who's supposed to teach him the actual baking process. Tenko's immediately annoyed by Touya's attitude and teasing ("You Decay any of this equipment and it's coming out of your paycheck, mophead"). He throws himself into the task, determined to shut Touya up. And secretly, Touya's impressed by his show of determination and tackling something new. He hopes to himself that Tenko lasts unlike other people who fell by the wayside.
And Tenko does stay, getting to know the others who've come to form a sort of family at the bakery. He becomes close with Himiko and Shuichi in particular, empathizing with the isolation they endured and the harsh demands Toga's own parents put on her. These new friendships make putting up with Touya every night worth it.
Then Tenko overhears an angry phone conversation and realizes Touya's not all smooth confidence and devil may care attitude. That his home life may be just as messy and painful as his. Bit by bit, Tenko learns more about his coworker and opens up in turn, each seeing they have quite a bit in common. Rivalry turns to friendship (though it still has a healthy streak of competition). Over time, however, things between them start to shift yet again. The usual jokes ("Aw, did you burn your fingers? Want me to kiss them and make it better?") cause awkward silences and flustered backpedaling. The number of accidental hand touches and bumping into each other increases ten fold. Eventually, it gets to a point where they can't deny romantic feelings snuck up on them when they weren't looking.
Like I said, not exciting or action-packed. Most of the conflict would be about the characters dealing with unhealthy family relationships, overcoming the terrible things they were taught to believe about themselves, and society's crappy treatment of them, I think. And they'd fight both by sticking together and supporting one another rather than being forced to become villains. It'll take on a clearer shape as it's written.
Thanks for letting me ramble! I just wanted to share so maybe my mind will settle down and let me work on this.
LISTEN FIRST ANON, NEVER— AND I WANT TO MAKE THIS VERY CLEAR— UNDERESTIMATE YOUR ABILITY TO MAKE ME SCREAM LIKE A MAD MAN HAVING THE BEST DAY OF HIS LIFE.
Anon, please you need to write this. We all have different ideas, different approaches, different portrayals and points of view. THAT'S NOT BAD. In fact, that's the opposite of bad. That's why we get a great range of fanfics, that's why we can enjoy new things and cry with new genres or enjoy new content.
And I absolute adore whenever people bring their knowledge about something into an au. I could have never come with anything so well written or so complex because I have never worked in a bakery, but you have! You have the ingredients, you have the tools, and look at what lovely au you have created!
I'm obsessed with this. I'm obsessed with the softness of this. This is like a butterfly kiss on your cheek on a summer afternoon while you watch a lake reflect the sky.
I want to know more about this. I want you to tell me more about your fanfic ideas and even if you want, I can help you write this, but please, let others enjoy this as much as I enjoy it. Because it's so so so so good.
A lot of villains fans are looking for this type of comfort. Damn, it is a dream to see a bakery filled with people who are getting better and finally having a chance in life, becoming a family, finding love, fighting their abusers in their own ways.
You even gave them the specific jobs. I'm— 🥺🥺🥺🥺🥺 this is so well thought. Really, please write this. Please.
#Shan's asks#Shan reading fanfics#Touten#Shigadabi#bnha#mha#my hero academia#boku no hero academia#league of villains#lov#Tenko Shimura#Touya Todoroki#Toya Todoroki#Tōya Todoroki#Shigaraki Tomura#Dabi#Dabi is a todoroki#Toga himiko#Kurogiri#Mr. Compress#Twice#Mustard#Spinner#iguchi shuichi#Dabishiga#Mha fanfic#Bnha fanfic#LoV fanfic#Shigadabi fanfic#Touten fanfic
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Time Off — TSCOSI ficlet
Read on ao3 or below the cut
(Reblogs > likes)
(Reminder that I take requests ;>)
The line between sleep and wakefulness is thin and sharp. McCabe crosses it with ease, they step out of bed, move to the closet, dress themselves in a button up and slacks that’s stiff and heavy with starch, and when they reach for the handle of their bedroom door, the sun not yet up, they realize it’s saturday.
The morning momentum leaves them with a pathetic pop. McCabe gets back in bed, wrinkling their clothes, and pulls the covers back up to their shoulders. They wait for the sun to arrive.
There’s chatter outside their dorm room. The clicks and bangs of lockers, the thud of boots being dropped, it’s easy for them to spend a weekend. It’s easy for McCabe to lay there, belt digging into their side, stewing in jealousy.
It’s nearly nine, now, and they’re hungry. It’s nine and they’re hurting, but getting up means changing, reironing their clothes, whatever unpredictable hello’s the hallway will require and putting on a smile for the pretty receptionist who’s on shift about now. Then deciding breakfast, checking if they can pay for breakfast, paying for breakfast. The thought of it makes them curl up further.
They eye the door as the sound outside quiets, and finally steel themself to stand, opening the door with their wrinkled clothes, swaying with hunger, and tired as hell.
The only figures in the halls are distant. Someone knocks incessantly on a closed door. The envy flares again. Everyday things would be so much easier with someone to knock on their door. McCabe stares as the figure crosses their arms, and settle back on their heels to wait, checking a watch. They knock again, Angier this time. It must take a lot of care to bother with anger.
McCabe takes the elevator downstairs. The receptionist is nowhere to be found.
Their favored coffee shop is on the far side of campus, closer to the offices where they'll be spending their days after graduation. The ones nearby are full of people their age, loud and excited to be there in groups of threes or fours, easily shoving McCabe out of their wake. But on the far end of campus, it's different. Quiet. The Agents there are just as aware, and just as afraid of the IGR as McCabe. It breeds a peaceful atmosphere.
The smell of blueberry welcomes them into the shop, and the ambient chatter of voices who don't want to be overheard. McCabe leans onto the halfwall that separates the line from the dining room. They check their handheld. They can't afford a scone today. Black coffee it is.
The person that stands behind them in line greets them with a curt, "Agent."
"Agent," McCabe replies on instinct, startled but too good to show it.
He doesn't look down at them, staring at the menu without moving his eyes, like he's trying not to forget his order.
McCabe stares for longer than they should. His hair isn't buzzed, they notice. It isn't required, not in any edict, but it is the standard. You'll get looks. McCabe knows because their hair isn't buzzed either.
His eyes slide from the menu and back to them. He cocks an eyebrow.
"I'm actually not an agent," McCabe adds, nervously. "Haven't graduated yet."
"Is that so?" He asks. He gives them a once over now. McCabe turns away, not uncomfortable, just unsure.
"Have you eaten anything?" He asks. The man's pulling the wallet out of his back pocket, counting the bills, which makes McCabe do a double take.
"No," they say suspiciously.
He mumbles something along the lines of "Shelly…..those kids…" and smiles to himself, before he looks up again, "What do you want?"
"I couldn't ask that of you."
"I'm offering."
"Sir—Agent—"
"Park." He says. And then, "Low blood sugar, faintness of any kind,anemia—"
"Agent Park?"
"They can hold you back from graduating for any of those reasons. New agents are fresh meat in the literal sense. You need to eat."
"I can't afford—"
"That's why I offered."
"I couldn't ask—"
"What's your name, Agent?"
"McCabe." They say, and step up a spot in line.
"Let me guess, McCabe," Park says, lowering his voice. "Your record is sparkling, you're high-ranked in your class, you're more then skilled and none of this is an accident."
McCabe tenses, turning to face him. They reach for a gun at their belt that isn't there. Park tracks the movement.
"Quick draw, McCabe." He notes out loud.
Despite themselves, they bristle with pride.
"But being a good agent isn't all there is."
The line ahead of them clears, and Park cuts ahead with long confident strides, ordering two coffees. He turns to McCabe.
"Oh. Um. Medium black and a blueberry scone, uhm. Thank you."
Park nods, pleased.
They stand in the waiting area in silence, McCabe bouncing on their heels. The server puts their order down and calls out for Jin. Park steps up to take it.
"But McCabe," he says, holding their bagged scones, "Take my advice: find a better way to spend a weekend."
Park's out the door before McCabe has time to process he was there at all. They wander outside after him, but don't see the man amid the commuters. McCabe turns back towards their dorm, but stops themself. They walk until they find a bench. And they feed the birds.
#tscosi#the strange case of the startship iris#rj mccabe#jin seon park#agent park#edil writes#edil drabbles on about tscosi#i have...many thoughts on this one#thank you to page for requesting it btw!!#but like...underneath the LAYERS of caked on stress coating park as we know him now is like...#not like a *good* dude. cause psrk is a good dude. but one that functions a lot better#and i think he and mccabe vibe on frequencies we could not begin to imagine
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Rules For Falling In Love: #3
summary: In which George wants to get married. But… you’re not dating. Why should you say yes?
a/n: So sorry I've been MIA! Here's the news. There are only two chapters left of this fun little story. And something else is in the works for which I'll be posting a sneak peek of very soon (bet ya can't guess what it is!) I hope you're all still just as in love with this plot, though, because I know I am. Let me know your thoughts as always, dudes
w/c: 3k
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"What the hell are you doing?" You hissed through your teeth at your very own reflection. You were dressed for any imaginable occasion. If folks noticed you waltzing down the street, they might assume you were on your way to lunch with friends. They might think you were headed to the market, or to the movies, or shopping around. But they most likely wouldn't imagine you were on your way to get married. But you were.
You perfected your lipgloss and fixed your hair, and when there was nothing left to primp, you stood there, still, waiting for the girl on the other side of the glass to reach through, grab your shoulders and shake some sense into your head. But she didn't.
///
"That's it? We're done?" You asked in a stunned breath. The cheery old fellow who'd walked you through the process of signing a bunch of papers and reciting a few promises smiled, but studied you for a beat before nodding.
"You're married, now. Congratulations!" He escorted you and your group toward the door, waving a bony hand from the entry before slamming the old wooden door shut, abandoning you in the massive marble halls.
"Oh, that's absolutely not it." George's sister whined. The girl yanked you and her brother out into the warm sunshine. She shoved some wildflowers in your hands, forced you to stand in place, and shoved her brother to your side. George draped an arm around your shoulder as you both grumbled for the girl to stop making such a fuss.
"Just think of all the things I was talked out of doing. The party I could have- no, should have thrown. Now smile!" She rose her phone camera and snapped a few shots, humming with satisfaction when she was decidedly finished. Bless her, she really did only want the best for the two of you. And you and George were due for some new photos besides the ones snapped of your forced smiles at the latest award show.
"Well, I forgot to bring cake as promised, but let me take you round the cafe uptown to kick off my stress eating. " Dean sighed as if someone was making him pitch the offer.
"Sounds like ya need it." You jested. Dean rolled his eyes and gave you a real, soft smile. George's sister left with a big wave and a dramatic congratulations.
Dean was excited to choose your celebratory treats himself, and was the first to dart inside the posh cafe when you arrived. You and George followed, laughing about how your friend had transformed into the classic "kid in a candy shop." You lost Dean to the winding line and moved to find some big comfy seats in the busy shop.
The reality of your latest achievement hadn't quite set in yet. George's laughter was such a familiar, comforting sound, as you settled beside him on some ridiculously oversized ottoman. Today was just... another day.
"Please tell me that what Dean just told me is a big fat joke." A familiar lilt pipped up from the other side of the paint chipped coffee table in front of you. George's agent was stood, slack-jawed with a big, whip cream filled to-go coffee in hand. How funny she happened to be here, you thought. Only her surprise greeting was much different from the times you'd bumped into each other and chatted in line at the markets, before.r
"It's nice to see you too, Donna." George laughed, watching as she set her drink down and moved to sit in the claw foot chair at your side. The woman reached for your hand in a flash, focusing on the ring you'd grown rather attached to over the week.
"Surprise?" You laughed, a twinge of worry settling in your stomach as the woman glanced up to you, eyes full of shock.
"Why on earth did you get married?" She asked in a slow squeak, turning to George as you drew your hand out of her clutch. "More importantly why haven't you told me?"
"Well, it's only just happened. Like half an hour ago." George looked to you, then back to his agent. Donna let out a laugh, and you understood her shock, but her reaction was a bit unnerving. She continued to ask a string of rhetorical questions, how, why, where, why, why?
That was about the time Dean emerged from the line that was now flooding out of the doors and around the building. Was it filling up in here, or was the place closing in on you? A nagging unease settled at the base of your lungs as George told Donna some of the things you'd discussed and what led you to signing some papers, together.
Your favorite third wheel plopped down a tray of little bite-sized cakes, decorated in different shades of pretty pastel icing. They reminded you of the macaroons George brought home from the last award show after-party, and never shared.
"Care to join in the celebration? Tea is on it's way." Dean spoke in Donna's direction before casting his gaze to you, sitting across the way.
"Unfortunately, I've got to get going, but I do wish we could continue discussing what the hell you two have gotten yourselves into." Donna stood, with a wavering smile, grabbing her condensation covered to-go coffee, and spinning toward the door to the tune of your crew's goodbyes.
You glanced down to the cakes Dean had picked out, as he piped up to explain their fillings and flavors. George reached over to place a hand on your knee, as he nodded along to his friend's excited dessert-themed rambles. All the worry that had sprouted at Donna's confusion was swiftly put at ease when you noticed the ring on George's finger. This was your decision, together. You'd talked it all the way through and back. Anyone else's worry over the matter didn't hold value over that fact.
When your tea came, you had managed to ask Dean about the girl he'd been seeing. The three of you noshed on divine desserts and listened to your friend gush over the girl he'd taken on a fourth date, just the night before last. His eyes sparkled and you couldn't help but smile when he paused to think up just how to describe his new beau. He was lucky to have found someone who brought a blush to his cheeks at the mention of their name. Hers, was Claire.
You'd been enraptured by Dean's rose-colored chatter, so much so that your phone's sudden rhythmic buzz in your pocket made you gasp aloud.
"Oh shit." You muttered, past a bite of cake. "We're gonna be late for that thing." You turned to George whose face lit up in recognition. He had an interview today, one for a late-night talk show that would be on air long after you'd settled in for the night.
George thanked his friend for the desserts and for being there today, for the both of you. You knew George meant it, you knew how important it was to him. But to hear his genuine appreciation in his goodbye to Dean made your heart lurch.
"I know I've been giving you both a hard time about this, and I'm still a bit confused by the whole thing, but honestly, I'm happy for you both. And I'm glad you let me come along today." Dean shrugged as you all stood to head your separate ways. Now your heart was a puddle, as you flung yourself to the fellow, wrapping him in a hug and thanking him for being too good a friend. You were lucky too, you figured.
///
It was almost actually funny how uncomfortable these things made George. He was so keen to be a movie star, in the most romantic sense, of course. He could go on for days (months, even, you suspected) about the magic of storytelling and all the lessons to be learned from his chosen career.
But promoting his works, promoting himself, wasn't something he was fond of in the very least bit. So once, you tagged along to some garish dinner party that was really just a competition for best dressed, in disguise. He mingled with the people he knew, and the people he was meant to know, trying with all his might to make genuine connections because if he'd failed to learn at least one person's life story on a night out, he considered the evening wasted. And when they asked about him, he'd get it over with in a flash before turning his attention to you, introducing you, asking you to tell that one story. And when you were left alone to await the next celebrity encounter George begged you with his hands clasped together to come along with him to all of the ridiculous Hollywood shindigs he was ever required to attend. And of course, you couldn't tell the boy no.
So tonight was another one of many. You went home, tossed on a dress, and spun out of the door again without a second to breathe. All your focus was spent reminding George that this would all be worth it in the end. How selling his latest film to millions of viewers would ensure the story he was so proud to have been a part of would effectively become dear to most everyone who tuned in to hear his interview.
When you crept through the studio doors, hand in hand, the welcome George received was perplexingly warm. Interns offered both of you snacks and drinks, directors passed through the green room doorway with beaming smiles, and instructions for George to follow. Writers breezed in, covering the last of the bases, and a friendly old makeup lady fussed over his look just in time for George to float to the stage. When he did, he dragged you along with him. You let go behind all the cameras, promising you'd be near the door's he was meant to exit- near enough to give him the odd thumbs up and dash away when it was all said and done.
A small audience murmured as the set changed, and cameramen fluttered about. And then it was off. A man in a casual suit sped through a nauseating, over-rehearsed introduction and you wondered how many of the audience members were laughing for real or because they'd been told to.
And then, out of nowhere, without any warning, the interview took a turn you hadn't prepared for in the least. After the usual quick nice to see you again greetings had been passed back and forth, the host asked George a question he already knew the answer too and presented a photograph you hadn't even gotten the chance to see yet.
It was the one his sister had taken this morning, with the wildflowers, out in the midmorning sun. She'd posted it to her Instagram, tagging you in the caption that featured some long-winded sentiment. And you knew that the girl only had you in mind. She probably wasn't dreaming of George's next interview when she uploaded the photo for the world to see. She most definitely probably wasn't thinking of a moment like this coming true, and how her brother would hate it. In the blink of an eye, you envisioned George angrily phoning his sister and her dramatic defense, and a big unnecessary row breaking out.
But then you zoned back to life and watched George answer the interviewer's question with a small smile. He confirmed that he was officially married, and glad to be. George swiftly moved the conversation toward the film he was meant to prompt, which didn't sway the host on a strict schedule to cover all sorts of topics in the next three minutes. But George wasn't dismissive of the subject. He didn't squirm when the aspect of his personal life was spoken aloud to a room full of strangers. He smiled and caught your eye from the stage. You were too stunned to give him the usual thumbs up from where you waited, you just watched as he grinned, and nodded when the host offered his congratulations.
Then it was over, and the audience flooded away, and you and George hurried to collect yourselves and leave in as big of a hurry as you could without seeming rude. He held your hand like a vice, and you led the way out of the exit, toward the car park.
Before you could reach sweet freedom, a small crew of George's fans had been waiting near the back, with hopes of catching a moment of the guys time they'd come to watch get interviewed. The three young girls held out a marker and asked for his autograph in a shy manner. You noticed most of the fans George encountered over the years were just as meek and mild as the guy himself.
So he smiled and agreed with pleasure, as you awkwardly shifted on the sidelines, unable to flee to the car across the way because he had the keys.
"We're really happy for you, by the way." One of the girls piped up, facing you. "You guys have like, always been our favorite couple."
"You restore our faith in love." Another one of the girls giggled, approaching George with movie posters in hand.
All the complex feelings in your gut the rose at the girl's comments didn't matter. It was entirely too sweet of them to say something. So you thanked them with a smile, and waved goodbye when the last of them had their selfie with George. He said goodbye and turned toward the car with a sigh. You could practically see the weight of the evening's events fall off of his broad shoulders.
You piled into the passenger seat, debating on what to have for dinner, already knowing he dreamed of nothing more than a self-indulgent end to the long night. When you both agreed on what to have, a silence fell over the two of you for the first time all day.
It was heavy with different versions of the same question, the same subject. You'd woken up in one era, one that ended around ten this morning. And neither of you had much of a chance to talk about the fact that you were married now.
"Are you... happy?" You spoke up, at last, watching the world float by on your drive through the city.
"I am. Are you?" George smiled, turning to catch your eye, glancing back at the road ahead a couple of times.
"Yeah." You laughed a little. You wouldn't have agreed to any of this if you weren't dead sure you'd be at peace when the decision was made. And you were filled with that same calm that filled you in the cafe, this morning when George rested his hand on your knee. You'd made the right decision for the both of you, and you were very glad for it indeed.
///
Three months had passed. They were quite busy, and filled with all the usual stress that any typical trio of months held. But as the days passed by, you found George was right, somehow. Things... were easier. Maybe you'd talked yourself into believing so, but you noticed celebrities had stopped leaving you out of chit chat when they breezed through after-parties. You notice stranger men had stopped pestering you at the bar, half of the time. And when you met new people and wound up in new places, you didn't have to go through the long spiel of who Geogre was to you, and why he was always around. He was simply your husband, now.
It was strange to get used to the tile at first, but by the time you'd made it to month four, it rolled off your tongue like melting butter. George seemed most keen to use your unity to get out of other plans.
"Sorry I'll have to miss the next gala, my wife wants to go kayaking." You'd never kayaked. You didn't know how, and you'd never brought it up.
"Ah yes, I am that guy from that one movie but sorry I can't come back to your motel, I've got to help my wife pick out dinner." He had rushed you along grocery store stalls in a hurry to escape the odd, unnerving encounter.
That's how your week started, avoiding the scary fan who kept stalking through the market, stopping George with strange questions around too many corners. It wasn't his most unsettling encounter, but one that left the poor guy on edge for another day or so. You'd get home after fifteen-hour shifts, too tired to talk about it. Too tired to ask what he'd been up to all day.
By the end of your week, you'd barely seen George, and he'd been just as busy. You ended your last, hellish never-ending shift with tears in your eyes from the thousands of little things that had piled up and left you stressed till it was time to clock out.
You got home to find George in the living room, reaching for the remote. He left the thing on the coffee table when he twisted to see you in the doorway, worn down, strung out, over it. He asked if you were alright as you kicked your shoes away and hung your coat up in a hurry to decompress.
You demanded George wait to watch whatever film he had in mind for you to join him. You desperately needed to shift your focus from your own worries to an unrelated fictional realm. In a hurry, you showered the day from your achy body and slipped into your comfiest nightclothes. Then you piled up your best blankets on the sofa, using a couple as faux pillows while you and George shared one big, massive quilt, and flipped on the film.
"What'll be tonight then?" You asked, sinking into the cushions at long last.
"That one my mum won't shut up about. About that couple who gets divorced? WOn a bunch of awards." George muttered, clicking on Netflix. He'd always made it a point to watch the films the public raved over, to find out if the fuss was worth it.
"What if this kick starts our own divorce." You joked, the thought escaping your lips as soon as it passed through your head. Regret might have seeded itself in you if George wasn't so quick to laugh.
"I solemnly swear I will not let a fictional couple's marital issues affect my promise... no, my genuine desire to continue working at being with you for better or for worse."
Where the hell did that come from? You gapped at George as he queued up the film.
"Damn. You're getting good at this whole husband thing." You let out a small, stunned laugh. It made the dull ache in your head hammer. George noticed as you drew a hand to your brow, waiting for the thrum to settle.
"I'm sorry you had another bad day," He whispered.
"Thanks, You softened, knowing he truly empathized.
George lifted his arm and bobbed his head, beckoning you closer. You took the invite to curl into his side with a sigh. He was warm, and comforting, and his bicep was the perfect pillow. You relaxed for the first time in forever, it seemed, closing your eyes in to soak up the calm, quiet evening. The sounds of the film faded as you fell into an accidental nap.
You were jarred awake by a dreadful buzzing coming from the coffee table. George's phone was ringing, and when he twisted too slowly to reach for it, you realized he'd fallen asleep too. You noticed Dean's name flash across the screen as George answered, lackadaisically holding the cell in the hand that wasn't still closely wrapped around you.
"You're on speaker," George warned, as you stayed lethargically content at his side.
"Good! I have a question for both of you." Dean 's voice crackled through the telly. His assumption that you were already wherever George was, made you chuckle.
"Claire and I are staying in that quaint little seaside town, this weekend. Fancy coming along? In fact, it was her idea to invite you both to join us." Dean explained, it sounded as though he was walking through the city, shouts and clangs passing through the call.
You glanced up to George from where your head still rested near his shoulder. Neither of your expressions held signs of disinterest so when George carefully responded to Dean that the idea sounded nice, and asked for more details, you grinned and relaxed back into place.
Dean listed off some more information as George hummed and murmured in response. When the call had ended and new plans were made, George tossed his phone back on the table, and settled deeper into the sofa, shifting the weight of his arm beneath you, but hardly disturbing your peace a bit. The sun was peeking through the cracks of your curtains, and the movie must have been nearly over. You both drifted back asleep without another word, and all seemed well. It must have been.
You and George were closer than ever before- and you had already been classified as inseparable. But you'd hardly gotten to enjoy each other's company since making whatever you had official. Rule number three of this marriage enforced you must take every opportunity to for a bit of fun, as possible. It was time for a small getaway. A peaceful sleep would have to do, till then.
───※ ·❆· ※───
taglist: @whenthe-smokeisinyoureyes @andux @imaginationandlove @velvetgoldsilver @queen-bunnyears @maria-josefin @dearevansamham @belledamsceno @nilletellsstories @loulouloueh @visionsofmelodrama @haileymorelikestupid
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Help me to stop running in the dark
Sam Arias x Male Reader
Request- Can you do a male reader Story for dating sam arais and being Ruby's father and R used to date in there teen years but had a nasty break because they nurt each other. They meet again in season 4 and they slowly trust each other and got back together and tells R that Ruby's father and he blames the condom. Ruby finding out as well. R is like goku and had ultra instinct without any draw backs and he can go ssj to sjj4 to sjj god and super sayian blue . In earth 38 sayians exists. Can you include in the story of sam arias request that R has a son named Gohan and his a sayian hybrid
National City, is your new home. You and your son just unpacked the last box and you are happy about it.
”Dad, why I can't go to work with you?” Gohan asked.
”I can't watch you and do my job. But I promise I will give you the tour where I work” You said.
”Sounds boring,” Gohan said.
”Best part, they have a training room,” You said.
He smiled and he wants to go now. You are a single father with a son named Gohan and he is twelve years old. You accepted a new job at the DEO, agent and a scientist also as a doctor. You worked hard in college it wasn't easy with raising a kid and going to school. You have always been into martial arts, your son Gohan loves to train and he is a huge fan of martial arts.
”That's great! Let's go now!” Gohan yelled with joy.
”Because you have school today and you can't be absent,” You said.
”Why, I can't miss one day?” Gohan asked.
”I told you your studies are very important and you need good grades,” You said.
He pouts and crossed his arms.
”Fine” Gohan said.
---
You took him to school then you went to work. J'onn gave you the tour of the DEO, he introduced you to Winn, Nia, Alex, James, Brainy, and Kara but as supergirl. While doing your work, you heard someone shouting and you recognize the voice. You stand up and followed the voice, you see Brainy, Alex, and Kara talking to Vegeta.
”About time you showed up, Y/N,” Vegeta said.
”You know him?” Kara asked.
”We caught him fighting and he caused the earth to crack,” Alex said.
”He is not the enemy and yes I do know him,” You said.
”How can you be sure?” Brainy asked.
”Because he trained me. And he has saved the earth countless times. Vegeta, there is a training room we can use and they have the option of using powers or not. Are you in?” You said.
”I will still beat you with powers or without powers,” Vegeta said.
You and Vegeta left the room, they are confused about what just happened.
”You have to work!” Alex yelled.
”I will do it later!” You yelled back.
It was a slow day at the DEO, and you were bored in your lab.
Vegeta turns Super Saiyan 4 and you start to get ready. Vegeta cracked his knuckles and he gets into his stance now you start to turn Super Saiyan blue.
Alex, Kara, and Brainy wanted to watch. They knew you had powers but didn't know what it was.
”I’m ready,” You said.
” Let's start,” Vegeta said.
You and Vegeta throw the first punches, it caused the building to shake a little bit. Vegeta kicked your arm and you fell down, but you jumped back up fast. You and Vegeta keep fighting and not backing down.
”He is really strong,” Kara said.
”He is. I never saw two people fight like that before” Alex said.
They keep watching you and Vegeta fight.
✯ ✬ ✯ ✬
There is a charity event which Lena is hosting. You had to go because you and others want to catch Lillian at the party. You are at the bar and you are looking around and Kara is talking to Lena.
”Y/N?”
You turned to your right and it's Sam Arias.
”Wow, Sam!” You cheerfully said.
She hugged you and you hugged her back. You and Sam missed each other so badly.
”What are you doing here in National City?” Sam asked.
”I just moved here with my son and I work for the DEO. What about you?” You said.
”You have a son?” Sam asked in shock.
You nod.
”Yeah, I have a son named Gohan. I'm a single parent. So tell me about you” You said.
You and Sam used to date in high school, but you two were immature. The break up was nasty since Sam disappeared and you never heard of her for many years. She does know about your superpowers.
”After our break, I moved to Metropolis. I have been living there for many years now I live here in National City. I work for Lena Luthor” Sam said.
”Sam, I'm sorry I hurt you back in high school. I was immature and an idiot, I'm sorry and I hope we can start over” You said.
Sam wanted to tell you something but she changed her mind.
”Y/N, I'm sorry too. We were both idiots and we can start over. I really missed you” Sam said.
”I missed you too,” You said.
Lillian crashed the party but she isn't alone. You turned Super Saiyan and Lillian starts to attack.
”Sam, go now,” You said.
”Okay. Y/N be safe” Sam said.
”I will,” You said.
You start to fight Lillian but you had to hold back. She does have the Luthor suit but you didn't want to injure her. You made sure Sam is safe, Kara and Lillian start to fright and you help Alex save people.
You saw Metallo trying to kill Sam. You snapped and you went Super Saiyan rose.
”Stay away from her!” You yelled.
Everyone saw that your hair changed to pink. You punched him and he hits the wall, he gets back up.
”What are you?” Metallo asked.
”Does it matter? I will make you pay for hurting her” You said.
He laughed.
”Oh, I hurt your girlfriend” Metallo mocked.
You and Metallo start to fight. You easily dodged his attacks, he is nowhere near your speed and reflexes. You punched him in the face than in the stomach, the enemies start to run towards you but you easily start to defeat them. You did toy with them then you only had to use one or two attacks to defeat them.
---
At the DEO, Alex made sure that Sam is okay. You went to see Sam, Kara, and Alex are there.
”Are you okay?” You asked.
”Yeah, I'm okay,” Sam said.
”Y/N where are you from? I never saw anyone turn pink like you” Kara said.
”I am a Super Saiyan. I used to have a home called Planet Vegeta, it's located in the south Galaxy. But my home was destroyed by a fire and many people died. There are different levels of Super Saiyan, that people can change into different colors. Super Saiyan Pink, which is the highest and strongest level” You said.
”I know what it's like to lose a home,” Kara said.
---
Gohan is on cloud Nimbus, he got bored at home and went for a ride. He knows where you work and he got inside and saw you.
