#and it's also cool that ep 25 had them as enemies but 20 eps later they worked together as allies naturally

[amelikos]

YT showed me a dub clip of the battle between Friede and Amethio in HZ025, specifically the scene when Friede uses Terastal to beat Amethio.

I checked it out to see how it was, and the original line when Friede says "sorry, you forced me to stop holding back" was changed slightly. Friede also apologized there, and said something along the lines of "I had to stop things from escalating", which I thought was interesting.

[jq37]

The Case File – Mice and Murder Ep 2

The Case of the Dismal Dinner

Summary

Welcome back to our flashback/Tisch fight already in progress where we learn what Daisy and Sly’s shared look was about while Rekha and Grant go for the proverbial jugular emotionally. It’s 12 years ago and Sylvester is tracking down a stolen diadem, the very same diadem that he sees Daisy swipe off the thief who has it (a jackal named Roscoe McCoy in case that matters). Sly swipes it back from her and, when she notices, she sniffs it down to his train car where he is sitting in the dark, waiting for her. He doesn’t turn the lights on, opting instead to dramatically strike a match to light his pipe, illuminating himself sitting in a big chair, holding the stolen item.

Daisy tries to bluff like she’s Virginia Chase, the owner of the diadem, but Sly knows that’s not true because he was hired by the real Virginia to track it down. Daisy is usually a better liar than this but she is insta-smitten by this figurative and literal fox and it’s throwing her off her game. But before they can continue their little tete-a-tete, they hear a gunshot ring out from Daisy’s room and know Roscoe and his guys are coming after her. Sly stuffs Daisy in a trunk before the boys show up and they actually seem a little impressed to meet him, him being a famous detective and all, but a Nat 1 deception means they hear Daisy being huffy in the chest and a fight/escape scene that Brennan takes over narration for ensues. 

After that, Sly and Daisy become close really quickly and partners in both senses of the word. Daisy tells him she’s an American PI and they work together on cases, travel the world, and become engaged within the year. But, the day before the wedding, when Sly is alone, he discovers all the documentation proving that Daisy lied about who she is, is actually a criminal, and has been using their partnership to sell information to other criminals.

She shows up and tries to pretend like she’s being set up but he replies, “You being duped is the only lie you’ve told I can’t believe.” He says that being with her changed him. He didn’t think he had it in him to actually love another person. He forgives her. He still wants to get married. Daisy is thrown by this reaction. She tells him she’s not gonna change for him and he might as well leave her. She’s being all unapologetic femme fatale about it but he gets the sense that under her bravado she’s low key pleading with him to give up on her. He doesn’t want to. He can’t. He still shows up the next day in his wedding tux. Daisy is nowhere to be seen. When he goes home, there’s a deerstalker cap on his porch and a note that just reads “-D”.

And we snap back to the present where Daisy is trying to figure out if she can take advantage of Lucretia’s fascination with the occult and all the rich vulnerable people present to make some money. Meanwhile, Sly has been totally rocked by seeing Daisy and is drowning his sorrows at the bar with Ollie, the otter bartender. Squire Badger (which is what I’ll be calling William) shows up and, in not so many words, threatens Sly for having not solved the case and making a fool of him. He says, “You’re not gonna rub my nose in this.” Move your nose then bitch, says Sly on a dirty 20 intimidation check. He’s sad about girl problems, not you! Squire Badger is scared off, but he looks like he knows something that Sly doesn’t. That someone is coming for him. 

Buckster (and Ian too btw) clocked the above conversation and sidles up to Sly at the bar. See, not only does Buckster know about Sly and Daisy’s history, he knew it was happening *while* it was happening. Sly used up all his cool swagger on the Squire so by the time Buckster shows up he’s a whole mess over Daisy. Buckster starts implying that maybe they can help each other out since they both dislike the Squire and with Sly’s Nat 20 Insight, they can totally clock each other’s double meanings perfectly. It’s a very cool game thing where Sly and Buckster are having an innocuous conversation about the weather or whatever but Grant and Sam are just saying what they mean. It’s like they’re having a telepathic conversation. Sly agrees that the enemy of his enemy is his friend and he’ll go along with Buck’s plans as long as he can keep his hands clean, even if he doesn’t really care for Buck himself. 

At the same time Gangie is in the kitchens getting fed (see the notes for a full list of kitchen staffers and other NPCs) and after the staff leaves, Gangie is told by Ambrose Harding (the Squire’s turtle valet) that there’s is business for him to attend to after dinner. 

Buckster talks to Lawrence Longfoot--the rabbit photographer from last ep who we learn runs a trash newspaper. He and Buck bond over being trash and he gets a pic of Sly and Buck together. 

Vicar Ian goes to talk to the Squire and basically tries to (openly) suss out whether the money was a bribe or a setup or what? Like, people are fully there (including the Lady Fawnbrook and her gossipy cat wife Tabitha). They snipe at each other a bit and then the Squire reveals that he’s talked him up to the Cardinal and the Cardinal agreed that he’s such a good vicar, he should be moved to Siberia. The decision has already been made and Ian doesn’t have the pull in the church to do anything about it. Yikes. 

