#an argument can also be made for Viktor being trans here

[waywardsou2]

Viktor's whole season 2 arc is basically where living body dysmorphia meets fantasy

And honestly...it's quite sad.

Viktor was in no way happy with himself and it was obvious by the end of season 1. But unlike in real life where people just dig themselves into a depressive hole he took the one thing in this world that he staked his life on and used it to change his life

What he thoughts was for the better. But it didn't make him better

Because we can see in Act 2 he's deteriorating even in Jesus form. He's still dying, the arcane is sucking all of the life out of his body even if his soul is thriving...

I feel so bad for Viktor...but I also relate. Maybe a little too much

[scenarios-on-ice]

Roses are red

Violets are blue

This ‘poem’ sucks but

Happy Birthday to you

(Note: there was originally like eight more cynical lines about how birthdays mean you’re that much closer to the end, but I scrapped it because when I try to use dark humor it usually just ends up kinda gruesome.

There’s probably something wrong with me and someday we’ll find out what that is, but today is not that day)

Congratulations! @(^-^)@  You were only sixteen but your mind was older- now you’re seventeen, but I’m sure the latter part of that quote still applies and the blog will blow us all away even more than before! Hope you have a wonderful, satisfying birthday despite how non-stop you are (don’t forget to take a break when you can) and one last time, congratulations!

(also depending on how the timezone difference between Croatia and Korea works, we’re only a day or two apart- my birthday is March 30th, which is tomorrow over here! :D so cool)

“Whatever you say ma'am, Furuta will pay for his behavior! I’ll use tumblr, I’ll write under a pseudonym(Evans)- you’ll see what I can do to him!

But at least since he’s dead, you can finally speak your mind?”

I know, I still like the idea of trans Mutsuki better but other than any hints dropped in canon, I just think it’s very unlikely that TG as a Japanese manga will add a 100%, conmpletely confirmed LGBTQ character. I believe Ishida himself is pretty open towards the LGBTQ community (Nico’s portrayal is a bit questionable but in an omake Yomo is shown thinking that anyone he dates could become Touka’s aunt OR uncle (though of course that could be a translation error), Shuu is a subversion of manga stereotypes regarding gay men and TG in general has a lot of interesting themes regarding sexuality and gender), but idk, the idea of a mainstream seinen manga like TG adding LGBTQ themes that go beyond heavy implication seems unlikely (though who knows, it could happen).

Mutsuki just makes me bitter. FIrst all the arguments about their gender and now I don’t even like them anymore (they used to be an adorable cinnamon roll but after recent chapters, while I still feel for them they’ve become a lot less sympathetic).

(Also this just makes me sound salty but I recently came across a very aggressive blog dedicated to reminding everybody that MUTSKI IS MALE AND YOU ARE ALL WRONG and reading through it just made me kinda mad and irritated all at once. Once a trans person made a post saying that despite being trans themself they didn’t think Mutsuki was, offering several manga moments as decent evidence and being quite polite, and the mod of this blog answered them with what basically boils down to 'lol no it’s possible to be transphobic even if you’re part of the LGBTQ community and you are clearly one of these people’.)

Don’t worry, cinnamon roll Hinami isn’t being forgotten! :) I’m really looking forward to her meeting Akira. I’ve always liked Hina but these recent chapters pushed her up on my ‘favorite characters’ list- she’s just way too sweet.

Reading the manga: wth Ishida you are officially my least favorite person like even Isayama is better than you

Reading Ishida’s translated tweets/the comments he makes in TG extras: why are you so nice

Yeah, I kinda hated Urie at first (I understood his goals and motivations but did he really have to be such a jerk? I honestly thought he was going to get somebody killed in the auction arc) but after the auction arc I started to like him better (I think the official moment I decided ‘I like Urie Kuki as a character’ was when Shirazu died) and I kinda freaked out when I realized what happened to him…

He would make a great Burr though. I think he’s way more willing to act than Burr and is not a ‘talk less, smile more’ kind of person (more like a ‘talk less and don’t smile at all’ type) but they’re still really similar. I could also see Urie singing Wait for It…with Kaneki as Hamilton. Not because Kaneki particularly fits Hamilton but because of how Burr is clearly somewhat jealous about Hamilton’s progress despite not approving of his methods in Wait For It (in an interview about the song I think LMM said something about it describing the feeling of watching your friends and acquaintances getting so far ahead in life and thinking 'Wait for it; someday I’ll get there too’).

