#also i'd argue that sublimi reinforces the slightly comic angle. subtle echo of walking into fucking doorframes
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still vaguely let down by the dismissal of sublimi feriam sidera vertice ("i'll strike the stars with my held-high head"....dont @ me) as "formulaic" because the image of touching the stars is conventional...but the whole point (the whole point!!) is the undercut delivered in the more overt comic violence of feriam, not only touch but strike against, the literary firmament reduced to a low ceiling and the poet granted a slapstick apotheosis. it's both smug (not only will i ascend, i will push at and perhaps through) and self-deprecating (i'll probably embarrass myself in the process) and it's a tight little line and. of course there’s no requirement to find it interesting but sometimes a half-aware read instills a real feeling of pity!! people are just out there not receiving what the work has to offer.
#useless paper#like yes you could also read the more conventional tangere / contingere / attingere as 'strike' rather than 'touch' (&c &c).#but i think H. is really directing a specific image here. he does not want you to misread 'strike' as 'touch.' he means 'strike.'#also i'd argue that sublimi reinforces the slightly comic angle. subtle echo of walking into fucking doorframes#idk i just think it's key that 1.1 ends with this little twist of tongue in cheek (cf. 3.30) and it just gets.......missed??#like it's lyrically lovely and it's 100% serious and it can't bring itself to take itself seriously. which is the project.#people say he's a self-conscious poet and yeah but in this specific way of like. showing you.#oh this. this is where my father came from. and this yeah i was in a war. this one's from being a fat little arriviste yeah.#go ahead and touch it. no sensation at all. look. look.#is it true? what do you mean is it true. it's a wound. what's truer.
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