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#and now i'm picturing Michael as Elvis
ingravinoveritas · 2 years
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The hunk alert comment always makes me chuckle. Haha defo not a word I would ever use to describe David.
(For those who might’ve missed it, this is referring to a screenshot of one of Michael’s tweets on this post here.)
Hah. I hear you, Anon. “Hunk” always conjures up a specific image for me--a man who is beefy or muscle-y. Pretty, yes...but not in the delicate, androgynous way David is pretty. It is definitely an interesting choice of words for sure...but then, so is every word/phrase Michael has used to describe David.
Several immediately come to mind: “Sylph-like.” “Slinky.” “Swagger-y.” And now we can add “hunk” to that list as well. All of which boil down to how Michael has not only obviously thought quite a bit about David and his body (since at least 2019, though he probably was thirsting over David all through filming), he has no problem saying it out loud, either.
The interesting thing about “hunk,” though, is that it’s defined as “a large/tall sexually attractive man.” So it’s not just about describing someone on an aesthetic level--it specifically speaks to attraction. Of course, I think we knew long before now that Michael is sexually attracted to David, but it is lovely to have that extra bit of confirmation.
So yes, it will certainly be interesting to see what new adjectives Michael comes up with to describe David--in interviews and on his Twitter--as press and promotion for GO 2 rolls out. We’ll see what happens...
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(Gratuitous gif of Michael checking out David’s chest just because...)
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sissylittlefeather · 1 year
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Time for...
A Very Quiet Life: Chapter 4
A/N: I know this one is kind of a bummer, and it's super short, but it's important to the storyline, so don't give up on it. Part 5 is *literally* steamy 🥵
Warnings: reader is a widow, this one is angsty, but that's about it. Sorry no smut this time, ya lil horny devils.
Links to:
Chapter 1
Chapter 2
Chapter 3
Stick around... there's much more to come!
Song inspo (because now I've done it on every post, I have to keep doing it)
Aaaaaaaand gifs:
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How are you going to keep yourself from getting used to this?
******
You wake up to a gentle kiss on your forehead.
"Bye, baby."
"What time is it?"
"Almost 5:30. Go back to sleep." You nod your head and he kisses you softly on the lips and leaves. You hear the front door open and close quietly. The bed feels empty without him already, so you go ahead and get up. The first thing you do is change your shirt because Jane will probably recognize it. Before you hide it in your drawer, you put your face in it and breathe deeply. His smell is still there, even though you wore it all night.
You shouldn't miss him this much.
You make some coffee and sit on your front porch watching the sunrise and waiting for the kids to wake up.
Once the sun is up, you see Elvis walk out to get the paper. Your heart skips a beat and you're dying to call out to him. You don't even have to, though, because when he turns to walk back up to the house, he spots you and waves. He jogs over to you and leans against the railing on the steps up to your porch.
"Good morning, beautiful."
"Elvis. We can't do this. Someone might see you." You whip your head from side to side, looking for nosey neighbors to come crawling out of the bushes.
"What? I'm just a neighbor coming to say hello." He gives you a winning grin.
"Elvis." His face falls and he looks at the ground. "When does your wife get home?" He swallows hard.
"Tuesday." Today is Sunday. "You know she travels a lot." He looks up at you hopefully.
"Not enough for us to... we just can't. I can't... I have the kids and I just... I can't." Your heart feels like it's in a vice that just gets tighter and tighter and it's taking everything in you not to cry. He looks back down at the ground and nods.
"I guess I better go home, then." He turns to walk back to his house, but then stops and turns back to you. "But if you ever change your mind..."
Just then, Jane calls from inside the house. "Mooooom!" You stand up from the porch and he turns and walks away. You watch him go before Jane comes to the door. "Mom! I'm hungry." You sigh and go back into the house to tend to the kids.
******
You spend a lazy Sunday with the kids on the couch watching tv and reading. You go ahead and give Michael the comics you've bought for his birthday next month, since he's so pitiful with his cast. He can't read yet, but he likes to look at the pictures.
Round about 3 o'clock there's a light knock on the front door. When you get to the door, you're surprised to find Elvis there. You thought you were pretty clear this morning. Before you can say anything about it though, he opens his mouth.
"I'm here to see Michael. I brought him some stuff to help his recovery." He holds up a bag. "Can I come in?" You feel bad for assuming he was there to see you.
"Sure." You open the door and he walks in and goes to the living room. When he gets to Michael on the couch, he plops the bag down between his legs and starts pulling stuff out. He has a pint of chocolate ice cream, a stack of comic books, and a model car, still in the box waiting to be built. Michael goes straight for the comics. They're older ones, but he doesn't care. He's never seen them before and he's fascinated.
"Where did you get these?" He asks excitedly.
"They were mine when I was younger. I thought you might like them." The gesture is so kind, it tugs at your heart a little.
"Should I take the ice cream to the kitchen?" You cut in, noticing that it's already starting to melt.
"Can I have some too, Mama?" Jane asks politely.
"Sure, honey." You take the ice cream and go into the kitchen to put it into two bowls. When you come back out, Elvis is showing Michael the car box.
"I know your hand is a little busted up right now, but I thought I could help you build it sometime when it's feeling better." Michael nods excitedly.
