#also daniel craig can be there

[benoits-neckerchieves]

He’s so cute 😭😭

Arena Magazine Issue 168 - March 2006

Why isn’t this one in the magazine too tho??

[halfbaked00q]

just had the haunting realization that one day they're gonna reboot James Bond which ofc means a new actor, and one day I will probably be one of those "old fashioned" ppl clinging to a previous actor as "My Bond" while some hot new young thing is prancing about on the stage.............

[island-in-the-shadows]

I always find it so wonderfully interesting when people prefer IWTV S1 to S2 but, tbh, they're both great seasons of television.

When I saw S1 as it premiered, I consistently struggled with it. There were (and to this day are) parts of it that severely pissed me off. "A Vile Hunger..." (1x5) is still the episode I like to rewatch the least, for example. It took me watching S1 twice to totally love the show. And it's because, when I saw S1, I was holding onto the source material while I watched.

This was fucking stupid on my part, especially given I took a class on adaptation while at Uni and got the academic tools to discern what makes for a good adaptation in film terms (I've talked about other adaptations with people who are book readers first and they tend to view it way differently). Hell, I wrote a thesis on why Clueless is a great adaptation of Jane Austen's Emma regardless of the change of setting in both time and place.

But IWTV was way too personal to me, it went back to my childhood, so it was hard to let go. I did instantly love a lot of the changes. I love the time change and the change to Louis' race and background. I love that we saw more of Louis pre-vampirism and that show Louis has more complex reasons for his long term struggles whereas book Louis just seemed so whiny to me for no reason. On the other hand, I struggled with: why is it a second interview, why was Claudia SA-ed, why the DV, why is fucking Antoinette a canker sore that never leaves, why the fuck is Armand in Dubai, what the fuck is happening with this timeline? I couldn't let go and my viewing experience suffered for it.

When I sat down to watch a second time, I said, "Ok, do what you were taught and let the source go. Adaptations cannot be 1:1 due to the change in medium". And that's when things started clicking. I stopped viewing S1, and the show as a whole, as needing to use the books as a plot bible and viewed it as using them as a guidebook to function on TV terms and tell its own version of the story. It allowed me to appreciate the things I loved much more and to understand the ones I hadn't been so sure about and, even, love some of those things.

For S2, I went into it with that mentality already so I solely judged it on film/TV terms even though, having read books 1-4 and 6 and reading about the rest, I saw subtle things people with no knowledge of the source canon did not. Like when YT reactors consistently worried about Daniel being killed and I'm just filing my nails because, to those in the know, Daniel has massive plot armour. Or people being confused about Raglan James and I'm sat there like wtf does this trifling ass want? Nevertheless, I enjoyed the tale as it was told and what it was on solely TV terms.

Both season are great television but, to me, S2 just took it up a notch. Daniel Hart popped off extra hard. Carol Cutshall popped off extra hard in costuming (stg she played faves because why did Armand get more fashion slays than anyone else? ^_^). The sets went extra hard. The acting, which was already superb in S1 because this is a fucking excellent cast (Jacob, Sam, Eric, Bailey, and Delainey 👏🏼👏🏼👏🏼), went harder as well because we have more players such as Ben Daniels doing the absolute MOST with Santiago, Roxane Duran being absolutely OUTSTANDING as the formidable Madeleine, and Assad Zaman stepping out from the background and giving a STUNNING performance as, to me, what's clearly the definitive Armand. To my taste, S2 is a lot less slow and I felt the pot boiling tension to the explosive ending build more keenly than in S1. And, again to my taste, the ending of S2 felt more satisfying because we have a sense of completion in Louis' journey rather than a, admittedly dope, cliffhanger. S2 has, arguably, the 3 best episodes of the show so far in "Don't Be Afraid..." (2x5) "I Could Not Prevent It" (2x7), and "And That's The End of It..." (2x8). For me, there's just no contest.

