#and extorting people's fear of death & what comes after is a very successful business model

[apaleflame]

christianity is weird i cant believe people chose it on purpose

[firestorm717]

An Introduction to Callan

Allow me to introduce you to a new fandom of mine - Callan, a British TV series from 1967-72 starring Edward Woodward (The Equalizer, The Wicker Man) in the title role. Callan is a Cold War spy drama in the tradition of Len Deighton's The Ipcress File and John le Carré's The Spy Who Came in From the Cold. Its world is dark and bleak, its characters morally ambiguous, and its stories often end on a downbeat turn. (The first episode of the series is called "The Good Ones Are All Dead"). James Bond this is not; in fact, Callan was conceived as the antithesis to Bond-style escapism. It depicts the seedy side of espionage with its criminal associates and cynical bureaucracy, beneath which agents toil like pawns on a chessboard, as likely to be killed by friend as foe.

So why do I recommend this series? Well, if you're like me, you're partial to darkness and angst ;) But even if that's not your usual cup of tea, I suggest you check out Callan on the strength of its acting alone. Woodward does a masterful job of portraying the morally conflicted assassin, David Callan, both frightening in his anger and heartbreakingly vulnerable in his grief. He is joined by Anthony Valentine (Colditz, Raffles) with whom he shares crackling on-screen chemistry, and Russell Hunter (The Gaffer), a skilled character actor who practically inhabits his role. This top-notch talent is supported by a top-notch script. The plots are complex and clever, featuring lies, subterfuge, and misdirection - all the classic spy storylines - that demand close attention from the audience. Sharp dialogue takes the place of action in most parts, shining the spotlight on character interaction. Many scenes read as if they'd come from a superb stage play.

Finally, for the slash fans, there's a ton of wonderful subtext surrounding the two handsome leads, Callan and Meres, as well as several canonically gay/bisexual side characters.

In conclusion, you'll enjoy Callan if

You relish historically-based spy dramas with complex plots.

You like morally ambiguous and conflicted main characters.

You are a sucker for tragedy, angst, and every deathfic trope.

You appreciate good-looking men in three-piece suits.

On the other hand, this series may not be for you if

You prefer slick "James Bond" action, adventure, and romance.

You need a protagonist that you can always root for.

You want modern cinematography and video quality.

You are bothered by some degree of sexism and wish to see a diverse cast.

In the following sections, I provide a detailed description of the setting and characters. Interested readers may watch the entire show on my Youtube playlist, or just check out the recommended episodes below. (Due to the age of the series, some episodes from seasons 1-2 are missing from the BBC archives. I have posted all that are commercially available).

The Section

Eliminating people. Framing. Extortion. Death. All the jobs that are too dirty for Her Majesty's security forces to touch. The Section is a top secret branch of British intelligence that specializes in dirty jobs no other branch will touch - kidnapping, extortion, blackmail, and quite often execution of persons deemed a threat to the government. Its targets are usually spies or assets belonging to the Eastern bloc, although it is not above eliminating innocent citizens should they threaten its goals as well. Its secrecy is paramount. All agents, including the Section head, are known only by code name, and the department itself is housed in a drab building under cover of a scrap metal business owned by "Charlie Hunter". The offices are cramped, the furniture spartan; except for a shooting range in the basement, there is no hint as to its true purpose... which is just as well, for any unauthorized person who learns of its purpose is likely to wind up in a red file - most urgently marked for death by the Section's assassins.

