#and fredo is... well he is fredo (and mike murdered him)

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Empire of crime

It is rare that http://fashion.faststart.ru/go.php?url=https://vipmovies.to continuation of the famous film was just as successful as the prototype, http://www.rss.geodles.com/fwd.php?url=https://vipmovies.to/ in some respects even better. This art was successful for Fr http://filmmakers.de/misc/redirect?url=https://vipmovies.to cis Ford Coppola. The second part of "The Godfather" is a monumental and as large as the work of the predecessor. The image was even more appreciated by the Film Academy and it is one of the best prosecutions ever made. Moreover, it is a great, deep film that is no less than the first part of the gangster saga. "Godfather II" tells the story of the Corleone family after the death of Don Vita and the takeover by his son, Michael. He decided to settle in Nevada and to legalize the family. However, it appears that it was not as easy as he initially thought, and Michael is so involved in business that he begins to neglect his own family, which he founded with Kay Adams, lurking his enemies and eventually attacking - both with weapons in hand as well as on the jury. In the second part of "Godfather" Michael Corleone (perfect Al Pacino) must not only be confronted with mafia and political enemies, but http://mymusic.atwebpages.com/go.php?url=https://vipmovies.to/ with the family crisis. His wife (Diane Keaton) does not struggle with the enormous pressure of her environment and finally decides to make a desperate move. "The organization is also breaking - his brother Fredo (excellent John Cazale) wants to have more to say about business, and sister Connie (equal to Talia Shire), broken and lost after losing her husband, leads an increasingly promiscuous lifestyle. Michael's problems are also piling up in the field he manages: a man named Don Vita, Hyman Roth (Lee Strasberg), is seeking revenge for the murder of a friend who was known from the first part of Moe Green, developing a complicated plot aimed at eliminating Mike, and his New York capo regime Frank Pentangeli (Michael V. Gazzo), insulted by the lack of help from his Don, decides to take risks for himself, but especially for Michael, the move Michael tries to manage his family, just like his father, but he lacks Vita's magnetism and incredible charisma.Young Corleone is a calculating, cold player in a gangster scene, working on a logical, ruthless manner, shows unusual intelligence and cunning. But cunning isn't everything - Mike just "doesn't" go into business the way he wants it. He gets into a kind of obsession that becomes his way of life. Impressive paranoia on his personal life, which in fact results in Kay's tragic decisions and her departure. "Godfather II" is a deep psychological analysis of the moral fall of man, an excellent portrait of a hardening heart, gradual distortion of human values ​​and, in a sense, dignity. Michael becomes a tyrant with time. In unethical, devoid of a little warmth, it transforms into a despot, especially towards loved ones, on which unwanted "business" failures are reflected. Coppola presented Michael with a dramatic course of affairs for a fundamental choice - staying true to the ideals of the youth or a Mafia family. As a result, it seems to us a tragic character whose joy is unwritten and needs no luck at all - the final phase of the film confirms the viewer in https://500px.com/oewweep conviction. Parallel to the history of the second half of the 50s, the theme of youth, Vita Corleone, is executed. We learn how he was in America, how he started his Mafia career, how he acted to gain favor and respect from the people of New York. The young Vita was daringly played by Robert De Niro, who won the first Oscar for this performance, but all the more difficult because, in addition to Vita, he also had to refer to the legendary creation of Marlon Brando. It did him great, De Niro perfectly reproduced the unclear language and attitude of Don Vita, is as charismatic as Brando and longs for the scenes with his participation. The second part of "Godfather" is a technically perfect film. Great photos, great stage design and costumes, beautiful music - they complement it all. Coppola succeeded in reflecting the nervous atmosphere of the second half of the 1950s, both in the United States and in revolutionary Cuba. The idyllic scenes of Sicily and America at the start of the second and third decades of the twentieth century are no less impressive. The sequel to "The Godfather" is really impressive. Despite all the superlatives I wrote about Coppola,