#also the reason Leon doesn't since he's in charge of the domestic faction and focuses on internal affairs
Explore tagged Tumblr posts
wordycheeseblob · 9 months ago
Text
Also chev has high boots and his eyes make it look like he's looking at you from above. Reminds you of your station. This makes him more unapproachable than, say, Leon who looks at you head on.
Body language wise & others:
Leon casual and relaxed, he's playing with the hilt and slightly leaning towards you. His colors are warm, the colors of strength, courage, and attention, the last one which he's giving you in full right now. Sincerely.
Gilbert's pose is playful and nonchalant, hand on hip and slight head tilt. It clashed with his imposing uniform. He's inviting you to let your guard down. Black is the colour that absorbs light, it's thus warmer to wear too. A colour that absorbs others, much like Gilbert does with other nations.
Chevaliers is standing very straight and leads away from you, his pose - legs closed and stiff. His head is looking into another direction, he's turned away from you. Whenever someone doesn't really want to talk to another person or needs to be someplace else, some part of them is pointing away. Usually feet. His hand on his hip in no casual manner, almost business-like, ready to reach for the sword. His clothes are asymmetrical in a different way from Gil: they balance out. The left side is all white with the most black fur. The right side is almost all black with a small part that's white cape. He's a complex character who has much duality.
Character Thoughts: Character Design #1 - Chevalier, Gilbert, Leon
My personal outlook on the character design choices in Pri is that the primary objective of the artist behind them was to reflect personality of the suitor rather than to fit within any specific time period. As such, it becomes a question... What can be read from their looks?
Tumblr media Tumblr media Tumblr media
Images were sourced from @acrispyapple 's blog.
Chevalier
Chevalier's colour scheme is all black and white, with subtle golden touches. It is fairly simplistic and may draw forward the image of a white tiger -- a ferocious although rare beast. It creates a frightening backdrop for any blood that may be spilled... and accurately enough, may serve as a reflection of a binary logic mindset.
Asymmetric cape allows for greater freedom of movement. The arm he draws his sword with is not going to be restrained under the weight of fabric. His boots look suitable for horse riding and the cut of his jacket, I believe, is meant to resemble military uniforms of centuries prior. Chevalier is covered from his fingertips to his very neck -- there isn't a vulnerability exposed in him. He is vigilant, he is ready to act, he is guarded. His skin will not be first to be cut, poison will not enter his system without struggle, his hand will not slip on the hilt of his sword even as it grows slick from crimson. Chevalier is a knight.
But through and through, he is also royalty. The haft at his hip could be called subtly ornate, albeit the material it's been made of makes it more so "humbly" opulent. The gold he dons speaks of riches, as does the fur at his collar. He's a commander. He is a noble. His position clearly separates him from others.
Chevalier is eye-catching. And were he involved in battle? You'd fear what you'd see. As you should.
Gilbert
Black, white and gold also follow Gilbert around. However, if in Chevalier's case it could have been argued that the split between darkness and light was even, then Gilbert is the dark itself. The rest are merely accents. They do not reveal much of his mystery, do not offer anything past sparse commentary on it... And I believe they aren't supposed to. Gilbert is the unknown. He is threatening and he is very clear about it.
The orders at his chest, the cut of the lapels, his boots -- it is hard not to see signs of Gilbert being involved with military. However, his clothes have clearly not been designed for ease of movement. They seem heavy, like he could get twisted in them at any moment and collapse, not to mention the heat. Long and heavily adorned with patterned accents, gold, they speak of might... But of that becoming of a commander, not a person who fights themselves. The cravat at his neck is yet another sign of how far removed he is from direct action. It is both a liability in combat and a sign of status.
Gloves, cane and eyepatch. Why should a person of his age need them? Surely, this question comes with simple answers... But are they quite correct? There's a dissonance there. You can see his secrets, but it does not mean they will be revealed to you. He, after all, too is guarded.
Leon
Another character dressed in black! But... Leon's is different, isn't it? It speaks of mystery, of secrets, surely, but when combined with noble gold and warm red... It is almost as if he wanted to say "I wish I could tell you, but I cannot". Even if not everything can be made clear, it is evident his actions are underlined with royal scarlet of high ideals.
Leon is a hero. You can see it in his wear -- it is much too informal to place him among the military, but it undeniably shows power and readiness to take up direct action. The guard at his shoulder may be complex, but the same cannot be said about the design of the hilt at his hip. It is simple, so much so that it begs to ask who else could wield it. If that is his weapon of choice, how far above a common knight does Leon see himself? Or... does he consider himself to be above them at all?
Based on the quality of his clothing and detail put into it alone, it is evident that Leon is not a person you may pass on the streets. However, his hands are out there, completely unprotected. And the way he wears his cape? His belts? The sash? It is utterly proper. Even if the lapels of his jacket do not follow any standards for uniforms, it is still buttoned up as it should be. Relaxed (or as relaxed as it may be for royalty), it gives him a laid-back, reliable appearance. The lion insignia clearly signifies who he is.
What are you hiding, Leon? We are at arm's length. You shine too bright... Yet you also mean us no harm.
223 notes · View notes