Before dinner, the rat butler catches Buck and asks if he has time to talk to Squire Badger. Buck agrees to go with him and he’s taken to the billiards room where the Squire is along with Harding and James Hawkins, Squire’s Hawk war buddy (a literal war hawk). Buck immediately puts his foot in his mouth by messing up the Squire’s title with his American ignorance of British peerage rules which annoys him, the elitism of it all. The Squire’s friends leave and then Buck starts talking about PR and how this whole situation has been bad PR for the Squire and it would be a shame if his PR got even worse. The suggestion of blackmail sends the Squire into a full honey badger don’t care style rage and he knocks TF out of Buck, flips the pool table, and then catches himself and scurries off. Daisy, Sly, and Gangie all hear this conversation from their positions in the house via the pipes running through the manor. Buck picks himself up and, on a 25, realizes that two of the mouse maids were hiding behind a curtain, hearing the whole thing (specifically, Edwina Thimble and Carolyn Dickory--oh like hickory dickory doc, BRENNAN) . They were playing hooky so he flips them a coin each and they all agree that no one saw or heard anything. “Two blind mice, see how they run,” he quips as they leave (sidenote, what a morbid nursery rhyme to exist in that world--to be fair, it’s pretty morbid as is).

Lucretia decides to turn the s��ance into a post dinner séance but still brings Daisy and Lars to see her occult room which is full of crap from, as Rekha said, “1800s Party City”. Lucretia does a hilariously vague read on Daisy and says that there’s something happening with her involving a man she knew or maybe still knows but she’s in her feelings about Sly so it kinda shakes her up. She tries to get Lucretia to charge for her “””incredible gift””” (so she can skim off the top of course) but Lucretia thinks it would be a misuse of her ~talents~. She does give Daisy an incredibly broad as to be useless even if magic exists blessing before she leaves. 

Once she does, Daisy scopes out the room (which she realizes must have been retrofitted for Lucretia and wasn’t previously a séance room) and sees that the one thing in the room that doesn’t really match the aesthetic is a giant portrait of one of the previous squire badgers. On a 24 she notices two things: (1) the painting has recently been restored with new paint and (2) the frame is bolted to the wall. She wants to check it out but Lars is right there so she makes a note to check it out later and leaves. 

Lars, being a very ride or die friend for Sly, bounds after her and basically calls her trash and tries to tempt her with garbage so she’ll lose composure and start chowing down. She drools at the sight but keeps it together and leaves. Lars runs off to tell Sly that they were a good good dog and gives him a full play by play. 

Gangie meanwhile is watching a small argument between the butler and Harding in the servant’s quarters hallway and he realizes that he’s being talked about in veiled language. The butler is questioning Gangie’s employment and Harding says that, as servants, they shouldn’t question their master and that Gangie is employed for reasons that Squire Badger is aware of and reasons he is not. Hmm. Gangie realizes that Harding knows about his past which is weird because Gangie’s criminal record doesn’t follow him. There’s no internet. So what reason would this guy have to know about him?

Gangie doesn’t like this and decides to dip and steal some silverware on the way out. Mrs. Molesley (who I’ll be calling Mrs. M from now on) helps him (lol I’m not entirely sure if she didn’t know what he was doing or if she’s just down with stealing) and says that she’s been working there since Squire Badger was in diapers (she was his nanny) and if anyone bullies Gangie, she’ll take care of them. She also offers to make him a sweater so he doesn’t get cold and she’s just so nice that Gangie has to say yes. He looks to make sure no one is around and gives her a dandelion he picked. Cute!!!

And now it’s time for dinner and our very first box of doom roll for the most terrifying encounter of all: how close you have to sit next to your bitter ex! This is of course for Sly and Daisy with higher than a 15 meaning they don’t have to sit next to each other and anything lower meaning they have to sit pretty close. It is the first BOD roll I’ve ever wanted them to fail (mmm, except maybe Adaine’s werewolf roll but that’s a different conversation). 

It’s in the 6-10 bracket which means they’re sitting across from each other (below that would have been them next to each other). Everyone is seated based on how on Squire Badger’s shitlist they are. So you have Ian at the absolute back. Sly to his right and Daisy on his left. The Buckster and Lars to the right and left after that. Then Armond (armadillo lawyer guy) and a snail guy because Brennan is a madman who cannot be stopped. Constance (Squire’s daughter) makes a toast to her dad wishing him well even though they haven’t always seen eye to eye (hmmm).

Buckster fills in Daisy on his confrontation with the Squire quietly enough that no one else hears. Daisy then turns to Sly and says she hopes they can be civil. Sly is like, “Sure Ms. DUMPSTER.” They’re the kind of exes who know exactly how to hurt each other but are also super open to being hurt. Emotional glass cannons is how Brennan describes it. 

Buckster is given a note by Harding from Squire Badger and, once dinner is over, he takes Daisy off to the side to read it. Gangie follows, unseen. Ian, who recently prayed to God and got not super clear results goes to talk to Luecretia to see if maybe ghosts can help him instead. She is, as usual, not super helpful but does rush out to get her very necessary ritual dagger and declares to everyone that if anyone sees a ghost they have to tell her. As she says this, there is a flash of lightning and, through the window, Sylvester sees just for a moment the form of his nemesis, Fletcher Cottonbotton (who is by the docks).

Anyway, Buckster reads the note. It’s a document from the Squire selling his interest in BB Industries (Buck’s oil company) to Hazel Hogswallop who is another small shareholder in BB Industries. But, in doing so, it names Josiah Jackrabbit (one of his competitors) her proxy which means he’ll be able to vote on things (and with a lot of power with all that stock).  The contract was written in fresh ink which means (1) it was probably written after their fight and (2) hasn’t been mailed yet (I smell a heist attempt). Buck rolls insight on the writing (mastermind rogue ability) and with a 27 senses that the Squire has gone off his rocker. This isn’t going to make him any money. Josiah doesn’t have enough liquid cash to pay him what this is worth. And the thing with Hazel would have taken time to set up. This has been in the works for a while and he’s been sitting on it until the time was right. And he senses, like Sly and Gangie did earlier, that someone besides the Squire is pulling the strings. 