Why does he have to be married?
You hand the ice cream to the kids and they go to work eating it. Elvis stands up.
"I guess I better be going. Thanks for letting me bring the stuff in."
"Thank you for the ice cream, Mr. Presley!" Jane calls to him. Michael just grunts and nods. He's too busy eating. You walk Elvis to the front door.
"Thank you for doing that. You didn't have to--"
"How many times do I have to tell you that I want to? Can't I still love your kids even if you won't let me..." he trails off. You can tell he's frustrated with you.
"Yes. I'm sorry. We need someone like you... THEY. They need someone like you." You caught it too late and he notices. He looks at you almost hopefully and then nods.
"Well, I'll be around as long as they need me." He walks out the front door and back to his house.
******
Chapter 5 coming soon!
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
Taglist:
@itlover8000 @deniseinmn @elvisalltheway101 @ccab @suxny @hernameisnoellex3 @ashtag6887 @arabellapresley @littlehoneyposts @dkayfixates @elvisxsposts @joshuntildawn13 @msamarican @returntopresley
Want to be added to the Taglist? Let me know!
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ohtobemare · 1 year
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**serious post read at your own discretion**
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disclaimer–religious triggers, personal opinions
I'm not usually one for celebrity documentaries.
But, a mutual recommended Val Kilmer's documentary, since he's one of my favorite actors and has been since I was a kid and watched Batman Forever, so I decided to give it a go.
It amazes me that the cream of the crop (read: Michael Jackson, Elvis, Whitney Houston, etc.) always seem to rise out of some of the most tragic childhood and life experiences. Michael Jackson came out of domestic abuse and body dysmorphia. Elvis, the loss of his twin and poverty. Whitney, drugs and alcohol.
For Val– the loss of a brother, his parents' divorce, emotional abuse, and later a divorce himself resulting in separation of his children. He's arguably one of Hollywood's most prolific, real method actors, someone who embodies each and every character with heart and soul. He believes in real storytelling, not the modern knock-off we see in shallow blockbusters today.
He's one of the good ones. From Doc Holliday to Batman to the infamous Iceman, I'd argue that nobody is quite as talented as Val. A fact I've overlooked for a good few years now.
All throughout his career Hollywood and "the business" has labeled him difficult and eccentric because of his dedication to storytelling and authenticity, of keeping true to the theme. Because every movie has a theme, a message it communicates, since film is a medium of communication. He documents an experience in Australia, where a film was completely gutted for the sake of a production schedule, which left him baffled and broken.
And his journey with tracheostomy and throat cancer and the inability to speak. Wow. He really bares his soul and the reality of what fame being stripped away is really like. I cried quite a bit over this documentary, because even robbed of the one thing you absolutely need as an actor –your voice–Val is still 100% committed to the field. To the experience of storytelling. He adapted and threw himself into art, a studio, and documentation of his experiences and what it means to be a storyteller. He's passionate and raw, not swept up in fame.
Hollywood cost him everything. He even says he lost himself for awhile, that Hollywood is like stepping into hell. He's right. Fame will take until there's nothing you can give, and Val is one of the few to transcend actually caring.
Who knows how much of this is *actually* true, since Hollywood is infamous for smoke and mirrors and deception (if you know anything about the dark underworld of the industry) but I'll take it at face value.
Regardless of the question of honest truth, this was a refreshing look into acting. While I think it still ignores, or chooses to hide, the ugly and spiritual side of what it takes to make it in Hollywood, I can't think of a better or more raw approach to explaining the journey of fame and the art of visual storytelling. I always knew Kilmer was good–and there's a reason why. Art is in his soul, just as music was in Michael and Elvis'.
Hollywood took Val Kilmer and ran with him, and left him high and dry and hollow at the end. But, he's choosing to rise out of those ashes. I can commend him for that.
Yet another testament to how we don't know the full story of our peers' lives until we come up close and personal to it. God can make anything out of any backstory–a prostitute to anoint Him for burial, a hotheaded fisherman to become the rock of which He built His church, a shepherd to be the greatest king of Israel.
Despite Val not serving the same God or understanding the same Jesus Christ that I do, his life is a picture of just exactly what the world can offer you. Nothing. There is freedom in forsaking the standards of society and pursuing what God has destined for you, unabashedly. I can only pray Val Kilmer, and the host of others like him, can come to knowledge of who he is in Christ, and experience the passionate love of Christ's salvation.
10/10 documentary, and I hardly EVER give full marks. Worth your watch.
See Yas, From a former film reviewer
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slowthunders · 21 days
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ʚїɞ hello hello hello!
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౨ৎ˚⋆ name: cheri thunders ⚡
╰┈➤ [BASIC INFO] - she/her. intp. thirties. mexican. bisexual. slow as fuck. sagittarius ☼. cancer ☾. pisces ↑. grumpy. always tired. on the autism spectrum. add and dcd. grunge cowgirl groupie. with a taste for complex and messy characters. a box of useless information. i have a fucked up moral compass.