”Dad!!!” Gohan yelled with joy.
You are still with Sam, Winn, Alex, and Kara. Gohan jumped on you and he hugged you.
”You have a son?” Alex asked.
”Yes, this is my son Gohan,” You said.
”Hi!!” Gohan smiled big.
”What is that!?” Winn and Kara asked.
”This is Nimbus a cloud, it takes anywhere we want to go,” You said.
”Can we ride Nimbus?” Kara asked.
”Please,” Winn said.
”Yes. Gogan, make sure them how to ride Nimbus” You said.
”Yay!!” They cheered.
You and Sam watched them ride Nimbus.
”He is cute,” Sam said.
”Thanks, he gets it from me,” You said
You and Sam laughed.
✯ ✬ ✯ ✬
Weeks went by you and Sam have been spending time together. Slowly trusting each other and you're still in love with her. But you haven't told her yet, you want to but you don't know if she will feel the same. You went to see Lena Luthor
”What I can do for you, Y/N,” Lena said.
”Lena, I need your help. Can... You maybe find out if Sam likes me?” You said.
”Didn't you used to date Sam in high school?” Lena asked.
”Yeah, we used to date but the breakup was nasty and I was immature. I'm still in love with her and I want to know if she feels the same. You and Sam are close and maybe if you can find out for me” You said.
Lena starts to think. You and Lena do get along but don't know each other too well.
”Okay, Y/N I will find out for you. Don't hurt her again or I’m going after you” Lena said.
”I won't hurt her again, you my word,” You said.
”Good,” Lena said.
You smiled at Lena.
---
Lena did find out if Sam has feelings for you and Lena said yes. You couldn't stop smiling and your heart raced when you thought about her.
You are training with Vegeta and Gohan. You have bee training all day and your body is feeling sore. Vegeta always pushes you over the limit. Sam came over and she saw your abs, her face turned red. She tried not to stare but you saw it and smirked.
”Y/N, can we talk in private?” Sam asked.
”Um sure. Just let me clean up then we talk” You said.
”Yeah,” Sam said.
You see Gohan and Sam talking to each other and they are getting along.
---
You and Sam go somewhere private to talk.
”What’s wrong?” You asked.
”There was a reason why I disappeared in high school,” Sam said.
”Because?” You said.
”You got me pregnant. I told my mom but she kicked me out and I was angry at everyone, you and especially at myself. I just packed my things and left and I raised our daughter Ruby, on my own. Y/N, you have a daughter” Sam said.
Your eyes opened very wide and you had no idea what to say.
”But we used a condom!” You yelled.
”It was broken or it popped,” Sam said.
”You think I can sue the company who made the condom?-”
Sam laughed.
”You're such an idiot” Sam is still laughing.
”Sam! I am serious I want to sue them” You said.
”You will lose the case. Y/N, how do you feel about it? I know you missed a lot but I was-” Sam said.
You started to ramble on about suing the company. To make you stop, Sam kissed you and you kissed her back.
”Wow,” You said.
”Yeah. It was to make you stop talking about the condom” Sam said.
You nod.
✯ ✬ ✯ ✬
Days later, Sam told Ruby that you're her father. Gohan did meet Ruby and they are getting along.
”Why my mom didn't like you in high school?” Ruby asked.
”We didn't like each other when we first met each other. She thought I was annoying but we had the same classes. We had to work on a project together and she wasn't happy. The more spend the time we spent together we started to like each other” You said.
”How about now?” Ruby asked.
”We want to make it work and be a couple again. I want you and Gohan to have a bond” You said.
”It will be cool to have a little brother,” Ruby said.
”So cool I have a sister and someone to play with” Gohan smiled.
---
You are at Sam’s house with Gohan. You are making pancakes and you know that Sam loves pancakes. Everyone is starting to eat pancakes.
”Mom, these pancakes are better than yours,” Ruby said.
”Her nickname is pancakes because that's what she loves the most when it comes to food” You teased.
Ruby and Gohan giggled.
”Y/N, shut up,” Sam said.
You winked at her and she kissed you.
”Guys gross, we are eating,” Ruby said.
You and Sam kissed again.
”More for me,” Gohan said
He stole Sam and your pancakes and started to eat it.
Later, you and Sam take the kids ice skating. Everyone is having fun and Gohan doesn't know how to skate, he kept falling down hard. You and Sam start to teach him how to skate. Everyone is having fun, you or Sam can't stop smiling at each other.
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Monthly Reads | August 2019
Oh, look, it's the 28th again! Celebrating the launch of Gucci's new fragrance and the fantastic new pics I had to reread Landslide. Other than that there are 21 fics in this list - and like always: so many thanks go out to all the amazing authors in this fandom who share their stories with us! ♥
Landslide | aimmyarrowshigh , spibsy (lucy_and_ramona) | historical - 1970s - cults - undercover - psychological drama - racism - period typical attitudes - internalized homophobia - PTSD - and more...please read all the tags carefully - 143k The year is 1976. In November, Jimmy Carter will take control of the White House. Americans are meeting Laverne & Shirley at their apartment in Milwaukee. Hotel California diverges from the reign of Kool & the Gang. And the FBI is still reeling from the repercussions of Watergate, the tragedy at Wounded Knee, Operation Family Secrets, and the strategic terrors of the anti-cult movement. That's what Special Agent Harry Styles has been told is the basis of his mission to an abandoned farmhouse in rural New Hampshire. With his hair grown out long and his shirt untucked, he's going undercover to do reconnaissance on suspected cult leader Louis Tomlinson, who has led a group of people out into the middle of nowhere, leaving no record of the life he'd had before. All Harry knows is what the agency gave him: Tomlinson's name, and instructions to figure out what he's doing with the eleven people he brought with him. In the year that Harry spends undercover and under Louis Tomlinson's wing, he learns more than he ever expected.
I Drove All Night (To Get To You) | lovelarry10 | famous/not famous - strangers to lovers - pining - fluff - 23k Harry’s job as a chauffeur for the rich and famous was not as flashy as he’d thought. Late nights having to listen to the ridiculous demands and whims of these high profile clients leaves him disheartened with the world he thought was all glitz and glamour. One night his boss asks him a favour. To collect one last client before he clocks off. Only problem is when that client gets into the car it’s Louis Tomlinson. As in Harry’s all time crush. As in future husband and father of all his children Louis Tomlinson. He can be cool and professional, right?
Live Like You Were Dying | YesIsAWorld | car accidents - love confessions - self discovery - 2k I’m in love with you. The phone fell from his hand, and the world went black.
Calling Clifford | noellehenry | fluff - humor - 10k The summer AU where Clifford has his own peculiar ways of matchmaking.
Home Remedies | kingsofeverything (FullOnLarrie) | friends to lovers - smut - 4k Louis’ hiccups just won’t stop. Harry, his roommate and best friend, is willing to do anything to help.
Traffic Light | dinosaursmate | Traffic Light Party - smut - friends with benefits - 7k Harry, a university student fresh out of a relationship, attends a Traffic Light Party. He knew all about the red, yellow and green cups, but the blue one confuses him. What does DTF mean, anyway?
Down On the Farm | kingsofeverything (FullOnLarrie) | bonfires - farm/ranch - smut - 5k Every Friday night there's a steady cloud of dust That leads back to a field filled with pickup trucks Got old Hank crankin', way up loud Got coolers in the back, tailgates down There's a big fire burnin' but don't be alarmed It's just country boys and girls gettin' down on the farm — “Down On the Farm” by Tim McGraw
Driving On The Wrong Side, Thinking Of You | dinosaursmate | Marcel AU - implied/ referenced homophobia - High School AU - friends to lovers - promiscuity - 25k Louis is the most popular guy in sixth form. Don't get the wrong idea, he's a good guy, and he absolutely won't stand for his friends teasing his neighbour, Marcel.
Restless Lane | jaerie | a/b/o - secret identity - childhood friends - secrets - friends to lovers - angst - 14k Louis had grown used to his boring life back in Mississippi as a stand-in father figure to his siblings. He never expected his childhood friend to show up on his lawn with the heat of summer or that he would remind Louis how much of himself he'd tucked away and neglected. He also never expected to find himself caught up in a tangled web of feelings or secrets that just might break him. Maybe he had never known Harry at all.
Waiting for the tides to meet | nauticalleeds (metamorphosis) | soulmates - pining - miscommunication - angst - fluff - friends to lovers - slow burn - 60k Soulmate AU. Everyone is born with heterochromia — one eye is their own eye colour, while the other is the colour of their soulmate's. It's only when they meet their soulmate for the first time that their own eyes match properly. After a hazy night at a frat party, Louis wakes up to blue eyes and the shocking realization that he had met his soulmate, without any sober recollection. Seven years pass where Louis comes to terms with the fact that he'll never know who his soulmate is. Then one fated summer, a beautiful green-eyed photographer arrives at Louis' workplace, with promises of endless laughter and a familiar feeling in Louis' heart. Featuring a lovely cup of OT5, a road trip down the coast, and a scene where Harry eats a whole head of lettuce. Don't ask why.
If I Stay | Rearviewdreamer | Walk In The Clouds AU - fake/pretend relationship - mpreg - slow burn - 37k Harry and Louis agree to a temporary arrangement that Harry can't seem to walk away from no matter how many times he tries.
Mirror Touch | pinky_heaven19 | Synesthesia - hurt/comfort - fluff - pining - strangers to lovers - 58k The one where Harry owns a second-hand clothing store, and Louis is a radio host. Louis has mirror-touch synesthesia, which makes him experience what people around him feel. He feels a lot around Harry.
In Your Black Heart (Is Where You'll Find Me) | graceling_in_a_suit | a/b/o - omega/omega - pirates - historical - 36k Louis Tomlinson has been lying for five years. His crew sees him as a pirate, a Captain, and an alpha; only two of those are the truth. He was content to let the illusion go on forever, but an omega named Harry Styles just had to join his crew and get his warm-vanilla stink all over Louis' best laid plans. Or: the story of The Captain and The Carpenter.
Supposed to Be | kikikryslee | High School - stereotypes - enemies to friends to lovers - slow burn - hate to love - 26k The Geek Charming AU where Harry's a film geek, Louis' a popular jock, and they both need each other to get what they want.
Meet me where the tulips grow | tempolarriefics | study abroad - fluff - 19k The one where Harry studies abroad and falls in love with both the city of Amsterdam and the boy he explores it with.
When i'm set alight | mixedfandomfics | teacher AU - hate to love - misunderstandings - 14k Louis and Harry hate each other. Always have, always will. No one is quite sure how they will handle it when their favorite students ask them to lead a new LGBT club at their school.
Breathe In, Breathe Out | dinosaursmate | friends to lovers - pining - 12k Louis Tomlinson begins visiting a new pub on his lunch break, mostly because he really fancies Harry, the cute, curly-haired barman. As Louis gears up to ask him out, he doesn't realise that there is a huge stumbling block in his way: Harry is taken, and by someone rather familiar.
I am mad all about you | godslut | med students - coffe shop - 5k Harry is a pre-med student trying to quit coffee. louis pretends to be spider-man to make kids laugh.
Welcome Back From The Friend Zone | 2tiedships2 | a/b/o - friends to lovers - fake/pretend relationship - mutual pining - 32k The one where an idea to create a fake wedding with the sole intent to receive gifts from billionaires took a turn no one, but also everyone, saw coming.
A Life That's Good (series) | lovelarry10 | fluff - kid fic - adoption - light angst - 66k Harry and Louis were married young, but always knew that they wanted a family together. Soon, through adoption, Hope came into their lives, and was later joined by her younger brother Oscar. Join the Tomlinsons on their journey in family life. ① You're My Only Hope Harry and Louis have been hoping to start a family for a while, but it hasn't happened for them just yet. With the surprise arrival of a newborn baby on the doorstep at work, are their family dreams about to become reality? ② Tiny Dancer It's Hope's first ballet recital, and Harry and Louis are more than excited to watch their four year old daughter perform for the first time. ③ Who You Are Things are going wonderfully for Harry and Louis. Their family has never been stronger. When a connection to their son’s past appears out of nowhere, it makes them wonder what lies ahead for the future of their family. ④ We Got Love Harry and Louis thought their family was complete. They were wrong. ⑤ Follow Your Arrow Hope has a crush, but she’s scared to tell her parents, especially Louis. Harry helps her figure out how to break the news to her other dad, who is ultimately nothing but wonderful. ⑥ Summer Love The Tomlinsons are off on a summer holiday before it’s time for everything to change...
Night Changes | colourexplosion | soulmates - supernatural elements - werewolves - light angst - 40k Louis and Harry are soulmates. (With a twist.)
From The Heart | jacaranda_bloom | coffee shop AU - 25k Every Tuesday, Louis spends his day off holed up in his favorite coffee-come-bookshop, writing his little stories as part of the WordPlay challenge while daydreaming about the resident barista, Harry. Each week a new word prompt is revealed and Louis adds to his series of short stories about Henry, the owner of a B&B in the Cotswolds who has curly hair and dimples, Lewis, his long term guest who just happens to be a writer, and Tigger, Henry’s cat. As Louis and Harry’s friendship develops, could his fantasy world spill out into real life? And how does that reader who leaves the lovely comments with the teacup emoji seem to be able to read Louis’ mind? ① Henry and Lewis Louis hangs out in his local coffee shop to work on his weekly WordPlay Prompt, speaks to his beloved muse aka Harry the gorgeous barista, embarrasses himself in front of said muse, and receives a comment on AO3 from his favourite reader. ② Smuturday Louis struggles with this week's WordPlay prompt before finding inspiration, and a date, in an unexpected place, and could there be more going on with his favourite reader than he originally thought. ③ Tea For Two Louis grapples with what to do about his new found suspicions over his favourite readers real-life identity. ④ Life Imitating Art Louis is taken on a very real journey through his fic back catalogue - life has never imitated art so salaciously. ⑤ Entertain Me All good things must come to an end, including the WordPlay challenge. But while Louis has mixed emotions about its end, and struggling to make sense of the final prompt, he is relishing every aspect of his newly revitalised personal life.
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For SNK Positivity Week Day 1 : Character Positivity Day ||
Zeke Jaeger : A Character Sketch
This is going to be a long rant in appreciation of Zeke's amazing character arc. He's not really my favorite character but the reason why I picked him for the character positivity day is because his character is often misunderstood and he gets a lot of unjustified hate. I did that too at one point; tbh I hated him with a passion but I'd grow out of it and even begin to feel for him eventually.
First off, let's run a background check on him. He was obviously neglected as a kid. His eyes speaks volumes here in this panel.
At the age of five, when all a kid looks for is love and care, his parents imposed the responsibility of the whole world on his shoulders. At an age when a child has a hard time spelling correctly, he was expected to infiltrate the government, fight for his brethren, become a double agent and what not. The psychological toll on a child who faces negligence and abuse at home is unimaginable. Paralleling that with stats of recent times, it's seen that bullies often come from abusive families. That's how psychology works. Once you've been victimized, you'll project that on others. That is exactly what happened with Zeke. The reason why he appeared so sadistic was because someone else put through hell before. The reason why he failed to love and empathize was because he himself was denied feelings of warmth and love. A child learns to emulate what he has learned from his parents. Can you really blame him for failing in the beginning?
But then, as the story of his life progressed, a more humane side of his character was developed with the coming of Xaver. Xaver was the first person to show Zeke parental affection. His contribution in shaping up Zeke's fundamental character is noteworthy. Even though he gave Zeke the love that he needed, his influence was not at all something appreciable, something better than before. If Grisha and Dina had wrongly used their son to meet their own selfish needs, Xaver was the shrewder one who showed affection on the surface only to permanently mould Zeke into becoming a pessimistic, merciless individual who had little to no respect for human lives. Zeke already bore the scars of his past; Xaver rather than inspiring him and guiding him decided to gaslight him into somehow believing that his whole life is a mistake and the same goes for all Eldians.
Imagine prevailing upon a teenager, whose personality is just developing, an idea that horrifying. If you sugarcoat the idea of genocide and instill that in a teenager, what do you even expect him to believe in? Drawing from our world, this was a tactic employed largely by Hitler in Germany. The only reason so many young people voluntarily took part in genocide was because they were spoon fed terrible ideas and convinced of false righteousness by their most trusted ones (often members of the family). The people we look up to for guidance are our parents and then comes our instructors. Zeke was unfortunate when it came to both. His instructor was the one who made murderous ideas seem okay to him. He's not at fault; he was only a teenager looking up at an older person for guidance and perspective.
So from there on we see how Zeke actually becomes a double agent serving in the Marleyan army. He has nothing to lose. He wrecks whole towns but deep inside he feels nothing. This lies in direct contrast with Eren who had an upbringing full of love and warmth. Remember how Eren couldn't accept even one soldier's death whatever be the cause? Again, both the character arcs follow the basic lines of human psychology. Environment, circumstances, influence -everything goes in the making of a person. However, this is true only until a certain point. You cannot forever be a product of your surroundings so once pubescence is reached, you're expected to make your own choices. Levi asking Eren to make a choice has a great significance in his life. It makes him responsible for himself. Similarlyen Zeke met Eren, he also made a choice - a choice to love someone. For the first time, he actually learned to love; for the first time he honestly wants someome to believe him and he feels like he understands Eren. Zeke realizes that he shares a common ground with someone and seeks solace in him. He's just a forlorn character seeking love and understanding.
He did love his grandparents before and also loved Xaver, of course, but that was more of being loved and then returning it. When it came to Eren, he made a choice of giving love to his sibling in spite of knowing his true intentions. His victim complex immediately assumed that Eren was also a victim of parental abuse and he chose to take care of him like a big brother. He never once doubted Eren. Even for someone as cold and sadistic as him, even for someone who had just murdered hundreds of SC members without a second thought, love existed; and with this a possibility of redemption; a hope of adopting a new perspective at life - one that is not inspired from hate, abuse, negligence or pessimism. From this point onwards, Zeke's character arc takes an interesting turn.
Ever since he met Eren and got to talk to him, we've seen him trying desperately to protect Eren. He's a product of negligence and he believes Xaver saved him. Therefore, he wants to save someone he loves too. He loves his brother and Eren is the only one who matters to him. He'd go to any extent to protect him. Hence the "Onii-chan is here" in the ending of Chapter 117.
He is adorable and his love for Eren is exemplary sibling love. It can be even compared to the likes of Itachi, Ace, Lelouch and Tanjirou - the famous big brothers in the animanga history. In 118, he knows Colt feels the same way but Xaver took away the feeling of empathy from a young, naive Zeke and so he goes on ahead with the Scream. Is it his fault ? No, not really. He was never accustomed with the meaning of life. He was a child growing up amidst war and devastation who looked up to a wretched cynical figure as his father. How can we expect someone to attach significance to life when all he was made to believe was that he is somehow at fault just for being born?
This directly contrasts how Eren was made to believe that he's special just because he was born in this world. The contrast between the brothers is never so eminent as in here, in this astonishingly different approach towards life.
There is a quote in Banana Fish that goes like: "You cannot be loved unless you love"
Ever since Zeke took it upon himself to save Eren, to shower him with love and affection, he showed us a more humane side of him ; a side I'm sure even he didn't believe he had in him before he came across his brother. He opened a portal to a kinder world when he learned to love. He was a sad, unfortunate creature unloving and unloved for most of his life. But now that he has so much love in his heart, even at the moment of betrayal, he gets to know how being loved feels like.
I cannot even begin to elaborate on the shock and the disillusionment that Zeke had to face when he learned the truth- that Eren was the one who manipulated Grisha and not the other way round. The good thing that came out of this was that Zeke learned that he was genuinely valued by his father and that he trusted him to stop Eren. However, Eren ruins it perfectly when he throws salt on Zeke's open wound.
Of course, years of negligence cannot be forgotten and/ or forgiven at the expense of one tiny moment and Zeke is hesitant to call Grisha 'dad' at times
but at least he knows now that Grisha regrets his wrongs and that he loves him. Isayama had granted Zeke what he was long due, when Grisha confessed to him. Zeke's love for Eren is so pure, so selfless. Even when Eren says he had only used Zeke, even when he is rude and nasty with him, Zeke is convinced that it is all because of Grisha's brainwashing. He is so upset when he learns of Eren's betrayal in this panel.
Of course, Zeke's love for Eren seems to be leading him to nowhere and this is sort of payback for all his crimes but at least, with Chapter 121, it can be said that Zeke Jaeger is no longer a tragic unloved character. He was loved by his father and he more than deserved to know this. His character arc is churned out wonderfully. He began as a villainous character but then Isayama gave us a glimpse of how tragic his story is; from there on Zeke's character evolved and his development reached its peak with his sincere and genuine love for Eren. Gradually his sad arc that made him to be a pitiful unloved creature is resolved with a confession of love from the most desirable person, not to forget that this new found love also came with Grisha's faith that Zeke would be able to stop Eren. He saw how in the impending future Zeke's plan will fail but even so he still has faith that he's going to stop Eren.
-×××-
Wow this became longer than I expected it to be. But I have been getting a lot of feelings for Zeke recently and I felt like I had to highlight him for the character positivity day because he is so misinterpreted in the fandom. I really hope people forgive him because basically nobody is evil by choice, it's the effect arising from cumulative traumatizing experiences as a child.
#snk#zeke jaeger#zeke yeager#snk positivity week 2019#snk meta#snk analysis#snk thoughts#attack on titan#shingeki no kyojin#snk positivity week
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Duke Reviews: The Avengers
Hello, I'm Andrew Leduc And Welcome To Duke Reviews Where We're Covering The Marvel Cinematic Universe...
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And I'm Very Excited For Today's Show As Today We're Talking About The Avengers!
This Film Is The Event All These Films Have Been Working Up To, The Film Sees Nick Fury Recruiting Iron Man, Captain America, Thor And The Hulk To Stop Thor's Brother Loki From Taking Over The World
Will The Avengers Stop Loki Before He Brings His Army To Conquer New York?
Let's Find Out As We Watch The Avengers...
The Movie Starts When A Voice From A Being Known As The Other, Talks About The Tesseract Awakening And How An Ally Of His Along With An Army Of Their Chitauri Is Headed For Earth To Get It As The Humans Don't Know How To Control It's True Power Like The Way The Other's Mysterious Boss Or His Ally Does...
Cutting To A S.H.I.E.L.D. Base In The Middle Of Nowhere That's Been Given An Evacuation Order, Nick Fury And His Second In Command, Maria Hill (Played By Robin From How I Met Your Mother) Arrive By Helicopter To Find Out What Is Going On From Agent Phil Coulson And Dr. Erik Selvig Who Say That The Tesseract Is Misbehaving And Energy Levels Are Climbing...
Talking With Clint Barton (Who's Been Keeping An Eye On Selvig) He Tells Fury That There's Been No Tampering On This End But Remembering That The Tesseract Is A Doorway To The Other End Of Space, Barton Tells Fury That Doors Open From Both Sides...
After That The Tesseract Creates A Portal Into Space Which Brings Loki To Earth...
Firing Blasts At People And Attacking Guards, Loki Takes Control Of Barton Before Talking With Fury Who Is Trying To Take The Tesseract. Telling Fury That He Needs The Tesseract, Fury Stalls Loki As Loki Tells Fury Who He Is And That He Intends To Take Over The World As He Places Selvig Under His Control...
With Barton Explaining Fury's Methods To Loki, Loki Has Hawkeye Shoot Fury So He Can Take The Tesseract. Still Alive After Being Shot, Fury Contacts Maria Hill To Tell Her That Barton Has Been Compromised...
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(Start At 0:19, End At 3:30)
A Few Days Later In Russia, We Catch Up With Natasha Romanoff Who Has Been Captured By Russian Mobsters When She's Contacted By Coulson Who Tells Her That They Need Her...
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(Start At 2:04)
Meanwhile In India, A Little Girl Asks For Bruce Banner (Played Now By Mark Ruffalo) To Help Her Sick Father. Taking Bruce To Him, He Ends Up Being Ditched By By The Kid So Banner Can Talk To Natasha Who Says That S.H.I.E.L.D. Needs Him To Come In To Help Them Trace The Tesseract As It Emits A Low Radiation Gamma Signature, And There's No One Who Knows Gamma Radiation More Than Him...
As Banner Agrees To Come In, Fury Has A Meeting With The World Security Council (Which Features Powers Boothe (Who Would Later Play A Role On Agents Of S.H.I.E.L.D. And Voiced Gorilla Grodd On The Justice League Animated Series) And Jenny Agutter (Who Is Known For Her Role In An American Werewolf In London But Is More Known For Her Role In Logan's Run) ) Who Tell Fury To Get Phase 2 Ready As It Was Made For This Reason...
But Fury Believes That Response Team Would Work Better As Phase 2 Isn't Ready Yet But Reminding Fury That The Avengers Initiative Was Shut Down Because (As The Snooty Morons Put It) "They Don't Want To Leave The Fate Of The Human Race To A Handful Of Freaks!" And That "War Isn't Won By Sentiment"
Well, Then How Did Captain America Beat Hydra, You Asshole!
And Speaking Of Cap, That's Who Fury Goes To See After The Meeting. Giving Cap A File On The Tesseract, Fury Tells Cap About Loki Saying That If He's In There'll Be A Lot That They Have To Bring Him Up To Speed On...
Later That Night, We Catch Up With Iron Man As He Connects A Device To The New York Power Grid That Will Power The New Stark Tower. Coming Into The Tower After Doing That, Tony Spends Time With Pepper Only To Interrupted By Phil Coulson Who Asks Him To Come In Because It's Not About Personality Profiles Anymore And With Both Tony And Pepper Eventually Realizing That Phil Is Serious, Tony Decides To Come In, While Coulson Drops Off Pepper At LaGuardia...
The Next Day, Cap Arrives With Coulson On Board A Quinjet Which Lands On What Looks To Be A Navy Vessel. Once On-Board, Cap Meets Bruce Banner And Natasha Romanoff, Who Tells Cap And Banner That They May Want To Step Inside As It's Gonna Get A Little Hard To Breathe...
With Alarms Going Off We Soon See That It's No Navy Vessel But The Motherfreaking Helicarrier, Baby!...
Once Inside The Main Control Room, Fury Activates The Ship's Stealth Mode, Fury Talks With Banner, Who Tells S.H.I.E.L.D. To Have Their Spectrometers Searching For Gamma Rays While He Goes With Romanoff To S.H.I.E.L.D.'S Lab To Work On A Tracking Algorithm For The Tesseract...
However, While Banner's Doing That, S.H.I.E.L.D. Gets A Lock On Loki Who Is In Stuttgart, Germany Causing Trouble At Some Museum Gala While Barton Steals Some Iridium From Their Storage Rooms For Selvig But As Loki Adresses The People, Telling Them To Kneel Before Him (Which Kind Of Sounds Like Something Another Supervillain Would Say)...
An Old Man Stands Up To Loki...
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(Start At 1:44, End At 3:23)
With Loki On Board The Quinjet, Tony And Steve Talk For A Few Second Before We Hear A Sound Of Thunder...
Which Leads To Thor Bursting In And Taking Loki From The Quinjet With Both Tony And Steve Following Him...
Discovering That Thor Got Here Not By The Bifrost By Odin's Magic, We Get A Tender Moment Between Thor And Loki Where He Tells Him That They Thought He Was Dead And That Despite Loki's True Parentage They're Still Brothers But Loki's Like "Screw You, Bro I'm Tired Of Living In Your Shadow, I'm Gonna Be King Whether It's On Asgard Or Here And I Got Friends Who'll Back Me Up If You Try To Take Me On"...
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(Start At 0:06)
With Loki Locked In A Cell Made For The Hulk Inside Of The Helicarrier, Fury Talks With Loki With Thor, Cap Natasha And Banner Hearing Everything But Not Really Finding Out Anything About Loki's Plan But Yet Somehow Thor Knows It...
Telling Cap, Natasha And Banner That Loki Is Leading An Army Of Chitauri Which Loki Will Use To Conquer Earth In Return For The Tesseract, Knowing That Loki Is Using Selvig To Build A Portal To Their Realm, But Wondering What Loki Needed Iridium For, Stark Bursts In To Tell Them That Loki Needs It For A Stabilizing Agent To Keep The Portal Open...
And With The Rest Of The Materials Coming From Barton, The Only Thing They'll Need Is A Power Source Of High Energy Density To Kickstart The Tesseract
Asking Tony To Help Him In The Lab, Tony And Banner Analyze Loki's Staff But When Tony Zaps Banner With A Small Electric Stick, Steve Enters To Tell Tony To Not Do That In Fear Of Banner Becoming The Hulk...
Telling Tony To Focus On The Problem At Hand, However, Both Tony And Banner Believe That Fury Is Hiding Something Despite Steve Just Seeing This As Loki Winding Them Up And That If They Don't Stay Focused He'll Succeed...
But Thinking That Stark And Banner May Be Right, Steve Goes Off To Investigate...
Back In The Lab, The Science Bros. (As The Fanbase Calls Bruce And Tony) Get To Know Each Other A Little Better. While We Discover Where Natalie Portman Is During This Movie And Romanoff Has A Word With Loki That Leads To Exposition About Her Relationship With Barton And Leads To Her Discovering Loki's Plan To Use The Hulk As A Distraction While He Escapes...
Talking With Banner And Tony About Why They Haven't Found The Tesseract Yet, But With The Signuture Sweeping Now, It's Just Going To Take Time...
After Having Jarvis Scan S.H.I.E.L.D.'S Computers, Tony Asks Fury What Phase 2 Is, Which Leads To Cap Telling Them That Phase 2 Is S.H.I.E.L.D. Using The Tesseract To Make Weapons Like Hydra Did (Which Cap Discovered In A Box That Was In The Underbelly Of The Helicarrier)...
With Banner Wondering Why As Thor And Natasha Enter The Room..
And Because It's Mark Ruffalo And He Just Had To Throw In A Little Bit Of His Activisim Into Bruce Banner By Talking About Weapons Of Mass Destruction...