And yeah S2 isn't perfect either. The abrupt episode endings, for example, are a bit annoying---especially the end of 2x4. Yes, there's bits I would've changed a bit. (Though I will say, some book readers apparently wanted the show to include book Armand's Franken-experiments and I could very much do without it ever being included because it serves no narrative purpose other than to prolong Claudia's suffering. The show already goes hard to show Armand is a fucking asshole in other ways and it's gonna add to that in S3. We don't need that detail.) But, as a season of television, it just went the extra mile.

Still, I love that some people prefer S1. I love that they prefer S1 because it's more intimate or because it's more of a family season or because of the good Louis and Lestat moments or the good vampire family moments. Or maybe they love it for other reasons, it's all very personal.

I still think "In Throes of Increasing Wonder" is an outstanding pilot and it's one of my favourite episodes. Louis' confessional scene/the church scene is definitely one of the top moments of the show. Claudia's monologue at the end of "The Ruthless Pursuit of Blood..." still gives me goosebumps. Claudia stomping on Antoinette's fucking face and Daniel reading Louis to absolute FILTH at the end of "The Thing Lay Still" both make me clap and stomp like I'm at a concert or a sporting event.

Either way, S1 or S2, it's great TV and it deserves more love and recognition. I hope it gets it because it's truly deserving. Maybe we just need to hear our Brat Prince have his say for the uninitiated to awaken to it. S3 I have been seated since they made the call to release that teaser.

[lilianhuas]

“To my friend Drew Starkey if I was going into the jungle to take a bucket filled with [redacted] I’d surely do it with you.” - Daniel Craig accepting his best actor award at the NBR for his role as William Lee in Queer 2024.

[skitskatdacat63]

Pictures that fuel the 007 vettonso au that exists in my head(for now)

Also go listen to "You Know My Name", and think of Vettonso while doing so because I think it is SOOOOOO them coded(but also f1 in general tbh.) And also if you've seen Casino Royale, hey, remember that chair scene? >:)

[alexjcrowley]

I was checking Daniel Craig's Bond Movies and

First of all, they're far less than I thought. Second, from the perspective of someone who doesn't really know her James Bond and, from what she does know, doesn't like the saga, they are, in order:

1) The one with Mads Mikkelsen. I vaguely remember a bloody shower. Eva Green plays someone named Vesper? I was half asleep in a hotel room somewhere in Europe when I watched this for the first and only time.

2) Written during the first Screenwriters Strike and you can tell (I remember someone said that their cinema professor in college used the opening sequence of Quantum of Solace to show how not to direct an action scene)

3) As someone who doesn't like James Bond, I love this. I love Skyfall so much. I am obsessed with it. I have watched it 5 times. I will watch it again many, many more. Everything about this movie compels me. I feel it's specifically because it seems to be the less Bond-like.

4) Sucks so bad I read a brilliant fanfiction (here's the link) about how this shit was made up by James Bond in a false report and even M was like "Jesus Christ this doesn't make any sense if you want to falsify a report you have to at least make it believable".

5) It seemed like everybody hated that one for some reasons. I didn't like it, but I generally do not like James Bond's movies, so I don't count. Rami Malek was there. The soundtrack was written by Billie Eilish. Ana De Armas was hot for those like 15 minutes she was there. They mentioned "Berlusconi bunga bunga" at some point and it scarred me for life.

[againstdying]

nobody:

daniel craig: 😗

[monksexualizer]

seeing people post about this tennis movie that just came out and i think ill go see it purely because all the google reviews are either 5 stars or 1 star which is like. guaranteed insane experience. but more importantly this is how i find out that director is adapting william burroughs' queer? nuts insane very excited for that (even if its bad which it may well be i will gleefully bitch about it)

[moinsbienquekaworu]

i've never watched james bond except like the first 10 minutes of an old movie and then swore i would never go there again, so i had no idea he's a james bond, but he was on my dash and he was pretty and so i reblogged 🫡