Hunter

You're always asking for reasons. That's what makes you weak. Schneider's in a red file, that's reason enough. The code name for the current head of Section is Hunter. Hunter delegates the missions and directs the movements of agents in the field. He himself rarely steps foot outside the office, instead delivering orders from behind his imposing oak desk - orders which he expects to be obeyed unquestioned. His main method of communication (aside from in-person meetings) is the red telephone on his desk. Typically, an agent phones in with a report to "Charlie", and Hunter answers with an assessment of the situation followed by a new order. He is ultimately responsible for the success or failure of a mission. As Section head, Hunter also has political obligations. He must meet with senior government officials such as the Foreign Secretary, navigate diplomatic waters for defectors and allies, and forestall interdepartmental rivalry with agencies like Special Branch. Thus, the qualifications for Hunter are far more administrative than they are physical, which is reflected by the aging staff officers who typically fill the role. The first Hunter we meet is Colonel Leslie, known colloquially as the Colonel among his agents. (In keeping with military protocol, subordinates are expected to address the Section head to his face as "Hunter" or "sir"). It is the Colonel who introduces a color-coded filing system for the Section's extensive list of targets. David Callan, a top field operative, describes the system thusly in the pilot - "If a bloke joined the wrong party, he got a blue file. If he was under surveillance, he got a yellow one. And if he was dangerous, I mean really dangerous, he got a red one. He usually got killed as well." Later, a white file is added for individuals whom the Section wants to put in prison, divorce courts, bankruptcy, or mental homes, a slightly less permanent destination than death. As the series progresses, various men don the mantle of Hunter, some more rigid, others marginally more forgiving. But that filing system always remains the same.

David Callan

You sacked me, remember? You said I was too soft. Well, I'm still soft, Hunter. I still worry about the people I've killed. David Callan is only good at two things - killing people and collecting model soldiers. The son of a working-class family, his parents were killed by a V2 rocket when he was only 13, and he left school shortly thereafter to apprentice at a locksmiths firm. Eventually, he found his way into the army and impressed his superiors with his shooting, unarmed combat, and survival skills, earning him a promotion to corporal. That promotion was short-lived, however, as his insolence toward an officer saw him reduced back to private. This would be a recurring theme in Callan's career. After serving as a commando in Malaya, he returned to work at the locksmiths firm. He soon became involved in the attempted theft of a jeweler's safe, but was caught and sentenced to 2 years in Wormwood Scrubs. It was upon Callan's early release that the Section recruited him. He trained under Colonel Leslie and carried out numerous missions, including assassinations, with great success. The Colonel rated him very highly, and he in turn held the Colonel in considerable regard. By the age of 29, Callan had risen to second-in-command and was on the shortlist of candidates for next head of Section. Then, everything changed. In the spring of 1965, the Colonel ordered Callan to kill a KGB agent named Zhverkov, whom Callan knew and liked very much. After immense pressure, he finally carried out the killing, but from then on became overly involved with his targets, insisting on making his own value judgments rather than following orders blindly. His relationship with the Colonel deteriorated until the Section deactivated him a year later. At the start of the series, Callan is a 36-year-old bookkeeper working a dead-end job, his suit shabby and wrinkled, his flat spartan and cheap, the only joy in his life his collection of model soldiers. No one would guess that he was once the Section's most prolific assassin. Callan's defining characteristic is his conscience - he needs to know why a job must be done before he will do it. Even then, he is liable to disobey orders he feels are unjust or endanger innocent people. His tendency to sympathize with his targets brings him in direct conflict with Hunter, as well as his fellow agents, who have no qualms about killing. This conflict is exacerbated by Callan's class consciousness; he carries a chip on his shoulder regarding authority, especially wielded by officers and the social elite... two circles that comprise most of his superiors. Indeed, season 1 sees Callan at odds with his allies more often than his enemies, saved from placement in a red file only by his usefulness to the Section. The thought that his usefulness may one day run out forms the underlying tension in the series. In the end, Callan is a man trapped by his own success - an assassin who kills because he is good at nothing else.

