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#and a soupçon of spite
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CW: light kidnapping, hero got roughed up a bit, just a like soupçon of suggestiveness at the end. It's all very light.
The shame coursing through the Villain had left him speechless. His mind was chaos, turning over what to say to his beloved, but nothing felt adequate. He wished that Hero would say something, berate him, beg for answers. Instead, he was just hunched over, not facing Villain, silent. Villain, himself, had fallen to his haunches the moment he had been dumped in the cell, weak with guilt.
“Hero,” Villain started, his voice so quiet that he had to clear his throat to get it to an audible level. “Hero, I’m so sorry. Words do not even describe how sorry I am. I thought...”
It didn't really matter what Villain had thought. Supervillain had promised Hero's safety, should Villain work for him on a machine. But Villain should've known the worth of Supervillain's promises -- once he had completed his work, he and Hero had been captured, with the implication of silencing both.
He was never going to forget the look of fear cross Hero’s face as he was forcibly restrained by henchmen, forced to his knees as his arms were bound tightly. Nor would Villain ever stop thinking about the hurt in Hero's eyes when he turned back to face Villain, on his back and under the boot of Supervillain, helpless and deceived. More than anything, he’d never forget the sick, victorious laugh as Supervillain realized that Hero was ripe for the taking, another means to hold control over Villain.
Now they were staring down the barrel of uncertain but doubtless unpleasant ends, and Villain couldn't even hold Hero before things truly turned.
If his boyfriend even wanted to ever be held by Villain again.
If their relationship could ever survive this.
There was a burning tightness in his throat that he forced himself to ignore. He didn't deserve pity, not even self-pity.
“I should have told you,” Villain said, instead of all of that. “I’m so sorry. I thought if I kept it a secret, then Supervillain wouldn’t have done anything, but I shouldn't have worked for him and I should have told you.”
There was, finally, a sound from the other side of the room! Granted, it was a noncommittal hum, but it was something.
“If you need space, or...” Villain swallowed down his agony at the thought, pressing on, “If...you need a break, that’s entirely--”
On the other side of two sets of bars, the Hero's shoulders drooped and his head tipped back; an annoyed sigh rang out through the otherwise empty holding area.
“Please,” Hero groaned, playful in spite of their sorry circumstances, “baby, the theatrics. I’m pissed, but not leaving you levels of pissed.” He still hadn’t faced the villain, instead hunching back over his lap. His voice was serious when he said, “I do wish you didn’t underestimate me, though.”
Villain let his head hang down, another wave of guilt washing over him. “I know, I’m so --”
“‘Sorry’, yes, I got that,” Hero finished, not unkindly and certainly not impatiently. He finally turned to look back at Villain. His left eye was swollen and purpling, which made Villain wince, but his smirk was as gloriously triumphant as though he was untouched. He raised his hand, revealing a makeshift key out of a sturdy wire, and winked his uninjured eye. “You can make it up to me later.”
Villain’s eyes widened in awe. “How did you...?”
“Oh, honey, you should know this one by now,” Hero stood in a slightly wobbling movement, fumbling around the barred door to reach the keyhole. “Card-carrying Goonion member, and all. Rule number one of underpaid henches: they never check the boots.” He shrugged as he unlocked the door, crossing to the Villain’s cell and twisting the key into a new shape. “The rest was just some light divination.”
The door clicked and rattled open, and Hero's hand proffered itself in front of Villain. The scientist, struck speechless with emotion, grasped his boyfriend’s hand tenderly, eagerly allowing himself to be pulled into his arms.
“I love you,” Villain breathed, reverent, staring at Hero.
With an exhale, his boyfriend’s expression had softened from its smug triumph. “And I you,” he said, gently. He kissed Villain with the same forgiving softness as his voice. “Now, the sooner we get out of here, the sooner you can make this evening up to me. I had some fun shower plans from before we got captured.”
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afpwestcoast · 1 year
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Meow Wolf, Santa Fe, NM, 5/26/23
Amanda Palmer returned to Meow Wolf seven years after playing an epic show with Jason Webley for the Grand Opening. This time she had Brian Viglione in tow as the Dresden Dolls opened a 3-night stand at this amazing venue. To get just the merest hint of how unusual this venue is pay attention to the backgrounds in the photos below.
I bumped into Amanda cruising the gathering crowd in her pre-show kimono and when asked what she was doing she replied, “I’m looking for a victim.” “For what?” I asked.
“My affection.”
Alrighty then. I generally just go with stuff like this and it (usually) becomes clear (eventually).
The Meow Wolf exhibit The House of Eternal Return was open until 10:00, and the performance venue is part of the exhibit, so doors for the show were at 10:00 and the show didn’t start until 11:00. This meant that Amanda, who had been wrangling Ash all day, was very tired by the end, but it didn’t seem to impact her performance much, although there was less intra-song banter than usual.
As has become customary of late the band ripped through the first five songs of the set with hardly a pause, and overall the set was tight in spite of some technical difficulties. Brian sang backing harmonies more often than typical and Amanda experimented with some echo reverb on her mic during select sections of several songs with mixed results: in some places it enhanced the ambiance of the song, but in others it was a bit distracting. Overall it was a solid kick-off to this short residency.
Annotated Set List:
Good Day Brian started on guitar before switching to drums, but Amanda crashed and burned on this one almost immediately, forcing them to start over. They finished flawlessly and continued to torch through the set without looking back.
Sex Changes
Gravity
Bad Habit
My Alcoholic Friends This was the first song I noticed Brian singing harmony in places.
Some piano tinkling seemed to tease Missed Me, but just as it seemed to maybe start to morph into something else Brian announced that one of his tom-toms was dying and had maybe 2 more songs in it. Amanda responded that the low G on her keyboard (or her “low G string,” as she called it) was also giving out. They basically shrugged and soldiered on.
Welcome to the Internet (Bo Burnham cover) This song was dedicated and sung to Sam, the 22yo (dubbed Sam the Zygote) who was the victim Amanda had chosen during her pre-show prowl.
Missed Me F’real this time. At one point a stray drumstick flew over Amanda’s head and Brian tried to blame the sound guy, but Amanda wasn’t buying it.