Fury Explains That It's Because Of The Destroyer Attack In New Mexico As It Showed Not Only That They Are Not Alone In This Universe But Also That They Are Hopelessly Outgunned, And Despite Thor's People Not Being A Threat, The World's Filling Up With People Who Can't Be Matched Or Controlled...
And From There It's Argument To Argument Mainly From Steve And Tony Which Isn't What I Wanted To See From Them In This Movie...
Of All The People Who Should Be Happy To See Steve, I Expected It To Be Tony As After Learning Alot About His Father In The Last Iron Man Movie He Most Likely Would Have A Lot Of Questions About Him To Ask Steve, Like What Was My Father Like Back Then? Was He More Like Me Than I Believed He Was? And As We Saw In One Scene In First Avenger Him And Tony Were Definitely Alike In A Similar Fashion And It Pissed Me Off That We Never Got That But A Fight Over Who's Ego Is Bigger? Tony Or Steve? Instead Which I Would Have Prefered To See In A Sequel Rather Than This...
Eventually, Barton And A Bunch Of Brainwashed S.H.I.E.L.D. Agents On Board A Quinjet Prepare To Land On The Helicarrier But Before They Do, Barton Takes Out A Helicarrier Engine With An Explosive Arrow Which Tells Both Tony And Steve To Shut Up And Suit Up...
After Suiting Up, Tony And Steve Fix The Damage To The Engines While On A Lower Floor, Banner Is Transforming Into The Hulk Despite Natasha Trying To Calm Him Down, And From There It Quickly Becomes A Game Of Temple Run Until Thor Shows Up...
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Managing To Escape His Rapidly Falling Cell, Thor Crashes On The Ground While Coulson Says "Screw You For Killing Me, Loki" By Firing The Destroyer Gun At Him...
Meanwhile, Steve Flips The Switch That Fixes The Engines So Tony Can Finish Off What's Left Of Loki's Brainwashed S.H.I.E.L.D. Agents As Loki Gets Away..
Arriving To Get Coulson, Fury Stays With His Friend Until He Dies. Sending Coulson's Body To A Magical Place Called T.A.H.I.T.I., Fury Reunites With Steve And Tony On The Bridge Where He Tells Them That They Were Going To Make An Arsenal With The Tesseract Before About What The Avenger Initiative Was And How Much Coulson Believed In It...
Meanwhile, Thor Goes To Get His Hammer While The Hulk Transforms Back Into Banner (Who Is Completely Naked) Only To Be Confronted By A Janitor (Played By Harry Dean Stanton)..
Back On The Helicarrier, Natasha Manages To Snap Barton Out Of Loki's Control So He Can Tell Nat That Loki Is Making His Move Today While On The Lower Level, Where Loki Was Jailed, Steve And Tony Talk Only For Tony To Realize Where Loki Will Be...
Telling Barton And Romanoff To Suit Up, It Leads To A Montage Of Stark Buffing The Damage Out Of His Suit So He Can Wear It, Thor Grabbing Mijonir So He Can Suit Up And Cap, Hawkeye And Black Widow Going To Steal A Quinjet So They All Can Go Fight Loki...
Heading To Stark Tower, Tony Fires Back At Selvig's Machine Only For The Machine To Fire Back So, Deciding To Take Route 2, Tony Decides To Distract Loki Until His Friends Get Here...
But Tired Of Tony's Talk, Loki Throws Him Out Of A Window Only For The New Mark 7 Suit To Launch, But While Firing A Blast At Loki, A Portal In The Sky Starts To Form...
To Which The Cliche Haters Can Kiss My Ass On!
And Chitauri Start Coming Through To Attack Earth...
Iron Man Deals With Some Of The Chitauri Coming Through The Portal While Thor Fights Loki At Stark Tower And Quinjet With Steve, Natasha And Barton Deal With More Of The Arriving Chitauri Until They're Shot Down Where Cap's Team Is Forced To Fight Them On The Ground With Thor (After Loki Escapes On One Of The Chitauri Ships)...
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Overriding Fury's Orders, The Council Of Morons (As I'm Calling Them) Send Out A Jet With A Nuke To Blow Up All Of New York, Fury Attempts To Stop The Jet With An RPG But They Just Send Another One....
BASTARDS!
Contacting Tony, He Manages To Grab The Nuke So He Can Send It Through The Wormhole To Not Only Destroy The Chitauri Control Ship But Also Shuts Down Tony's Arc Reactor...
With Natasha Closing The Portal, Tony Manages To Fall Through Just As It Closes Only To Be Caught By The Hulk Who Saves His Life On Both Occasions, I Guess? And They Go Up To What Remains Of Stark Tower To Arrest Loki...
In The Aftermath Of The Fight With The Chitauri We See News Reports From All Over The World Including One With Stan Lee...
Stan Lee Cameo!
And Chrissy Seaver From Growing Pains, Who's Obviously A Waitress Now As The Council Of Near Murderers Asks Where The Avengers Are But With Fury Not Telling As We See Them All Go Their Separate Ways With Thor Returning To Asgard With Loki And The Tesseract, Iron Man Taking Hulk Into His Next Movie With Him, Steve Riding Off To See How Much The World Has Changed And Natasha And Barton Going Onto Their Next Mission....
Believing That Fury Has No Clue What He's Unleashed Onto The World With The Council Believing That The Avengers Are Dangerous But Fury Assures The Council That Not Only Does He Know But Every World Knows What He's Unleashed. Wondering If All Of This Was Just To Make A Damn Statement, Fury Just Says That It Wasn't To Make A Statement But A Promise...
With Hill Wondering How It'll Work Now As The Avengers Have Gone Their Separate Ways And If They Fall Into A Situation Like This Again What'll Happen? However Fury Just Tells Hill That They'll Come Back Because They'll Need Them To...
Cutting Back To Stark Tower With Tony And Pepper As They Decide To Remodel It Into A New Headquarters For The Avengers...
As The Credits Roll, We Get A Mid Credits Scene With The Other Telling His Master That He Cannot Attempt To Rule The Humans And To Attack Them Will Just Lead To His Demise And Then We See The Other's Boss Stand As We See That It's Thanos Who Is Like, Bitch, Please!
We Also Get An End Credits Scene With The Avengers Just Getting Schwarma...
Oh, I Mean...
And That's The Avengers And It's A Great Movie!
The Story Is Great, The Characters Are Great, Loki's A Fantastic Villain, I Love Captain America's Costume As It Actually Looks Like The Captain America Costume From The Comics. The Fight Scenes Are Great, The Directing By Joss Whedon Is Fantastic And I Can't Say This Enough See It!
Till Next Time, This Is Duke, Signing Off...
#the avengers#robert downey jr#chris evans#chris hemsworth#mark ruffalo#Scarlett Johannson#jeremy renner#samuel l jackson#colbie smulders#clark gregg#gwyneth paltrow#marvels the avengers#iron man#Thor#The Hulk#captain america#marvel#marvel cinematic universe
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Canonverse AU Metas
(Warning: long post)
The counterpart to my last post about Mac Ever After, these are the two main metas of how Brady might join the canonverse. They're mostly the same story with minor differences between them (and one is written way more angstily than the other) but I'm including both for the sake of completeness. Also bonus Macdalton incorrect quote at the end.
Also here have a Lily Story Mac and Jack to match Brady.
Version 1:
Canon based Macgyver au idea; or, how to bring Brady into the canonverse and a proposed ending to the show itself:
Basically Nikki somehow ends up dead, for realsies this time. This obviously sucks and is super depressing for everyone, but more pressing at the moment is that she apparently had a kid, a son named Brayden (nicknamed Brady). And to Mac's utter confusion, HE is listed as Brady's godfather/next of kin in case anything should happen to her. This confusion is cleared up pretty abruptly when Brady shows up at the Phoenix with Mac's blue eyes, Nikki's hair and nose and a penchant for taking things apart to look at them (aka there's less "godfather" to his role and more just. Straight father). They bond and Mac sets to work caring for his kid, with the assistance of the Phoenix team (Jack is a remarkably adept babysitter... When Brady decides not to escape. Luckily Mac is an escape Master and always knows how and when the kid gets out). Eventually though Mac realizes that juggling Phoenix and Brady... Isn't going to work. He has to pick one of the other, and he knows in his heart that the choice will always be Brady. He tries to announce this to the rest of the team only to find that they'd already realized that this couldn't go on forever and that he'd always choose his son first, and reveal that they all have contingency plans for when he decides to leave. Riley is going to stay with the Phoenix, working with the other computer nerds almost exclusively and helping Leanna with her missions. Bozer is going back into movie making, still dating Leanna and always leaving his door open if the Phoenix needs any prosthetics (he and Leanna get Mac's house). Matty is staying as Director of course, and working on putting together another flagship team (not as good as theirs, but still plenty competent). And Jack? Well, Jack figures now is as good a time as any to retire completely from this life. His new home? Wherever Mac decides to go with Brady, whether that's still LA, Mission City, Boston, etc. Where Mac goes, he's sure to follow. It's at this point that Mac, somewhat sheepishly and probably a little tearfully, admits that he wants to raise Brady on the Dalton Ranch.
And that's how Bozer becomes a well-known effects man with a secret agent wife, Riley becomes the lead hacker at Phoenix, Matty eventually becomes Oversight, and Mac and Jack raise a kid in Texas.
Bonus:
Jack: *steps out of a yellow taxi, Mac by his side, little Brady hidden behind them, to see Mama Dalton waiting for them*
Jack: Mama!
Mama Dalton: Jack Jr! You finally come to your senses and decide you better come home and give me grandchildren?
Jack: *sheepishly* Well Mama, about that...
*Both men step aside to reveal Brady, who shyly hugs his Dad's leg*
Mac: Mama, this is Brayden Macgyver.... My son.
Mama Dalton: *coos over the little boy* Well hello there Brayden, I'm Mary Dalton, and I'm Jack's mama. You can call me Me-ma if you'd like though...
Version 2:
The Canonverse + Brady au:
Ok so basically Nikki got pregnant after that last night with Mac before they busted Thornton, but she didn't tell him because she knew he'd drop everything for the kid and she wanted him to continue his work at Phoenix. She raises Brady on her own for a few years, possibly still with the CIA but maybe not in the field as much, but something goes wrong and she's killed when Brady's 5 (because parallels). Mac and Jack are informed by Matty (because Mac hasn't been in contact with Nikki in years) and Matty has to break the news that Nikki had a son and that she's named Mac the father (possibly using pictures of Brady that Jack sees and immediately recognizes as being spitting images of Mac as a young boy). Brady's brought to Mac at the Phoenix and Mac just kinda,,, breaks? Because Brady asks if he's his Daddy and reveals that Nikki had told him about Mac, shown him pictures, but told him that while Mac loved him he wouldn't get to see him unless she had to leave, and well... It's just a super emotional moment and leads to Mac embracing his son for the first time and promising fervently that he'd never, EVER let him go. It's at this moment that everyone knows that this is the end of the team, cause there's no way in hell Mac's gonna keep putting his life at risk when he's got Brady.
("Why didn't she tell me?!?!" "Because she knew the same thing I know, hoss: as soon as you found out about this kid you'd have quit the team for him." "*Spluttering* I wouldn't-" "Angus, look me in the eyes and tell me truthfully that had you found out Nikki was pregnant that you wouldn't have dropped everything for her and the kid." "....*silence*" "That's what I thought. And that's why she loved you, that's why I love you now, but she and I both know that the world has needed you these past few years, Mac. Now though... Now the world could live without you, if it needed to.")
At some point James sees this and finally realizes that he fucked up, has a bit of a breakdown and Jack talks to him.
("My pop always told me that it's never too late to say you're sorry and mean it. But another wise man once told me that sorry doesn't fix everything, it just starts the conversation. And right now that man needs all the help he can get, especially from a dad who knows how 5-year-old Macgyvers work; I only know how 12-year-old Riley's work, man, I'm not gonna be much help here.")
(This is a lie, Jack is plenty of help, especially when Mac says he wants to retire to the Dalton Ranch, and even more especially when Brady stops calling him Jack and starts calling him Papa. Mama Dalton is Mema from the get go and welcomes the kid with open arms.)
And that's how Mac and Jack retire to the ranch, probably James in tow, with the rest of the crew visiting frequently. Eventually Riley sets up shop in the area (possibly with Billy because him cheating seemed really out of character), and Bozer becomes famous as a filmmaker and sets up his own Skywalker Ranch on some annexed land. Matty visits on occasion, more often when she finally retires. Mac goes on maybe one more mission (like, a world-is-literally-ending-and-ONLY-mac-can-stop-it type of mission) and everyone else helps from the Ranch/takes care of Brady so he can come back to his kid without worrying. Not sure what to do about Murdoc, maybe he stays locked up, maybe he dies (though that would kinda suck for Cassian, maybe he dies and they adopt Cassian too? Ooooo that could be good actually). Later on they might also adopt a little girl, maybe one of Brady's classmates who lost her family and has nowhere else to go (two soldiers with abandonment issues know how THAT feels and could deal with nightmares that she'd have after the trauma). And they just. Create their own happy little life on the Ranch. And it's nice. James learns how to be a proper parent and grandparent, possibly with some help from Mama Dalton. Mac and Jack get married sometime after Brady starts calling Jack Papa (he asked at one point if Mac and Jack were dating, and if so why Jack wasn't Papa or Dad too, which led to a conversation about it and Jack's official elevation to Papa status). Brady was the flower boy and ring bearer combined. All of Jack's Deltas came and adopted Brady on sight. In general everything is beautiful and nothing hurts.
Bonus quote:
Snippet from canonverse:
Mac: *is about to get hella shot*
Jack: *shows up out of the blue right on time* hey babe sorry I'm late *shoots down two goons* traffic was a bitch man you know how it is *shoots three more goons*
Mac: .....I love you,,, so much
#macgyver#macdalton#long post#angus macgyver#jack dalton#myposts#oc: bradan mac cumhaill#oc: brayden macgyver#au: canonverse#au: canon + brady#headcanons and metas#metas
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Spam
A sleek British sports car talks directly to us in a pixilated, garbled video. He's OUT OF BREATH. Crates are visible behind him. We're in the shadowy bowels of a steel room. LELAND TURBO This is Agent Leland Turbo. I have a flash transmission for Agent Finn McMissile. SUPERIMPOSE OVER BLACK: WALT DISNEY PICTURES PRESENTS LELAND TURBO Finn. My cover's been compromised. Everything's gone pear-shaped. SUPERIMPOSE OVER BLACK: A PIXAR ANIMATION STUDIOS FILM LELAND TURBO You won't believe what I've found out here. He angles our camera view, reveals a PORTHOLE through which we can see flames rising in the distance. LELAND TURBO This is bigger than anything we've ever seen. And no one even knows it exists. Finn, I need backup. But don't call the cavalry - it could blow the operation. And be careful. It's not safe out here! ANGRY VOICES O.S. Time for Turbo to go. LELAND TURBO Transmitting my grids now. Good luck! Coordinates appear: 40 6.80' N - 172 23.84' W TITLE CARD: CARS 2 EXT. SOMEWHERE IN THE NORTH PACIFIC - NIGHT A TINY CRAB BOAT (CRABBY) crests over massive swells. CRABBY Alright buddy, we're here. Right where you paid me to bring you. Question is, why? A metallic blue sports car, circa the `60s, emerges from the 2. shadows. Cagey, smooth, he'd turn heads driving through any intersection in the world. Meet FINN MCMISSILE. FINN I'm looking for a car. CRABBY A car? Hey pal, you can't get any further away from land than out here. FINN Exactly where I want to be. CRABBY Well I got news for you, buddy. There's nobody out here but us. Suddenly, a HORN -- a COMBAT SHIP, the size of most cruise ships. FINN quickly backs into the shadows, out of sight. COMBAT SHIP What are you doing out here? CRABBY What does it look like, genius? I'm crabbing! COMBAT SHIP Well turn around and go back where you came from. CRABBY Yeah? And who's gonna make me? A laser sight hits Crabby between the eyes. CRABBY Alright, alright! Don't get your prop in a twist. (as he turns to leave) What a jerk. Sorry, buddy. Looks like it's the end of the line. Buddy? ON CRABBY'S DECK: Finn is gone. CUT TO: FINN - He HANGS off the side of COMBAT SHIP, clandestine. We're with Finn as the ship continues on, cuts through the darkness with purpose. Suddenly small flames appear, perhaps a knot or so away. Then WHOOSH!!! A flame rises above Finn, the ship. It illuminates an OIL DERRICK. 3. THWAP! Finn fires a GRAPPLING HOOK to the derrick and SWINGS toward it. He's going to SLAM into the side with brute force WHEN --- --- HIS TIRES sprout a magnetic exoskeleton. He STICKS to the derrick and now DRIVES VERTICALLY UP UP UP... From this vantage point, hundreds of derricks appear. EXT. PLATFORM - OIL DERRICK - MOMENTS LATER Finn approaches a loading bay from above, hides. He watches as GREMLINS, PACERS and assorted other cars scurry about. FINN (INTO RADIO) Leland Turbo, this is Finn McMissile. I'm at the rally point. Over. No response. FINN (INTO RADIO) Leland, it's Finn. Please respond. Over. AN ACCESS DOOR OPENS LOUDLY below. A boxy, monacle-wearing German car enters. This is PROFESSOR OTTO ZUNDAPP. PROFESSOR ZUNDAPP (in German and English) Too many cars here. Out of my way! FINN Professor Zundapp? PACER (O.S.) Here it is, Professor. Zundapp approaches a NOSY PACER who idles next to a CRATE. NOSY PACER You wanted to see this before we load it? PROFESSOR ZUNDAPP Ah, yes. Very carefully... A forklift opens the crate -- inside is a TV CAMERA, packed carefully in foam. Finn SNAPS PHOTOS FURIOUSLY. NOSY PACER Oh. A TV camera. What does it actually do? 4. PROFESSOR ZUNDAPP This camera is extremely dangerous. FINN (TO HIMSELF) What are you up to now, Professor? Finn, angling for a better view, FIRES SUSPENSION WIRES --- --- which sail clear to the other side of the derrick --- --- THOK! They hook tightly onto a steel girder. Finn slides out ONTO THE WIRE like an acrobat, then expels another cross-wire for support. PROFESSOR ZUNDAPP This is valuable equipment. Make sure it is properly secured for the voyage. NOSY PACER You got it. Finn LOWERS HIMSELF. He snaps more pictures. GREM (O.S.) Hey, Professor Z! Zundapp turns as a CRANE LOWERS A CAR-SIZED CRATE. GREM and ACER, an orange Gremlin and a green Pacer, flank it. GREM This is one of those British spies we told you about. ACER Yeah. This one we caught sticking his bumper where it didn't belong. Finn PRODUCES SEMI-AUTOMATIC GUNS from his side, readies himself for a tag-team spy fight with his buddy Leland. PROFESSOR ZUNDAPP Agent Leland Turbo. The crate is lifted, revealing a CRUSHED, CUBED Leland Turbo. Finn's eyes go wide. Suddenly --- WHOOOSHHH! Another derrick flame rises behind him, casts a Finn-shaped SHADOW over the Professor. He looks up. 5. PROFESSOR ZUNDAPP It's Finn McMissile! He's seen the camera! Kill him!! Finn UNLOADS with bullets as he starts to retreat --- He STOPS: BAD GUY CARS are waiting for him on the catwalk where he just came from - BLOWTORCHES ready. Finn, stuck in midair, notices an angry CRANE. Finn GRINS, having just found his escape. THWAPTHWAPTHWAP!!! Finn releases three of his four cables, swinging, Indiana Jones-style on the last one TOWARD THE CRANE --- --- where he lands on its BOOM, drives UP and LAUNCHES OFF IT where he LANDS - MOVING - onto another deck! Finn now DRIVES, spraying oil and screeching around corners. A GREMLIN in pursuit hits the oil patch, loses control --- --- and PLUMMETS OFF the side of the rig! The Gremlin FALLS... it's like an eternity... He smashes into the water and breaks into a million pieces. ON FINN - Now set upon by 20 or 30 MORE pursuing cars. He has nowhere to go but UP UP UP a ramp toward the helipad. He spies some GASOLINE BARRELS, fires a SINGLE BULLET which cuts through its leather straps, sending barrels DOWN the ramp, PAST FINN --- --- PAST the pursuing CARS --- --- to the bottom where they EXPLODE in a CHAIN REACTION back UP THE RAMP, taking out at least 15 CARS! ON THE HELIPAD - Finn blasts into view, pulls to a stop. No more road. Nowhere else to go. The 20 BAD GUY CARS that are still in pursuit surround him, fire up their blowtorches. About to pounce. Finn GRINS. The second time we've seen this grin. It means he's got something cooking. Finn's REVERSE LIGHTS appear. He DRIVES BACKWARD off the edge of the helipad to the SHOCK of the other cars. Finn falls. He turns himself so he's grill first, cleanly cutting into the water. 6. He EMERGES, now sprouting HYDROFOIL and speeds away. GREM (NONPLUSSED) Get to the boats. THE BOATS - an army of combat ships quickly DROP into the sea and CHURN WATER with unprecedented fury as they quickly make up the distance between them and Finn, FIRING BULLETS as they do so. ACER He's getting away! COMBAT SHIP Not for long. The LEAD COMBAT SHIP quietly drops a TORPEDO into the water. It skips along, connecting with Finn in his rear and EXPLODING with such force that water skyrockets into the night clouds. UNDERWATER - McMissile SINKS. Then, he blinks. He GRINS. We're starting to like this grin and what follows it. He now CONVERTS into a submarine. From his trunk he releases four DECOY tires which float to the surface like body parts. ON THE DERRICK - Professor Zundapp watches it all from far away. GREM (OVER RADIO) He's dead, Professor. PROFESSOR ZUNDAPP Wunderbar. With Finn McMissile gone, who can stop us now? EXT. RADIATOR SPRINGS - DAY TOW MATER, a rusty tow truck, putters into view. MATER Mater. Tow Mater, that's who... is here to help you! He approaches a broken-down sedan on the side of the road. He drives around to the front, catching OTIS' face for the first time. MATER Hey, Otis! 7. OTIS Hey, Mater. Gosh, I'm so sorry. I thought I could make it this time, but... (he tries to start his engine, stalls) Smooth like pudding, huh? Ah, who am I kidding? I'll always be a lemon. Mater hooks his friend and starts towing him. MATER Well dadgum, you're leaking oil again. Must be your gaskets. Hey, look on the bright side: This is your tenth tow this month, so that means it's on the house. OTIS You're the only one that's nice to lemons like me, Mater. MATER Don't sweat it. These things happen to everybody, Otis. OTIS But you never leak oil. MATER Yeah, but I ain't perfect. Don't tell nobody, but I think my rust is starting to show through. Mater and Otis drive past THE RADIATOR SPRINGS WELCOME SIGN. It has been amended to say: "Home of Lightning McQueen." OTIS Hey, is Lightning McQueen back yet? MATER Not yet. OTIS He must be crazy-excited about winning his fourth Piston Cup. Four! Wow! 8. MATER Yeah, we're so dadgum proud of him. But I sure wish he'd hurry up and get back `cause we got a whole summer's worth of best friend fun to make up for. Just me and -- Ahead of them, a half-mile off, a RED RACE CAR is visible. MATER --- McQueen! Mater FLOORS IT, dragging poor Otis behind him. OTIS Uh, Mater? I'm in no hurry. You don't need to go so fast! Boom! They hit a bump. Otis catches air. EXT. RADIATOR SPRINGS - DAY Lightning McQueen is surrounded by his hometown friends. LUIGI Oh, Lightning. Welcome home. FLO Good to have you back, honey. FILLMORE Congratulations, man. SARGE Welcome home, soldier. SHERIFF The place wasn't the same without you, son. LIZZIE What? Did he go somewhere? MCQUEEN It's good to be home, everybody. MATER (O.S.) McQueen! They all turn around, see Mater speeding into town, with Otis swerving behind him. MCQUEEN Mater! 9. MATER McQueen! Mater skids into main street and in one swift motion, slingshots Otis forward --- OTIS Woaahhhhh! --- right through Ramone's front door --- INT. RAMONE'S - CONTINUOUS --- where he lands perfectly on the hydraulic lift. Ramone lifts him up, routine. RAMONE Hey. How far'd you make it this time, Otis? OTIS Halfway to the county line. RAMONE Not bad, man. OTIS I know, I can't believe it either! EXT. RADIATOR SPRINGS - CONTINUOUS MATER McQueen, welcome back! MCQUEEN Mater, it's so good to see you. MATER You too, buddy. Mater and McQueen do an ELABORATE TIRE BUMP (fist bump style). MATER Oh, man. You ain't gonna believe the things I got planned for us. Everyone watches as the tire bump continues. MACK (to Lizzie, an aside) These best friend greetings get longer every year. 10. MATER (TO MCQUEEN) You ready to have some serious fun? MCQUEEN Well, actually I've got something to show you first. INT. RADIATOR SPRINGS MUSEUM - DAY CLOSE ON THE PISTON CUP. It has now changed, been adorned with a small likeness of Doc. It says "Hudson Hornet Piston Cup." MATER Wow. I can't believe they renamed the Piston Cup after our very own Doc Hudson. McQueen and Mater are alone, the museum closed to the public. McQueen approaches a "Hudson Hornet" wall with Doc's three Piston cups, framed articles, other racing ephemera. MCQUEEN I know Doc said these things were just old cups, but to have someone else win it just didn't feel right, you know? MATER Well, Doc would've been real proud of you. That's for sure. McQueen takes this in. EXT. RADIATOR SPRINGS - LATER McQueen and Mater exit the Doc Hudson Museum. MCQUEEN Alright, pal. I've been waiting all summer for this. What've you got planned? MATER You sure you can handle it? MCQUEEN Come on, you know who you're talking to? This is Lightning McQueen. I can handle anything. 11. EXT. RADIATOR SPRINGS - DAY Mater and McQueen roll on an old train track, their tires off. They're on their rims. MCQUEEN Uh.... Mater?! MATER Just remember, your brakes ain't gonna work on these! As they head INTO A DARK TUNNEL --- MCQUEEN (O.S.) Mater! MATER (O.S.) Relax, these train tracks ain't been used in years! From inside the tunnel a loud TRAIN HORN. The two friends emerge, going as fast as they can on train tracks, uphill, with no tires. MCQUEEN Come on, come on! Faster, faster! Moments later a harmless GALLOPING GOOSE appears, oversized horn visible, cackling and laughing at his prank. EXT. FIELD - OUTSIDE RADIATOR SPRINGS - LATER An ENORMOUS EARTH MOVER sleeps. McQueen and Mater sneak up. MATER This is gonna be good! They blow their horns and he TIPS OVER, tractor-tipping style. They LAUGH at the gag, but soon realize the earth mover's GIANT EXHAUST PIPE is directly above them. MATER Uh-oh. This ain't gonna be good. The exhaust pipe BELCHES. McQueen and Mater are BLASTED out of view. INT. RADIATOR SPRINGS - DUSK The sun sets. McQueen and Mater roll into town. McQueen looks exhausted. Mater is still full of energy. 12. MATER Boy, this was the best day ever! And my favorite souvenir? Mater proudly shows off a dent. MATER This new dent! MCQUEEN Boy, Mater. Today was, uh... MATER Shoot, that was nothing. Wait til you see what I got planned for tonight. MCQUEEN Mater, Mater. Whoa. I was kind of thinking of just a quiet dinner. MATER That's exactly what I was thinking. MCQUEEN No, I... I meant with Sally, Mater. MATER Even better! You, me and Miss Sally going out for supper. McQueen pulls around in front of Mater, stops. MCQUEEN Mater, I meant it would be just me and Sally. MATER Oh. MCQUEEN It's just for tonight. We'll do whatever you want tomorrow. MATER (DISAPPOINTED) Okay. MCQUEEN Thanks for understanding. MATER Yeah, sure. Y'all go on and have fun now. 13. MCQUEEN Alright, then. See ya soon, amigo! McQueen drives off. Mater watches him go. EXT. THE WHEEL WELL - NIGHT It's been converted into a white-tablecloth restaurant, with cars dining al fresco and a hopping gastropub inside. MCQUEEN AND SALLY have a prime table with a view of Radiator Springs and the starry night sky. SALLY This is so nice. MCQUEEN I can't tell you how good it is to be here alone. Just the two of us. Finally, you and me --- MATER (O.S.) Good evening. Mater is at their table, dressed as a waiter. MATER My name is Mater and I'll be your waiter. (TO HIMSELF) Mater the waiter. That's funny right there. MCQUEEN Mater, you work here? MATER Well yeah I work here. What'd you think, I just snuck in here when nobody was looking and pretended to be your waiter, just so I could hang out with you? McQueen and Sally exchange a look. MCQUEEN Oh, yeah. How ridiculous would that be? MATER Now, can I start you two lovebirds off with a couple drinks? 