Lonely

I do have baths, Mr. Callan. The way I smell is psychosomatic. Lonely lives up to his name. A small-time burglar with terrible body odor, he first met Callan during the latter's stint in Wormwood Scrubs. His criminal skills proved useful, and Callan began to employ him on a case-by-case basis as a lookout, tail, thief/safecracker, driver, and weapons supplier for Section work, although Lonely himself knows nothing about the Section. In fact, Lonely has never pulled a trigger in his life. He frequently must be bullied or bribed into helping Callan on a job, and then only reluctantly for fear of being caught in the violence. Their relationship can most succinctly be described as codependent. Lonely needs Callan's cash and protection (though that protection is often from Callan's own colleagues), and Callan needs Lonely's eyes and ears, for the petty crook's very insignificance makes him an excellent spy. They are the closest each has to a friend. That friendship is tested again and again by Hunter. Since Lonely is not part of the Section, he represents a security risk to its operations, and more than one Hunter has threatened to eliminate Lonely for good. They usually back down, however, after seeing Callan's reaction. Because as much as Callan exploits and abuses Lonely, he is also fiercely protective of the little man, exacting vicious revenge on anyone (including fellow agents) who dare lay hands on the burglar. This is because Lonely is the only person Callan can trust - an outsider to the spy game, not bright enough or important enough to warrant attention, and very much dependent on him. His smell is the smell of Callan's own id, a dank pit of criminality driven more by fear than loyalty to any particular cause.

Toby Meres

It's frightfully bad taste to welcome you like this, I agree, but we do need a spot of information from you rather urgently - just filling in, you know, code names and so on. If Lonely is the id, then Meres is Callan's foil. Born the son of a Lord, Meres was educated at the prestigious Eton College before receiving a commission as an officer in the Coldstream Guards. His career ended abruptly when a private guardsman died in an "accident" that he arranged. Although the case never made it to court martial, Meres was forced to resign and eventually found employment as an agent in the Section. The work suited his real talents. At the beginning of the series, he is a youthful 27 and already Hunter's right-hand man. Only Callan stands between him and the top. On the surface, Meres is droll and charming, the portrait of a public schoolboy from the upper classes. But that is only a mask for his sadistic streak. He has none of Callan's reservations about killing and will carry out orders ruthlessly and efficiently, even delighting in the opportunity to interrogate prisoners. His attitude toward colleagues is typified by emotional indifference with a touch of condescension. At the death of one, Meres simply observes that it's "par for the course" in their line of work. He largely leaves trainees to sink or swim and is not especially bothered when they sink. The only person who stirs some feeling in him is Callan. From the beginning, Meres recognizes Callan's talent and extols it to allies and superiors. He claims to detest Callan - indeed, the two start off as antagonists - yet lobbies for the latter to rejoin the Section in "Red Knight, White Knight". After that point, their relationship slowly develops from a rivalry to a partnership based on mutual respect for each other's skills. Meres enjoys teasing Callan (sometimes to a dangerous degree, as he is prone to breaking into Callan's flat unannounced), and Callan grows to trust Meres despite their very different moral systems. It is telling that the most distraught Meres ever gets is during a scene with Callan in "Death of a Hunter". Perhaps this is because Meres, at heart, does have some semblance of a conscience. He subtly protests orders from Hunter that he deems ill-advised or unnecessarily harsh. It's simply that his bar for harshness sits a lot higher than Callan's, and when push comes to shove, Meres will usually cave to authority because authority is what he learned to obey in the Guard.

James Cross

You ever played Russian roulette? It's better than horses. You play for your life. Cross is a newcomer to the Section, promoted during a period when both Callan and Meres were unavailable. A young man in his 20's with flip hair and a taste for stylish clothes, he has the swagger of an agent with twice the experience, despite logging a mediocre record in the field. He fancies himself Callan's successor and is none too pleased when the latter returns to the Section. Brash and callous, Cross has little regard for the collateral damage from his actions, putting him at immediate odds with Callan. His recalcitrance leads to at least one disaster, which Callan is forced to clean up. As a result, the two share a mutual dislike for each other - Cross believes Callan is over the hill, Callan perceives Cross as an arrogant upstart - and initially only work together on Hunter's orders. In many ways, Cross resembles a young Meres. They both exude smug confidence, harbor a sadistic streak, and have their eye on Callan's position as top agent. However, while Meres's ambition is tempered by genuine respect, Cross bestows that respect grudgingly. He and Callan never develop the sort of camaraderie that Callan has with Meres.