Mrs. O
Delilah (featuring Veronica Swift)
Whakenewha (pronounced Fuckin-A-Fa) Right at the start of the song Amanda noticed someone in the audience filming and asked them to stop, but rather than stop the song and speak to them she sang her admonition to the tune of the song, and then started the song over from the top without missing a beat.
War Pigs (Black Sabbath cover)
Amsterdam (Jacques Brel cover) Amanda continued her tradition of singing this one from the balcony, but it was a little odd in this case because the balcony had windows. Because everything about this venue is a little odd.
Mandy Goes to Med School with just a soupçon of “Careless Whisper” by Wham! as has become tradition.
(commercial to buy merch and, most importantly, join the Dresden Dolls eMail list for info on upcoming shows - a full tour was promised once the new album is done)
Coin-Operated Boy Through some musical alchemy this song transformed into “Never Tear Us Apart” by INXS - complete with kazoo solo! - before morphing back.
Half Jack 
——
Girl Anachronism This song turned into a bit of a hot mess as Amanda first mangled the chord progression, and then later the lyrics, resulting in two stops and restarts. My advice would be to just power through. Girl A is not some delicate shrinking violet of a song that needs precision. It is a powerful enough song to cross the finish line with a flat tire, some blown pistons, and flames shooting out the engine. Just go for it!
Sing
Photo Gallery:
The Dresden Dolls take the stage!
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Amanda!
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Brian!
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Delilah!
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Amsterdam!
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metatextuality · 3 years
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WIP Wednesday, 3/2/2022
(previously)
Wherein ace detective Drake Donovan handcuffs someone to a bed for completely platonic reasons:
"Excuse me!" Sonya interrupted sharply. This was because I had just handcuffed her. 
"I apologise for the inconvenience," I said, pulling her none-too-apologetically over to the bed, where I secured the other cuff around the rail. "Unfortunately, it seems you've just made yourself evidence, which means I'm duty-bound to preserve you in exactly the state I found you, and can't afford to let anything untoward happen to you. Also, I don't trust you."
"Excuse me," Sonya repeated with arsenic sweetness. "But isn't he evidence, too, in that case?"
"Well, yes," I said. "But I only have one set of handcuffs." 
"And you trust him," Sonya concluded with a certain soupçon of spite.
"Of course I don't," I replied. "I'm a detective. I get paid very well to second-guess absolutely everyone I meet. However, he has yet to point a weapon at me, which affords him certain social privileges."
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themostrandomfandom · 6 years
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Hi! I was wondering if you could share your thoughts on Brittana and their MBTI types? I think Brittany could be a ENFP, but I have no idea what Santana's type could be (other than her last letter, which I think is J)
Hey @silver-greystorms!
First off, sorry it has taken me so terribly long to reply to you.I don’t get a lot of internet time these days.
Second, in response to your question, Iknow very little about MBTI types, so forgive me if anything I say here is off.I took this test,answering for Brittany and Santana—the ways I think they are, as opposed to theways in which I think they might (mis)represent themselves, were they takingthe test—and here are the results I came up with:
Brittany is, as you suggested, an ENFP.
Santana is an ESFJ.
I then read up on both of thesepersonality types on this site and this one.
More discussion of how I see Brittany and Santana fitting thesetypes under the cut.
_______
Because I know so little about the MBTI system, I read through thedescriptions for Brittany and Santana’s types on the sites I linked above. Ithen made lists of all of the descriptions that seemed to really fit the girls,as I understand them in canon. 
Here are those lists with some commentary: 
Brittany the ENFP
ENFPs are often popular.
For all of her quirks, Brittany is one of the most popular girlsat WMHS for many years running. While both Quinn and Santana occasionallysuffer sharp downturns in their popularity (e.g., when Quinn is pregnant and whenSantana is outed), Brittany is depicted as being fairly consistently well-liked. Notonly does she become senior class president, but also never once is sheslushied. People may not always understand her, but they do seem to enjoy hercompany. Her energy attracts people. She’s the life of the party.
ENFPs, for all of their socialsuccesses, may, however, also face certain difficulties, such as beingunfocused and becoming easily distracted, overthinking personal issues, beingbetter at “the theory” than “the practice,” not handling stress well, and beingindependent to a fault.  
Brittany’sacademic difficulties may stem from an inability to focus and/or to put intopractice the ideas and theoretical concepts that she learns.
Overthinking is likewise an issue for Brittany, not only throughout S4 (when she gets so worked up over personal problems forwhich she sees no fixes that she experiences two total meltdowns, one in episode4x02 and one in episode 4x22) but also in S6as she is prepping for her wedding.She gets so in her head that she panics until Santana talks her down.
When faced with stress (particularly ofthe interpersonal variety), Brittany tends to resort to making jokes, playingdumb, and downplaying the situation rather than taking ownership for what’shappening. Though she becomes better able to handle stress as the series goeson, particularly as she finds grounding in her relationship with Santana,early on, she is highly avoidant in stressful situations (see, for example, herreaction when the glee club confronts her for spying in episode 1x13).
Being independent to a fault islikewise a big thing with her. As I say elsewhere: “Having difficulty asking for help is a characterflaw she comes by naturally. That a girl who’s been told ‘no’ her whole lifewould be scared to ask anyone to take a chance on her and say ‘yes’ makessense”—though, of course, it certainly doesn’t make her life any easier. Asmentioned above, Brittany will often meltdown when her problems overwhelm her,acting out (and acting outrageously) rather than asking for help. She will alsosometimes simply suffer in silence, keeping her troubles to herself until it’stoo late for anyone to do anything to help her (such as when she fails tograduate in episode 3x22).
ENFPs are bothidea- and people-driven. They see everyone and everything as part of a cogent,cosmic whole.
While Santana is (generally) moreplan-reliant than Brittany, Brittany is actually (typically) abetter planner than Santana because she comes up with innovative, long-gameideas and doesn’t get too caught up in logistics.
See, for example, her Project Unicorn campaign for the seniorclass presidency in episode 3x02. 
Brittany is also a people-person, insofar as she is a skilledreader of people, and she sees how individuals fit into the collective. Thoughshe doesn’t always get along with everyone in the glee club, she does know howall of the various players function to make the collective work.