He's not a James Bond! Ben Whishaw played the most recent version of Q, the quartermaster who gives the agents all their cool gadgets. Before they 'rebooted' the movies with Daniel Craig as Bond Q was an old guy, which was interesting but people weren't really going crazy over him. Then they cast beautiful young Ben Whishaw as Q in Skyfall and a lot of people started shipping him and Bond. On one hand, if I'm honest this is another case of 'two white men who look at each other', on the other Q is charming, they have a few fun interactions (more than Kylux lol) and the 00Q fandom did something really good with their characters (I gave the ship name because isn't 00Q one of the coolest ship names you've ever seen? I love it so much)

[spaceytrash]

You know now that Daniel Craig is finally free from Bond and has shown to the general public that he can play more than just an action hero with Bneoit Blanc I just hope we get to see more of these artsy emotional dramas he clearly wanted to do more of earlier in his career before he became Bond. If he still wants to do them that is. Tbh I just want him to act in whatever he wants and has fun in but he has such an amazing range, like he could literally play anything, and he was drawn to more emotional hitting roles than just action heroes before so I would love to see him in a very emotional drama or somethong else completely left field idk

[dokiyeom]

i’m losing my mind rn

[it-may-be-dull-but-im-determined]

The sad thing is that way back when - somehow AN ENTIRE EIGHTEEN YEARS AGO - Casino Royale was that fresh fun new thing for him (just like Goldeneye was for Brosnan, and look at where that particular era of the franchise ended up).

It was a good reboot with a great cast - Judi Dench and Eva Green and Mads Mikkelson stealing every scene, and the script is pretty much a joy (that train intro scene for Vesper is BURNED INTO MY BRAIN). The action scenes are grounded and impressive - and Daniel Craig was absolutely leftfield controversial casting at the time. It was groundbreaking for a Bond film back then, and he was kind of enjoying the chance to play Bond a little bit feral and thuggish.

...It did SO well in fact that they rushed Quantum of Solace into production with a nonsense title, unfinished script and an inexperienced director who had no clue how to deal with a massive action franchise (the exact same problem Disney ran into repeatedly with the Star Wars sequels/prequels a few years later) trying to beat the writer's strike. I cannot even imagine how exhausting and demoralising that must have been to make, but I'd also say the rot set in almost immediately after Casino for the Craig era Bond. I know people love Skyfall but holy shit it made zero sense in terms of keeping the franchise going post-Craig, and the inevitable mess that followed has kind of poisoned the well for the foreseeable.

The really funny thing is that Dan Craig was just a delightful weirdo accent indie king before he signed up for Bond - the one exception was Layer Cake and that basically got him Bond. What we're seeing now post-Bond is just him going back to exactly what he would have been doing anyway (which, thank god because Logan Lucky remains one of my all time favourite films).

[starkeysbunny]

awards season

pairing - drew starkey x interviewer!reader

summary - just bc drew is so fuckin flirty with everyone he talks to including interviewers.. like it looks like he falls in love w them every time. #whenisitmyturn. anyway. so drew being flirty as hell with a sweet interviewer on the oscar’s carpet <33 also i’m a film major and just love film so i got this idea in honor of awards seasonnn

warnings - flirting, lots of innuendoes 😝

“three, two, one.. and action.” the camera man says as he starts rolling. i smile brightly in my baby pink silk gown, my hair cascading down my shoulders, makeup perfectly done for the big night.

“hi vanity fair, i’m y/n and i’m your host tonight for the biggest night in film. welcome to the oscar’s! we had an amazing year in film, leading to a memorable awards season. we saw babygirl, wicked, nosferatu, queer, a complete unknown, the substance, and so many more.” i continue my introduction as the stars start to arrive.

i had been doing publicity and journalism in the film industry for about two years now and i got my first big gig tonight. the oscar’s with vanity fair. i mean, i couldn’t believe it. all the connections i could make tonight, it could be my big break.

but what was really in the back of my mind? the fact that my celebrity crush had been at the forefront of award season this year among many new break out actors.

drew starkey.

and i was scheduled to interview him in just a few minutes. safe to say, i was trying not to freak out.

i start off with an interview with nicole kidman, talking about babygirl. as it wraps up, she walks off to the next interviewer and i turn to the camera.

