#and specifically with the outfit he had tailored to him and that's supposed to represent him as a Crownsguard member
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lunarlegend · 6 months ago
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....oh my gosh
i should draw ace!Ignis for Pride Month
i could just accentuate the ace flag colors in his Crownsguard Fatigues so it's really obvious
yes good this sounds like fun
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minoacat · 2 years ago
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"Pockets! I haven't seen you in almost two thousand years!"
"Oh hi Tailor! I've been avoiding you!!!"
"And quite well! I've been wanting to talk to you about your wardrobe. It's almost two thousand years out of date, and I just can't have an, an outdated example of my work representing me. On one of the gods no less."
The tailor looked over his work. Good work, of course, but well. Modern fashion simply did not abide bagginess, much less idolize it, as it had back then. Pockets had given very specific instructions, which he was happy to follow at the time, but no, the whole thing was going to have to be redone. Layer after layer of voluptuous cloth draped themselves from Pockets' shoulders, hips, neck, and wrists, and every layer was filled with pockets. No, a fine piece of work, and a lovely challenge, but the drab browns and repeating folds were a thing of the past, hardly suited to his talents. Perhaps he could convince his fellow deity to accept a thoroughly pocketed vest or something.
Interrupting his reverie was the realization that Pockets was slowly inching into his peripheral vision, and he was absolutely not going to let that little trick slide past him again.
"Oh please, why don't we go down to my workshop and we can figure out something a touch more modern," he said as he pulled out a measuring tape, and their vision shifted to be able to see the workshop around them.
"Well now, this is much better, why don't you sit on that stool and I can gather my things while I figure out what you're looking for"
"I have what I'm looking for, Tailor, can't we just skip all the fuss? It'll be back in style in a century or two!" Pockets said as it hopped up onto the stool.
The Tailor began ruffling through drawers looking for his other measuring tapes.
"You absolutely do not have what you are looking for! I have absolutely no doubt in my mind that people will adore the outfit I make for you next. And if you would stop by once a season as you are supposed to," he paused as he examined a measuring tape and set it down on the counter next to him, "that would always be true! ah, there's my other tape," he went to put it down next to the first one, but the first one didn't seem to be there. "Pockets, I absolutely cannot help you if you steal my supplies."
Pockets sat happily on the stool as they took a lint-covered coin out of one of their many pockets, put it back, and took out a single left sock instead. "I'm just sitting here! If you're losing your supplies though, maybe we could try this another time? I was on my way to visit Ward again," she said with just a hint of a smile.
"You know full well you're doing this on purpose, now come on and give me back my measuring tape, I only set it down a moment ago."
"Fine," Pockets said, rolling her eyes a little as she took it out of one of the hidden pockets in her sleeve, "What was lost was found, in your time of need, can I go now?"
"Absolutely not, you are going to stay right there on my stool, and then you're going to move to that pedastal by that mirror exactly when I say you are." One time when he had found it, he had been less than perfectly specific, and it had disappeared when he turned around.
The Tailor grabbed his messuring tapes and set to work. The tapes weren't strictly necessary, he already had the measurements, but appearances were important. Without thosr little rituals, no one would know anything about anyone, and he certainly was not going to be the one to start down that particular slope.
"Okay, stand there, and turn around. I'm going to do one last measurement and then I'll get my needles and cloth and we can talk about what you want. And no, it can absolutely not be what you have," he rushed out, seeing a glint in its eye as it opened its mouth.
"Great, here we are. Now," he began, as he rummaged through drawers for various pieces of cloth, "I am thinking we'll start with a purple vest. I know you prefer brown, but if we combine it with painted silk sash, I promise everyone will love you. Until next season, that is. Now where is that damn needle..."
"Purple???" Pockets cried out in anguish, "How am I supposed to stay out of sight wearing purple? Do you want me to stop being able to lose myself in a crowd?"
"Today's fashionable is tomorrow's garish. It's the price we all have to pay for the people's love," he said, scheming about exactly how to make her pop out in a crowd next season. Stars be damned if he was going to lose her for another couple of millenium.
"Now, I am going to count to 10, and I expect to find the needle you've hidden before I finish counting," he said as he began rummaging through the drawer in front of him, "One. Two. Threeeeeeee! ow ow ow ow ow! Was that necessary, Pockets?" he said, turning around to display the needle buried in his finger to the cackling lump of cloth behind him.
"Of course!!! That was the perfect way to find it!"
"Hmph, for you maybe. Some of us have jobs to do you know"
It stopped cackling and walked over to one of the drawers. "You know I take my job seriously Tailor. I have fun, but I don't just do this for fun."
The Tailor looked briefly apologetic before moving on. It was as sincere an apology as he ever gave. "Alright, I have the measurements, I have the cloth, I have the needles, what do I need- right, my pins! I need my pins!" he turned around to find them again.
"Now, Pockets, it won't take long to get this set up, so if you'll just give me a moment, I'll have everything ready before you know it. The people are simply going to love you, painted silk is really back in full swing this season, and I can probably fit eight to ten pockets in that vest if they're small. Now, what color for the skirt, I'm thinking yellow with green embroidery, I think that would suit-" he turned around to face it and found an empty room.
"How did-" he thought back a moment. The drawers, he didn't track which drawer she stood by. "Damn it, I don't understand why it doesn't want to wear something nicer, it isn't a crime to keep up with the times."
The Tailor sighed and went to his desk piled high with sketches. He'd have to try again next time. Ah well, The Ward was almost due for a new outfit anyway. Ward never did know how to take care of himself. As The Tailor looked down at his desk he saw a tiny scrap of a corner peaking out from one of the piles and pulled at it curiously. He found it to be a letter, embossed in gold and written in gently flowing script in a language that had been dead for millennia. "My Dearest Star," it began. Had this been on his desk the whole time? How had he not noticed? How long had this been lost? To be found, just like-
"Thank you, Pockets," he said into the empty room.
Prompt #943
"I haven't seen you in quite some time now."
"Well, I was busy avoiding you. But my luck obviously ran out."
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fordarkisthesuede · 3 years ago
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The Tolls of Justice: the Tarot, Name Meanings, and More!
Gentlepeople…
BEHOLD!
All the tarot-aligned hints! All the future foretellings! All the silly references! :) Everything you might have overlooked is here for you easy-to-read pleasure!
Naturally, there be spoilers a-plenty ahead for Batman the TellTale Series: The Tolls of Justice, so if you haven't read it (or maybe you're thinking about reading it, or this is your first time hearing about it), I'd advise waiting until you're done with each chapter to read through the sections. You can either click the link and be redirected to Ao3, or look through my tumblr tag #ttoj!
*One forwarding note: the tarot references build slowly in this story, and I only use the traditional Major & Minor Arcana. You'll see a lot of jokes and name-type references before we get to the tarot. I also simplified the numerics, but they're often displayed as roman numerals on cards, hint hint.
Prologue
gang member "Four Ears" - a very very off-the-collar reference to the line "Listen up, four-ears!" from J-Men Forever; in context, it was an off-shoot of the insult "four-eyes" but for music taste, also implying the person's taste was "square".
gang member "Muddy Nye" - his name can be boiled down to "muddy river". It works as an allusion to the messy, unclear case ahead of Bruce and the Batfam, but also as a hint to Clayface, who acted as Muddy in his first sighting of the story.
"Sunset" - a reference to everyone's favorite vampire series to pick on, the Twilight series; back when it was at the height of it's popularity, some drug dealers sold heroin marketed towards the crowd based off it's terrible and unfortunately iconic(?) line from Edward Cullen, "You're my own personal brand of heroin"…hence why the drug of choice BM is shipping here is heroin. Essentially, this plot setup is one big joke.
"FIGS" - a reference to POP! vinyls, hence the capitalized name and spiky word balloon on the packages.
"Gray Ghost [memorabilia]" - one of my (and everyone else's) favorite BtAS episodes, which proves definitively that Bruce Wayne | Batman is not only a Huge Nerd™, but also a massive collector of normal fandom things. (Do you think he troughs through blogs and fanwikis…? What am I saying, of course he does. He edits them.)
gang members "Jack Whendleham and Kirby Noltz" - nod to Jack Kirby, comic artist extraordinaire!
Ch.1: A Different Ceiling
[chapter title] - John does not wake up in Arkham at the start of the story, hence waking up to a different ceiling. He also hits different limitations on what he can do, so it's also a different kind of "ceiling". (Like the term "the glass ceiling", the invisible barrier a demographic hits in a hierarchy.)
St. Dymphna New Life Home - named after Saint Dymphna, the patron saint of mental illness. There's no "'s" at the end because I saw other clinics named after Saints didn't use the possessive form when referencing them.
The Lucky Hotel - an oxymoron, really; the unluckiest place to get stuck at with it's seedy history, but also the place where John "gets lucky"…in a couple of different ways!
Stitched Up Alterations - a heavy nod to the wonderful batjokesy line from S2, "We're two threads in the same stitch". It's pretty deeply ingrained in fanon (and technically canon, if you go with The Dark Knight) that Joker makes his own clothes, hence Batman rarely finding him through his tailor. Since John's thrifty and clearly made his original Joker outfit(s), I piggybacked off it as a legit skill to give him. I mean, come on, the guy is always so stylish! And you're really going to look at me and say he didn't alter his thrifted shirts and vests to fit his sleek frame? Puh-leeease.
13th Street - 13 is a traditionally unlucky number in western culture; hence the "Lucky Hotel" there having a bloody history, along with a failed, closed casino nearby.
Corazón gang - okay, I admit…I'm still a weeb at heart. It's a One Piece reference. Corazon was one of the few post-timeskip new characters I really liked; his name is Spanish for "heart", and he sported a heart motif. Like the gang in this story, he also died before the start of the main storyline.