Elizabeth (Liz) March

That girl's a walking memory bank. She's been in a red file since the day she took the job. Liz is Hunter's secretary and handles all the communications, transportation, and files on allies and enemies. She fulfills this duty from the first episode to the last, making her one of the most knowledgeable people in the Section, moreso than many agents like Cross. It's thus a pity that her role in the series is largely limited to answering phones. (I couldn't even find a decent quote by her). However, she does get an opportunity to shine in "A Village Called 'G'", which provides a glimpse into her backstory and motivations.

Dr. Snell

I put him on tranquilizers for a bit, and he quite liked that. And then some of the hallucinogens... Oh, and I managed to make him lose track of time too. Then, I put him on pentothal. He prattles like a child. At first glance, Snell doesn't seem to belong in the Section. He's a soft-spoken, bespectacled man of about 50 with silver hair and the dispassionate air of an Ivory Tower academic. We first meet him at his office on Harley Street, where he runs a private medical practice. Hunter asks him to conduct a benign memory test on a biologist suspected of East German sympathies. However, it soon becomes clear that Snell's role extends far beyond that of a simple outside adviser. He is arguably one of the most important people involved in the Section and, in effect, outranks the field agents themselves. For Snell is a psychiatrist, who employs his skills in two ways - interrogating enemy operatives and evaluating the medical fitness of the Section's own employees. In the first task, he is uniquely brutal because his instruments of torture are drugs (pentothal, LSD, and other psychotropics) that wreak havoc on his victim's mind. And Snell goes about this work with scientific indifference, only betraying a hint of pleasure when his injections give rise to an interesting effect. What's more, his victims usually don't remember what they've said to him... if they retain their sanity at all. Snell's interrogation techniques already cast him as a sinister figure, but what makes him disliked even among his allies is his second task - psychologically profiling the Section's own agents. You see, espionage is a highly stressful job. If an agent snaps, the consequences for national security could be dire. Thus, it is Snell's job to determine whether an agent is about to snap before he snaps and report it to higher authority. At best, a bad report from Snell means getting pulled from the field. At worst, it gets one's name placed in a red file. Either way, his word is usually final.

Mr. Bishop

All you need to know is that in the pecking order of the security game, we get first peck. "Big men have to snivel sometimes, Hunter," Snell says, and the man Hunter snivels to is Bishop. A senior official in the SIS, Bishop is Hunter's superior and oversees a wide variety of foreign intelligence operations. He has the authority to assign new missions, disburse funds for equipment, order prisoner exchanges, and hire and fire Section heads. However, while his powers are broad, Bishop never steps foot in the field - his role is purely strategic, and his concern lies with the sociopolitical impact of a job rather than the individuals involved. He is the picture of the calculating, condescending bureaucrat, giving orders from his cushy seat in the rear while his subordinates risk their lives. It thus comes as a surprise that Bishop acts as Callan's ally in the beginning. He sees potential in Callan beyond that of a mere trigger-puller and bolsters the latter's career within the Section. Naturally, Bishop's reasons are self-serving - Callan is just a particularly useful cog in the espionage machine, after all - but they manage to forge a fragile working relationship... until circumstances intervene.

Richmond

For people like you and me, safety can only be found among our enemies. It's our friends who will kill us. While Richmond appears in only a few episodes, his impact on Callan is profound enough to warrant a spot on this list. Richmond is a colonel in the KGB and one of their best, most experienced agents. Intelligent and erudite, he uses his substantial knowledge about Callan's background to try and manipulate the latter into betraying the Section, launching a dangerous cat-and-mouse game in the "The Richmond File" series finale.

Recommended Episodes

The Good Ones Are All Dead (S01E01) - Under threat of being placed in a red file, Callan is coerced into helping the Section hand over an ex-SS officer, Strauss, to the Israelis. Introduces the main cast and sets up the hostile dynamic between Callan and Colonel Leslie. An emotional performance by Edward Woodward at the end.

The Most Promising Girl of Her Year (S02E02) - Callan must prove that a young biochemist is not giving information to the East. Introduces Snell and his interrogation methods. Also features an intelligent and sympathetic female character, whose ethical principles make her the true heroine of the story.