Then Gangie suddenly hears Constance’s distressed voice through the pipes from upstairs: “Father you’re possessed! You’re a mad man! This will never work. Speak of this to me never again.” And she slams the door (Buck, Daisy, and Gangie all hear). Constance comes downstairs and Squire Badger follows, looking upset. Mrs. M checks in on him too see if he’s eaten and he kind of gruffly has her follow him (along with Mr. Harding) into the drawing room.

There is a scream. Something drops. Silence. Footsteps. A door opens. Then a voice, “My God!”

Everyone rolls initiative. Ian moves first and, upon hearing all the commotion, gathers everyone together to go towards the sound (interesting choice but sure). Daisy recognizes that the scream heard was Mrs. M but barely knows who she is. She goes towards the commotion anyway. Gangie also goes towards the scream. Buckster grabs his gun (well he says “weapon”, but it’s gotta be a gun, right?) and makes like he’s following her but actually hides. Lars and Sylvester go towards the scream. 

With everyone gathered, Ambrose opens the door. Inside they see Mrs. M, her hands covered in blood (my guess? From trying to stop the bleeding), kneeling on the ground over the dead body of the Squire. The room is a mess and stuff is scattered everywhere. There is a bloody knife in the Squire’s hand and a stab wound over his heart. Ms. M, who is distressed as hell, says there was something wrong with him. There was a flash, and she looked down and he was stabbing himself. Everyone thinks this is suspicious as hell. She was the only one in the room. Everyone looks to Sly, the famous detective who is not in the presence of a murder case in progress. What does Sly say? “Lady Lucretia. I’ve seen a ghost.”

Case Notes

I have to acknowledge how ON FIRE Grant was this episode. Like everyone was. Buck was great with the Squire. Daisy and Lars sniping at each other was fun. But man Grant had so many good lines. The “move your nose”. The heartbreak with Daisy (ugh, so sad!) And that blackout line!!! I am biased towards foxes as you can see from my avatar so I am very here for this great fox rep.

Based on the way their staredown went last ep I kinda thought Daisy was the wronged party but ugh. Slyyyyyyy. He forgave herrrrrrr. And he still went to the alter. Daisy how you could youuuuuuu?

Also, sigh, Fox and the Hound. I keep getting hit with these after the fact. 

I loved Rekha’s “Of the Chase Sapphire’s?” improv.

That racoon/mink line was so sleazy. Weird compliment but Brennan is good at being animal-racist. Sidenote, Daisy makes a comment about being careful being a fox in England which I presume is a ref to fox hunting and like the implication of that are como se dice troubling. 

Here are all the new NPCs for this ep and here’s a full NPC guide that also includes the list of names Gangie gave Buck which Buck shares with Daisy this ep.

And on that topic I can’t get over the concept of a married couple named Millie Molton and Mollie Milton. Like, did they get married solely for the bit???

The best Ian-ism of the ep was him talking about getting rejected from Siberia. Poor guy.

Fave OOC moment was everyone at the table getting aggressively patriotic in response to the Squire being dismissive to Buck. There is nothing funnier than someone singing a purposefully overwrought version of I’m Proud to Be An American. 

“It’s 2020 for us bitch!”

The moment Mrs. M said she was gonna make Gangie a sweater I was scared for her. Sweaters take a long time to get made. I was like oh no. The plot is gonna stop you from making that sweater isn’t it. I’m willing to be proven wrong (Brennan loves his maids with secrets, see: Cathilda) but she seems super sweet and if anything happens to her I’m going to be upset. 

What’s behind the painting Brennan. I know there’s a door. I know this house is full of secret tunnels and revolving bookshelves and all that. Let me see it!

One great little moment was when there was a flash of lightning and the minis for Sly and Lars like stop motion moved to look at it. Just great attention to detail. The work that gets put into this show is incredible.

Edit: A note I forgot to mention. There’s gotta be a secret door in the room where it happened, right? Like, creep in, flash of light to mess up her vision, do some shenanigans, peace out.

[stereostevie]

The Rap Grammy Nominations Are Weird As Hell | Nov 25, 2020 11:12 AM BY TOM BREIHAN

The very first time that the Grammy Awards recognized rap music, it was an utter fiasco — a clear case of an aging pop-music establishment failing to understand this vital new youth music that had sprung up and rewritten the rules. For the 1989 awards show, the Grammys added one rap category, Best Rap Performance. DJ Jazzy Jeff & The Fresh Prince won it for “Parents Just Don’t Understand,” beating out LL Cool J and Salt-N-Pepa and Kool Moe Dee and JJ Fad. The show didn’t deign to recognize Public Enemy, N.W.A, EPMD, Slick Rick, Big Daddy Kane, Eric B. & Rakim, or Ice-T, all of whom had released classic albums within the voting window. The award wasn’t televised, and most of the nominees, Jazzy Jeff and the Fresh Prince included, skipped the show, attending a “Boycott The Grammys” party instead.

Since that night, the history of rap at the Grammys has been a series of baffling, embarrassing decisions. It’s Steely Dan winning Album Of The Year over The Marshall Mathers LP. It’s Gretchen Wilson winning Best New Artist over Kanye West. “It’s weird and it sucks that I robbed you.” It’s also a history of rappers getting angry over the Grammys: “I never let a statue tell me how nice I am,” “You think I give a damn about a Grammy?” In 2019, Drake showed up to accept Best Rap Song. In his acceptance speech, he talked about how the Grammy voters weren’t necessarily the right people to define rap success. The broadcast cut him off mid-speech. Earlier this year, Kanye West, a man who once cared more about Grammy Awards than anyone else not named Neil Portnow, tweeted a video of himself pissing on one of his Grammys. (The Grammys still nominated West this year, for Best Contemporary Christian Music Album.)