See, for example, her Heart Locker speech in episode 2x22, inwhich she advocates for Santana to forgive Rachel, not only for the good of thegroup but because she understands how much Santana craves friends, even thoughshe personally does not like Rachel much at all. 
Brittany’s big, beautiful math brain affords her a uniqueperspective on the world. Brittany is a nonnormative thinker who forms connections that maynot be apparent to other people.
See, for example, her “infinity” speech to Santana in episode6x03, which lays out her whole understanding of the universe not only in termsof numbers but in terms of love.
ENFPs learn globally. They don’t mindapproximations (whereas other types may want exactitude).
As I talk about elsewhere: “Brittany’s is a unique mind. It is unclear towhat extent book-learning and traditional education work for her. She has atendency to metaphorize concepts, suggesting that she is an abstract thinker.Her flair for malapropisms also intimates that her mind is organized in ‘webs,’with various like-words grouped together by loose strings of associations.Though she is mathematically intelligent, she is also emotionally intelligentand physically intelligent, as well. Early on, her genius seems highly intuitive,as she is able to pull numbers out of the air, though she is not always equallyable to explain how or by what means she has done so. In time, her methods seemto become more examined and deliberate, with theory underlining what was once amore reflexive capability. She is perhaps something of an autodidact, able, forinstance, to teach herself Spanish, though she apparently doesn’t fare well inthe class in high school.”
While these thinking patterns are all apart of Brittany’s nonnormative genius, they can also get her into trouble inthe public school system, which expects conformity. Her “close is good enough”attitude may contribute in part to her failing her senior year.
ENFPs are outgoing and warm, possessinga “zany charm” which can endear them to more stodgy types in spite of theirunconventionality.
I mean, could there be a more fitting description of Brittana’srelationship dynamic?
Though stodgy Santana manages to build walls to keep out virtuallyevery other human being on the face of the planet, she’s helpless to resistBrittany’s outgoing personality, warmth, and zany charms. Santana’s lowtolerance for social aberration, sentimentality, and even silliness flies outthe window when Brittany’s involved. Brittany gets her to embrace theunconventional and open herself like she never has before.  
ENFPs possess strong values andviewpoints, which those around them may find surprising. They attempt to gentlybut enthusiasticallypersuade others of the rightness of these views,using all of the social skills at their disposals.
First example of this trait in Brittany: Brittany’s earnest,enthusiastic attempts to persuade Kurt to adopt her anti-bullying platformduring his senior class presidency campaign in episode 3x02.
Note that Kurt finds both Brittany’s strategy and her enthusiasmfor the platform itself surprising. At first, he has no idea that there’s a“method to her madness.” He is truly taken aback when he realizes that not onlyis Brittany’s platform about more than just pink paper and glitter glue butalso that Brittany has a personal stake in the fight she wants him to join, asshe’s a member of the LGBTQ community herself.  
Second example of this trait in Brittany: Brittany’s earnest,enthusiastic attempts to reconcile Alma and Santana before the wedding in S6.
Brittany attempts to persuade Alma to reconsider her relationshipwith Santana at first through gentle insinuation and a soupçon of deception.Only after Alma rejects these initial (more passive) overtures does Brittanybreak out her hardline stance, making her fierce speech about generationalturnover in episode 06x06.
ENFPs make affectionate, demonstrative,and spontaneous mates who light up the lives of their partners. However, anENFP’s romantic partner must be willing to manage the practical and financialaspects of the relationship, accounting for the ENFP’s spontaneity, dreaminess,and wanderlust.
I think Santana would agree thatBrittany possesses all of the positive traits listed here.
Not only is Brittany physicallyaffectionate toward Santana (see all of their S1 touches on the back row of thechoir room), but she is also verbally affectionate, constantly praisingSantana’s “awesomeness” and reminding her of her exemplary qualities. Brittanydemonstrates her feelings for Santana in numerous ways, such as by giving hergifts (see episode 3x12) and making speeches to her and about her love for her(see episodes 2x18, 2x22, 5x12, and 6x06).
Brittany is constantly surprisingSantana in the best ways possible, by putting herself out there for the sake oftheir relationship and always knowing the right—if unexpected—thing to say(see, for example, the Heart Locker speech in episode 2x22 or what Brittanysays to Santana at the end of episode 4x13).
Santana herself tells us that Brittanyis the light of her life (see her marriage proposal in episode 6x03).
That said, Santana would probably also agree that at timesBrittany can lose sight of the minutiae of everyday life, such as when Brittany fails to graduate high school—and neglectsto mention her failure until it’s too late to do anything about it (see episode3x22).
Luckily, ESFJs like Santana are great with money and practicaldecisions. Santana’s strengths naturally balance out Brittany’s weaknesses. Thegirls complement each other nicely.
See, for example, in episode 5x13, when Brittany wants to move toLesbos with Santana to escape their social pressures and responsibilities.Santana reins Brittany in, convincing her to simply take a vacation rather thanto permanently abandon her whole life.
ENFPs can go from serious to silly in atrice. When they need to, they can get down to business. However, if given halfthe chance, they’ll gladly break out the hijinks and jokes.
Brittany can be serious when she needs to be, but she is also agrade-A, professional goofball who makes odd quips whenever she can. Shecan quickly switch between gravitas and jocularity—such as, for instance, inepisode 2x15, when she intersperses her very heartfelt entreaty to Santana toseek advice regarding their romantic relationship with pithy one-linersregarding breakfast foods.
ENFPs thrive on human connections,which can make them great friends. However, their willingness to uphold theirend of a relationship no matter what can also lead them to be victimized bypersons who would take advantage of them. They have difficulty being alone, andfor this reason they may opt to keep “bad company” rather than go with nocompany at all.
InS1 and early S2, Brittany submerges her own needs in order to placate Santana. Her desires take a backseat to Santana’s fears.Because she is so desperate to maintain a relationship with Santana (even ifthat relationship is not on her terms), sheis willing to play by Santana’s rules, however convoluted or unbearable theymay be. Only later in her development doesshe learn to advocate for herself, even if doing so isdifficult, such as during the Shirt Locker scene in episode 2x18.
ENFPs are empathetic and social. They believethat feelings (and the recognition and expression of feelings) is important. 
“With feelings, it’s better,” anyone?
