#and i'm talking about main tracks only not the bsides
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no cause i've just listened to sweet venom and it sounds so... generic to me 🧍
ever since tamed-dashed enhypen hasn't put out a comeback that i actually enjoyed 👀
#PLS DON'T HATE ME#the song is just so underwhelming to me#and so short#okay blessed cursed was alright#but you won't find me coming back to it more than twice a year bro#didn't like bite me#same with pass the mic#idk *sigh* what's wrong with me guys#i loved the previous songs tho they were so different!!#DRUNK DAZED WAS A MASTERPIECE#loved tamed dashed though it might be an unpopular opinion#given taken was a masterpiece#idk maybe it will grow on me (i hardly doubt so tho)#STILL LOVE ENHA DON'T GET ME WRONG#and i'm talking about main tracks only not the bsides#haven't heard those yet#although they're besides are always 50-50 with me#hmm idk we'll see#SWEET VENOM JUST SOUNDS KINDA LOW BUDGET TO ME WHY AM I LIKE THIS L#ill take the L for that one guys im not even gonna argue#cause ive seen most of you really like it 🫶#it's just that ive literally heard songs that sound like that probably 71 times
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OMG Tae did way worse than I expected 💀💀💀
Slow Dancing - #3 on Billboard's Global Excl US. Jimin did #2 because of that Morgan whale
#4 on Billboard's Global 200 this week! - JM #2
BB 200 - Tae - #2 100K album, JM #2 164K.
BB 100 - Jm #1, Tae - #51 💀💀
the way most popular member charted below than Suga is crazy lol. Even Jimin's all hated Bside SMF ate it up so bad (#30 BB). This is answer to his rabid stans than internet popularity doesn't give you a shit irl. First outchart supposedly unpopular rapline before getting Park Jimin's lowest numbers lmao
Before I comment on this I would just like it to be known; I AM NOT A V ANTI!!!!!
This isn't a disclaimer. I am only stating this because of the asks I've go10 shitting on him. I will not be posting those. I don't blame anyone but myself. I know I have allowed people to vent about him here before and I was definitely among the people getting pissed at the JK name dropping but I'm pretty chill these days. So V's antics don't bother me and also there is something about binging all that Layover content continously that just reminds you that V is not the monster people paint him out to be.
If you haven't had the time i recommend this video. It was my favourite and I quite enjoyed it.
youtube
He is funny and honestly I also wanna say adorable 😂😂
Sure, the way he treats those around him could use some adjustment. But those around him seem to love him just fine so who I'm I to be mad at him, you know?
Now that that's out of the way, let's indeed talk numbers. I've said multiple times the 2 most popular members are Jimin and JK. Not V and JK. We've seen this before but sure, let's revisit the topic.
So a friend of mine who quite enjoys keeping tabs on numbers did the following math:
September 9th Streams, Thailand percentage compared to overall Streams:
Seven: 17,6 %
Slow Dancing: 29,6 %
Like Crazy: 8,7 %
So this is the amount of Streams Thailand had for the Maknae line Main Tracks on September 9th, Compared to worldwide Streams.
😁
Maknae Line, Main Track Streams Debut Day. Global vs USA vs Thailand
Debut Streams "Seven":
Global: 15,99 M
USA: 2,064 M (12,9 %)
Thailand: 1,3 M (8,13 %)
*
Debut Streams "Like Crazy":
Global: 6,6 M
USA: 0.997 M (15,1 %)
Thailand: 0,165 M (7,5 %)
*
Debut Streams "Slow Dancing":
Global: 6,14 M
USA: 0,388 M (6,3 %)
Thailand: 0,970 M (15,8 %)
These are the Streams for each Main Track's Debut Day. Global vs US vs Thailand
In conclusion:
-USA and Thailand looooooove JK. BUT Seven is charting in 71 out of 72 (wow) eligble Spotify countries. So it's a bob and a hit globally.
-USA loooooooooves Jimin. Thailand, not so much 😬
-Thailand absolutely looooooves V. USA, not so much.
But we kinda already knew this no? Alot of vermin are in Thailand, Vietnam and Philippines, etc. SouthEastAsian is Taekook domain statistically speaking. But the thing is, its still mostly V they prioritize. SEVEN experienced global success coz JK appears to be a fan favourite everywhere. So that helps him even when the SouthEastAsians decide to mostly support V.
So assuming these calculations are correct, which they should be since they are from Spotify Global, (feel free to go do your own) I really don't understand how it was concluded V is the most popular member. And there is many more countries to choose from, my friend only used Thailand coz its one of the countries that stream the most.