Ch. 2: Face Values
[chapter title] - A reference to the phrase "not taking things at face value", which is very evident in this story. Also doubles as a rather loose reference to the upcoming Tarot cards.
Sebastian Overfield - The name Sebastian means "from Sebaste", as is derived from the Greek word sebastos ("venerable", someone who has a lot of respect). Overfield of course is "over" and "field", implying the family is on a high hill overlooking/overseeing/maintaining a certain field. As Seb is a reverend, this name is well-fit for him.
orange rose [gift from John] - means "passion" in the language of flowers, and can allude to fascination; this can be taken platonically or romantically…but it's definitely romantic when it's coming from John.
blue iris [gift from John] - means "faith and hope" in the language of flowers, and sometimes are associated with royalty; an allusion to Batman/Bruce's overall symbolism in the eyes of Gotham…and John.
Chandis [ship, circa Prologue] - A reference to Chandi | Chandika, the Hindu deity; the short version of their story is that they are a demon slayer, known to be angry and passionate, wield multiple weapons, and ride a lion. And who was on the ship? Hmm…
Ch. 3: Ink Trails
[chapter title] - A reference to the Alterations' claim slip John finds, which ends up leading back to the Court of Owls. It doubles as a reference to the mask tattoo/clue on Ian 'Nito'.
Faith Ackart - "Ackart" is a variant of "ackhart", derived from "ekkehard", which we can say roughly means "brave/hardy". The name "faith" and "hardy" together is another very subtle clue for the audience towards the villains' motives. (Well, I say that, but it was really more of a joke-clue for me to giggle at. And it makes a good reporter name!)
Lou Monger - the guy's a fish monger…with the last name Monger. It's-a joke! ;D
Ian 'Nito' Coggs - first mentioned without his real last name, but "Ian Coggs, Nito", is a pun on the word "incognito"…which is what Clayface is here.
FriendBook/Chirp/bloggr/uBox - takes on Facebook, Twitter, Tumblr, and YouTube respectively. (This started back in my 'Season 3' story, At the Brink of Midnight, though I've since learned that bloggr was a real thing. :T) The 'uBox' is meant to be a play on 'jumping box'/'the box' as other terms for TV, like 'the tube'.
"whole tomato of pins" - the supposed history of tomato-shaped pincushions is that tomatoes placed on mantels repelled evil spirits and guaranteed prosperity, but I really wanted to just allude to the common pin-cushion shape. (My mom once had a whole little basket of strawberry shaped pin-cushions. I remember "borrowing" them a lot as a kid to play with. And then "losing" them.)
"sock and buskin masks" - these are a reference to the "comedic sock" and "tragic buskin (i.e. boot)" of the Greek comedy-tragedy theatre masks. I figured something like them would be a good logo for the "false faces", as BM is obsessed with masks. It also doubles as a natural callback to the "your relationship with x has changed" feature of TT games.
Ch. 4: Suite of Cups
[chapter title] - the first chapter to be a reference to the Tarot, in specific the Minor Arcana of Cups; rather than specifying the card at play outright, this title is a pun on the aforementioned arcana "suite", as the main location of events this chapter are in a casino's hotel suite. One can interpret many Cups cards at play here, but...
○ Specifically, in the Casino's suite/crime scene, there are 8 visible seats, but 7 cups on the table. The 7 of Cups refers to choices, fantasy, and illusion, an indicates there are multiple opportunities or many paths you can take, but they should be chosen carefully; when reversed, it can mean confusion, diversion, and temptation, and indicate a lack of choice or failure to choose.
○ The upright version is definitely in play, with the overall root of TellTale games being choices, and some "the player" makes this chapter will move your relationships with Tiffany and John in different ways, which can strengthen your relationships with them. If "the player" has chosen to be a more violent Batman, the way the Talon - and later, the Court - treats Batman is different.
○ The Reversed reading can be interpreted for the Court's complete disregard for the mere notion of choice.
Bauta - a Venetian carnival mask, meant to represent 'anonymous decisions' via it's original design of protecting identities. It's quite common in carnivals.
Melpomene-Thalia - the Venetian masks for comedy and tragedy, a la 'sock and buskin', the masks used as a general symbol for theatre. You can practically taste the irony, given who's shown wearing it...
Volto - a Venetian mask, meant to represent 'anonymity, quiet exit' for it's blank face. It's also known as the "Citizen Mask" because of it's worn by the common folk (in comparison to the more elaborate masks).
The Lot [casino] - named for "drawing lots", like drawing straws or matches to pick a person to do a task (usually with the shortest straw having to do the task, but it varies). This is both a pun on the fact that it's a casino - where you try your luck at gambling - and corresponds with the theme of foretelling the future that's woven throughout much of the story.
The Wednesday Nighters gang - this doesn't mean anything in particular. I'm a big fan of Midsomer Murders, and there's an episode ("Death in a Chocolate Box") where it references a few dirty cops who frequently took the Friday night shift at a station for episode-plot-reasons, who called themselves The Friday Nighters. It's an off-shoot reference to it, hence the corrupt cops on the gang in this story. :)
[John's voicemail] - Another BtAS episode I love is "the terrible secret of Bruce Wayne". In particular, I loved Joker's voicemail when Dr. Strange calls in ("Boy, do YOU have the wrong number!") and I wanted to do something like that. But, y'know, way less murdery.
"F85H4ND" - l33t-written "Fate's Hand", for…well, the hand of fate, supposedly guiding you through life/events. Another correspondent to the foretelling the future theme.
Michael Hodgson - not all of the names I pick for characters mean anything. Sometimes their names are just loose references to things I like. This is a silly mish-mashup of the original hosts of Mystery Science Theater 3000, Michael [Nelson] and [Joel] Hodgeson. (Joel was the first host + show creator, and Mike was the second host who closed out the original series run.)
"40F5WRD5" [Batcomputer archive] - l33t for the 4 of Swords, a card in the Minor Arcana for rest and restoration; since the archives and file names are randomly generated when not prompted otherwise with manual input, an otherworldly force seems to be saying 'get some damn sleep Bruce'.
[John's ringtone] - I know, TT always has everyone's phone on silent. I don't care. Bruce's ringtone for John is "Mack the Knife", a song about a violent mobster, played on a carnival organ. Chosen because 1) John probably loves that song, 2) I thought it was funny that it has the line "the shark bites - with his teeth, dear - when he shows them pearly whites" and how well that goes with John's A+ dental care... 3) TeamFourStar made jokes in their BtTTS S2 playthrough about having "a special ringtone whenever John calls [them]"…why would I not carry that through? They did get me to where we are now, you know. ;)
Ryde - the in-game stand-in for Lyft, the not-a-taxi service.
Ch. 5: The Wheel Still Spins on the Upturned Chariot
[chapter title] - a reference to 2 tarot cards in the Major Arcana. 1) "The Wheel"/"The Wheel of Fortune", which is a sign for continuous cycles, inevitable fate, and usually indicates good fortune and pre-destiny when the card is presented upright. When reversed, it can signify bad luck and an unfavorable fate. 2) "The Chariot", symbolizing a path forward to success, confidence, and overcoming obstacles; when reversed, it's stands for recklessness and lack of direction/control. 3) As the Chariot is upside down, John's original plans have been upended and everything goes out of his control in a chaotic situation. He’s essentially "not at the driver’s seat" for a little while. "The player" decides which direction to take the wheel in - either letting him lash out violently and send him on more solitary and dangerous path, or satisfy his need for stability by embracing his new relationships. The Chariot is always upturned here, but whether the wheel spins forward or backward is up to "the player's" decisions.
511 N. Blade Street - this one's a bit messy. 511 = V I I, or VII in roman numerals, which =7. The tarot cards are traditionally numbered in roman numerals. North, for pointing upright, and "blade" is synonymous with "sword". So it’s the "7 of Swords", in the upright position – referring to deception and trickery, which is of course what's going on in regards to who Ian 'Nito' Coggs really is…
Apt 1005 - even muddier, but this is referring to the 10 of Swords, which is for betrayal and backstabbing, hinting at the true motives of "Ian" | Clayface. 10-0-5, so 10 and the l33t for "OS" = 10-o-S.
900 Wanda Way - Both a pun on the phrase “wander away” and the 9 of Wands in the Minor Arcana, which alludes to pushing forward to achieve victory. A good allusion for a clinic, me-thought.
400 Wanda Way - The 4 of Wands in the Minor Arcana stands for community, another good allusion for a clinic.
Karen McCarthy - named after the most stereotypically uptight narcissistic asshole the masses have agreed to call 'Karen', and both McCarthyism and another famous lady with the surname McCarthy. Because I wanted you to know the second you see her name that she is *horrible*. (Funny, though, there's 2 senators named McCarthy that are pieces of shit and one infamous quasi-celeb who's the face of the anti-vax scene. Is it just a cursed family name?)
Ch. 6: The Tips of Our Swords
[chapter title] - Refers to the 4 of Swords card in the Minor Arcana, as the "swords" are alluding to the four active members in the Batfam - Bruce, John, Tiffany, and Iman - who work together on the case[s]; you can infer this title to a presentation not unlike the Musketeers joining swords to affirm themselves as a team, as they all gather together. The reversed reading of the card is for restlessness/stress in Bruce's case, and the clear signal of the universe to tell him to relax, and the reading when presented right-side up is for the break it gives to "the player", with the homey atmosphere of the Batfam spending time together. Either reading is completely valid here.
