#and i've felt weirdly guilted for that so many times
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I have never understood the hostility that (some) fans of big streamers have towards people who are enthusiastic about lore.
I only got into the DSMP because I liked the characters and wanted a change of pace from the kinds of books I was reading for my English degree. I get so much more joy out of watching and analyzing interesting storytelling than I do from almost anything these people do out-of-character. I don't see anything wrong with that.
It's not disrespectful to the streamers to engage only with the parts of their content that you enjoy, as long as you're not being rude about it and pressuring them to produce content that doesn't make them happy to create. Somebody else will be entertained. That doesn't have to be you.
#they are little different from film writers and actors to me#i might keep following them if i consistently enjoy their work but i don't think about their real lives beyond basic human empathy#if an actor in a movie i love turns out to be an asshole? well. good thing i have the film on DVD and they're not getting royalties from me#this isn't me trying to shame anybody for liking celebrities. streamer or otherwise. i just personally do not get it. never have.#and i've felt weirdly guilted for that so many times#discourse
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My Thoughts on The Thunder Saga
I've been thinking about The Thunder Saga all day, even though I have a headache, and I can say one thing: I liked it!
I was mostly prepared for the emotional damage in Mutiny/Thunder Bringer for multiple reasons, like collaborating with Jay on the ending of Thunder Bringer. However, I was genuinely surprised by Suffering, Different Beast, and the reveal that Odysseus had already tried to kill Eurylochus during Scylla. I really wanted Odysseus to go full-blown monster mode in Act 2, so I felt satisfied.
Maybe this is a hot take, but I have never really felt bad for Odysseus. The only time I did cry and felt for him was when his mother was singing to him in The Underworld Saga. I've never been fond of the crying, shooting soldier type, both in fiction and in real life. I've watched too many documentaries that made me incapable of feeling bad for people or characters committing cruel acts on others and then crying about it like they were the victims.
The song Suffering was a delight! You immediately knew something was wrong just from the happy tone of the music, especially since we were left with Monster. At first, I thought it was a flashback, and yes, the comment "daughter" piqued my interest. Then I quickly thought it was a dream, but at the same time, something felt wrong.
When it switched to Different Beast, my first thought was, "Did he just shoot Penelope?🤣 " And yes, we now know it was the Sirens! But the imagery is very ironic. I even see it as a parallel with the first saga, with the infant. Odysseus has a whole song about his struggle with the decision to kill an infant that reminds him of his own child, ends up killing him, and then in the second act, he kills a female creature that looks like his wife without hesitation. That, folks, is character development! Yes, Odysseus knew it was a Siren, and we can still tell that he is somewhat tries convincing himself in Different Beast.
"My real wife knows I'm not scared of the water And my real wife knows I don't have a daughter"
Essentially, he is reminding himself that this woman in front of him isn't his wife.
All the cruelty against the Sirens was unnecessary. But that is the point! He believes that the only way home is to be as ruthless as possible. However, bringing unnecessary suffering to both foes and friends was obviously the incorrect decision.
Musically, the song Different Beast didn't really click for me. I mostly found it edgy and not really "cool," if you know what I mean. I've heard it a couple of times but still have a hard time remembering the melody, weirdly enough.
If I ever make an animatic of these songs, it will probably be all together in one animatic. Those two songs are meant to be one, but I understand why they are separated due to the major difference in tones.
The song Scylla was the least anticipated song for me. The snippets didn't really catch my attention. But I did like the conclusion of making Scylla and Odysseus have a short duet at the end. Scylla's cruelty was just a mirror of Odysseus, and he was the one actually killing his men. I think this saga really was Eurylochus' peak in terms of characterization. Eurylochus confesses that he was the one who opened the bag and has suffered with this weight and guilt. Odysseus, in his state of mind, turns away and tells Eurylochus to light a torch, knowing that action will doom Eurylochus. Odysseus straight-up tried to kill Eurylochus already, and I thought it would happen in Mutiny! XD
That moment was cold! No words, no goodbyes, just "Light the torch."
Then we have Mutiny. I really liked it! The callbacks to Luck Runs Out were a bit expected but felt so good when they happened! I've seen comments here and there saying that Eurylochus was a hypocrite due to his comment from the Circe Saga to abandon the men who became pigs. Odysseus even brings that up! But Eurylochus is very justified in calling Odysseus out for his actions.
"When we fought the Cyclops, you were quick to hatch a plan And when we fought with Circe, it was you who left behind no man But when we fought this monster, we didn't take a stand"
Odysseus could have made a plan that at least could have increased the chances of survival for the six men who died. But he didn't, he only thought of himself and betrayed them first, using them as bait to guarantee his own survival. Eurylochus, in the Circe Saga, was a man who was scared, confused, and filled with guilt for opening the bag. So his wanting to take the cowardly route is understandable, but it's nowhere near what Odysseus did.
So then they fight, epic moment, we all love it! And for the second time, Odysseus tries to kill Eurylochus but ultimately fails because Perimedes stabs him in the back. Odysseus is like, "My brothers, why?"
WHAT DO YOU MEAN WHY??? But that is still the point of Odysseus' perspective. He is acting like a ruthless monster now, so he is in a state where he is incapable of understanding or more like thinking of his victims' perspectives. Of course his men would defend themselves from him, of course they would betray him, of course they would backstab him. If you treat your own friends as disposable, eventually there will be a reaction: they will either abandon you or retaliate. It takes an immense depth of pride to feel secure with someone you have inflicted suffering on. And pride is the very theme in this saga!
When Luck Runs Out plays but the roles are switched, it felt a bit nostalgic in a way, but it's still a bit distorted. This time, Odysseus is the one singing Eurylochus' lines, but it's not him being confused and doubtful, instead, he is scared yet manipulative. Eurylochus opens up and is vulnerable toward Odysseus. He feels hopeless, clearly experiencing survivor's guilt.
"Eurylochus: How much longer must I push through doubt? Odysseus: I need to get home Eurylochus: How much longer must we go about my life like this when people die like this?"
When it doesn't work, Odysseus switches from "I" to "we." I love that detail. It's not genuine, and I love it!
Thunder Bringer… I loved it. There, I said it! There is nothing more! LOVED IT! ⚡⚡⚡ I am so happy that I got to do an animatic for Jay for this song!
Thunder Bringer is the song where Zeus punishes the whole fleet for killing (presumably) Apollo's cattle. My theory now is that Apollo doesn't like Odysseus for killing his cows in God Game, and Athena is probably like, "Yeah, but his men did it, not him." And Apollo is like, "Touché."
