#and i just feel like he gets written off and there's a lack of diving in to his emotional landscape

[isan0rt]

I saw your Dedue post you made recently and OMG THANK YOU SOMEONE HAD TO SAY IT. I’d love to message you further about your other 3houses opinions cause gd your mind.

Honestly like lmao I wasn't specifically trying to call anyone out in particular but it's so so so hard to find interpretations of Dedue that like. Actually consider that perhaps he has complex reasons for talking about himself like he does before the time skip, that rationally follow from his experiences and aren't just like, oh he's got such poor self esteem. Dedue's not Bernadetta, he's as assertive as it's safe for him to be given PEOPLE EXPLICITLY WANT TO KILL HIM for just fucking existing.

If Dimitri wasn't protecting him he would have gotten straight up murdered well before he learned to tank as hard as he tanks, and that's not even counting that first time Dimitri intervened in people actively trying to murder Dedue after successfully murdering his family for the crime of Existing While From Duscur. Like, hello!!!! He's been isolated from his community, from his language, from his culture, surrounded by people who hate him, but with nowhere else to go. Literally everyone else he knew died and his homeland was burned to the ground.

Dimitri is the only person in the WORLD who wants him to live. Of course he's neurotic as fuck about Dimitri. Dimitri is literally all he has left in the world to cling to, and people keep trying to kill Dimitri! It's 100% reasonable for Dedue before the timeskip to feel like he has fucking nothing if he doesn't have Dimitri. Objectively that's true!!!

Like, after the timeskip, he comes back having spent time back among his own people, seeing that his culture isn't gone and he does have something to fight to preserve. He survives because his community comes to save him. He comes back wearing VERY expensive full-body armor (like for real that's absurd amounts of steel and master craftsmanship) with Duscur's motif enameled on the pauldrons, wearing Duscur-woven clothing and accompanied by a whole group of his countrymen fighting alongside him to reach Dimitri. His post-timeskip design screams that he's been reintegrated into his home culture. Of course he's in a better place after that!

None of his emotional development happens in a vacuum! Dedue struggles with his self-worth when he's cut off from his community, and is able to self-actualize only after reconnecting with his community. Azure Moon has so many themes about community healing after trauma, and about relying on support in order to lift all boats together. All the Lions start the game fractured and damaged because of the breakdown of the social contract in Faerghus and improve through Azure Moon by banding together and healing the fractured relationships. Dedue can't be his best self when he's isolated from his roots. Ignoring that I feel like really misses the themes Dedue brings to the table.

[whateveriwant]

I just read your pregnant wife with 141 but that got me thinking. What about horny pregnant wife with 141

Feel free to ignore this if you feel uncomfortable writing it 

-🍱 (if it’s not taken)

I haven't written smut in ages so forgive me if I'm a little rusty. 18+ only pls and thx (vaginal sex, cunnilingus)

Soap

Hooo boy! Alrighty, here we go

So for starters, that man is PENT UP. Like seriously, he's so backed up, he thinks he can feel it all the way to his esophagus

Since you first got pregnant, it's been nothing but morning sickness, aches and pains, and a total and utter lack of desire on your part

Trust him, he's tried taking care of himself in the meantime, but it's never really gotten the job done since it wasn't with you

But once you enter your second trimester and the desire has come back, it takes everything in him not to ravage you the moment you give him the green light

Why? Well, truth be told, he's scared about potentially hurting you or the baby

You know how he can get in the sack. What if he dents the wee bairn’s poor head? He's knocking (more like pounding) right on the little one’s door after all

You have to assure him that he's not going to hurt you or the baby (and please, never refer to your cervix as a door again)

So he'll start slow and gentle at first, not wanting to be too harsh, but it won't take much to get him back to fucking you hard and rough like you're used to

He's got your knees up by your chest (or, as close as they can get) while he’s drilling into you from above, snarling like an animal

When he finally finishes, it's loudddd, slamming the headboard against the wall, and he pushes his hips as far forward as they'll go while he empties four months worth of cum inside you

Ghost

I'm so sorry to have to be the one to inform you, but you're not getting that man's cock while you're pregnant

It's not because he's overly rough when you make love normally; it's just that he's not willing to take any chances when you're in such a delicate state

However, the man is inherently a giver, so with just enough whining and begging and pleading from you, he'll oblige you to some degree

He'll stick mostly to his fingers or his mouth, maybe a toy or two if you're really needy, but he's generally going to rely solely on his own skill to get you where you want to be

He'll have you recline against a mountain of pillows while he settles himself between your legs, his arms looping around your hips to hold you still for him while he works

But he doesn't just dive right in, oh no siree. The man loves to tease you – kissing your thighs, the inside of your knee, the bottom of your belly first

He'll turn you into a pathetic little thing squirming desperately for his touch, before finally granting you mercy by giving you his tongue

He'll make you cum so hard with just his mouth alone that you'll temporarily lose all thought of that gorgeous dick of his

But afterwards, if you want to return the favor, you certainly won't hear him complaining about it

Oh but trust that the moment the doctor gives the okay after you’ve given birth, he's gonna be all over you, making sure you walk funny the next morning (and the following week after that)

Gaz

Like the other two, Gaz is concerned with potentially putting you and the baby in a dangerous position

But the man is a sucker for your puppy dog eyes, so it doesn't take much convincing to get him to take you to bed

But he still wants to be safe about it, so he researches the best positions for couples to have sex while pregnant

That's how you find yourself in his lap, naked back to his chest, as he sits in one of the chairs he dragged in from the dining room

You're bouncing on his dick, hands braced on his thighs, ass smacking off the hard plane of his lower stomach as you lift up and down

His hands on your hips are more of a placeholder than a guide as he lets you set the pace, just sitting back while you take what you need from him

It doesn't even matter if he cums or not, that's honestly the farthest thing from his mind. All he cares about is making sure you're satisfied in the end

Need him to snake his hand forward, tracing the curve of your belly down, until he's circling your clit in fast, tight motions? Gladly, love.

Your thighs may burn and your eyes may water, but there's something about this position that makes him hit so deep that it leaves you gasping for more

Ultimately, your orgasm will trigger his own (nothing gets him there faster than the sound of you cumming), and afterwards he'll help you into the bath where he'll clean and massage your aching muscles better

Price

Unlike the other three men, Price is eager to fuck you the moment you show even the smallest inkling of want

What's that? His poor baby needs him to fuck her right now? Say no more, sweetheart. Hubby's come to the rescue

That man is dicking you down anytime, anywhere he can

Just got done shopping? He'll find a deserted road to pull over on. Just stepped into the shower? Might as well kills two birds with one stone

Really, it becomes a challenge to find where in your house he hasn't had you in these last few months. The kitchen, the garage, the back porch. You name it, he's done it (multiple times, in fact)

But his favorite – oh boy, his favorite without a shadow of a doubt – is when he takes you in front of your bedroom’s full length mirror

He'll hold you up from behind, standing you both on your feet, and just watch as he fucks you nice and slow

Seeing it in profile is fun when he wants to watch his dick slide in and out of you, but he's especially fond of having you directly face the mirror

There's just something about getting to watch you – that pretty face, those juicy tits, that fucking delectable rounded belly – that makes him blow his load faster than a damn rocket launch

With the number of times he's had you like this, you swear, that man of yours is trying to knock you up a second time (But shhhh. Quiet now. Don't go giving him any bright ideas, sweetheart.)

[jqyszn]

Like what you see?💤

paring: dom!bestfriend!sunghoon x sub!fem!reader

genre: smut, friends to lovers (mdni !!)

summary: in which you come home to find your best friend getting off, weird but it's natural right? not until you heard him calling out for you.

warnings: smut ofc, masturbating, unprotected sex (don’t be a prick, wrap your dick!!) , panty stealing… riding, body worship, fingering, biting, degradation, spitting, marking, squirting, profanity, dirty talk, pet names (slut, cum dump, princess), breeding kink, sunghoon is a perv,, this is honestly just pure filth too😭 (Imk if i missed anything!!)

wc: 1.5k (1,597)

a/n: this is my first fic (😭) i apologize in advance for the cringe wattpad like writing,, also english isn’t my first language so please ignore any grammar mistakes <3 i hope u guys enjoy and im so sorry for the wait like i don’t know why it took me like three weeks to make a 1.5k fic😭😭😭 i promise for my other works they will be more hastily written🩷🩷

taglist: @lelelelelelenim @iamkali @jjonghoonist @ramenoil @deobitifull @velathaheigeros @enhaz1 @thinaswreck @heeseungsslutt @cherriruto @yohanabanana @hvnyujiq @fightqueen @parkhonnie (some of the tags aren’t working so i’m so deeply sorry for everyone who asked and isn’t here </3)

“can i come over?” you read the writing on your phone as you best friend sunghoon messaged you. “yea, sure :) i’m still at work though but you have the extra key anyway.” you replied to him putting down your phone and typing away at your computer. your phone buzzes once again but desperate to rest, you ignore it and continue working.

on the other hand, sunghoon is at your door in a heartbeat. he unlocks the door with ease, walking in, the smell of you instantly hitting him. he inhaled your lingering scent as he closes his eyes imagining him nuzzling into your neck, pounding into you, taking in the smell of your natural perfume. “fuck.” sunghoon groans as his cock starts to feel heavy.

he makes his way towards your room, your scent growing more intense as he groans internally. “what are you doing to me y/n?” he thinks about his morals for a minute before diving into your laundry basket, picking up a used lace thong. he curses at himself but he doesn’t stop. instead he goes on your bed and propped himself up nice and pretty.

he holds your panty in his left hand bringing it closer to his face as he takes a fat whiff of you as he threw his head back. his other hand starts palming his refined boner as he continues sniffing at your undergarment. he pulls down his sweats down to his knees along with his boxers, freeing his hardened member. “oh god..” he grunts as he drapes your thong over his leaking, pink tip. staining it with his glossy precum.

unbeknownst to him, you’re already back home taking off you heels. “hoon?” you call out neatly tucking away your shoes as you make your way to your room. “fuck yes y/n, you’re taking my cock in so good~” did you hear that right? you stopped in your tracks thinking there must be someone else in your room. scared, you peep your head in your doorway, looking ahead into your room.

and to your surprise, it’s sunghoon. pumping his cock furiously, his eyebrows furrowed, lip bitten, hair sticking to his sweaty forehead and your thong over his length. fuck he looked so hot. you always had a thing for sunghoon but not wanting to ruin your friendship, you kept it to yourself and your trusted diary. you can’t help but clamp your legs together, almost moaning at the sight.

you decided to test your faith, so you walked over infront of your bed. “shit y/n! your pussy is so fucking tight princess!” sunghoon whimpers out, he opens his eyes only to see you. standing infront of him, arms crossed and face flushed with a crimson tone. “like what you see doll?” sunghoon smirks not showing one bit of embarrassment. instead, a sense of pride.

“i.. uhm..” you stutter shocked by the lack of embarrassment he showed on his face. “you love it huh? watching your best friend fuck himself with your skimpy thong? huh? look at you. i bet you’re all soaking wet from watching me pump my cock for you isn’t that right, slut?” he whispered, walked over to you, leaning down into your ear moaning playfully as he nibble on your earlobe.