○ BUT, as Alfred is a non-active member of the Batfam, we could also say that 5 of Swords is also at play, right-side-up for the fighting and resentment with Alfred, and John's hinted budding conflict with him; and 5 reversed for Bruce's attempts at making up with Tiffany. If one illustrated the gathering of our four heroes joining swords like the musketeers over a breakfast table, then Alfred would be sitting drinking tea, standing as a symbol of the Ace of Cups, signifying new emotions or stirrings of feelings.
○ If we stretch the metaphor eeeven further, the title can also be a loose reference to the Sword of Damocles; threats always hang above the heads of powerful people, and in this case the looming threat of Black Mask and the mysterious assassin, ever-present in Batman's world…
Dr. Brandi September - literally "Sword" and "Seventh Month", alluding to the 7 of Swords, hinting to deception and manipulation at play.
"I was tired of the soup du jour" - a shameless Devo reference; a tiring of the routine/everyday. "I'm tired of the soup du jour - I want to end this prophylactic tour - ain't nobody around me - understands my potato - I'm only a spud boy - lookin' for a real tomato" - DEVO, "Mr DNA/Smart Patrol".
Motel 11, Augury Road - "augury" is another word for crows; as a gathering of crows can be a method of fortune-telling, this a reference to a gathering of 11 crows, which when seen is supposed to be indicative of disguising or revealing secrets.
Ch. 7: Drawing the Strings
[chapter title] - meant to allude to John aligning the strings connecting the people and crimes together, like an old-fashioned way of mapping clues; can be interpreted as these crime-strings on the proverbial board being drawn closer together, marking the center of the "web" as the Court of Owls
Frieda Baast - Frieda, an allusion to the Norse goddess Freya, who rode on a chariot driven by cats, and Baast, the Egyptian goddess who had the form of a cat. It makes it really obvious who was staying at the Motel 11, huh?
room 14 [Selina Kyle's motel room] - a reference to the 14th tarot card, "Temperance", which when upright is meant for choosing the middle path between choices. This is meant to reference Selina herself, currently at a secret, personal crossroads and being in "the middle"; John can influence her hidden choice by either making her think about what her potential job's employers are really aligning themselves with, or taunting her into how she can't leave her old life behind. (Whether John is violent or not doesn't completely impact her choice, but it does impact how they interact later if Selina winds up in the hands of our villains.)
Oracle, Spoiler, Batgirl, Spectrum - Batman's had a lot of non-Robin sidekicks in comics, including Batgirl (originally Barbara Gordon), Oracle (Barbara Gordon, post-Batgirl-forced-retirement and computer hacker extraordinaire), and Spoiler (Stephanie Brown, who "spoiled" crimes). As a fan of Ao3/tumblr's @fractualized 's own Telltale Bat-verse fics (the "Release John Doe" series), I added in the reference to "Spectrum", which Tiffany became in lieu of "Robin". A wink from one fan-writer to another! ;)
"I'm steppin' out, my dear - to breathe an atmosphere […] - that simply reeks […] with class" - John's singing a classic Fred Astaire hit, "Top Hat, White Tie, and Tails".
Eric, Jerome, Jeremiah, Jack [John's "Normal name" ideas] - As this story allows "the player" to pick a name for John to use in place of his own, you can pick between some classic and modern references to Joker's alternate personas over the years. Eric White Border (edit: goddang it that's what i get for looking at White Knight while writing this up and never double-checking), Joker's regular persona in the New 52 Batman comic line; Jerome or Jeremiah of the Gotham TV series, both of which are different aspects of Joker's personality through media, with a more modern gritty version in Jerome (think Heath Ledger's Joker) and a more modern take on Joker's sociopathy in Jeremiah; and last but not least Jack Napier, the first official name of Joker circa Tim Burton's Batman (1989), and the one most popularly used (BtAS and other comics throughout the years since use this name). "The player"'s choice doesn't impact the story or the way John acts, but it does give a surprise feature later. ;)
Matt Chaney - Aka, "Clayface", Matt has both new and old elements in his name alone. Matt, for Matt Hagen, the most well-known/used of the Clayface personas, and Chaney, for classic film actor Lon Chaney, AKA the man of a thousand faces. This Clayface is an aspiring actor who is psychologically dependent on Moddy to keep him handsome after a terrible car accident left his face marred. He uses his excellent makeup skills and acting to infiltrate the False Face Society, and double-plays them and the Court of Owls.
Root / MuSec - stand-ins for Vine and TikTok, respectively. "MuSec" is both a play on the word "musac" (the word for 'elevator music' and generic produced music you hear in fake stores and the like) and the mish-mash of the words "music" and "second", referencing the short length of the videos. "Root" was used in a prior story (At the Brink of Midnight), and acts as another "natural network" type name akin to Vine; though I do recognize "Vine" might have come along as part of the phrase "I heard it through the grape-vine". I have a feeling some Aussie fans might find the fake-Vine name funny...or just awkward.
Ch. 8: It Had to Be You
[chapter title] - A reference to the classic crooner song, "It Had to Be You"; specifically, the one that flows through the first scene is a cover done by Frank Sinatra, meant to align with other Bat-media's use of Sinatra where Joker and Batman are concerned. The Arkham games got his famous "Under My Skin", and another crooner's "Only You". Batjokes fans/content creators have also used "Strangers in the Night" for their relationship. I wanted to present one that would feel at-home in the TellTale universe regardless of what route you end up with, and what's more perfect than a song about finally discovering the love of your life? The song fits them to a tee, in my humble opinion…
Estella Art Gallery - Selina's art gallery, mentioned previously to have been the site of a Talon attack. "Estella" translates to "star", for the tarot card "The Star". When presented upright, it means hope and rebirth; this card can be presented after a disaster, such as an event like "The Tower". Normally, it can be interpreted as a card to show a phase where you have trust and faith in yourself and the universe. Selina was turning over a new leaf and enjoying her new life until the Owls found out who she was.
Mrs. Bollard - "bald-headed person"…this poor woman got her wig snatched as John stole Bruce from her on the dance floor. xD
"I knew today's horoscope was bullshit" - a nod to earlier, where Roman mentioned his horoscope when visiting Bruce; "a friend will help you out of a tight bind." Not that it was mentioned like that... still! I wonder what today's was? "You will be fortunate in your business endeavors"? Ha ha ha! But really, the horoscope is another nod to the theme of foretelling the future, as it's a popular method to try and see how your day, month, season, or year will be. Not that I know what sign Roman is… *thinking face*
[Achievement Unlocked: Batman Who Laughs] - John showing up in the Batman cowl was not only funny, but a direct nod to the Batman Who Laughs. The TT games had Batman comic titles often used as Achievements, so I figured I'd put in some…
[Achievement Unlocked: Batwoman Rises] - Iman helping the team out in the spare Batman suit is naturally a nod to Batwoman, and something I wanted to do for a while. ;D
Brighella - a Venetian mask taken from a play now used to depict a cunning and mischievous servant. Originally the mask was used to depict a greedy villain character.
The Two Gilded Cups - A restaurant in-story that references "The Two of Cups" tarot card, a card representing unity, partnership, and two becoming one. When upright, it's a card that can reference lovers or a new relationship; when reversed, it can represent broken communication, imbalance, or tension. As such, the couple who were seen at the restaurant - Sonja Townsend and her husband - are established lovers who work together for the Court of Owls, but those who were really there are Jackie Lant and Matt Chaney, who are in an imbalanced relationship. "Gilded" implies that "The Cups" are covered unnecessarily with gold - this is both in reference to Jackie and Matt's disguise of the Townsends and the truth about their relationship. Matt's lies are covering for his narcissism and selfishness, and ultimately is the only thing holding him and Jackie's relationship together.
Moddy - A fictional body modification clay-mud-putty that's a product of Janus Industries, this makeup is the favorite of Matt Chaney and the reason we can call him "Clayface". Like the traditional Clayface, Matt is in dire need to have his fix of the makeup, despite what it does to him - as John notes, it leaves a weird burn-like sensation, and since Matt has deep scar tissue he covers every minute of every day, it's made the skin damage worse.
"You’re really committed to drowning in that river" - A riff on the old joke "denial ("de Nile") isn't just a river in Egypt".
"Your words are honey in my ears, but my brain always turns it into bitter wax" - In Futurama, Fry has a silly line of “Sweet words! Sweet words that turn into bitter wax in my ears!”. It always had the potential to be a great metaphor if the words were twisted around! :) Plus, I mean, come on, this is a totally On Brand™ thing for John to say!
Ch. 9: Strength in Numbers
[chapter title] - Referencing the Strength card, for bravery, compassion, and inner strength; the title also doubles as a play on “different kinds of strengths”. Strength is the will the expose your truths. Strength is finding compassion to help others. Strength is staying true to your convictions in the face of opposition. We see all different kinds of strength on display here.
○ It can also a reference to the different partnerships going on, with Jackie joining the team (unofficially), Bruce and Tiffany going off to tackle the other half of our case, and John and Iman’s team-up. :)
"[John] could barely hear it over the tinny electronic whistling tune emitting from his own phone, telling him the person on the other end was a mystery" - this is referencing an old tumblr joke! Yes, John has the “It is a mystery” tone on his phone for unknown calls…complete with the little (:o) ghost icon.
CUP5K1NG [license plate] - Referring to the King of Cups card, a card portraying emotional balance and compassion. As it's not written as "K1NGCUP5", it implies it's a reversed card, signifying there's manipulation and instability at work. Even though Matt doesn't own the car this license plate belongs to, it's definitely tied to him since it's his getaway ride, and thus hints at what's to be revealed in his and Jackie's hotel room.
Aylin Street - the name "Alyin" translates into “moon halo; one that belongs to the moon”, thereby being a reference to the Moon card, representing mysteries and illusions. An investigation is afoot!