People assuming V is the most popular coz of his followers on IG, Guys, Instagram is only one app. V solos n V biased Armys can convince themselves that he's the most popular but numbers do not lie. Chapter 2 has shown that that, is not the case at all. I mean if you've been on twitter you've seen V hasn't even been able to beat Suga in certain categories and records. Like anon said.
The purpose of my post is not to say V isn't liked. That would be a lie. I'm just saying if anything JK is the most popular BTS member. And that's on fax 💯💯💯💯 with Jimin being a very, very, close second. And I know by saying this I am beating a dead horse atp but if Jimin had go10 the push JK did they would either be head to head or he would have surpassed him. So imagine what a big deal it is, that Jimin is doing so well right now and he didn't even get that huge company support.
US album sales were 3K according to Billboard, thats like 30k singles. China did 800k 😱 Asia loves V. US however, which is where it counts for Billboard, do not. Billboard sabotaged all Asians after Jimin won, which means if JK hadn't go10 radio play he never would have won. So, without radio play, V was never going to get that number 1. Those who aren't dillusional already knew this. So we aren't surprised
#ask shaz#bts ask#jimin is king#bts#jimin face#jungkook seven#v layover#jimin#jungkook#jikook#power couple
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viviz's maniac's intrument sturcture is actually so unique n smart
idk the name of the instrument but they have only one beat stretching through the song until the first chorus, which is where a few more beats are added. then those beats continue until the second chorus, where even more beats are added. and the final chorus is like the result of the build-up ygm
also which group(s) do you think need more attention?
i say oneus and stayc. if those groups were under big4? you bet they'd be one of the biggest 4th gen groups. not to mention their songs, which are literal bops, and apart from one or two, their title tracks never miss. people fr be sleeping on amazing music!!
omg. i literally agree with all of this and it's like you've taken a peek inside my mind!
viviz maniac is such a good song, i cannot say this enough. the instrumental is so euphoric esp when it comes to the end with the amalgamation of all the beats. also doesn't help that the last chorus choreo hits the sweetest of spots hehe this song deserves all the recognition, it's so... gfriend. viviz. kpoppy. all good things.
i agree with you- oneus and stayc have so much potential, they've always done sth a bit different and unique and their sound is so pleasing to hear, they def would have had more recognition if they were from the big4 (or if ppl had taste bruh i know most of the ppl don't listen to groups that aren't from the big4 or close). and i don't think they've had a single miss-- they've always done their thing brilliantly and if we don't like a specific song, we should just accept that it's not our taste and move on instead of thinking that that cb was not it, yfeel? can't like every song from a group even when it's your fav 🤷♀️ and that's okay hehe. essay ahead:
i've been listening to oneus since debut, and they've always done that thing with their title tracks where all 3 chorus are different, with the first two being just one thing away from pure satisfaction- like they literally tease us throughout their entire song, and when the final chorus hits? utter relief, ascending to the clouds, 9999 levels of euphoric satisfactions achieved! not everyone can do that, and they do this incredibly well. their choruses always hit the spot! like in 'come back home' and 'lit' to name a few. i swear if ppl just listened to them, they literally have top tier discography
and stayc! i'm not familiar with their bsides, just the title tracks, but i bet their bsides are just as good. i think like everyone else my first song of them was asap and i started following their music soon after. i love how while trying different concepts and sounds, they're still so distinctively stayc. you just know it's a stayc song as soon as it plays. if i could have one word to describe their songs, it would be 'fun'. like even with their more sentimental song 'beautiful monster' (my underrated queen, literally my fav song from them) they have that fun element about them, bubbling with youth and it's so refreshing. i'm quite a fan of their recent cb too. they never miss, and i wish more ppl heard and appreciated them.
you can tell i'm serious about them LMAO i've written an essay. i do think kbands deserve a whole lot more too bc come on. they're just another level. however, for kpop groups... i must talk about weeekly.
weeekly literally have such amazing vocals and performances. i know prob everyone heard their song 'after school' but like, don't you think they have such a nostalgic sound about them? if you heard their recent cb 'vroom vroom', it's so... idk why it reminds me of sth and i can't quite put a finger on what. their songs do that to me. monday is amazing and has so much potential as a main vocalist, so does soeun. they're literally such a power vocal duo. i've been listening to them pre-debut so its sad to see they still don't get the recognition they deserve. idk if it's bc their company don't have the budget for them or they're not that popular that they don't have many comebacks but they always slay
dreamcatcher too. literally such an amazing group full of the best performers in the industry, dare i say. their presence, concepts, skills are on par with some of the greatest kpop groups and im glad they're finally getting some limelight. the fact that they have choreos like 'scream' and they're singing live blows me. they're like the ateez of girl groups.
there's so many more i could talk about- purple kiss, pixy -- both with unique concepts and amazing performances. i don't stan a lot of the 4th gen boy groups so i can't say for sure (i'm made for the girls i guess) but sf9 comes to mind.