╰┈➤ [IDOLS] - daria morgendorffer. billie joe armstrong. buttercup. marianne faithfull. makoto kino. mark lanegan. marilyn monroe. claudia cardinale. jane birkin. nellie laroy. jane fonda. saphire and polexia from almost famous. nicki minaj. kat stratford. karen sirko. elaine parks. nancy downs. fiona gallagher. og disney princess belle. kim kelly. william miller. anita pallenberg. clair standish. john bender. nancy thompson. blair waldorf. samantha jones. disney's rapunzel. bebe buell. heather holloway. billy hargrove. brian slade. kurt wilde. maxine minx. elton john. mick jagger. andrew wood. scott weiland.
╰┈➤ [INTERESTS] - music. writing. books. photography. cinema. witchcraft. horror. fantasy. goth stuff. americana. bohemian/boho chic core. pop culture of the 60s 70s 80s 90s and 00s.
╰┈➤ [BOOKS] - the master and the margarita. the haunting of hill house. rebel heart: an american rock and roll journey. i'm with the band. the naked lunch. house of spirits. faithfull: an autobiography. salem's lot. fall to pieces. daisy jones & the six. everybody loves our town. please kill me. meet me in the bathroom. up and down with the rolling stones.
╰┈➤ [CRUSHES] - layne staley. chris cornell. johnny knoxville. ryan dunn. nick drake. bryan ferry. meg white. michael hutchence. angelina jolie. izzy straddlin. david gilmour. john frusciante. david from the lost boys. trent lane. marilyn monroe. st. jimmy and whatsername from the mv of green day's jesus of suburbia. bill skarsgård. dane dehaan. liam gallagher. albert hammond jr.
╰┈➤ [SOCIAL MEDIA] - instagram and discord, i'm as slowthunders too!
╰┈➤ [ARTISTS/BANDS] - alice in chains. britney spears. green day. roxy music. alanis morissette. the rolling stones. lana del rey. soundgarden. pink floyd. marianne faithfull. sabrina carpenter. prince. hole. stone temple pillots. inxs. black sabbath. divinyls. the velvet underground. avril lavigne. lou reed. nine inch nails. the stooges. mc5. elvis presley. the clash. lady gaga. the smiths. television. mother love bone. the dandy warhols. dolly parton. bobbie gentry. mark lanegan. cky. whitney houston. blink-182. korn. the risin' sun. cheap trick. the who. combo musical los caquis. the moody blues. led zeppelin. sly and the family stone. mandy moore. nelly furtado. deftones. amy winehouse. blur. sublime. the cult. jimi hendrix. oasis. marc bolan. pearl jam. mariah carey. kylie minogue. robbie williams. audioslave. roxette. faith no more. janis joplin. nancy sinatra. the allman brothers band. gram parsons. johnny cash. waylon jennings. lil 'kim. bob dylan. beyoncé. mad season. pearl jam. fleetwood mac. the doors. ratt. charli xcx. mitski. pantera. joni mitchell.
╰┈➤ [FILMS] - moulin rouge!. the love witch. x. singles. say anything. the bling ring. beauty and the beast. beauty and the beast: an enchanted christmas. scream. home alone. babylon. performance. daisies. the secret garden. tangled. ten things i hate about you. my scene jammin' in jamaica. the lost boys. the craft. mean girls. casino. don't look now. paris, texas. walk the line. a nightmare on elm street. maxxxine. the breakfast club. trainspotting. almost famous. rocketman. the rocky horror picture show. practical magic. barbie. bram stoker's dracula. the exorcist. the panic in needle park. goodfellas. the shinning. once upon a time in hollywood. texas chainsaw massacre
╰┈➤ [COMFORT PALS] - hello kitty, spottie dottie. keroppi. pochaco. minnie mouse. psyduck. eevee. bulbasaur. winnie the pooh. eeyore
DNI criteria - TERFS, SWERFS, republicans, facists/pro facists, zionists, trump suporters, johnny depp stans, billy hargrove/nancy wheeler antis, toxic eddie munson stans, pro ed girlies, fatphobic girlies, homophobes, sexists, racists, bigots, emma roberts stans, extreme woke puritans, toxic swifties, toxic livies, toxic chappell roan stans, etc..
none of the icons, headers, pictures and edits are mine unless stated.
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elvismentions · 3 months
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Hi. Love your IG ! I always have lots of fun with the Elvis mentions you put together here. Thank you for that, by the way. 🩷 Don't know if you talked about those I'm gonna tell you about now, but there's some Elvis mentions I'd like to let you know.
TV SHOWS
• The Office (US) — TWICE: 1st there's the "Elvis voice" by Michael Scott (https://www.tiktok.com/@scarn4life/video/7247611486078586155); and another time is on the (S5 E2), when during a meeting there is a picture of 70s Elvis behind Michael Scott, on the wall.
• South Park ("Going Native", S16 E11): Elvis' spirit appears in a cave to help one of the characters, Kenny (skip to 18:06 on the episode).
MOVIES
• "Someone Great" (2019): There's an Elvis painting on the wall in one of the character's bedroom. It's a real cool painting, he's wearing a blue jumpsuit and has an orange lei on his neck while he's holding the mic. ⚡🌺
Hi! Thanks for the kind words and for the suggestions. Sorry for the wait btw.
Here's the Elvis photo on the wall post. You can find the rest of The Office's references you suggested and more on The Office tag here.