14. MCQUEEN Yes. I'll have my usual. SALLY You know what? I'm going to have that too. Mater blinks. MATER Uh, right. Your usual. CUT TO: INSIDE AT THE BAR - Fillmore and Sarge watch as Guido mixes drinks, ala "Cocktail." Mater arrives. MATER Guido! What's McQueen's usual? GUIDO (in Italian, subtitled) How should I know? MATER Perfect! Give me two of `em. SARGE Quiet! My program's on. MEL DORADO (O.S.) Tonight on "The Mel Dorado Show"! ON THE BAR TV - "THE MEL DORADO SHOW," a cable talk show, begins with file footage of MILES AXLEROD, a sleek SUV. MEL DORADO (ON TV) His story gripped the world! Oil billionaire Miles Axlerod, in an attempt to become the first car to circumnavigate the globe without GPS, ironically ran out of gas and found himself trapped in the wild! We see images of newspaper headlines, search crews. MEL DORADO (ON TV) Feared dead, he emerged 36 days later, running on a fuel he'd distilled himself from the natural elements! Since then he's sold his oil fortune, converted himself from a gas-guzzler into an electric car, and has devoted his life to finding a renewable, clean-burning fuel! 15. Images of oil derricks torn down; Miles Axlerod getting converted to electric; lab scientists testing chemicals. MEL DORADO (ON TV) Now he claims to have done it with his Allinol. Images of fields, rivers, vegetables, and mountains all combining to form the Allinol logo. MEL DORADO (ON TV) And to show the world what his new superfuel can do, he's created a racing competition like no other, inviting the greatest champions from around the globe to battle in the first ever World Grand Prix. Welcome Sir Miles Axlerod. SIR MILES AXLEROD arrives, parks across from Mel's desk. MILES AXLEROD (ON TV) Thank you, Mel. It is very good to be here. Now listen to me: Big Oil. It costs a fortune. Pollution is getting worse. I mean, come on. It's a fossil fuel. Fossil. As in dead dinosaurs. And we all know what happened to them. Alternative energy is the future. Trust me, Mel, after seeing Allinol in action at the World Grand Prix, nobody will ever go back to gasoline again. MATER (TO FILLMORE) What happened to the dinosaurs, now? MEL DORADO (ON TV) And on satellite, a World Grand Prix competitor and one of the fastest cars in the world, Francesco Bernoulli. Across the screen: LIVE FROM ROME, ITALY. We meet Formula race car FRANCESCO BERNOULLI. FRANCESCO (ON TV) It is an honor, Signore Dorado. For you. 16. MEL DORADO (ON TV) Miles, why not invite Lightning McQueen? Mater, collecting his drinks, looks up, half-intrigued. MILES AXLEROD (ON TV) Of course we invited him. But apparently after a very long racing season he is taking some time off to rest. FRANCESCO (ON TV) Lightning McQueen would not have a chance against Francesco! Mater doesn't like this. FRANCESCO (ON TV) I can go over 300 kilometers an hour! In miles that is like, uh... way faster than McQueen. MEL DORADO (ON TV) Let's go to the phones. Baltimore, Maryland, you're on the air. CALLER (ON TV) Am I on? Hello? MEL DORADO (ON TV) You're on. Go ahead. CALLER (ON TV) Hello? MEL DORADO (ON TV) Go ahead, caller. Dial tone. MEL DORADO (ON TV) Let's go to Radiator Springs. You're on, caller. MATER'S VOICE (ON TV) Yeah, that Italian feller you got on there can't talk that way about Lightning McQueen. He's the bestest race car in the whole wide world. Fillmore and Sarge look around. Mater is visible in the back of the bar on an office phone. 17. SARGE Uh-oh... FRANCESCO (ON TV) If he is, how you say "the bestest race car," then why must he rest, eh? MATER'S VOICE (ON TV) Cause he knows what's important. Every now and then he prefers just to slow down, enjoy life. FRANCESCO (ON TV) Ah, you heard it! Lightning McQueen prefers to be slow! Of course, this is not news to Francesco. When I want to go to sleep I watch one of his races. After two laps I am out cold. Audible RXNS from the bar. A crowd has been forming ever since Mater started talking. MATER'S VOICE (ON TV) That ain't what I meant. CUT TO: MCQUEEN AND SALLY - They hear the commotion inside. MCQUEEN Hey, what's going on over there? CUT BACK TO: THE BAR - Sally and McQueen push through the crowd, see that they're watching Francesco on the television. MCQUEEN (TO SALLY) Oh, it's that Italian Formula car. His name is --- SALLY Francesco Bernoulli. No wonder there's a crowd. When Sally says his name, she enunciates each part, as if Italian were her mother's tongue. MCQUEEN Wait, why do you know his name? And don't say it like that. It's three syllables, not ten. 18. SALLY What? He's nice to look at. You know, open-wheeled and all. MCQUEEN What's wrong with fenders? I thought you like my fenders. MATER'S VOICE (ON TV) Well let me tell you something else there, Mr. San Francisco --- MCQUEEN Mater? MATER'S VOICE (ON TV) McQueen could drive circles around you. FRANCESCO (ON TV) Driving in circles is all he can do, no? MATER'S VOICE (ON TV) No! I mean yes. I mean he could beat you anywhere, anytime, any track. On McQueen - he looks at Guido who gives a nod over to --- --- Mater, turned away from the crowd, still on the phone. FRANCESCO (ON TV) Mel, can we move on? Francesco needs a caller who can provide a little more intellectual stimulation. Like a dump truck. ON MCQUEEN. He doesn't like this at all. MATER Ha ha! That shows what you know. Dump trucks is dumb. Suddenly, Mater is YANKED from the booth and replaced by McQueen. MCQUEEN (INTO PHONE) Yeah, hi, this is Lightning McQueen. Look, I don't appreciate my best friend being insulted like that. 19. FRANCESCO (ON TV) McQueen! That was your best friend? This is the difference between you and Francesco. Francesco knows how good he is. He does not need to surround himself with tow trucks to prove it. MCQUEEN Those are strong words from a car that is so fragile. FRANCESCO (ON TV) Fragilé!? He calls Francesco fragilé? Not so fast, McQueen! MCQUEEN "Not so fast." What is that, your new motto? Francesco goes ballistic in Italian. They cut his mic. MILES AXLEROD (ON TV) Well, this sounds like something that needs to be settled on the race course. What do you say, Lightning McQueen? We've still got room for one more racer. MCQUEEN Well, I would love to. The only thing is my crew's off for the season so --- A sound O.S. McQueen turns to see Fillmore, Sarge and Luigi flank a tablecloth which is hanging off the bar. Ramone backs away, having spray painted "TEAM LIGHTNING MCQUEEN" on it. Guido quickly uncorks three wine bottles. GUIDO Pit stop. McQueen turns back to the phone. MCQUEEN You know what? They just got back. Deal me in, baby. Ka-chow! The place ERUPTS IN CHEERS. MOMENTS LATER - General excitement as McQueen exits the phone booth where Sally waits. Off her look: 20. MCQUEEN I know, I know. I just got back. But we won't be long and --- SALLY Oh, no, don't worry about me. I've got enough to do here. Mater's going to have a blast though. (off McQueen's silence) You're bringing Mater, right? You never bring him to any of your races. McQueen turns to the bar where Mater privately tries their drinks, hates it, spits it back in the glass. SALLY Just let him sit in the pits, give him a headset. C'mon, it'll be a thrill of a lifetime for him. Mater arrives. MATER Your drinks, sir. MCQUEEN Mater. MATER I didn't taste it! MCQUEEN How'd you like to come and see the world with me? MATER You mean it? MCQUEEN You got me into this thing. You're coming along. BEGIN MONTAGE: - McQueen is given a new paint job and headlights by Ramone. Mater, now sporting a "Team McQueen" emblem, seems psyched as well. - An airport DEPARTURES SIGN advertises the next flight: Tokyo, Japan. - Mater waves goodbye with his hook alongside McQueen, Guido, Luigi, Fillmore and Sarge as --- 21. --- the rest of Radiator Springs watches them board a plane. Red bawls. - IN THE JET, LATER. McQueen and Mater are the only ones awake, watch an insane Japanese game show. - JAPAN AT NIGHT. A stylish Tokyo cityscape of neon, glamour, scrolling billboards, vending machines and high-tech skyscrapers. - INSIDE A SOUVENIR SHOP loaded with McQueen toys: Mater and McQueen enter. A tourist sees McQueen and faints. - A KABUKI THEATER. Team McQueen watches a methodical dance. Mater, dressed in Kabuki makeup, arrives. He looks insane. - A SUMO MATCH - Two SUZUKI SAMURAI CARS wrestle over a parking space. Mater, now in his element, cheers. The MONTAGE ENDS on this high note as we CUT TO --- EXT. MUSEUM - TOKYO - NIGHT ---- TEAM MCQUEEN, as they roll up the red carpet. Press is held at bay behind ropes. WORLD GRAND PRIX and ALLINOL logos are strategically placed for maximum press exposure. RACERS are interviewed by press behind the red-carpet ropes. INT. TOKYO MUSEUM - NIGHT Team McQueen enters via a second floor landing which overlooks a massive indoor party in a converted museum. As they roll down a ramp to the party, they are awed. LUIGI Guido, look! Ferraris and tires! Let's go! MCQUEEN (IMPRESSED) Hey, look at this. Okay now Mater, remember: best behavior. MATER You got it, buddy. Hey, what's that? He sees something, peels away. MCQUEEN Mater! LEWIS HAMILTON Hey, McQueen, over here! 22. It's fellow racers JEFF GORVETTE and LEWIS HAMILTON. McQueen now has no choice but to let Mater go. MCQUEEN Hey, Jeff. Lewis! CUT TO: MATER as he approaches a GLASS-ENCLOSED ROCK GARDEN where a pitty RAKES rocks with precision. He knocks on the glass with his hook. MATER Hey! You done good! You got all the leaves! People turn at the noise he's making. CUT BACK TO: MCQUEEN, JEFF and LEWIS. JEFF GORVETTE Check out that tow truck. LEWIS HAMILTON I wonder who that guy's with? MCQUEEN Will you guys excuse me just for one little second? He zips over to Mater's side, quickly pulls him out of sight. MCQUEEN Mater, listen. This isn't Radiator Springs. MATER You're just realizing that? Boy, that jet-lag really done a number on you. MCQUEEN Mater, look -- things are different over here. Which means maybe you should, you know, act a little different too. MATER Different than what? MCQUEEN Well, just... help me out here, buddy. I --- 23. MATER You need help? Shoot, why didn't you just say so? That's what a tow truck does. Hey, looky there, it's Mr. San Francisco! FRANCESCO is visible across the room, holding court. MATER I'll introduce you. MCQUEEN Mater, no. MATER (already on his way) Look at me -- I'm helping you already! On FRANCESCO - MOMENTS LATER. Mater approaches, giddy. MATER Hey Mr. San Francisco, I'd like you to meet --- FRANCESCO Lightning McQueen! Buona sera. MCQUEEN Nice to meet you, Francesco. FRANCESCO Yeah, nice to meet you too. You are very good-looking. Not as good as I thought, but you're good. MATER (TO FRANCESCO) Excuse me. Can I get a picture with you? FRANCESCO Anything for McQueen's friend. As Mater poses for a photo with Francesco: MATER Miss Sally is gonna flip when she sees this. She's Lightning McQueen's girlfriend. FRANCESCO Oooh. 24. MATER She's a big fan of yours. FRANCESCO Hey, she has good taste. MCQUEEN Mater's prone to exaggeration. I wouldn't say she's a "big" fan. MATER You're right. She's a huge fan. She goes on and on about your open wheels here. MCQUEEN Mentioning it once doesn't qualify as going "on and on." FRANCESCO Francesco is familiar with this reaction to Francesco. Women respect a car that has nothing to hide. MCQUEEN Yeah, uh... FRANCESCO Let us have a toast. McQueen doesn't like where this is going, covers. MCQUEEN Let's. FRANCESCO (raising a drink) I dedicate my win tomorrow... to Miss Sally. MCQUEEN Oh, sorry. I already dedicated MY win tomorrow to her. So if we both do it, it's really not so special. Besides, I don't have a drink. MATER I'll go get you one. You mind if I borrow a few bucks for one of them drinks? 25. MCQUEEN (could kill him) They're free, Mater. MATER Free? Well, shoot, what am I doing here? Mater ZIPS OFF. MCQUEEN I should probably go keep an eye on him. See you at the race. McQueen starts to leave. FRANCESCO Yes, you will see Francesco. But not like this. Francesco does a 180, so his rear end now faces McQueen. FRANCESCO You will see him like this, as he drives away from you. Francesco wears a bumper sticker that says "Ciao, McQueen!" MCQUEEN That's cute. So you had one of those made up for all the racers? FRANCESCO No. MCQUEEN Okay. He rolls off. MCQUEEN He is so getting beat tomorrow. INT. PARTY - MOMENTS LATER Lights caress the main stage where a crowd has formed. VOICE Ladies and gentlecars... Sir Miles Axlerod! MILES AXLEROD drives through an infinity fountain, appears. 26. MILES AXLEROD It is my absolute honor to introduce to you the competitors in the first-ever World Grand Prix. From Brazil. Number eight... ON FINN MCMISSILE. He appears from the shadows, keeps a careful distance from the stage. He ZEROES HIS GAZE ON --- --- THE WORLD GRAND PRIX TV CAMERAS which roll, catching Miles Axlerod's speech for publicity and posterity. Finn's ONBOARD COMPUTER ANALYZES each one, compares to the photos we saw him snap on the oil platform. Each one is "NOT A MATCH." His view is suddenly disrupted by A BEAUTIFUL SPORTS CAR. She approaches Finn. Meet HOLLEY SHIFTWELL. HOLLEY A Volkswagen Karmann Ghia has no radiator. FINN That's because it's air-cooled. HOLLEY I'm Agent Shiftwell, Holley Shiftwell from the Tokyo Station. I have a message from London. FINN Not here. (LOUDLY) You must try the canapes on the mezzanine! He moves her onto an elevator. The doors close on them. IN THE ELEVATOR, GOING UP. FINN So the lab boys analyzed the photo I sent? What did they learn about the camera? HOLLEY It appears to be a standard television camera. They said if you could get closer photos next time, that would be great. FINN This was London's message? 27. HOLLEY Oh -- no, no. No sir. Um, the oil platforms you were on? Turns out they're sitting on the biggest oil reserve in the world. FINN How did we miss that? HOLLEY They'd been scrambling everyone's satellites. The Americans actually discovered it just before you did. They placed an agent on that platform, under deep cover. He was able to get a photo of the car who's running the entire operation. The doors OPEN and they exit onto the Mezzanine. FINN Who is it? Has anyone seen the photo yet? HOLLEY No, not yet. The American is here tonight to pass it to you. He'll signal you when he's ready. FINN GOOD --- Finn suddenly STOPS COLD. FINN Oh no. Professor Zundapp is visible below them. He talks with a few Pacers and Gremlins. Finn quickly retreats into the shadows. Holley follows suit. HOLLEY What is it? FINN Change of plan. You're meeting the American. HOLLEY What, me? 28. FINN Those thugs down there were on the oil platform. If they see me, the whole mission is compromised. HOLLEY No, no. I'm technical, you see. I'm in Diagnostics. I'm not a field agent. FINN You are now. CUT TO: MATER as he grabs a drink, keeps moving. MATER I'll take one of them. He snatches it, drops it in the back where we now see a large assortment of drinks balanced. MATER Never know which one McQueen'll have a hankering for. He approaches a sushi bar. MATER Hey, what you got here that's free? How about that pistachio ice cream? He refers to wasabi, of course. SUSHI CHEF No, no. Wasabi. MATER Oh, same ol', same ol'. What's up with you? That looks delicious. The chef starts to carve a small scoop aside for Mater. MATER Uh, a little more, please. It is free, right? (the chef adds more) Keep it coming. A little more. Come on, let's go, it's free! You're getting there... Scoop scoop! The chef gives in. Scoops a baseball-sized ball out. 29. MATER There you go. Now THAT's a scoop of ice cream. SUSHI CHEF (in Japanese, subtitles) My condolences. CUT BACK TO: MILES AXLEROD - He's now nearly done with his intros. MILES AXLEROD ... and now, our last competitor --- Number 95, Lightning McQueen! MCQUEEN approaches the microphone, flashes his headlights. MCQUEEN Thank you so much for having us, Sir Axlerod. I really look forward to racing. This is a great opportunity. MILES AXLEROD Oh, the pleasure is all ours, Lightning. You and your team bring excellence and professionalism to this competition. As if on cue, Mater arrives with a piercing scream of pain. Everyone turns as he charges head first toward the stage, making a bee-line for that FOUNTAIN. MATER Somebody get me water! He laps up water from the fountain like a diabetic cat. MATER (LAPPING WATER) Sweet relief... Miles Axlerod is shocked. The crowd can't believe it. Francesco cackles. Mater, now sated, approaches the mic. MATER (to the crowd) Whatever you do, do not eat the free pistachio ice cream. It has turned! MCQUEEN Sir Axlerod, I can explain. This is Mater. 30. MILES AXLEROD I know him. This is the bloke that called into the television show. (TO MATER) You're the one I have to thank. MATER No, thank you. This trip's been amazing. MILES AXLEROD (TO MCQUEEN) He's a little excited, isn't he? TILT DOWN to reveal a pool of oil beneath Mater. MCQUEEN Mater! MATER But wait, I... oh, shoot. McQueen quickly pulls Mater aside, out of earshot of Miles Axlerod and the others. McQueen is beside himself. MCQUEEN Mater, you have to get a hold of yourself. You're making a scene. MATER But I never leak oil. Never. MCQUEEN Go take care of yourself right now. Mater drives off. ON MATER - MOMENTS LATER He drives through the party, frantic. MATER Coming through! Excuse me, leakin' oil. Where's the bathroom? Thank you. I gotta go! Someone points Mater down a hallway. He whips around the CORNER --- --- and STOPS. Finds himself in front of TWO BATHROOM DOORS, neither of which clearly indicate MALE or FEMALE. 31. MATER (CONFUSED) What the... Mater chooses one, drives inside. A SHRIEK is heard and Mater zips out. MATER Sorry ladies! He heads into the other door --- CUT TO: INT. MEN'S ROOM - NIGHT Mater rolls in, still `holding it in' like a kid. MATER I never leak I never leak I never leak... He sees someone leaving a stall. He heads in. IN THE STALL - Mater enters, looks up. MATER Wowee... The stall is a complicated apparatus with buttons and lights. High-tech Japanese. It suddenly GRABS MATER, hoists him up as if he's going to get an oil change. MATER What in the--- A Japanese style cartoon CARICATURE appears on a TV MONITOR, followed by images of waterfalls and rivers. MATER (GIGGLING) Hey, that tickles. The caricature starts talking in Japanese. Suddenly WATER FIRES UP underneath Mater's undercarriage, goosing him. He freaks out. OUTSIDE THE STALL - With Mater's yells audible we see a GREMLIN enter, furtive. Suddenly, inexplicably, his frame BREAKS APART like an egg, revealing an AMERICAN MUSCLE CAR underneath. The pieces of the Gremlin disappear under him, clearly his disguise. This is ROD REDLINE - American Agent. 32. ROD REDLINE Okay, McMissile. I'm here. It's time for the drop. INT. PARTY - SAME HOLLEY, rolls along by herself. Nervous. DING! Her rearview monitor springs to life. HOLLEY (INTO RADIO) The American has activated his tracking beacon. FINN (OVER RADIO) Roger that. Move in. INT. BATHROOM - SAME Rod Redline, waiting at a sink, feels a presence behind him. GREM and ACER have entered, hesitate briefly when they see Rod Redline. Rod Redline, careful, slides a gun out of his tire. He is suddenly CHARGED by the AMCs --- Rod SPINS AROUND and gets a shot off but is SLAMMED HEAD FIRST. A TIGHT, CLOSE-QUARTERS FIGHT begins --- IN THE STALL - Mater, still TRAPPED, is now being SCRUBBED as if in a car wash. He is helpless. OUTSIDE THE STALL - Rod is being pulverized. Just when he scrambles away from one car, the other one takes over. IN THE STALL - Mater is mercifully released, but when he backs out --- --- Rod Redline is THROWN INTO MATER'S STALL DOOR, crunching it and sending Mater --- --- BACK INTO THE CLUTCHES of the insane toilet. INT. PARTY - SAME Holley isolates the tracking beacon's location in the party. HOLLEY Oh, you've got to be joking. FINN What's the problem, Shiftwell? HOLLEY He's in the loo. 33. FINN So go in! HOLLEY I can't just go into the men's loo. FINN Time is of the essence, Shiftwell. INT. BATHROOM - OUTSIDE THE STALL Rod Redline is in bad shape. He backs away, betrays a look of concern. He's in trouble here. ACER burns rubber, ready to finish him off. Just as he shifts into DRIVE --- --- MATER'S STALL DOOR KICKS OPEN, knocking ACER out. Mater jumps out, face-to-face GREM. MATER (out of breath) Whatever you do, I would not go in there. The door SWINGS shut, revealing the pulverized Acer. MATER A Gremlin and a Pacer! Rod Redline, now behind Mater and sensing an opportunity here, quickly produces A SMALL DEVICE. MATER (to Grem and Acer) No offense to your makes and models, but you guys break down harder than my cousin Betsy after she got left at the --- Rod Redline, surreptitiously attaches the device to Mater's undercarriage. MATER (as he's goosed) --- altar! He spins around, sees Rod Redline for the first time. MATER Are you okay? ROD REDLINE I'm fine. 34. GREM Hey. Tow truck. Mater turns back to Grem and Acer. GREM We'd like to get to our private business here, if you don't mind. MATER Oh, yeah. Don't let me get in the way of your "private business." Oh! A little advice: When you hear her giggle and see that waterfall, you best press that green button. GREM Thank you. MATER It's to adjust the temperature. ACER Got it. MATER Remember it's in Celsius, not Fahrenheit. GREM AND ACER Get outta here! MATER Alright then. Mater exits, leaving Rod Redline to a now even angrier Grem and Acer. EXT. BATHROOM - MOMENTS LATER Holley arrives at the door. She takes a breath, is about to enter when Mater EXITS. MATER Excuse me, ma'am. He passes her, expelling some exhaust in the process. Holley's rearview tracking confirms that the device is on him. MATER (TO HIMSELF) Dadgum pistachio ice cream. 35. HOLLEY (INTO RADIO) This cannot be him. FINN (OVER RADIO) Is he American? MATER (driving off, to himself) Look out, ladies. Mater's fittin' to get funky! HOLLEY (INTO RADIO) Extremely. FINN (OVER RADIO) Then it's him. It's settled. Holley takes one more nervous breath, quickly closes the distance between her and Mater, cuts him off. He is forced to STOP. HOLLEY Hello. MATER Well, hello. HOLLEY A Volkswagen Karmann Ghia has no radiator. MATER Well of course it doesn't. That's `cause it's air-cooled! HOLLEY (RELIEVED) Perfect. I'm from the Tokyo Station OF THE--- MATER Course, Karmann Ghia's weren't the only ones. Besides the Beetles you had your Type-3 Squarebacks, with the pancake motors... HOLLEY Yeah. Okay, I get it--- MATER ... And before both of them, �� there's the Type-2 buses - my buddy Fillmore's one of them. 36. HOLLEY Listen! We should find somewhere more private. MATER Uh, gee. Don't you think that's a little, uh --- HOLLEY (NERVOUS ENERGY) You're right. Impossible to know which areas here are compromised. So, when can I see you again? MATER Well, let's see. Tomorrow I'll be out there at the races. HOLLEY Got it. We'll rendezvous then. INT. PARTY - MOMENTS LATER Mater returns to his team, lost in thought. MCQUEEN There you are. Where have you been? MATER What's a rendezvous? LUIGI It's like a date. MATER A date?! MCQUEEN Mater, what's going on? MATER Well, what's going on is I've got me a date tomorrow. Guido makes a crack in Italian. LUIGI Guido don't believe you. MATER Well, believe it. My new girlfriend just said so. Hey, there she is. Mater points out Holley, who's within earshot. 37. MATER (YELLING) Hey! Hey lady! Holley, caught in plain view, DRIVES OFF. MATER See ya tomorrow! Guido makes another crack in Italian. LUIGI Guido still don't believe you. EXT. SHIPYARD - THE DOCKS - TOKYO NIGHT An industrial dock, outside of the city proper. INT. SHIPYARD - NIGHT Rod Redline dangles from a car magnet. He's been beaten up, clings to consciousness. GREM (O.S.) I gotta admit --- Grem, Acer, and a bunch of nasty looking troublemakers look up at Rod amidst crates and shipping containers. GREM --- you tricked us real good. ACER And we don't like being tricked. Rod Redline laughs to himself. ACER Hey, what's so funny? ROD REDLINE Well, you know, I was just wearing a disguise. You guys are stuck looking like that. This doesn't help him. They DROP HIM onto a TREADMILL, lock him down. A container is wheeled forward and Rod is plied with Allinol brand gasoline. ROD REDLINE Allinol? Thanks, fellas. I hear this stuff is good for you. 38. PROFESSOR ZUNDAPP (O.S.) So you think. The Professor emerges from the darkness, behind Rod. PROFESSOR ZUNDAPP Allinol by itself is good for you. Zundapp hits a button and the TREADMILL starts Rod's wheels spinning at a high rate of speed. PROFESSOR ZUNDAPP But after microscopic examination, I have found that it has one small weakness. When hit with an electromagnetic pulse, it becomes extremely dangerous. GREM SMILE --- Grem pushes a World Grand Prix CAMERA - the same one that was in the box back at the oil derrick. He points it at Rod Redline. GREM --- for the camera. ROD REDLINE Is that all you want? I got a whole act. PROFESSOR ZUNDAPP You were very interested in this camera on the oil platform. Now you will witness what it really does. ROD REDLINE Whatever you say, Professor. Acer pushes a TV MONITOR toward Rod. On it, surveillance footage from the party. Clearly, they were watching and recording him there. ACER You talked up a lot of cars last night. Which one's your associate? ROD REDLINE Your mother. Oh no, I'm sorry. It was your sister. You know, I can't tell them apart these days. 39. GREM (HAD ENOUGH) Could I start it now, Professor? PROFESSOR ZUNDAPP Fifty percent power. (to Rod Redline) This camera is actually an electromagnetic pulse emitter. ACER (re: a girl on the TV) What about her? Did you give it to her? PROFESSOR ZUNDAPP The Allinol is now heating to a boil, dramatically expanding, causing the engine block to crack under the stress, forcing oil into the combustion chamber. Rod Redline's engine starts to CRACK and BREAK. ACER (re: a guy on the TV) How about him? You talk to him? ROD REDLINE (to Professor Zundapp) What do I care? I can replace an engine block. PROFESSOR ZUNDAPP You may be able to, but after full impact of the pulse, unfortunately, there will be nothing to replace. ACER How about him? Does he have it? The monitor reveals MATER, rolling out of the bathroom and down the hall. Rod Redline, seeing this, does the world's most subtle double take. We caught it, but there's no way anyone else in the room could have --- PROFESSOR ZUNDAPP That's him. He's the one. GREM Roger that, Professor Z. 40. ROD REDLINE No! As Grem turns up the machine even MORE, the Professor makes a call. PROFESSOR ZUNDAPP (INTO PHONE) Yes sir. We believe the infiltrator has passed along sensitive information. (beat, listening) I will take care of it before any damage can be done. The Professor hangs up, turns to the room. PROFESSOR ZUNDAPP The project is still on schedule. You will find this second agent --- Zundapp kicks the camera's power into the RED. PROFESSOR ZUNDAPP --- and kill him. On the MONITOR - With Mater's frozen image on the screen we see Rod EXPLODE in the reflection. EXT. JAPAN - DAY Over television pre-roll of Japan: BRENT MUSTANGBURGER (V.O.) Japan. Land of the rising sun. Where ancient tradition meets modern technology. Welcome to the inaugural running of the World Grand Prix. ON OUR ANNOUNCERS as they introduce themselves: BRENT MUSTANGBURGER I'm Brent Mustangburger, here with racing legends Darrell Cartrip and David Hobbscap. There's never been a competition like this before. SHOTS OF THE PITS as the racers fuel up. BRENT MUSTANGBURGER (V.O.) First, Allinol, making its debut tonight as the required fuel for all these great champions. (MORE) 41. BRENT MUSTANGBURGER (V.O.) (CONT'D) Second, the course itself, and it's like nothing we've ever seen. David, how exactly does this competition work? DAVID HOBBSCAP (V.O.) Well, Brent, all three of these street courses are classic round- the-house racetracks. OUTLINES OF THREE RACE COURSES are shown. They're labeled Japan, Italy and England, and are different in shape and size. DAVID HOBBSCAP (V.O.) This means that the LMP and Formula cars should break out of the gate in spectacular fashion. SHOTS OF THE RACERS as they weave up the track, practicing. DAVID HOBBSCAP (V.O.) Look for Francesco Bernoulli in particular to lead early. SHOTS OF Francesco, featured in an inset. DAVID HOBBSCAP (V.O.) And with a series of technical turns throughout --- MORE SHOTS of the course, now highlighting the tech turns. DAVID HOBBSCAP (V.O.) GT and Touring cars like Spain's Miguel Camino should make up some ground but I doubt it'll be enough to stop Francesco from absolutely running away with it. DARRELL CARTRIP (V.O.) Woah, now just hold your horsepower. You're forgetting the most important factor here. That early dirt track section of the course! The dirt is supposed to be the great equalizer in this race. GRAPHICS OF THE COURSES now isolate a stretch after the first couple turns, label it "DIRT SECTIONS." 