Yesterday, the Grammys nominated Freddie Gibbs and the Alchemist’s Alfredo in the Best Rap Album category. That’s great! Freddie Gibbs is a great underground rap success story, a guy who bet on himself and kept doing great work in his own lane even after multiple major-label situations fell apart. Gibbs has never made a hit song in his life, and he’s gotten himself into a position where he doesn’t need to make hit songs — where he can just follow his instincts and keep his own style intact. Alfredo isn’t my favorite rap record of the year. (Even in the field of Alchemist-produced 2020 rap albums, I’d give the slight edge to Boldy James’ The Price Of Tea In China.) But the nomination for Alfredo is still a very cool surprise, the kind of thing that I would’ve never expected to see from the Grammy nominating committee.

And yet Gibbs’ nomination doesn’t exactly announce a new golden age of Grammy rap consideration, a time when Recording Academy voters are finally figuring out how to approach the genre. Instead, his nomination points toward something else: An institutional recognition of middlebrow, middle-aged, respectable rap music.

All of this year’s Best Rap Album nominees are Black men between the ages of 35 and 47. The oldest nominee is Nas, who is now on his fifth Best Rap Album nomination and who has never won the award. (The Best Rap Album Grammy didn’t exist in 1994, when Nas released Illmatic, but there’s no way in hell that Nas would’ve won it anyway. The Academy would’ve given the award to Coolio’s It Takes A Thief or something.) The youngest nominee is D Smoke, a former high school Spanish teacher who is also the brother of the TDE R&B singer SiR. D Smoke made his way into Grammy contention after winning the first season of Rhythm + Flow, the Netflix rap-competition show. (Two of the three judges from Rhythm + Flow, Cardi B and Chance The Rapper, have won Best Rap Album themselves. T.I., the other judge, has been nominated three times and never won.)

D Smoke isn’t exactly a revered or popular rapper, and I have’t seen anyone calling his perfectly-OK album Black Habits a masterpiece, though the man has certainly done better than anyone could’ve expected from a rap reality-show winner. But D Smoke raps exactly like a diet version of Kendrick Lamar, so his nomination works as a clear indication that the Grammy voters really, really wish they had a Kendrick album to nominate. D Smoke is also up for Best New Artist, alongside fellow rappers Chika, Megan Thee Stallion, and (I guess) Doja Cat. Presumably, Megan’s Good News would also be nominated if it had come out early enough to be eligible. Meanwhile, Chika hasn’t released an album, and Doja Cat is nominated in the pop categories, not the rap ones.

Instead, then, we’re looking at five guys hovering around the age of 40, all of whom are respected technicians with boom-bap inclinations. Jay Electronica, who’s nominated for A Written Testimony and who should probably be considered the front-runner, is technically a New Orleans native, but nobody thinks of him as a Southern rapper. (Jay-Z is all over A Written Testimony, to the point where anointing Jay Electronica feels a bit like throwing awards love to Jay-Z in a year with no Jay-Z album.) All the albums up for Best Rap Album are, at the very least, solid. A couple of them, Alfredo and A Written Testimony, are very good. But this is still a remarkably stodgy list — one that shows that the whole middle-aged respectability fetish that’s long plagued the Grammys is now embedded in its rap voting wing.

Freddie Gibbs and Nas and Jay Electronica and D Smoke and Royce Da 5’9″ are all gifted rappers who have done great work. Most of them could justifiably be considered legends. But none of them really show the world where rap music is, let alone where it’s going. By recognizing those albums, the Grammys have pointedly elected not to recognize something like Lil Baby’s My Turn, which is probably 2020’s most popular album in any genre and which is also a fine example of the 808-heavy depressive melodic-goo rap music that currently dominates the genre’s mainstream.

Other hugely popular, artistically important albums are also absent: Lil Uzi Vert’s Eternal Atake, Roddy Rich’s Please Excuse Me For Being Antisocial, Polo G’s The Goat, Gunna’s Wunna, Rod Wave’s Pray 4 Love. Instead, the rap albums getting nominated are the 2020 equivalents of the Steely Dan album that famously beat Eminem. That’s not an indictment of the nominated albums. It’s an indictment of the stuff the Recording Academy values. It’s also a cautionary look of how things might look if the Recording Academy ever gets its way, if rap comes to rely on accepted ossified skill-sets instead of its current state of constant, furious stylistic evolution.

As someone who’s around the same age as this year’s Best Rap Album nominees, I’m not all that amped to see emotionally troubled, pill-gobbling 20-year-olds dominating rap music. But those kids are crucially moving the genre past whatever old men like me might want it to be. Fortunately, there’s at least one Grammy category that has done a pretty good job capturing where things are right now, and that’s Best Rap Song. The list of nominations there — Lil Baby’s “The Bigger Picture,” Roddy Ricch’s “The Box,” Drake’s “Laugh Now, Cry Later,” DaBaby’s “Rockstar,” and Megan Thee Stallion’s “Savage” — isn’t necessarily perfect, but it’s a fairly accurate representation of the kind of rap that moves people right now. I don’t know why the division between the Best Rap Album and Best Rap Song nominees is so stark. Maybe it’s a signal that the album is increasingly irrelevant. Maybe it reflects two different voting bodies. Either way, it’s striking.

Look, the Grammys are weird. They are always going to be weird. Fiona Apple’s Fetch The Bolt Cutters should’ve been the biggest lay-up in the world, but it isn’t up for Album Of The Year. Instead, the Academy’s voters went for Coldplay and Jacob Collier and a deluxe edition of a Black Pumas album that didn’t even come out in the eligibility period. “Rockstar” and “Savage” are both up for Record Of The Year, but Post Malone’s Hollywood’s Bleeding is the only album that’s even rap-adjacent that’s nominated for Album Of The Year this year. I thought for sure that Lil Baby’s My Turn would be the token rap album that would inevitably lose to Taylor Swift. Instead, we didn’t even get one of those, and My Turn got snubbed even in its own category. Nothing makes sense.