“ahh.. hoon..” you whimper at his words, his hands trailing up and down your body stopping where you wanted him the most. “shit. no panties? do you really are just a slutty whore aren’t you? practically begging any man to cream your pussy right? you better fucking stop. because this tight, wet, creamy cunt is all mine. understood?” he degrades as he slaps your warmth, making you jerk forward as you nod your head in response.

“use your words doll. you know i hate stupid little whores.” he orders rubbing circles into your clit making you moan and clinging onto sunghoon’s broad shoulders. “you’re gonna let me breed your sopping pussy yeah? fill you up with my babies to show everyone who you belong to right?” he mutters over your neck, sucking and biting marks all over your neck. “yes hoon.. i’m all yours.” you finally managed to moan out.

“good girl.. now come here.” sunghoon ordered as he picked you up effortlessly, slamming you down on his lap earning a yelp from you. “may i?” he asks for your consent before stripping you to which you consented. “oh fuck doll, you’re gorgeous.” sunghoon admires your soft skin, rolling his fingers over your nipples licking his lips. “feels good hoon~” you whine out bucking your hips into his. “i know pretty girl..” he coos a finger teasing at your wet hole, him waiting for a reaction.

“hoon please.. i want you.” you whimper grinding on his fingers as he smiles in satisfaction. “beg for it then. tell me how much you want me to fuck you dumb.” he grins looking down at you and watching your face contort from the feeling of his long and slender fingers sliding into your core. “i want you to fuck me until i can’t walk anymore.. i need your cum in me hoon. i need it so so bad!” you squeal at the sensation of his fingers going in and out of my sopping cunt. wet, gushing sounds reverberating around the room. “good girl..” he grunts, speeding up his pace.

you feel a familiar knot in your abdomen, panting uncontrollably as you arch your back, “fuck hoon i’m close..!” you whimper, him smirking back at your call as he continues to finger you in the ‘come here’ motion. “cum for me then slut.” he commands as you release on his fingers. the sight was so dirty, your squirt soaking his fingers and your sheets, his mouth sucking your juices off you and you arching your back, your mouth forming an ‘o’ shape.

“fuck,, you’re such a slut huh?” he teases, pulling his digits out of you and shoves them in your mouth. “now suck.” he commands, to which you obey. swirling your tongue around his fingers coating them in your saliva. his cock twitches at the sight, sunghoon wanted to absolute ruin you.

sunghoon sat comfortably on the bed patting his bare thighs, “come here.” he commanded, smirking at you. “what are you waiting for? is it because i’m not heeseung?” he gritted his teeth, the flashback of you giving heeseung a lap dance engraved in his mind wishing it was him you were grinding all up on. “no.. it’s not that” you mutter out quietly, crawling to sunghoon straddling him.

“what is it then? hm?” he caressed your thighs softly, looking at you expectantly. “it’s just.. i’ve been waiting for this since we became friends hoon..” you ground your hips down on his throbbing length, smiling at him softly. His eyes darkened at your words as he tightened his grip on your hips, pushing you down onto his lap roughly, feeling your wet pussy sliding along his engorged cock. "oh is that so? enjoying yourself aren’t you?" he smirked at you once again.

He grabs you by the hair and pulls your face close to his, thrusting his tongue into your mouth, kissing you with a deep passion as his cock twitches against your slick hot cunt. you kiss him back passionately moaning into the kiss. “trust me doll, you’re gonna forget who heeseung even is after i fuck you dumb.” he growls as he grabbed onto your hips pulling you towards himself forcefully slamming his cock deep inside your tiny hole stretching it wide "fuck... yes.... fuck..!" he grunts.

“you’re so fucking big hoon~!” you whine out watching him slowly thrust in and out of you. “i know doll, i know.” he replies cockily while grunts he slams himself against you harder, grabbing your breasts roughly and squeezing them, feeling your nipples get rock hard under his fingers as he continued to slam into you, using you like a toy as he pounded you relentlessly. you moan his name like a mantra, completely fucked out.

“yeah that’s it. moan my name like a whore. you’re all mine understand?” he glared at you waiting for your answer. “yes hoon! i’m all yours!” you pant out, bouncing up and down on his girthy cock, your cunt convulsing around his length. he smirked proudly, thrusting himself deeper inside you until he was buried completely within you. "that's right, doll. cum all over my fucking dick." He whispered huskily, grabbing onto your hips tightly as he began pounding away at you mercilessly, driving you crazy with desire.

“shit hoon i’m cumming!” you scream, feeling yourself come undone. a thick, creamy gloss ring coats the base of his dick, dripping down onto his thighs. “can i cum in you doll?” he asks for permission as you nod your head, “yes yes yes! cum in me sunghoon! i want your load in me so bad!” you beg, your body shaking from the stimulation your yet receiving.

“so fucking good, all wet and creamy all just for me.” he grunts as he finally shoots his milky, thick load inside of you. guiding your hips as he rides out his high. he pulls out of you, you whining at the emptiness. “look. watch my seed drip out of you.” he orders as you watch his gooey cum trickle from your well fucked hole down onto the sheets.

“are you gonna give me aftercare or are you gonna be a dickhead?” you cocked an eyebrow

“only if you be mine forever.” he smirked jokingly, getting towels to clean you off.

“i’ve always been yours.”

[irl-w0lverine]

October 14th - quicksilver (smut)

Pairing : peter maximoff x reader

Warnings : MDNI!! DO NOT READ IF YOUR BELOW THE AGE OF 18!!

P in v, unprotected sex, peter talking you through it, no aftercare, human vibrator

A/n: im actually really struggling to write the rest of the fics, this is literally meant to be out tomorrow at the time of writing

DO NOT BLAME ME FOR WHAT YOU CHOSE TO CONSUME, ITS YOUR FAULT IF YOU READ FURTHER

Peters room was the go to hangout area for the two of you. It was usually the right temperature, he'd have a stash of snacks (of which were mainly twinkies), a few warm blankets for those cold nights you stayed over. It was always perfect.

That leads you to this night. Peters head was resting on your lower stomach as both of you were watching some crappy movie, mindlessly playing with the hem of your shorts.

You could feel his shoulder pressing against the one spot that had been aching for him all day. Every shuffle from him, you have to stop yourself from squirming, trying to get more pleasure from it. Surely he doesn't feel the same way.. Right?

"hey, you ok?" you hear peter ask you, your head giving a small nod, adjusting your position. Thats all you needed for a small whine to slip past your lips.

That stupid damn smirk. Of course he has that stupid damn smirk after hearing that.

"what was that noise?" he scoots up, his elbows proping him up so now his face is mere inches away from yours. His stomach putting pressure on the area you needed him to, causing you to squirm slightly.

"..nothing..?" you knew he wouldn't let it slide. His warm breath was hitting your face, his lips oh so close to touching yours.

"bullshit" before you even registered it, his lips were on yours. You couldn't help but kiss back, your hands going to his hair and pulling him closer.

✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭✭

After a few minuets of making out, he begins to slip your shorts down your legs, kissing your thighs as he did so.

"god... Your gorgeous.." he groans, not waiting a second to rip his sweatpants off. He was so hard it looked painful, it looked like he would rip open his boxers.

With a blur, he's alright inside of you, his lips against your forehead.

"someones excited huh?"

"cant help it that ive waited this long" he chuckles, pressing his lips against yours once more but this time hes slower, beginning to thrust.

He starts of by being gentle, not wanting to use his mutation to its fullest extent just yet. He was pepering you with kisses anywhere he could reach, nuzzling his face between your breasts.

"you dont have to go soft on me, y'know? I can take it" you huff, getting a bit frustrated at the lack of speed from the guy that is literally known for speed.

"sorry princess" he chuckles "just dont wanna hurt ya'"

With that, he begins to speed up, his hands massaging your hips and thighs.

Not even a few minutes later, hes going x10 faster, his face burried in the crook of your neck. You had never thought he'd be the typa guy to whimper but he is definitely disproving you now.

His hips move in a blur, bringing you to the edge way faster than you'd thought.

"... Ugh... Keep doin' that... Please.." you whine, hands pulling his hair and your lips leaving sloppy kisses on his shoulder.

"wasnt plannin' on stoppin'.. M' pretty girl" his nails dig into your hips, his cock twitching against your walls as they begin to close in on him.

"AHG! Fuck... Shit" he grunts, his seed painting your walls white. His thumb sneaks down and rubs your clit, sending you over the edge and cumming around him.

"... Holy shit..." he huffs, his sweaty body collapsing onto yours.

"... That was amazing.." you tell him, only to realise hes fallen asleep cuding you.

A/n : sorry for how rushed and poorly written this is! Jaytober is kinda making me loose motivation especially since i dont have much free time to do it anymore and my mental health just loves to take a head first dive into depression

Thank you so much for reading! <3

[burntb4bydoll]

Face sitting with 2023 Bill??

YALL HAVE BEEN ASKING FOR THIS SO HERE YOU GOOO

2023 Bill Kaulitz x fem!reader

Warnings: face sitting duhh, praising (both ways lol), service dom Bill🤭 it’s written as 2023 Bill but can be read as any era!!

“Please? I’ll leave you alone for the rest of the week! I just want taste you so bad!” Bill whines, his face digging into your thigh. You groan and set aside the work you were doing.

“You know, you’re interrupting my work. I mean, I know I got good pussy but Jesus it can’t be that good!” You teased, laughing at your own joke. His mouth started leaving open mouthed kisses all over your inner thighs.

“It is that good. Just sit on my face, please? I know you like doing that.” You pretend to think about it for a moment, making him whine again and bite you leg. “Hey! Don’t bite me, asshole! I was gonna say yes but now-” before you could finish your sentence Bill flips you over so that he’s laying underneath you with his head between your legs.

“Too late, Im already underneath you so theres no going back now.” He murmurs, kissing your cunt through your thin shorts. You tried to get up to take them off, but Bill wraps his arms around your legs and keeps you in place. “You don’t need to take them off, I’ll just move them to the side.” His hands pull your shorts to the side, revealing that you weren’t wearing anything underneath them. (It’s easier to write that way, SORRY🙄)

Bill’s tongue wastes no time, diving straight into you. Gasping, you buck your hips at the feeling. Hes always had a lack of patience when it comes to eating you out, always so desperate to please you. You push his hair out of his face so that you can see him better. “You look so beautiful, Bill. Always so pretty.” Bill whines and his eyes flutter shut, he loves hearing you praise him. His mouth moves harshly, attempting to make you feel even better. With his eyes now open, he watches your reactions to his new movements. Your hips move without your permission, grinding on his face for a moment before you stopped yourself. Once he sees your body starting to tremble gently he soothes his hands over your thighs, giving them light squeezes of encouragement.

“It’s alright, pretty baby. Ride my face, do whatever you want to me.” Bill mumbles, his mouth only slightly pulling away from you. Your mouth fall open, soft moans spilling out as you start to move against his tongue. Bill gives you multiple hums of approval, urging you to keep going. “Always such a good girl, doing whatever I tell you to. You look like a goddess right now.” His muffled words draw you closer to finishing, making your stomach tighten and your eyes tear up.