EDIT: I know that the cattle is Helio's but I speculating maybe the musical will change that to Apollos. Who knows!
Essentially, Zeus literally comes down and sets things straight. Instead of being sneaky and witty like Odysseus usually tries to be, Zeus just gets to the point, "Who gets to live?" And Odysseus points at Eurylochus/the crew, saving himself from Zeus' punishment. Well, I do see that Calypso's island is Odysseus' punishment in a way. It's an ironic one. He comes to paradise and gets a home and a wife… just not the home and wife he wanted. I have some fun ideas for my Thunder Bringer animatic!
Rest in peace, Eurylochus. You will be missed.
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"Hold this," Max said, fishing out one of his many plastic bags from the glovebox and passing it to Vince. The man was leaning against Max's white pickup, more than a little pasty, with a green tinge to his complexion, his lips almost camouflaging against his skin so devoid the color they were.
"What is it for...?"
"Because you look fluorescent green," Max rolled his eyes, "puke bag."
"I'm not gonna be sick," Vince groaned, but got inside the car. He leaned back, closing his eyes and Max quickly circled the vehicle, getting inside as well.
"I beg to differ, you're one of those weird people who genuinely turn green," Max's was a little amused by how transparent Vince was, metaphorically speaking. The brunette kept his eyes closed, but frowned.
"So I've heard..." he gulped down when the car started moving and Max stole a glance at him, focusing on the drive. He hated the uncomfortable silence, Vince wasn't a quiet person and this was unnerving.
"Sooo... What's wrong, is it a bug?" Max poked his bicep and Vince sighed, opening his eyes, seeming a little annoyed Max didn't let him just sleep. The blonde shrugged to himself, Vince could be annoyed all he wanted, as long as he didn't pass out again.
When Max had barged in the classroom, the sight of Vince crumbling down to the ground had been more than a little frightening.
"No, I don't think so," Vince, in the present, said, staring out of the windshield. It took Max a second to realize he was keeping his eyes on the horizon, probably due to the nausea he was clearly feeling, even if denying it, "I didn't have time for breakfast this morning and has to skip-" he gulped down, pressing his lips in a line when a weak gag jolted him. Vince opened the bag in his lap, but didn't bring it up to his mouth, breathing slowly "skip lunch. I think it's just my blood sugar."
"You should keep some energy bars on you," Max scoffed, "aren't you an athlete? I thought your people lived on those."
"My people," Vince snorted, then groaned loudly as nausea caused his arms to get covered in goosebumps, "stop talking about food, please."
"Sorry," Max drummed his fingers against the steering wheel, feeling a stab of guilt. He was so bad at this, he had never taken care of anyone before and it showed. Hell, most days he could barely care for himself!
He also hoped Vince hadn't realized that Max didn't ask for his address, he had driven him and that friend of his home that one time at 3 AM and it was terribly embarrassing that he had memorized it.
They stopped at a red light and Max turned to look at Vince, immediately frowning, "You're shivering," he pointed out. All the windows were closed and the car felt rather stuffy, there was no way Vin was cold, "are you feverish?"
"No," Vince rubbed at at his forehead, "don't think so..? I just feel really cold..." He was pitiful to look at, white as milk and shuddering like he had just gotten out of a frozen lake. Without thinking, Max leaned in to feel his forehead, then realized what he was doing and froze with his hand mid air. Vince snorted, looking at him through his dark lashes, "you can check it, it's fine. I don't think it's a fever."
Max's ears burned and he wanted to die from embarrassment. Instead, he slammed his hand harshly against Vince's forehead, then pulled it back quickly, "yeah, you don't have a fever, you're freezing."
"Low blood sugar," Vince breathed out through his mouth as the car started moving once more, swallowing convulsively and fidgeting on his seat, "are we almost there?"
"Almost," Max sped up a little bit more, they weren't far out, "you're still feeling faint?"
Instead of answering him, Vince simply nodded, too busy taking slow breaths. He leaned forward, mouth hanging open over the bag, causing Max to cringe in sympathy.
"Almost there," he repeated, squeezing Vince's nape without thinking and leaving his hand there when the man didn't shrug him off immediately. Actually, Vince seemed weirdly welcoming of the touch, something that shouldn't surprise Max given Monacelli had been all over him when he was sick, but that did anyway.
As soon as he parked in front of Vince's place, the man shoved the door open and leaned out of it...Then fell.
"Shit, Vince!" Max cursed, jumping out of the car and running around it. Vince had fallen to his knees and he had an arm wrapped tightly around his stomach and was dry heaving on the grass, "shit-shitshitshit-" Max sunk to his knees, holding Vince's shoulder, "hey... So much for not gonna puke, uh?"
As if to answer him, Vince retched once more - silently, he was a really quiet puker - and a splash of bright yellow bile fell in the grass.
Max rubbed his hand up and down the man's back, sighing in a defeated manner. Vince coughed once more, than let out a string of little tiny burps that seemed completely out of place for a dude like him, and was left panting, an arm still around his stomach, his free hand coming to wipe his mouth.
"Sorry," Vince's voice was shot by the acid, raspy and barely above a whisper, "that was gross."
"I see puke weekly, you're fine," Max thumped his back in a lighthearted manner, "you're done?"
"Think... Think so," Vince nodded and the blonde grabbed his arm, struggling to pull him up on his feet. The moment he did, Vin stumbled, but stayed standing with great effort.
"You're sure this is just not eating?" Max made sure he wasn't gonna fall, before grabbing Vince's bag and digging through it to find his keys.
"It's unlocked," Vince answered after a minute of searching, "I... Forgot to lock it."
"I know Doveport is pacific, but geez, Vince," Max frowned, pushing the door open. He had never been inside and it was striking the difference between Vince's place and his own.
Vince's tiny house was smaller than Max's place, everything cramped in one open floor. Nevertheless, it felt like a home. His living room area was a light beige and had a big brown couch, with a small TV rack dividing the "living room" from the "bedroom", a flat screen on top of it and a bunch of books under it. The coffee table was a little wobbly and Vin's fresh laundry was sitting in a bowl there, to be folded and stored away. His kitchen had barely any cabinets, instead everything was inside of jars in open shelves. His bedroom had a pink wall, a bunch of books and one of his football jerseys had been framed and put on a wall, covered in signatures.
"Okay, lie down-" Max guided Vince to the couch, but the man shook his head, pointing the bed.