But this year’s Best Rap Albums nominations still show a weird alignment between Grammy Voters and a certain streak of real-hip-hop rap conservatism. Watch out for that. Nothing good, except maybe a Freddie Gibbs Grammy win, will come out of that.

FURIOUS FIVE

1. Roc Marciano – “Downtown 81” It’s not on streaming services yet, but Roc Marciano’s new album Mt. Marci is out in the world now, and it is marvelous. (I can’t tell you whether the digital download is worth the $40 that Marci is charging on his website. Make your own financial decisions.) Right now, the only song out for general consumption is one of the few that Marci didn’t produce himself. (It’s a Jake One beat.) But otherwise, “Downtown 81” is exactly the sort of laid-back, intricately worded deadpan splendor that you can expect to hear on the LP, whenever it goes wide. So maybe that’s worth the price of a full tank of gas.

2. Meek Mill – “GTA” (Feat. 42 Dugg)

Meek Mill released his Quarantine Pack EP on Friday, and the track currently getting the big push is the downbeat Lil Durk collab “Pain Away.” But the real thrill here is in hearing Meek and 42 Dugg getting bracingly urgent over a Detroit-ass bassline.

3. Chief Keef & Mike Will Made-It – “Status” Sosa and Mike Will have evidently chosen to name their new song after this column. Gentlemen, I see this tribute, and I appreciate it. I love you too.

4. Willie The Kid & V Don – “Mother Of Pearls” (Feat. Eto) This is pretty.

5. Statik Selektah – “Play Around” (Feat. Conway The Machine, 2 Chainz, Killer Mike, Allan Kingdom, & Haile Supreme)

Once upon a time, maybe 13 years ago, I was apparently such a recognizable and influential part of the New York rap press that Statik Selektah noticed me at an MOP show, introduced himself, and tried to get me to listen to his mix CD. All these years later, Statik is a globally acknowledged boom-bap specialist with enough juice to put three of the world’s greatest middle-aged rappers on a track together. I’m proud of Statik. I bet he gets nominated for a Grammy someday.

[lychgate]

did you have a favorite ep of code lyoko? it’s ok if u don’t

i dont know if i have a specific favorite but some in particular are:

code earth, like of cOURSE. that’s the sweet one where they bring aelita out of the computer finally, and the first time someone outside their gang really got to see the factory and be apart of the team for a while. there were these very close moments, that while every episode staged shit close, this one seemed to be a real nail biter for the suspense (IN RESPECTS TO CARTOONS AIMED FOR CHILDREN MIND U), like how they had to defend the tower to bring aelita in an all IT WAS A GOOD ONE. following that into a two parter, False Start is just as great, showing continuation of xana’s bs, now that he’s linked aelita and lyoko, so they can’t just straight up turn off the super computer. it also was the first episode to really show something that was always on another animated format, animated in the other, like how xana put his lil bugs and crabs into the 2d animated world. they do it much later when the kids are transporting across the globe in spectral form so u get to see their cool lyoko outfits animated 2d

a great day was a good episode imo cause it was that classic sci fi trope of ‘repeating day’ syndrome, where xana posessed the super computer to constantly keep flipping back to the beginning of the day. 

mr puck was a nice episode because to me it answered the most why aelita sort of took on the form that she did. paired with later episodes showing how her dad read her a lot of fairy tales, she was fond of fantasy stories, and her favorite doll was a colorfully dressed elf, which is what she basically took the form of on lyoko

missing link was also a good one! it’s enjoyable because its another change up in the format, this time xana attacking yumi for her materialization codes, and that she couldnt leave lyoko. it showed more aelita telling jeremy to stfu and making her own mistakes, and something i enjoy anytime its in the show, showing more to sissi then just being a smug butthole. she agreed to help ulrich and yumi with the picture day thing without really ‘needing’ any payment for helping, she just wanted to be nice. and in the end ulrich was nice back and KIDS WERE BEIN NICE TO EACH OTHER, I LIKED IT. i never think sissi is a bad person they’re all just moody teens but i s2g i would have loved to see her join them all on lyoko

marabounta was a really nice one too! i love thme all sorry sidfjoisdf but this also featured change it up ideas, jeremy created a new thing in lyoko, and ontop of that we got to see xana and the kids actually team up for the first time to eliminate a common enemy

FOLLOWING RIGHT AFTER THAT, COMMON INTEREST DOES THE SAME THING THAT I LOVE. the super computer needed JUICE and it had a lot of off and on suspense with aelita still being linked and constantly fainting to HAVING HER HEART STOP. ive got no idea how those kids busted her out of the hospital but i loved it

deja vu is an episode that shows more of aelita’s past, so naturally i love it. it also highlights that issue between her and jeremy, how he’s constantly doubting her ability to solve things on her own, trying to shut her up about shit she knows is real. theres a lot of episodes that just show the maturity difference between aelita and the rest, which we don’t really recognize until it’s shown that she’s in her mid 20s, just unaged since she was virtualized

franz hopper was another nice episode, where (secretly xana) takes on the form of franz hopper and turns the group against each other when he scans the kids and learns yumi’s got like, super freaky computer cancer. it was nice imo cause it wasnt an easy to guess episode, they played it well in making you assume for THE LONGEST TIME, that it was actually him, it was believable and even the part where aelita programs a fake her into lyoko. ADULT ME WAS SHOOK