“Bill..I’m gonna cum. Fuck! You’re so good~!” Your voice is breathy from trying to hold back your orgasm so that you could warn him.

“Come on, cum for me, sweetheart. Please cum..” Bill keeps rambling, even when he stuffs his mouth back onto your pussy. The vibrations from his mumbling pushed you straight into your orgasm, your thighs clamping around his head. He groans loudly, damn near cumming his pants at the sight above him. But even after your finished, he doesn’t stop. He only grabs your hips harder and speeds up his tongue…

[undoundue]

the pinch hitter

I. 

World Series. Game 7. Fifth inning. I, a pinch hitter, a mere benchwarmer, smack an outside pitch into the right field stands, giving the Dodgers the lead. Mookie and Freddie slap me on the back as I enter the dugout, and to celebrate we go for burritos at a Mexican place inside the stadium. How can I say no to the all-stars? And yet, isn’t it a bit irresponsible to eat such a heavy meal between innings? 

“Kiké…” Mookie says (referring to teammate Enrique Hernández), “…he don’t know how to read.”

“He can read,” Freddie amends, “but he lacks literacy.”

“His comprehension is terrible,” Mookie says. “In a way, that’s worse. More dangerous. It makes him susceptible. Susceptible to influences.”

“Oh, he’s susceptible, that’s for sure,” Freddie says. “You agree, pinch hitter?”

My burrito is dripping. The sluggers are looking at me expectantly. Dodgers fans on their way to the bathroom are stopping, staring, wondering whether we’re the real deal.

“He’s basically illiterate,” I say—nervous grin, no conviction. 

It’s the worst of both worlds. Mookie and Freddie know I’m just saying it to fit in. They’ll give me no masculine credence. But the crowd will take it seriously. The rumor will get out and hurt Kiké. 

Poor Kiké! And they’ll think I’m racist, too.

Next thing I know I’m burning rubber on the way to my Motel 6. They can pinch hit for me—why not? I pinch hit for them.

I call my friend, the promoter, and tell him, Fuck the Dodgers, we’re celebrating my home run. Get a party going. 

He’s like, Aw yeah.

But the party is a bust. The motel pool reeks of chlorine and has cloudy white streaks in it of unknown composition. There are too many dudes, not enough chicks—not enough of either, really—and all of them trashy. Short notice for a celebration. 

In the shallow end, my friend is fooling around with a white girl with pale pink hair—the color of chewed bubblegum. 

He waves at me, like, Her ass is open, you wanna fool around with her too? 

But I don’t. I am sullen. I swim over the side of the pool and do a little cocaine off the bill of my Dodgers cap. 

My Dad wades up to me. His attitude: craven, appeasing.

“Are you having a good time, son?” he asks.

I grunt. “Not enough chicks.”

My Dad gestures at the pink haired girl. "She used to be a ninja.”

“That's cool,” I say, scornfully. What, so I’m supposed to feel sorry for her?

Both my Dad and I are naked, and our penises are erect. Our penises are nearly identical in size, shape and coloration. They only distinguish themselves when a pool wave passes over, distorting one but not the other.

It makes me mad—I’m twice the man he is, and my cock should reflect this. The cocaine was insufficient in quantity and it’s serving up more of an irritable than a euphoric high.

I’m also starting to really miss the Dodgers. At least there I have purpose. There’s a big scoreboard past the diving board, and it shows that we’re tied. I flip on the TV just in time to see Kiké Hernández hit a walk-off home run.

Holy shit! We won!

II. 

Back at the stadium, Kiké and I take the stairs to the clubhouse.

“Kiké, that was…” I shake my head in awe. “Epic homer, man.”

Kiké adjusts his glasses. He has a proud, yet whispery voice. “Yes, it was epic. But, excuse me, if you look at the metre, you’ll find that it was a Spencerian, rather than Homerian epic. Yes? Yes? Do you know what I mean?”

I don’t—I have no idea what he’s talking about. I wonder if he’s mad at me.

“Kiké…whatever you heard, I never said you needed a literacy program. I never said your SAT prep was insufficient. Mookie and Freddie, they said—” 

“Shhh…quiet now. Let us get our prizes,” Kiké says. 

The clubhouse is pretty standard, I guess: sofa, TV, coffee table, bowl of mints. On the floor is a cardboard box with PRIZES written on it. I reach inside and…I’m not sure how many Magic boosters to take. It seems like there’s plenty to go around, but I decide to start slow, re-up if I need to. I take five.

Turns out this was a mistake. None of my teammates takes more than four boosters—some fewer—even though, I’ll repeat, there are plenty to go around. Dirty looks.

I consider putting a booster back, but wouldn’t that be even more cringe? Should I own my greed, my rebellion, my outsider status?

I’m overthinking it. I crack the boosters. My teammates are no doubt focused on their own problems. Even though we won the series, the mood in the clubhouse is grim. Now that the season is over, the hard part begins: card development.

It’s written into our contracts. If you don’t know the business of baseball, now you know: The tickets and television rights are a loss leader. The money is in the trading cards. Baseball would be nothing without its stats.

The Dodgers’ owner, Frank McCourt, bursts into the clubhouse, chomping a cigar.

“That’s a Pokémon,” he says, pointing at my pack’s rare.

It is: a Typhlosion. I’m not sure how to explain this.

“It doesn’t have any attack moves,” I point out, “It just has a special ability.”

“A Poképower.” Freddie Freeman can’t help himself. “That’s the term.”

I cough when Frank exhales a cloud of smoke.

“I don’t give a rat’s ass,” Frank says. “This is a tribal set, and goblins and elves are OLD HAT. I need a new tribe by TOMORROW. A goddamn POKÉMON isn’t going to CUT IT. Do you understand? DO YOU?”

I’ve never read Frank McCourt’s memoir, Angela’s Ashes, but I’ve heard it’s a compassionate and moving portrait of an Irish-American family in the mid-20th century. Based on that, you’d think Frank would be a gentle boss. 

You’d be wrong. He’s a tyrant. Whatever empathy writing requires, it doesn’t seem to translate into one’s style of running the Dodgers—or so I’ve painfully learned. 

“Do you understand,” Frank says, his voice like a cattle brand, “benchwarmer?”

Next thing I know it’s an eyebagged sunrise and the floor has fallen out from the blow and I’m burning rubber on the way to the police station. 

I go straight to my friend’s office—he has a Tom Selleck mustache now; he’s quit being a promoter and taken a job as chief of police. I look at him sadly.

“You used to hate cops,” I tell him. “We used to argue. I’d say more cops, less prison. You’d say, more prison, less cops. What happened, man?”

“I haven’t changed a bit. I’m as good as four pigs. That means if I’m working, that’s three less pigs on the street. Now, why are you here?”

“I want to go undercover and help take down my boss, Frank McCourt.”

“Why?”

“He’s corrupt.”

“Hmm, interesting. We’ll need to fake your death,” my friend says. He sifts through some files on his desk. “Go to the evidence room and wait for me there.”

The evidence room is sparse: a bare bulb, a coffin, a mirror. I get in the coffin and pull the lid closed.

Time passes.

III.

When I get out of the coffin, my friend directs me to look in the mirror. My hair has gone silvery-gray. My cheeks and eyelids droop.

“You’re old,” my friend says. “That’s good. McCourt won’t recognize you. And if he does, he won’t think of you as a threat.”

My friend waits for me outside the room while I change from my uniform into a grey sweater, slacks, and a black leather jacket.

Then my friend beckons me to his office. He has a framed photo on his desk that I don’t remember from before: him, a pink-haired woman, two kids.

He hands me a semi-automatic pistol, which I tuck into my jacket.

“We’re still investigating your allegation of corruption. But in the meantime, you’re going to be McCourt’s underboss—his majordomo.” 

He tells me an address in the warehouse district. Kiké is waiting for me there. He raises an eyebrow in what might be recognition, but he doesn’t tip his hand.

“You’re now one of the most powerful men in North America,” Kiké says in his serpentine whisper, “Did you know that? Please. Please. This way.”

Kiké takes me to a box-like room, barren except for lamp, desk, and chair. He closes the door and motions me to sit. When I do, he puts a sheet of paper on the desk in front of me.

“Should we ice him?” he whispers.

I consider the paper: a grainy, black-and-white mugshot of a man I don’t recognize. 

“I don’t think so,” I say.

Kiké puts the paper in a beige folder, and replaces it with a mugshot of a different man.

“Should we whack him?”

This man is noticeably ugly. Otherwise, there’s nothing on the paper to guide my decision. 

I’m not sure how to make these calls. But I don’t want to admit my ignorance, or appear too soft and risk blowing my cover.

“Yeah, I’m thinking we should whack this guy.”

Kiké nods and leaves the room. I hear a gunshot. He returns and puts a plastic-wrapped peppermint on the table along with another mugshot.

“This man—shall we pop a cap in his ass?”

This goes on for a while. After the twelfth gunshot—eleven mints piled on my desk—Kiké returns, carrying a tall stack of papers in both hands. 

He says: “McCourt is pleased with your work.”

“McCourt,” I say, “When can I meet him?”

Kiké smiles. He drops the stack of papers on my desk.

“Now that you understand the basics, we will switch to a more efficient mode of processing, yes? We will talk when you finish your work.” 

Kiké leaves. Now it’s all names, no pictures. 

1. Shall I steez him…Samuel Tibbs? 

2. Should I rub-a-dub him…Bruno Comber? 

3. Shall I bring unto him…Harold Feibleman?

4. Should he expand indefinite…Roman Milbrath? 

5. Does a new life await for…Albertius Beck?

Can these really all be idioms for murder? I wonder, bubbling in the provided Scantron with the provided number 2 pencil. And just how much power do I have? 

It seems like I’m playing God for hundreds of people. And yet I am a blind God, who cannot judge fairly, or see the effect of his work.

At one point I encounter my own name. The question is: “Shall he be compleat?”

I’m not sure what that means, so I bubble in “No.”

I’m a thousand names deep when the chief of police knocks on the door.

“You’re off the case,” he says. “Pack it up.”

“Off the case!”

“The investigation is over. He’s not that corrupt.”

I stare at him, broken-hearted.

“Go home,” he tells me, gruff, but with an unmistakable note of relief. “Hit some baseballs. Find a nice girl. You don’t need to…”

He gestures at the papers.

“He can’t get away with it,” I tell him.

My friend nods. He was expecting this. He peels off his mustache and lays it on the desk.

“I’ve done what I can.” He grins wryly. “One less pig on the streets, eh?”

My friend leaves.

I bubble the Scantron for another thirty minutes before doubt strangles faith. I hadn’t thought at all about the ethnicities of the names I was judging. What if my choices are publicized and seen as racist? Could this be Kiké’s scheme?

Even God could be so cancelled. I put on the mustache and leave.