"Couch's... too small," he stumbled in and finally fell on the bed with a relieved sigh, "thanks, Max, you don't-"
"Where's your food?" Max interrupted Vince before he could say the predictable you-don't-have-to-stay. He didn't wait for an answer, turning around and going through Vin's stuff in the kitchen.
He had almost no junk food, which again was the opposite of what Max expected. A bunch of spices and pastas in all sorts of shapes...
"Here," he found a box filled with energy bars next to his microwave and walked back to the bed area, sitting on the corner, "have a bite."
"No," Vince wrinkled his nose, "too queasy."
"You're queasy because there's nothing in your stomach," Max rolled his eyes, tearing the bar open and breaking a piece of it, "open up, c'mon."
Vince glared at him and Max sighed, lowering his hand. He was being too forceful, he knew that. It was just... Weird being around Vince when he was existing in this weird limbo of crushing on the guy, getting to know him and taking care of someone for the first time. He was both worried and overthinking it all.
"Help me out here, man," Max said quietly, "I don't know what to do."
Vince's shoulders moved down and he nodded, rubbing his face in a frustrated manner, "uhm... Energy bar is too rich," he said after a minute, making a disgusted face, "I have saltines in one of the jars."
"Alright!" Max leaped for them, going through all the jars. Part of him was enjoying the snooping around, he couldn't remember the last time he had been in someone's house... Well, except for his tinder dates, but those barely counted, "who needs that much pasta?" he whispered under his breath, then raised his eyebrows at the fancy set of pans inside the only cabinet. They were all baby blue and looked expensive as hell, "these are cute..."
"Max," Vince sounded amused, "saltines?"
Oh yeah. Max found them in the smallest jar, next to a metal tin filled with cookies, and he came back to the bed, holding five of the crackers as well as a Gatorade bottle.
"Here you go..." He fidgeted, watching as Vince started taking tiny bites, in between small sips of the electrolyte, "better?"
"It's been twenty seconds," Vince snorted, closing his eyes, "sit down, you're making me nervous."
"I'm making you nervous? You're the one who collapsed like a victorian lady," he rolled his eyes, crossing his arms, "are the crackers staying down?"
Vin shrugged, not moving a muscle and Max simply stared, since the man had his eyes closed. Vince occupied most of the double bed and he looked... Weird. Not just the paleness and slight shivering, there was something off that Max couldn't figure out what it was. His curls had escaped the low ponytail and were around his face, making him look oddly like an ancient statue...
"I like your place," Max paced around, like a caged tiger, "are you gonna nap?"
Vin opened his eyes, looking a little amused, "can anyone nap when you're yapping?"
"Oh fuck you!" Max cried out, his cheeks heating up, "I'm just checking if you're alive, forgive me for giving a shit-"
"You helped so much already," Vince interrupted his outcry, moving slightly on the bed, "but I think I'll just nap now, you should go Max."
"Okay..." He really didn't want to leave. Not only he didn't trust Vince to stay alive when he was still that white, but he simply didn't wanna leave this tiny, cozy house.
"My mom is gonna be here in five minutes," Vince warned him, yawning, "you should leave or she's gonna rope you into coming over for dinner, it'll be a whole thing."
Max didn't hate the idea of going to the Monacelli's place for dinner. Still, he let out a huff, "yeah, I should go," he moved around, fishing Vin's phone out of his bag abandoned on the couch and then back to the bed, shoving the device on the man's hand, "get my number, I want you to text me you're alive later."
Vince let out a sigh, before unlocking his phone and handing it back to Max, a clear message for him to do it himself. Once that was done, that was really no other reason for Daniels to stay around a minute longer, so he patted Vince's arm in an awkward way, "text me. I'm serious, or I'll text your mom. I got her number, this is a threat."
Vince scoffed, looking more than a little sleepy, "yeah yeah..." he yawned, "Max? Thank you. Really."
He sounded so earnest. Max nodded stiffly, he needed to get the hell out of there. Liking Vince was a landslide, not even a slippery slope.
"Yeah, no problem," he walked to the door, "but start eating breakfast, Monacelli."
#mywriting#sickfic#emeto#emetophilia#vince monacelli#fainting#lightheaded#max having a crisis for 3k over how he's falling for vince
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Okay, I had to go see what JedMEg was for myself and now I'm hooked. Can you talk more about them? Like does Meg ever find out the truth and how she reacts, for example?
I had to go digging for the last ask (here) about them just to remember where I left off in my insane ramblings lmao
So my original idea for this AU was that there is no fog, meaning once the Jed Olsen cover is purposely blown as per the lore, then it's totally game over, there's no Entity to whisk Danny away from the fall out. But that's part of the problem, isn't it? He's gone and gotten himself a little too attached to what was supposed to be a fake girlfriend, a girlfriend who's in love with a man that doesn't exist rather than the actor playing him.
Normally when he would snag himself a partner to accompany whatever persona he was putting on, Danny would kill them just before he skipped down. That satisfying moment of betrayal in their eyes, the soul crushing realization that everything was a facade, a convenience, that he never even liked them enough to give them a quick death no matter how many sweet "I love you"s he told them prior. As well as just another "fuck you" to the cops and community for how close under their noses he had been all along.
But he can't do that with Meg. He has no idea why, it was never this difficult before, but he's also never felt this way about any partner in general either. Fucking hell, he's really gone and gotten a crush on a pretty little redhead, huh? It doesn't matter, Jed Olsen was never someone who was meant to be around long term, and it's about high time he moves on since eyes are starting to shift towards him a bit. As much as it weirdly twists his heart to abandon Meg and leave her behind with the awful truth of who he really is to come out to the public afterwards, he knows it's for the best. Well...best for himself, anyways. And maybe for her, too, so that she's not entirely caught up in the shitstorm (of course, being the very public girlfriend of the now most wanted suspect in an ongoing murder case isn't going to be an easy ride...)
And Meg is beyond horrified to say the least. She still can't comprehend the entirety of the betrayal, that not only would her boyfriend leave her without a word, but that he would leave her because he was the very same murderer who had been harassing her for weeks! The one he was closely reporting on, the one whose ass Meg would try to kick every time he broke into her home, the one who used to threaten her "boyfriend" when they were in fact the same person. Everything she ever knew about him was a lie while she unfairly shared her whole heart to him. Not only that, but it's near impossible for her to try and imagine sweet, dorky, shy Jed being anything remotely close to a coldhearted killer. He couldn't even open a sauce jar half the time!! And you're telling her he can easily overpower multiple victims and haul their bodies around for sick poses???