Brittany understands long before Santana does that denying howthey feel for each other is detrimental not only to their relationship but tothem as individuals. She spends much of the Back Six of S2 encouraging Santanato first recognize and then embrace her feelings (see, for example, her promnight speech in episode 2x20).
ENFPs are highly devoted to the peopleto whom they commit their hearts.
While Brittany has a reputation for promiscuity—and by her ownadmission has made out with everyone at her school—she is emotionallymonogamous with Santana from start to finish on the show. When she tellsSantana “I’m yours, proudly so” in episode 2x15, that statement isn’tconditional or limited in its scope. Brittany means forever, which is something she proves by her willingness to waitfor Santana time and time again throughout the course of the series. While shewill occasionally date other people, like Artie and Sam, and even love these othe people in a way, it’s clear that herheart has only ever truly and fully belonged to one person. Santana is her first and lastchoice, always. Brittany says so herself in her infinity speech (see episode6x06).
Fun Fact: Some of the MBTI sites Ilooked at mentioned that ENFPs may be attracted to journalism, and that, inspite of their more whimsical qualities, ENFPs can also excel in mathematics.Sounds a bit like our favorite Muckraker contributor, FF2 host, andcertified math genius, no?
Anyway.
In general, ENFPsare known to be free-spirited “campaigners” who form deep emotional connectionswith the people closest to them. They are charming, intuitive, and full ofsurprises. As romantic partners, they are deeply, deeply devoted.Professionally, they are interested in everything—sometimes to the point ofdistraction. Though their practical skills may be lacking, they are good “bigpicture” thinkers able to see the grander view. They are often the life of theparty and can be found at the center of the dancefloor.
Brittany’sBrittanyisms, enthusiastic political activities, and loyalty to Santana are allhallmarks of her ENFPness, as are her nonnormative thinking and attraction toand participation in a wide variety of extracurricular activities (e.g.,cheerleading, glee club, dance, student newspaper, senior class presidency,quiz bowl, motocross racing, astronomy club, superhero club, etc.). Theacademic troubles she experiences during high school may link to a lack offocus and/or an inability to put into practice the theoretical concepts thatshe learns, which are classic ENFP foibles. Her series-long devotion to hertrue love Santana and her high emotional intelligence likewise mark her asENFP.  
Santana the ESFJ
First off, anacknowledgment:
Santana makes for atricky ESFJ because she not only tends to suppress many of her natural ESFJtraits—and particularly the more positive ones—but she also often straight updoes the opposite of what comes naturally to her. 
Baby Girl is a study incontradictions, a born sensitive sweetheart who so deeply fears beingvulnerable (and having her vulnerability used against her) that she forcesherself to become recalcitrant, combative, and mean. Early on in herdevelopment, she pretends not to care about anyone or anything for the veryreason that she actually cares so much,but she doesn’t want to get hurt. Instead of using her ESFJ micromanagement skillsto care for the people she loves, she weaponizes them, plotting out detailedplans in order to derail others’ romantic relationships, wreck team bonds, andgenerally make others miserable. Rather than forming loyal bonds with those shecares about, she often goes out of her way to prove that she doesn’t want or needanyone, even though she is actually desperately lonely inside.
Just on a surfacelevel, she might appear to be something she very much isn’t, seeming like adifferent MBTI type altogether—such as, for instance, an ESTJ. Only in lookingat what lies beneath with her (and how she comes to be in later seasons of theshow, when she starts to lean into her natural tendencies) do we see her trueESFJness at play.
So:
ESFJswear their hearts on their sleeves.
THIS!!!TRAIT!!! IS!!! SO!!! SANTANA!!!
AsI’ve written about elsewhere, Santana is ather core an extremely reactive person, which means that, by nature, she wears her heart on her sleeve. When she’s happy, she’s really, really happy and smilingher huge, gorgeous smile. When she’s sad, she’s really, really sad and weepingin the hallway because Rachel fucking Berry said she would grow up to be astripper and her heart is so deeply hurt.
One site I looked at mentioned that ESFJs can have explosive tempers and unload onothers when they are angry, which is certainly true of Santana, particularlyearly on. (See, for instances, all of the times when she lashes out at Rachel—to thepoint where she must be physically restrained by other members of the gleeclub—in S2, such as in episodes 2x07 and 2x22.)
Thoughearly on Santana pretends to be heartless and “too cool for school,” the truth isthat her emotions run both very strong and very close to the surface—andnowhere is this trait more readily apparent than in her relationship withBrittany.
For asmuch as Santana tries during S1 and early S2 to suppress and tamp down how shefeels around Brittany, she ultimately cannot help but light up when somethingto do with Brittany makes her happy or to appear crushed when something to dowith Brittany makes her sad. As she tells Brittany herself in episode 4x04, atthe very times when she was trying hardest to rein in her emotions, she wasactually counting the number of times that Brittany smiled at her and “dying”on days when she didn’t. For as unaffected as Santana attempts to be, the truthis that everything Brittany does—and really everything that happens in her lifein general—deeply affects her.
AfterSantana finally acknowledges this truth about herself (see her Hurt Lockerspeech in episode 2x15), she starts to give into her feelings more and more—notonly regarding Brittany but regarding everything in her life, including herlove for performance, her friendships with various glee club members, her hopesand dreams, etc. By the conclusion of the show in S6, she’s behaving in a waythat is much more natural to her, openly showing her emotions, crying at thedrop of a hat, smiling so widely her dimples show, being demonstrative in herlove for both friends and family, etc., etc.  
ESFJsvalue security and stability. They tend to preserve the status quo.
There’sa reason why Santana chooses to sing “Landslide” in her first real act ofself-expression on the show: “I’ve been afraid of changing” could be the mottoof her life.
BabyGirl fears the unknown. She’s constantly building things up in her head,worrying about what might happen, fretting about contingencies and unexpectedturns of events. Even in situations where the status quo isn’t ideal, Santanawould rather stick to her routines than to assume the risks inherent indeviating from them in order to forge new paths. She spends early S2 miserable,languishing as Brittany dates Artie and her and Brittany’s sexual/romanticrelationship is relegated to “side dish” status. However, she remains reluctantto seek a change, even after she reaches her lowest emotional point, becauseshe fears what could happen if she rocks the proverbial boat (“I’m angry because I have all of these feelings—feelings for you—that I’m afraid of dealing with, because I’m afraid of dealing with the consequences. And, Brittany, I can’t go to an Indigo Girls concert. I just can’t”). It takes Brittany pleading with her to consider a change to finally prompt her to take those first steps toward doing things a new way.