42. BRENT MUSTANGBURGER (V.O.) French Rally car Raoul ÇaRoule is counting on a big boost headed through there. DARRELL CARTRIP (V.O.) And don't forget Lightning McQueen! His mentor, the Hudson Hornet, was one of the greatest dirt track racers of all time. In my opinion, McQueen is the best all-around racer in this competition. BACK IN THE STUDIO DAVID HOBBSCAP Really, Darrell, I think you need to clean your windshield. You're clearly not seeing this for what it is: Francesco's race to lose. EXT. STARTING LINE - DAY BRENT MUSTANGBURGER (V.O.) It's time to find out. The racers are locking into the grid --- Engines rev as everyone gets ready to go. Everyone's bright eyed and alert except for McQueen who we find in the back of the grid. He CLOSES his eyes. MCQUEEN (TO HIMSELF) Speed. I am speed. A LAUGH O.S. McQueen opens his eyes. Francesco is next to him on the grid. FRANCESCO Really? You are "speed"? Then Francesco is triple speed. (closes his eyes) Francesco. Is. Triple speed. Francesco likes this, McQueen. It's really getting him into the zone! MCQUEEN He is so getting beat today. The starting lights click down from RED to YELLOW to GREEN. The race begins. Francesco quickly grabs the lead. He's pulling away within seconds. 43. ON PIT ROW - We TRACK PAST as the various Crew Chiefs on their crash carts bark orders to their racers. We end on Team McQueen. No Crew Chief, just a solid looking team. SARGE His suspension stats look good. LUIGI Tire pressure is excellent. FILLMORE He's got plenty of fuel. MATER And he's awesome! CUT TO: The same view of Mater but now THROUGH A TELESCOPIC DISPLAY. Reveal Finn and Holley watching from high above in a downtown office building, behind reflective glass. HOLLEY Why is he in the pits? He's so exposed. FINN It's his cover. One of the best I've seen, too. Look at the detail on that rust. It must have cost him a fortune. HOLLEY But why hasn't he contacted us yet? FINN There's probably heat on him. Be patient. HOLLEY Right, of course. He'll signal us when he can. FINN And then we find out who's behind all this. ON THE TRACK - VARIOUS SHOTS OF THE RACE through Tokyo as Francesco extends his lead and McQueen attempts to make up ground. 44. IN MCQUEEN'S PIT - Mater watches the monitors, sees them approaching the dirt section. MATER McQueen! It's time to make your move. Get on the outside and show 'em what Doc done taught you. MCQUEEN (OVER RADIO) Ten four, Mater. ON THE TRACK - Francesco hits the dirt section and loses all control. He SLAMS to a halt, his tires getting no traction. DAVID HOBBSCAP (V.O.) Francesco is brought to a screeching halt! MCQUEEN skids into view, turning right to go left, passing Francesco, followed by other cars --- BRENT MUSTANGBURGER (V.O.) Lightning McQueen is the first to take advantage. And just like that, folks, Francesco's lead is left in the dust. MCQUEEN Nice call, Mater. Keep it up! McQueen now leads the pack, zooming out of the dirt now starting to relax. DARRELL CARTRIP (V.O.) Who-hoo! Man, McQueen looks happier than a rollbar at a demolition derby! ON PAVED ROAD AGAIN - MOMENTS LATER The field of cars thunders into a tunnel. BRENT MUSTANGBURGER (V.O.) Everyone's jostling for position as we hit the asphalt again. Francesco crests the hill, in last place. He bites down, determined, then CHASES. BRENT MUSTANGBURGER (V.O.) Francesco lost a lot of momentum in the dirt. He's got some serious work ahead of him if he wants to get back in this race. 45. VARIOUS SHOTS OF TOKYO as the racers move through the Rainbow Bridge. Bit by bit, Francesco ekes his way toward the front, toward Lightning McQueen as we CUT TO --- --- A ROOFTOP, and a VIEW THROUGH THE WGP CAMERA LENS. Grem and Acer are manning this one. They focus it on the racers as they approach. PROFESSOR ZUNDAPP (OVER RADIO) It is time. GREM Roger that. ON THE TRACK - A racer (Miguel Camino) suddenly PLUMES WITH SMOKE and skids out. DARRELL CARTRIP (V.O.) Oh! Miguel Camino has blown an engine! BRENT MUSTANGBURGER (V.O.) Very unusual, Darrell. He's been so consistent all year. Camino quickly pits, passing McQueen's pit where Mater is visible. ON GREM AND ACER, watching from above. GREM You gotta be kidding me. ACER What is it? GREM It's that tow truck from the bathroom. ACER The one from the bathroom? GREM Yeah, the one the American Agent passed the device to. ACER What about him? GREM What about him? He's in the pits! 46. ACER Not for long. Acer exits, with purpose. ON FINN AND HOLLEY, still in their office hideaway. Holley's onboard computer flashes an ALERT. HOLLEY Hold on. I think I've got something. FINN What is it? HOLLEY The Pacer from the party last night. She's spotted Acer, moving swiftly forward. HOLLEY Cross-referencing with the photos from the oil derricks... Yep. His VIN numbers match. FINN Anyone with him? He won't be alone. HOLLEY Conducting analysis on the target. The computer finds more and more bad guy Pacers and Gremlins are in the crowd. HOLLEY He's not the only one here. Three... five... they're everywhere. And they're all closing in on... oh no. We PAN OVER to see it's MATER. HOLLEY Finn? Finn, where are you? She turns. He's GONE, leaving only an open window. FINN (OVER RADIO) Get him out of the pits now! IN MCQUEEN'S PIT. A car WHIPS BY O.S. 47. MATER Wow! Some of them fellers is really loud. HOLLEY (OVER MATER'S RADIO) Can you hear me? Over. MATER Uh, what? HOLLEY (OVER MATER'S RADIO) Get out of the pit now. Do you hear me? Mater realizes this girl has somehow broken into his radio. MATER (INTO RADIO) Hey, I know you. You're that girl from the party last night. You wanna do our date right now? ON THE TRACK - McQueen boxes out Francesco, holds his slim lead, but barely. MCQUEEN Guys, a little too much chatter. Let's keep this line clear. BOOM! A racer behind McQueen suddenly expels black smoke, skids out of control. ON GREM - laughing. That was clearly his handiwork. IN MCQUEEN'S PIT - SAME HOLLEY (ON MATER'S RADIO) There's no time for messing about. You've got to get out of the pits. MATER Is there gonna be cable where you is so I can watch the rest of the race? ON HOLLEY - Watching from the downtown building. HOLLEY (INTO RADIO) You're running out of time! FINN (OVER RADIO) They're coming, Shiftwell. HOLLEY (INTO RADIO) Yes, I know. 48. FINN (OVER RADIO) Get him out of there. HOLLEY (TO FINN) I'm trying. (TO MATER) Get out now! We CUT BACK TO --- --- MATER. He gives in, exits the pit. MATER Well, all right but I usually like to have a proper detailing done before I meet a lady friend. He moves toward the back PIT DOOR, is about to open it. OUTSIDE THE PITS - ACER and another Pacer approach McQueen's pit door on the other side. Ready to pounce. The doors OPEN, REVEALING --- --- Finn, holding a fire extinguisher. ACER Finn McMissile? But you're dead! FINN Then this shouldn't hurt at all. He empties the extinguisher in their eyes, speeds past. They try and follow, but have been blinded. One of them crashes right into a COP. ON FINN - Already on the move, along a side street. FINN Miss Shiftwell? ON HOLLEY - Tracking everything on a grid map. Mater looks like Pac Man, weaving through the streets as bad guys close in all around him. HOLLEY I've got him in the back alleys east of the garages. Multiple assailants are closing in quickly. FINN (OVER RADIO) Keep him moving. I'm on my way. ON MATER - He turns a corner, sees a flower shop. 49. MATER Hey, new lady friend? You like flowers? ON THE TRACK - McQueen, hearing this, is taken aback. MCQUEEN What? ON MATER - Slowing at the flower shop. HOLLEY (OVER RADIO) No! Don't go 'in' anywhere. Just keep moving. MATER Stay outside. Gotcha. ON THE TRACK MCQUEEN Outside? McQueen drifts outside allowing Francesco to slip past! FRANCESCO Grazie and arrivaderci! DARRELL CARTRIP (V.O.) I cannot believe what I just saw, Brent. That was a bonehead move. You don't open up the inside like that! IN THE BACK ALLEYS - As Mater moves on he's followed by Pacers and Gremlins. Suddenly --- --- CABLES whip in front of them, pulling over flower vending machines and sending the shop's owners into a frenzy. They direct their attention to the AMCs, who try and explain. ON FINN, admiring his handiwork as he appears. Just as he turns to leave he's BROADSIDED and pushed INTO A DARK ALLEY. IN THE ALLEY - Finn finds himself boxed by two Pacers and pushed toward --- --- ACER, who now holds a FLAME THROWER. ACER This time I'm gonna make sure you stay dead. He hits the flame. WHOOOSSSH!! 50. ON ANOTHER STREET - Mater clicks along, still looking for Holley. Just as he passes the alley entrance where Finn stares down death: HOLLEY (OVER RADIO) You're doing brilliantly. Now just stay focused. MATER What's that? You want me to head toward that ruckus? Mater turns INTO the alley. HOLLEY (OVER RADIO) No! Don't go down that street! IN THE ALLEY - Finn, now nearly pushed completely into the flame thrower, leaps into the air. He FIGHTS BACK, using his wheels, axle, indeed his entire car frame as if he were human, kicking and tossing and shooting his enemies. Mater witnesses the whole thing. MATER Wow! A live karate demonstration! ON THE TRACK - McQueen, now playing catch-up again, scowls. MCQUEEN Stop it, Mater. Just sign off. IN THE BACK ALLEY - Finn polishes off the AMCs by firing a bullet into a gas main line, causing an EXPLOSION that tosses Acer through the air where he lands in a NOODLE SHOP'S SIGN. ON THE TRACK - The end of the race is nigh --- BRENT MUSTANGBURGER (V.O.) They're bumper to bumper as they approach the finish line! The Formula car gets there first. BRENT MUSTANGBURGER (V.O.) Francesco's the winner, McQueen's number two! IN THE ALLEY - Finn heaves breaths, surveys his damage. MATER That was cool! Hey, can I get your autograph? 51. Mater approaches when a MASS OF RACE FANS burst out a door, momentarily blocking Mater's view of Finn. Once the fans have past, Finn has disappeared. MATER Hey, where'd he go? HOLLEY (OVER RADIO) Our rendezvous has been jeopardized. Keep the device safe. We'll be in touch. MATER Dadgum, did I miss our date? EXT. PRESS STAGE - LATER Post race press conference. Francesco is center stage. DARRELL CARTRIP Francesco, over here! Hey, what was your strategy today? FRANCESCO Strategia? Francesco needs no strategy, it's very simple. You start the race, wait for Lightning McQueen to choke, pass him, then win. Francesco always wins. It's boring. McQueen, waiting in the wings, rolls his eyes. He suddenly notices something O.S. McQueen's P.O.V. - It's MATER, appearing from a side street, moving toward the pits, oblivious of the press conference. DARRELL CARTRIP (TO FRANCESCO) I gotta tell you, dude. You were in trouble for awhile. That dirt track section had you crawling! As McQueen SNEAKS AWAY --- FRANCESCO To truly crush one's dream, you must first raise their hopes very high. IN MCQUEEN'S PIT GARAGE - Mater looks around for everyone as McQueen approaches. 52. MCQUEEN Mater. MATER Hey McQueen! What happened? Is the race over? You won, right? MCQUEEN Mater, why were you yelling things at me while I was racing? MATER Yelling? Oh, you thought... that's funny right there. Nah, see that's `cause I seen these two fellers doing some sort of karate street performance. It was nutso. One of them even had a flamethrower --- MCQUEEN A flamethrower? What are you talking about? I don't understand. Where were you? MATER Going to meet my date. MCQUEEN Your date? MATER She started talking to me as a voice in my head, telling me where to go --- MCQUEEN What? MATER Wait a minute -- I didn't screw you up, did I? MCQUEEN I lost the race because of you! MATER Well, I'm sorry. I didn't mean --- MCQUEEN An imaginary girlfriend, flamethrowers. This is exactly why I don't bring you along to these things. 53. MATER Maybe if I, I don't know, talked to somebody and explained what happened I could help. MCQUEEN I don't need your help. I don't want your help. PRESS (O.S.) Hey, there he is!! The press finds McQueen, swarms him. Mater is pushed backwards as the questions fly again. PRESS - McQueen, you had it in the bag! - Yeah, what happened? MCQUEEN I made a mistake. But I can assure you, it won't happen again. On Mater. He takes this badly. MCQUEEN Look, guys. We know what the problem is and we've taken care of it. SMASH TO: OVER FOOTAGE OF FRANCESCO and various other highlights: BRENT MUSTANGBURGER Lightning McQueen loses in the last lap to Francesco Bernoulli in the first race of the World Grand Prix and three, count em, three cars flamed out leading some to suggest that their fuel, Allinol, might be to blame. FOOTAGE OF MILES AXLEROD, speaking to an aggressive press. He must SHOUT over the press. MILES AXLEROD Allinol is safe! Alternative fuel is safe! There is no way my fuel caused these cars to flame out! 54. IN THE TV STUDIO - Darrell, Brent and David talk to camera. DARRELL CARTRIP Well the jury may still be out on whether Allinol caused these accidents, but one thing's for sure: Lightning McQueen blew this race. Off a FROZEN IMAGE of McQueen crossing the finish line, a look of severe consternation across his face --- BRENT MUSTANGBURGER Team McQueen can't be happy right now. --- MATCH CUT TO --- INT. AIRPORT - JAPAN - DAY --- McQueen's SMILING FACE, on a Team McQueen poster. REVERSE to reveal Mater looking at it, sadly. He drives on, passing (but not noticing) --- --- GREM and ACER. AT THE SECURITY CHECK - MOMENTS LATER. Cars take off their tires, move through the metal detector. Mater waits in line. A SECURITY CAR approaches Mater. SECURITY CAR (in Japanese and English) Come with me please, sir. MATER But I'm gonna miss my plane. IN THE ADMIRAL'S LOUNGE - MOMENTS LATER. The Security Car leads Mater inside. SECURITY CAR Right this way. As they move past us the Security Car covertly drops a BALL BEARING which rolls into a corner. The ball bearing then sprouts MECHANICAL LEGS, tripods itself and IRISES out, revealing itself to be a tiny CAMERA. IN THE MAIN ROOM - ADMIRAL'S LOUNGE - CONTINUOUS Mater follows the Security Car in, nervous. 55. MATER Doggone it. This is about my hook, isn't it? I know I should've checked it, but I can't really, look -- it's attached to me. ZWAPPPPPP!! The Security Car suddenly DECLOAKS himself, reveals himself to be Finn McMissile! MATER Hey, I know you. You're that feller from the karate demonstration. FINN I never properly introduced myself. Finn McMissile. British Intelligence. MATER Tow Mater. Average intelligence. FINN Who are you with? FBI, CIA? MATER Let's just say I'm triple-A affiliated. You know, I know some karate. I don't wanna brag or nothing, but I've got me a black fan belt. BEEP! Finn's rearview alarms. His camera has picked up Grem and Acer. They've just entered the lounge, are right around the corner. MATER Hey, you wanna see some moves I made up? FINN You're being followed. Finn quickly turns, fires a tiny GLASS CUTTING BEETLE at the window. As Mater talks, oblivious, the beetle cuts out a round hole. MATER This first one I can reach into a car's hood, pull out his battery, and show it to him before he stalls. I call it, "What I accidentally did to my friend Luigi once." 56. Mater does his best (worst) karate moves as Acer and Grem turn the corner. GREM There he is! The glass drops away, leaving a car-sized hole. MATER (eyes the clock) Look, I probably ought to go. I'm about to miss my flight. FINN Don't worry. Finn HOOKS Mater from behind. He YANKS HIM forward --- FINN I've taken care of that. Hang on. --- and LEAPS OUT THE WINDOW! EXT. TARMAC - AIRPORT - JAPAN Finn pulls Mater down HARD onto the tarmac, towing him away from the terminal. MATER This is First Class service. You don't even have to go through the terminal. ACER and GREM appear, chasing them. Mater, who is facing backward as he is being pulled along, faces them. They're about a hundred yards back. MATER (TO FINN) Your karate partners are back here. They kinda look like they're trying to catch up! FINN Drive forward. Whatever you do, don't stop. Finn SKIDS around, whipping Mater in a 180 so that Mater is now towing Finn. Grem produces a ROCKET, lines up Finn as his target. 57. Finn, without hesitation, fires a MINI ROLLING-JACK. The jack DRIVES ITSELF toward Grem, anchors itself under his frame and flips him like a turtle but not before Grem gets the rocket OFF --- THE ROCKET - it flies toward Mater and Finn. FINN aims and launches a MISSILE back. THE ROCKET AND MISSILE COLLIDE IN MID-AIR, EXPLODE. MATER (only hearing this) Is everything okay back there? SIDDELEY (O.S.) Finn, it's Sid. I'm on approach. A GULFSTREAM JET wings into view overhead. This is SIDDELEY. FINN Roger that. Mater looks up: ACER screeches into view up ahead, dragging a long row of luggage carts in Mater's path, attempting to create an accident. MATER (TO FINN) You remember that whole thing about me not stopping no matter what? Just as it looks dire --- RATATATATATATAT!!! SIDDELEY descends, hawklike, fires bullets and blows the luggage carts sky-high. Mater and Finn burst through them, luggage now raining down from above. MATER I knew I should've done carry-on! FINN (TO SIDDELEY) Thanks, old boy! Siddeley LANDS HARD on the tarmac ahead of them. No time to stop, he DROPS his back open, revealing HOLLEY. MATER Hey, doggone it. It's my imaginary girlfriend! HOLLEY Come on! Get in here! 58. Mater SPEEDS UP toward Siddeley's ramp, Holley. MATER (TO HOLLEY) Boy I tell you what, you really do want this first date, don't ya? That's a no-quit attitude right there. Just as Mater's wheels touch the ramp, BULLETS PING around him in a spray. Siddeley is HIT, a tire BLOWN. He yells in pain. FINN Hold on, Sid! Siddeley peels off the runway onto the grass. A gunfight ensues between Finn and Acer. Finn SHOOTS ACER'S TIRE, blowing it and throwing him off-course. Acer CAREENS out of control, drives up and THROUGH A JET --- --- OUT THE OTHER SIDE where he lands in an oil tanker. ON SIDDELEY - He's headed toward the edge of the tarmac, where the grass and runway meet WATER. He HITS THE GAS, his only hope. SIDDELEY Finn, it's now or never! Finn BRAKES, 180s and grabs the ramp just as Siddeley gets air. SIDDELEY Hold on! Mater, the only thing not in the jet, dangles and recedes from our view as Siddeley climbs toward the clouds. As he's PULLED in through the back hatch: MATER (V.O.) By the time you read this, I will be safely on an airplane, flying home. INT. LOBBY - HOTEL - TOKYO - DAY CLOSE ON a handwritten (er, tire-written?) NOTE in childish scrawl. We don't see all of it, only a bit. Mater's voice O.S. begins the note with the first sentence, but we DISSOLVE into McQueen's voice. 59. MCQUEEN "I'm so sorry for what I did. I don't want to be the cause of you losing any more races. I want you to go prove to the world what I already know - that you are the greatest race car in the whole wide world. Your best friend, Mater." McQueen takes this in. MCQUEEN I didn't really want him to leave. LUIGI Wait, there's more here. (READS) "P.S. Please tell the hotel I didn't mean to order that movie. I thought it was just a preview and I didn't realize I was paying for it. P.P.S... That's funny right there -- PP." (to the others) There's a few more pages of P.S.'s here. MCQUEEN (TURNING BACK) Well, at least I know if he's at home he'll be safe. EXT. SKY - DAY SIDDELEY breaks through some cloud cover, flies with purpose. INT. JET - DAY A well-appointed spy jet. Various computers line the walls. FINN Now that's how I like to start the day! You never feel more alive than when you're almost dead. HOLLEY (SCANNING MATER) I hope that device didn't fall off. MATER That's the closest I ever been to missing my flight! That was --- 60. With a ROBOTIC ARM, Holley grabs the THE DEVICE that Rod Redline hid under Mater. She yanks it out with a GOOSE. MATER (JUMPS) Yow! HOLLEY Still in one piece, great. Holley drops the device into a mainframe computer. It starts "ANALYZING." MATER I gotta go to a doctor. I keep getting these sharp pains in my undercarriage. HOLLEY Downloading the photo now. MATER Hey, lemme introduce you two. (TO HOLLEY) This here is Finn McSomething-or- other. He's a First Class VIP airport whatchamacallit. And Finn, this here's my date. (TO HOLLEY) I never did get your name. HOLLEY Oh yes, sorry. It's Shiftwell. Holley Shiftwell. MATER (TO FINN) It's Shiftwell. Holley --- DING! The computer is done analyzing. The cabin lights dim. FINN Finally. Time to see who's behind all this. AN IMAGE is blasted between the three of them. It's of a photograph, a complicated melange of metallic parts stuck together. HOLLEY (to Mater, expectantly) What is this? 61. MATER Well, that's one of the worst engines ever made. It's an old aluminum V8 with a Lucas electrical system and Whitworth bolts. Shoot, them Whitworth bolts is a pain, tell you what. Them ain't metric, they ain't inches... HOLLEY Yes, OK, right. But who's engine is this, Mater? MATER Well, it's kinda hard to tell from this picture, ain't it? HOLLEY But you're the one who took it. FINN Holley. HOLLEY Oh, right. Yes, of course. "A good agent gets what he can, then gets out before he's killed." Sorry. MATER Agent? You mean like insurance agent, like, (SINGS) `Like a good neighbor, Mater is there'? Wait, you mean secret agents. You guys is spies! FINN Holley, in how many makes and models did this type of engine appear? Holley has these stats in seconds. Kid's play. HOLLEY It was standard in seven models over a 12-year period. At least 35,000 cars were made with this engine. Mater MOVES HIS SEAT FORWARD, through one part of the hologram so he's face-to-face with Holley. MATER You're pretty. 62. HOLLEY (ANNOYED) Yes, alright. Thank you. MATER And so nice. HOLLEY Just pay attention. She moves the engine photo so it's now blocking Mater again. FINN This seems like a dead end. If there were something in the photo that could narrow this down a bit I'd be a lot happier. �� MATER You might not be happy, but I bet this feller is. See how he's had most of his parts replaced? And see all them boxes over there? Them's all original parts. They ain't easy to come by. HOLLEY Rare parts. FINN That's something we can track. HOLLEY Exactly! Holley drops her screen down. FINN Well done, Mater! I would never have seen that. (TO HOLLEY) I know of a black-market parts dealer in Paris, a treacherous lowlife. But, he's the only car in the world who can tell us whose engine this is. Mater, what would you say to setting up an informal task force on this one? MATER Wait, what? 63. FINN You obviously have plenty of experience in the field. MATER Well yeah I live right next to one. (thinks about it) I don't know, Finn. I ain't exactly been much help to anybody recently. FINN You're helping me. Please, Mater. MATER Well, okay. But you know I'm just a tow truck, right? FINN Right. And I'm just in the import/export business. Siddeley? SIDDELEY Yes, Finn? FINN Paris. Tout de suite. MATER Yeah, two of them sweets for me too, Sid! (TO HOLLEY) You know, I always wanted to be a spy. HOLLEY (SMILING SWEETLY) Really? Me too. SIDDELEY Afterburners, sir? FINN Is there any other way? EXT. JET - MOVING Siddeley HITS THE JUICE, they kick forward like a mule as we CUT TO --- A MONTAGE OF PARIS: Mater attempts to merge into roundabout traffic; mimes annoy tourists at the Eiffel Tower; a painter works his magic on an unattractive couple; a couple kisses on the most romantic spot in the world; we might even catch GASTOW'S RESTAURANT. 64. The charming, low-key introduction ends with a SWEEPING VISTA of Paris's center from far away as we CRANE DOWN INTO --- EXT. STREET - DAY --- a dirty street in the 1st Arrondissement. Finn and Holley drive along together as Mater, playing "spy," darts back and forth behind them from doorway to dumpster, "hiding out." He's having a ball. FINN (TO HOLLEY) Once we're inside, stay close. Don't bother checking VIN numbers for criminal records, they're all dodgy here. HOLLEY No VIN scans. Got it. FINN Don't talk to anyone. Don't look at anyone. And absolutely, positively no idling. Are we clear? HOLLEY Yes, right. No idling. Yes, sir. FINN Mater? MATER Yeah, Finn? FINN We're not here to go shopping. As Finn and Holley and Mater turn the corner... MATER Shopping? What do you mean? Why would I --- Mater turns the corner and enters a massive Les Halles- inspired Parisian market filled with car parts. A tow truck's dream. MATER Dadgum. MERCHANTS - Parts for sale, Monsieur! - Monsieur! Parts for sale! 65. IN THE MARKET - MOMENTS LATER Mater rolls along, impressed by the goods for sale. MATER You gotta be kidding me - they've got everything here. Look at them hoods! I could use a hood. Mater continues on though, heeding Finn's advice. MATER Sorry fellers, I gotta go. INT. ENCLOSED MARKETPLACE - DAY Mater, now out of sight of Finn and Holley, passes a darkened stall. He STOPS, peers in. There's someone in there. MATER Excuse me. What are you selling? It suddenly OPENS its headlights revealing... EYES!! In French, the mutant car pitches his wares to Mater. Mater FREAKS OUT, speeds off, TERRIFIED. AROUND THE CORNER - FINN AND HOLLEY A few car lengths ahead of Mater. They roll along, looking for... Aha! Finn and Holley recede into the shadows. In FINN'S SIDE MIRROR: TOMBER, a three-wheeled parts dealer, argues with a French customer. FINN There you are. Mater suddenly turns the corner, sees Finn and Holley. MATER Man, there are some great --- FINN Mater, get back! Too late. Tomber sees Mater, then notices FINN, reflected in a hubcap. He BOLTS. Finn and Holley give chase. MATER Hey, wait for me! Tomber, skidding away, kicks a tent in Finn's way. Holley quickly pivots RIGHT and disappears. Where did she go? 66. Finn, hot in pursuit, leaps another obstacle and loses ground TO --- --- Tomber who turns a corner and finds himself grill to grill with HOLLEY. He whips to the left but TURNS OVER, rolling sideways and CRASHING to a stop. Holley ZAPS him with ELECTROSHOCKERS. Finn suddenly arrives, stops her. FINN (TO HOLLEY) Have you lost your mind?! HOLLEY But I thought --- FINN Mater! This chap needs a tow. Hook him up. MATER Sure thing. CUT TO: MOMENTS LATER - Mater tows Tomber, following Finn and Holley. TOMBER You rusty piece of junk, get your dirty hook off me! INT. A SMALL GARAGE - MOMENTS LATER Finn throws open a door. Cars scatter like cockroaches. FINN (to the cars) Allez! Maintenant - vite! Mater unhooks an angry Tomber who spits in French. Finn pulls the door down. As it LATCHES TIGHT --- TOMBER (TO FINN) Electroshock! Are you kidding me?? FINN Easy, Tomber. This is her first field assignment - she didn't know you were my informant. HOLLEY Informant? 67. TOMBER A rookie, eh? I never liked new car- smell. Holley FUMES with anger. FINN Tomber was doing 20 to life in a Moroccan impound the first time I saved him, if I recall correctly. TOMBER Speaking of recalls, you're getting up there in mileage aren't you, Finn? HOLLEY Alright, we get it. You both know each other, you're both old. So. Holley shoots a HOLOGRAPHIC PHOTO of the engine in front of Tomber. HOLLEY There you go, informant. Inform us. Tomber eyes the photo. He recoils, unimpressed. TOMBER That is the worst motor ever made. Suddenly, Tomber narrows his gaze. TOMBER Wait. That oil filter... those wheel bearings. FINN Do those parts look familiar, Tomber? TOMBER They should. I sold them. HOLLEY To whom? TOMBER No idea. He's my best customer, but he always does his business over the phone. I was always wondering why he needs so many parts. Now I know. 68. MATER Well, a lemon needs parts. Ain't nothing truer than that. FINN "Lemon?" MATER Yeah, you know. Cars that don't ever work right. Lemons is a tow truck's bread and butter. Like them Gremlins and Pacers we run into at the party and the race and the airport. FINN Holley, pull up the pictures from the oil platform. I want to know what other type of cars were out there. Holley complies and suddenly PHOTOS OF CARS FROM THE OIL PLATFORM hang suspended in the air in front of them. HOLLEY Right. Let's see. There were Hugos. And Trunkovs. FINN Mater, are these cars considered lemons? MATER Is the Popemobile Catholic? HOLLEY Finn. Everyone involved in this plot is one of history's biggest loser cars. Holley refers to the ENGINE PHOTO, which now rises forward as the prominent picture, perhaps the only one in view. FINN And they're all taking their orders from the car behind this engine. TOMBER This explains it! FINN What, Tomber? 