“Looks like I’ve got the red light, kiddo.” - In stage acts, the red light is to indicate to the performer their time on stage is up. Generally, it’s reserved for comedians who either overrun their time or are losing the audience. John's joking that he's been given the red light to exit stage left (but not persued by bear).
"What’s the ‘G’ for?” - Iman's 'Gotham Construction' jumpsuit has a G different from John's - it's shaped more like a gear. This is another Mystery Science Theater reference, in particular the logo for Gizmonic Institute, the company/labs that "employed" original host Joel and the mad scientist Dr. Forrester (and his assistant, TV's Frank), who started the experiments of forcing a guy and his robot friends to watch reeeally bad movies. The result was 12 (soon to be 13!) seasons of some guys making hilarious and very memorable jokes at said bad movies' expense. Does this reference mean that Bruce is just as huge a dork as I am, or does it mean that MST3K is real in this universe?! You make the call! ;D
○ …if you read 'What's the 'G' for?' in Invader Zim's voice, that's also valid. Especially if you followed it with “I dON’t know!” in GIR's. (There is no cringing here! We openly embrace our childhood silliness!)
MasterOfClayFace / #IdW3arThat [Matt Chaney's social media login] - naturally Matt is so far up on his high horse that he considers himself a master of clay work…and of course his nickname is ClayFace! His password is a joke in and out of canon, being a riff on Lemon Demon song: “A mask of my own face – I’d wear that” ~ Lemon Demon, “Mask of My Own Face” [Nature Tapes].
3055 [Jackie Lant's InstaPic followers] - According to research, the average Instagram following is about 1000, so Jackie is above average popularity. Anything above 10k is usually(?) celeb status. The number 3055 is meant to be broken up and turned partially into l33t, to make 3-O-S-S, or 3 of Sword[s]. The 3 of Swords card in the tarot signifies heartbreak and grief, stemming from betrayal, loneliness, and rejection. Jackie experienced all three of these heart-piercing swords during her return to Gotham, with Matt basically forcing her into isolation, betraying her trust, and rejecting her input and values in favor of his own; but she didn't really know it until the truth was exposed.
8055 [Matt Chaney's InstaPic followers] - similarly, Matt's follower count is meant to be 8-O-S-S, or the 8 of Swords card. It signifies self-victimization and imprisonment. In particular, the card shows a person restrained and trapped, but their helplessness is a show…they could choose to get out, if they got over themselves. Matt is incredibly selfish, so it comes as no surprise that he will play the victim card.
#OnlyInGotham - Another tumblr reference! I love the @hashtagonlyingotham blog! ( ^3^)
The Herold Rite's Theatre - A play on the word "Hierophant": Herold, like “herald (ruler/champion)” and Rites, like “sacred rites”. In the tarot, the Hierophant card represents following tradition and values, which for the Owls is their very core. This is basically a big ol' hint that Iman and John are heading into Owl territory, but also foreshadows the religious undercut of The Court and Reverend Sebastian Overfield's role.
"a familiar red-pyramid-and-floating-eyeball" [graffiti] - A reference to my icon! ;D You think I can't self-promo?
trading cards [found in theatre storage] - In the Theatre, John finds "old promotional trading cards for an old sci-fi film with big-brained aliens". This is a shameless and loving reference to Tim Burton's 1996 film Mars Attacks!, of which my AO3/tumblr icon and username is lifted - the movie was based on a series of Topps trading cards from the 1960's, and had it's own set of cards with movie scenes and behind-the-scenes pictures (and summaries of events) printed for the movie! They also used them as promotional tools, and if you get very lucky purchasing a copy of the old single-issue comic books from the 1995 Mars Attacks run from Image Comics, you can get a promo card.
https://bit.gt.gd/S3272019F?=RO - Originally "gd" stood for a derivative of Google Drive, but I can’t look at it and not see “get good”. The "S3272019F?" is meant to stand for "Started: March 27, 2019 Finished: ?". I can't believe I started uploading the story in March of 2019! Man, 2020 really messed with my sense of time…
Ch. 10: Tantara Bounces Off of Moonlit Walls
[chapter title] - "Tantara" is defined as "the blare of a trumpet or horn", as seen in the Judgement card, which stands for self-reflection as well as reckoning, and can indicate rebirth. There's of course another reference to the Moon card, for intuitions and the unconscious being. Then what are the "[Moonlit] Walls"? Well, they're the part of the only Major Arcana tarot card to represent a building - they are the walls of the Tower, symbolizing destruction and disaster. When all the cards' meanings are put all together, this alludes to a time of discovery among absolute disaster.
○ Expanded, the whole title is a reference to both forms of Judgement occurring – self-reflection and change are happening with Bruce and John as their mysteries and anxieties are finally put to rest: John is undergoing his final "rebirth", seeing his reality clearly in Arkham’s padded cell; Bruce seems to finally come to terms with working with Tiffany, as his fear of not being able to protect her comes through with her showing she's able take care of herself and prove she's a true asset to the team; and the Court of Owls finally comes to light, with Matt Chaney, the Talon Adam, and the Talon Sonja Townsend finally showing their real motivations.
○ We can also interpret the title as a reckoning coming for the Owls, who have long been obscuring the truth of their deeds and whose true motives have been murky. They've built their own tower of disaster with bricks of delusion, and judgement's horn is blaring a warning through their hallways…
"X-Sharp Manufacturing" - a reference to the 10 of Swords (hence the "sharp"), the tarot card for betrayal, backstabbing, and defeat. For Bruce, there is disaster here beyond his control that ends in a [temporary] defeat. For Roman Sionis, owner of the small factory as part of Janus Inc., he's unwittingly walked into his own betrayal.
"Merlin's Flower Arrangements" - Merlin, a famous wizard, is a reference to The Magician card, who defines “as above, so below”… And as John is taken to a secondary location, so is Bruce. :)
"La Luna Painting" - La Luna, aka The Moon; remember, shadows can play tricks on your eye, so something’s afoot here… Aka "HEY GUYS THIS TOTALLY ISN’T SUSPICIOUS OR ANYTHING NO SIR"
Yelsnia Theater - Yelsnia is…actually a name. But searching for it shows my true hint, as it's "Ainsley" backwards. "Ainsley" derives from Scottish words meaning “alone, solitary” or “hermitage”. This is a reference to the Hermit card – in this case, it's blatantly upside down, referring to loneliness, isolation, and a general disconnection with mankind. AKA, the path Matt is on.
"the looming pillar tower" [Arkham] - A blatant representation of The Tower. It stands for impending disaster and "an upheaval of a foundation of reality". Of course, this can be taken in two ways. 1) That John has overcome/avoided the disaster of another mental breakdown. 2) That John’s foundation of his delusions - that he’ll wake up in or get sent back to Arkham for his sickness - was wrong in a realistic sense, as he’s made serious progress in managing his emotional issues, and right in an unrealistic one, where the only way he could be sent back was through an outside force, i.e. the Owls.
10210475 [inmate number] - When separated for the numeric cipher, we get 10-21-4-7-5, or J-U-D-G-E
13051420 [inmate number] - When separated for the numeric cipher, we get 13-5-14-20, or M-E-N-T
○ When put together, the inmate numbers read "Judgement", the tarot card is shown here for John's choices and character arc on display throughout this chapter. When the card is reversed, it implies a lack of self-awareness, which we can also attribute to "the player's" choices for John if they make Bad Decisions. If you simply take the word "judgement" at face-value (without involving the tarot) it also works wonderfully, applying to John's entire situation as being a trial/judgement set by a higher force.
"The prince returned to the tower" dialogue [the prophetic cell mate] - Whether the person speaking is physical or not, John notes he can hear the scratching of pencil on paper within the cell, implying a person is writing their words down like a story… “The prince,” (John Doe, alias Joker, traditionally the ‘Clown Prince’ of Gotham) “having returned to the tower” (Arkham Asylum, the foundations of John's issues) “to reclaim his crown,” (assurance in himself and his reality; the completion of John's "self" with his final choices and becoming Vigilante!Joker for good) “trails after the fiend” (confronts the Talon Adam, alias Owl-man) “who's flying on wings of retribution” (core beliefs, perceived sense of justice). “The fiend’s wings are big, but the bones are brittle” (the Owl-man is imposing and persistent, but his physical "wings" are his weakness).
○ If you couple the Court of Owl's belief that G*d has written down the destinies of everyone in the world [as they are each born] with the knowledge that someone was writing down a short version of John's events at Arkham…hmmm.....
Room 11 [Iman's cell room] - The 11th card in the Major Arcana is "Justice". This can reference either 1) The just-desserts coming for Talon Adam/"The Owlman", or 2) The outcome of the player’s choice to take Iman with them or not.
11 minutes + 16 seconds [remaining time on bomb timer] - 11:16. 11/16, aka my birthday! :) I only wish I had finished Chapter 10 in time for the chapter's publishing year (2020), lol~
"Our Faith brings Perseverance, and Our Perseverance guides Justice, for Mercy to God." - The Court of Owls' beliefs circle around 3 principles bringing people closer to G*d: Faith, Perseverance, and Justice. Their belief hardens their persistence in their actions (as they are written and not guided by "Evil"), and their goals are ultimately to deliver justice where the human system failed and "Evil" prevailed in "escaping", hence the guiding of one principle to another. "Mercy to God" is what is granted by righting the injustices of the world; as G*d wrote your future down exactly, Evil can corrupt it, and once corrupted this does G*d a harmful injustice. The Court considers themselves close to G*d by "mercifully" stopping further corruption via eliminating "Evil" in all it's worldly forms…
Speaking of the 3 principles, our main Owls are meant to be "embodiments" of these in the story.