Theinteresting thing about Santana is that she spends most of her tenure on theshow outside of her comfort zone, lacking stability and being forced to changeand adapt in spite of herself. Sometimes she reacts poorly to the discomfortshe feels as she’s pushed from her norms—such as in S4 and early S5, when shecontinually flails as she lacks a clear career path, suffers through shakysocial relationships, is without the grounding influence of her and Brittany’sromantic relationship in her life, etc.—but she ultimately ends up poweringthrough, enduring these sea changes and coming out generally better for them onthe other side.
Ofcourse, just because Santana eventually learns to deal with uncertainty becauseshe has to doesn’t mean that she disvalues security and stability when she has them.Look no further than S6 to see just how much Santana thrives when she feels anchored. Having Brittany by her side andfeeling secure in their relationship does wonders for her confidence. Becauseshe knows she has an advocate in her corner, she can deal with other, moreminor stresses in her life with ease.    
ESFJsare excellent micromanagers who enjoy seeing to the care of those around them.As caretakers, they tend to be wary of dangers to their loved ones. Theirdistrust of the world causes them to be hypervigilant of potential hazards.
Onesalient example of this behavior: In episode 3x11, Santana sits Kurt down tostrategize about what to do about Warbler bully Sebastian Smythe, who hasrecently scratched Blaine’s cornea with rock salt. Santana then tapes a voicerecorder to her underboob, infiltrates Dalton, challenges Smythe to a rapbattle Michael Jackson sing-off, catches him admitting to maiming Blaine ontape, and uses this evidence to blackmail Smythe. Her actions go way beyondwhat Kurt is comfortable with and probably also way beyond what is reasonable—asting operation? underboob?—but, boy howdy, do they show what Santana’saffections look like in action. 
If you’re one of the select people she caresabout, she will insert herself into your life, push convoluted schemes, dressin a fedora, take a slushie to the face, and risk life and limb to make sureyour needs are met. For as much time and energy as she expends plotting todestroy her enemies in S1-S2, she will expend just as much or more time andenergy plotting to support her friends in S3-S6.
Particularlyearly on in her development, Santana often mentions her distrust of people (andthe world in general). She maintains a pessimistic attitude regarding people’sintentions and has a hard time believing that good things will come to her. Wesee her sometimes try to protect Brittany, who possesses a more optimisticworldview, from the nastiness she perceives around them (see, for example,episode 3x04). Only over time, and with encouragement from Brittany, does Santana learn to drop her guard a bit and give others a chance to prove themselves.    
ESFJsmake excellent team members. Situations where everyone benefits bring them joy.
Atfirst glance, the above statement may seem like it doesn’t hold true forSantana. After all, her relationship with the New Directions remains strainedat best all the way up until episode 6x06. And Santana happy when everyonebenefits? Sounds fake.
Here’sthe thing, though: While Santana does certainly make more than a couplemissteps as a member of the glee club team (e.g., spying on them for Sue,helping to leak their set lists, waging biological warfare against many of herteam members, breaking up various couples within the glee club, going on wildlyoffensive and demoralizing rants regarding her teammates, defecting from theNew Directions to start the Troubletones, etc., etc.), she tends to resort tothis negative behavior either because she is under duress from Sue or becauseshe’s acting on hurt feelings, lashing out because she perceives that the grouphas rejected her.
That’snot to justify her shitty behavior—just to say that she’s acting in response tostimuli. She’s not just pulling these stunts out of nowhere.
Thetruth is that when left to her own devices, without Sue commanding her tosabotage anyone and when she feels safe and secure to be herself without fearof rejection, Santana is actually a pretty standup teammate who takes great joyin the group’s achievements.
Gleeclub is the best part of her day, okay?
That’swhy when Sue poses her with an ultimatum, she chooses glee club over Cheerios(see episode 2x11). That’s why she goes out of her way to bring Kurt back toWMHS from Dalton (see episode 2x18). That’s why she neutralizes Karofsky’sthreat on Kurt’s behalf (see episode 2x20). That’s why she tries to get Quinnto rejoin glee club after she drops out at the start of S3 (see episode 3x01).That’s why she eventually rejoins the New Directions in time to prepare forNationals (see episode 3x08). That’s why she goes after Sebastian Warbler toavenge Blaine (see episode 3x11). That’s why time and time again, she gives herall to supporting her teammates, singing and dancing her heart out, and doingwhatever it takes to make sure that the New Directions come out on top. That’s whyshe returns so often even after she graduates to participate in interventionsand alumni events. That’s why she seldom looks happier than she does when she’ssurrounded by her glee club family, basking in a shared triumph, feeling like apart of the collective.
So,yeah, Santana can be a shitty teammate sometimes. But when given even half achance, she can also be an excellent teammate—the kind of person that everyonebe lucky to have in their corner (as Mercedes points out in episode 5x18).
ESFJscare about other people’s feelings and try not to offend or cause damage toanyone.
Atfirst glance, the above statements may also seem like they do not hold true forSantana. After all, this is a girl who seemingly delights in verballydestroying people and spouting off ultra-offensive rants, whose own soulmateopenly acknowledges her penchant for “vicious, vicious words.” Santana hasnever been shy about saying whatever pops into her head, no matter how uncouthor outright hurtful the thought may be, right? So what kind of ESFJ does thatmake her?
Well,here’s where the acknowledgment I made at the top of her section comes in: Thistrait is one that Santana actively works against in herself, particularly earlyon.
Mytheory has always been that Santana is a born sweetheart—that the kindhearted,bashful, soft soul she is around Brittany reflects who she really is inside andperhaps who she could have been at all times had her life experiences not promptedher to develop her “bitch persona.” Snixx is a façade, an act, and a means ofusing offense as defense to keep Santana (and Brittany) from being eaten alivein their unforgiving social environment. The insults Santana fires off, thebullying she engages in, and her whole aggressive “Lima Heights Adjacent” energy areall defense mechanisms, and practiced ones at that. They come about fromSantana, who is herself incredibly sensitive and easily wounded, knowing how tohit people where it really hurts so as to avoid herself being hit.