It’s a blue, warm, and breezy twilight, and there are only two cars in the parking lot: my Ford Gran Torino and a black limousine. I crouch behind my car. To my surprise, a man in a black hoodie is already crouching there.

“Who are you?” I demand.

My Dad turns. “My name is unimportant. I’m here to kill McCourt.”

I have no patience for this. “Murder is wrong.”

“Your mother…”

“I don’t want to hear it.”

“My point is, is it still wrong if it’s McCourt?”

“Yes. Yes! But I’m not here to argue philosophy. You have neither the aim nor the conviction needed for this task. You need to leave! Leave! Let me do the wrong thing!”

My Dad looks hurt. That’s fine. He’ll forget. I give him a peppermint and he slinks away.

The sky has gone from blue to black when the warehouse doors open and McCourt appears. 

He’s puffing a cigar and holding court with Mookie, Freddie, and Kiké. Obsequiously they smile at his jokes, as if any reward is worth submission. I decide that I want him to see me before he dies. 

“Frank,” I say, stepping from behind my car. 

McCourt pales. “Malachy!”

I raise my pistol and shoot. Freddie and Mookie scatter. But Kiké jumps in front of the bullet. I can’t believe my eyes. Something—guilt, I suppose—drops the bottom out of my stomach. 

Poor Kiké! He really believed!

McCourt takes a revolver from Kiké’s pocket and shoots me six times in the chest.

I slump against the Ford. I should be dead. McCourt thinks I am.

He walks towards his limo.

But he doesn’t realize that my black leather jacket is filled with densely packed Magic cards, offering protection not unlike Kevlar. 

A seam must have been injured, because they flow torrentially from the bottom of my jacket and into the parking lot—some of them punctured, bloody.

One of them hits McCourt’s shoe. He turns and sees me holding a gun on him. My hands don’t shake.

“There’s no point punishing someone just because you’re old,” he says. 

I say nothing.

“You can’t eat statistics. Someone should have taught you that. And if they didn’t well, I’m sorry, but I don’t give a RAT’S—”

I shoot him in the head.

I can hear police sirens. My friend must have left a few cops nearby. My lips make a horrible, life-denying sneer.

I put the gun in my mouth and pull the trigger.

Click.

But nothing happens. It’s out of bullets.

The cards are still pouring from my jacket. I pick up one of them. It’s a baseball card for a player with no name. It just says his position: The Pinch Hitter.

The sirens are getting louder, but I make no attempt to escape. 

Slumped against the car, I wait for the law to arrive.

[miraculouslbcnreactions]

What's your opinion on malewife/house husband Adrien posts? I asked this to another blog, and like I said to them, I find them a guilty pleasure: The concept is cute, but I know that would be the last thing Adrien would ever wanna be after all his dad put him through.

I don't think that it would be the last thing that Adrien would ever want. I actually think it suits his character in a lot of ways, you just have to handle the topic with care.

First let's talk about why it suits him.

Miraculous has totally failed to give Adrien any sort of career-based passion and - if we ignore the senti complication - I honestly love that for him! I want more characters with no major life ambitions to balance out the Marinettes of the world!

I think that society places way too much pressure and value on finding the perfect career that fulfills us in every way while also allowing us to put food on the table. Most people will never find that and that's okay. It doesn't mean that you've failed or that you're lesser. For most people, the goal is to find a career that pays the bills and that you enjoy enough that you don't hate doing it 40hrs/week. Along similar lines, for most people, your passion will be something that doesn't make money. It will be something like a hobby or spending time with those you love or analyzing badly written French TV shows.

This brings us back to Adrien.

Adrien seems to get a great deal of joy from being around his loved ones and making them happy, so I can absolutely picture him finding a lot of joy in running a home. This is extra true because Marinette is pretty clearly career driven and she's planning to go into a creative field, so she'll probably have a pretty crazy schedule and struggle to stay on top of it all. Having a loving husband to take things like cooking and cleaning off of her plate would be a blessing and a gift that she'd greatly appreciate, but that would feel unbalanced if Adrien was working, too. (Yes, they could hire staff, but that risks the secret identity thing, so I don't see them doing that.)

If they both have power careers, then they'd barely see each other and I hate that for them. I think that it would make Adrien incredibly sad and depressed. Plus, while Marinette thrives off of competition and staying busy, only needing occasional breaks before diving right back in, Adrien seems to hate busy schedules and heavy work loads.

Given all of that, I think that there's a lot to be said for Adrien stepping away from the working world. Especially since he's been in it for years and being a child celebrity is no joke! I think it would be nice for him to escape from strict schedules and expectations. Dinner fails? Order takeout!

While we're on the topic of food, I really like the idea of Adrien falling in love with cooking. Dude needs a creative outlet and that's honestly a great one (I hate it when people write characters as unable to figure out cooking like it's some cute quirk. While an initial struggle is believable, it's not a mystical art that takes years of practice. Between YouTube, the wider Internet, and maybe some classes if he wants to get fancy, I think that he'll be fine.) There's so much variety with what you can do in the kitchen and the end result gets to be shared and appreciated by those you love. It just seems like a perfect fit for him, but I would never make him a professional chef because the hours are insane and the pressure to be perfect is high. I only see him loving it as a hobby where he can go at his own pace, take days off, and make lazy meals when he's not feeling like being a show off.

The big concerns that come with making him a homemaker are a lack of financial independence and a lack of socialization. I don't see the first thing as an issue for Adrien since he comes from a wealthy family, so that one doesn't phase me.

The isolation could very easily be an issue, but it could just as easily be a problem if he started working, too. It's not as if a job is a sure way to have friends or even just consistent positive social interactions, which is another reason why I don't really see a need to give him a traditional job. You can get a vibrant social life in lots of other ways.

Here are the two big things that I keep in mind when writing an Adrien-as-a-homemaker or similar setup as it is where I tend to have Adrien land for all of the above reasons:

Adrien needs to be active in some organization or project. Volunteer work is a good fit as is being an active stay-at-home parent or some combination of the two. Voice acting is also on my radar, but my default is to have him act as the head of team miraculous' out-of-battle activities. Scheduling meet and greets. Going to see sick kids. Jetting around the world for humanitarian aid missions. Basically let Chat Noir be his "career" which gives him a lot of much needed flexibility for making his own schedule, especially if he's a stay-at-home parent to any eventual kids. I also like the poetic nature of Adrien finally being proud to be the face of a "brand" via his hero side while his civilian side becomes just some guy that people kind of remember from old ads.

Consider having a non-traditional living arrangement. I am a big fan of hero teams living together, so my default is to take the Agreste mansion and remodel it into a secret HQ for the team. Adrien and Marinette would have their own apartment/wing/whatever, but they'd still be surrounded by their found family on a near-daily basis, so that social isolation is the last thing on Adrien's mind. There's almost always someone to hang out with! You could also just have Alya and Nino or other friends live in the same apartment building so that they're over a lot/Adrien has a place to hang when Marinette is working late because you know that she'd do that.

Basically, Adrien's rich, so he doesn't need to make money and he doesn't seem to have any interest in a normal job, so I really like letting him having a unique life where he doesn't have a traditional job. He is a superhero, after all. Unique career paths are pretty par for the course. You just have to be careful to make sure that all of this feels like his fully informed and carefully considered choice and not like you forced it on him to make Marinette's life perfect (I only brought her up earlier because this is a story and it makes sense to design characters around each other). I usually do this by sending Adrien to therapy in his late teens or by giving him some other parth of self discovery.

Do note that all of the above is inspired by my read of Adrien which may be totally different from your read of him and that's fine! I just can't picture him as someone who thrives in a traditional career path based on knowing people who strike me as similar to him and from whom I draw my understanding of how to write that part of Adrien's character. I think that he'd be perfectly able to have a traditional career path, but I also think that he'd be pretty miserable for a lot of reasons.

I'll also note that I'm not sure what posts spawned this ask, so there may be elements of those that I'd have criticisms of. This post was about the general concept of Adrien being a homemaker. I tend to avoid the broader fandom for my own sanity and the use of the term "malewife" has me concerned that I'm implying support of something I wouldn't actually support because that's a new one for me and it sounds incredibly sexist.

I'm not a fan of implying that the default definition of "wife" is "submissive homemaker" so a man taking on a homemaking role is clearly submissive and acting like a woman does while his aggressive, domineering wife is acting like a man, which is the definition of this word that I'm finding online and yikes! Wife and husband are legal/social status in my book. They are not clearly defined jobs/roles/personality types, so I'm not a fan of using gendered terms to refer to stuff like this especially since I do actively try to use gender neutral words in my own writing whenever I can, though I'm certainly far from perfect on that front.

I also don't see homemaking as a submissive act. It certainly can be, but that's not how I picture Adrien at all! I picture him as relaxed and plesent, but 100% in charge of the home and all choices about how it's run. I also see him being in charge of their finances like homemakers often were in the "old days" since they were the ones in charge of things like scheduling cleaners, buying food, and other things that needed strong budgeting skills while the person who worked wasn't actually spending money or managing the home since they were at work. I like to think that Nathalie would prep Adrien to be a wealthy man and so he'd have strong skills in finance management.

[foxwitchaine]

Question

Which characters from other media, do you think is a better version of miraculous ladybug characters?

I'm gonna take this question with a huge pile of salt. Because there's more than one show that does this concept better than what MLB does. That also includes how they handle the cast. I'm also gonna sound like a broken record with the upcoming "buckle up", but buckle up and hold on tight, everyone. It's gonna be a rollercoaster.

1.) Mr. Freeze

I know for sure I'm cheating just by mentioning him, but Mr. Freeze is what Gabriel Agreste should have been in regards to his quest for Emilie. Mr. Freeze isn't just a sad man mourning for his wife. He is broken. Shattered. Screwed over by people higher on the corporate ladder than himself (doesn't that sound familiar). Thing is, Mr. Freeze's story resonates with people and is part of the reason why he is still talked about today. He's also shown a kinder side, like the time he made it snow during Christmas in one issue of The Batman Adventures comics. All for the simple reason his late wife would have been sad if there had been no snow that year.

His demise in Batman Beyond left many viewers heartbroken, as we're left wondering what could have been.

Gabriel Agreste, on the other hand, is utterly and thoroughly selfish and thinks of no one but himself. This is best seen in how he treats his son throughout the show. Disregarding Season 5 (I have no idea how they thought they could pull it off), Gabriel has not shown one ounce of humanity. Not towards Nathalie, not towards Adrien, not even towards his wife, who he supposedly loves. Other than the show telling us how much he loved her (this is a recurring problem with MLB's writing), we never would have known.

Gabriel's death in Season 5, as a result, is much less impactful than Mr. Freeze's death in Batman Beyond.

2.) Madoka Kaname

Now this is a more recent show that I still think holds up. For those not in the know, Puella Magi Madoka Magica is a 12-episode anime series that aired in 2011 and, for lack of a better word, changed the game in magical girl anime. While one could argue that it tears down rather than celebrates women in power (as magical girl shows are supposed to do, Astruc), and it's not the most original concept (what is, nowadays), one thing most can agree on is the character writing, especially for Madoka.