○ Talon Sonja Townsend represents Faith, driving home her belief in G*d's absolute destiny. She is corrupted by her own selfish goal of eliminating her son-in-law, but is also so by-the-book she does not think to look at the obvious double-standards of the Court, and doesn't think her underlying actions are guided by "Evil".
○ Talon Adam represents Perseverance, having fought Joker to unconsciousness, and was willing to blow up Arkham with himself still inside just to eliminate it; he is the most brainwashed, but the least corrupt in motivations, only striving to get what he feels is "justice". On the flip side of Adam is Talon Evan, who despite serious injury still appeared in Court and jumped at the chance to kill Joker and Batman, despite the Court's general appreciation of Batman; he is corrupt in personal selfishness, as he possesses no "real" faith in the Court's belief system and doesn't like others getting credit by stealing his targets.
§ ...it's also worth mentioning that the names for Adam and Evan are meant to be derivative of "Adam and Eve". In this way, it can also be seen as a parallel to The Lovers card, which one can attribute to Bruce and John. While Bruce + John are oddly harmonious and undeniably have a strong bond regardless of story paths, Adam + Evan are discontent rivals, with Adam "stealing" Evan's target and good graces with the Court, and Evan very pointedly beating up and kidnapping Batman (who Adam admires) to set up Batman's eventual Judgement.
○ Reverend Sebastian Overfield is the main representation of Justice, though he embodies all 3 principles. The Court’s belief is that their pursuit of justice – stopping Evil/chaos via deaths of criminals – overrides their own traditional sins. Because they are being helpful to G*d, granting Them mercy by righting the injustices of Evil and putting G*d’s Word back on the right path, they are in G*d’s favor. Therefore, as the leader of the Court and the one who organized everything by handing down "God's word", he is the carrier of Justice; without him, the Court would be nowhere and G*d would be shedding more tears over their ruined work…at least, in his mind. Naturally, he is the exact opposite of what justice should be. He is biased and unwavering in strict faith, as much a carrier of chaos as he doesn't want to be…
○ Of course, this is all also up to interpretation. One can interpret Adam as "justice", Evan as "perseverance", and Sebastian as the stand-in for "God", as he is the Court's ruler and is the sole person to hand down "the word of God".
"[…]if two people you normally count on for one reason or another" - Alfred made a subtle dig at John being Bruce's boy-toy. Ouch, Al'…
"[…]given it's your pet project, and all" - Even though Selina is talking about Arkham, she's making a dig at former-Arkham-resident John being Bruce's "pet", who in her eyes was Bruce's main reason for getting Arkham revitalized. :\ Man, everybody's picking on their relationship…
petrichor - The smell proceeding rain. Because it's not a climactic fight scene in Gotham city without rain.
Ch. 11: The Tolls of Justice
[chapter title] - Naturally referring to the Justice card of the tarot, this title is the same as the story title. Funnily enough, this is the 11th chapter, and the 11th card in the tarot deck. (I guarantee you I did not plan this bit… Funny how these things play out, ain't it?) The Justice card naturally stands for cause and effect, clarity, or truth; ultimately, it's a representation of karmic retribution, and what the Owls are in dire need of facing. The title overall is referring to both the [para]phrase "do not ask for whom the bell tolls, for it tolls for thee" (in the original context: a grievance over death for all out of love for community/mankind, not just one person) and the "toll" - as in cost or damage - of enacting justice. What Bruce has put himself through to become and keep being Batman, the enactor of vengeance for all those wronged in the city of Gotham, and what ultimately the Court of Owls has sacrificed - either wittingly or unwittingly - in the name of justice. It also extends to John, who for the sake of "justice" is routinely stuck in Arkham, in one way or another, and has never had a conceivably just or fair life at all - thus paying the unwilling toll opposing Bruce and the Owls. We can also extend it to Tiffany, who is making good on her work with Bruce to "pay her toll" for her own crime, with her toll being seen in a positive light as Robin, compared to what life sentence she might have been paying otherwise.
[the sword in the pulpit] - a symbolic reference to The Justice card, as the Justice card in the major arcana often depicts a sword, either alone or in someone's hand. This can also be interpreted as a reference to the Ace of Swords in the minor arcana, which is normally pointing upwards, referring to victory, truth, or ideas; when flipped, as it would be when looking at the initial depiction of the sword as a "cross", it stands for lies and confusion. The sword in the story itself is a symbol of justice, and uses snakes as the stand-in for the forces of Evil, which are destroyed by the owl making up the handle and supposedly wielding the blade.
"the skull peeking out of the knight’s helmet" [card in the box on Reverend's desk] - A very clear reference to the Death card, famous in the tarot deck. It signifies change, inevitable cycles, and new beginnings/directions. Depending on the reading, it can be interpreted as an actual death, but more often than not it’s merely showing of a life change. As this is the Reverend’s deck, it seems the last card he drew was Death… The viewer can interpret this as a reading from the Reverend into the Arkham plot, where Death is representing John’s own changes, the end of Talon Adam’s latest “cycle”, or the actual deaths that had occurred (no matter how many there are in the end). The viewer can also read this as the Reverend trying to find his own fate, the fate of Roman Sionis for his trial, or Batman’s fate. All of them are quite valid, but I feel the most accurate interpretation is that the Rev' was trying to read the future of the Court of Owls.
○ …as mentioned above, the Death card is the most overt reference to the Tarot. This way, if someone didn't piece together the weird chapter titles, the specified numbers and number-letter strings, and/or the odd names of people and places, they'd be able to double-back and see them as clues. They are put there purely as a storytelling clue for the audience. As you can tell, the tarot references increased with each chapter…almost like someone is trying to get your attention…
[the framed painting] - a reference to The High Priestess, aka card II of the tarot. This card is indicative of intuition and looking within, and can signal to mysteries at hand or a higher power at work. The pillars on the card are (hilariously enough) marked with a B and J, and are in black and white, respectively. They stand for Boaz (Strength) and Jachin (Establishment), and are meant to represent the duality of nature, good/evil, masculine/femine, etc. Naturally, both pillars are equal. In this depiction, it is both relating to “the player’s��� own duality, with the ability to be flexible as Bruce and John and have both good and bad decisions play through the story, and as a strong hint to a higher power being present.
8-9-6-3 [candle puzzle] - It takes a bit to work out by sorting through the alphabetic values to each number, but it doesn’t make a complete word. On ye olde phone keypad, 1 is always null in value, so it’s always unlit in the candle sequence, and since there are 4 other numbers present we know it doesn’t count as part of the string. (If there were only 3, you could guess a year from your notes.) My idea for the “game” specs of this part would be that the key-code would be somewhat randomized, either using a specific year (if Tiffany and/or Iman are not present, this is *always* the case, as you have to utilize your background notes and the candles by yourself), a few translated letter combinations just for fun, or an occasional number-card type combo, as presented here. (In some lucky scenarios, “the player” doesn’t have to solve the candle puzzle, since Tiffany can figure out the year by herself and just call you over when she opens the door. You still have the option of looking around, though!) In this case, the values are another tarot-themed hint, using the card number first: 8-w-n-d, for the 8 of Wands, which alludes to quick actions. AKA “Get ready for quick-time events!!!”
"looking more like the king on the throne than a judge" - Meant to allude to The Emperor card, the ultimate royal symbol in the major arcana and always depicted with a king. Traditionally this symbolizes power, authority, control, etc., but when reversed it alludes to overbearingness, arrogance, and chaos. For the Owls, they would likely see themselves as the upright depictions, even when presented upside down before the person doing their reading… And here is no better example, with the Reverend Overfield taking place as the ultimate authority over the Court.
"like [Sonja] had a say in commanding the room" - Alluding to The Empress, in conjunction with Rev’s position, this card alludes to femininity, motherhood, nurturing, creativity, and/or abundance. When reversed, it stands for neglect, creative blocks, overbearing, and/or uncaring. Sonja is a good example of an overbearing mother, trying to make decisions for her child because she thinks she knows best - thus fits the reversed reading well.
[Courtroom layout] - How curious is it that I haven't referenced The Devil when we have so many opportunities? That's because I strove to show this card rather than reference it overtly. The Devil card depicts El Diablo in the upper middle, lording over the card, with two souls chained to him at the bottom. The classic depiction shows a female demon-like human on one side and a male demon-like human on the other. As such, Rev. Sebastian sits on the high bench as the judge, overlooking the courtroom, and Sonja and Evan sit beneath him, one embedded on each side of the lower bench, sitting before him rather than beside him. Naturally, The Devil card represents temptation, manipulation, and materialism (though not necessarily of physical things). There is nothing more suited to The Devil card than the Reverend Sebastian Overfield and the Talons.
Circe | Cindy Peterson - Circe was the original Black Mask's downfall, or at least serious decent into who would be Black Mask. In her origin, she was a model who seduced Roman and ended up being blamed for his poor business choices, as he completely revolved Janus Inc.'s new direction around her image, somewhat at her insistence. Roman seemed to love her, but grew vengeful when she dumped him. She was named Circe, after the witch who lured men to their doom. In this story, she plays a much less active role but ultimately still serves as Roman's downfall, though in a very different way. : she does seem to care about Roman, going so far as to hide him on her yacht, not rat him out for his overt gang activities, and even leave Gotham with him for good to run from Batman despite not being in a relationship with him for long. But Bruce is able to spin this to his advantage, openly lying that she was working for him undercover and twisting Roman's affection for her into paranoid doubt, which he eventually lashed out with and ended up being caught because of. Circe never got a ~proper~ name in the original canon, so I dubbed her Cindy. The name "Cindy" can be boiled down to “person from Kynthos” and since Circe is Greek… Well, it fits well enough!