Makeno mistake: The consequences of Santana’s meanness are real, and I am not atall trying to absolve her of her cruelties.
However,what I am saying is that deep down, Santana doesn’t actually enjoy being mean.In fact, I’d care to wager that if she felt safe enough to drop her defenses,she’d prefer not to offend or cause relational damage. She’d like to be softer,if possible. Santana herself essentially admits that such is the case inepisode 3x08, when she tells her grandmother that pretending to be someoneshe’s not and constantly having “to fight all the time” exhausts her.
It’snotable that in later seasons, when Santana feels more comfortable beingherself and is more enmeshed with the group, she becomes noticeably kinder, andher rants become both less frequent and (for the most part) more toothless.
Of course,that’s not to say that she never flies off the handle in later seasons, asshe’ll still go for the jugular when provoked (such as when she verballyeviscerates Kurt after he disparages her and Brittany’s engagement in episode6x03), and she always maintains her hallmark snark even in situations whereshe’s relaxed. Old habits die hard, after all.
ESFJswhose attentions have been rejected tend to falter. They don’t fare well insituations where their caring attitudes and heartfelt reactions prove to be aliability.
Thetrait very much relates to two previous traits discussed.
Santanawants so much to give and receive love. She craves approval and acceptance. However,particularly early on, she seldom gets those things.
To befair, in the early seasons of the show, she certainly doesn’t do much to makeherself likeable to her glee club teammates, and she downplays and evenstraight up denies that she desires to be part of the group, to the point wherethey have every reason to consider her an outsider and even potential threat.
She sofears being rejected for reasons beyond her control that she opts to make herself unlikable for reasons she can control, so that when she is inevitably rejected, it will be on her terms (which, she subconsciously rationalizes, is somehow a more livable alternative).
Still.Even after she drops her façade and starts to openly show howmuch she cares about her teammates, they remain wary of her, not accepting thatshe is a changed person. Time and timeagain, the New Directions (both as a group and in individual instances) rejecther genuine and heartfelt gestures of love and friendship, misunderstanding theintentions behind them by expecting that her niceness comes with stringsattached or else is bait for some kind of trap. Whenever these occurrences takeplace, Santana is crushed.
Nowhereis this trait more apparent than during the Pezberry feud of S5. When Santanamoves into the Loft, she tries so hard to prove to Rachel that she has changedsince high school and goes out of her way to earn Rachel’s trust andfriendship. She offers Rachel a crying shoulder during her pregnancy scare; she takes action to extricate Rachel from her toxic relationship with Brody, resortingto the “micromanaging and getting overly involved in her friends’ lives”behavior described above; she bonds with Rachel over their personal andprofessional troubles as young twentysomethings trying to make it big in NewYork; she supports Rachel’s Broadway aspirations; she is there for Rachel after Finn’sdeath; she gets Rachel a job at the diner; she confides in Rachel about her fears anddreams; etc., etc., etc.
But Rachel never seems to fully accept Santana’s efforts atfriendship as genuine, as is proven in episode 5x09, when Rachel accuses Santanaof trying to steal her role in Funny Girlout from under her, failing to recognize that Santana is trying to emulate herrather than usurp her success.
Trueto ESFJ form, Santana is so deeply hurt by Rachel’s rejection of her friendshipthat she falls into a tailspin. Within a few weeks’ time, Santana’s retaliatorybehavior has resulted in Kurt and Dani kicking her out of their band, Dantana’s relationship deteriorating to the point of beingunsalvageable, and Santana sabotagingany and all chances that exist for reconciliation between herself and Rachel,the last of which occurs in episode 5x18, when, once again, Santana comes to Rachel’s aid, only to haveRachel second-guess her reasons for doing so (“Is that the kind of friend thatyou think that I am?”).
ThoughPezberry eventually (by S6) get back to a place where they can be civil to eachother, Santana never dares to attempt close/intimate friendship with Rachelagain. Her feelings have been too deeply hurt, and she durst not put herself ina position to get burned again.      
ESFJshave a tendency to become preoccupied with social status and influence, a traitwhich heavily influences their decision-making. They can become rigid and avoidcreativity and individual expression for fear of “rocking the boat.” ESFJs mayalso fixate on what is socially acceptable (and what is not). They are cautiousconcerning the rules and critical of anything or anyone that breaks from thenorm. ESFJs are often unwilling to experiment or step out of their individualcomfort zones. They fear of appearing—let alone being—different.
Thesetraits are more straightforwardly recognizable as “Santana,” particularly in S1and S2.
BabyGirl is obsessed with social statusand climbing the proverbial ladder of popularity. She calculates how every moveshe makes at WMHS will affect her image and refuses to take any action that shedeems too risky. She is all about accruing social capital, even at the expenseof others. Everything about her, from how she dresses to what she says to howshe interacts with her peers, is meant to keep her riding high as an HBIC.  
Shealso isn’t above pointing out how uncool others are to make herself look coolerby comparison.
ThroughoutS1 and early S2, she is constantly dragging others down in order to pullherself up. She is especially hard on anyone who deviates from social norms, whichis why she bullies Kurt for being gay and mocks Finn for dating tragically unhip Rachel.  
Soreluctant is she to jeopardize her status that she actively suppresses many ofher natural inclinations and hides her true interests—hence why though she’lladmit to her teammates that glee club is the best part of her day with onebreath, she’ll threaten with another to deny that she’s made such an admissionshould that information leak to anyone outside of the New Directions.
Ofcourse, Santana’s fear of making herself stand out or appear “different”greatly influences her early interactions with Brittany, as she remains trappedso far inside the iron closet in her mind that she can scarcely even admit toherself—let alone to anyone else, including Brittany—what her true feelingsreally are.
Eventually,thanks in large part to Brittany’s influence, Santana does largely overcome herfear of going against the grain, learning that it’s more important to be likedfor who she truly is than to be feared for who she pretends to be. Though shenever fully loses her edge, as the seasons wear on, she becomes increasinglytolerant of persons who deviate from social norms and increasingly comfortable withdeviating from social norms herself.