Madoka, just like Marinette, is a selfless sweetheart who performs the ultimate sacrifice for the greater good. What separates her from Marinette, tellingly enough, is how her sacrifice is written. Throughout the anime, Madoka watches helplessly from the sidelines as her best friend Sayaka sacrifices herself for a boy. And then Sayaka gradually loses herself as the truth about magical girls comes to light. We aren't just told how Madoka feels about it. We see and feel it ourselves. I could write an essay on how well-written Sayaka's tragedy is, but that's beside the point. The point is, Madoka chose the sacrifice rather than having it forced on her by the writers.

Sound familiar?

It should.

Gen Urobuchi, despite his reputation, took the time to respect Madoka's agency as a character. Thomas Astruc tears down Marinette every chance he gets. You can't get more telling than this.

3.) Prince Zuko

You're all probably gonna get tired of hearing me talk about Avatar: The Last Airbender. But then again, I'm pretty sure every ATLA fan has heard that in the years since the original show ended. I've mentioned him before when talking about Chloe's botched redemption, but I feel this is the perfect place to expand and discuss more.

Prince Zuko is what Chloe Bourgeouis should have been in the show. And no, his redemption didn't come out of nowhere. It was consistently foreshadowed throughout the show all the way from the very first episode. This is an essay all in itself, so I'll refrain from diving into detail. But the fact of the matter remains that Zuko is the gold standard for writing a villain redemption. I could point out Darth Vader as another example of a villain redemption. But where he had to die to redeem himself, Zuko didn't.

Zuko also had a better-written backstory that explained (not excused, there's a difference) his behavior at the start of the show. I can't claim to know what the MLB writers had in mind when writing Chloe, but I'm pretty sure Audrey Bourgeois was supposed to be the Ozai figure in Chloe's backstory. Which leads me to my next point:

Zuko wasn't forgiven right away.

Yes. You heard that right.

Zuko had to work to be forgiven by the people he had wronged. And guess what? He failed. If anyone remembers when Azula critically injured Aang and Zuko betrayed Iroh to the Fire Nation, you'll all know what I'm talking about.

Zuko fell during his redemption arc. But he got back up again. And he apologized — genuinely apologized — to the man he betrayed.

4.) Odd Della Robbia

Code Lyoko is a relic from the early 2000s eras of cartoons. And boy, could I write essay after essay on this show. But since we're talking about characters and such, we'll be focusing on this lovable jokester from the show.

Odd Della Robbia is what Chat Noir should have been if he had been in the hands of competent writers. Odd isn't just the perpetually hungry jokester of the group who chased the first pretty girl who caught his attention. He pulled his weight in the battles against the malevolent AI X.A.N.A. Be it through helping Aelita reach the Towers, fighting Specters in the real world, heck even fending off Sissi during her worst moments. Perhaps even more damning is how Odd, despite his less pleasant actions and habits, was more of a true friend to his group than Chat Noir is to Ladybug.

Yes, writers. You can write a jokester character beyond what comes from his mouth.

No, this doesn't mean you can let them harass everyone they come across.

Perhaps, I'm gonna say this a lot, even more damning is how Odd responds to the rejections from the various pretty girls he chases. He actually takes no for an answer. Shocking, isn't it. He chases a skirt, they say no, he moves on. And no, this isn't portrayed as romantic or heroic. It's portrayed just as it is. A hormonal teenage boy being prone to doing stupid things.

What teenager hasn't done something stupid thanks to their hormones?

5.) Susan Ashworth

(Content Warning: mature themes such as suicidal depression)

I'm venturing into mature video games here, admittedly. I couldn't quite find one from my childhood that stood out, so I browsed through some game playthroughs I watched years ago. Ultimately, I settled on Susan Ashworth from the 2012 game The Cat Lady. Astruc being a man shouldn't be an excuse for him writing Marinette and other female characters so poorly. Why? Because Susan Ashworth, and by extension the game she is from, was written by a man.

Funny. I know.

What's even more amazing is how the developer Remigiusz Michalski, who publishes his games under the label Harvester Games, tackled such serious topics such as depression and suicide. No, he didn't use them for shock value, as that's very commonly done very tactlessly. He handled them with maturity and grace. Susan isn't defined by her depression even though she successfully committed suicide in the opening of the game. She has moments of humor and snark, like in the scene where Mitzi is showing her how to use social media. It also helps that Michalski... actually knows what he's talking about, as it's stated in interviews that he worked as a nurse before he created the first game Downfall in 2009.

I can't stress enough the importance of research before writing. Astruc clearly has a lot of ideas he wants to shove into Miraculous Ladybug, but they all fall flat due to a glaring lack of research and preparation. I'm not saying go do gruesome things for your craft and stick to "write what you know". I'm saying know what you're getting into before you dive in. One glaring example I think everyone can agree was poorly handled was Qilin, thanks to plot with the racist ticket inspector.

Michalski clearly knew what he was doing when he wrote Susan's story. Astruc continues to flail in his attempts to keep Miraculous Ladybug relevant.

Honorable Mentions:

Ratchet and Clank, Jak and Daxter - This is how you write snarky hero and sidekick duos

Jerry, from Totally Spies - Come on. You all knew as soon as I mentioned Code Lyoko that this guy would come up

Mandy, also from Totally Spies - She's very entertaining despite being the high school queen bee archetype. It also helps that she consistently faced punishment for her actions

Sissi Delmas, from Code Lyoko - I was gonna use her in place of Zuko just for the fact she showed other traits, such as her protectiveness of Milly during the zombie episode

Uncle Iroh - Do I even need to say it out loud?

KOS-MOS, from the Xenosaga trilogy - She's an excellent example of how to slowly unveil a character throughout the story

Tidus and Yuna, from Final Fantasy X - A really good example of how to write a romance into the story without dragging the plot down

Fiona Belli, from Haunting Ground - A bit polarizing, I know, but Fiona's friendship with Hewie is so heartwarming and grounding. Basically what Chat Noir should have also been to Ladybug

[highfantasy-soul]

So I need to get something off my chest about 'writing' and what a show is trying to do vs if the writing is the best to show that.

I haven't seen this complaint so much on Tumblr, but it has been brought up several times in a Discord server I'm in and I don't think there is the best place to address it (it might be taken as too political or an attack against specific people) but I really really needed to write out how I'm feeling about it.

So a massive complaint in this Discord is that the writing of the Acolyte is bad. The ones making this criticism claim that they like the ideas behind the show, but the execution with the writing is terrible and they need to get a whole new writing team for season 2.

So. Hmm. How to not get too in my feelings about that.

Let's take a look at who the writers are. We have:

3 men - 2 of which are men of color, the last I don't know enough about to say if he's part of a specific marginalized identity or not

and we have 7 women - Leslye who is openly queer, 3 black women, an asian woman, a trans woman and activist, and another who I again, don't know enough about to say if she's a part of a specific marginalized identity (other than her femininity) or not.

I didn't do deep dives on them, they're writers, so it's kind of hard to specifically find out 'hey, do you personally have a lot of experience with colonialism/religious trauma?' BUT I think that just baseline seeing how many women, people of color, and queer people there are on the writing staff and the way I could see so many extremely nuanced and real things on screen that I personally know about gives me a good idea about their own experiences/knowledge about such subjects.

Despite the claim that 'they like what the story is going for', the understanding of how the writers are telling that story isn't translating to everyone. I have a little suspicion as to what unites the people who 'don't get' the writing despite claiming to like what the show was going for. Kind of like how people 'liked what the civil rights movement was about, but those leaders and their methods? Get those out of here and accomplish the goals in a different way'. Or reading a classic and having no context for who wrote it or when the story was written and trying to judge it based on your own very limited understanding and claiming it's "bad" because you, personally, are just not aware of anything outside of your own world view.

It's important to be able to identify where your own understanding might be lacking - and acknowledging that just because YOU don't 'get it' doesn't mean that the writing is BAD. It just means... you don't get it. Personally, I don't get every single show made for a very specific audience - especially racialized comedies specifically for the race the writer/performer is. As an example, Dave Chapelle (horrendous transphobia aside) wrote a great deal of his material for his very specific audience of Black Americans. I personally, as a not-Black person, wasn't sure how to feel about some of his jokes - but what I DIDN'T do was say that he was bad and 'I get that he's making fun of his own community, but he should do it in a different way, maybe get a different writer'. Because I'm not the one equipped to judge that. I acknowledge that his comedy is outside my wheelhouse and honestly, for Chapelle's case when it comes to his racial jokes, I simply remove myself from the equation and just look to other Black people and how they react to his comedy to see if he's stepped over a line. (Also, when it comes to comedy, as he himself pointed out, some white people were laughing a little TOO hard at his jokes - I think that's mainly an issue with comedy and poking fun at yourself only to have someone not in your 'group' not take it as friendly ribbing but rather more malicious - and so he dialed it back).

Comedy is a bit different than any other media - I do think that comedy requires a lot more knowledge of the subject matter to know when the person is exaggerating, critiquing, or affectionately ribbing that is pretty important to know before internalizing what's said in the show. If you're not aware of that stuff, you might hear a stand-up routine and internalize a lot of really harmful stereotypes so I think it's ok to step away from comedy that isn't "for you" in a way that I don't think is particularly great for ALL types of media that isn't "for you".

With romance stories - I just don't get why a character would make all their decisions focused around getting a romantic partner, maybe I actively dislike watching/reading about that, but what I'm NOT going to do is say Jane Austen is a bad writer. I can point out things I disliked aside from the romance aspect or even larger writing critiques, but I'm not going to say that 'I see what she was going for, but get a different writer because I didn't get it'. Those stories were intensely personal to her and many people see themselves in the characters she wrote. Just because *I* don't get their motivations doesn't mean others don't.

So, examples aside, I think it's incredibly important that before we say 'the writing was bad', think about if maybe it's just that you don't have the meta understanding of the groups being highlighted in the story. It does give me the ick when people say to 'replace the writing table' on The Acolyte when the story trying to be told is of marginalized groups interacting with massive colonial institutions and the generational trauma that causes - and when you look at the writers....they are part of the groups affected by those issues, and the ones who are saying 'replace them'....aren't (largely).

When you 'don't get' something in media, especially if that media is telling the stories of groups you don't belong to, go to see what those groups are saying. There have been articles written about The Acolyte from the points of view of marginalized groups and meta posted around about how these irl subjects are being handled. In my opinion, as someone a part of such effected groups, I think the writers have done an incredible job with the show.

The main issue I think (good faith) people have is that DISNEY didn't give the show more time to tell its story, but then they lay the issues at the feet of the writers for 'not explaining enough' - but the things they want explained, largely I find are things that...were explained enough if you know the basics of colonization, missionaries, and generational trauma.

Other complaints I've seen boil down to "the show should have told me everything in order, clearly, and told me what to think about it and each of the characters - because I was left guessing, instead of using my own brain to think about it, I have decided it's bad writing because everything wasn't fed to me in a straightforward way" which again, isn't a fault of the writing, it's a flaw in the way you THINK all shows need to hand-hold you. Just because a show doesn't spoon-feed you the story and character motivations, doesn't mean the writing is bad.