Now Jed (?) is still out there, still on the loose, and Meg has no idea what to do. Reporters are hounding her for a statement. Police want to wring her dry for any clues or information that might help. People stare and spread rumors about just how "involved" she might have been from the start. And what if he decides to come back in the end, to tie up the loose end he left behind for whatever reason, is she even safe here anymore? Well, not for long, because that stupid ache in Danny's chest still hasn't subsided...it almost feels like it's gotten worse. It's not remorse or guilt, it's longing. He wants his bunny back, he liked how she felt sleeping in his bed and holding his hand and smiling so perfectly for a candid shot when she wasn't looking.
The dirty laundry has already been aired. They could start fresh, in theory. Whether she wanted to or not.
Although again, this was only the original idea I had when I first started making brainrot. There are so so so many new paths I've ended up concocting for them...if Meg found out Jed was a killer right before he left by catching him in the act or fitting in too many pieces herself...if Meg refused to believe Jed was the killer and was instead framed by Ghostface who she now has to hunt down for answers about Jed's real whereabouts...if they got taken into the fog shortly after that anyways per canon with Meg either not knowing or not believing that Jed is Danny/Ghostface while he keeps up the ruse to avoid her truly hating him (plus the outcome for when Meg does find out the truth while they're stuck in this hellhole)...if they were taken into the fog while he was still Jed and then him having to painfully confess why he was put into the killer camp and having to live with the heartbreak he's trapped her with...
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Post-war Levi ramble + just thoughts in general
I've never posted on Tumblr, so forgive me if this looks weirdly formatted. These are just my thoughts after seeing the little interview Isayama did.
This was mostly sparked by the answer that the Ackermans lost their power, which is somewhat of a bummer to me, but I understand why it happened. I just dislike it when characters lose their powers at the end. Let me clarify: This is not a critique of the show because this show has literally been my obsession for the past year, lol.
Anyway, I got inspired to write this because I saw some people saying that the Ackermans were free from their powers and could be normal humans and therefore happier. I disagree with this because of my opinions on AOT post-war/rumbling.
I do not think Levi lived a happy life post-war/rumbling.
Mental Health
I've had a huge interest in mental health (for whatever reason) since I was younger and, with my past obsession (Modern Warfare II), I got really into learning about veterans, PTSD, etc. I've given presentations and done a lot of research on the topic. But, even without that knowledge, it's very easy to see that Levi has lived a very difficult life, to put it nicely.
I struggle to think that any of the remaining scouts (+ Annie) lived a decent life after. I can hardly imagine the guilt everyone felt after the rumbling. Billions of people died. Not hundreds, not thousands, not millions, billions! Innocent people, children...
Genuinely, how could someone live with that?
Of course, they didn't do it themselves, but there still are some difficult feelings alongside Eren's actions. Someone who was once a comrade/friend.
Levi has completed his purpose. Everyone who fought for the Scouts, who gave their life for the cause, made it possible for this. For Eren to destroy 80% of humanity. Just kidding, but there has to be the question of "Was it worth it? Was all the death worth it?"
"I've saved Eren's life over and over. Many of my comrades died each time. And, this is where that belief has gotten me. It's like some awful joke. Just what was that hope did we look forward to? All that hardship leads to this farce?"
Levi is questioning it all after having his hand forced to kill more of his comrades who had been turned into Titans. Even without Eren being their "hope" anymore, there was a purpose to stop Eren, a purpose to get revenge for Erwin, a purpose to protect his friends/comrades, etc.
I suppose I'm just genuinely wondering how someone could live with that level of guilt and loss. He lost everyone that really knew him. I think it is nice he stays (or at least is not alone) with Gabi, Falco, and Onyankopon, but that will never be the same as Erwin or Hange.
He went from having such a hard, busy, and difficult life to that all being done with. I think as wonderful as it sounds, it is probably hard to cope with that change. There are no more distractions.
Loss of Powers
I think Levi prides himself on being useful and strong because he had to be his whole life. He was "taken care of" by Kenny for a bit. Kenny, as seen, was very power-hungry and I am certain he definitely pushed those ideas onto Levi. Not saying that Levi is power-hungry, but maybe it pushed him to value his strength a lot. He had to be strong.
"Stay in bed? If I lie down any longer, you shits are gonna forget all about me."
I am sure more scenes would give examples of this, but I am going to stick with this one. In short, I believe that Levi, who has always been valued for his strength, would have a difficult time living with his new "weakness," especially with his leg damaged, lack of eye, and two missing fingers.
Post-war Climate
Yeah, sure. "Peace." The ending shows that there were still tensions, therefore war, and then death. A repeating cycle of hate. I mean, killing 80% of humanity? It was 1000000% easier to call the Eldians devils. Now, those devils have no power or "threats" to keep others away. The tensions inside of Paradis must have been insane as well.
Even if the destruction of Paradis happened 80-100 years after the rumbling (I'm not sure of the actual time), I doubt with every fiber of my being that things were just "chill" after the rumbling.
So... no, I doubt he lived a peaceful life. A peaceful life where tensions are high with the remaining bits of humanity, the world, and many of its resources, culture, and history are destroyed, and he is unable to do anything about it.
As an American, I relate it to the experience of being a citizen. It genuinely feels like watching something go horribly wrong but you cannot do anything about it because you're too exhausted trying to keep yourself alive and well. But, this is a rant about post-war AOT so I'm not going to go into American politics/issues lol.
I shortened my thoughts a bit because I get way too into topics. I hope this doesn't come out jumbled and makes some sense. I definitely need to rewatch season 4 (I just keep stopping after three because it makes me sad lol).
I want Levi to live a peaceful and happy life, but, in my personal opinion, I do not believe he did or could. If he did, he definitely has the title of "Humanity's Strongest" for a reason.
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Okay so I hope you liked the first of the Sabertooth families. Now this next one includes a very rarepair. One I've not seen before and I was actually surprised about that, since the more I think about it it weirdly works...
I think I just like ships with parallels between characters, or good vibes... This is also the family on the list that probably had you scratching your head at wondering why on earth it was there.
Anyway here you go...
The Corona Family
After Minerva came home to Sabertooth she realised that she had a lot to make up for, that she had hurt a lot of people during her time after leaving Saberooth and joining a dark guild. The guilt ate away at her until she decided to give back to the people that had been hurt by her actions. For the most part it was Minerva specifically taking jobs to help the communites she had targeted, in other instances she would seek to help out others in whatever way she could. There was one place that she hadn't been able to indirectly help from the shadows. Sun Village.