The South Park screencap post and video post. And the Someone Great screencap post.
Thanks again! and have a great day <3
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etlunainmorte · 4 years
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"Trust me, V."
"(Y/N),... I should not have dragged the both of us in this hopeless situation. Forgive me,... "
"You came. That's all that matters."
"It's true what they say: when there's a will, there's a way."
"You said, please, say yes. And I said, yes! I'm going to the New Year's Ball with you, V!"
"Parting is such sweet sorrow,... that I shall say good night 'till it be morrow. Let us meet,... in the land of dreams. In a beautiful garden,... somewhere only we know. See you soon, my love."
"Stay with me, please. Until I fall asleep."
"Seeing you happy,... is the only single thing in this world that keeps me going. So, please, smile,... and be happy. Don't ever blame yourself for what happened in the past. It was never your fault. Live for the people you love. Smile,... for there are people who truly loves you. And they would never leave you, no matter what. Don't forget about that."
"I do,... take Lord Victor Blake as my husband. I promise to love and cherish him above all else. I will take care of him and support him. Through thick and thin, for richer or for poorer, for better or for worse, in sickness and in health. If your soul shall seek mine after death, then I shall wait for you in the next lifetime. Then, the next. I will wait for you, for as long as it takes. J - just,... don't forget about me, alright?"
"I do,... take Lady (Y/N) (L/N) as my wife. This fool will love and cherish her above all else in the world. I promise to care for her, to support her through thick and through thin. If falling for you is a sin, then I refuse to repent. Like a river that flows to the sea, or a fool rushing in, I have fallen deeply in love with you. I cannot help myself from falling in love with you, my dear darling (Y/N). I will stay with you, for better or for worse, for richer or for poorer, in sickness and in health. And I shall never stop from loving you, even after my death. My soul shall seek yours, and we will be together again,... in our next lifetime. And the next. I will always love you, my dear, beloved (Y/N). Until the end of time."
...
...
...
I will,... fulfill your three wishes,...
... no matter what it takes.
I will make you,... the happiest woman on earth.
Love me tender, love me sweet.
Never let me go.
You have made my life complete.
And I love you so.
Love me tender, love me true.
All my dreams fulfill.
For my darling I love you,
And I always will.
Love me tender, love me long.
Take me to your heart.
For it's there that I belong.
And will never part.
Love me tender, love me true.
All my dreams fulfill.
For my darling I love you,
And I always will.
Love me tender, love me dear.
Tell me you are mine.
I'll be yours through all the years,
'Til the end of time.
Love me tender, love me true.
All my dreams fulfill.
For my darling I love you,
And I always will.
***
🌸 Three Wishes 🌸
***
XV
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For my darling, I love you,
And I always will.
You smiled as Fleminger's performance came to an end. He knew the man possessed such a wonderful singing voice? Not to mention a deep fondness for all things Elvis Presley?
"That's such a beautiful song." You told V as you leaned on the railing of the Grecian balcony just outside the mansion where he led you.
"I never expected Elvis Presley to be," V answered in a low and soft voice as he joined you. " ... such a poet. Those words are,... truly heart - warming." And it was true. He has been listening to that song on loop the moment Nico introduced the King of Rock and Roll's more mellow songs to him.
You hummed in agreement, trying to ignore Salvador as you heard him calling his boss for the third time. "I wonder where Lancaster went?" You finally asked as your eyebrows furrowed in disgust after mentioning your former lover's name.
"Who knows,..." V answered, not wanting to divulge the fact that he felt the presence of Vergil's Yamato a while ago. Where on earth did Vergil bring that doctor, anyway?
"V?" You piped in a few moments later when the sound of applause and cheers from inside the mansion died.
"Hmm?"
All of a sudden, you were at a loss for words. There was something truly deep and mysterious within those hypnotic green eyes of his. More than ever before. You felt it when he looked at you and invited you outside a while ago, and partly because of that ( and your almost unhealthy addiction to romance novels and chick flicks ), you somehow knew what would happen next. You just didn't have the strength to confirm or admit it. It's not that you're worried about it, no.
It was more like,...
... you felt that this was a truly wonderful dream that would vanish as soon as you stirred in your sleep.
And you didn't want this dream to end.
"Thank you." So, you told him instead. "For inviting me here." Looking up at him, you smiled and squeezed his arm next to yours. "Thank you so much."
"Anything for you, my dear." V answered as he heard Fleminger speaking once again.
" ... the runner - up for the King and Queen of the Ball goes to,... Dante and Trish! Congratulations! If you two may, please, step forward. Thank you!"
"Wow. That's Michael Jackson for you, I guess." You said as you listened to the wild cheers and hoots. "And now, Lady will receive her Queen award - "
"(Y/N)?"
You looked up once more at the man, surprised when he suddenly interrupted you. "Yes, V?"
"I know this is awfully late but," He began, and took out a pastel - colored notebook from his breast pocket. The thing that Nico handed him. " ... this is your Christmas present. Well, Nico was the one who thought of it first. Then, the others helped. All of us collaborated."
"Aww! How sweet of you! Thank you so much, V!" You exclaimed as you received the notebook from him. Excited to see what's inside, you began to turn the pages but, then, you remembered. "Wait. I don't have a Christmas present for you! Oh, my God! I forgot! I'm so sorry, V - !"