CONTACT WAS A SUPER GOOD ONE. where Actual franz hopper posessed sissi to try and communicate code. she was all speakin backwards an shit and they had to bust her out of the hospital to get her to the factory, it also was the first episode to show a white tower, second to be anything other then a red tower (tip top shape prior to this, featuring a green tower jeremy activated to give steroids to odd)

the key, and the last 25 seconds of the episode before that was another amazing episode. it revealed franz hoppers diary, thus proving and revealing that not only was aelita REAL, that she was his daughter. it then dove deeper and showed his video diary, which gave HUGE REVEALS to a lot of things, talking about project carthage, how lyoko was originally a military program for hacking into enemy shit, the creation of xana, it had a lot of reveals i loved getting ot hear about, but still shook af from the reveal to aelita being alive. i know the voice acting isnt perfect but the line delivery/scene was really emotional imo and i loved it

nobody in particular was nice for a filler episode, i love all of them but i enjoyed the idea of ghost ulrich running around, then posessing jim to try and adult talk with all the other teachers

THERES A LOT MORE IM SURE, LIKE SO MUCH MORE BUT THESE ARE SOME

[angermango]

Kirby!

i’m guessing you want all of ‘em for Kirby? OKEY DOKEY!

(some of them aren’t fandom specific though i noticed because this meme’s format is a lil funky. I cut those out instead.)

1. Name one of your favourite characters

let’s put a bit of variety in and I’ll say Bandana Dee. He’s everyone’s idol, and a cutie pie to boot! When he first became playable in RTDL I was all over that because!!! Waddle Friend!!!

2. Name one of your favourite villains

Customer Service. Ha you think I can make an ask meme about Kirby WITHOUT MENTIONING HIM?!

3. One actor that you look up to and why

Banjo Ginga, perhaps expectedly~ How that man managed to voice both CS and Nightmare in the anime when they’re at least 50 octaves apart in vocal range is a miraculous thing

4. One actress that you look up to and why

Makiko Ohmoto. She’s a lowkey woman of a thousand voices in the series, and the mini-drama with Susie and Sectonia proves she could seriously do a full blown voice OVA with just her playing all those personalities spot on. Not sure if Kirby should go fully voiced in the future, but hell if he hasn’t proved it can be done!

5. Favourite episode from any show you watch? (Or just an episode you love)

Favourite ep of the anime probably still hands down the quiz episode. Troll on, based salesguy

8. Name 3 OTPs

none really stand out to me in Kirby, aside from friendships. Does the Susie/CS FoeTP count?

9. One character you have a crush on

none

10. One of your favourite fandoms to be in and why?

Even though this be a general one, Kirby has legit been the best for me all these years. You just can’t go wrong with Kirby, and pretty much everyone who loves Kirby is chill and friendly.

11. Describe (insert show here) in three words

Kirby = Eat the nightmares

15. If you were a fictional character in (insert universe here) what would you probably be doing and what life do you think you would have?

lol, if I lived in Kirby’s world, I’d be chillaxin for the rest of my life in Dream Land, enjoying the food and the sights. Sure, place gets frequently attacked and invaded by Eldritch Abominations but Kirby always pulls through doesn’t he?

16. Who do you think is a misunderstood character?

Hmm… I think ‘misunderstood’ in terms of ‘people tend to not portray them right’ (rather than ‘poor misunderstood baby’) would have to be… eh, maybe Dark Matter? I’m not against it but sometimes people seem to be quick to assume Dark Matter is like the ultimate source of evil in the Kirby universe, whereas I believe it’s just one of many evil beings that exist - albeit a powerful one. Maybe it’s just because Dark Matter has appeared more than once in the series, giving it an edge over most of the other bosses. I mean there’s a point where people going “X must be Dark Matter/Zero’s reincarnation because look!!! EYEBALL!!!1!” is basically becoming a bit of a meme.

17. Which character do you wish you were siblings/best friends/dating with?

I wish I could adopt Kirby as a sibling/friend. How could you not want that?!

19. What are three things you’ve learned from one of the shows you watch?

damn this is a little deep… But it’s true Kirby has really been an influence on my life in general since I first encountered it. If I have to say something, I’ll probably say:

[1] Being kind and gentle with others goes a long way (Kirby’s ‘All-Loving Hero’ status inspired this)[2] Cute, innocent and simple things should never be equated with weakness and childishness (The Kirby franchise in a nutshell)[3] There’s always going to be bad in the world as well as good, but we can always choose to punch it in the eye

20. If you could be a writer for any show you wish, how might you develop the plot/characters?

If I was a writer on Kirby, especially the anime, y’all know what the hell I’d be up to - BRING BACK CS/KEEP HIM ALIVE GOD FFUCKING DAMMINT!!!

Though the show had a good run, I wouldn’t mind a reboot or a comeback season. Can’t quite decide which would be nicer:

On the one hand, it would be cool seeing a sort of ‘X years later’ after the original ending with all the familiar anime cast back at it and a little older, a chance to introduce other game characters and elements in and maybe even play with adapting in a few of the game’s plots and devices.

On the other hand, reworking the original anime by expanding more into the GSA/Nightmare war and fleshing out some of the characters (like Silica & Knuckle Joe, the vets of the war, hell even those epic one-offs like Rona) as well as still having the chance to introduce game elements/characters into the anime universe.

I’m honestly easy either way, i would love to make either take happen.

Just as long as Customer Service also makes it back in, of course.

21. What’s one of your favourite quotes from a show you watch?

I rather like Sectonia’s establishing monologue during her first appearance. It’s just so… fitting. It’s cold and grand and tells you all about her and her motivation - particularly when she goes “My beauty rivals the divine… And my power shall crush all you hold dear!”