While she hadn't been the cause of their problems she still felt like she contributed to their suffering. It was a week long trek just to get to the mountainous village, and she fully expected to be thrown out for what she had been apart of. She never thought that the villagers would be so welcoming, nor did she think she would find a kindred soul in the only human inhabitant of the village, Flare. Minerva would return to the village frequently to see everyone and visit Flare and after one particular visit, Flare returned with her to join Sabertooth.
The two had a whirlwind romance, blossoming from their mutual experiences and their quest to be better people. Eventually the two would adopt a brother and sister.
Missy Corona
The eldest of the two and the one with the most sense, Missy was at first resistant to the thought of being adopted, believing no one could look after her little brother as well as she could. Over time she came to accept Flare and Minerva's love and support, allowing herself to have the childhood she'd never gotten. Missy remained a steadfast and mature member of Sabertooth's new generation, often butting heads with Weiss every time he belittles another member or pushes her brother around. Missy came to adore Flare, and became ecstatic to discover her talent for fire magic, eventually learning magma magic. An unsual side effect of such magic left her own hair taking on the properties of flowing lava.
Cale Corona
Cale looked up to his sister for guidance and safety, often being shielded by her from the darker side of the world. After he was adopted he finally had the freedom to explore the world without his sister breathing down his neck. Unfortunately his naivety made him easy pickings for people looking to take advantage of his unwavering loyalty. Enter one Weiss Eucliffe who took every opportunity to turn Cale into his faithful servant. Cale worships the ground Weiss walks on believing him to be the greatest person to have ever lived. There have been many efforts to separate the two, all ending in disaster. Thankfully his mother's have made sure to stay on good terms with him so that they can remain by his side for when Weiss ultimately turns on him.
#fairytail#fairy tail#worldbuilding#fairytail fanfiction#fairy tail fanfiction#fanfiction#tswwid au#tea speaks#tea writes#minerva orland#flare corona#minerva x flare
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To shed some light on the topic of "Crime and punishment doesn't make any sense, I didn't understand it, therefore it's a bad book", I've decided to point out some topics of the novel. (Because certain people called me a pretentious fuck and became aggressive when I tried explaining that the book isn't badly written, but their tastes are on other lands. I have two russian friends, one of them hates this book because he was forced to read it in school at a young age, not because it was bad!!!! The second one told me they enjoyed it, and it was kinda good).
The actual topics behind the plot are definitely not murder or the criminal desire, but the torment and guilt that affect the murderer. We discover that after the murder (crime part of the title), the torment follows shortly (the punishment part of the title, lol). It's extremely visible, we can say hidden in plain sight even, that for Raskolnikov, the guilt in itself is the punishment, and he deeply desires to liberate himself from it. He achieves this by going back and forth between a dreamlike state and reality while acting as though he has gone insane. Because there is so much more going on in the novel, we frequently become disconnected from him, which makes us more curious about what will ultimately happen to our tormented hero.
This is a fragment from my review, and now, I get why this book can be very unappealing to readers, the amount of characters, the names, the relations between each of them, the PLOTLINES (because there are many). I must admit that I personally felt completely disoriented (at times). The perspective contributed to the confusion without a doubt. The narration is not first person, but a rather weirdly put third person with a focus on Raskolnikov (our main character). And to top this, the novel is clownish at times! It's memeable, Tumblr worthy. Yes, it's tough to get through if you don't have any support (friends that likes it and help you understand the plot when you get lost) or desire to read it.
I am not stating this is a book for everyone or that if you read it, you must like it. I'm simply saying it has a specific tone and aesthetic that you have to be in yourself at the right time in order to comprehend. I read this book for months, when I was alone, abroad, studying, and yet, I kept returning to it. Maybe I wanted to please my beloved, maybe i wanted to show myself I can and I will read it. I still don't know, but I know I read it, and I liked it. And I won't stand people telling me it's a bad book because they don't understand it. You just don't like it, and this doesn't make the book bad.
Thank for coming to my Ted talk
#yes i will never stop#i have to make my point#this is the continuation of the story where a person called me pretentious for pointing out the novel is not inherently bad#and maybe i am a pretentious fuck#after all I'm a lit student#and Dostoievsky isn’t my first rodeo#dark academia#literary analysis#literary studies#crime and punishment#dostoievsky
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Random thoughts from 2022...
Latte foam in a empty cup catches the light like fresh snow. I think the latte was taster though...
I keep spilling stuff on my favourite hoodie. I want to keep it nice because it's my favourite but I also want to ware it
Theirs something weirdly intemate about shareing the back seat of a bus. There is and there isnt. You never interact, barely look at eatchother and try your damndest to forget their even there. still you can't help wonder who they are and where their going. Do they wonder about me? It's a strange musing but I keep turning it over in my head whenever I sit back here.
Nothing really compares to the guilt and shame of comuting to college the day after I missed a day. Not because I was sick, just because I couldn't do it that day. Still, I have to. If I don't then I'll be even guiltier the next time and so on until I can't stomach the thought of it. It really is best to walk in with my head down after only one day than be terrified after 3.
I do wish I knew how to get rid of the rock in my belly though.
Makeing random eye contact with people is my least favourite thing. It's oddly vulnerable? For both of us, I think.
Pub drunk and club drunk and two very different things. Being club drunk in a pub is unpleasant and being pub drunk in a club is down right awful!
Drinking and makeing merry with images of War flashing on the screen. I don't think anyones paying it mind or there willfully ignoring it. What a time to be alive
I have decided that I quite dislike the londen underground. Everyone is very inpatient and it's so easy to get lost
I. Am. Terrified.
I've never felt so lonely.
There are so many moments in a day where I think of people. People I've known, people I used to know. Things that remind me of them or moments the thought of them just occurs to me. I wonder, what makes people think of me? If anything. It's a nice idea that someone out there spares me a thought sometimes.
Insecuritys are loud. Confidence is quite.
That feeling. It's 3am. Your completly fucked in a club, maybe high, deffinatly nicotine rushed from all the vapes and cigarettes people keep passing you. Your makeup is well worn in and your outfits fighting for its life...and you look into the bathroom mirror and think God. I'm gorgeous.
Its not healthy but its a feeling I live for.
A black cat crossed my path walst I was vaping. I appreciate the warning but I know this is a bad path and will have conciquences in the future. I'm doing it anyway.