"It doesn't matter, dear." V answered, smiling at you. He, then, nodded at the notebook in your hands. "Please. I would like you to see it."
You nodded, once again ignoring all the noise inside the mansion, which was honestly a bit different from before. Not cheers, nor applause but, something really weird. Were they,... objections of some sort? You opened the notebook, and saw,... something that made you smile silly! It was - !
"Hey! This is," You looked up at V as you pointed at the photograph. So, it is a scrapbook, after all! " ... this is our Halloween event!"
"Yes." V answered with a smile and a slight wince, reeling at the thought of him dressing up as a mystical blue Genie for Halloween. The body paint! The steel pot!
Stand in a steel pot, she said, V thought ruthlessly. It will be fun, she said,...
"Everyone is here! Dante and his weird costume. Nero, Kyrie. Wait, Kyrie was dressed as a Witch? I thought she was the Girl from Ring. Oh, and Avery and Roman as Morticia and Gomez!" You turned to the next page, saw the next picture, and laughed even more as you helplessly shook your head. "This is when we watched Star Wars! Was Nico spying on us?"
"I couldn't deny that, unfortunately." And V was saying the truth. Nico and his familiars did follow them all day in the shopping district, despite his strict instruction to leave you and him alone. And they managed to produce tons upon tons of stolen shots of you and him.
"This is crazy! Oh, and these are during the Christmas party for the children! The kids enjoyed seeing Griffon as Grandma so much. Oh! And they love your violin - playing, too, V."
"Thank you."
"These are such wonderful pictures!" You complimented as you looked at the photos one by one, vastly enjoying them. But, when you reached the next page and saw the next photograph, your heart seemed to stop beating.
And V? He felt his breathing hitch. It's as if he was forced to stand at the edge of a cliff with someone pointing a gun at his back.
And at the same time, Fleminger spoke once more.
"And to start our last dance for this evening to be led by our King and Queen runner - up, may we call on our special guests for tonight? Let us give a warm round of applause to Ms. Jam And The War Veterans!"
"V," You whispered, confusion getting the better of you as you stared at the strange vintage photograph of yourself dressed in an exquisite gown as you stood at the top of an awfully familiar - looking staircase. " ... I,... don't understand,... "
"Please," V pleaded as he laid his hands on yours, urging you to keep looking. " ... see the photographs."
Trusting V's words, you continued browsing, and as the music started, you felt your consciousness leave your body.
The way you're dressed in these photographs. The setting. Everything.
It's as if,...
... somehow,...
... you've gone back in time.
Never thought that you would be,
Standing here so close to me.
There's so much I feel that I should say.
But words can wait until some other day.
Unable to form an appropriate response to the photographs, you went on browsing, until you found an old letter attached to the next page of the scrapbook. Gently grazing the old stationary with your fingers as if it was a really fragile thing in danger of crumbling, you read the letter.
"Love and harmony combine,
And round our souls entwine
While thy branches mix with mine,
And our roots together join."
But, it was Sir William Blake who said it, and not me.
For, if I' am given the chance to send you a different poem that I have written myself, I would give you none.
My dearest, how could a foolish man such as myself form oh so eloquent words to write poetry if he is in awe of the beauty right before his very own eyes?
And because of that, let this foolish man send you these heartfelt words, instead:
Good night, my Little Wanderer.
My Evening Star.
My Beloved Muse.
My Little, Innocent One.
My Little Lamb.
~ Yours truly, Victor Blake.
"Victor,..." You muttered, looking at the familiar swirl of the letter - sender's handwriting. Then, turning to the next page, you saw,...
Kiss me once, then kiss me twice,
Then kiss me once again.
It's been a long, long time.
Haven't felt like this, my dear,
Since I can't remember when.
It's been a long, long time.
You'll never know how many dreams
I've dreamed about you.
Or just how empty they all seemed without you.
So kiss me once, then kiss me twice,
Then kiss me once again.
It's been a long, long time.
"V is this,...?" You muttered as you saw photos of you together with V but in the same vintage setting.
And in those old photos, you two were always together. Laughing, reading, playing music, walking hand in hand.
You two,... were always together.
"Are we,...?" Your mouth forming incoherent words due to utter disbelief, you turned to the page to see the very last photo. Of you and V surrounded by a group of friends throwing flower petals at you. All of you looked so happy and cheerful, and it looked as though you two were just married.
And those clothes you were wearing,...
... they were the same, exact ones that you and V were wearing this exact moment!
They were,...
... vintage wedding clothes!
And you chose to wear it because you felt something really strong and emotional and sentimental about it! No wonder Avery was so surprised about it!
You and V,...
... were your great grandmother and this Victor Blake's future lives!
"You know, V spent a lot of time in this room last October." Is what Avery told you before when she showed you your great grandmother's bedroom.
Did V,...
Did V know all about this?!
"(Y/N), I know it's confusing but - " V began, very nervous because of the revelation.
"We have always been together, you and I." You told him. Looking up at him as you inched closer towards him, you went on. "No wonder I feel this way about us! The answer is right here! V, you and I were together!"