"[…]waltzing into the danger-zone without his wingman" - It’s Top Gun's “You can be my wingman anytime”, but with ALL the homoerotic implications!
"the Degnah Club" - The Degnah Club can be inferred to be one of Roman Sionis’ clubs, or just one his False-Face Society visited on occasion, but the event that happened there is implied to have taken place before the start of the story. “Degnah” when written backwards is “hanged”, referencing the Hanged Man card. When upright, this card means sacrifice and selfless acts. When reversed, as very much implied here, it’s an unnecessary sacrifice. This is both a play on what Roman’s implying – which is likely a very violent event – being an “unnecessary sacrifice” as part of Matt Chaney’s greater scheme for the Court of Owls, and as an allusion to Matt’s fate, where his morals/good choices/old law-abiding life were thrown away for an inevitably failed pursuit.
"[Tiffany | Robin's] personal count of 13" - The 13th card in the tarot is Death, bringer of change and ender of cycles. It’s also a traditionally unlucky number. This number is the “body-count” of Tiffany’s run through the Court so far. Does it reference the end of the Court's latest cycle, or something else…?
Accompanying the Tarot, as mentioned earlier I also tied in other fortune-telling methods, with the counting of crows and reference to the zodiacal horoscope. I also threw in allusions to luck, with The Lucky Hotel and The Lot (in both name and the fact that it's a casino). This is all tied entirely around the concept of fate and being able to change it with the choices you have made or currently make as "the player". Luck itself has nothing to do with your choices and the fates you guide Bruce and John to, and it's not something "the player" can control - it's an illusion, with things seemingly lucky for our heroes having already been written in on purpose to lead to the next event. It's essentially a long, drawn-out joke.
Talons/Reverend's Owl Masks - I wanted the Talons to be set apart from the rest of the Court and have special owl faces. The Court's owl masks are as follows:
○ Talon Adam - Great Horned Owl; chosen for the owl's large size and hunting ability, as well as the protruding "horn" feathers mimicking Batman's cowl. This is the most common owl used in media. The "horns" are meant to clue the reader into the culprit early on. Adam's a Batman-fan, so he mimicked Bats' style.
○ Talon Sonja - Snowy Owl; chosen for the owl's fairly elegant feather pattern and Sonja's ~colder~ personality. Sonja had a masquerade one to show her "humane" side to prospective Owls, but always wears a full-faced mask for the rest of the Court.
○ Talon Evan - Barn Owl; chosen for it's ghost-like face and screeching call, and it's hunting skills. They sometimes are seen as bad omens. While Adam was a mysterious stalker, Evan is overtly dangerous upon appearance, in no due part to his temper.
○ Reverend Sebastian Overfield - Eastern Screech Owl; this owl is smaller than the other, but has similar "horn" feathers to the Great Horned, and a gray face. The "horns" are meant to be another a mirror to Batman, but can be considered another allusion to The Devil. It isn't the largest or flashiest owl of the bunch, but Sebastian has the most power of all the Court members.
[The "Justice" bell-toll] - traditionally, a church bell tolls to signify someone passing into death. In the Court/Church of Mercy's case, they use a bell rung at midnight to signify a complete "trial" and a carry-out of their own brand of "justice"…which also culminates in death. The "trial" shown in this chapter is a rarity, as the offenders are actually present to get a talking-to before their sentencing - generally, the Church will hold a mock-trial to decide the fates of the perpetrators…after some previous counseling with Talons and select older members. (Think of the Trial like a ceremonial conference for the majority of the time.)
Chapter 12: Ten Cheers to the World!
[title] - The act of cheering, aka toasting, is to raise a cup and drink towards someone or something in celebration or tribute. Here, it's referring to the tarot's Ten (X) of Cups, which is pretty much the best card you could pull in a reading - when upright, as it is here, it means celebration, fulfillment, and happiness! The World card is the final card in the Major Arcana, encapsulating completion, accomplishment, and harmony, all from inner and outer sources. It might seem redundant at first, but the Cups suite in the Minor Arcana is all in regards to emotions, relationships, and love; in comparison, the Major Arcana represents a journey from innocence and ignorance to wisdom and completion. So you have an emotional celebration with fulfilling relationships, and the story's path marked as complete in both a literal and figurative sense.
"An accident at Ace Chemicals" [Iman & John's convo] - Referencing the majority of Joker origins, wherein pre-Joker fell into the vat of chemicals at Ace Chemicals and survived, leading to a psychotic breakdown due to his changed appearance and/or the circumstances around to what led him to Ace Chemicals in the first place.
"the string of deaths in the Velestra mafia" [Iman & John's convo] - a ref to the former mafia/main antagonists in Batman: Mask of the Phantom that kept getting killed off one by one by the Phantom. Whether The Phantom exists in this world…we'll have to wait and see, I guess!
"an unrecoverable ‘data loss’ at the Agency" [Iman & John's convo] - not a reference to canon, but my own theory on a potential background for John being a former Agent…(see further below)
"Et tu, Peeps?" - a riff on "Et tu, Brute?", Julius Ceasar's last words as he was betrayed and stabbed to death.
"Maybe I was someone in the wrong place at the wrong time" / "someone at the right place at the wrong time" [John monologue] - Another reference to the most popular background choice, the Ace Chemical origin story, and it’s variations. Though probably lacking Batsy’s involvement, considering the timeframe…
"Maybe I was some experiment gone wrong" [John monologue] - A reference to a different author's Season 3 replacement fanfic, where John ended up being a genetically modified human/test tube baby. Unfortunately the work got deleted from Ao3??? And my bookmark is gone, so I can't name the fic… But I still remember you, Unknown Author!!! It was a fun story and I've never forgotten that twist!!!! \( >o< )/
"Maybe I was even an Agent, like you" [John monologue] - My own little theory as to why the Agency was so keen on getting him for the Suicide Squad – and why he was considered a dangerous part of the gang despite not doing too much of interest in Season 1 (even if you consider the theory that he was helping Lady Arkham get her chemicals/drugs) – was that he was part of the Agency somehow. Either an agent who screwed up on the job, a rogue agent that escaped death via Agency trap…or maybe a guy who knew too much! But it's a fun, fresh idea to bring to Joker's multi-choice past, right? (( ;w;)) <(please say yes)
hippocampus - The region(s) of the brain that primarily deals with memory.
[the photo] - I wanted to leave it up to the reader/"player" to decide what kind of pre-Arkham past the TellTale!Joker has… So whether you think the picture Iman has is a "real" photo of him or not is entirely up to you.
"[…]'you're the moon to my sun'" [John, 'paraphrasing' Bruce] - In Tarot terms, this is a reference to the Sun card, representing joy, success, and masculinity, as well as another reference to the Moon card. One can also interpret the Sun card as "success in overcoming your obstacles or fears". As the Moon card can represent inner fears and femininity, it's a fitting opposite for interpreting this romantic line. While Bruce doesn't exactly embody the "positivity" and "joy" that this card represents, he brings that feeling into John's life, and Bruce is more traditionally masculine in contrast to John. This is also an overt use of the phrase "[they're] the moon to their sun" - a romantic notion that one person, though the opposite to the other, is completely complementary, like a One True Love. TeamFourStar's playthrough of TellTale Batman: The Enemy Within had not one, but TWO mentions of the "moon to [their] sun" line, the second of which was referring to John and Bruce. This one's for you, fellas!!! ( ^3^)
○ Funnily enough, The Moon is a very broadly interpreted card. Sometimes it's not a good card to have because deception, manipulation, illusion, and mystery/confusion are all potentially at work in your life. Sometimes it's an excellent card, because it tells you examine your feelings to resolve a problem, or tells you that you aren't seeing the whole picture. The reversed of the card is often attributed to avoidance of one's problems and further confusion, but also clarity, truth, and the full view of what's going on. If John is the embodiment of The Moon in the upright position, then I say Bruce is that of the Reversed Moon…
"[…] two lovers against the world" - Another classic romantic phrase that can be turned into a Tarot reference. The original phrase is meaning two romantic partners are pitted against "the world"/external forces that threaten to tear them apart, but they are committed to each other regardless. You can't really pit cards against each other in a reading, but you can read Past-Present-Future. In which case, in story terms, The Fool is always the Past, The Lovers is the Present here, and The World is the Future. As mentioned earlier, The World represents harmony and completion - if reversed, it would mean incompletion and chaos. The Lovers card is representing a strong union being forged between two people, very often romantic in terms of the Tarot. The meaning is usually attributed to decisions in a relationship being made (whether to start a new one, or to deepen the one you have), but it can also represent people outright, as well as an indication that a new partnership/relationship is on the way. When reversed, Lovers represents disharmony, imbalance, or a loss of relationship. In our story, of course, our two lovers are representing the upright reading of the card in the Present, showing as a strong couple. As it's "against", it implies that The World is something that will be a challenge, so it's likely Reversed. Which is a pretty good representation of Gotham in general, isn't it? lol~
○ The Lovers can also be seen symbolically in chapters 8 and 9, when Bruce and John are laying opposite each other and linking pinkies/holding hands at the hotel. :)
○ John uses the romantic line regardless of whether he's a vigilante or not! If you didn't get the Best Ending, aka our Sleepover Ending, Bruce would wind up back in the parlor with John as usual, and once the rest of the fam are gone (if they were there at all), he uses it to describe themselves. In the villain route, Bruce and John converse in the Batmobile on the way back to Arkham, and John uses the line there, too. ;3c
○ Naturally, you don't really get this complete scene if "your" Bruce is with Selina in the vigilante route.
Ending Type - …it's not a tarot reference or anything specific. I just wanted to let you know that you can ONLY get the Sleepover Ending if you have Tiffany and John in Bruce's party on good terms with each other AND with Bruce.