The back of my throat feels like it dose when I've been screaming. I know it's probably just because I've been over vapeing lately but the timing isn't exactly off. I certenly feel like screaming. I feel helpless to the situation. I'm proud of my brother though, I just wish I could do more.
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Hi all, I thought that I'd drop a quick update to let everyone know what's going on with me, because I feel people probably deserve an update and I don't mind being honest about it.
Really, for the last few months I've struggled pretty hard with feeling positive about my blog and this wider space. I guess that was precipitated by a pretty big and public fandom experience that totally wrecked my confidence, and I've honestly just felt my engagement and desire to write in this community dropping off over the course of things. If I'm honest, it's probably a whole bunch of things - ranging from shitty mental health issues to trying to pick up pieces of my psyche I kind of scattered around when I left my old job (and the hopes I had for it) behind
I feel such a sense of guilt that opening up Tumblr to me now genuinely feels like a weirdly stressful experience - but it does. I've avoided checking my notifs and my Discord engagement is dropping off progressively, which fucking sucks, man. I just feel I've lost that motivation I used to have
I feel like I don't really know where my place in this fandom is anymore, and that's nobody's fault. Ive seen it happen to so many writers over the course of things, and it's gutting to me to lose my passion and drive for what I love. But I just feel out-of-place, now. I feel kind of like I'm trying hard to get something back, but I'm not sure what it is, yet. Interacting is painfully anxiety inducing - I sometimes feel I'm back in high school, being that kid that felt progressively more displaced and watching everyone else enjoying themselves
My confidence and self esteem regarding my writing and myself and my place in this fandom is so close to zero that Im stuck on what I ought to do, here. I've deliberated permanently stepping out of the fandom space, and I've deliberated a formal hiatus to give myself breathing time
But...Ive got stories I want to tell. And I've got a community here that I've come to really really really love. So I think I'm going to just...keep working at it. And keep working at falling back in love with writing (and by extension, myself) again. I'm going back to therapy, I've got a new job, I'm starting college next year. Things will be OK
Its just hard, in a creative space, to accept you aren't creating. The internal pressure is so immense and crushing, right out of nowhere. There are probably going to be days I'll churn through my inbox like crazy and days I'll avoid writing completely. Your patience and love means the world to me, genuinely
If you're got this far through my splat of thought - thank you for taking the time to read. You're the reason I'm still sticking around on this space, and I'm going to work on all of this for you
All my love
X
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Going in blind: Watching season 2 for the first time. Random thoughts.
Huh. Only 7 episodes. Not complaining necessarily. For series with an ongoing plot I've definitely become more in favor with their seasons only having as many episodes as they need rather than them having to stretch themselves out to full up a certain number of episodes, which can lead to padding and just bad character moments.
Episode 1: Jeez. Catra visiting Shadow Weaver's cell just to rub her success in her face and verbally abuse her back for once. It's like a twisted version of Zuko and Ozai from ATLA. Catra's upbringing under her was abusive but this is far from a healthy way for her to deal with it. She's basically deliberately swimming in her resentment.
Episode 2: It's not that I'm rooting for her but by-golly was it fun to watch Catra act like just the absolute worst she could while she was Glimmer and Bow's captive.
I touched on this in season 1 but part of the drama of the heroes feeling guilt over leaving Entrapta behind is kind of lost on me a bit simply because it was her own fault it happened. She deliberately went back into the purge room because of her machine obsession, which then closed on her and erupted in flames. It was more than reasonable to assume she was dead and no one but her was to blame, so I'm not really able to be invested in their guilt over it.
That said, weirdly enough I do like that her "abandonment" doesn't seem to be even a blip on the radar for Entrapta herself. She hasn't joined the horde because she resents the heroes or felt left behind, she simply is so obsessed with machines and experimentation that she'll be on the side of whoever lets her do the most of that. Like, it's selfish and irresponsible but it's very in-character and I'd far rather have a traitor motivation be based in that over something stupid like a misunderstanding.
Episode 3: I love the mental image of Shadow Weaver thinking up princess-themed ghost stories to tell Adora as a child.
So, if the previous She-Ra Mara separated Eternia from the other realms/planets/whatever she did and that's what cut off the She-Ra line for 1000 years, I'm guessing Hordak may be from the time before that happened, thus his drive to create portals and calling Eternia a backwards world. Either he's naturally long-lived or his technology is extending his life.
Episode 4: You know, you could maybe argue it was vague enough that it could be taken other ways but I'm definitely getting some vibes here that Scorpia is crushing on Catra. She literally refers to the two of them as soulmates at one point. I know she says she's trying to be friends but this feels a level beyond that.
Fun little reference to the original She-Ra cartoon thrown in there (and maybe Cowboy Bebop...? James Bond...? What was Glimmer's art style supposed to be?). I like how it is more like just playful ribbing than anything outright dumping on the original. Again, I've never seen original She-Ra but whenever remakes/adaptations go out of their way to trash to the original I always kind of wonder why they bothered doing an adaptation if the original is just that bad? Also, I was having trouble sleeping so it was about 2am when I watched this episode and the very Eartha Kitt Catwoman Catra made it very difficult for me not to lose my **** and stay quiet. With how much of a contrast that version is from the one in this series, that was hilarious. Bonus note, it's a nice touch that Frosta's version of Catra is a pretty crasher in that sweet suit, since that's the only impression of Catra she's ever had.
Adora being a chosen one is definitely elevated up simply by how much the pressure of what she's supposed to be is getting to her. I'm likely going to keep making Avatar The Last Airbender comparisons throughout the series but that's partly because I went into this series figuring it'd be at least structured similar to ATLA (season 1 being more episodic and a little more kid-friendly as it builds up the world before getting more serious later). Adora and Aang are interesting to compare here. Aang's worries early on were less apparent because he was more in-denial/choosing not to think about his problems that much, which fit with his character as a free-spirited Air Nomad. While Adora is much more military-minded. She can't keep herself from thinking about her problems and trying to prepare for the worst-case scenario. And jeez, that idea of who/how Catra is in her mind. Not only beating her but making her watch as she takes everything she cares about away. Not Shadow Weaver, not Lord Hordak, but Catra. That whole Lion King Mufasa/Scar moment between them in episode 11 and their fight in the S1 finale really did a number on her mental image of her old friend. Not reasonably so.
Minor note: I'm sure I'm the only one who got this impression but by the look of it, the way the robot's eye moved, and the music, after getting the soda spilled on it that little spybot gained sentience for half a second and then immediately died. It was so darkly comedic I had to laugh.