69. �� TOMBER Gremlin, Pacer, Hugo and Trunkovs never get together. But they're having a secret meeting in two days. FINN Where's this meeting taking place? TOMBER Porto Corsa, Italy. MATER That's where the next race is! FINN Then there's a good chance our mystery engine will be there too. TOMBER Your chances are more than good. I just sent him a new clutch assembly yesterday... to Porto Corsa. FINN Holley, contact Stephenson and have him meet us at Gare de Lyon. Good work. EXT. FRENCH ALPS - NIGHT STEPHENSON, a THREE-CAR LUXURY BULLET TRAIN speeds along a snow-covered mountain in the dead of night, its halogen headlight cutting through the darkness. It DIPS into a TUNNEL --- MATER (O.S.) Boy, I'll tell you what. That three- wheeled feller had to be right about a big meeting. INT. SPY CAR - MOVING - NIGHT Mater, Finn and Holley scroll through surveillance-style photos of TRAFFIC on an Italian street. They're in the front train car, which doubles as a luxury seating area and intelligence command center. MATER You never see this many lemons in one town. Unless there's a swap meet, or something. (TO HOLLEY) (MORE) 70. MATER (CONT'D) Hey, how'd you get all them pictures? HOLLEY Well, I remotely reprogrammed Porto Corsa's red light cameras to do recognition scans. MATER Wow, not only is you the prettiest car I ever met, but you the smartest too. HOLLEY Thank you. I think. MATER That's a familiar sight. Mater refers to a photo of VICTOR HUGO, the HUGO Lemonhead, being towed by an EASTERN EUROPEAN TOW TRUCK. MATER A Hugo being towed. But he looks absolutely perfect. FINN Of course. They must be the heads of the lemon families. MATER Makes sense. If I was rich and broke down every day, I'd hire me to tow me around all the time too. FINN We've got to infiltrate that meeting. It's the only way to find out who's behind all this. HOLLEY (EYEING MATER) Hang on a minute. MATER What? HOLLEY Hold still. Holley SNAPS Mater's picture, temporarily blinding him. MATER Ahh! 71. Holley turns back to her monitor. Mater's face appears on screen. She quickly GRAFTS it over the Hugo's tow truck's. FINN Good job, Miss Shiftwell. Holley isn't sure what surprises her more: the compliment or how pleased it makes her. HOLLEY Thank you, Finn. MATER Boy, I sure wish my friends could see me now. EXT. SMALL TOWN - ITALY - OUTSIDE PORTO CORSA - DAY A quaint Italian piazza. A pristine MASERATI FOUNTAIN, complete with ancient trident, looms in our view. Luigi and Guido roll into view. LUIGI Guido, your eyes do not deceive you. We are in Italy. We are home! Sarge, Fillmore and McQueen exit a WGP transport truck. FILLMORE Hey, Luigi. Which way to the hotel, man? LUIGI What? No friends of mine will stay in a hotel in my village. You will stay with my --- Uncle Topolino! UNCLE TOPOLINO, a distinguished 1937 Fiat Topolino, rolls forward. He greets them warmly with affectionate Italian salutations as word of Guido and Luigi's arrival spreads. The square FILLS with family and friends. EXT. PIAZZA - DUSK A festive homecoming party. Lights strung across the square. Music and dancing. Fillmore and Sarge are at a dining table. SARGE How do they do it? These are the same ingredients as back home, but it tastes so good. 72. FILLMORE It's organic, man. SARGE Tree hugger. LIGHTNING MCQUEEN rolls along the periphery of the square, seems lost in thought. UNCLE TOPOLINO (O.S.) Race car. Uncle Topolino beckons McQueen over. UNCLE TOPOLINO You look so down, so low. Is like you have flat tires. MAMA TOPOLINO, a hefty Italian grandmother pipes up, a mile a minute then drives off, now a car on a mission. UNCLE TOPOLINO She said you look like you're starving. That she's going to make you a big meal, and fatten you up. MCQUEEN No, Mama Topolino, please. You don't need to make a fuss! Too late. She's disappeared inside her kitchen. UNCLE TOPOLINO Capisco. I understand. Is a problem, yes? Between you and a friend? MCQUEEN How'd you know that? UNCLE TOPOLINO A wise car hears one word and understands two. McQueen takes this in, impressed. UNCLE TOPOLINO That, and Luigi told me. While Mama cooks, come and take a stroll with me. They amble forward, Uncle Topolino setting the pace. 73. MCQUEEN I brought my friend Mater along on the trip. And I told him he needed to act different, that we weren't in Radiator Springs. UNCLE TOPOLINO This Mater. He's a close friend? MCQUEEN He's my best friend. UNCLE TOPOLINO Then why would you ask him to be someone else? McQueen considers this - a realization. MCQUEEN What did I do? I said some things during our fight... UNCLE TOPOLINO You know, back when Guido and Luigi used to work for me, they would fight over everything. IN THE SQUARE - Guido dances with a girl. Luigi suddenly CUTS IN. They begin to ARGUE. UNCLE TOPOLINO They fight over what Ferrari was the best Ferrari; which one of them look more like a Ferrari... There were even some non-Ferrari fights. Guido now LIFTS Luigi, cuts BACK in. UNCLE TOPOLINO So I tell them, va bene. It's okay to fight. Everybody fights now and then, especially best friends. McQueen takes this in. Seems to take some small comfort. UNCLE TOPOLINO But you gotta make up fast. McQueen's comfort quickly evaporates. UNCLE TOPOLINO No fight more important than friendship. 74. Guido and Luigi now dance together with the girl and her friend who has just arrived. All having a great time. They dance past us, crossing in front of MCQUEEN AND UNCLE TOPOLINO. We STAY WITH them. UNCLE TOPOLINO Chi trova un'amico, trova un tesoro. MCQUEEN What does that mean? MAMA TOPOLINO (ARRIVING) Whoever find a friend, find a treasure. Mama Topolino drops a tray of food in front of McQueen. MAMA TOPOLINO Now, mangia! Eat! ON MCQUEEN, distant, taking all of this in, lost in thought as, in the background, Uncle Topolino and Mama Topolino talk, then argue, then make up (all in Italian) all while we stay on McQueen's pensive face --- INT. TRAIN TUNNEL - LATER Stephenson glides along, all business. STEPHENSON Finn, one hour to Porto Corsa. INT. TRAIN - MOVING - LATER FINN Thank you, Stephenson. Finn watches as HOLLEY attaches a new EMERGENCY LIGHT on Mater's roof. It looks exactly like his old one. HOLLEY That should just about do it. FINN Perfect. HOLLEY So Mater, it's voice-activated. But you know, everything's voice- activated these days. 75. MATER What? I thought you was supposed to be making me a disguise. MATER'S COMPUTER Voice recognized. Disguise Program Initiated. ZWWWWAT! A HOLOGRAPHIC disguise suddenly umbrellas out, emitted from Mater's roof. It drops a clean cloaking image of the EASTERN EUROPEAN TOW TRUCK over Mater. MATER Cool! Hey, computer. Make me a German truck! MATER'S COMPUTER Request acknowledged. ZWATTTT! Mater suddenly wears lederhosen and a German hat. MATER Check it out. I'm wearing Materhosen. Make me a monster truck! �� MATER'S COMPUTER Request acknowledged. He's transformed into Dracula, complete with fangs. MATER (ALA DRACULA) I vant to siphon your gas. Now make me a taco truck! MATER'S COMPUTER Request acknowledged. MATER A funny car! MATER'S COMPUTER Request acknowledged. Finn suddenly pushes a button, stops the madness. FINN The idea is to keep a low profile, Mater. Mater, chastened, moves on. 76. MATER So I just go in, pretend to be this truck. FINN And leave the rest to us. HOLLEY Now hold still. Holley turns back to her work. The disguise's cloaking is larger than Mater. As a result, Holley must dial it back to fit his body. As she carefully calibrates the hologram: HOLLEY I have to do the final fitting on your disguise. Holley STOPS. The 3D disguise is now flush with his frame, but dents SHOW THROUGH. HOLLEY Oh dear. That's no good. She deploys A BONDO SPRAYER on a robotic arm, moves it toward one of Mater's DENTS. Mater pulls away. MATER Hey, what are you doing? HOLLEY The disguise won't calibrate effectively without a smooth surface to graft onto. MATER Oh. For a second there I thought you was trying to fix my dents. HOLLEY I was. MATER Well then no thank you. I don't get them dents buffed, pulled, filled or painted by nobody. They're way too valuable. HOLLEY Your dents are valuable? MATER I come by each one of them with my best friend Lightning McQueen. (MORE) 77. MATER (CONT'D) I don't fix these. I want to remember these dents forever. HOLLEY So you were being serious in Paris? McQueen isn't just part of your cover? FINN Friendships can be dangerous in our line of work, Mater. MATER But my line of work is towing and salvage. FINN Right. And Miss Shiftwell's is designing iPhone apps. MATER No, I meant for real. I --- HOLLEY It's okay. Say no more. I'll work around the dent. FINN In the meantime... Finn hits a button. The walls transform into a MASSIVE WEAPONS CACHE. FINN You look a little light on weapons. Off Mater's RXN --- EXT. ALPS - DAWN --- STEPHENSON EMERGES LOUDLY from a tunnel. He powers forward, starts his descent into Italy --- BRENT MUSTANGBURGER (V.O.) You are looking live at beautiful Porto Corsa, Italy, on the Italian Riviera. What a magnificent setting for the second race of the World Grand Prix. EXT. PORTO CORSA, ITALY - DAY Over sweeping helicopter BEAUTY SHOTS: 78. DAVID HOBBSCAP (V.O.) Well Brent, they call this place "The Gem of the Riviera," and it's easy to see why. A local fishing boat chugs through an idyllic waterway, beneath bridges that connect hillside villas. DAVID HOBBSCAP (V.O.) With its secluded beaches and opulent casinos, Porto Corsa truly is a playground for the wealthy. A long line of RICH-LOOKING YACHTS in the harbor. DAVID HOBBSCAP (V.O.) And everyone who's anyone is here today. Rich SPORTS CARS drive past pricey shops. DAVID HOBBSCAP (V.O.) From the ultra-rich and super- famous, to world leaders and important dignitaries. THE POPEMOBILE, visible in a crowd, drives through town. DARRELL CARTRIP (V.O.) You aren't kidding, David. You can't do a three-point turn around here without bumping into some celebrity! HELICOPTER SHOT of the Casino. BRENT MUSTANGBURGER (V.O.) Welcome everyone to the second race of the World Grand Prix! CUT TO: MUSTANGBURGER, HOBBSCAP and CARTRIP in the control booth. BRENT MUSTANGBURGER The big news continues to be Allinol. Sir Miles Axlerod spoke to the press earlier today to answer questions about its safety. FOOTAGE OF THE PRESS CONFERENCE - Miles Axlerod, at a podium, addresses the press throng. He looks a bit exasperated. 79. MILES AXLEROD An independent panel of scientists has determined that Allinol is completely safe. Okay? Safe! There it is. BRENT MUSTANGBURGER So the race will go on, folks. RACE GRAPHICS show Francesco with 10 points at the top of the race standings. DARRELL CARTRIP But the question everyone is asking: Will the real Lightning McQueen show up today? ON THE TRACK - As the racers begin to get into position on the grid. BRENT MUSTANGBURGER (V.O.) Well, he better. Talk about a home- track advantage. Francesco Bernoulli grew up racing on this course. ITALIAN TRACK ANNOUNCER (V.O.) Signore e signori, in the pole position, numero uno... The crowd is cheering already, knows who this is. ITALIAN TRACK ANNOUNCER (V.O.) ... Francescoooooo! The Italian crowd roars and chants for their hometown hero. FRANCESCO (to the crowd) Bellissima! Thank you for your support. (TO MCQUEEN) And your big mistake, McQueen! McQueen missed this comment. He approaches his grid position, lost in thought. ITALIAN TRACK ANNOUNCER (V.O.) In the secondo position. Numero novantacinque. Lightning McQueen! Cheers (not so thunderous, obviously) from the crowd. McQueen doesn't seem to notice. 80. IN MCQUEEN'S PIT - His team exchanges looks, worried. LUIGI McQueen? Is everything okay? FILLMORE If you're worried about your fuel, man, don't. It's perfectly safe. BACK ON THE STARTING GRID MCQUEEN No, guys, I just really wish Mater were here. FRANCESCO (O.S.) Francesco understands, McQueen. Francesco parks next to him, grinning. MCQUEEN Oh, great. Here it comes. What've you got, Francesco? FRANCESCO For famous race cars like Francesco and well... you, to be far away from home is not easy. MCQUEEN I think you forgot the insulting part of that insult. FRANCESCO Is no insult. When Francesco is away from home, he misses his mama just like you miss your tow truck amico. MCQUEEN Gee, I maybe misjudged you, because that's exactly how I --- FRANCESCO Of course, I am at home. And my mama is right here. Francesco refers to his MAMA who sits in a special box in the crowd, cheering him on, blowing him kisses. FRANCESCO (YELLS) Mama! Don't worry, Mama! (MORE) 81. FRANCESCO (CONT'D) McQueen is very sad! I will beat his cry-baby bottom today! MCQUEEN And there's the insult we were missing. Grazie! THE LIGHTS - CLICK FROM RED TO GREEN --- THE RACERS TAKE OFF! EXT. PORTO CORSA - DAY SHOTS of the racers making the first few turns through the city streets. We PAN to the CASINO DI PORTO CORSA. The Beaux Arts-style architecture towers atop a hill, overlooks the course. EXT. THE CASINO - MOMENTS LATER A group of thuggish HUGOS - ugly Eastern European cars - wait impatiently at the front. A LIMOUSINE-STYLE car carrier rolls up to the roundabout. An esteemed, elderly GREMLIN rolls past with a group of GREMLIN THUGS who usher him into the casino. ALEXANDER HUGO Gremlins. Man, those are some ugly cars. Look like someone stole their trunks. The THUGS all SNICKER. HOLLEY Scusatemi, tutti! Signori! Holley arrives, sporting a decent Italian accent. HOLLEY Mio nonno, my grandfather, has broken down. If one of you would help I would be so thankful. IVAN, AN EASTERN EUROPEAN TOW TRUCK (the one Holley and Finn prepped Mater to impersonate), drives forward. IVAN THE TOW TRUCK Sounds like you need some "roadside assistance". ANOTHER HUGO She was talking to me, Ivan. 82. IVAN THE TOW TRUCK Oh really? Prove it. HOLLEY No, no, don't fight over me. Holley directs her interest toward Ivan. HOLLEY Signore Tow Truck, per favore? CUT TO: MATER - He watches this from a safe hiding spot around a corner. FINN (V.O.) Get ready, Mater. CUT TO: FINN, at an outdoor cafe on the casino grounds. FINN You're on any moment now. CUT BACK TO: MATER, now looking a bit nervous. He backs out of sight. MATER I don't know about this, Finn. What if I screw things up? FINN (OVER RADIO) Impossible. Just apply the same level of dedication you've been using to play the "idiot tow truck" and you'll be fine. MATER It's just that them guys look pretty tough and --- Wait, did you say "idiot"? Is that how you see me? FINN (OVER RADIO) That's how everyone sees you. Isn't that the idea? I tell you, that's the genius of it. No one realizes they're being fooled because they're too busy laughing at the fool. Brilliant. While Finn talks, Mater takes this in. He catches his own reflection in a nearby window. Seems to be seeing himself with new eyes. 83. ZZZZATTT! Mater jumps at the sound, turns in time to see Ivan SHOCKED UNCONSCIOUS by Holley's ZAPPERS. HOLLEY Why aren't you in disguise? MATER I, uh--- HOLLEY Come on, there's no time. Go! MATER Okay, okay. Computer: disguise. MATER'S COMPUTER Request acknowledged. EXT. AROUND THE NEXT CORNER - CONTINUOUS Mater, now disguised as Ivan the Tow Truck, approaches the Hugos. Another LIMO CAR CARRIER arrives. ALEXANDER HUGO It's the boss! He is coming! The carrier parks and the back opens. VICTOR HUGO waits. VICTOR HUGO Ivan! Mater realizes Victor is talking to him. He hops to it. VICTOR HUGO Ivan, why do you insult me so by making me wait? Mater, now with Victor hooked, tows him in the front doors of the casino. ON FINN - now joined in the cafe by Holley who monitors everything and SEES EVERYTHING MATER SEES on her display. HOLLEY He's in. EXT. RACE COURSE - PORTO CORSA - DAY McQueen and Francesco battle for first place --- BRENT MUSTANGBURGER (V.O.) The racers are now making their way around the hairpin, and headed downhill toward the casino bridge. 84. INT. CASINO - DAY Cars play craps with FUZZY DICE; slot machines with odometers for jackpot numbers; cigarette girls sell car items. CIGARETTE GIRL CAR Air Freshener, antenna balls, sparkplugs... ON MATER - He tows VICTOR. They are flanked on all four corners by Hugo thugs, ala a presidential motorcade. The largess of the interior design seems to finally snap Mater out of his funk. MATER (WIDE-EYED) Wow, this place looks like it's made out of gold. The Hugos on either side of Mater exchange a look. HOLLEY (OVER RADIO) That's because it is, Mater. Now, be careful what you say. MATER Why is that? What do you mean don't talk to you? (more talking from Holley which we cannot hear) So you want me to stop talking to you. Right now? ALEXANDER HUGO You are acting strange today, Ivan. MATER I have no idea what you're talking about... MATER'S P.O.V. - A digital readout isolates the Hugo and starts to scroll reams of information alongside. MATER ...Alexander Hugo, aka "Chop Shop Alex." IN A WIDER SHOT we realize this display is invisible to all but Mater. Some of Alex's other alias' include "Alexander Hu- Don't Go" and "Alexander the Not-So Great." 85. MATER Hey, you got a lot of aka's, Alex. But I guess that makes sense seeings how you's wanted in France, Germany, the Czech Republic... HOLLEY (cutting in to his DISPLAY) Mater! Stop it! Alexander Hugo, unaware of Holley's interruption, whispers to Mater as they turn a corner. ALEXANDER HUGO Okay, okay. Keep your voice down. You're gonna make me arrested. (to the other Hugos) Don't mess with Ivan today. He's in a bad mood. EXT. CASINO - DAY Holley, hearing this, can't believe it. FINN He's so good. INT. CASINO - DAY Mater tows Victor inside a private room, where inside are the WORLD'S WORST CARS including VLADMIR TRUNKOV, TUBBS PACER and J. CURBY GREMLIN. VLADIMIR TRUNKOV Victor! TUBBS PACER Hey, Victor! J. CURBY GREMLIN There you are. VLADIMIR TRUNKOV Come in, come in. J. CURBY GREMLIN Victor Hugo. I'm J. Curby Gremlin, from Detroit. It's good to see you. Now we can start. VICTOR HUGO Is the big boss here yet? 86. VLADIMIR TRUNKOV No, not yet. TUBBS PACER He's supposed to be here any minute. WHAM! A DOOR is thrown open O.S. Everyone turns, now silent. ON THE DOOR - It sits open. No one enters. The room of Lemons watch, nervous. ON MATER - Nervously watching too. EXT. CASINO - CONTINUOUS FINN Here we go. INT. PRIVATE ROOM - CASINO - CONTINUOUS A car finally appears. It's Zundapp. PROFESSOR ZUNDAPP Guten Tag! Everyone looks disappointed. TUBBS PACER It's just the Professor. VICTOR HUGO Zundapp, when is he coming? PROFESSOR ZUNDAPP He's already here. MONITORS descend from the ceiling. On them, an image of AN ENGINE - the same bloody engine from the photo. But this is a LIVE image. The car is being worked on. VOICE Welcome, everyone. The VOICE is garbled, scrambled. No way to determine who. ENGINE VOICE I wish I could be with you on this very special day but... my clutch assembly broke. You know how it is. The Lemons all nod in understanding. 87. TUBBS PACER Been there. J. CURBY GREMLIN Forget about it. VLADIMIR TRUNKOV We know how you feel. EXT. CASINO FINN Descramble that voice! HOLLEY (already on it) I'm trying... It's too sophisticated! INT. PRIVATE ROOM - CASINO - CONTINUOUS ENGINE VOICE We are here to celebrate. Today all your hard work pays off. The world turned their backs on cars like us. They stopped manufacturing us, stopped making our parts. The only thing they haven't stopped doing is laughing at us. They've called us terrible names... On VICTOR HUGO. ENGINE VOICE Jalopy. Rustbucket. On TUBBS PACER. ENGINE VOICE Heap. Clunker. On J. CURBY GREMLIN: ENGINE VOICE Junker, beater, wreck. On ZUNDAPP. ENGINE VOICE Rattletrap. And finally back on the monitor. The ENGINE. 88. ENGINE VOICE Lemon. But their insults just give us strength. Because today, my friends... The monitors switch to LIVE RACE FOOTAGE. ENGINE VOICE ...that all ends. On the VIDEO SCREENS - CARLA VELOSO'S ENGINE BLOWS --- EXT. RACE COURSE - CONTINUOUS Veloso swerves, attempts to mitigate a crash --- DARRELL CARTRIP (V.O.) There's smoke! On the casino bridge! DAVID HOBBSCAP (V.O.) Oh no. BRENT MUSTANGBURGER (V.O.) It's Carla Veloso, the Brazilian race car. She skids into a wall, hard. EXT. CASINO - CONTINUOUS FINN What just happened? HOLLEY (analyzing the data) I'm working on it. INT. PRIVATE ROOM - CASINO - CONTINUOUS The lemons are CHEERING. Mater is freaked out. ENGINE VOICE They laughed at us. But now it's our turn to laugh back. BOOM! Another racer blows an engine. Mater JUMPS again. EXT. RACE COURSE - SAME As the racer smashes into the railing --- 89. DAVID HOBBSCAP (V.O.) Another crash! It's number nine, Nigel Gearsley. ENGINE VOICE (V.O.) Embrace your inner lemon! Let it drive you! EXT. CASINO FINN Holley? HOLLEY I'm detecting an extremely strong electromagnetic pulse. Holley replays that last crash. The OUTLINE OF THE BEAM is seen hitting the racer. Holley TRACES THIS to its source --- --- a WGP CAMERA, which Grem and Acer have pointed at the racers from a tower position. HOLLEY Finn, it's the camera! FINN Where? HOLLEY On the tower. Finn TAKES OFF, speeding toward Grem and Acer --- ENGINE VOICE (V.O.) This was meant to be alternative fuel's greatest moment. EXT. GRANDSTANDS - RACE COURSE - CONTINUOUS Angry fans knock over cans of Allinol. One drives over an Allinol sign. They're fed up with it. ENGINE VOICE (V.O.) After today everyone will race back to gasoline. We RACK FOCUS to reveal another fan as he RIPS an Allinol banner down angrily. INT. PRIVATE ROOM - CASINO - CONTINUOUS The video screens are now filled with ONE IMAGE - of the OIL PLATFORMS in the Pacific from the beginning of the movie. 90. ENGINE VOICE And we, the owners of the world's largest untapped oil reserve, will become the most powerful cars in the world! EXT. STREETS OF PORTO CORSA - CONTINUOUS Finn ducks, weaves, speeds, and pushes his way through BYSTANDERS --- FINN Get out of the way! Andate! He speeds furiously through town. EXT. RACE COURSE - PORTO CORSA - CONTINUOUS McQueen and Francesco FLY PAST US. INT. PRIVATE ROOM - CASINO ENGINE VOICE They will come to us and they will have no choice, `cause they will need us. ON FINN - He SPEEDS up a road, Grem and Acer visible ahead of him. He LEAPS over the crevasse toward the AMC cousins --- Suddenly, FINN FREEZES. He's immobilized in mid-air! He looks up. A CHOPPER with a LARGE MAGNET hovers over him. ACER (TO FINN) We figured you might stop by. ENGINE VOICE (V.O.) And they will finally respect us. So hold your hoods high. After today you will never again be ashamed of who you are! Grem and Acer turn back to the camera. They line up Shu Todoroki, who's a bit further along now. FINN No! INT. PRIVATE ROOM - CASINO - CONTINUOUS ENGINE VOICE Long live Lemons! 91. EXT. RACE COURSE Grem ZAPS THE RACER. Flames burst from Todoroki. He loses control. BRENT MUSTANGBURGER (V.O.) Number seven is loose! Shu Todoroki! Shu takes down three more cars with him and others follow suit. It's a nightmare pileup. EXT. CASINO - SAME Holley sees Finn being flown away by the chopper. HOLLEY Finn. EXT. FINISH LINE - PORTO CORSA - CONTINUOUS BRENT MUSTANGBURGER (V.O.) Bumper to bumper as they approach the finish line. McQueen NOSES out Francesco for a win, both oblivious to what's just happened. BRENT MUSTANGBURGER (V.O.) McQueen's the winner, Francesco's second. And they have no idea what happened behind them. MCQUEEN Yeah! FRANCESCO Dah! This is impossible! MCQUEEN That's what I'm talking about. Kachow! Hey, where are all the other cars? FRANCESCO What is going on? They see the pile-up from an overhead monitor. Sirens blare as a MEDIC CHOPPER flies to the scene of the pile-up. 92. MCQUEEN (REALIZES) Oh no. CUT TO: MILES AXLEROD - LATER. He's near the casino. He's completely surrounded, 360 degrees, by press. He's drowned out by a blizzard of questions. BRENT MUSTANGBURGER Sir Axlerod! Is the final race in London still going to take place? PULL BACK to reveal we are watching this on monitors in the PRIVATE CASINO ROOM with the Lemonheads, Zundapp and Mater. MILES AXLEROD (ON TV) I suppose that... Look, "the show must go on" as they say. But now is not the time to talk about... J. CURBY GREMLIN I can't believe this is really happening. VLADIMIR TRUNKOV Shh, quiet! BRENT MUSTANGBURGER (ON TV) And Allinol? Will you require all the racers to still run on Allinol? VLADIMIR TRUNKOV Here it comes. On Miles Axlerod: He's devastated. MILES AXLEROD (ON TV) I cannot in good conscience continue to risk the lives of any more race cars. The final race will not be run on Allinol. WILD WHOOPING CHEERS fill the room. Lemonade corks are popped. BRENT MUSTANGBURGER (ON TV) There you have it. A clearly devastated Sir Miles Axlerod announcing that he will not require the cars to use Allinol for the final race. 93. PROFESSOR ZUNDAPP A toast! To the death of Allinol and alternative fuel forever! EXT. CASINO - CONTINUOUS Holley is already on the run. Speeding away. HOLLEY Mater. Abort the mission. They've got Finn. Get out of there. Get out of there right now! She turns a corner and STOPS. Her escape is now blocked by the same HUGO THUGS she tricked before. Another vehicle appears BEHIND HER, LOOMS. IVAN THE TOW TRUCK How is your grandfather? INT. PRIVATE ROOM - CASINO - CONTINUOUS The Lemonheads celebrate, chant "Long live lemons!" Mater, scared, turns to leave. He's stopped by ALEXANDER HUGO. ALEXANDER HUGO Isn't this a great party, Ivan? MATER Oh yeah, it's unbelievable. ALEXANDER HUGO You are not leaving, are you? MATER Uh, of course I ain't leavin'. MCQUEEN (O.S.) I'm just in shock like everybody... MATER McQueen? He turns, sees that McQueen is being interviewed on the monitors. MCQUEEN (ON TV) Crashes are part of racing, I know. But something like that shouldn't ever happen. 94. DARRELL CARTRIP (ON TV) They're letting you choose your fuel for the final race. Do you have any idea what it's going to be? MCQUEEN (ON TV) Allinol. The excitement suddenly DRAINS from the room. LEMONHEADS - What?! - Did he just say Allinol? After today? MCQUEEN (ON TV) My friend Fillmore says the fuel's safe. That's good enough for me. I didn't stand by a friend of mine recently. I'm not gonna make the same mistake twice. On Mater. He takes this in. BRENT MUSTANGBURGER (ON TV) So a surprising revelation from Lightning McQueen... Zundapp is already on the phone with their Big Boss who, based on his angry O.S. voice, sounds ticked off. PROFESSOR ZUNDAPP Yes, sir. Of course. Zundapp hangs up, turns to the room. PROFESSOR ZUNDAPP Allinol must be finished for good. McQueen cannot win the last race. Lightning McQueen must be killed. Mater's eyes open wide. MATER No! Mater backs up, KNOCKING his emergency light against one of the monitors. ZZZZZAT! His holographic disguise flickers away then quickly SCROLLS THROUGH all of his previous disguises, finally revealing rusty old Mater. PROFESSOR ZUNDAPP It's the American spy! 95. The thugs DRAW TERRIFYING WEAPONS. MATER Dadgum. MATER'S COMPUTER "Gatling gun" request acknowledged. WHIRRRRR! GUNS roll out of Mater on each side. MATER Shoot. I didn't mean --- MATER'S COMPUTER Request acknowledged. Mater SPRAYS BULLETS into the crowd. VLADIMIR TRUNKOV Get down! MATER Whoa!! The Lemons and Lemonheads hit the deck and RETURN FIRE --- Mater is THROWN BACKWARD by the force of the guns, back through some double doors and onto a BALCONY. �� MATER Wait wait! I didn't mean that kind of shoot! MATER'S COMPUTER Correction acknowledged. Deploying chute. WHOOM! A PARACHUTE BURSTS out of the back of Mater, he catches air and is YANKED INTO THE SKY! The Lemonheads watch him float away, amazed. ON MATER, out of the frying pan but still toasty. He looks around, notices: LIGHTNING MCQUEEN, far away, leaving the press podium. MATER McQueen! Mater looks down at the harbor, over which he flies. He spots a MOTORBOAT. Mater WHIPS his hook down, steals a ride behind the boat TOWARD MCQUEEN. 96. ITALIAN MOTORBOAT Aspetti! The motorboat isn't happy about this, tries to shake him. Mater is THROWN INTO A "HOTEL" sign, then SMASHES down through a Francesco souvenir stand. As he CRASHES onto the ground hard, we SMASH CUT TO --- EXT. SECURITY CHECKPOINT - WINNERS CIRCLE --- a barricade. Separating the press from the public, ITALIAN SECURITY TRUCKS stand guard. MATER Lemme through! Lemme through! MATER barrels around a corner. He's now covered in Francesco memorabilia and palm leaves. The word `HOT' now dangles off him like the world's biggest bling. He looks INSANE. MATER (TO SECURITY) You gotta let me in! I gotta get through to warn McQueen! Security eyes one another. This is serious. ITALIAN SECURITY #1 You cannot come through here. Back up, signore. ITALIAN SECURITY #2 (into a walkie-talkie) We have a lunatic at Gate Nove. MATER No, listen! I was disguised as a tow truck to infiltrate this Lemonhead meeting and my weapons system misinterperated what I was SAYING --- ITALIAN SECURITY #2 I repeat. Lunatic at Gate Nove. Mater spots McQueen far off in the distance. MATER McQueen! McQueen! JUST OFF THE PRESS STAGE - McQueen is led toward the exit. PRESS LIAISON Right this way, signore. 97. MATER (O.S.) (DISTANT) McQueen! MCQUEEN Mater? McQueen looks up but can only see A SEA OF VEHICLES, flashbulbs, cameras, TV trucks with those tall satellite antennae things that spindle toward the sky... BACK AT THE SECURITY BARRICADE - Mater, like a nimble running back, dances around to avoid capture by security. MATER McQueen! ITALIAN SECURITY #1 Back up, sir. Stop moving! Stop! Mater head fakes them and pushes through, into the crowd --- ITALIAN SECURITY #1 Oy! Stop! Ferma li! IN THE CROWD - Mater shoves his way through. He's still far in the back. MATER McQueen! ON MCQUEEN MCQUEEN That really sounded like Mater. Mater? PRESS LIAISON (TO MCQUEEN) Signore... ON MATER, getting CLOSER... MATER McQueen, they're gonna kill you!! ON MCQUEEN - Okay, he's positive that was his friend, but where is he? MCQUEEN Mater?! McQueen spots a TOW HOOK, moving through the crowd toward him, "Jaws"-like. 98. MCQUEEN Excuse me. McQueen disappears into the press crowd. PRESS LIAISON No, no, where are you going? Please, Mr. McQueen! McQueen pushes through the press. MCQUEEN Scusi. Mater! Scusi... McQueen tracks the tow hook, gets closer. He pushes through the last few vehicles --- MCQUEEN Mater, I'm so glad to see you. I'm so sorr --- It's NOT MATER. It's IVAN, the Hugo Thug's tow truck. IVAN THE TOW TRUCK Lightning McQueen! I am a huge fan. MCQUEEN (CONFUSED) Oh, I'm sorry. I thought I heard--- IVAN THE TOW TRUCK Yes, but that was me. I said, "You killed out there today." You're the best. MCQUEEN What? Oh. I mean, thanks. PRESS LIAISON Right this way, signore --- Now the Press Liaison and his assistants are pushing McQueen back in the other direction --- MCQUEEN (as he's pulled away) I really thought I heard my friend. As he's pulled away, press and onlookers start to come between him and Ivan, who hasn't moved. 