Am I the only one who headcanons that despite acting super classy and not knowing much about rap/hip-hop before someone (maybe Hori?) gets him to listen to it, Tsukiyama actually turns out to be a really good rapper?

Speaking of Tsukiyama though, I want to see more of his interactions with Naki

Hmm, since Mado died after he was already an adult couldn’t Akira technically count? We know from omakes that Mado was a doting father and made her childhood as happy as possible, so while her life might not have been 100% perfect it was still really good in TG terms. Takizawa before he entered the academy also counts.

but even those two had so much tragedy happen to them as adults…

(also, have you started reading the manga again? :D)

ok, that sounds creepy. Not going to be watching that.

Thank you so much for the recommendations though! Not sure if I’ll get the time to watch those but I think I saw some Magi volumes in a bookstore here so maybe I’ll check that out when I have the time!

And yeah, if you have any good animes/mangas to recommend, please do! And genre doesn’t matter- though I usually prefer dark, psychological stories I’m willing to make exceptions when the series in question is really good (that’s what I did with YoI after all :) the only genres I’m really reluctant to read are horror and high school romances).

I’m glad you liked them! And nope, don’t mind at all  :D fangirling

I am back! Again, happy birthday ^^ I hope the day went well for you :) How old are you now, if you don’t mind me asking? I’m guessing it’s either 14 or 15.

And thank you very much for the poem, it’s very cute! I wouldn’t have minded the extra verses. They might’ve ruined the mood a bit, tho ^^;; The theme sounds like something baroque poems would write about... Don’t mind me, I just had an exam dealing with baroque, so I’m probably prone to making bad references to it. 

I will never manage to reach your level of puns... I’ll just say that I’m very satisfied with the amount of them.

“Just because he’s dead doesn’t mean he won’t come back. He died so another villain can take his place.

No matter how much I support trans Mu, I’d be very, very surprised if it actually become canon. I mean, as you’ve said, Japan and lgbt don’t quite go together that well... I guess we’ll just have to see... And nope, I still haven’t started to read the manga again. No time ^^;;

I’ve started to dislike Mu after the chapter in which his past was revealed. I just don’t have the will to stomach stories like that, honestly... Good horror/psychology manga/anime might interest me once in a while, but there’s a border I don’t like crossing. TG is waaay over it (which is probably a part of the reason why I dropped it, after all)

Gaah, it’s people like that that make dislike the lgbts... Don’t get me wrong, I have nothing against people in that community and I won’t discriminate (though stuff like fictionkin and made-up pronouns do make me roll my eyes), but it’s these people that give people the wrong image about the whole community. Unfortunately, I’ve had quite a few encounters with those... aggressive people. I could go on and on about the things I saw as a part of this site, mostly concerning those ridiculous people who are probably in it because they think it’s ‘cool’ or ‘trendy’ to be bi or genderfluid.  I get waaay too worked up over this theme, don’t I?

Oh, I’m so happy about her not being forgotten! She is a precious cinnamon roll and doesn’t deserve the life she has, she deserves so much better.

Boy, that sounds fun. Well, Ive had experience with the ‘reading manga’ part, but I don’t particularly follow tweets ^^;; I hope things work out in the manga!

Idk, I mean, I disliked him at first, but I got to like him very quickly. I just seem to like silent types like him (I say that, and yet I also like Phichit, Viktor, Haise and so on, who are nothing like him.... WHOOPS).