"I,..." V stuttered, then gulped. He couldn't possibly predict what your reaction would be about this whole plan ( since his mother's necklace was stolen, he had to think of another thing to give you, and that's when Nico suggested this ). At first, he thought you would consider this as a well - collaborated practical joke ( he did hesitate a lot about this, but decided to just go with it as he had no other last - minute option left ), knowing that things such as photographs could be altered nowadays in a way to make them look old. He never expected you to be this,... accepting. "Well, you see, it's a very long story,... of what happened last October. These,... chain of events,... that led me to you. But, it can wait. I will tell you everything. I promise." He took your hands, which still held the scrapbook, and raised them to his lips. Giving them a kiss, he finally uttered the words you never realized you have been waiting for. Until now. "I would adore to hold you in my arms for the rest of my existence. However, I cannot force you to choose. I will never do it."
"But, what if I want to choose?" You asked V with a knowing smile, giving him the one huge hint he never knew he desperately needed. Until now. "What would you tell me?"
And the poet took this hint as a massive opportunity. Oh, yes, indeed!
"(Y/N) (L/N), would you stay by my side,... one more time?"
A smile creeping up on the corners of your lips as overwhelming feelings of joy flooded your chest, you shook your head, and declared, with all your loving heart and longing soul, "Not one more time. I say, yes, now, tomorrow, always, and forever!"
"I adore you, my lady." V whispered as one of his arms went around you and pulled you close to him. "I love you so much, (Y/N)!"
"I love you, too, V." You answered, and oh, how good it felt to finally say it!
You briefly saw the twinkle in V's eyes before being pulled closer to him. And as your eyes closed the moment you felt his warm breath brush against your face, you couldn't help but let out a little sound of shameful excitement. 
Hey, no one could blame you. Not now when his lips began moving rhythmically with yours. Not now when his hands travelled up and down your back in that very delicious caress. Not now when he seemed to pull you closer to his body, not having enough of this long - desired contact.
And definitely not now when he whispered over and over again how much he loved you and how much he wanted to be with you as he showered you with his love.
All of these wonderful things, this very unpredictable and yet romantic evening, this memorable moment shared between the two of you,...
... you will cherish this for as long as you lived.
Ah, yes! At long last! Finally!
And V? He actually never noticed it, nor the awesome display of fireworks in the clear night sky as Fleminger's party drew to a close, and the sound of the Carillion church bells nearby, signaling the very first hour of the year, but he finally fulfilled your very last wish.
Vitale Sparda has fulfilled all of your three wishes, and he could never explain the feeling of warmth that overwhelmed his heart as you two shared this loving moment, this very passionate kiss.
And he will cherish this moment with you forever.
Love me tender, love me sweet.
Never let me go.
You have made my life complete.
And I love you so.
Love me tender, love me true.
All my dreams fulfill.
For my darling I love you,
And I always will.
Love me tender, love me long.
Take me to your heart.
For it's there that I belong.
And will never part.
Love me tender, love me true.
All my dreams fulfill.
For my darling I love you,
And I always will.
Love me tender, love me dear.
Tell me you are mine.
I'll be yours through all the years,
'Til the end of time.
Love me tender, love me true.
All my dreams fulfill.
For my darling I love you,
And I always will.
***
🌸 I hope you enjoyed listening to my singing voice, winkwink! 🌸
🌸 @la-vita , @dreaming-gamer , @birdgirl69 , and @v-vic . 🌸
***
"How long have you been staring at those two?"
Fleminger turned just in time to see Adelaide walking towards him, her hands on her hips and her eyebrow raised. And this made the man smile, as he couldn't contain the happiness in his heart upon seeing her.
"Well?" Adelaide asked, stopping just three feet away from him and crossing her arms.
"Why do I suddenly feel like I'm being scolded by my prom date for leaving her?"
"Don't you dare dodge my question, Flanagan Allen!" Adelaide barked, and all of a sudden, Fleminger saw that young woman again. 
That young woman,...
... who was his sole purpose for living.
"Is it wrong to take pride in one's,... accomplishments?" Fleminger asked her as he nodded at something outside the mansion.
Realizing that Fleminger was observing V and her grandchild happily watching the fireworks display from the Grecian balcony, Adelaide was beyond furious. Slapping the man's arm as hard as she could, she said, "How dare you, Flanagan Allen!"
"Don't you want those two lovebirds to be happy?" Fleminger questioned, offended and hurt as he rubbed his arm.
"Well, I want them to be happy, of course! But, I don't want you to intervene! You may think you are the greatest match - maker in the world, but those two got together on their own effort! You are just the one who put them in vintage fashion and placed them on the dancefloor like puppets in a circus show! You ought to be ashamed of yourself!"
"My, my, you're on fire,..."
"I'm always on fire."
"That's why I fell in love with you."
"Oh, shut the fuck up!" Fleminger received another slap in his arm as Adelaide let out a very crisp curse. "I thought you're married to Reginald!"
"And I thought you swore to never see me again,..."
"Seriously, Flanagan?! Until now, you're being like this?!"
"Like what?"
"Annoying! And irritating! And pompous!"
"And still in love with me?" Fleminger added with an apologetic smile that caught Adelaide off guard. "Aha! So,... I'm right!"