#yumi snapped#no literally i didn't know i had this much buried in me LOL#sorry not sorry for the essay but#it's just sad to see when a group with sm potential stays in the shadows#just bc they're not from a big company#bc company does make a hell lot of difference with the promotions and well the name#as for hits and misses with title tracks#lets admit that every group has those but#that's purely a personal preference thing#a hit to you may be a miss for me#like atz may be my ults but i have songs i don't listen to at all they're just not that for me#bc i like bands more i can literally listen to all the songs from bands like day6/ onewe/ the rose#anyways yeah that's just my opinion#you're free to have yours#yumi.asks
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i agree with your post about the line distribution!! i also love and respect soyeon as an artist, but when it comes to title tracks nxde and tomboy follow the same structure, and it would have been far more exciting to have things different. i find myself going back to titles like hwaa, where soyeon opened the song vocally and gave it a completely different feeling, i also feel like her rap was more well-integrated within the song structure - in nxde her second verse feels kind of jarring. i think miyeon's voice shines so much in the bsides, she makes each song really shine, the more i listen to her since her solo came out, the more i fall in love with her voice... also it's a little ironic that we got so much shuhua in the title - finally! - but i barely hear her in the bsides... i'd really love it if they go out of the box in terms of song structure bc following a formula, even the tomboy one, isn't going to help them develop more... they could become one of those groups stuck imitating their megahit sound over and over (momoland, exid) and i really don't want that for them.
i think miyeon might get better "treatment" if she starts contributing to composing and lyrics, like i've noticed minnie and yuqi getting a larger share of a song they wrote, so maybe that's one way for her to shine more. i know she wrote the lyrics of a song on my, but idk if she wants to compose and she doesn't have to, but i guess that might be one of the reasons she doesn't get more varied/many lines...
all that said, do you think it's likely we get another miyeon album in the next two years? or will other members getting solos push her comeback even further?
i feel like tomboy and nxde are kind of like two sides of the same coin, in that they touch on the same overall topic just with a different focus area. so it doesn't really bother me that they have the same structure. and with the mess that 2021 was for them maybe get back in the swing of things, so unless the next cb follows the same, i'm not really worried about her getting stuck. and honestly it isn't all that different from past title tracks, if she just put a real bridge back in the songs...or add a second verse before her rap (like in uh-oh or lion)
(just so no one has to scroll past a long response)
i actually love her rap for nxde...i wasn't too crazy about her rap in hwaa. only bc i didn't like the transition from her to yuqi wasn't as smooth as i wanted it to be (with the overlapping (which i think would've been fine if soyeon's voice tapered off instead of just stopping the way it does)) but i don't mind hwaa, or oh my god, bc even tho miyeon is singing the same part of the song the lines don't repeat each other
and honestly my issue isn't even the structure of the song, i need her to know that miyeon (and yuqi) can sing verses in the title tracks.
off the top of the head, some statements i remember her making seemed like she tends to write around minnie's voice (i say that lightly bc they were just simple comments like how she said she would write western sounding songs to show off minnie's charm, and when she was talking about how she like how minnie sounds when she sings certain things. and i haven't really seen her say anything like that about miyeon's voice (and if she has then absolutely no one cared about it bc i've never seen it)) they all have their charms, minnie has a raspy voice, yuqi has a deep voice, and miyeon has a very crisp clean voice. i would like to hear them all utilized on title tracks. i mean miyeon is a main vocalist....like soyeon pls
maybe it's bc minnie's voice gets a lot of attention for being so raspy that it's become a staple for idle tts. idk.
i keep hoping that we'll see her name listed in the credits on an idle song soon.
and i certainly hope so. [my] did well and i mean 2022 was 2 cbs and a solo. and even if they were just planning her solo as a fallback if ind wasn't successful, they still made it happen and both were quality. so they're obviously capable of planning more then one release a year. idk what the cb time frame usually is for soloist who are still in active groups, but i feel like 2 years is reasonable.
(cube: triple h released music 2 years in a row while pentagon was also releasing music. hyuna only had 1(?) release during that time but i mean right after the second album cube decided to be an idiot...)
(not cube: baekhyun debuted as a soloist in 2019 and had 1 cb a year since then before enlisting. and during that time other exo members were also releasing solo albums. but, exo was also on a weird hiatus where sm only had them releasing 1 album towards the end of the year....so they are technically an active group they were.....moving as a turtles pace.)
(idk how cube operates but those are some things to consider)
#miyeon's voice is like sparkling water drfghbj#it's clear and gives you a little zap#(i'm so funny i love it here)#anyways#maybe it's bc i'm my biased but i liked her 'baby how do i look' the best#bc of how crisp her voice sounds
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