#and on top of all this - been thinking of the amorphous/un-resolved nature of PatPran's arc in Our Skyy 2 and how that connects

[ranchthoughts]

inspired by @dudeyuri pointing this out in He's Coming to Me

I'm thinking about how HCTM goes HARDER with the concept of 'if you know how it's going to end, why start anything?' than even Bad Buddy.

In Bad Buddy, Pran doesn't see the use in verbalizing his feelings for Pat because it can only end in tragedy. He looks at their situation with their parents and doesn't see any way that he and Pat can have a happily ever after. But Pat's relentless optimism and love in the face of this helps Pran realize that some things are worth trying. Like in the episode 5 rooftop kiss, where Pat kisses Pran and Pran goes "...what the hell. Might as well go all in" and kisses Pat back. (I've talked about the kiss here and here (shout out to @dudeyuri' contributions); and more broadly about Pat and Pran and genre/tragedies here and here)

In Bad Buddy's case, Pran and Pat are able to defy their seemingly pre-destined tragic ending through the power of their relentless determination to be together (see @chickenstrangers' brilliant post here). If it means fake breaking up, if it means hiding parts of their lives from their parents and others, they can do it. They refuse to have their story end in tragedy. And they succeed! They have found enduring love and a future together in a situation where that seemed impossible, a guaranteed inevitability. They defied generations of family feud forbidden romance endings (Romeo & Juliet, Kwan & Riam) (and their own families' intergenerational trauma - see this post by @waitmyturtles) to find a happy ending.

But Bad Buddy's ending is not 100% happy - Pat and Pran aren't able to be open in front of their parents, they aren't able to realize their achingly simple dreams (Pat being respected and not questioned by his father, Pat able to join Pran's family at dinner - see @grapejuicegay 's tags peer reviewed here).

In the same vein, HCTM doesn't have a fully happy ending either, and it also deals with the looming spectre of inevitability tragedy. Only this time, it's even more inevitable.

(If you haven't finished HCTM beware spoilers)

HCTM establishes that ghosts remain because they died before their time, because they don't know the reason they died, or because they didn't get the proper funerary rites. If these issues are rectified, the ghost will be able to pass on and be reincarnated.

(forgive my potentially hazy remembering of HCTM, it's been a few months since I watched it and I'm writing this on a train)

Mes hasn't passed on because he didn't know the reason he died (and he hadn't received the proper care post-death from his family). Thun helps him rectify this: solves the mystery of how he died and helps arrange a proper send-off. Thun does all this because he loves Mes and wants to help him, and despite knowing it will help Mes pass on and leave him - the inevitability of their situation looms large.

At the end of the show, Thun cries because he believes Mes had left him forever, but by some miracle Mes has remained. But this is temporary, and we all know this. One day, Mes will pass on and be reincarnated. Not today - today Mes and Thun get to stay together - but one day, that is how this story will end.

So like Bad Buddy, it's not exactly a happy ending (Pat and Pran are trapped in a glass closet, Thun and Mes will be separated one day). But unlike Bad Buddy, there is less chance of a reversal of fortune, of defying the inevitable. Thun and Mes are working with cosmological forces of death and rebirth. Perhaps their love will be able to overcome this and Mes can stay with Thun... but the show doesn't confirm this. If anything, the show makes it clear that this is temporary, that eventually Mes will leave Thun.

Despite this though, and like always in Aof's stuff - better to have loved and lived than not at all. Despite their less than stellar ending, Pat and Pran have found an enduring love in each other and their lives are better and happier for it (Pat says it himself: he was happier when Pran wasn't in his life because he didn't have to compete so much, but he was damn lonely). Thun and Mes are the same - sure their love won't be everlasting because eventually Mes will have to pass on, but the joy and love it brings to their lives (and the self-realization it brought to Thun's) is worth it all.

Bad Buddy ends in the middle of things (Pran and Pat still haven't rectified things with their family) and so does HCTM (Thun and Mes are together, but only temporarily. We don't see their ending).

Shout out to another @dudeyuri post that made me think about this (here) and @waitmyturtles masterful post about suffering in Asian BLs and, more specifically, the lack of closing loops in narratives/relationships, which I have been mulling over since - Bad Buddy and HCTM's stories aren't over, we don't see the endings.