"Shut up. I don't intend on going back with you." Adelaide shook her head, turning away from him, still defiant.
Exactly like the Adelaide he fell in love with.
"Is that the news that got to you after all? That I married Reginald?" Fleminger asked her carefully, not wanting to waste this once in a lifetime opportunity. "I have waited five long decades for you to speak with me again. But you didn't answer all the letters I sent you." 
Reaching out a hand, the man gently made the woman turn around to face him, and the moment she did, he felt as if they're back during that time as their younger selves. During that time before those decades worth of blunders occurred between the two of them. And now that she's here, all he intended to do was to fix the problem once and for all.
"Listen to me very, very carefully." Fleminger told her. "Reginald and I were never married, nor were we in any form of relationship. I told you that lie that we were together because your father wanted me to leave you."
"And you're saying this to me now?" Adelaide hissed, becoming overwhelmed with that familiar feeling of sadness once again. "Do you honestly believe that I would - ?"
"He told me that I' am too poor to be with someone like you. That I cannot afford the life you deserved. So, I had to lie and make you believe that I cheated on you. I had to make you leave me. For your own sake."
"Why didn't you tell me the truth?"
"Because I'm a coward. I could never face your family after all that. I had to think of a way to get you back. To get us back. I studied hard, I graduated with honors, I worked even harder. I achieved the,... ideal man,... that your father wanted for you to be with. And by the time I went back, I found out that you have already moved on. Got married to a mere accountant and had children. Living a content life under a small roof. You got married to a man who was supposedly lower than what I' am now. Inferior."
"Stop,... talking about my husband,..." Adelaide, being a very soft and emotional woman deep down, felt her tears already pouring from her tired eyes.
"But, I never held a grudge against you. You're understandably hurt, and you wanted to move on."
"What did you do,... when you found out?"
To this, Fleminger only smiled weakly. "I lived,... a very wasteful life. It took me many years to get back up again when I know I actually couldn't. Not without professional help, mind you. But, all it took was one tiny idea that got me springing back up to life once more, as hideous as it sounds. And this tiny,... idea,... has sprouted well,... like a majestic oak tree.
"For thirty years, I've been arranging these,... grand parties,... trying to get two strangers to be together each year. Or, at least I thought I have the power to do something for others which I couldn't do for the both of us when we were young."
"The King and Queen." Adelaide added.
Ah, so the rumors are true! Of a man who arranged parties just to get two people together because he couldn’t be with the love of his life, himself!
Oh, how tragic,…
"Yes. And no one deserved the title of King and Queen for this evening except for those two." Fleminger said, gesturing once more at the happy couple on the balcony. "Unfortunately, I have to disqualify the both of them for,... inappropriate behavior."
"Is that the reason why you left the titles empty?" Adelaide asked, her voice no longer laced with anger and hurt, but of pity and understanding. Pity that she and the man she once loved wasted five decades of precious life all because of an awful misunderstanding, and understanding because it felt like they were finally set free due to poor Flanagan's confession and honesty.
Ah! Such fools we both were,...
"That is the reason." Fleminger sighed. "But, I must say. You have taught her the ways of the Jive well."
"How did you know I taught her?"
"You have always been a great dancer. Besides, knowing you, I,... could somehow feel that you would rise to my challenge and show up to one of my New Year parties. With your well thought - out vengeance, that is." With a huge grin on his face, he added, "And you did."
"Huh." Adelaide crossed her arms once more. "Funny you should arrange your first ever grand New Year's Ball a year after my husband died."
"Funny you should ignore all of my invitations until now."
Flanagan and Adelaide looked at each other, and during this small moment of understanding, something clicked inside each other's heads. Like the sensation of putting the very last piece in a puzzle that has been left unsolved for many decades.
And then, they both smiled. The kind of smile they didn't have for so many years.
And it honestly felt good.
"Oh, I don't know!" Adelaide exclaimed as she stretched her limbs like she was a teenager once more. "You don't seem spry now like how you used to. And you don't look like you could pull off a kick or two."
"Oh, I'm very curious to find out, myself." Flanagan replied as he stretched his back, ashamed to see his stomach bulging because of it. Then, offering a hand to Adelaide, he asked, "May I have the honor of this Jive, my lady?"
"Certainly." Adelaide answered with a mischievous wink and a devilish smirk as she took Flanagan's hand, having the full intention of making the man suffer not only with Jive but through at least five more types of ballroom dances.