“okay, now that we just interviewed mother i’m not sure if anything will live up to it!” i gush with a smile. i look down the carpet and see who’s arriving next.

daniel craig and luca gaudagnino.

was i sweating? i think im sweating. shit.

this meant drew wasn’t far behind.

i turn to the camera, plastering a grin on my face. “okay, next we have drew starkey. he started with college student films, leading into small roles in feature films like love simon, then to his breakout netflix debut with the hit show outer banks. and now, he’s here for his first awards season run for his A24 film queer!” i introduce, as the camera pans over to him.

my jaw nearly drops.

he was wearing a navy blue loewe suit with a white button up under, and a navy blue bow tie. his hair was messy, his grown out—almost mullet—style complimented by the scruff on his jaw. he had sunglasses on, and as he approached the paparazzi, he pushed them up into his hair.

fans scream behind the barricade, as he smirks with a menacing grin, waving at a few of them.

he takes photos with the paparazzi, even flirting with a few of them.

i’ve seen his past interviews and you can tell he’s a bit of a flirt. which just makes my nerves peak even more.

i watch as he finishes with the paparazzi. his publicist comes to his side, pointing out me and the camera man next to me.

he grins, nodding slightly at us as he walks over.

“hey.” he says softly, sticking his hand out for me to shake. “i’m drew.” his blue eyes pierce into mine. he didn’t even glance at the camera yet, his focus purely on me.

“h-hi, drew. i’m y/n, and we’re with vanity fair.” i introduce, reaching my hand out to shake his. his much bigger hand enveloped mine, shaking lightly.

he lets go and glances at the camera, quirking a brow. “hey, vanity fair.” he chuckles lowly. he looks back at me, his tongue licking over his lips as he looks over my silk dress, then back up to my eyes.

god.

“so. drew, your first oscar’s!” i begin with a grin as i hand him a microphone for him to speak into. “are you nervous?”

he chuckles lightly as he looks down at the mic. it’s usually the microphone i would use, but we had a malfunction before the carpet and had to switch up the microphones.

“yeah, microphone malfunction, ignore it.” i chuckle softly. “yours is bigger than mine.”

he grins, his tongue poking to the inside of his cheek. “oh yeah?”

my eyes widen and i swallow roughly. a small, nervous chuckle escapes me. i should’ve worded that differently. shit.

he licks his lips and his eyes slightly squint as he notices my nerves at the slip up. “i am nervous. about all this.” he says softly. “terrified actually i- uh..” he trailed off, grinning almost like he was holding back.

i raise my eyebrows. “what is it?” i ask softly.

he looks back at me, “i’m just not sure if i should admit to a pretty girl like you that i called my mom in the hotel to talk me down before i got here.”

my cheeks tinge pink as he calls me pretty. focus. i chuckle softly. “no, hey we all need a little mom encouragement sometimes. it’s my first oscar’s too, so we’ll get through it together.”

he grins. “yeah, i hope so. sounds fun.”

i press my lips together in a giddy smile as i glance down at my cards. “so, you’ve just taken on your first big art house type film, queer. the tabloids have said that many directors had their eyes on you for the 2024 film run. what stuck out to you about this script?”

he smiles softly, his eyes focused in on mine like i hung the stars and moon as i asked the question. “great question, yeah, i mean.. luca.” he chuckles. “luca is someone i’ve wanted to work with as long as i could remember. so, i guess that was definitely the surface level..” he moves his hands as he explains. “.. attraction, i suppose. but, i also love the book, william s burroughs, i just fell in love with the story. playing eugene is something i’ll always remember.”

i grin softly, watching as his eyes light up as he explains. “that’s beautiful.” my hand comes to his bicep over his suit jacket sweetly. “i’m glad that your first big film was such a memorable experience. how has the awards season been, press and everything? was it different from press tours you’ve done in the past?”

it felt like we were having our own conversation. the camera wasn’t right next to us. microphones weren’t right below our lips. flashes and shouts weren’t heard in the background.