Finally, I've seen critiques of the writing (and story) to the effect of 'it's a Star Wars story - it NEEDS to fit into the Star Wars box/expectations and if it doesn't, that means it's bad writing' - which again, kills diversity. You want surface-level inclusion where "yay! It's a woman doing bombings now! Cheer for her!" rather than "Look, it's a woman doing war-crimes and we're pointing out that war crimes are STILL wrong and here's other marginalized people fighting against that!"

So before claiming 'the writers need to be replaced', take a step back and look at why you feel that way, take a look at who the writers are and what story they were trying to tell, and first consider: maybe you just aren't knowledgeable enough about the subject matter. And just because it's not 'baby's first colonizer story', doesn't mean the writing is bad. Maybe you aren't the center of the universe for once and maybe its OK for you to feel a little behind in understanding - it just means there's new stuff for you to learn! Which is a good thing!

Obligatory explanation that all this doesn't mean that you can't critique the writing or that if you critique the writing that means you 100% are who I'm talking to in this post. All I'm saying is that maybe before having the knee-jerk reaction 'get rid of the writers', take a look at it from this perspective to see if you 'not understanding' isn't on the writers, it's on you and your life experiences not preparing you for such a story told in this way.

[starburstfloat]

Coming of Age Storytelling in TXT's Quarter Life (aka let's talk about korean grammar!!)

Quarter Life is one of my favorite tracks off minisode 3, not just for its coming of age theme but also the raw, unfiltered way their voices carry the message.

A closer look at the Korean lyrics led me to understanding the song anew so I wanted to share that with you guys.

What struck me most was the narrative shift in the song. Beomgyu, Taehyun, and Kai all transition from a contemplative, somewhat hopeless state of mind at the beginning of the song to an empowered and motivated mentality during the second half.

Admittedly, you don't need to pick apart the nuance of the conjugation patterns they're using to grasp this - listening to the song alone will give you a sense of it. But I think knowing the grammar a bit more just makes you feel it more deeply and helps the song feel that much more alive and inspiring. At the same time, I'll weave together my observations on the (wonderful!) storytelling/narrative flow. Let's go!

Beomgyu starts the song with:

A quarter life / 누군가가 나의 나이를 부르는 말

A quarter life / This is how someone calls my age

Note how this opening line establishes a distance from the protagonist: we're not centering on what he thinks at first, but rather how other people perceive him. Perception vs sense of self is a big coming of age theme. In the following lines, he alludes to having walked through a long long (긴긴) tunnel, and in explaining it to us, we get a sense for how the world has shaped him (or more specifically, worn him down). He may be young, but he is so so tired.

Kai reiterates this sentiment by saying:

좋을 때래 아름다운 청춘은 지금뿐이래

(People say) these are the good times, that the beauty of youth is only now

followed by him adding: I ain't happy at all

Once again, the focus is on perception. Their disconnect between how other people think they should feel versus how they actually feel builds a sense of lack and sadness.

The first narrative shift happens right after this, when Taehyun poses a pondering question:

혹시 어두운 이 턴널에도 끝은 있을까

(I wonder if) this dark tunnel even has en end?

-을까 verb endings paired with 혹시 (perhaps/maybe) add a contemplative tone to the question, thus indicating our first transition from Beomgyu and Kai's solemn defeat about youth being exhausting to wondering, maybe there's a way out of this?

Then we dive into the pre-chorus, which gets even more reflective:

어디로 가야 하는 건데

Where do I have to go/should I go?

-ㄴ데 endings are frequent in both spoken and written Korean and depending on context have several meanings. Here it leaves the listener with the knowledge that something has been left unsaid. I often think of it as ellipses that have a slow fade effect. In terms of the song, this line here emphasizes the pondering moment of taehyun earlier, kind of like "where do I have to go....?"

Kai mentions he's lonely, just walking in circles, it's a full quarter life crisis

The chorus hits with its instrumental - a release of all their frustrations and confusion for the tumultuous feelings.

The second half of the song gets interesting. It's here that each line slowly gets more optimistic and empowered. Taehyun says he refuses to say that he fucked up his life. This one thought keeps him grounded and makes him want to keep trying.

Kai's lead into the second pre-chorus is almost exactly the same as the first (on first listen I didn't hear a difference) but he actually changed one of the verb endings: instead of saying 건데 again (that ...? feeling grammar point) he uses an -는 지 ending:

어디로 가야 하는 건지

Where do I have to go/should I go?

Note that the translation is exactly the same as the pre-chorus earlier, but there's a slightly different feeling attached. The -는 지 conjugation poses a "whether this or that" setup, once again showcasing uncertainty, but this time instead of pondering and ruminating, it's acknowledging the presence of options. He's getting closer to stepping into a decision - a decision he gets to make now, not something dictated by the perception of others.

Taehyun adds:

Don't look back / 돌아갈 순 없지

Don't look back / You can't go back

Many of you may already know -ㄹ 수 없다 conjugation as "cannot do something". Notice how the center is 순 instead of 수. 순 is used as an emphasizing marker, and the conjugation of -지 adds a feeling of someone going "right?" or "of course." There's a slight sense of urgency to it all. Knowing this, I hope you can feel the weight of Taehyun's lines here: he's urging himself to embrace what he has in the moment because he can't go back and he knows it and doesn't want this moment to escape him.

Also noteworthy is the lack of 요 endings to indicate higher formality. All of the song is in banmal, which suggests they're actually talking to themselves/in their own head. Very touching :')

The song ends on a determined high: Beomgyu and Kai affirm they are going to keep wandering through this quarter life crisis. I love the choice to finish the song with their raw vocals and the high of the instruments long gone. It centers us so much on their determination. Absolutely beautiful song and I hope I could give you some insight into the grammar and the feelings it captured.

[kitkatopinions]

@kitestarry Thought I'd answer this comment in its own post. :)

Ghira and Kali are very much so stereotypical "Mom and Dad" characters imo, where Kali is kind of nosy and she's comforting and she's given that "no she can hit people with pans too" thing that people give Supermoms since like 2000 so they can say they're strong women without having to do any work, and Ghira is like overprotective and tells Blake she isn't wearing enough clothes and hates Sun because he's a boy who's interested in his daughter. And I don't like the stereotypical "Mom and Dad" characterization in any setting really, but since they're only featured in two seasons and are honestly not even sort of the focus of Blake's 4-5 arc (which is much more about her, Sun, and Ilia,) they're very paper thin characters I feel like. So there isn't much else to them. But on top of that, the RWBY writers do this thing where they'll make the teenage characters do dangerous stuff but do not care to write the "caring" parental figures in their life to actually do anything about it. Like, with Willow you can at least be like "well she's an alcoholic who had an abusive husband" which doesn't mean that her complete lack of presence until V7 and her lack of action in protecting her children is fine, but it makes more sense. And when then sixteen year old Ruby left home to go after Cinder and supposedly like a year later Tai still is completely not around, we could at least say "well, he knows she's with Qrow and he might not have known how serious everything was" which isn't a good excuse, but it's at least something. But, I believe Blake ran away from home five years before the start of the show, which means she was like twelve! And she ran away to be part of a group Ghira thought was dangerous and morally wrong (which is why he left in the first place.) Like, we don't know if Blake had a good place to stay for that whole time, if she ever went hungry, and the show fully tells us she was in a bad and unsafe relationship for part of it. And where were her parents? And then the Fall of Beacon happens after Blake is on TV during the Vytal Festival, and the whole thing just makes them feel like very uncaring bad parents. There's also Ghira's whole peaceful protest 'be nice to your oppressors and they might like you' 'we need to stop faunus violence' thing. Like many Faunus characters, Ghira's a mouthpiece for the severely badly handled fantasy racism plot. It's bad on Blake, but since she has a lot more character and role outside of that, it's easy enough to just clip it out for her for me. But because Ghira has been such a small role, it's a lot harder to dismiss for him. Like if you removed that sort of thing from Ghira's character, all that you'd have left is 'over-protective dad who doesn't care about finding his twelve year old runaway but will comment on her belly shirt when she comes home."

But also, I don't write for them to be honest. Writing for characters oftentimes makes me like them more because it helps me dive into the character concept more than the oftentimes lackluster execution. There are a lot of characters I didn't like that much, but then when I write for them, I find myself really enjoying them. But my sister and I first started writing for RWBY after volume six with a fanfiction that was an AU branch off starting at the end of V5. And the only fanfictions I've written either are branches off of that branch off or are Team STRQ era fics. So... Ghira and Kali aren't really part of things in my fics ever.

So yeah, it's a combination of them being thin stereotypical parents with very little interest to them, their apparent lack of care when their twelve year old ran away, and just never writing for them so they don't get the same treatment of me fleshing them out myself that other characters who are just as thin in canon might get that make me like them more.

[the-confessions-of-a-fangirl]

Buck Season 8 Storyline

Season 7 started off strong for Buck with the way his bisexual realization was written. The confusion, the 'overenthusiastic-ally-to-queer,' over-compensating with the heterosexual behavior because you're not ready to be out.

But after that Buck was, once again, shoved into a relationship with someone who wouldn't treat him well and was given no further storyline beyond that. Even Maddie and Chimney, who didn't get overarching storylines like Henren, Bathena ,and Eddie, at least had one episode storylines and made an impact in the story during the finale (fostering Mara till Henren could finally officially adopt her).

It got me thinking on what kind of storyline Buck could have in season 8. It has to be something that touches on his family (118) and romantic relationships (they can't be side-lined at this point) but it has to be something wholly about him.

Then I remembered season 4. In season 4, we see that Buck started seeing a Dr. Copeland because he had issues about feeling 'sad and lonely' and feeling like he can't trust it (4x03). Even after he got closure from Abby which was the only lingering relationship issue at the time, he still felt sad and lonely.

This means that it's an internal thing that is making him feel sad and lonely, not an external relationship. And afterwards we see that this loneliness stems from his childhood in a family with neglectful parents and a sister, who loved him so much, but was caught up in a terrible situation to be around.

But there was another aspect that we learned from his childhood. His 'reckless' , 'dive in head first' attitude was a learned behaviour. He taught himself that being in pain=getting attention from his parents and this escalated to a point where he got in a motorcycle accident. As these incidents escalated, he would have to do weigh the fact that he could get really hurt (or worse) and then go 'that's not as important as the possibility of surviving and his parents showing him a smidge of attention'

That is textbook self-destructive behaviour wrapped up in this need for attention and love. He needs this attention because otherwise he doesn't feel enough for his parent's affection. And how long can a kid grow up like that before he internalizes that?

This lack of self worth is seen in 4x05 when he calls himself 'defective parts' and when Eddie combats that by saying 'its not on you' he combats it not by saying he doesn't think that but that his parents do think of it like that. He isn't saying 'I know I'm not defective' but that 'this situation isn't about me' when it clearly is. It personally speaks to me about low self-worth, that even when he is talking about himself, its through the way other people describe him.