22. Favourite type of AU?

*crawls up slowly and leans very close to your ear* AN AU WHERE CUSTOMER SERVICE LIVES.

23. Write a brief headcanon for one of your OTPs

For the Susie/CS enemy ‘ship’: Both of them love finding ways to get the other’s personal emails/numbers and spamming passive aggressive messages or taunts. No matter how much encryption or changes of details either of them employs, the other always finds their way in.

25. Why do you love the shows you watch/books you read/fandoms you’re in?

What’s not to love about Kirby? Everything Kirby touches turns gold, and honestly the franchise can do just about anything and pull it off to a good level (even the slight duds still had their perks).

I particularly I love how the Kirby games are making this rich fantasy/sci-fi universe of their own - You can have the cute and fluffy and whimsical existing next to some pretty horrific shit, magic and tech working together like nbd, and in the recent games they’ve been hiding some really deep lore and feels under all the adorableness.

As for the anime, it’s still one of my favourite things to watch whenever. It’s like a favourite treasured childhood snack you can keep going back to and smile over, even despite its little hiccups and dated elements. It’s just innocent fun, and actually had a decent plot at times and even interesting characters, all which left room for expansion and the imagination while being enough as it was.

[jq37]

Let's go final bloodkeep ep breakdown!

**spoilers for the tomb of ultimate evil**

I was originally kind of annoyed that dropout wasn’t working when I wanted to do this originally, but it’s actually kind of a blessing in disguise now that I think about it because it means I get to rewatch and discuss the ep in light of the bombshells Brennan dropping in the BTS video.

As I watch the Previouslies, I realize I’m still not over the fact that Maggie named her kid after Leiland. It was so sweet an unexpected. 

So, at the start of this episode, Brennan must have realized that his plans are pretty much jossed because the 4 baby blessing was *very* not on the docket  

“Absolutely, Lilith’s got 25 strength.” Idk why that’s so funny to me. Maybe because I think Rekha was asking whether Lilith was allowed to carry her, not if she was physically cable but Brennan was like “Of course she can carry you. She’s an absolute unit.”

Leiland’s first move? Drawing all the enemy fire. Markus’s first move? Immediately hiding. In fairness, my dude is a rogue.

Lol, spiderweb baby bjorn.

“We’re evil but we understand communication and consent.”

Nat 20 from Old Pickering! Finally he’s useful!

Watch a bitch call lightning! A different bitch, but still.

Amy’s childish delight at the prospect that there might be a bomb in the goblins is so good.

I love how on board everyone was for the mystery potion.

Did Hork exist before this episode? I have no memory of him existing.

Nat 20 for Sohkbar!

Brennan is really so good at all of his on the cuff J'er'em'ih nonsense.

Erika yelling, “Sanctuary!” a la Hunchback of Notre Dame.

I like that Lilith calls her spider kids to defend them by going, “Get ‘em ladies!” and then Brennan decides one of the kids she summoned is Jason.

“I really am sorry. I’m sorry for everything I’ve done…and everything I’m about to do.”

Leiland Jr. MVP!

I love that Lilith treat’s Sohkbar as if he’s also a parent.

Two words I’ve learned to fear since I’ve started watching RPG shows: Lair action.

Leiland just BARELY not being on the falling chunk of floor.

Brennan really faked me out on that Jason fall. Man really was about to make me cry over a fictional spider for the SECOND TIME in my life (Charlotte’s Web).

I love Erika screaming over Jason in and out of character separately.

“Guys, this is our element! Knocking people off of things!”

Leiland’s affirmations. Who is doing counseling at the Bloodkeep.

AOE spells are so boss.

“Everyone look at Leiland! He’s doing it!” Aww, everyone finally gets to see him be cool! It’s really wild how much of an arc these guys went through in just 2 days of play. It’s very narratively consistent.

“Oh you fucking freak, you’d love that.”

“Tell him something is gonna happen to his bones but don’t explain it.”

Rekha loudly announcing her ridic amount of hitpoints is on of my fave things

I love how in both campaigns so far, Brennan has had a moment of, “You’re not bad at magic, you’re just depressed.” What an oddly specific thing but also, relateable.

Cell Block Tango ft. Leiland.

Leiland curses one of the Vingury. I’m sure that won’t be important later (I’m lying).

Ify/Markus just refusing to learn Hobbert and Frod’s names.

 Ify: *Trying to do a shenanigan*

Brennan: I see what’s happening here.

DOOR LORE. DOOR LORE. DOOR LORE.

So I guess the real lesson of this season of D20 is always commit to your running jokes because you’ll get free nonsense out of it. (A 19! That’s so painful!)

Jessa just straight eats not-Gollum.

Both Jason and Jessa are very protective of their mom and I love it.

Maggie All elves look the same. (Maggie said F elf rights)

The full 6 seconds of silence from Matt between his saying  he loves J'er'em'ih more than any other animal companion and looking directly at the camera and saying, “Except for Trinket,” very seriously.

Amy: I must become the necro boatman.

Brennan, whose plans have now been entirely womped: :O.

I truly didn’t even consider attacking the boatman. I feel like this is such a good DM moment, because I feel like my reaction would have been, “That’s not how this works,” but Bren just let it happen, which is better both for the story and player agency. I’m taking notes.  

Efink getting validation on her chosen name by the evil statues.

“Kick his ass and you get the power!”

“I’m like a setpiece, not like a guy!”

Sohkbar claims the baby as his ward. This baby is gonna have so many godparents.

“MY DAD SHIT IN A BAG?”

What a wild improv.

I love the ancient evil statues have Lilith’s back on the fact that she should have gotten the promotion.