Signs that I’m slowly forgetting TG: *reading the message* ‘who... are these characters?’ I mean, I know the most important ones, like Haise, Urie, Akira and so on, but the other ones... This makes me very sad ;-;

Yeah, I guess that would make Kaneki a good Hamilton. STILL DON’T WANT BURR (COOKIE) TO KILL HIM, BECAUSE KANEKI IS A CINNAMON ROLL WHO DOESN’T DESERVE TO DIE! The dynamics between Kaneki and Urie don’t make a good Ham-Burr, but their positions in their job, so I guess they really are the best pair for Hamilton.  Why did Ham have to die ;-; That makes casting so much harder for me.

Oh yeah, Tsukiyama would be an amazing rappers, I don’t doubt it at all. In fact, I’m sure that he’d be able to do Guns and Ships perfectly. 

Fun fact: You made a typo saying ‘Mado died after SHE became an adult’ (I changed it) and you gave me the biggest heart attack. Pls, my phone wasn’t used to the speed with which I typed ‘TOKYO GHOUL WIKI AKIRA MADO’ to check if what you said is true.  Yeah, Akira could count, I guess. That makes a total of ONE character... Not much, eh?

I don’t know if I count Takizawa... I think that the way his life is now, it very much makes up the lack of angst in his childhood.

Oh yeah, one last concern about The World Is Still Beautiful!

WHY IS THERE A CHARACTER NAMED LUNA WHO ACTS LIKE AN INSUFFERABLE BRAT DURING HER WHOLE SCREEN TIME, I DEMAND JUSTICE!

I’m done. 

One last recommendation:

LOVE LIVE AKA CUTE IDOLS. I invite you to join me in the pits of idol hell :) It(s not a romance, don’t worry. Also, there’s a mobile rhythm tapping game if you’re interested :))

Ooh, I’d be so happy if you’d start reading Magi! During the later volumes, it gets reeally psychological, so I think you might like it! I’d say something, but spoilers!

Well, I’ll go add the text to the post, then ^^

[saotome-michi]

I don't mind fans calling Yoi revolutionary since shows that hit big get called revolutionary by their fans, but it bothers me when people call it fujobait. Madoka is called a magical girl anime for males tho the author said he didn't have a target audience, it was a show for everyone. Yoi has all the usuals of a Yamamoto anime: the eros story, nudity, sexiness, pole dancing, etc. IMO, Yoi is for female figure skating fans rather than fujoshi since they focus more on skating than anything else.

Does it though anon? Personally, I don’t think it does. I’m a female figure skating fan and YOI’s coverage of skating has been disappointing. The animation budget seems to have gone to Viktor/Yuuri scenes rather than the skating scenes, meaning the competitions have been tedious to watch what with their mediocre animation making all the routines seem the same. Other sports animes like Haikyuu, Cross Game, Kuroko no Basket, Slam Dunk, Hajime no Ippon spend their budget making sure the sports scenes look good so as to engage the viewers. The only skating scenes that look nice in yoi are the viktor/yuuri stay with me in the first and last episodes and again, the reason for that seems to be more for viktor/yuuri than for skating. You can argue about budget but in that case the staff should’ve been smart about it instead of biting off more than they could chew.

(warning: long reply ahoy)

The story also suffers narratively, because although Kubo/Yamamoto have tried to fit in 4 min backstories for the other competitors, they’re not really integral to the story and don’t do anything to raise the tension of the competition. YOI never makes it quite clear why skaters get the scores they do, you’re just supposed to accept it because “technicals? Yuuri skated with more love?? So and so skated with more artistry??” But like how are we supposed to know when their routines all seem the same and we never go into the details? Most of the time the results just seem to be whatever the creators need to move the story along. As a figure skating fan I was looking forward to them explaining the technical elements (the differences between jumps, spins, step sequences, program requirements, etc) but they never really did. Were they required? No, but again it would’ve helped viewers to follow along with the competition if they had some couch figure internally commenting on the different programs (like other sports animes do).