He also has a huge tendency to intellectualize his traumas rather than confront them. Refer to Buck 1.0, 2.0 and 3.0. Instead of processing the fact that his parents lied to him for years, he just says he's a new person because his parent's agreed to family therapy with him. He hasn't even dealt with his emotions yet and he's already packing the trauma in a box to keep away. Even his bisexual arc follows this, he may logically understand that he is bisexual but then he immediately jumped into something without trying to process what that means to him because he just won't think about himself without a buffer of another person.

So we see that Buck tends to feel lonely even when he is surrounded by meaningful relationships (Taylor in 4x08), he has self destructive habits and a lack of self worth. We also see that whenever it comes to him processing or letting himself feel his emotions, he'd rather focus on something else (he finally realizes it is over with Abby; he worries about not being a manwhore like Buck 1.0, his family lied to him; he'd rather focus on the fact that he is getting family therapy and try to find someone romantic, when Eddie is shot and he's asked about it; he'd rather worry about the team and climb up a crane where chances are he could be shot)

I want to take all of this and put it in a storyline for Buck where he learns that he only looks for a romantic partner, no matter who they are, because he wants to avoid being alone with his negative thoughts about himself or what he has been through like the ladder, his parents, dying, being lied to by Maddie, seeing Eddie get shot. The sad and lonely part of him that he keeps trying to put away with any romantic partner that comes his way is not because he lacks romance or love of any kind, but because he is unable to be happy with just himself. Buck doesn't like himself, he's constantly looking for an external change for something internal to him that he doesn't even try to think about and that is self-destructive.

Because the only external change he can think of is tossing himself into any relationship he has the opportunity of being in without thinking about whether that person is good for him. Abby didn't want a serious relationship, he barely got a chance to be meaningful with Ali, Taylor has behaved poorly in regards to his family (118) and Tommy is overall very dismissive of Buck as a person.

And when these relationships end, he feels even more poorly about himself, because he has always thought of any issue in a relationship being his fault because why wouldn't it be?

Buck has serious self worth issues that he needs to learn how to process and learn to like who he is and I hope season 8 will do that.

[mdhwrites]

Even When Aventurine is Good, He's Awkward

So I've gone on record for saying that in 2.0, Aventurine was... Bad. REALLY bad. Whoever was writing him missed the mark by a just astounding level. I like Aventurine now thanks to 2.1 but... 2.1 is also an interesting study for the fact that anyone who despises him afterwards is probably going to do it for one of two reasons:

1: He took up a fuckton of time while ending up with little to actually do with the overall story.

2: Yeah, I get it, you love your OC. Can you not try to hammer that into my skull until it's flat like a pancake?

Let's start in order. First we just have to recognize that 2.1 has nothing to do with the story of The Order rising to power. It is between patch content. Flatly. It has nothing to do with this story and mostly serves to prop up future stories, like Topaz's visit to Belobog. This at least applies to everything that happens with Aventurine because... Well, literally none of it comes back until 2.2's post credits scene and him dying is resolved OFF SCREEN. We never get info from him or take a step forward along our path to figuring everything out.

That, bluntly, from a storytelling perspective, SUCKS. It sucks harder when Penacony was a VERY slow planet. A lot of speechifying happens in it. It took me over ten hours I think to get through 2.1 because it's just SO. MUCH. TALKING. I literally had to take a break in the middle of it because it was all becoming a monotonous drone, not helped by a lot of the dialogue lacking much character. I damn near cried when Boothill spoke because I was like, "OH MY GOD! A PERSONALITY!" Because everyone else is being so serious and so to the point that it's just very flat and to spend a lot of that flatness on a story that doesn't serve a point here is REAL BAD.

It'd be like if the students we befriended in 2.6 had no pizzazz to them or we didn't interact with them but they still took up 70% of the patch instead of the 30% they do. It'd be hell. But... That honestly doesn't compare to the second problem.

If you felt manipulated by Aventurine's journey of the self... You should? It uses TWO different, very blunt tricks for showing the tragic side of a character. Neither is bad but either one could get you called out for not having nuance, let alone depending on the length of the sequence. Aventurine's chat with both himself and his younger self are not short and they're not really all that interesting. We do get to see into how little he values himself and how he is quite likely suicidal but not much else. It's just look at the sad boy as he trudges along to get to the place he could have in five minutes. It's the sort of thing that makes more sense for a companion quest or maybe a larger scale event. Like, I dunno...

The Wardance or Fyxestroll Garden, the two best events in Star Rail. Both are just telling a character story at the end of the day but the acceptance of that, and the fact that it's not taking away from a story already happening, puts you in a better mindset. Better yet, both only use the trick of diving into the mind. They don't feel insecure enough to also include a small, cute, child version of the character just to make it hit harder.

It IS well written enough and compelling enough with Aventurine that it works... But if these two problems did break it for you, you're not wrong. Penacony is LOADED with stuff that feels bad in the moment and then comes together in the end. Sparkle is the ultimate version of that with finding out how she knew all she did but Aventurine is still a version of it. Of things that from a strict writing perspective are NOT GOOD. They come together... But if you can't forgive what came before, I can't with Sparkle, it doesn't matter how good the climax it is.

It's a gamble, which I guess makes sense for Aventurine. It was not the complete win he's used to though.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[synergysilhouette]

Pop songs I wish "Wish" had taken inspiration from for their soundtrack

For context:

"Bigger" for "Welcome to Rosas." Kind of a cheat since "Bigger" is from a soundtrack (one affiliated with Disney, too), but it's an impactful opening track written and performed by a pop icon. The message of being part of something amazing and bigger than yourself is a wonderful message that WTR could've done well with, rather than a simple welcome song. Plus it could also show the desperation to have your wish granted, a selfishness beneath the surface, Disney-level altruism.

"Someone You Loved" for "At All Costs." Granted, AAC is the strongest song from the soundtrack. However, it was a missed opportunity to dive into Magnifco and Asha's pasts and motivations more. A bittersweet song like SYL (which was about losing someone close to you) would've been good inspiration to make this song just as wistful as it was beautiful.

"Sine From Above" for "This Wish." TW is...it's just so basic. If the rumors about Julia Michaels having three weeks to make the soundtrack and no changes is true, then I can't blame her. But the song is still terrible and lacks the awe and majesty that the marketing song should have. SFA is the better version of this song, basically.

"Just Like Magic" for "I'm a Star." Hot take: I wanted IAS to be a powerful ballad rather than a flat, cute-sy song, which may not be a popular idea since it'd come right after a powerful ballad. But anything was better than the educational tv-vibes it gave off. JLM is about the Laws of Attraction, about putting out good energy into the world and getting it back into yourself. Asha would need something like that after the "devastating" realization she discovered about her kingdom.

"This is Why We Can't Have Nice Things" for "This is the Thanks I Get?!" Honestly, this is self-explanatory when you listen to both songs. It's like Taylor wrote a Magnifico song herself. And it's not even about being a villain! It's about being taken advantage of and dealing with ungrateful people. And on a darker note: Magnifico could be losing his sanity and hallucinating himself back in his village and saying how they wouldn't be ungrateful--or having to remind himself that he has to deal with ungrateful people, as that's the price for keeping their lives safe.

"Wide Awake" for "Knowing What I Know Now." Seeing how WA is about having a crushing realization hit you and feeling the freedom to move on from it is a powerful feeling, something that would've been better than KWIKN--though I do blame part of the song's failure on the fact that Asha's friends aren't fleshed out enough for the song not to be sung by random people.

[raayllum]

Callum 🤝 Stoick

“For you, my dear, anything.”

Everyone loves to draw comparisons between Callum and Hiccup (when they’re pretty fundamentally different people beyond the obvious surface level similarities) but sleep on this comparison! Love it

Gonna go on a deep dive cause Hiccup is one of my favourite characters ever but I've never written meta about him so

In some ways, Hiccup and Callum are similar - especially in terms of how they present. They're both goofy, more than a little awkward, deeply curious and compassionate, extremely loyal once you've earned/have their loyalty, a bit flighty and sometimes focused too much on the big picture in lieu of missing the little things. They both grew up feeling like the wrong fit for their environment/culture and it takes bonding with a mysterious, dangerous enemy and subsequent life changing adventure for them to start figuring out where they belong (and how). I think they'd get along splendidly and would absolutely show off flying tricks

However, they are also radically different, mostly because Hiccup is far more rebellious (and particularly in early HTTYD1) far more selfish than Callum is.

Due to a vicious cycle of "I want to prove myself to the village" -> "I mess up" -> "Village is annoyed by me" and a lack of other tangible options of places and circumstances to go into, Hiccup is about as bullheaded as it gets. Even before he meets Toothless, he's not super concerned about being a Viking according to his people's standards, and we don't know if he actually tried at being a traditional Viking very hard before he switched to machinery and inventing (I've also leaned towards not, but that's up for interpretation). He simply wants them to recognize that he can be a Viking, too, by his own standards - and in some ways better and more effectively than they can because he's using his smarts and not just his ('nonexistent') brawn. He's effectively beholden to no one but himself, especially since his relationship with his father is so strained and Gobber does his best, but is understandably not a perfect substitute / cannot be everything a 15 year old boy needs or wants to have socially. This is also why Stoic's scoldings are so ineffective, because pre-Toothless Hiccup doesn't really care that much if he royally mucks things up for the Village time and time again if it's in pursuit of praise/recognition - which is not entirely unreasonable (we all want attention/positive reinforcement) particularly for a teenager, but it is short sighted and immature.

Then he meets Toothless, and learns 1) how to put something and someone else heavily above his own wants & needs, and 2) how to contribute to the village in a way that would be beneficial for everyone, not just the people (beginning of the movie)/himself, or for the dragons/himself (when he was planning to run away), but for all of them, irregardless of himself. This journey is ultimately what's culminated in the third movie by finally living up to his father ("How do you become someone that great, that brave, that selfless?") by willing to do with Toothless what Stoic was willing to do with him: to let him go, so that he'd be Safe. The first thing Hiccup ever did, that set him on an entirely new path after all, was to set a dragon free. I always thought it was very fitting that was his final act as well.

And it's this journey from selfish slightly sarcastic but intelligent, sympathetically immature teenager to a wiser, selfless, less independent but more reliable adult, aided by the events of the films, the memory/inspiration of his father, everything about Toothless and his love/support of Hiccup, and Astrid being about as devoted to Berk as it gets (which is absolutely something Hiccup needs) that allows him to be a great Chief. He's able to put the greater good of his family and people above what he may personally want in the short term ("I was so busy thinking about the world that I wanted, I didn't think about what you needed") to prioritize his goals in the long term ("And we'll guard the secret until the time comes that dragons can return in peace").