“oh yeah,” he nods. “for sure. film festivals were obviously something i’d never done before so that was a big adjustment. then of course, big nights like these. the emmy’s, oscar’s, and so on.. it’s been a journey, for sure.” he chuckles. “but daniel and luca have been so guiding and helpful through my uncertainties, i guess.” he smiles.

his publicist taps him on the shoulder and nods her head forward, signaling it was time to move on to the next interview. he politely smiles and turns to me, handing me the mic. he reaches in and hugs me—which i was not expecting.

i grin as he embraces me and pulls back, his hands resting on my forearm, near my elbow. “hey, i hope to see you inside, yeah? it was really great talking to you, y/n.”

i smile softly. “yeah, you too, drew. good luck tonight!” i wave as he walks off.

he turns over his shoulder and winks as he slips into his next interview. i let out a huff of breath, turning back to the camera. “wow. did anyone else just fall in love with him?” i joke.

not joking, actually.

“next we have..”

the red carpet went on for the next hour, interviewing actors and actresses, directors, and other talent walking the carpet. once the carpet concluded, my camera crew of two and i, were escorted inside the ceremony.

vanity fair was among the few only press outlets allowed inside the actual ceremony of the oscar’s.

we were escorted to the press section of the theatre, a small boxed off area by the stage, to the side of all the seats where the stars sat. we set up our little corner, the cameras arranging themselves as i fix my hair, adjusting my mic.

i look over at the audience as we wait for the show to begin, spotting drew almost immediately. and he was already looking at me.

he grins, standing from his seat and gingerly excusing himself past through the rows of actors. and he walks toward the press box.

our press box.

—

part 2 w… smut possibly ??? 😝😝

[lilianhuas]

[venussaidso]

Ketu is like if Mars were on so much steroids that he turned to smoke. But look, Ketuvians to me are also like Solar natives. Ketu and Sun nakshatras deal with self-realization, self-isolation, self-empowerment, cutting away the falsehood (in Sun's case, it's shining light ridding of darkness and ignorance) and non-duality, but all in different ways. Ketu is more dissociative and radical about these themes. Sun is more about an inward alignment associated with boundlessness, following a higher path which translates to more inner abundance. That's where their differences turn them into complete opposites, as the Sun represents the highest form of truth, and has to remain stable and continuously burn away negativity. Ketu is a Shadow planet, where disillusionment could lead to chaos, even more illusions and confusion.

Sun comes in already boundless, believing anyone can make anything for themselves and do as one likes so long as they follow their own internal compass. There's an inherent sense of royalty in all Sun nakshatras, and the boundlessness is evident in their lack of attachment to outer things, not needing them to define their inner kingliness.

Ketu nakshatras, in these old money/royalty themes, are literally held down by their roots. Which is why they can become more troubled, radical or dissociative because of their restrictive background. Their royal background and roots play a bigger role, compared to the boundlessness of Sun nakshatras and the inner king we see in them. I made a post showing the patterns in King Arthur to Magha and its trine nakshatras. Magha is in the Leo rashi (ruled by the Sun), and it is symbolized by the throne; the deities of Ashwini nakshatra are the princes who are sons of the Sun god (notice the paintings of them have a Solar radiance or the literal Sun following them (symbolizing their roots, and their natural solar radiance)). This could explain why I see similarities with Sun and Ketu nakshatras, and how their themes could parallel to a certain extent.

I'm currently busy with my Sun Dominant Themes post. It's not anything special since it does speak of literally... what I just said here lmao.

Also, Pierce Brosnan and Sean Connery are both Solar natives who portray the character James Bond. While Daniel Craig's James Bond is darker, as he is as a Ketu native.

Even in these gifs, you could tell the difference between the Sun and Ketu naks. The Sun manifests into one being more effortless and even arrogant, while Ketu could make one more broody and intense.

[benoits-neckerchieves]

The first frame of this goes by too quickly

Daniel Craig as James Bond

No Time To Die (2021)

Dir. Cary Joji Fukunaga