99. IVAN THE TOW TRUCK (TO MCQUEEN) In England you'll be finished. At the finish line. Ivan is now obscured again. MCQUEEN Wait, what? The ITALIAN PRESS being to swarm. PRESS LIAISON Please, the world press is waiting. You come with me, please. McQueen is pulled back --- EXT. STREET - PORTO CORSA - MOMENTS LATER --- just as Mater, now BOUND and with HIS MOUTH TAPED, is pulled away and thrown into the back of a transport vehicle. He lands hard on his side, spits out his TAPE. MATER Let me go! PROFESSOR ZUNDAPP You actually care about that race car. A pity you didn't warn him in time. As the doors close on Mater --- PHHHHHSSSSSSTTTTTTT! A thick, noxious gas starts to fill the truck. On MATER as the knockout gas works its magic. HIS EYES CLOSE. CUT TO: BLACK SCREEN. MATER (V.O.) Idiot? Is that how you see me? FINN (V.O.) That's how everyone sees you. I tell you, that's the genius of it. FADE IN on Mater, back at the Casino, eyeing his reflection in the glass window. It's the same moment from before except now we are watching it from a DETACHED, FLOATING PERSPECTIVE. 100. FINN (OVER RADIO) No one realizes they're being fooled because they're too busy laughing at the fool. - IN THE KABUKI THEATER IN JAPAN - Again, from before. Mater makes a spectacle of himself, WHOOPING AND HOLLERING in the stands with the face paint on. MATER Domo arigato! McQueen, Fillmore, Guido, Luigi, Sarge and patrons eye Mater, embarrassed and angry. - IN THE JAPANESE MUSEUM - The moment of Mater banging on the Zen rock garden's glass. Except that now we see all sorts of disappointed and eyebrow raising reactions. MATER You done good! You got all the leaves! JEFF GORVETTE Check out that tow truck. LEWIS HAMILTON I wonder who that guy's with? MCQUEEN (HUMILIATED) Will you guys excuse me just for one little second? We now REVEAL that this FLOATING, THIRD PERSON PERSPECTIVE is MATER. He's INSIDE his past, watching it from others' points of view. He doesn't like what he sees. - ON MATER, now at the sushi bar. MATER Now that's a scoop of ice cream! Mater swallows the wasabi with one big bite. He SCREAMS! The sushi bar patrons blanch with revulsion at his wail. - ON THE FOUNTAIN, as Mater peels into full view of everyone else at the party. As Mater laps up water from a fountain: MCQUEEN (EMBARRASSED) Mater?! 101. ALL THE RACERS, with FRANCESCO front and center, guffaw at Mater. - On MCQUEEN, now scolding Mater moments later. MATER I never leak oil. Never. MCQUEEN Mater, you have to get a hold of yourself. You're making a scene! - IN MCQUEEN'S PIT GARAGE, after the Japanese race. MATER Wait a minute. I didn't screw you up, did I? MCQUEEN I lost the race because of you! MATER Maybe if I talked to somebody, or--- MCQUEEN I don't need your help. I don't want your help! - Now BACK AT THE PARTY, a moment we didn't see before but which presumably happened. Mater is BANGING a ceremonial GONG, to the horror of Japanese guests. MATER Bang a gong, get it on! GONNNNNNG!!! --- On the PARTYGOERS, RACE CARS, PARTY STAFF - they're all laughing at Mater as McQueen's final words blend in, making a DISSATISFIED CACOPHONY MCQUEEN Listen, this isn't Radiator Springs. This is exactly why I don't bring you along to these things! Off the GONG at the party --- INT. BIG BENTLEY - DAY --- to the GONG of a CLOCK. CLOSE ON MATER as he OPENS HIS EYES. 102. All around him, all he sees are GIANT PIECES OF MECHANIZED CLOCKWORK. HOLLEY and FINN are here too, strapped bumper to bumper in the divots of large clock movements. MATER Holley! Finn! Where are we? FINN We're in London, Mater. Inside Big Bentley. EXT. BIG BENTLEY - CONTINUOUS The BIG HAND finishes ADVANCING one minute. It's 3 PM. INT. BIG BENTLEY - CONTINUOUS Suddenly Mater DROPS QUICKLY down toward --- --- whirring, scary machinery. MATER Woaaaah! --- WHAP! The chain yanks to a STOP. Mater, instead of being 30 feet from death, is now 20. Finn and Holley are only a few clicks closer to being crushed themselves. The clock ticks to 3:01. MATER This... this is all my fault. FINN Don't be a fool, Mater. MATER But I am, remember? You said so. FINN When did I... Oh. Mater, I was complimenting you on what a good spy you are. MATER I'm not a spy! This echoes throughout the clock. 103. MATER I've been trying to tell you that the whole time. I really am just a tow truck. Finn and Holley take this in. HOLLEY Finn, he's not joking. FINN I know. MATER You were right, Finn. I'm a fool. And what's happened to McQueen is `cause I'm such a big one. This is all my fault. GREM and ACER arrive on a lift, roll into view on a catwalk. GREM Good, you're up! ACER And just in time! GREM Professor Z wanted you to have a front row seat for the death of Lightning McQueen. MATER (HOPEFUL) He's still alive? Acer whips a sheet away, revealing the WGP CAMERA, turns it toward the clock face. ACER Not for much longer. He pushes the camera through an open small window, turns it toward the course. Mater DROPS down again --- FINN and HOLLEY CLICK FORWARD. EXT. LONDON - DAY Big Bentley's big hand CLICKS ahead another minute. But we're a bit farther away from it than before. SALLY (O.S.) We came as soon as you called. 104. INT. MCQUEEN'S PIT - LONDON Sally, flanked by Red, Flo and Ramone, are in front of ---- --- McQueen and the rest of the team. MCQUEEN I called to talk to Mater. It never occurred to me that he wouldn't be there. RAMONE Sheriff is talking to Scotland Yard right now. FLO And Sarge is in touch with his friends in the British military. SALLY You just need to focus on the race. MCQUEEN I know, but Sal, with everything going on I'm not sure I should--- A HORN O.S. Someone's entering the pit. Everyone parts, revealing MILES AXLEROD. MCQUEEN Sir Axlerod. MILES AXLEROD I'm sorry to interrupt. MCQUEEN No, no, it's all right. MILES AXLEROD I just wanted to come down here and personally thank you. Because after Italy, I was finished. And then you gave me one last shot. MCQUEEN Listen, I --- MILES AXLEROD And I probably shouldn't be saying this at all but... I hope you win today. Show the world that they've been wrong about Allinol. McQueen takes this in. He looks at Sally. 105. SALLY Mater would want you to race. MCQUEEN All right. For Mater. EXT. THE STARTING GRID - MOMENTS LATER TIRES SQUEAL --- MCQUEEN, FRANCESCO and the other racers PEEL OUT --- We PAN UP to reveal the LEMONHEADS watching from a VIP box. EXT. RACE COURSE - LONDON - DAY McQueen leads Francesco as they approach Big Bentley... INT. BIG BENTLEY - LONDON - CONTINUOUS GREM Here he comes! Grem turns up the juice to the HIGHEST, DEATH-INDUCING LEVEL. Holley and Finn watch, helpless. Mater closes his eyes. Grem ZAPS MCQUEEN. EXT. RACE COURSE - LONDON McQueen SPEEDS PAST Big Bentley, unharmed. Oblivious to what was supposed to have just happened. INT. BIG BENTLEY - LONDON Zundapp suddenly SQUAWKS over the radio. PROFESSOR ZUNDAPP (OVER RADIO) What happened!? GREM I don't know, Professor. ACER What did you do? GREM (TO ACER) I didn't do nothin'. Shh! I'm talking to the Professor--- They're all talking at once and for a moment we cannot understand what is being said. 106. ACER You broke it. GREM Quiet! (INTO RADIO) I understand, sir. Yes. Grem hangs up. ACER What'd he say? GREM We go to the backup plan. MATER Backup plan?? GREM We snuck a bomb in McQueen's pit! ACER The next time he makes a stop, instead of saying "ka-chow," he's gonna go "ka-boom"! They LAUGH. Mater shudders, upset. GREM Don't feel bad, tow truck. You couldn't have saved him. ACER Oh, wait. You could have! Grem and Acer laugh. As they board the elevator: MATER Dadgum lemons. MATER'S COMPUTER Request acknowledged. Suddenly, Mater's GATLING GUNS rotate out again - a surprise to Mater. But they SPIN IN PLACE, empty. Grem and Acer just laugh more. GREM What, you didn't think we'd take your bullets? Mater NOTICES SOMETHING. 107. CLOSE ON WHAT MATER SEES: A small piece of his ropes have been shaved away by the Gatling. He carefully rotates his guns BACK IN, pretending like he's seen nothing. ACER That's right! You got nothin'. GREM (as the elevator descends) Who's the lemon now, huh? They're GONE. FINN Nice try, Mater. MATER Dadgum! MATER'S COMPUTER REQUEST ACK- The guns ROTATE OUT AGAIN, SPIN. Mater watches as the spinning barrels SLICE INTO the ropes, do some damage. MATER Dadgum! Dadgum! Dadgum! The COMPUTER responds with each "dadgum." The barrels continue to SPIN, CUTTING THROUGH the ropes. MATER DADGUMDADGUMDADGUMDADGUM --- PING! The ropes BREAK AWAY and Mater FALLS --- right toward the whirring machinery! HOLLEY Mater! Mater QUICKLY WHIPS his tow cable around, hooks a pipe and tosses himself to the ramp with a heavy THUD. He doesn't HESITATE: MATER I gotta get you all out of there! FINN There's no time. McQueen needs your help, Mater. 108. MATER But I can't, I'm just a tow truck. FINN It's up to you. Go to the pits and get everyone out. You can do that. MATER What about you guys? FINN We'll be okay. HOLLEY Go and get some more dents, Mater. EXT. BIG BENTLEY - LONDON Mater SPEEDS out the front door, a bat out of hell --- INT. BIG BENTLEY - LONDON - SAME On Finn and Holley, now closer to death. HOLLEY So we'll be "okay"? Really? FINN He wouldn't have left if I'd told him the truth. (re: his death trap) Being killed by a clock. Gives a whole new meaning to "your time has come." At this mention Holley seems to perk up, gets an idea. HOLLEY Time. That's it! She spies a GEARBOX below them, at least 20 feet down. Holley FIRES HER ELECTROSHOCKERS --- --- but they miss their target. She recoils them back. FINN What are you doing? HOLLEY Trying to turn back time. If I can just reverse the polarity... She FIRES them again. Direct hit! 109. Holley JUICES the gearbox with HIGH VOLTAGE. The CLOCK STOPS. It reverses itself. Finn and Holley's wheel now rotates AWAY from danger. FINN Good job! Quick thinking, Holley! EXT. LONDON - CONTINUOUS BIG BENTLEY, visible from street level, now moves BACKWARDS. Fast. CRANE DOWN TO --- --- Mater, speeding toward the track, unaware. MATER What's everybody on the wrong side of the road for?! INT. BIG BENTLEY - CONTINUOUS Finn and Holley are now moving in the opposite direction, toward ANOTHER GEAR! And it's going MUCH FASTER. They're seconds from a crushing death... HOLLEY Oh no! FINN Drive! They both DRIVE, fast as they can with FULL FORCE --- FINN Burn rubber!! They drive HARDER, separating bumpers with just enough room for the descending gear to SNAP THEIR ROPES! Their tires spinning, they both LAUNCH off in opposite directions, LAND HARD on opposing platforms. As Finn squeals around to Holley's side of the clock: FINN We've got to get to the course. Calculate the fastest way to --- Holley pops WINGS out of her side. HOLLEY Done. 110. FINN (IMPRESSED) Miss Shiftwell. HOLLEY They're standard issue now. FINN You kids get all the good hardware. They turn to leave when they STOP, see SOMETHING. It's an AIR FILTER on the ground. HOLLEY Oh no. That's Mater's. FINN I knew his escape was too easy. EXT. BIG BENTLEY - LONDON Finn BURSTS out the front doors of Big Bentley, speeds off as HOLLEY SMASHES through the clock face, careens into view flying over the traffic --- INT. PIT ROW - TRACK SIDE - DAY Mater bursts through the security gate with aplomb, tears through the pits and stops at MCQUEEN'S. LUIGI Mater! MATER Everybody get out! Get out now! Y'all gotta get out the pits! The ENTIRE RADIATOR SPRINGS GANG is here. MATER Hey, what are you guys doing here? SALLY We're here because of you, Mater. FLO Is everything okay? MATER No! Everything's not okay! There's a bomb in here! Y'all gotta get out! Now! 111. EVERYONE - A bomb? - Huh? - Woah. FINN (OVER RADIO) Mater! MATER (INTO RADIO) Finn! You're okay! EXT. LONDON STREETS - CONTINUOUS FINN Mater, listen to me. The bomb is on you. ON HIS REARVIEW DISPLAY: We can see that a BOMB has been detected, anchored to Mater's air filter. FINN They knew you'd try to help McQueen. When we were knocked out they planted it in your air filter. INT. MCQUEEN'S PIT - CONTINUOUS Mater SNORTS, blowing his air filter cover off. Cross-eyed, Mater sees the explosive device attached to him. He looks up: An ALLINOL CONTAINER hangs ominously over his head. MATER Uh-oh. MCQUEEN Mater! There you are! Mater turns. McQueen enters Pit Row, 100 yards away and closing in FAST. MATER Stop right there! MCQUEEN Oh man, I've been so worried about you! CUT TO: The view of this scene through the window of a luxury box. Reveal Zundapp in the window's reflection. He's watching from inside. He's poised to push a DETONATOR BUTTON. As Zundapp's front tire approaches the detonator --- 112. INT. MCQUEEN'S PIT - CONTINUOUS MATER Don't come any closer! MCQUEEN Are you okay? MATER No, I'm not okay. Stay away from me!! Mater PEELS OUT BACKWARDS, out onto the track. MCQUEEN No, wait. Wait! CUT TO: PROFESSOR ZUNDAPP - He hesitates, can't believe it. TV FOOTAGE OF MCQUEEN CHASING MATER BRENT MUSTANGBURGER (V.O.) Hold everything. A tow truck has just raced onto the track. And he's driving backwards! IN MCQUEEN'S PIT MCQUEEN Mater, wait! He breezes right through his pit, goes after Mater. DAVID HOBBSCAP (V.O.) Normally an emergency vehicle on the track means there's been an accident. BRENT MUSTANGBURGER (V.O.) Wait, wait. Lightning McQueen is chasing him! EXT. TRACK - DAY Mater drives up the track. McQueen gains, fast. Because Mater's going backwards, they're face-to-face (but still with some distance between them). MCQUEEN Mater, wait! 113. MATER Stay back! If you get close to me, you gonna get hurt real bad! MCQUEEN I know I made you feel that way before, but none of that matters because we're best friends! CUT TO: TV FOOTAGE OF MCQUEEN CHASING MATER BRENT MUSTANGBURGER (V.O.) And McQueen seems to be having a conversation with the tow truck! DARRELL CARTRIP (V.O.) I don't know who that truck is, Brent. But I'll tell you what, he's gotta be the world's best backwards driver. REVEAL ZUNDAPP is watching this footage from his luxury box. The closer McQueen gets to Mater the farther his tire ROLLS onto the detonator. But he holds back ever so slightly so as not to jump the gun. ON THE TRACK - McQueen gains on Mater. MATER McQueen, you don't get it. I'm the bomb! MCQUEEN Yes, Mater! You are the bomb! That's what I'm trying to say here. You've always been the bomb! And you'll always be the bomb. MATER Stay away! MCQUEEN No! Never! ON ZUNDAPP. He watches as McQueen SPEEDS UP. PROFESSOR ZUNDAPP Almost there... ON MCQUEEN. He's had enough screwing around. Here he comes. MCQUEEN I'm not...letting you... 114. He's going to catch him now. MCQUEEN ...get away again! McQueen JUMPS FORWARD, in an attempt to grab Mater's HOOK --- MATER (TO HIMSELF) Gotta keep away from McQueen. McQueen hooks Mater with his bumper JUST AS --- MATER'S COMPUTER Request acknowledged. TURBINE ROCKETS slide out of Mater. MCQUEEN Oh my gosh! BAWHOOOOOOM!!!!! Mater JOLTS forward with a rocket blast and disappears, taking McQueen with him. ON ZUNDAPP. He now freely PUSHES the detonator, but it says "OUT OF RANGE." Zundapp can't believe it. He FLIPS OUT. FARTHER UP THE TRACK - Francesco speeds along. ZHWAAAAAP!!! Mater and McQueen ZING PAST HIM with a RED BLUR. FRANCESCO What is happening? It's a bad dream. NOW EVEN FARTHER UP THE TRACK - Mater takes a turn, SMASHES THROUGH A FENCE and skids around a corner out of sight. A white, smoky JET TRAIL is all that remains. IN MCQUEEN'S PIT - All of Radiator Springs watches the television monitors, dumbfounded. BRENT MUSTANGBURGER (V.O.) And Lightning McQueen just blasted away, hooked to the now rocket- propelled tow truck. CUT TO: EXT. STREETS OF LONDON - DAY Overhead P.O.V.: Mater and McQueen swerve through the streets. 115. INT. LUXURY BOX - CONTINUOUS Zundapp is still furiously hitting the button as Holley drops into view just beyond the glass. Freaked, Zundapp does a 180 and SMASHES out a plate glass window, lands on a ridiculously large balloon tethered to the ground, and speeds off --- INT. ADJACENT LUXURY BOX - CONTINUOUS The LEMONHEADS watch, baffled, as Zundapp drives away. J. CURBY GREMLIN The Professor's on the run. TUBBS PACER Someone's gotta get McQueen. VLADIMIR TRUNKOV Get McQueen!! Grem and Acer are already out the door --- EXT. SIDE STREET - SAME Finn speeds into view, in time to see Zundapp turn a corner out of sight. FINN Holley. I'll get Zundapp, you help Mater. EXT. TRACK - SAME Holley, still in the air, turns --- HOLLEY Got it! FARTHER UP THE TRACK - Holley THUNDERS past Francesco and out of sight. FRANCESCO What is happening?! EXT. STREETS OF LONDON - SAME Finn screams around a corner, sees --- --- Professor Zundapp, speeding toward docks along the Thames where a COMBAT SHIP waits. 116. COMBAT SHIP Hurry, Professor! ON ZUNDAPP - With Finn gaining fast, he accelerates. Suddenly --- WHAP! He's been TETHERED by Finn with tensile cables now attached to his rear end. Zundapp SCREAMS like a little girl. FINN Do you really think I'm going to let you float away, Professor? Finn reels him in. Zundapp spins his wheels, caught. Suddenly Zundapp miraculously, inconceivably, GAINS TRACTION! Now it's FINN'S WHEELS that are spinning. ON THE COMBAT SHIP - the ELECTROMAGNET has been turned outward and switched on. He's PULLING ZUNDAPP AND FINN IN with the magnetic force. He pulls out a laser, TARGETS it at Finn's windshield. CUT TO: EXT. LONDON STREETS - SAME Mater, still towing McQueen, rockets around a corner, zips down another street --- MATER McQueen, let go! MCQUEEN Never! They pass a Gremlin with a headset. ON GREM AND ACER - Down another side street. They get this message, take off in the opposite direction. CUT BACK TO: EXT. DOCKS NEAR THE THAMES - CONTINUOUS FINN, tires squealing, loses more and more ground to the boat. Zundapp, the "rope" in this tug-of-war, buckles under the tension. PROFESSOR ZUNDAPP Give it up, McMissile! Finn releases a mess of bullets, grenades, and other weaponry into the air --- 117. THE MAGNET SUCKS it in quickly like a black hole --- THUNK! It all sticks to the magnet, right next to Finn's bullets. They're BOMBS, GRENADES, ROCKETS and one little detonator with a flashing, beeping light. Off the boat's RXN --- CUT TO: ANOTHER PART OF LONDON, AT STREET LEVEL KA-BOOOOOOM! A distant explosion (miles away) festoons into the air, visible over the rooftops. Holley suddenly WINGS into view. She sees --- Mater and McQueen, speeding up the street. HOLLEY Mater, stop! MATER No way! You could get hurt! Then she looks over, catches a glimpse of GREM AND ACER, bearing down on them from a side street. They're going to broadside Mater and McQueen. HOLLEY Oh no. ON MATER AND MCQUEEN - They're not aware of the impending impact. Holley DROPS FROM THE SKY, hits the pavement, SKIDS into the path of the AMCs and DEFLECTS THEM. They FLIP OVER Holley, Finn and McQueen and sail --- --- INTO A PUB --- --- where they skid across the room and SLAM into the bar, knocking a ROW OF BEER MUGS to the ground. IN THE PUB - MOMENTS LATER Grem and Acer are pulverized by the bar patrons. EXT. LONDON STREET - MOMENTS LATER Holley, McQueen and Mater are now stopped. HOLLEY Mater, we've got to get that bomb off you. 118. She's already SCANNING the bomb, working away. MCQUEEN Bomb? MATER Yeah, they strapped it to me to kill you as a back-up plan. MCQUEEN Back-up plan? Mater, who put a bomb on you? PROFESSOR ZUNDAPP (O.S.) Ahhhhh! Professor Zundapp suddenly ROLLS to a stop next to (a now totally freaked) McQueen, entangled in grappling hooks care OF --- --- Finn, who has him leashed. PROFESSOR ZUNDAPP (TO MCQUEEN) You. Why didn't my death ray kill you? MCQUEEN Death ray? FINN Turn off the bomb, Zundapp! PROFESSOR ZUNDAPP Are you all so dense? It's voice- activated. Everything is voice- activated these days. MATER Deactivate! Deactivate! BOMB'S COMPUTER VOICE Voice denied. The BOMB suddenly TRANSFORMS into a TIME BOMB, now complete with a countdown mechanism from 4:59... 4:58... Mater GASPS. PROFESSOR ZUNDAPP Oops. Did I forget to mention that it can only be disarmed by the one who activated it? Holley immediately shoves a GUN in Zundapp's grill. 119. HOLLEY Say it! PROFESSOR ZUNDAPP Deactivate. BOMB'S COMPUTER VOICE Voice denied. THE BOMB'S TIMER: It loses a full minute! Goes from 4:48 to 3:48 to 3:47... Mater GASPS. PROFESSOR ZUNDAPP (GRINNING) I am not the one who activated it. Would anyone else like to try? ZZZZZZATTT! Holley shocks him unconscious. FINN (TO HOLLEY) You read my mind. HOLLEY He was getting on my nerves. MCQUEEN What do we do? VICTOR HUGO (O.S.) It's very simple. VICTOR HUGO blocks the entrance to a side street. He's surrounded by Hugo relatives. VICTOR HUGO You blow up. The four streets surrounding them are now blocked by each of the Lemonheads and their families. MCQUEEN (TO MATER) I'm gonna go out on a limb here. These are the guys that want me dead, correct? VLADIMIR TRUNKOV It's nothing personal. MATER (to the Lemons) Fellers, listen. (MORE) 120. MATER (CONT'D) I know what you're going through. Everybody's been laughing at me my whole life too --- McQueen turns to Mater - he wasn't expecting that. The Lemons all eye each other, considering Mater's words. MATER --- but becoming powerful and rich beyond your wildest dreams ain't gonna make you feel better. J. CURBY GREMLIN Yeah, but it's worth a shot. WHOOM!!! He's BROADSIDED by a blast of water from O.S. It's Red! He's sitting outside an underground entrance, followed by Sally and the rest of the Radiator Springs gang. ALL OUT WAR ensues between the LEMONS, RADIATOR SPRINGS along with FINN and HOLLEY. FINN attaches his four-way cable hooks to the thugs and springs high in the air, crushing the four of them together. HOLLEY SPROUTS her wings, and knocks out two cars on her side. VARIOUS SHOTS OF RADIATOR SPRINGS KICKING BUTT: Guido pulls some LEMON tires off with his air gun. In seconds he has a stack of lugnuts next to him. GUIDO Pit stop. The two Pacers' tires all FALL OFF. Flo hits VLADIMIR TRUNKOV with her high-beams, BLINDING HIM. Sheriff BOOTS him. SHERIFF Not today, boys! Guido pushes away his tireless thug, YELLING AT HIM IN ITALIAN. Mater KARATE CHOPS lemons, three and four at a time. Ramone SPRAY PAINTS a lemon's windshield. 121. TUBBS PACER Retreat! A few Lemons turn back the way they came. BLOCKING THEIR PATH are a line of BRITISH MILITARY VEHICLES clad in digital camo, led by SARGE. SARGE Thanks for the help, Corporal. BRITISH CORPORAL Anything for one of pop's mates. And in the middle of all of this craziness we CUT TO --- --- MATER. WRENCH BITS are strewn all around him as Guido tries wrench after wrench to take the bolts off. No dice. Guido gestures wildly, spits Italian a mile a minute. MCQUEEN What's he saying?! What's wrong!? LUIGI None of his wrenches fit the bolts! This is a light bulb moment for Mater. He eyes the bolts. MATER I get it. I get it! I know what needs to be done. MCQUEEN Then do it! MATER What? No, I can't do it. Look, nobody takes me seriously. I know that now. This ain't Radiator �� Springs. MCQUEEN Yes it is. Mater looks at McQueen. It is? MCQUEEN You're yourself in Radiator Springs. Be yourself here. And if people aren't taking you seriously, then they need to change. Not you. I know that, because I was wrong before. Now you can do this. You're the bomb. 122. MATER Thanks, buddy. MCQUEEN No no no, you're the actual bomb. Now let's go! MATER Oh, right! Hang on! Mater HOOKS McQueen and they're off. They SHOOT PAST FINN, who's in the middle of battling lemons. FINN Where's he going? ON MATER AND MCQUEEN - Flying down a side street. MATER Computer! MATER'S COMPUTER Yes, Agent Mater. MATER I need that thing you done before to get me away from McQueen! MATER'S COMPUTER Request acknowledged. The ROCKET THRUSTERS kick in. They head right for a WALL. MCQUEEN Mater... MATER Now I need you to do the chute, the second kind not the first! MATER'S COMPUTER Deploying chute. Mater's chute POPS OPEN, catching air and sending Mater and McQueen SAILING INTO THE AIR. Mater starts to steer them the direction he wants. He and McQueen are FLYING OVER LONDON. EXT. BALCONY - BUCKINGHAM PALACE - DAY The QUEEN, her attendants, assorted dignitaries are here. 123. QUEEN Who's winning the race? Mater and McQueen drop from the sky. They land and skid to a halt just before the Queen's guards who DRAW THEIR WEAPONS. QUEEN'S GUARD Back up! Back away! QUEEN (STAR-STRUCK) It's Lightning McQueen! QUEEN'S GUARDS Get back! MCQUEEN No, no, it's okay! Tell them, Mater. Explain. MATER Okay! Somebody's been sabotaging the racers and hurting the cars and I know who. Oh wait... Your Majesty. Mater BOWS to the Queen. In doing so, the TICKING TIME BOMB angles into view. The clock's at T-minus 1:53. QUEEN'S GUARDS - Bomb! - It's a bomb! - Everybody down! - Look out! FINN (O.S.) Hold your fire! He can't disarm it! Finn dives onto the platform and rolls between the Queen and Mater. FINN Mater, I don't know what you're doing but stand down now! MATER (aside, to McQueen) This ain't nothing at all like Radiator Springs. MCQUEEN Mater, just cut to the chase! MATER Okay. 124. He turns to Miles Axlerod. MATER It's him. MILES AXLEROD What? Me? You've got to be crazy. Everyone exchanges confused looks, including Finn and Holley. MATER I figured it out when I realized you all attached this ticking time bomb with Whitworth bolts. The same bolts that hold together that old British engine from the photograph. Holley! Show that picture. HOLLEY O-kay... Holley projects the much discussed PHOTO OF THE ENGINE. MATER And then I remembered what they say about old British engines - "If there ain't no oil under `em, there ain't no oil in `em." MILES AXLEROD What is he talking about? MATER It was you leaking oil at the party in Japan. You just blamed it on me. MILES AXLEROD Electric cars don't use oil, you twit. MATER Then you're faking it. You didn't convert to no electric. We pop that hood we gonna see that engine from that picture right there. Mater moves toward Miles Axlerod to pop his hood. MILES AXLEROD This lorry's crazy. He's going to kill us all! Miles Axlerod BACKS UP to the edge of the stage. 125. MILES AXLEROD Stay away! HOLLEY But Sir Axlerod created the race, Mater. Why would he want to hurt anyone? MATER To make Allinol look bad so everybody'd go back to using oil. I mean, he said it himself with that disguised voice. MILES AXLEROD "Dee-sguised voice?" What are you talking about? You're nuts, you are! The QUEEN'S GUARDS have had ENOUGH. As has the PRINCE. PRINCE WHEELIAM This is going nowhere fast. We really should go, Grandmother. QUEEN One moment. I'd like to see where this is going. FINN Mater, he created Allinol. MATER Yeah, but what if he found that huge oil field just as the world was trying to find something else? Mater sticks his ticking bomb-nose into Miles Axlerod's grill. MATER What if he came up with Allinol just to make alternative fuel look bad? MILES AXLEROD "What if?" You're basing this on a "What if"?! GUARD Okay, that's it. And the QUEEN'S GUARDS spirit the Queen and Prince Wheeliam out of there FAST --- 126. MILES AXLEROD Wait! Somebody save me! The lorry's crazy! Now it's just Miles Axlerod, Mater, McQueen, Finn and Holley. Miles Axlerod's back tires slip on the edge of the podium as he is cornered by Mater. MILES AXLEROD Keep away, you idiot! 00:00:08... FINN Mater! HOLLEY Mater! 