And due to all of this, Callum starts out in a fundamentally different place, because he always has an internal and externally imposed responsibility from the start: Ezran. "Take care of your brother," are Harrow's final, parting words to him, after all, and we see Callum take this with him throughout the series, whether it's trying to be assassinated in Ezran's place, promising to return and help him once Zym is brought home, or rushing to defend him when he thinks there's another plot against the king. This is also where we see Callum's selective loyalty creep in. While Callum would make a great general due to his tactician skills and ability to think ahead, he is ultimately too reckless and obsessive to make a good king - or in the Hiccup comparison, Chief. Although both are leadership roles, having Ezran / others there to temper him occasionally as a general is crucial - he needs that safety net (or someone to tell him to keep his eyes on the road) which him being the final authority on the throne would not provide ("I may be queen but even I can't stop those two when they've set their minds on something") that not being on the throne can marginally provide. This is also one of the reasons why I don't think either Callum or Rayla are really suited to a long term life at court / as royalty, but post for another day <3

Callum also has more of a temper and more of a nasty temper toward his loved ones as well that Hiccup really doesn't have a shred of - he'll be sarcastic and a bit snippy but he'll never aim for the jugular, y'know? (Hiccup is also more marginally prone to self blame probably because he's grown up enough to take full responsibility for his actions after a childhood of mostly shirking/dismissing them, but like side tangent)

So like Callum's consistent sense of responsibility keeps him tempered and more mild mannered and less rebellious (and him and Harrow have a much better relationship than pre-HTTYD1 Hiccup and Stoick, which absolutely helps; each may have resembled each other more in HTTYD2 esque dynamic if Harrow had lived to see Callum mature / grow into himself a bit more) but also leaves him far more selectively loyal / focused on his own bubble most of the time.

Like Hiccup is just loyal enough (aided by Astrid) to his People to like be able to do the ins and outs and enjoy it overall? And I've never gotten the same sense from Callum at any point in the series (which "I'm beholden to my inner circle, not some silly kingdom" - thank you TOX). And I do think the way Callum would want to change the world is more magic based - teaching other people how to connect and harness magic - is more in line for him overall but again: post for another day (and we'll have to see where canon goes). Because of Toothless, Hiccup's bubble expands to Astrid and the gang and his father, fully, and stays expanded; Toothless gave him the family & support he needed to no longer need Toothless to stay in the same manner. For Callum, his bubble is Ezran, expands to Rayla as well over the course of arc 1 at first because of Ezran and because of their own bond - and it doesn't really expand with the same intensity to basically anyone else (see Callum being worried, sure, about Soren in 4x06/4x07 but also a lot more focused in general in how Soren's absence is affecting Rayla and thereby focusing on reassuring her)

Callum is also just way more of a loose canon, at least to me. Trying out the lightning spell just because in 1x05 with no safety net, staying way too long at the Great Bookery in 5x04 when they absolutely could've just come back after stopping Aaravos and co., and again: he just has an edge to him that Hiccup doesn't? It's hard to describe and I don't think there's necessarily a reason behind besides "they're two different characters with accordingly different characterizations" but I can't see Hiccup doing dark magic or being tempted by it - even if it was to save Toothless, or something? He's just too much of a bleeding heart/animal lover and a lot more Ezran on that level

Long characterization aside, I actually think Rayla and Hiccup are probably more similar in that rebellious / witty streak to your disappointed more restrictive tougher mentor (Runaan, Stoick) but that Callum 100% has Stoick's devotion to Valka down pat. "For you my dear, anything," the slow approach in asking but not assuming she'll be his wife again, the forgiveness and understanding of Valka and Rayla staying away all that time, the "I don't want another. Your mother was the only woman for me. She was the love of my life" excuse me while I go cry.

[callsignangel]

nga yawne lu oer - lo'ak x metkayina! reader

THIS IS ENDING 1/2 FROM MY NETEYAM/LO'AK LOVE TRIANGLE HEADCANONS. READ THEM HERE. word count: 1571 requested by: a lot of people (thank you to those who read part one!) warnings: angst, tonowari being a great dad, a fluffy happy ending a/n: hi friends! since there's going to be two different endings depending on which sully boy you're rooting for, i won't be tagging anyone. that way, you can read a specific ending written especially for you! this was so much fun to write, and thank you for your patience as i've been trying to write this haha. reblogs and feedback about my work are deeply appreciated. <3

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you had begun distancing yourself from the sully family as a whole, even your other best friend kiri. it was just too much for you to face both lo’ak and neteyam. it hurt you to see lo’ak and tsireya together - laughing, free diving, holding hands, watching her teach him how to be more active with the people of your village so he could finally feel like he was a part of the metkayina and not an outcast. she was finishing what you had started with him. 

eventually, your parents started picking up on your struggle. you weren’t diving as much, you stayed in bed most of the time, and you were quiet when you were helping your mom cook or doing any of your other household chores. tonowari was the first to approach you about how you had been feeling. he could see that you weren’t acting like yourself anymore, and it worried him. it worried them both. your were legs dangling off of your family marui, dancing with the bright coloured glowy fish. deeply lost in thought, he sat down beside you and dipped his feet in too. “parultsyìp, you have been distant lately,” “i know, pa. forgive me.”  you really thought he was disappointed in you and your lack of motivation for your village duties,  but he wasn’t. he knew the pressures of being a child of the olo'eyktan were not easy. “i’m not mad. i’m just making sure you’re okay. it’s not like you to be so solitary,” a lump formed in your throat. you hadn’t spoken about that night to anyone, not even to eywa. he watched your face closely, as you stared between the fidgeting of your hands and the fish kissing at your feet.  “if i tell you what’s been going on, you can’t tell tsireya. it would break her heart,” you spoke finally. tears welled in your eyes, and he wrapped his arm around your shoulders. “are you in trouble? is it that sully boy?” his eyebrows furrowed in concern as his embrace became stiff. you laughed dryly. “it’s both, pa. i love them both, and now i’ve lost them both,” you softly sobbed. “maybe this is a conversation for your mother…” you had never confided in him like this. he was nervous and relieved at the same time.  “no, please… you just have to listen. mom will scold me for even being around lo’ak.” it hurt your heart to even say his name. “they didn’t do anything to you, did they..?” “no, pa. they would never. they’re both good kids. lo’ak’s just.. misunderstood. and i think the pressure to be perfect wears neteyam down, like it wears me down sometimes.” he nodded sympathetically. he admired your heart, always empathizing with everyone in your own way.

before you could continue, the sound of laughter came from behind your marui. you and tonowari looked behind to see lo’ak and tsireya walking by, hand in hand. “hi, y/n!” tsireya greeted cheerfully. when she got a closer look, her smile immediately dropped.  “tsmuktu, what’s wrong? what happened?” he crouched down to get to your level as one of her hands caressed your tear stained face, the other holding onto your hand tightly. you assured her that everything was okay and that you were just tired, but you saw the way your father stared at lo’ak. he finally understood why you had been so downcast. “go have fun, sister. i’ll speak with you later. thank you for checking on me,” you faked your best smile as you released the hand she had a death grip on and ushered lo’ak to keep walking. his eyes lingered on you before focusing back onto tsireya.  you had gone back to focusing on the fish. “i will do better, pa. i promise.” he nodded softly before he pulled your head towards his, foreheads resting against eachother.

slowly and surely, as time passed, you became yourself again. getting up early to dive and hunt, going for your evening walks along the beach during eclipse, even seeing kiri and tuk again. as an apology for secluding yourself from them without explanation, you provided them with gifts. handmade paint made from shells for tuk, and a bag made from woven seagrass for kiri. but of course, being around them also meant you had to be around lo’ak and neteyam. “he misses you,” neteyam said one day. it was a rainy day in the sully’s marui, and you had been over to help neytiri and the other girls with their beading. you stopped working and looked up at him. he didn’t falter, instead kept his eyes on his chores.  “i miss you,” he whispered. “teyam-” you started, but he turned away from you. “i know, i know. i couldn’t not tell you that. he would never admit it, but he misses you more than he lets on. everybody was so confused when he was suddenly with tsireya and not you.” you frowned, everything he was saying suddenly came out of nowhere. “why are you bringing this up now?” you questioned. “it’s okay you didn’t choose me. i’m not mad at you. but i would much rather be your friend than not have you in my life at all,” he turned to look at you, sincerity strewn his face like a veil. he took your hands in his. “lo’ak didn’t choose tsireya. he chose you, and everybody knows it. he’s just a skxawng who feels like he can’t communicate properly because no one will listen to him,” the pouring rain almost drowned him out, his voice was so soft. “but you do. he needs you. go to him, y/n.”

you didn’t have to be told twice. you thanked neteyam quickly, giving him a small kiss on his cheek before you dropped everything to go find lo’ak. the rain was dense and cold, but you couldn’t feel it. this new found fire that spread throughout your body made you run faster than it ever had before. to your surprise, he wasn’t with tsireya at your marui. she was sitting by the campfire stowed in the middle of your living space, wrapped in a shawl. she kept sniffling and wiping her face with her shawl. “reya? what’s wrong?” you dropped to your knees beside her, instantly trying to console her. she shook her head, as if trying to dismiss it. “i ended things with lo’ak. i could tell he wasn’t happy.” you pulled her into a tight hug. “i’m sorry, sister. is there anything i can do for you?” she sniffled again, but this time a soft smile brightened her features. “go get your man,” she giggled.  you furrowed your eyebrows in confusion. “what?” you giggled with her, nervously. “i’m not an idiot, y/n. go. go!” she urged you, standing and pulling you up with her. she practically pushed you out of your marui. 

you found him by the water, tending to his ilu’s saddle. his hair was wet, and he was shivering. “it’s raining, and you’re outside with nothing keeping you warm,” you startled him, almost making him fall into the water. he was surprised to see you, he didn’t think you would come back around after all of the hurt he caused you. “i don’t have anything. i didn’t think it rained here,” he said sheepishly. “i’ll make you something. it’s the beginning of rainy season, you’ll need a sweater or even a shawl at least for the next 5 months,” you laughed, trying to ease the awkwardness of the conversation. you sat down beside him, watching him try to clean and restitch his saddle.  “you don’t have to,” he whispered. he wouldn’t even look at you. he was afraid he would crumble under your stare.  “i want to,” you whispered back. you placed your hand on his forearm, squeezing it gently. your touch felt like fire to him. it was exhilarating. his eyes watery, he looked up at you.  “i thought i had lost you to him. i feel like i lose everything to him,” his transparency wasn’t foreign to you, but it was good to hear him open up to you again. you placed your other hand in his hair, playing with it in an attempt to help console him. “you’ve never lost me, lo’ak. i’ve been here this entire time,” you whispered. you pulled his head towards yours, softly resting your forehead against his. “i love you. i would never abandon you. i swear by the great mother, lo’ak. i love you, and i see you.” he pulled away from you, a goofy grin on his face. “took you long enough,” he joked, and you rolled your eyes, laughing softly like you always did at his stupid jokes. his free hand rested on your face as he watched you. to him, you were the most beautiful thing on pandora. “i love you too, y/n.”

his hand moved to your chin, using his thumb and his index finger to pull you into a soft kiss. it was quick and chaste, before he shifted back to kiss the palm that had practically glued itself to his face. you pushed yourself forward, your lips devouring his in a desperate attempt to feel him again. there were probably other families watching you both from their homes, but you didn’t care. he was yours, you were his. and nothing would ever come between the two of you again.

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parultsyìp - a term of affection for children tsmuktu - sibling