#also when I start writing Binna again I think she's going to be kind of tough but we'll get there

[void-botanist]

Okay I wanna ask you Blorbo wrapped questions back lmao. I'm also curious about who you thought was coolest, who you rotated in your head the most and who was most fun to write. But also, did you have anyone that was kinda driving you up a wall but then something clicked and you really figured out how to write them? If not, who's still driving you up a wall?

Kendrick! I think you saw that I got too excited and answered my own questions over here but who has been driving me up a wall is an excellent question, lol. There are a few who aren't actively driving me up a wall (what's up with Aza huh) but the people who I still haven't got a hold on are Declan, Horatio, and Sid.

I'm almost hesitant to say Declan because I don't think I have a hard time writing him but I also feel like I haven't fully keyed into the fact that he's an autism creature of a man (and also making it clear that the way the rest of the crew does things behind his back is not them infantilizing him because of it but more complicated than that. They do think he's fragile but that's because of how he's handled his grief). Also like. He literally trusts his crew with his life. But he is so so bad at talking to them and I haven't totally figured out how that all works out.

Oops this got long so here's a cut

Horatio got a character lift in this version. He's always been a sweetheart but that evolved out of him having A Sense Of Justice while also being generally pathetic and wet and soft. Now he has the Standing family deviousness that goes along with it and I don't know how to write that. Because also he looks completely different to Sid, who knows him very well and who he's open with, than he does to Avis, who hates him somewhat for the circumstances of his birth (she tries not to because it's not his fault) but extremely much for being sun-coded in the "cheerful" and "unavoidable and intense" ways. So like, what is he plotting (especially about getting Sorian and Avis back together) and how is he plotting it and how does this dovetail with the happy-go-lucky florist which is equally as much who he is?

Sid on the other hand is challenging in the sense that writing him feels fine. He's a real everyman if you will. Except I don't get his character and I think that's a major stumbling block for AOM as a whole. Yeah, on some level he has to be the sad traumatized guy but like. How does he handle his parents trying to run his life once he takes a massive step outside of their frame of reference? How does this work with Avis's story? (Can I successfully shove these two stories into one thing that is a whole? They have so many themes in common help) In his earliest iterations he was the devil-may-care I'm-doing-my-best guy who mildly tormented Horatio Sense Of Justice and I guess they've sort of flipped? Except Sid is always the Doing My Best guy.

Also when it comes to Anni and Zel, Anni is so easy to write with all the technical stuff and much more challenging with the romance stuff and I don't want it to be that way aaaaaaa

As for who did click, I think I'm getting there with Patience (even though I haven't worked on TFA in a while), Rodney worked better when I just let him be soft, working out Fay's whole divorce history helped make her easier to write (she's not pretending to be the good suburban mom. she just is sometimes and other times she sucks), the fact that Wylie hates himself cracked his whole character wide open, and lately I've realized that a critical part of post-divorce Sorian is that he's tired. He's tired of Avis needling him, always being there but never being there for him. He's not even sure he deserves for her to be. But he kinda wishes she would just leave and move on so he can too.