00:03...00:02... MILES AXLEROD Someone do something! Everyone FLINCHES, DUCKS or DIVES FOR COVER except McQueen, Mater and Axlerod --- MILES AXLEROD You're insane, you are! Deactivate!! The bomb FREEZES at 00:01. THE BOMB'S COMPUTER VOICE Bomb deactivated. Have a nice day, Sir Axlerod. General shock all around. Miles Axlerod realizes what he's done, looks terrified. Police surround him. Mater FLINGS Miles Axlerod's hood open with his hook, revealing AN INTERNAL COMBUSTION ENGINE, oil dripping from all sides. It MATCHES the photo. FINN The engine from the photo. HOLLEY It's a perfect match! MILES AXLEROD How did the tow truck figure it out? 127. MCQUEEN (TO MATER) It's official. You're coming to all my races from now on. MATER Now you're talking! Tire bump. EXT. BUCKINGHAM PALACE - DAY A massive crowd packs the adjacent streets and parks. INT. BUCKINGHAM PALACE - DAY Mater does the requisite "silly faces" in an attempt to break the composure of a Buckingham Palace Guard. It isn't working. McQueen approaches. MCQUEEN Mater, let's go. You're on. INT. QUEEN'S CHAMBER - BUCKINGHAM PALACE - DAY The Queen sits in attention at the front of the Main Ballroom. As Mater and McQueen approach: LORD STEWARD Your Majesty. May I present for the investiture of honorary Knighthood of the British Realm. Tow Mater of Radiator Springs. MCQUEEN Go get `em, buddy. McQueen joins his friends from Radiator Springs. Mater rolls forward. He bows, as if he's practiced it all day. QUEEN I hereby dub thee "Sir Tow Mater." Applause from all around. MATER (LOOKS UP) "Sir?" Shoot, you can just call me Mater, Your Majesty. I don't wanna hear none of this "Sir" business. By the way, have y'all met each other? Queen? McQueen. McQueen, Queen. McQueen? McMissile. (MORE) 128. MATER (CONT'D) McMissile, McQueen. Queen? McMissile. He continues introducing everyone as we CUT TO --- EXT. RADIATOR SPRINGS - DAY The town sign now reads "WELCOME TO RADIATOR SPRINGS - HOME OF LIGHTNING MCQUEEN AND SIR TOW MATER." EXT. FLO'S - DAY Cars surround Mater and McQueen. The rest of the Radiator Springs gang is here too, watches. VAN and MINNY are front and center. �� MATER So there I was: rocket jets going full blast, McQueen hanging on for dear life when suddenly them two nasty lemons come out of nowhere, guns drawed. We was goners. But then out of nowhere, this beautiful spy car swoops in from the sky to save us! MINNY That's a very entertaining story, young man. VAN Oh, Minny, please. Come on, none of this happened. Rocket jets? Flying spy cars? HOLLEY No, you're quite right. It does sound a bit far-fetched. The crowd turns, sees HOLLEY, wings out, swooping in. FINN is right below her, driving up the street. MATER Holley! Finn! HOLLEY Hello, Mater. It's so nice to see you again. MATER What're you doing here? 129. FINN Our satellites picked up an urgent communique. LUIGI So you got my e-mail. MATER Oh, man. Y'all is gonna have a great time. Everybody! This here's Finn McMissile. He's a secret agent. (WHISPERS) Don't tell nobody. And this is Holley Shiftwell. She's --- HOLLEY I'm Mater's girlfriend. It's so nice to meet you all. Everyone is shocked. Including Mater. Guido's jaw drops. LUIGI (TO MATER) Guido believe you now. FLO (TO HOLLEY) Whoa, honey. You got a nasty dent there. Indeed, Holley still wears the dent from when she saved Mater from Grem and Acer. VAN (already crushing on her) Was that from when you swooped in and saved them in London? MINNY Van! VAN What? I'm just asking. FLO (TO HOLLEY) Don't you worry, sweet pea. My baby Ramone can get that fixed up for you in no time. RAMONE Yeah, sure thing. No problemo. Just let me go get my tools. 130. HOLLEY Oh no no. I'm keeping that dent. It's way too valuable. Mater takes this in. LIZZIE A "valuable" dent? Oh, she's as crazy as Mater. MACK Those two are perfect for each other. MCQUEEN You know, there's one thing I still don't get. The bad guys hit me with the beam from the camera, right? So why didn't I, you know... MATER Explode in a fiery inferno? MCQUEEN Yeah. FINN We couldn't figure that one out either. HOLLEY Our investigation proved that Allinol was actually gasoline. And Miles Axlerod engineered it so that when it got hit by the beam it would explode. MCQUEEN Wait a second. Fillmore, you said my fuel was safe. McQueen turns to Fillmore. Everyone does. FILLMORE If you're implying that I switched out that rotgut excuse for alternative fuel with my all- natural, sustainable, organic biofuel just because I never trusted Axlerod, you're dead wrong, man. (RE: SARGE) It was him. 131. SARGE Once Big Oil, always Big Oil. Man. FILLMORE Tree hugger. EXT. MAIN STREET - LATER A banner says "Radiator Springs Grand Prix." SHERIFF rolls up the street. SHERIFF The Radiator Springs Grand Prix is about to begin! All spectators clear the starting line! MCQUEEN heads up Main Street, other racers following. LEWIS HAMILTON Man, I can't wait to get rockin'. This is gonna be wicked. JEFF GORVETTE Yeah, we should do this every year. MCQUEEN I just figured, we never found out who the world's fastest car is. Plus: no press, no trophy. Just racing - the way I like it. FRANCESCO Francesco likes it like this too. McQueen SEES Sally. He and Francesco approach her. MCQUEEN Francesco. I'd like you to meet --- FRANCESCO Signorina Sally. It is official: Lightning McQueen is the luckiest car in the world. SALLY (SWOONING) Why, thank you --- FRANCESCO Which he will have to be to have a chance against Francesco today. Francesco turns to leave. As he's moving away: 132. FRANCESCO See you at the finish line, Mc--- Francesco STOPS. FRANCESCO What is that? McQueen has a new bumper sticker: "Ka-ciao, Francesco." MCQUEEN It's just something I had made up for the occasion. FRANCESCO Is good, McQueen. Very funny. It was funnier when I did it, but it's very funny. What are you going to do next? Are you going to take off your fenders? Try it. You'll like it. Francesco leaves. We stay with McQueen and Sally. SALLY So he's not so good-looking. MCQUEEN Yeah. Nice try. SALLY I'm serious. MCQUEEN That's why I love you, Sally. (as he leaves) Wish me luck. SALLY You don't need it! He drives off. Flo approaches Sally. FLO Mmm-mmm. That Francesco is fine- looking. SALLY And those open wheels. FLO I'm gonna have to go get myself some coolant. 133. EXT. MAIN STREET - LATER The racers at the starting grid. ON THE TRAFFIC LIGHT in the center of town. It goes from RED to GREEN! The RACERS SPEED OFF, tearing up main street and out of town, blazing past tourists --- EXT. WILLY'S BUTTE - DAY As the racers, led by McQueen and Francesco, take the wide, sweeping turn around Willy's Butte we CRANE UP to see MATER, FINN, HOLLEY, and the Radiator Springs gang watching. Everyone CHEERS. MATER Go McQueen!! Whoo-hoo!!! Holley gets an alert. HOLLEY Finn, time to go. Siddeley's gassed, geared and ready to fly. Finn starts to back up. MATER You're leaving already? FINN We've got another mission, Mater. Just stopped by here to "pick something up." They both eye Mater, expectantly. MATER Something tells me you're not talking about souvenir bumper stickers. FINN Her Majesty asked for you personally, Mater. MATER But I told you all before. I'm not a spy. HOLLEY We know. 134. FINN Spy or not, you're still the smartest, most honest chap we've ever met. HOLLEY Don't forget massively charming. Mater looks over at Holley. He looks touched. MATER Well, thanks. But as much fun as it was hanging with y'all, this... He looks over to his friends who watch the race, CHEER MCQUEEN ON. MATER This is home. HOLLEY That's alright, we understand. But I'll be back. You still owe me that first date. FINN If there's ever anything I can do for you, just let me know. MATER Well, I sure appreciate that, thank you. (THINKS) Actually... there is one thing. CUT TO: EXT. RADIATOR SPRINGS - MOMENTS LATER MATER, blazing forward fast. MATER Whoo-hoo!!! He ROCKETS FORWARD, through the whole town. In doing so he GRABS A BROKEN DOWN OTIS, hooking him --- OTIS Whoa!!! --- and TOSSING him right into Ramone's. OTIS (O.S.) Thanks, Mater! 135. ON THE "RACE TRACK" - Mater flies past ALL the racers, including Francesco --- FRANCESCO Impossible! --- until he approaches MCQUEEN. MCQUEEN Mater!? MATER (KEEPING PACE) Check it out. They let me keep the rockets! MCQUEEN I'll see you at the finish line, buddy! MATER Not if I see you first! McQueen and Mater peel away from the rest of the racers, lead them off the road and into the dirt for another lap. The two friends are side by side when we FADE OUT.
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This will be personal. I'm sorry.
If I weren’t on mobile, I’d make it a read more. As it is, you can scroll on by.
I honestly don’t know how much longer I will last in my mother’s house. I live there now with my parabatai and roommate, and I’ve been stuck here for two years. I graduated college two years ago and, left with nowhere else to go, turned home.
I was going to save up to move to New York City. I was going to be a private eye. I had majored in criminal justice, and all my best professors had been supportive. “E-mail me when you get there!” my favorite professor said, a sociology teacher. “Tell me all about your wild adventures.”
Six months passed by without a job. Finally, I started work at a DIY hardware store. I was paid pretty well. I hated it there, but I was meeting important people. Federal agents and cops told me I should apply here and there. The manager at an Enterprise gave me his card, said he loved my lively personality and that I should join their manager’s program. My manager loved me and pushed me to apply for better, permanent jobs within the store. She begged me to stay past my seasonal term.
Yes, I was a seasonal cashier. My term lasted 6 months, unless they decided to keep me. In truth, I worked dozens of jobs around the store that wasn’t actually part of my job. Running deliveries of paper towels and cleaning supplies and leaving my post to check if there was a refrigerator hiding in receiving, because the guys back there were always too busy to help customer service.
Despite the horrid work environment, it was a stable job. Everything was going well. I felt my life hit the rails and click as it slowly progressed forward. I and my best friend decided to get out of our parents’ houses and move in together. We signed for an apartment. I applied to Enterprise, where I mentioned the manager BY NAME and waited for a phone interview. Our lives were looking great.
Then the apartment place never let us move in. Enterprise turned me down. My job let me go without even mentioning my last day. When pressed, HR shrugged a wishy washy “Oh, we’re considering you.” They never called.
I found myself fighting the apartment manager’s secretary (as their manager was invisible and avoided everyone, even tenants), then the landlord company itself. They owed me $600 of security deposits and application fees, not even including $200 for the uhaul expenses made the day our contract said we could move in. They voided our contract, and this criminal justice student was going to take them to court.
They paid up, but we still found ourselves jobless and homeless. My roommate’s family was six states away. Mine didn’t want me. But I was stuck with them anyway, along with my roommate.
For half a year, they pretended to care. I got a job at Target. But no matter how hard I worked, my parents always said, “You should be working harder. We won’t let you stay here forever.”
It’s been eight months that I’ve lived in my parents’ house with my best friend. In that time, I’ve lost $2000. My mother promised to give me a food budget, but refuses to give me money for food, because she “doesn’t trust” me. She thinks I’ll use food money on games or pizza.
They no longer trust me. That has partly to do with my friend (they always blame a queer friend of mine to blame for my changes in belief–he is just the most recent), my sexuality, gender expression, and also…the fact I saved a mouse.
After a long day at my hardware store job, I walked out into the parking lot, only to find a gray speck scurrying around the lot. I approached cautiously. It was a baby mouse, only a few days old. Its eyes were barely open. It must have wandered away from the hay bales we sold not twenty feet away, along with its little hay mouse family.
I rushed to my car–my mom’s car–retrieved an old pair of garage gloves, and chased it around the lot. Finally, I scooped it up, placed it in an upended plastic bin from the car, and drove to a pet store. I got it a turtle cage and all its little baby mousie necessities. I then snuck it upstairs.
A few days later, my mother stepped foot into my room and found the mouse cage sitting there, on the floor. She dropped a book on top of the cage to “keep it closed”, covering the breathing holes and nearly suffocating the poor dear. I came home to a very quiet, terrified mouse.
They tried to toss it out. They tried to toss ME out. I called their bluff. I refused to kill this helpless creature, this small, baby animal that would die without my care.
So I nursed it. I bathed it with Dawn. And after much pictures to my parabatai and his vet mother, I named her Eleven. Named for the days she survived before I found her.
My mother screamed it would give us all diseases and died. From its urine, from its fur, from its very air. I showed her links to medical websites, disproving all of this. I showed her texts from my friend’s vet mom. I debunked every single argument, but still she shrieked and cried and screamed. The moment I raised my voice in defense, she stomped to her feet and thrust her face in mine. Threatened to hit me. To throw me on the streets. My fists shook at my sides with anger and fear. But still I held my ground. I would not kill this small animal.
And that was before I brought home a trans gay boy to live with me. And the two stray secret kittens we saved from our local rescue. And his bunny and bird we brought from his family’s home.
Maybe I don’t deserve their trust. But I do deserve to eat. I deserve to live.
Today, I approached my mother about our food budget. Way back with our failed apartment expedition, The Deer Run, she had promised to give us a $200 monthly food budget. To help out. Instead, while we’ve been living here, she saves all our receipts and, 3 months later, pays us back for certain food items. Anything she pays us for, before she even pays us, is free game. It’s food for the house, not for us. Because if she pays for it, and it’s her house, she and the family gets to use it. That’s fair. IF SHE WOULD PAY US BEFORE WE RUN OUT OF MONEY.
I asked her if she could give is that stipend instead of…this. I channeled Gansey, reasoned with her. Offered multiple solutions so we can better budget our food spending, because…if we don’t know when and how much we’ll be paid, we don’t know what we can afford. And if she keeps the receipts, we don’t know what we’ve spent.
Instead, she talks over me. Accuses us of “living in the lap of luxury.” She outright refuses to give us grocery money for when they’ll be in Honolulu for two weeks, because we might “spend it all on video games and pizza.” Pizza. Really? Even foregoing the obvious fact that if we run out of money, that’s OUR PROBLEM, pizza is definitely food the last time I checked.
She said she wants to know what we’re buying, always, because she doesn’t trust us. Me. “I don’t care,” I told her, “ You can have all the receipts. I just want to eat.”
“You can eat anything in this house,” she laughs hysterically. “Everything here is open to you.”
Condiments. Chips. Clam soup that would make me vomit. And…pounds and pounds of frozen chicken far past due. Yeah. Thanks.
“We don’t really like anything you stock. You don’t even get spaghettios and ravioli, except when we ask you to. But if you’re going to pay for it either way, it’s much easier to get it ourselves than wait for you to go to the grocery store.”
Back up. Background. She once told me she’d go to the grocery store on Wednesday. Two days. Okay. I could handle that. We’d eat canned soup until then, and then I’d cook something decent.
Wednesday passed. Then Thursday. Friday. Saturday. Sunday. We then decided to go out food shopping ourselves or else we would have starved. Actually starved. We hadn’t eaten in two days.
Never does she go to the grocery store on time. It takes her two weeks from when she said she would to get food, which she then buys in bulk. Which then spoils before she can use it. Bags of blueberries, bundles of asparagus, it doesn’t matter. All trash. And her cooking? I can’t eat that much grease and oil anymore without vomiting. Her meat is frozen for five months (the safe length is three) at 20 degrees. The highest safe temperature you can possible keep food is 0 degrees F. HIGHEST. It’s best when it’s -10 or -20. The 3 month length for keeping frozen food safely is at 0 degrees at the highest. She is 20 degrees above that.
It’s no wonder her gruel makes me sick.
“Once you’re out of here,” she said, heated, “you’re not coming back.”
“That’s just fine,” I stated. “That was the plan.”
I thought parents were supposed to look out for their kids. I never considered my parents abusive. But my mother is manipulative, controlling to 1984 degrees, and passive aggressive. Every time I step foot downstairs, she beats me down emotionally. My dad just sits there, beaten too, and lets her. When he’s even here.
This is the way it’s always been. But it wasn’t always this bad. I was a kid once. Once, she was loving. But now that I believe in a pantheon rather than her Christian god, now that I’ve come out as bisexual and trans, my mother doesn’t love me. And, behind closed doors, my dad agrees with her.
Once I move out–once WE move out–I’ll probably never see them again. I’ll still look after my younger siblings, though. But that doesn’t change the fact that my youngest sibling, Dalton, is home for spring break. That boy eats four helpings in a five person family. He’s the type of giant to make four sandwiches at once and finish off the loaf while he’s at it. He’s inconsiderate and unaffected. He laughs everything off, especially actual problems, just lets them run down his back because it’s not HIS problem. First come, first serve. Thin as a rail and tall as a basketball pole, all Dalton cares about is himself.
And he’s been drinking our coke. The only drink my parabatai drinks, and the only thing my mom doesn’t “reimburse” us for. When I bring it up subtly…
“Hey, Mom. Did Dalton drink our coke?” I ask conversationally.
I’m staring at the two coke bottles in the recycling. I know he has.
“Oh, yeah… I saw him make a rum and coke, so maybe.” She laughs. “We have coke, too. It’s all the same.”
No, I think to myself, fists shaking. No, it’s not. It is our money spent. Our money wasted. And he always eats our food. Without asking. While I’m cooking. Right from under my nose.
I haven’t cooked for a week.
My mother throws around the word “job” like it’s a magic word, but that doesn’t make a college degree any more valuable in this job market. All that matters is experience, and jobs won’t give me experience unless I already have it; this student with a job and essays to write didn’t have time or money for an internship.
Oh, did I mention Target let me go just after Christmas? While every store is firing people rather than hiring? I haven't had a paycheck in three months.
So here I sit. Alone with my family of parabatai, two cats, a rabbit, a field mouse, and sort-of-a-bird. I’m lucky to have them. Because I’d be dead and on the streets without them. I would have killed myself by now.
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#like come on look at it from her perspective. she's stressed and overworked#her boss (who she's covering for) has just been brought in practically comatose#and she's just been informed there might be a mole in their spy organisation. which is kind of a big deal
#and then this kid shows up out of nowhere like 'hi! i'm your new agent!! :D'#honestly she has every right to tell him to take a hike lol#but she doesn't! she sees his enthusiasm and commitment and decides to hear him out and get him a place in the intern program
#even at her worst and most stressed she's someone who wants to /nurture/ that enthusiasm and that talent#and i think that's really important to understanding her character#she's great. she's a great person and a great teacher and everyone should appreciate her. the psychonauts don't deserve her
been chatting with a friend who's playing through PN2 again and i want it to be known i will not hear anyone say a WORD about Hollis giving Raz a hard time at the beginning of the game. if anything she is OUTSTANDINGLY accommodating to this random ten-year-old who wandered in unattended off the plane in the middle of an extremely tense situation
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Duke Reviews Indiana Jones And The Kingdom Of The Crystal Skull
Hi Everyone, I'm Andrew Leduc And Welcome To Duke Reviews Where Today We Finish Indiana Jones Month
As We Talk About The Fourth And Probably Not Final Indiana Jones Movie Indiana Jones And The Kingdom Of The Crystal Skull...
This Film Has Indy Working With Mr. Do It...
To Find The Crystal Skull Of Akator Before Thor's Sister Does, Will They Succeed?
Let's Find Out As We Watch Indiana Jones And The Kingdom Of The Crystal Skull
We Open At A Facility That's Closed For Weapons Testing But Does That Stop Russian Agents From Breaking In? Of Course Not!...
And Who Is That They're Getting Out Of The Trunk Of Their Car? Why, It's Dr. Jones Himself Along With His Partner On This Trip, Mac...
They've Been Brought To This Facility By Irina Spalko Stalin's Head Of Psychic Reasearch Science Who's Been Leading Teams From The Kremlin All Over The World To Find Artifacts That May Have Paranormal Military Applications And By She Acts She Maybe Part Jedi Too...
Irina And Her Team Want Indy's Help To Find A Mummy Sarcophagus That He Examined Years Ago...
Translation: He Thinks I Am A Dumbass...
Giving Indy All The Gunpowder And Shotgun Shells He Needs, They Eventually Find The Artifact They're Looking For Giving Indy And Mac The Ample Opportunity To...Strike?...What?
Et Tu, Mac?
Not Exactly The Best Last Words To Go Out On, Indy But Fair Enough...
Dropping His Gun, Indy Manages To Escape The Russians And Mac, Running Through The Facility...
Crashing Through Trucks....
Having Flashbacks To Past Movies...
Does That Mean The Bush Sisters And James Woods Are Trapped In Here Too?...
We Get A Brief Fight Scene With Indy And Ivan Drago Here But It Doesn't Last Long As They're Blasted Out By A Rocket Sled...
After Surviving Ludicrous Speed, Indy Leaves Ivan Drago, Going Into A Town Of Mannequins That's Being Used As A Test Site For A Nuclear Missile Launch Where We Go Into The Scene That Everyone Always Complains About As Indy Goes Into A Fridge During The Nuclear Explosion And Miraculously Survives...
And To Those People I Will State That While It Is Your Choice To Hate What You Want You Are All Still Dead Wrong To Hate This Scene Because 1. The Fridge Was Lead Lined So He Wouldn't Have Gotten Any Radiation In The Slightest And 2. While He Could Have Broken Bones And Possibly His Neck From Being Tossed Around In That Fridge, It Still Is A Good Scene Not As Good As Any Of The Other Action Scenes In These Movies But It Still Comes In On My List Of Best Action Scenes In These Films, I'm Sorry
Found By The Military, Indy Is Questioned By The Men In Black About Mac And The Russians Only To Be Saved By Prince Charming's Dictator Father Who Tells Indy About Spalko Despite The Men In Black Beliving It's Not A Good Idea...
That's What You Get When You Make The Janitor From Scrubs A Member...
The Men In Black Let Indy Go But They Still Consider Him To Be A Possible Commie And Of Interest To Them. Heading Back To Marshall College, Indy Gets Canned By The Dean Of The College, Who Is Basically Marcus 2.0 In This Movie And He's Played By That Guy Who's Been In So Many Films To The Point That You Should Know His Name But Don't, Jim Broadbent...
Deciding To Find Someway To Save His Teaching Career, Indy Decides To Leave Home For A While When Fate Intervenes In The Form Of Shia Labeouf...
Labeouf Plays Mutt Williams, Who Tells Indy That His Friend Harold Oxley Went To Peru Where He Found A Crystal Skull And That He Was On His Way To Akator With It...
Mutt Goes On To Say That His Mom, Mary Went To Peru To Find Oxley Only To Get Kidnapped Herself And If She Doesn't Find The Skull, Then Her And Oxley Are Dead...
Showing Indy Letters, They're Immediately Confronted By KGB Agents Who Attempt To Talk To Them Outside But It Soon Turns Into Greasers Vs. Jocks As Mutt Starts A Fight In An Attempt To Escape...
This Leads To A Chase Between Indy And Mutt, The KGB And The Men In Black (Who Were Apparently Watching Them)
Poor Marcus, You've Been Through A Lot In 2 Movies And Now This...
Taking Mutt Back To His Place, They Discover That Oxley's Letter Is A Riddle...
Flying To Peru, Indy And Mutt Have A Brief Chat While Walking To A Cell That Oxley Inhabited When People Through Him To Be Insane...
Was The Punisher In That Cell For A Time?
Heading To The Cemetery Where Orellana Is Buried, They Soon Find Themselves Against The Protectors Of Orellana's Grave, The Surf Ninjas
Oh, Dear God! Not That Kid From Teenage Mutant Ninja Turtles 2! Not Rob Schneider! Somebody Please Save Us From This Torture!
Thank You
They Find An Entrance Into Orellana's Tomb As A Scorpion Stings Mutt....
Going Deeper Into The Tomb, Indy And Mutt Find Orellana And His Men, Transformed Into Mummies Eventually Finding The Skull Itself...
Why Would Ox Put It Back There? That's A Good Question And I Think We're Going To Have The Answer In 3....2...1...
Idiots
Taking Indy To Spalko In Peru, She Tells Him Her Real Plans For The Skull And Akator Once They Get There...
Reuniting Indy With Oxley, Played By The War Doctor, Indy Sees That The Skull Has Screwed Up His Mind, Transforming Him Into A Conduit....
Trying To Turn Indy Into A Conduit Like Oxley, Mac Stops Spalko Believing That Indy Is Of No Use To Them As A Zombie..o
Taking Indy Outside, They're Ready To Kill Mutt, But Still Telling Them To Drop Dead, Spalko Decides To Use Someone Else...
Mom?
Yes, It Turns Out That Mutt's Mom Mary Is In Fact, Marion Ravenwood From Raiders Of The Lost Ark...
Threatening To Kill Marion If Spalko Don't Get What She Wants, Indy Talks To Oxley Again, Getting Nowhere, Until He Notices Something...
Despite Helping The Russians, Mutt Gets Tired Of Waiting And Punches A Guard Giving Him, Marion, Mutt And Oxley The Opportunity To Escape...
But While Escaping, Marion And Indy Get Caught In Quicksand, Forcing Mutt And Oxley To Find A Rope Or Get Help While The 2 Former Lovebirds Have The Chance To Talk About Mutt...
With Secrets Revealed, Mutt Returns, Getting Marion Out Of The Quicksand With What We Think Is A Rope But Is Instead A Snake....
Finally Getting Indy Out, Oxley Returns With What He Considers Help...
The Next Morning, Indy And Marion Tell Mutt The Truth
Knocking Ivan Drago Out, Indy Gets Free, Releasing Mutt And Marion From Their Bonds...
I Should Know, After You, I Had A Pain In The Ass That Was Sleeping With The Director And A One Night Stand With A Nazi...
Taking Control Of The Truck, Indy Uses A Rocket Launcher To Blow Up The Buzzsaw-Wagon Which Catches Spalko's Attention, Making Her Realize That Jones Has Escaped, This Leads To A Chase To Get Oxley And The Skull...
Abandoning The Truck, Indy And Crew Go To A Car Where Indy Jumps To Another Car With Oxley, Mac And Some Russian Soliders, Fighting Them Off One By One Till Indy Reaches Mac, Who Tells Indy That He's A Double Agent For The C.I.A....
But As Mac And Indy Drive, Mutt And Spalko Have A Swordfight That Could Go With Better Music
Eventually Getting The Skull Back, They End Up Crashing Into A Siafu Ant Hill Where Indy Has His Final Fight With Ivan Drago...
Boarding The Car With Marion And The Others They Go Over A Cliff Where They Land In Water To Give Us Indiana Jones Twisted Version Of Splash Mountain
Surviving The Final Drop, They Arrive At A Cave To Find Various Hieroglyphs, Art And Markings All Over The Walls...
But They Are Soon Chased By The Ancestors Of The Ugtha Tribe That Guarded Akator Years Ago But They Are Let Go When Oxley Shows Them The Skull..
Climbing The Pyramid, They Try To Figure Out How To Open It...
Finally Opening The Pyramid, They Sharply Drop Onto Stairs That Quickly Disappear...
Arriving Inside, They Find Treasures Galore Before Coming To Another Door That Opens When The Skull Is Placing The Skull On It...
Inside, There Are Crystal Beings With Crystal Skulls For Heads But Before They Can Place The Skull In It's Proper Place, Mac Shows His True Colors...
Turns Out Mac Lied About Being A Double Agent And Has Been Leaving Tracers For Spalko To Follow...
Placing The Skull On The Crystal Being's Body, It Telepathically Communicates With Oxley In Mayan...
With Spalko Demanding To Know Everything, The Place Starts Falling To Pieces, Revealing What They Are, As Oxley Returns To Normal...
Indy, Mutt, Marion And Oxley Get Out Just In Time As Spalko's Men And Mac Get Sucked Into A Portal And Spalko Suffers From Information Overload...
Out Of The Pyramid, They Watch As The Aliens Go, With Indy Wondering Where?
And So, Everything Ends Happily With Indy Getting A New Job At Marshall College As Associate Dean And Him And Marion Finally Tieing The Knot With Hints That Labeouf Might Be The Next Indy, But Will He?
Nah, People Hated This Movie And Everything Connected To It, But What Do I Think Of The Movie? Well...
I Don't Think It's The Disaster Everyone Thinks It Is, I Mean, It's Not The Best Indiana Jones Movie But It's Not Downright Horrible. The Effects Are Good, The Story's Good, The Cast Is Good Everything Is Just Good, So, Stop Listening To The Crazy Haters And See This Movie...
Till Next Time, This Is Duke, Signing Off...
#movie reviews#indiana jones#review series#harrison ford#indiana jones and the kingdom of the crystal skull
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