Episode 5: So that red disc is basically She-Ra's Red Kryptonite, having an effect on the mind rather than the body. The drunk Adora joke doesn't really do it for me but it did get some nice interactions going between Scorpia and Sea Hawk, two characters I certainly wasn't expecting to bond. I did really like Catra's panic when berserker She-Ra nearly beheads her. The implication is that is Adora really wanted to kill her Catra would already probably be dead. It's a thing I like about powerhouse characters like Superman or Aang, who could just demolish everything around them and don't simply because they're a good person...which in turn makes them the scariest person on the planet when they're well and truly ticked off. I'm not going to lie, I do kind of want to see a She-Ra version of Aang when Appa was stolen or when Superman fought The Elite.
Also, Catra's line of "I have control over Adora. I'm not giving that up for anything.". There's a lot to read into there.
Episode 6: I guess my prediction was sort of right. Shadow Weaver became basically a magic parasite and while it did increase the power she's capable of the implication seems to be that she needs a constant fix of magic to keep herself going, thus her attachment to the Black Garnet.
Have we seen Micah before? Given how long ago the flashback seems set, the fact that Shadow Weaver didn't kill him and thus he probably becomes someone important later in life, I'm guessing he's Glimmer's dad and the queen's late husband, since I think he's the only important male character whose face we haven't seen yet. Also, he's voice by Ezra from Star Wars Rebels and that cracks me up for some reason. It's the exact same voice and a relatively similar character.
I compared Catra and Shadow Weaver with a kind of twisted version of Zuko and Ozai and that definitely still fits here. Both Catra and Zuko confront their parent and call them out for the inexcusable abuse they put them through but while that moment was the start of Zuko's upwards journey this and SW's betrayal seems like it's going to cause Catra to spiral even further. Makes sense why Adora leaving affected her so much. She's probably the only one Catra's ever had that she could consistently trust and rely on, even if she did somewhat resent her.
Not surprised Hordak is getting along with Entrapta. She's not socially aware enough to be scared or intimidated by him, so she'll speak frankly, and since all she wants to talk about is the machines, experiments, and how they could get them to work Hordak probably doesn't take much issue with that. She's producing results, which is what he cares about, thus also why Shadow Weaver and Catra started losing favor with him. I wonder if Catra is going through imposter syndrome? Shadow Weaver had that line that Entrapta earned her place next to Hordak and, if you think about it, Catra hasn't really "earned" anything. We saw that she didn't really take her training or studies that seriously, showing up late to combat practice and even getting partial credit for what Adora beat. She wasn't promoted to Force Captain because of her own abilities but because Adora had defected when she was supposed to get that title. She's come close to a few victories but never really had any except for Glimmer and Bow's kidnapping...whom she then basically let escape when she returned Adora's sword to her. She doesn't have the slightest clue how the horde's bureaucracy works when trying to get things done, like simply getting troops armor. Given how much better than her Adora always was and how little she herself has to her name, I wonder is subconsciously Catra believes she doesn't deserve her current position and thus why she's fretting so much over trying to prove herself.
Episode 7: Am I mistaken or did Bow's parents say that he's the youngest of TWELVE siblings? I was going to ask whether Bow was adopted or if his dad's used a surrogate or if maybe there's even just simply magic in She-Ra's world that allows two people of the same sex to have a child together but now I'm just focused on the 12 kids thing. I get nervous just imagining myself having more than one. You should see me when I'm with two cats. I have to pet both of them because I'd feel like I'd be making one feel left out and like the other is the favorite. I'm a mess with kids.
The dad with dreadlocks (Lance?), his design looked familiar to me and I finally realized it reminded me a of a fanart design for a human Grim from The Grim Adventures of Billy and Mandy. Very different voices between those two characters though.
I wonder if there's any significance to the robot protecting the crystal having the same design as those in the artic in episode 5? Obviously both have the connection to the First Ones but the robot in the forest who was also protecting First Ones' tech had a more insect-like design over these more worm/Graboid ones.
I'm kind of curious what Hordak would have done if Catra had told the truth. Given his interactions with her and Shadow Weaver he doesn't seem like the time to tolerate failure but I suppose the implication here is that he at least would respect those who own up to their failures. Or I suppose more simply he was just testing to see if she would lie to him and since she did there's little merit in keeping her in a position of authority anymore where she could lie about important things again.
Season 2 verdict: Still enjoying it. Another person on this reddit recommended I view seasons 2 and 3 as one since they are basically just one season split in two. I was going to do that but this ended up longer than I thought I would, so I'll just do 2 and 3 separate to keep them semi-organized and easier to read.
I think overall Catra is my favorite character since she has the most interesting backstory, interactions, and just general path through the story out of everyone. She's like Pearl from Steven Universe or, well, Zuko. There's just so much baggage there that she's trying and kind of failing to deal with. I'm always invested in whatever's happening when she's onscreen. Hordak so far is a good big boss villain for Adora to face but Catra is a good archenemy for her.
Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/o027y3/going_in_blind_watching_season_2_for_the_first/
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Hey Em! How you feeling about tlou2? I'm still sobbing 😭
hi rilee :’) hope you're doing well❤️ i actually wanted to ask you too lmao and same this game wrecked me
..okay so i have many thoughts n things i want to say id actually just would link you a review that goes more into detail and is more cohesive than my messy essay so i’ll try my best and keep this short as possible tho and i apologize for my english lmfao :
SPOILERS FOR TLOU2 OBVIOUSLY
also if anyone disagrees with me and is about to send me an essay why i am a h*mophobic, tr*nsphobic and alt r*ght piece of trash bc i didnt praise the shit out of tlou2
i'm glad that you enjoyed the game so much that its a masterpiece and 10/10 in your eyes , i honestly respect your opinion (and i wanted to love this game too) but maybe rethink what you're about to do and let other people have different opinions without bashing them? it literally doesn't affect you in any way that i didn't enjoy it ( and no it wasn't enjoyable for me bc a character i like died)
postive:
the gameplay is fluid and responsive (there were some minor issues but its still great), definitely improved compared to the first game, id love to have a little bit of more enemy variety bc it got kind of tiring after the 20th encounter that basically felt the same as the ones before (tho i appreciate the stealth gameplay , sneaking around the map and taking out enemies while being prone like in mgsv was thrilling)
animation, graphics , level design, acting, sound design: ND succeeded in creating another jaw dropping immersive cinematic experience is all i have to say, this is one the best looking games i've ever played (i cant believe a 7 yr old machine can run this game)
music: i'm glad that gustavo santaolalla is back for the sequel! it wouldn't feel the same without him, his music adds so much to the experience
negative: the controversial part lmao
story, characters: I’ll be honest i prefer tlou1 + left behind story wise. i personally don't like the structure of it in the sequel, too many empty side characters, some character / plot decisions generally didn't make sense for me, the dialogue/writing felt out of place and kind of odd sometimes (compared to the scenes from the flashbacks with joel and ellie) and the last hours were dragged out for some reason i just wanted to be done as quickly as possible with it tbh
jesse was your typical nice guy™ who will definitely be killed off to move the plot forward. the only thing i remember is that he’s dinas ex boyfriend + father of jj dont get me wrong i like and didn't mind him but he has nothing interesting to add to the story. also funny how they literally did not mention him once after his death
owen and the other WLF members were just kinda there..? i don't have much else to say about them besides that they felt empty i tried to understand them and their stories but i didn't care for them in the end its prob my fault but henry, sam, bill and riley were more compelling to me
lev and yara were great i liked them both , its just that especially lev was just there to make abby seem more humane, i didn't like that ND tried to create a similar dynamic between them like in the first game with ellie and joel it didn't particularly make me like her more speaking of which:
abby shows barely to no remorse for the things she did. what she did show was that she enjoyed torturing joel, killing seraphites and almost knowingly murdering a pregnant women (dina) and now ND shoves us this forced narrative of her being a good person into our face like how she would've accepted to die for the cure, has friends and a dog that she treats well (which we as ellie were forced to kill to make her seem even more like a villain in contrast to abby) , takes care of yara and lev (granted out of guilt for joel maybe? but i'm not sure) also making her seem more humane bc she has a fear of height? but abby would kill anyone who is not on her good side this time without a problem as we’ve seen plenty while playing as her what i'm surprised about is that i weirdly didn't hate her or anything guess they succeeded in making me feel some pity for her in the end
yes i also had some issues with the way tommy, ellie and joel were portrayed but i think i'm gonna stop here and give you a
TLDR:
gameplay ,graphics, animation, acting etc: solid 9/10
story (structure, writing, dialogue,characters etc) : 4-5/10 seems harsh but i am comparing it to the first game, if this was a different ip maybe an 8/10
all in all a its 6-7/10 for me, this game made me feel emotions (not particularly positive ones lmfao) i've never felt in any other medium before, only the first game comes close.
tlou2 is bleak, hopeless and messy at times with some rare light moments like the flashbacks of joel and ellie that i enjoyed the most and wished we’d gotten more of while also exploring joel and ellie's present relationship on her quest of finding the truth about the hospital incident and maybe also learning more about her immunity alas this was not the case as seemingly promoted by neil and some misleading trailers.
would i want to play this again? to be honest not really I’ll maybe try clearing the trophies but going back to just casually play it like i did with tlou1 no i don't think so for now.
#asks#apocalypsekid#finally done this took me way too long#i am actually scared to publish this but f it lmao#also my grammar is awful but yeah#tlou2 spoilers#(just in case)#txt.personal#long post#why was this tagged as g**ingedit DHJSGDG#*edit bc i phrased it weird:#i dont hate tlou2 i can see what nd was trying to do; the story just had pacing and writing issues IMO#(the fact that a character i liked died has nothing to do with my relatively low rating)
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She was talking, pleading, but none of it was processing in their head. Everything was wrong. They needed to... needed to... fix things. Like they always did.
Kairos felt their legs move on their own.
Notha. Notha was the cause of this, right? They had to subdue kill her, right? That's... that's the right thing to do? C'est vrai.
Was that Remthalas? Oh, of course it was. She probably had more clones of him than herself. That creep. She was pointing at something behind them. Another trick. A bluff. Don't look.
Then they felt something cold and soft touch their hand. A... child? It looked a bit like Remthalas-
Suddenly, Notha's words caught up to them, snapping them out of their murderous trance. A... friend. A small friend. Dave. His sharp-toothed grin was... heartwarming.
Notha...
They looked back up to see Notha staring wide-eyed at them in a desperate panic. They heard a loud clang from beside them and realized that they dropped their weapon.
What the FUCK am I doing?!
This wasn't right. This was exactly what they were trying to avoid becoming- it's- it's what he would have wanted!
"I... I'm so sorry... I..." Kairos croaked, a mixture of guilt, shame and anger at themself threatening to close their throat. They fell to their knees.
Deep breaths. Deep breaths.
"Please... explain."
"Oh, oh my fake-as-hell-gods," She murmured, her hand coming away from the tank as she slid down to the floor. Remthalas stopped glowing, his eyes faintly twitching beneath their lids, as if asleep.
"Look, I'm not going to pretend what I'm doing is right. I know it's probably unethical as hell but, I don't want to die again. I've already died so many times, due to accidents, adventuring, experiments, I'm not into it," Except in her dreams, weirdly. The best ones were the ones where she died. She didn't want to think about the meaning there. "Dave is completely new. Same as a few of his... would you call them siblings? they're not exactly biologically related. I edited and diversified the genome to make rough numbers 30 individual sea elves. It was an attempt to bring their tribe back from extinction. I stopped because even I know when what I'm doing is... wrong. They're new. They're their own people. If I wake them up, they'll develop their own souls, their own personalities and wants. They have souls, I can't... I can't. But Dave's already awake, alive. I can't keep putting him back either."
"No Free." Dave stated before going back to chewing on the cape. he was looking from Kairos to Notha, just trying to take it all in. No thoughts, head empty. Okay one thought, hungry.
"I'm not using my friends clones for anything, I just... can't risk losing anyone else. I don't want to. It's selfish and unrealistic, I can't even be everywhere, so how would I guarantee I could save their soul before it passes on? I'm not faster than Thanatos." She looked away. "But it makes me feel better that there's a chance."
"So.... murder attempts aside, why are you here again?"
Lock: Hello, Kairos. I require a favor. Please come to Key's headspace at your earliest convenience.
Kairos jumped at the sound of Lock's voice in their head. They had just been eating bread on the roof of the Serene Inn after running a few errands for Gaelan, not really having much planned for the day. To be fair though, they stopped setting schedules a long time ago. Trouble just seemed to come to them when they least expected it.
Exhibit A.
"Alright Lock, where are you two? I'm on my way now."
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