○ You can drive Tiffy away from Bruce by saying she shouldn't be with them at the Court Battle, but also by generally not believing in her/being mean and giving a neutral reaction to her staying during Battle; she won't go back to the cave with Bruce, so you don't get a chance to speak to her directly afterwards as either character. (John can still have his conversation with her via text, and they can still end on the same terms.)
○ If you don't have vigilante!John, there's no one else to help lift the things, so Tiffy's idea is never brought up.
○ John is always simping desperate for Bruce's attention, so even if you don't treat him as well in a platonic relationship, he'll still be there for this Ending type. ;_;
○ If you have a Romanced!Selina in your party, Selina will join you in both Court Battle and the Ending as seen in this story. It'll either cause her to take Iman's place (if she is not present) or to have extra spot suddenly appear above the rest of the group. Like Tiffy, she overheats and needs more space too cool off.
§ You can also talk to her as John, and sort of makeup/say your part of the team now. (But John will still be somewhat jealous of the attention she gets.)
§ John doesn't get the emotional hug with Bruce if Selina is around - especially since she doesn't temporarily leave with Tiffany and Iman - but the conversation is almost the same.
§ Naturally you can talk to her as Bruce, too. I don't think on her options too much, but they'll likely talk about change and what it means to have this "job" and internalizing too much of their emotions/themselves.
§ If you and Selina are only friends, Selina can join you in the Court Battle, but will text you instead of sticking around.
1:06 A.M & [Clock time on Belltower in Chapter 11] - Bruce's sense of time is off, which is why he's surprised it's after 1AM and not closer to 2AM. (Can't blame him, he was unconscious for a while and a whole bunch of stuff happened.) I figured if Bruce broke out of his kidnapping ropes at 10PM sharp, and drove all the way to the GCPD, that's about 20-30 minutes in his supercharged car, if not a little less, plus with 5 minutes to escape proper. If we think GCPD is sort of a halfway point to Old Gotham/The Coventry district, it's another 15 minutes to there. So he'd arrive at the Church of Mercy before 11PM, and wait John for around another 10-15 minutes, including with all the investigating inside. The "trial" scene probably took another 10 minutes until Batman crashed it, and fight scenes seem long because of all the action going on, but by the time Bruce and co' leave, it's not 12AM yet. The bell-tower in the Church of Mercy is actually off by about 20 minutes… And what do you know, card XX (20) of the tarot's Major Arcana is Judgement, alluding to karma at work! It can also be attributed to a life change. ;D
"11:43:20PM" - this wasn't deliberately meant to allude to anything. It took the batfam about 2 minutes from the last toll to leave the church. Bells' tolling speed is varying between clocks and towers, but you can estimate about 30-45 seconds for a full twelve. If it rang at 11:40 exactly, then…ugh, this is sounding like math homework.
Epilogue:
[Still a WIP, so will be updated after it's uploaded! Shouldn't have much, though! Saay, isn't there a Major Arcana card missing? (9v9) I wonder what that iiiiis~]
So that was [just about] all of them! I had a lot of fun weaving them throughout the story this time, especially with the story's themes! AtBoM didn't have as nearly as many, so they weren't really worth mentioning before.
I hope this was helpful to those of you who were interested in diving beneath the surface of BtTTS: TToJ~!
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samsonet · 5 years ago
Text
Silver Dreaming (3/6)
Do Not Disturb shuts off automatically at six in the morning. Raihan regrets this when he’s woken by the sound of a million text messages.
There are rules when it comes to messaging. One of those rules is that you don’t text people before nine a.m. unless it’s an emergency. Raihan glances at the notifications and finds nothing urgent about them. He’s not in the mood for this right now.
He leaves his phone on the bed and heads into the hallway. There’s a pot of coffee ready, and the scent fills the air like petrichor.
Nessa probably made it, like usual. She’s the best.
When Raihan arrives in the living room, coffee in hand, he finds Nessa doing her morning stretches as she usually does. Her hair is tied in a loose bun. She’s wearing the t-shirt and sweatpants she’d brought over last night to sleep in. She looks normal, like she’s not a supermodel and gym leader in her day jobs.
(Sonia is nowhere to be seen. She’s probably still asleep. No need to wake her; university doesn’t start again for another two weeks.)
“Wanna join me?” Nessa asks, pushing her legs into a perfect split.
Show off.
“You know I can’t do what you do.”
“You can do something basic. Don’t you stretch before you train?” She looks up at him, her eyes calm and deep. “It might be the last time we get the chance, Rai. Please?”
With a sigh, he gulps the rest of his coffee and sets the mug out of the way. Then he sits across from her and pulls one arm in front of his chest.
One, two, three…
Nessa says, offhandedly, “Milo taught me about thinning the other day.”
“Milo… taught you… about thinning?”
She rolls her eyes. “It’s a gardening thing. When you’ve got a bunch of seedlings together, sometimes you have to uproot some so the others have more space to grow.”
“Ah. So you’re saying that it might be time for a certain golden flower to get uprooted so a certain water lily has space, right?”
“It’s not like that, it’s — I mean…” Sighing, she pulls up one knee and pushes against her leg. “You leaving would really shake up the league. I stayed up last night thinking about it. I’ll be fine, I think. I’m flexible.”
You’ll be more than fine, Raihan thinks. You’ll thrive.
Being flexible her thing, the way weather is his. It’s how she wins battles and how she wins at life. She moves through any situation like water, and his absence won’t make that any different.
He pulls up his leg, copying her pose. One, two, three...
She continues. “I wanted to be Hulbury’s gym leader since I was six years old. I wanted to be a model from the time I was fifteen. I wanted to be close to Sonia and Milo and you since the day I met you all. And I get to have all of that, because I’m flexible.”
“And now you’ll get even more. Congrats, Ness. You’ve earned it.”
She leans forward, stretching her back. “Did I, though?”
Come on, Ness, don’t say it like that.
“Aw, are you having doubts? Come on, it’s supposed to be my identity crisis here.” He says it with a grin, like it’s all a joke. But Nessa isn’t laughing.
“You wanted to be champion when you were a kid, didn’t you? Instead, you ended up a gym leader. You’ve just been treading water for the last ten years. I always knew you’d be heading to a bigger pond someday — to a place where you could really stretch your legs. I would just be taking advantage of that.”
Treading water. A bigger pond.
The league is supposed to be a place where dreams come true, if you’re strong enough, if you’re good enough. Everyone’s dreaming of something as they step in the stadiums.
It’s been a long time since Raihan has really thought about his own dreams.
What does he want? Not as the gym leader of Hammerlocke, not as the potential champion of Alola. Not as Leon’s rival or as Nessa’s friend.
What does he want?
To beat Leon?
To have battles where he can fully show off what his Pokémon can do?
He’d wanted to be Galar’s champion at one point, sure, but his goals aren’t as concrete anymore.
He wants validation. Adoration. Respect.
Will he get that in Alola? Does he honestly get that here?
Nessa leans to the side, almost bent over double. Raihan tries the same. He’s pretty sure he heard his back pop.
One, two, three...
“I think you should go,” she tells him. “Thin out the dandelions. Make some space for the golden flowers to grow like they’re supposed to.”
*
At seven-thirty he can’t pretend to be asleep anymore, so he checks his phone and gets ready for the day.
Piers was right about how quickly the news would spread. On Chattr, the words Hammerlocke and Alola Champion are trending. All his accounts are getting pinged.
It feels like everyone who’s ever had his number has sent something. His mum is mad that she had to find out about this from social media. Gordie and Milo give congratulations. Kabu and Melony ask if he’s really going. The reporters he’s given his number to — the ones he usually depends on to set the narrative he wants — are asking for a comment.
He apologizes to his mum and copy/pastes a “No comment as of now” to the reporters. He’ll reply to everyone else at lunchtime.
A new message pops up. It’s from Camilla.
Angry fans outside the stadium. Disguise?
He’ll take her word for it.
Raihan digs through his closet and brings out The Outfit.
It’s a league staff uniform, complete with a hat and sunglasses. Every gym leader has a couple of these uniforms, specifically tailored for them. Nobody looks twice at a lowly staff member, after all.
Raihan puts it on, tucks his hair under the cap, and slouches a little to hide his height. He puts his usual clothes in a duffel bag.
Passing by Nessa in the living room, he waves goodbye.
*
True to Camilla’s text, there is a crowd outside the gym. They’re chanting something, but he can’t quite make out what it’s supposed to be. He spots a sign reading OUR DRAGON TAMER and another that reads YOU BELONG TO HAMMERLOCKE.
Nobody seems to notice that their dragon master is standing there among them.
Raihan catches the attention of one of the fans, a young teen with an orange bow in her hair.
Making sure his sharp tooth doesn’t show, he asks: “What’s goin’ on?”
“You haven’t heard?” She stares at him with wide eyes. “Raihan got scouted by the Alola league! He’s leaving by the end of the year!”
“Really? That’s news to me. Has he confirmed it himself?”
“Well, no, but it only got leaked last night. Still! He’s leaving! Can you believe it? Like, I don’t have any problems with Alola — I’m half-Alolan, myself, actually — but it’s like, don’t they have any strong trainers there? Why do they have to take our gym leader?”
As much emotional distance Raihan tries to keep between himself and his fandom, there’s something about the sincerity in the girl’s words that makes him pause. He was born and raised in Hammerlocke, after all. He’s its representative, its guardian. The people here have watched him grow; some have even grown beside him. One could say he’s like a brother, almost—
A blond woman gestures passionately in his face.