Of course, I’m only one person with only my own opinion, and you’re entitled to your own but I just wanted to explain why I find the figure skating in this anime disappointing. In addition, certain things the staff have done, such as incorporate choreography from Virtue/Moir into the ice dance routine in ep 12 without giving credit, and Kubo’s inappropriate tweets regarding male skaters, have turned me off yoi overall. it’s possible to enjoy a piece of work on its own while acknowledging the creator’s faults, but so much of yoi fandom behavior is worshipping the creators and I’m just not about that…

Pushing that aside for now, I’d say that the anime was targeted towards fujoshis and female skating fans. Because why only aim for one? But yoi definitely derives a lot from BL works (http://saotome-michi.tumblr.com/post/155242878489/is-yoi-bl-though-like-what-is-bl-even-and-when)and women who enjoy BL works definitely make up most of the fandom so… saying YOI is for fujoshis really isn’t wrong? I can understand why ppl get bothered by “fujobait” since it’s usually used as a derogatory term but to me it’s more of a marketing thing. Like, do you think the sparkling pretty men and shiny lip gloss moments are intended for the enjoyment of gay/bi Japanese men? Hell no, it’s for the women who enjoy seeing that kind of stuff.

As for this being a Yamamoto Sayo anime, you’re right that Michiko to Hatchin and The Woman known as Mine Fujiko both featured sexual elements, nudity, etc. and tbh I’ll have to do some more analyzing to get to the heart of why YOI’s sexual elements bother me and those two show’s don’t. But I think it has to do with the sexual/seductive elements in MtoH and Fujiko not coming across as fanservice. Because those elements fit their setting - Michiko to Hatchin takes place in the seedy parts of a fictional country based on brazil. Mine Fujiko hops around the world as a criminal who uses her attractiveness to achieve her goals. Their sexual elements had a purpose in establishing setting or character, and weren’t heavily focused on in a way that made it clear they were for the audience’s enjoyment. On the other hand, the sexual elements in YOI aren’t necessary and are clearly intended to stir the target audience up.

Also if we’re going to talk about Yamamoto then we also have to talk about Kubo. Most ppl only know about her manga Moteki, but she drew several doujinshi in the late 90s involving RL Japanese soccer players (http://www.mandarake.co.jp/information/2009/01/23/21sby05/index.html). There’s nothing wrong about that in itself, but it suggests Kubo is familiar with the BL audience and knows what she’s doing when she writes Viktor/Yuuri enacting traditionally romantic gestures.

Finally it’s funny that you mention Madoka. I don’t know if you’re aware of this anon, but this is something that happened maybe two years ago. The blog fandomsandfeminism posted a presentation they’d made called “Anime and Feminism 101”, which went into what was feminist and not in anime. Because of course a non-Japanese person unfamiliar with Japanese culture thought that they could be an authority on this. Tumblr user hisanakagami, a Japanese trans woman, commented on this post and basically tore it apart. You can read her arguments here (http://cancerously.tumblr.com/post/77750279190/hisanakagami-hisanakagami). hisanakagami later got so much hate for her comments that she ended up leaving tumblr. (A downright shame and an example of how western fandom trying to use anime in their ideas of social justice can turn out fucked up).

One of the things hisanakagami stated was how the magical girl trope was a major contributing factor to the popularization of moe. She touches a bit on how Madoka can hardly be considered a “feminist” series when you look at the historical context and it’s position within the market.

I understand anon that you are not calling Madoka feminist. I am not trying to put words into your mouth. What I’m trying to get at is that your disagreement on Madoka being an anime for males disregards the things hisanakagami talks about and it’s a similar situation with your stance on yoi. Can Madoka and YOI appeal to wider audiences? Yes, but the cultural history behind their tropes/etc and the markets they tap into, are what make this whole “___ is progressive” argument over-simplistic and frankly baffling.

One last note before I sign off on this ridiculously long reply - all popular shows might get called revolutionary, but yoi is probably the one where we get bashed on the head with that word over and over again. Just try googling “yuri on ice revolutionary”.