ESFJsmay find it challenging to change their tendencies toward rigidity andconformity because they are sensitive to what they perceive as attacks on theirconcepts of self. If someone close to them criticizes any aspect of theirself-identity (from their character to their beliefs to their habits), ESFJsoften become defensive. Their feelings are easily hurt.
Asstated above, Santana does eventually overcome some of her rigid and conformistbehaviors—but doing so is no easy task.
Santana’smost deep-seated fear is that she is unlovable, and any time someone criticizesor attacks an aspect of her intrinsic self-identity, she feels that her fearhas been justified. While she can “live with” people hating her for beingbitchy or looking down on her for being shallow (though even those slightshurt, in their own ways), she would rather die a thousand deaths than havesomeone reject her because of her true personality or due to her sexualorientation—and especially if that someone is a person who matters to her.
WhenSebastian Smythe snipes at her for being brassy (see episode 3x11), she candeal. But when Rachel Berry, who should be her friend, misjudges her character(see episode 5x09), she’s heartbroken.
Santanathen reacts to this heartbreak by going on the defensive, which is what we seefrom her in episode 5x12, when she calls Rachel out in front of the whole gleeclub, telling her she is a terrible person. That’s very much Santana’s woundedsense of self talking—which is not to justify her behavior but simply to say,once again, that, contrary to what Rachel and other characters on the showerroneously believe, Santana’s meanness doesn’t just come out of nowhere.
ESFJs thriveon appreciation and praise. Without it, they feel insecure and will fish forreassurances.
Ofcourse, the flipside to Santana being criticism-avoidant is that she is eagerfor praise.
Overthe seasons, she says numerous times that she lives for applause—but the truthis that her need for validation runs even deeper than what she lets on. It’snot just empty clapping from strangers that she’s after. She needs words ofaffirmation from people who matter to her, including genuine and heartfeltstatements that build her up and reassure her.
For asmuch bravada as she puts on, Santana is one insecure kid. As stated above, shesecretly fears that she is unlovable. Unfortunately, a lot of what shehears—from her peers, from her teachers, from the world—reinforces that beliefin her. She’s constantly being told that she, individually, is a bad person.She’s also constantly being told that she, as a member of the LGBTQ community,is generally bad and/or immoral. It’s little wonder that her self-esteem isn’tgreat, especially to start out with. Though she seldom lets on that such is thecase, she’s dying for someone to tell her that despite what everyone thinksshe’s actually a decent human being, worthy of love and capable of achievingthe dreams that matter to her.
Honestly,throughout the show, there are only two characters who really fulfill Santana’sneeds, in this regard.
Thefirst is, of course, Brittany, who is basically an endless fountain ofSantana-validation. She constantly reminds Santana to “embrace all theawesomeness that [she is]” and on many occasions enumerates Santana’s goodtraits to her. While others tell Santana how horrible she is at every possibleopportunity, Brittany is adamant that Santana is the best person she knows, whois capable of achieving anything she sets her mind to. That’s what Brittanytells Santana in a dark room at their junior prom (see episode 2x20). That’swhat she tells her as she sends her off to New York to chase her dreams (seeepisode 4x13). That’s what she tells her again when they reunite before jettingoff to Lesbos (see episode 5x13). It’s something that she says the night beforethey get engaged (see episode 6x03), and it’s undoubtedly something that she’llkeep saying again and again for the rest of their married lives.
Theonly other person on the show who offers Santana similar encouragements (thatshe doesn’t then later rescind or cover with disparagements) is Mercedes, whoparticularly in S5 goes hard on reminding Santana that she is not only atalented performer with a lot of potential but a great friend with manypositive qualities.  
ESFJslike to shower people with the attention and reassurance that they themselvescrave. However, they may go overboard in involving themselves in the lives oftheir friends and loved ones, taking actions that are ultimately unwelcome. Intending to the needs of others, ESFJs may forget to tend to their own needs.
Santanaisn’t just a cheerleader for the football team. She’s actually a huge supporterof her friends.
Admittedly,much of her “cheerleading” comes mixed in with a hefty helping of snark. Still,there’s no denying that the praise is in fact there. She sings to cheer Quinnup after her accident (see episode 3x17). She spends much of S4 and S5reassuring Kurt and especially Rachel of how talented and poised for successthey are. When Mercedes gets her record contract, she’s all over telling herhow deserving she is and how she’s destined to go far (see episode 5x18). And,oh yeah, remind me of her catchphrase when it comes to any and all thingsBrittany? That’s right: “You’re a genius.”
Hersupport for her friends and loved ones goes beyond mere words, though. She’salso—as discussed above—quick to offer direct action in order to keep herpeople safe and cared for. Sometimes what she does is welcome, such as when shesings “Valerie” to Brittany is episode 5x12 in order to remind her of hercreativity and love for dance. Other times, she takes things a step or fiftytoo far, such as when, after making several unsuccessful attempts to get Rachelto break up with the untrustworthy Brody, she goes behind Rachel’s back tosummon Finn to New York City for the purpose of kicking Brody’s ass (see episode 4x16). Santana,of course, views this action as “tough love” for Rachel—a necessary override,as it were. Rachel, naturally, sees things differently, at least initially, failing to appreciatethe intentions behind Santana’s meddling.
Learningto respect boundaries is another long process in Santana’s development. Part ofit involves becoming more mindful of what other people are comfortable with.Another part of it involves becoming more mindful of her own needs and notsacrificing her own well-being for the sake of others.
ThroughoutS4 and S5, Santana nearly kills herself trying to win Hummelberry’s approval.While both Kurt and Rachel are more than happy to have Santana rush to theirrescue when they’re in fixes, they’re also quick to kick her to the curb thesecond she steps out of line or does something to upset them (such as, for instance, in episode 4x16 after she confronts Brody at NYADA). In times ofconflict, they evict her from the Loft, form ranks against her, and eventriangulate with her girlfriend to disenfranchise her from the group. ThoughSantana certainly is no angel, she also certainly isn’t the coldhearted villainthey—and particularly Rachel—make her out to be, either. Hummelberry constantlydangling their friendship and love over her head does a number on her heart.They’re like Lucy, their acceptance is the football, and Santana is CharlieBrown, winding up to take the kick again and again and again, despiteexperiencing the same result every single time. By the time the Pezberry feudfinally comes to a head between episodes 5x09 and 5x12, Santana is an emotionalmess who doesn’t know which end is up anymore.