***
🌸🌸🌸
***
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dreamsister81 · 5 years
Text
And he speaks about the divorce of his mother and his (first) stepfather, when he was about six or seven years of age. "The song 'So Real' is about that. That is my personal battlefield. The fight between them was too real. Around that time, I learned how to adapt reality to your advantage. Sometimes magic is real, too. Superstition, ghosts, elves, cats that can speak and think. To me, those kinds of things are still very real. Somewhere in here (points to his head) a cat can talk. Somewhere in here real magic and chaos reign.”-Aug 25, 1994, from an interview with Anna Bouwma for Brabant Pers (A local Dutch press agency) via OOR magazine, May, 1998
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 "All those lines are derived, except for the first line, from a time when I was about 5 or 6 and my mother and my stepfather were divorcing and I noticed 'I love you but I'm afraid to love you' is all about them. What I came away from in my older years is that people are just afraid to love each other and always want to come out of things right and wrong. Between men and women it just has to be accepted that part of their relationship is a power struggle."-UR Magazine, September, 1994
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"This is a song about another kind of love. It's mostly about when I was a kid and saw a couple of people break up that I didn't think would break up before...bizarre...check it out..."-introduction at the Pacific Club, September 21, 1994
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"I'm proud of 'So Real' because that's the first tune that I ever produced and that's the first one with Michael on it, us as a real quartet, and me and Michael, we wrote that in a day."-WDET interview, Oct. 31, 1994
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"I love 'So Real' because it's the actual quartet that you see in that picture right there that you have on the wall, on the album. And that one I produced live all one moment, the vocal is the first take, all one take. It was three o'clock in the morning.”-Juice magazine, Feb, 1996
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"I had actually begun about six months earlier when I went to Jeff's apartment for a guitar lesson. I had been playing these chords over and over. They kind of got stuck in both our heads. So now, months later, I'd joined the band and it was my first day in rehearsal at Montana Studios. I started playing the verse chords and Jeff got behind the drums and started playing this funeral march beat. He pulled the microphone over so he could sing and play the drums, but at first he just muttered stuff over the chords I was playing. Then, we got to the chorus and he started singing the words-just wrote the chorus right there. We laid down some more instrumental tracks. Chris Dowd was there, so when Jeff called a break and took a walk, Chris and I left the studio to walk to a bodega to get something to eat. About thirty minutes later, when we got back to the studio, Jeff was already there, recording the verse-he'd written the whole thing during the walk. He recorded the whole song in one take. In that moment I knew I was part of something...you know, that moment when you know something has opened up that's beyond you, bigger than you."-Michael Tighe on co-writing 'So Real', from The Grace EPs
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"So Real" became a composite of various female relationships in his life. It's said the "simple city dress" line referred to Moore, while other parts of the song may have been inspired by a dancer with whom Jeff had a brief fling shortly after his separation from Moore. "I love you, but I'm afraid to love you," Jeff spoke in the middle section, somewhat in the tradition of spoken-word parts dating back to Elvis Presley's "I Can't Help Falling In Love With You." He also brought up his mother Mary, who was still back in Orange County: "I never stepped on the cracks 'cause I thought I'd hurt my mother/And I couldn't awake from the nightmare that sucked me in/And pulled me under." The track was finished at dawn, and in a cab flying downtown as the sun rose, Jeff and Tighe listened to it in the backseat. To Jeff, who didn't say a word, it was affirmation of his idea of a band based on feeling rather than virtuosity. "It showed us we could be a sound," says Grondahl, "but not a type of music."-from Dream Brother (Erika Hassan. Lover, dancer. Read in the newspaper that he had died. Was kept a secret by Jeff.-from OOR Magazine, Jul. 2000, I've always wondered if this could be that same dancer)
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constellacy · 5 years
Text
No Shame video Theory
So, the boys are back with a new video and this seems very self-explanatory but I saw a couple of things that I would like to know if anyone else saw?
SPOILERS AHEAD.
If you haven't watched it for some reason go ahead and do so:
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First of all, Ash's tweet (in case you missed it).
Which yes, in the video there's a scene where Michael with a group of people is broadcasting a unfortunate event, with No Shame, if you will. With a lack of empathy, just like Logan P. did (first picture) when everything went down.
The video then goes to show Luke's death: just like allegedly Presley did. There's people who tie it to him being connected to the Mafia, but most say it's all about him not being able to deal with fame anymore and giving it up to live his life. Which, is really what happens in the video and what the whole song is about: the fame, the mistakes they made, misconceptions about it. The Dark Side of Hollywood, if you will.
I don't know very much about Tupac but apparently he did the same thing Elvis did, so that's about it.
Ash's role is basically to represent the line "Changing my face and calling it Fashion", (whilst the others are already playing the "digging my grave to get a reaction"). That's a line of how they're supposed to be perfecting everything they do and that California stereotype, with lip injections, plastic surgery, etc. In which he is playing doctor.
What about Calum? Well I think he is more than self explanatory, showing and further proving the point of the song, well they have everything "put together" and perfect. Little doll house, playing a scene for everyone to see with the perfect family.
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He's also a man from the suburbs, now with his triumph guaranteed that comes from my first connection: and that's with the Hey Everybody music video.
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He's also pretending in there. They all are. Pretending they succeeded, they are this endlessly millionaire people with sad realities under all that dream. That's their "I started from the bottom" song, and No Shame is "now I'm at the top". And they're dealing with everything that comes with being at the top.
All the people that they're there for the money (just like Empty Wallets suggested), and how there's well paid "love" on the media (not necessarily theirs, but a lot has been said about Hollywood ways). How they buy love from people to feel full and wanted; loved unconditionally.
Another second video connection I saw was the car accident with the Lie To Me video. What I think to be the reason of death for Luke.
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Which can also mean, as what the other songs of the album have been saying (Easier and Teeth): he lifted himself up. He didn't just stay there and let himself (metaphorically) die. He didn't die from a broken heart. Which also makes me very proud and happy for him.
What do you guys think?
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