Let's Kill Everybody (S02E05) - A freelance German mercenary organisation that specialises in eliminating foreign security agencies has its sights set on the Section. An aptly named episode, so I won't spoil anything except to say that no one is who they seem...

Heir Apparent (S02E06) - Callan and Meres must fetch the new Hunter from East Germany. This might as well be a Callan/Meres fanfic with the amount of slash in it. Our two agents "go on a hols" together, sharing a sleeping car, drinking on the town, and navigating a minefield right on the edge of the Iron Curtain.

Death of a Hunter (S02E15) - A hunter dies, but which one? Is it the hard-bitten Callan, the laconic Meres, the enigmatic Hunter or someone else? I debated including a synopsis because the title already gives too much away. One of Edward Woodward's finest performances, loaded with pain and anguish, and a definitive Callan/Meres story.

Where Else Could I Go? (S03E01) - After five months in the hospital recuperating from near-fatal gunshot wounds, Callan returns to the Section to find the upstart Cross after his position. Under the doubting eye of his superior, the agent must prove that he still has the will to kill. Introduces Cross and William Squire's Hunter, probably the most iconic Hunter of the series. Also contains fodder for Callan/Lonely in the way of a very protective Callan.

A Village Called 'G' (S03E04) - The entire Section goes on red alert when Liz, Hunter's ever-punctual secretary, fails to show up for work. Trying to trace her, Callan begins to suspect that Liz's disappearance involves not an enemy from the present, but a ghost from her past. Liz finally gets a turn in the limelight, and we're treated to some background on her childhood.

Breakout (S03E08) - By surrendering to the police, wily KGB operative Nikolai Lubin seeks safety in a British prison, out of reach of Hunter and the Section's interrogators. Hunter, however, has other plans - engineering Lubin's "escape" under the guise of a KGB operation. A rare episode in which Callan and Cross display some teamwork.

Call Me Sir! (S04E02) - Upon Callan's return, dire circumstances force him to accept a new position within the Section - one that affords an entirely different perspective on his work, particularly regarding his relationship with Lonely. Callan receives a promotion he never asked for. More I cannot say without spoiling the plot.

If He Can, So Could I (S04E05) - Cross's behavior on his previous assignment calls into question his fitness for service. Nevertheless, Callan assigns his former rival the perilous task of protecting a dissident Russian poet. Snell puts Cross through the wringer in this one, and the way Cross cracks reflects Callan's own insecurities. The ending scene between Callan/Lonely is absolutely phenomenal - one of the few times Callan goes to pieces emotionally, revealing the enormous strain he and his fellow agents are under. Edward Woodward won a BAFTA for this performance.

I Never Wanted the Job (S04E08) - After witnessing a gangster's execution, Lonely runs afoul of the killers and the police, jeopardizing both his cover and Callan's life. The closest this series gets to fluff. Some cute Callan/Meres/Hunter interaction plus an offhand comment by a character about how Callan must be "queer" for Lonely make this a very shippy episode.

The Richmond File: Call Me Enemy (S04E11) - Alone at a remote safe house, Callan debriefs a high-ranking prospective defector - a man known as Richmond, who promises to reveal a traitor within the Section. This is it. This is what spy dramas are about. Not fast car chases or gunfights, but two people on opposite sides trying to manipulate each other with deception and lies. Edward Woodward and T.P. McKenna give career-defining performances in this battle of wits between veteran agents who have more in common with each other than their respective employers... or do they? The episode is like a stage play and provides a rare bit of history on Callan and Meres.

External Links

YouTube Playlist - The entire series ripped and uploaded by yours truly.

Video Downloads - High quality video encodes of the entire series, again done by yours truly, as well as scripts for all episodes (including the missing ones) and other goodies.

Big Finish - New audio adaptations of the Callan short stories.

Digital Tapestries Fan Site - An old fan site with creator interviews, character profiles, and synopses of all the episodes in seasons 1-2.

Michael J. Bird's Fan Site - Another fan site that includes scans of the Callan short stories and links to a few missing episode scripts.

It's So Last Century - Reviews of most commercial Callan releases along with some newspaper article scans.