Ittakes resident Santana Lopez-ologist Brittany to undo the damage thatHummelberry have done to Santana’s self-esteem and to encourage Santana to justwalk away from the whole enmeshed situation because it’s detrimental to her(see episode 5x13). Santana very much takes her words to heart, deciding thenand there that while she can be civil to Hummelberry, particularly from afar,she’ll no longer keep giving them her heart to stomp on. She’ll maintain heremotional distance, keeping their “friendship” at a surface level withouttrying to achieve any sort of real social intimacy. She’ll also tend to her ownemotional needs before she tries to tend to the emotional needs of others sothat she doesn’t get burnt out again.
ESFJsmake for loyal, trustworthy romantic partners who view romantic relationshipsas sacred. They require partners whoare likewise both devoted and supportive, who provide them with senses ofsecurity and stability. No other kind of relationship is as important to anESFJ as a loving, committed, romantic bond.
Backwhen Santana is still in the habit of dating boys, infidelity is her hallmark,as she frequently cheats on her male partners and will swap one boy out foranother on a whim so long as doing so suits her social purposes. She and Puck arenowhere near monogamous. Finn is a pit stop for her, at best. She cheats on Samwith Brittany and then starts dating Karofsky before she and Sam even properlybreak up. Ask any of her ex-boyfriends if they would consider her either “trustworthy”or “loyal,” and they’d probably laugh right in your face.
Butnot so with Brittany. Though Santana does break up with Brittany in S4, have aone-night stand with Quinn shortly thereafter, and eventually date DaniWaitress for a time during S5, Santana remains emotionally monogamous with Brittanythroughout the duration of the show, and at times when she and Brittany aredating she is entirely faithful to her. Though in early seasons of the show,Santana and Brittany cheat on other partners with each other, once they becomea committed couple they never cheat on each other with anyone else—a rare featfor a Glee couple.
In fact, the second that Santana realizes that she is even mildly attracted to another girl while dating Brittany, she immediately breaks up with Brittany, for fear that her attraction could potentially lead to unfaithfulness (see episode 4x04).
Still,Santana’s loyalty and trustworthiness as a romantic partner for Brittany runseven deeper than just emotional monogamy and fidelity. She’s also loyal andtrustworthy in the sense that Brittany can rely on her as a stalwart support—assomeone who’ll be there for her no matter what.
ThatSantana views her and Brittany’s relationship as sacred is clear from both herwords and her deeds. She frequently describes Brittany’s goodness and theedifying effect that Brittany’s love has on her life (see, for example, herspeech about Brittany to Rory in episode 3x04 or her proposal in episode 6x03).She also treats Brittany with tenderness and appreciation, being kind to, patient with, and compassionate towards her in a way she is to no one else. 
Asdiscussed above, Brittany is the biggest source of support and stability inSantana’s life. Santana falters at times when they’re apart and thrives attimes when they’re together. Just watch the choir room scene in episode 5x13 orthe bedroom scene in episode 6x03, and you can see how much Santana physicallyrelaxes in Brittany’s presence. It’s clear that Santana never feels safer thanshe does in Brittany’s arms. It’s also clear that as long as Santana hasBrittany by her side, she’ll be okay, no matter what obstacles and challengescome her way.
ESFJsmate for life, with a strong desire for marriage and family.
Earlyon, before she is at a place in her life where she can believe that her dreamswill come true, Santana talks a big game about not needing anyone and muses thatshe’ll marry an NFL player someday, not for love but for “reliability.” Butonce Santana realizes that Brittany reciprocates her love and that theyactually stand a chance to be together for the long run, she gives in to hertrue romantic nature and starts seeing things in terms of always and forever.
Itmeans so much to Santana when she and Brittany can finally be married—you canjust see it written all over her face, in that big, effulgent smile she wearson their wedding day (see episode 6x08). Her eyes actually sparkle. Brittany is her dream girl,her North Star, her family, and she is so happy to take Brittany as her wife.It’s something she’s wanted since long before she ever allowed herself to fullyprocess the desire. It’s her perfect happy ending, an absolute dream come true.
FunFact: Some of the MBTI type sites I visited mentioned that ESFJs make greatcheerleaders and can be talented stage performers. Sounds like a certain formerCheerios captain and frequent high school musical show-stealer we know of, no?
ESFJsare known as the “consul” type, meaning that they are comfortable in leadershippositions, possess excellent planning skills, and highly value loyalty. Theyoften take on the concerns of others as if they were their own. They don’t shyaway from sharing their evaluations—especially regarding the behavior ofothers—with the world. However, while they can dish criticisms out, theysometimes can’t take them, particularly if those criticisms challenge theirsenses of self. ESFJs are not only deeply emotional but also highly expressiveof their emotions. Everyone knows what they feel and how. Socialization plays a big role in their lives, and they canfrequently be found filling “host” positions at gatherings, organizing thepeople around them.  
WhileSantana does (particularly initially) suppress and act against some of hernatural ESFJ tendencies, the truth is that she fits the type pretty well. She’sa born planner and schemer who is heavy into social politics and big on lookingafter the people she cares about, and she thrives on validation, especiallyfrom those she is closest to. She never hesitates to give her opinion on thepeople around her, whether she’s snarking about their wardrobe choices or,later on, extolling their positive qualities to boost their self-esteems.Though her feelings are easily hurt and she can sometimes be a conformist, sheis also capable of being an awesome friend, both supportive and protective ofthe people who matter to her. Her leadership skills are apparent when shecaptains the Cheerios. Her care for others is likewise apparent in the ways shetries to help her friends, especially in S4 and S5, as well as in her andBrittany’s relationship.  
Ididn’t spend a lot of time looking into it, but a cursory glance around the ol’interwebs would suggest that ENFPs and ESFJs tend to complement each other wellin romantic relationships, possessing a good balance of commonalities anddifferences.
Anyhow,I’ve gone on long enough now.
Thanksfor the question!  
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bestofmefi · 5 years
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"Toasting the Decline Of Their Stock Price"
Cherenkov Cocktail by Apionid (cc by-nc-nd)
2 jiggers of frustration, garnish with a soupçon of rage: help anonymous make the perfect spite cocktail.
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