When Leiland Jr was born Brennan was like, “He’s not gonna do much. He’s a baby.” One ep later this baby is taking turns and fireblasting enemies and talking like he’s the Godfather.

OK so there’s a lair action. Leiland rolls a NAT ONE to not plummet into the Bloodkeep. Brennan clearly is ready to bring out the ghost figurines we saw in the BTS.

The statue Lilith JUST got the blessing from falls which means if she hadn’t gotten it that turn, they would have been screwed. Sidenote: Brennan says it was an instant lose condition for them which is part of why I was surprised that this wasn’t his plan to begin with. He just readjusted everything on the fly and set new parameters. What a good, confidence projecting, quick thinking DM.

It’s Leiland’s turn. He is once again falling to his doom. This time, without the bossa nova music and soothing apathy because he actually has something to live for.

AND HE USES HIS HEX TO TELEPORT TO THE VINGURY HE HEXED BEFORE.

It was JUST close enough. And he almost cursed Olag instead! That decision saved his undead ass!

I love that Leiland is Uncle Leiland to Jason! And later Jessa calls Efink Aunt Efink.  I wanna see evil Thanksgiving so bad.

“You’re really killing it today Leiland!” My boy finally getting the praise he deserves. (Also, wild that this is all still THE SAME DAY)

“oKAY, okay, OKAY, oKay.” –Brennan having a moment

“You wanted us to play evil characters but we’re actually playing evil players.”

Man this episode is truly how Leiland got his groove back, huh?

Boatman rolls a 4 to resist fear. Go Leiland!

“I take off my mask to reveal…I’m sexy as fuck.”

Everyone including the evil statue is hot for Markus.

“Shut the fuck up, Olag. Go kill yourself.” Maggie just has no patience for nonsense (that’s not the kind of nonsense she enjoys anyway).

“Do I take psychic damage from that?”

Lilith gets a nat 20!

Maggie, upon Leiland calling her 'my queen’ for the second time: Just call me Maggie, please.

“THAT’S AN ABILITY  J'ER'EM'IH  HAS?”/“I guess.”

“Lilith, you’re my girl! Lilith, my girl!” They grab hands over the table. It’s such a pure moment.

Brennan after they kill the Boatman: I mean, fuck me I guess.

Leiland goes down. Leiland Jr. goes, “Nah, get up, you’re fine,” and he gets back up. (Brennan at this point has clearly fully leaned in to the direction his players dragged him).

Leiland comes back as Leiland the White. And I just realized! That’s the ghost figurine! I thought that was the figure Bren got for when Leiland inevitably completed his story arc. No! It was the figure for in case Leiland DIED.

Leiland FONZES at Leiland Jr.

Nat 20 from Maggie to avoid falling into the Bloodkeep!

Leiland lets Markus convince him to not kill Olag (for future shenanigans). Leiland instead owns Toby and rolls a 29 to convince Oswald back onto their side. Toby also comes as a zombie on their side. Everything’s coming up Leiland!

Except no, he goes back down immediately and falls face first into the blood pool.

OK, check it. Markus bargains with one of the evil statues to make Olag alive and undead for eternity. The statue is kinda on board but wants to make a trade. Markus basically goes, “Watch this,” and STEPS INTO THE VOID.

Go back and watch Amy’s reaction. It’s so genuinely shocked and concerned. Matt’s is good too.

Sidenote: That is apropos of nothing goal wise. He just wanted to torture Olag.

Maggie gets the final blessing with a quiet, heartfelt speech Brennan doesn’t even make her roll for. The statue tries to get her to put in a good word w/ her dad for it and steps all over the moment.

Ify, about to pull out shenanigans part two, electric boogaloo: I never got a chance to attack on my turn.

He attacks himself and warps back up!

Amy: Is that how you play a rogue????

Why sneak attack damage? Can you sneak attack yourself?

“You’re a liar!”/“I’m a rogue.” Beautiful.

We’re evil!

Oswald dies and Leiland comes back! Hexing Oswald really panned out for him

“It’s all spiders from here!” I wanna start saying that.

Efink cancels out a nat 20 on Sohkbar!

Lilith telling her kids to go find safety is a small thing but sweet.

“You know you live near Goblin Island and you always say you’re gonna visit.”

Markus swashbuckles over to the bloodkeep before he falls. Leiland is ready to jump his bones.

Nat 20 from Leiland! Is that his first one?

AND THEN HE ROLLS TWO NAT ONES!

Classic Leiland.

I love that Leiland is pro J'er'em'ih now.

John Feathers comes back for the epilogue. Rehka is more excited than anyone.

Lilith is voted queen regent of Gorgar! Go girl! And Jessa opens her fashion firm while Jason sets out to the forest. Good for them.

Scream beast babies!

And little Leiland asks big Leiland to get him the head of Galfast Hamhead! Full circle, I love it.

OK so Brennan said this and he was right. Leiland and Maggie have such a wild ass arc. She goes being “that whore” in ep 1 (idr what he actually called her but that’s the vibe he gave off) to “my queen” in episode 6. And like, man. Imagine planning a game where the goal is to lead the players into a PvP free for all and, instead, the only two characters with a legit grievance mend fences so much that one names their child after the other and that one swears fealty to that mom and her child. Imagine failing so hard at your original goal. Wow.

Anyway, that’s it for Bloodkeep! Thanks for hanging in there for me to write this up! I want to say something about the teaser for T.U.S. too but I’ll save that for another post. 

Sidenote: So Matt has been on D20 and Brennan has been on Naddpod. I think this means Brennan or Murph gets to be on Critical Role now. I’m a lawyer and I’m pretty sure that’s how the law works.