“Right?” She doesn’t seem to realize (or care?) that she’s interrupting a conversation. “They’ve got to have a hundred good trainers over there, but Leon only has one rival! What are we supposed to do without him?”
He sucks in air through his teeth.
He may be Hammerlocke’s older brother, but his family will always be more enamored with the cool kid from down the street.
“I’m sure you’ll be fine,” he says, and pushes through the crowd toward the gym.
*
He takes his time changing in the locker room.
It would be a lie to say that the fans’ words didn’t bother him. Leon has been part of his life ever since he was a kid; when Raihan does interviews, it’s only a matter of time before he gets a question about him. Their rivalry is a big part of Raihan’s public image, maybe even the biggest part. The weather manipulator, the fashion icon, the selfie-obsessed influencer, the history geek — all are forgotten in favor of the label Leon’s rival.
He loves Leon, but there’s resentment there, too. That resentment came years ago, when Raihan realized that there was nowhere in Galar he could go to get away from Leon’s face.
Alola, on the other hand...
Alola is a warm region. There, they have an endless summer. Even when it rains, the sun is still shining. He’ll be happy there. He will.
Even if he has to leave two of his most trusted partners behind, it would be worth it, right?
It had to be.
Finally, Hammerlocke Gym Leader Raihan emerges in full uniform.
That’s the signal for his gym trainers to acknowledge him, so they do. Sebastian gives him the day’s weather forecast for the Wild Area. Camilla passes along a message from the gym’s sponsor. It’s all normal, routine things.
They’re in one of the training rooms when he decides to tell them.
“Aria?”
“Yes, Leader Raihan?”
“Can you do me a favor?”
And good old Aria, cautious as ever, says, “That would depend on the favor.”
She’s always been the sensible type, even from her earliest days at the gym. Out of the three, she’s the most skilled and the most dedicated. Raihan doesn’t play favorites, so he can admit that.
“I would like to ask you to care for Sandaconda and Duraludon for a while,” he says. “I can’t bring them to Alola.”
His trainers look at him with near-identical expressions of anxiety.
“I… Of course I will care for them,” Aria says. “I presume you are… truly leaving, then?”
He puts his hands in his pockets. There’s a weight on his chest, but even with deep breaths, he can’t dislodge it.
“Yeah. Yeah, I think I am.”
Sebastian rushes forward and hugs him. He’s got tears in his eyes. Seb’s always been sentimental like that.
Raihan allows the hug, gently patting his back.
Then, cautiously, Camilla and Aria join in the hug, too. It’s unprofessional of them, Raihan thinks, but in this case, it’s forgivable. They’ve been a part of his life for years. It’s natural that he’s going to miss them.
He doesn’t try to comfort them. He’s not sure he can, honestly.
What he finally says is, “I’ll have to tell Alola’s chairman by tomorrow. Keep it quiet for now, okay?”
*
The rest of the day passes quietly. Solemn, almost. Everyone’s acting like he’s going to die. Even his phone doesn’t provide a distraction: his notes are full of people tagging his accounts in the hope that he’ll give them the smallest hint of what he’s doing.
On the way home, he stops by the grocery store and buys a Pinap berry. He poses with it in front of the gym and takes a selfie, posting it with the caption Tropical.
Then he sets his phone to Do Not Disturb and lets the internet do its thing.
*
Hours later, Raihan is woken by the sound of someone pounding on his door.
He blinks, rubbing the sleep from his eyes, and reaches for his phone to check the time. It’s one in the morning. Whoever’s knocking, they had better have a good reason for waking him up.
Raihan pulls on some trousers and shambles to the door, opening it up to find —
“Leon?”
Huh.
The champion of Galar looks like a mess. He’s wearing his usual uniform but without the cape. His hair looks ruffled, but less in the sexy windswept way and more like he’d just been thrown out of a hurricane. He looks tired.
Leon pushes inside the flat, because Raihan has never been able to stop him, and asks “Is it true?”
“What are you doing here so damn early?”
“It’s the only time I’ve got in the next three days. Is it true?”
“Is what true?”
“That you’re leaving. To be the Alolan Champion.”
Raihan locks the door and leans against it, holding his arms loose at his sides. “I haven’t officially decided. But it looks like it, yeah.”
“Why didn’t you ask me first?”
“Wasn’t aware I needed your permission, mate.” He laughs, casually, like it’s more of their mid-battle teasing.
But Leon seems to think differently.
“Well, then,” he says, gritting his teeth, “if you believe you’re champion material, then why don’t you prove it right now and battle me?”
And Raihan says —
Well —
“No.”
This seems to leave Leon speechless. He draws back, golden eyes darting toward Raihan’s face and then just as quickly looking away.
“Why not?”
“Mate, it’s one in the bloody morning. My partners are tired. I’m tired. And what are you thinking of getting from this, anyway? Do you think that if you beat me, I’ll change my mind? Because we both know I’m going to lose.”
“You might win this time,” Leon mumbles, but it’s half-hearted and they both know it.
Raihan sighs. “How about this, mate. Why don’t I get us both some water and we can sit down and talk about things, like adults?”
He steps forward, toward the kitchen. Leon follows like a lost Yamper.
They’d left the Leon Jar out earlier. Raihan quickly palms it, sparing a glance to make sure the man himself didn’t notice it. When he gets to the kitchen, he shoves it on top of the fridge.
At last, he sits them down in the living room. They’re on opposite sides of the same couch. “So. You have a problem with me leaving?”
Leon wrings his hands. He doesn’t show that kind of nervousness in public, Raihan notes absently. He can’t. A champion has to be confident and alert at all times. But he wrings his hands, now, when they’re alone, when Raihan is the only person who can see it.
“I don’t… Rai, be honest with me. Am I boring you?”
“What?”
“When we’re battling. Am I boring you? I-I try to come up with something new every time, to challenge you, but if it’s not enough we could — we could do something else. I could talk to Rose, ask him if we could try doubles for our next match—”
“Leon.”
This makes him stop. He looks up, and his golden eyes look very lost.
Raihan sighs. “Leon, it’s not about you. This was entirely my decision, alright? I’m not dissatisfied here, I just — I want...”
He wants his own kingdom. He wants to use Z-Moves again. He wants Leon to be happy for him, to stop staring at him with that expression.
Curse his beautiful eyes.
“I wanna spread my wings a bit. Try something new. It’d be nice to live in a more relaxed region, you know? Maybe I’d get to battle without having being treated like a feral Obstagoon.”
“You don’t have to battle like that now. We could come up with something—”
“And maybe I’m tired of being second place. You ever think about that?”
Leon grimaces. He hangs his head, and the brim of his hat covers his eyes.
Raihan really doesn’t know why he’s upset. Leon is the one who wins, after all. He won Chairman Rose’s approval. He won the champion title. He’s won every battle he and Raihan have ever had since they were teens. He’ll be fine.
So why isn’t he acting like it?
“You are leaving because of me.” Leon holds up a hand to cut off any interruption. “I mean, I hear what you’re saying about wanting to get stronger. I want you to get stronger too! But it’s just — I’m the reason you feel so restless here, right? Because I’m the champion, and you have to always hold back to make me look good. I couldn’t figure out a way to fix that, a-and now you’re leaving. Just like Sonia did.”
Arceus.
It takes a special kind of conceit to expect a rival to stay close forever, even if they never win. It takes a special kind of conceit to blame oneself for their leaving.
But maybe part of it is Raihan’s fault, for letting things get this far. For diving headfirst into their rivalry, for acting as King Leon’s greatest knight. Being champion means you’re limited in who you can spend time with. It’s not like Leon has any other close friends.
Raihan moves forward, pulling Leon into a hug. His rival hugs back, tightly, like he’s afraid Raihan will leave right this minute if he lets go.
In a year, maybe, they’ll meet again, champion to champion. Maybe they’ll have an exhibition match. Maybe Raihan will even win. Either way, if he leaves, their relationship will never be the same.
He pats Leon’s back, rubbing small circles like he’s comforting a kid brother. “Listen. It’s not like you’ll be all alone. Oleana’s planning for Nessa to be your new rival. You like Nessa, right?”
“She’s okay.” There’s a pout in his voice. “She’s not you, though.”
“Give her a chance, yeah? And, you know, it’s not like Sonia left you, either. I literally saw her yesterday.” Two days ago? Another reason not to have conversations at one in the morning. “She’s following her gran’s footsteps. If you told Rose you were studying Dynamaxing, you could probably see her whenever you wanted.”
“I’ve tried that. She won’t battle me.”
“She’s a grad student, she doesn’t have time for that. There’s more to friendship than battles, anyway. Why don’t you ask what she’s studying? Maybe she’s got info about some Pokémon you’ve never seen before.”
Leon hums an acknowledgement, but doesn’t say anything. Raihan lets the conversation lapse.
They hold each other, quietly, sharing their warmth.
In the silence, Raihan’s thoughts turn to Professor Kukui. A guy that obsessed with moves and leagues has to be a strong trainer, right? He fought Lance, after all. He must be tough.
Is he as tough as Leon?
He thinks about asking for a battle. Just a practice match, just a way to test the waters. Testing himself, to see if he really is champion material. See if he can put up a good enough fight.
“Rai?”
“Huh? Uh, yeah?”
“I think I’m done. Thank you.”
Leon lets go. Raihan lets him go, lets him pull away, lets the sun slip out of his hands.
His (soon-to-be-former?) rival stands, one hand smoothing over his hair.
“I know you said you don’t want to battle, but can we go to your stadium anyway? Charizard is going to miss Duraludon. I want them to have a chance to hang out before you guys go.”
Leon doesn’t know, does he.
Raihan makes a mental note for Aria to let Duraludon train with Leon.
He says, “Let me get my things ready. Then we can go.”
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